54 minute read
LIST OF ILLUSTRATIONS
NOTE: Dimensions are listed as height × width × depth
PAGE II Babette Eddleston, Photographer Carrara Studio, 1977
PAGE IV Photographer Unknown Carrara Studio, 1980
PAGE VI Photographer Unknown Carrara Studio, 1996
PAGE VIII Richard Olcott/Ennead Architects Design drawing for the Anderson Collection at Stanford University © Richard Olcott/Ennead Architects
PAGE X Harrison Truong, Photographer
ABOVE/BELOW Mary Margaret and Harry W. Anderson at the Anderson Collection at Stanford University with Manuel Neri’s Standing Figure II, 1982, Plaster, water-based pigments, mixed media, steel armature, 69¼ × 177∕8 × 19½ in./175.9 × 45.4 × 49.5 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.059
The Andersons with Standing Figure II, and David Park (1911–1960), Four Women, 1959, Oil on canvas, 57 × 753∕8 in./ 144.8 × 191.5 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.007, © The Estate of David Park, Courtesy of Hackett Mill, representative of the Estate of David Park
Steve Moore, Photographer Benicia Studio, 1980
295
PAGE XI Johnna Arnold, Photographer Galleries of the Anderson Collection at Stanford University, 2014
LEFT/RIGHT Philip Guston (1913–1980), The Coat II, 1977, Oil on canvas, 69 1∕8 × 921∕8 in./175.6 × 234.0 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.047, © The Estate of Philip Guston, Courtesy Hauser & Wirth, New York; Sam Francis (1923–1994), Red in Red, 1955, Oil on canvas, 78 3∕8 × 783∕8 in./199.1 × 199.1 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.011, © Sam Francis Foundation, California / Artists Rights Society (ARS), NY; and Jackson Pollock (1912–1956), Lucifer, 1947, Oil and enamel on canvas, 413∕16 × 105½ in./104.6 × 268.0 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.019, © The PollockKrasner Foundation / Artists Rights Society (ARS), NY
Clyfford Still (1904–1980), 1957-J No. 1 (PH-142), 1957, Oil on canvas, 1133∕8 × 1467∕8 in./288.0 × 373.1 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.038, © City and County of Denver, Courtesy the Clyfford Still Museum; and Peter Voulkos (1924–2002), Untitled Stack, 1981, Wood- red stoneware, 351∕8 × 163∕8 × 163∕8 in./89.2 × 41.6 × 41.6 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.056, © Voulkos Family Trust
BELOW Adolph Gottlieb (1903–1974), Trans guration III, 1958, Oil on canvas, 90 × 601∕8 in./228.6 × 152.7 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.029, Art © Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY; and Franz Kline (1910–1962), Figure 8, 1952, Oil on canvas, 807∕8 × 633∕8 in./205.4 × 161.0 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.028, © The Franz Kline Estate / Artists Rights Society (ARS), New York
PAGE XII Photographer Unknown Carrara Studio, 1996
PAGE XIV–XV Joan Brown Seated, 1959; Unique Cast 1963; Patina 2016 Aluminum, oil-based pigments 30¼ × 12½ × 27 in. 76.8 × 31.8 × 68.6 cm Anderson Collection at Stanford University, Stanford, California, Gift of The Manuel Neri Trust, 2017.2.01
PAGE XVI Willem de Kooning (1904–1997) Woman Standing—Pink, 1954–55 Oil and charcoal on canvas 48 × 36 in. 121.9 × 91.4 cm Anderson Collection at Stanford University, Stanford, California, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.018 © 2014 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York. Photo: M. Lee Fatherree
PAGE XVII Nathan Oliveira (1928–2010) Reclining Nude, 1958 Oil on canvas 487∕8 × 601∕8 in. 124.1 × 152.7 cm Anderson Collection at Stanford University, Stanford, California, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.009 © Nathan Oliveira Estate, Courtesy John Berggruen Gallery Photo: Ian Reeves
296
PAGE XVIII Photographer Unknown Carrara Studio, 1980
PAGE XX Auguste Rodin (1840–1917) La Porte de l’Enfer [The Gates of Hell], 1880–c. 1900; Cast 1981 Bronze 250¾ × 158 × 333∕8 in. 636.9 × 401.3 × 84.8 cm Cantor Arts Center, Stanford University, Stanford, California, Gift of the Iris and B. Gerald Cantor Collection, 1985.86 Photo: M. Lee Fatherree
PAGE XXI Auguste Rodin (1840–1917) La Martyre, grand modele [The Martyr, large version], 1899–c. 1900; Cast 1983 Bronze 60½ × 41½ × 14 in. 153.7 × 105.4 × 35.6 cm Cantor Arts Center, Stanford University, Stanford, California, Gift of the Iris and B. Gerald Cantor Collection, 1998.351 Photo: M. Lee Fatherree
PAGE XXII Harrison Truong, Photographer Standing Figure II, 1982, on exhibit at the Anderson Collection at Stanford University, 2014
PAGE XXIII Harrison Truong, Photographer
LEFT/RIGHT Standing Figure II, 1982, and Richard Diebenkorn (1922–1993), Girl on the Beach, 1957, Oil on canvas, 521∕8 × 57¼ in./132.4 × 145.4 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.005, © The Richard Diebenkorn Foundation; and Berkeley #26, 1954, Oil on canvas, 56¼ × 49¼ in./142.9 × 125.1 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.004, © The Richard Diebenkorn Foundation
Standing Figure II, 1982, and David Park (1911–1960), Four Women, 1959, Oil on canvas, 57 × 753∕8 in./144.8 × 191.5 cm, Gift of Harry W. and Mary Margaret Anderson, and Mary Patricia Anderson Pence, 2014.1.007, © The Estate of David Park, Courtesy of Hackett Mill, representative of the Estate of David Park
PAGE XXIV Auguste Rodin (1840–1917) La Martyre, grand modele [The Martyr, large version] (Detail), 1899–c. 1900; Cast 1983 Bronze 60½ × 41½ × 14 in. 153.7 × 105.4 × 35.6 cm Cantor Arts Center, Stanford University, Stanford, California, Gift of the Iris and B. Gerald Cantor Collection, 1998.351 Photo: M. Lee Fatherree
PAGE XXVI Carriona Figure No. 1, 1981 Marble, oil-based pigments 66½ × 18½ × 18¼ in. 168.9 × 47.0 × 46.0 cm Private Collection Cantor Arts Center, Stanford University, Stanford, California, promised gift of Thomas J. Davis and Shirley Ross Sullivan, L.37.1.2004
PAGE XXVIII M. Lee Fatherree, Photographer Tyler Street Studio, 2006
297
MANUEL NERI & THE ASSERTION OF MODERN FIGURATIVE SCULPTURE
1. Mary Julia (Cast 1/4), 1990; Cast 1991; Painted 1992 Bronze, oil-based pigments 65 × 19 × 15 in. 165.1 × 48.3 × 38.1 cm Private Collection
2. Mary Julia (Cast 2/4), 1990; Cast 1991; Painted 1992 Bronze, oil-based pigments 65 × 19 × 15 in. 165.1 × 48.3 × 38.1 cm Private Collection
3–4. Mary Julia (Cast 3/4), 1990; Cast 2005; Painted 2006 Bronze, oil-based pigments 65 × 19 × 15 in. 165.1 × 48.3 × 38.1 cm
5. Mary Julia (Cast 4/4), 1990; Cast 2005; Painted 2006 Bronze, oil-based pigments 65 × 19 × 15 in. 165.1 × 48.3 × 38.1 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.15
298
CHAPTER 1
6. James Mitchell, Photographer 9 Mission Street Studio, 1959
7. The Bathers, 1958 Plaster, oil-based pigments, mixed media, wood armature 39 × 44¼ × 37 in. 99 × 112.4 × 93.9 cm Private Collection
8. Chanel, 1958; Re-worked 1964 Plaster, oil-based pigments, mixed media, wood armature 67¼ × 17 × 19 in. 170.8 × 43.2 × 48.3 cm Private Collection
9. Hombre Colorado, 1958 Plaster, oil-based pigments, mixed media, wood armature 69 × 16 × 20¼ in. 175.3 × 58.9 × 41.3 cm Private Collection
10. Standing Figure with Red Arm, 1958 Plaster, oil-based pigments, mixed media, wood armature 61 × 22 × 16¼ in. 154.9 × 58.9 × 41.3 cm Private Collection
11. Carla III (Detail), 1958–60 Plaster, oil-based pigments, mixed media, wood armature 68 × 23 × 17 in. 172.7 × 58.4 × 43.2 cm 12. Carla III, 1958–60 Plaster, oil-based pigments, mixed media, wood armature 68 × 23 × 17 in. 172.7 × 58.4 × 43.2 cm
13. Alberto Giacometti (1901–1966) Head of Woman (Flora Mayo), 1926 Plaster with pigments 121∕16 × 91∕8 × 35∕16 in. 31.2 × 23.2 × 8.4 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
14. Seated Female Figure, 1961 Plaster, oil-based pigments, mixed media, wood armature 28 × 56 × 36 in. 71.1 × 142.2 × 91.4 cm Private Collection
15. Wood Figure No. 1, 1956–57 Wood, cloth, mixed media 353∕8 × 20¾ × 18¾ in. 89.7 × 52.7 × 47.6 cm Private Collection
16. Wire Figure No. 2, 1956–57 Wire, cloth, mixed media 15¾ × 9¼ × 4¼ in. 40.0 × 23.5 × 10.8 cm Private Collection
17. Wire Figure No. 1, 1956–57 Wire, cloth, mixed media 18 × 9½ × 13 in. 45.7 × 24.1 × 33.0 cm Fine Arts Museums of San Francisco, San Francisco, California, Gift of Mr. and Mrs. Paul LeBaron Thiebaud, 1998.187
18. Untitled (Bird), 1957–60 Cardboard, plaster, mixed media 15¾ × 15 × 9¼ in. 40.0 × 38.1 × 23.5 cm Private Collection
19. Hawk, 1957–60 Cardboard, plaster, mixed media 14¼ × 8½ × 8 in. 36.2 × 21.6 × 20.3 cm Private Collection
20–21. Beach Figure, 1958 Plaster, oil-based pigments, mixed media, wood armature 48¼ × 18¾ × 17¼ in. 122.6 × 47.6 × 43.8 cm Private Collection
22–23. Armless Figure, 1959 Plaster, oil-based pigments, mixed media, wood armature 60 × 22½ × 18 in. 152.4 × 57.2 × 45.7 cm San Francisco Museum of Modern Art, San Francisco, California, William L. Gerstle Collection, William L. Gerstle purchase 24. Alberto Giacometti (1901–1966) Femme qui marche [Walking Woman I] [Woman Walking], 1932 (version of 1936) Plaster coated with parting compound 597∕8 × 11 × 155∕16 in. 152.1 × 28 × 38.9 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
25. Marino Marini (1901–1980) Venere [Venus], 1942 Plaster 463∕8 × 11¼ × 10 in. 117.8 × 28.6 × 25.4 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
26. Germaine Richier (1902–1959) Die Kröte, 1942 Patinated plaster 711∕16 × 12 × 101∕16 in. 19.5 × 30.5 × 25.5 cm Kunstmuseum Bern, Switzerland, Gift of Hélène and Marcel Perincioli, Muri, Inv. No. Pl 82.009 © ProLitteris, Zürich / ARS, New York, NY Photo: Courtesy of Kunstmuseum Bern
27. Untitled [Armless Figure IV], 1974 Plaster, water-based pigments, mixed media, wood armature on wood base 64¼ × 175∕8 × 293∕8 in. 163.2 × 44.8 × 74.6 cm Whitney Museum of American Art, New York, Gift of Charles Cowles 91.101 28–29. Seated Female Figure with Leg Raised, 1959 Plaster, oil-based pigments, mixed media, wood armature 67¼ × 25¼ × 23¼ in. 170.8 × 64.1 × 59.1 cm Private Collection
30. Alberto Giacometti (1901–1966) City Square, 1948 Bronze 8½ × 253∕8 × 17¼ in. 21.6 × 64.5 × 43.8 cm The Museum of Modern Art, New York (Purchase) Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Digital image © The Museum of Modern Art/ Licensed by SCALA / Art Resource, NY
31. Marino Marini (1901–1980) Giovinetta (Nuda femminile) [Young Girl (Female Nude)], 1938 Terracotta 58¼ × 15 × 11 in. 148.0 × 38.0 × 28.0 cm Pinacoteca di Brera, Milan Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Sergio Anelli; Mondadori Portfolio / Art Resource, NY
32. Carla VI, 1958–60 Plaster, oil-based pigments, mixed media, wood armature 64 × 13¾ × 10½ in. 162.6 × 34.9 × 26.7 cm Private Collection
299
33–35. Exhibition catalogue, New Images of Man, The Museum of Modern Art, New York, 1959
36. Soichi Sunami, Photographer Installation view of the exhibition New Images of Man, The Museum of Modern Art, New York, September 30–November 29, 1959 Gelatin-silver print 7½ × 9½ in. 19.1 × 24.1 cm The Museum of Modern Art, New York Digital image © The Museum of Modern Art/ Licensed by SCALA / Art Resource, NY
37. Soichi Sunami, Photographer Installation view of the exhibition New Images of Man, The Museum of Modern Art, New York, September 30–November 29, 1959 Gelatin-silver print 7½ × 9½ in. 19.1 × 24.1 cm The Museum of Modern Art, New York Digital image © The Museum of Modern Art/ Licensed by SCALA / Art Resource, NY
38. Soichi Sunami, Photographer Installation view of Alberto Giacometti sculptures in the exhibition New Images of Man, The Museum of Modern Art, New York, September 30–November 29, 1959 Gelatin-silver print 7½ × 9½ in. 19.1 × 24.1 cm The Museum of Modern Art, New York Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Digital image © The Museum of Modern Art/ Licensed by SCALA / Art Resource, NY 39–40. Figure with Arms Raised, 1968 Plaster, oil-based pigments, mixed media, wood armature 85½ × 16½ × 17 in. 217.2 × 41.9 × 43.2 cm Private Collection
41. David Park (1911–1960) The Model, 1959 Oil-based pigments on canvas 66½ × 59 in. 168.9 × 149.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of Karen, Lawrence, and Ellen Eisner, in memory of their mother, Anita Brand Eisner; gift of Laila Twigg-Smith, by exchange; and purchased with Charles B. Benenson, B.A. 1933, Fund; Walter H. and Margaret Dwyer Clemens, B.A. 1951, Fund; Director’s Discretionary Fund for the Yale University Art Gallery; Leonard C. Hanna, Jr., Class of 1913, Fund; The Iola S. Haverstick Fund for American Art; The Heinz Family Fund; Katharine Ordway Fund; Joann and Gifford Phillips, Class of 1942, Fund; and George A., Class of 1954, and Nancy P. Shutt Acquisition Fund, 2014.71.1 © The Estate of David Park, Courtesy of Hackett Mill, representative of the Estate of David Park Photo: Courtesy of Yale University Art Gallery
42. Marino Marini (1901–1980) Pomona [Reclining Pomona], 1935 Bronze with patina 3011∕16 × 623∕16 × 187∕8 in. 78.0 × 158.0 × 48.0 cm Pinacoteca di Brera, Milan Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Pinacoteca di Brera, Milan
300
43. Alberto Giacometti (1901–1966) Composition avec trois gures et une tête (la place) [Three Figures and a Head (The Small Square)], 1950; Cast 2007 Bronze with patina 22½ × 21 × 157∕8 in. 57.2 × 53.3 × 40.3 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
44. Alberto Giacometti (1901–1966) Homme qui marche I [Walking Man I], 1960 Bronze with patina 711∕16 × 105∕8 × 383∕16 in. 180.5 × 27.0 × 97.0 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
45–46. Armless Figure in Silver II, 1960 Plaster, oil-based pigments, mixed media, wood armature 65 × 14 × 21 in. 165.1 × 35.6 × 53.3 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
47–48. La Palestra No. 6, 1988 Plaster, water-based pigments 43 × 34 × 22 in. 109.2 × 86.4 × 55.9 cm
49–50. Male Figure I, 1958 Plaster, oil-based pigments, mixed media, wood armature 37¼ × 10½ × 6¾ in. 94.6 × 26.7 × 17.1 cm
51–52. Female Figure I, 1958 Plaster, oil-based pigments, mixed media, wood armature 38 × 11 × 6½ in. 96.5 × 27.9 × 16.5 cm
53. Kneeling Figure, 1960; Re-worked 1964 Plaster, oil-based pigments, mixed media, wood armature 28½ × 18¼ × 20 in. 72.4 × 46.4 × 50.8 cm Private Collection
54–56. Shrouded Figure, 1960; Re-worked 1964 Plaster, oil-based pigments, mixed media, wood armature 28 × 32 × 15 in. 71.1 × 81.3 × 38.1 cm Yale University Art Gallery, New Haven, Connecticut, Gift of Philip Anglim, B.A. 1973, 2017.86.1
57. Pastel Study for Window Series No. 11, 1959 Oil-based pigments, collage, mixed media on paper 13½ × 10½ in. 34.3 × 26.7 cm Private Collection 58. Pastel Study for Window Series No. 7, 1959 Oil-based pigments, collage, mixed media on paper 13½ × 10½ in. 34.3 × 26.7 cm Private Collection
59. Pastel Study for Window Series No. 14, 1959 Oil-based pigments, collage, mixed media on paper 13½ × 10½ in. 34.3 × 26.7 cm
60. Window Series Sculpture I, 1968 Plaster, wood, mixed media 33 × 2711∕16 × 211∕8 in. 83.8 × 70.3 × 53.7 cm
61. No Hands Neri Sketchbook, Page 75 verso, 1966 Water-based pigments, graphite on paper 10¾ × 137∕8 in. 27.3 × 35.2 cm
62. No Hands Neri Sketchbook, Page 83 verso, 1966 Water-based pigments, mixed media on paper 10¾ × 137∕8 in. 27.3 × 35.2 cm
63. Geometric Sculpture I, 1966 Aluminum, oil-based pigments, wood armature 58½ × 29 × 161∕8 in. 148.6 × 73.7 × 41.0 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust 64. Geometric Sculpture II, 1966 Aluminum, oil-based pigments, wood armature 61 × 42 × 23 in. 154.9 × 106.7 × 58.4 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
65. Architectural Forms–Tula Series V [Untitled Rectangles, 1969–71], 1969 Plaster, mixed media, wood armature 25¾ × 25¼ × 26 in. 65.4 × 64.1 × 66.0 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.41
66–67. Standing Armless Figure, 1974 Plaster, oil-based pigments, mixed media, wood armature 64½ × 20½ × 20 in. 163.8 × 52.1 × 50.8 cm
68. Photographer Unknown Carrara Studio, 1993
69. Babette Eddleston, Photographer Carrara Studio, 1977
70. Mary Julia Klimenko, Photographer View of Carrara Studio, 1983
71. Darren Cox, Photographer Etruscan Temple Ruins at the Fiesole Archaeological Area outside Florence, Italy, 2007
301
72–75. Carla V, 1964 Plaster, oil-based pigments, mixed media, wood armature 67 × 22½ × 20 in. 170.2 × 57.2 × 50.8 cm Nasher Sculpture Center, Dallas, Texas, Gift of The Manuel Neri Trust
CHAPTER 2
76. M. Lee Fatherree, Photographer Manuel Neri working with Mary Julia Klimenko, Benicia Studio, 1985
77. Steve Moore, Photographer Benicia Studio, 1979
78–80. Seated Female Figure I, 1979 Plaster, water-based pigments, mixed media, steel armature 39 × 15 × 25 in. 99.1 × 38.1 × 63.5 cm Private Collection
81–83. Standing Figure No. 1, 1976; Re-worked 1979 Plaster, oil-based pigments, mixed media, steel armature 66¼ × 20 × 14 in. 166.3 × 50.8 × 35.6 cm Private Collection
84–85. Posturing Series No. 2, 1978 Plaster, mixed media, steel armature 31 × 21½ × 12 in. 78.7 × 54.6 × 30.5 cm Private Collection 86–87. Julia, 1976; Re-worked 2010 Plaster, water-based pigments, mixed media, steel armature 67 × 19½ × 13¾ in. 170.2 × 49.5 × 34.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.34
88. M. Lee Fatherree, Photographer Benicia Studio, 1992
89. Steve Moore, Photographer Benicia Studio, 1980
90. Photographer Unknown Carrara Studio, 1995
91–94. Mary and Julia, 1979 Plaster, water-based pigments, mixed media, steel armature 52 × 44 × 34½ in. 132.1 × 111.8 × 87.6 cm San Francisco Museum of Modern Art, San Francisco, California, Gift of Agnes Cowles Bourne
CHAPTER 3
95. Steve Moore, Photographer Benicia Studio, 1980
96. Standing Figure, 1972 Plaster, oil-based pigments, mixed media, steel armature 61¼ × 20 × 17¼ in. 155.6 × 50.8 × 43.8 cm Private Collection 97. Photographer Unknown Neri with sculptures in process, San Jose State University Art Gallery, San Jose, California, 1974
302
98. Photographer Unknown Sculptures in process, San Jose State University Art Gallery, San Jose, California, 1974
99–103. Philip Galgiani, Photographer Sculptures in progress in the exhibition The Remaking of Mary Julia, 80 Langton Street, San Francisco, 1976
104–105. Re-making Mary Julia No. 6, 1976 Plaster, water-based pigments, mixed media, steel armature 52 × 17 × 38 in. 132.1 × 43.2 × 96.5 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.35
106–107. Philip Galgiani, Photographer Sculptures in progress in the exhibition The Remaking of Mary Julia, 80 Langton Street, San Francisco, 1976
108–110. Sometimes We Forget [Mrs. C. I.] (Detail), 1976 Plaster, mixed media, steel armature 66½ × 19½ × 14½ in. 168.9 × 49.5 × 36.8 cm Private Collection
111-113. Sometimes We Forget [Mrs. C. I.], 1976 Plaster, mixed media, steel armature 66½ × 19½ × 14½ in. 168.9 × 49.5 × 36.8 cm Private Collection
CHAPTER 4
114. Philip Galgiani, Photographer Sculptures in progress in the exhibition The Remaking of Mary Julia, 80 Langton Street, San Francisco, 1976
115. Alberto Giacometti (1901–1966) Homme qui marche [Walking Man], 1947 Bronze 667∕8 × 7 7∕8 × 207∕8 in. 170.0 × 20.0 × 53.0 cm Kunsthaus Zürich, Switzerland, Alberto Giacometti Stiftung, 1964 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo © 2014 Kunsthaus Zurich
116. Alberto Giacometti (1901–1966) Piazza, 1947–48; Cast 1948–49 Bronze 8¼ × 245∕8 × 16 7∕8 in. 21.0 × 62.5 × 42.8 cm The Solomon R. Guggenheim Museum, New York, Peggy Guggenheim Collection, Venice, 76.2553.135 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: David Heald / The Solomon R. Guggenheim Foundation / Art Resource, NY
117–118. Mary Julia [Standing Figure V], 1976 Plaster, mixed media, steel armature 66 × 19 × 13 in. 167.6 × 48.3 × 33.0 cm Private Collection 119. Alberto Giacometti (1901–1966) Femme assise [Seated Woman], 1948–50 Bronze 305∕8 × 511∕16 × 711∕16 in. 77.8 × 14.5 × 19.5 cm Musee National d’Art Moderne, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Adam Rzepka / © CAN/MNAM/Dist. RMN-Grand Palais / Art Resource, NY
120–121. Alberto Giacometti (1901–1966) Femme assise [Seated Woman], 1956; Cast 1981 Bronze 203∕16 × 61∕8 × 95∕16 in. 51.3 × 15.6 × 23.7 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: J-P. Lagiewski/Courtesy Fondation Alberto et Annette Giacometti
122–123. Mary Julia Seated [Seated Female Figure No. 1], 1976 Plaster, mixed media, steel armature 57¾ × 16 × 31 in. 146.7 × 40.6 × 78.7 cm Cincinnati Art Museum, Cincinnati, Ohio, Gift of The Manuel Neri Trust
124. Alberto Giacometti sculptures on exhibit at the Louisiana Museum of Modern Art, Humlebæk, Denmark Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: allOver Images/Alamy Stock Photo 125–126. Alberto Giacometti (1901–1966) L’Homme qui chavire [The Man Who Capsizes] [Falling Man], 1950 Bronze 235∕8 × 85∕8 × 143∕16 in. 60.0 × 22.0 × 36.0 cm Musée Granet, Aix-en-Provence Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Mathieu Rabeau / © RMN-Grand Palais / Art Resource, NY
127. Alberto Giacometti (1901–1966) Grand femme [Tall Woman], 1958 Painted plaster 741∕8 × 115∕16 × 161∕8 in. 188.3 × 28.7 × 41.0 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
128–129. La Niña de la Piedra, 1978 Plaster, water-based pigments, mixed media, steel armature 65½ × 23¼ × 13¾ in. 166.4 × 59.1 × 34.9 cm Private Collection
130–131. Standing Male Figure, 1960; Re-worked 1964 Plaster, oil-based pigments, mixed media, wood armature 70 × 13¼ × 19 in. 177.8 × 33.7 × 48.3 cm Private Collection
303
132. Acha de Noche II, 1975 Plaster, water-based pigments, mixed media, steel armature 19¼ × 62 × 26¼ in. 48.9 × 157.5 × 66.7 cm
133. Marino Marini (1901–1980) Pomona, 1941 Bronze 61 × 20½ × 20½ in. 155.0 × 52.0 × 52.0 cm Uf zi, Florence; 0091774 Art © 2017 Artists Rights Society (ARS) New York / SIAE, Rome Photo: SCALA / Art Resource, New York
134. Marino Marini (1901–1980) Pomona, 1941 Plaster 6113∕16 × 221∕16 × 227∕16 in. 157.0 × 56.0 × 57.0 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
135. Marino Marini (1901–1980) Nudo femminile [Female Nude], , 1932–34 Wood 317∕8 × 123∕8 × 105∕8 in. 81.0 × 31.5 × 27.0 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini 136–137. Rosa Negra No. 1 (Cast AP), 1982; Cast 1998 Bronze, silver-nitrate patina 67 × 34¼ × 17¼ in. 107.2 × 87.0 × 44.0 cm Private Collection
138. Marino Marini (1901–1980) Torso di donna [Female Torso], 1929 Plaster 23 × 185∕16 × 425∕16 in. 58.5 × 46.5 × 107.5 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
CHAPTER 5
139. Photographer Unknown Carrara Studio, 1979
140–141. Colonata No. 1, 1982 Marble 72 × 16 × 22 in. 182.9 × 40.6 × 55.9 cm Private Collection
142. Pisano Marble Torso, 1985 Marble 34½ × 38½ × 20 in. 87.6 × 97.8 × 50.8 cm Private Collection 143–144. Bull Jumper III, 1987 Plaster, water-based pigments, mixed media, steel armature 30¼ × 21½ × 42 in. 76.8 × 54.6 × 106.7 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.32
145. Bull Jumper II, 1987 Plaster, water-based pigments, mixed media, steel armature 19½ × 30 × 60½ in. 50.0 × 76.2 × 129.1 cm Clarinda Carnegie Art Museum, Clarinda, Iowa
146. Sancas I, 1991 Plaster, water-based pigments, mixed media, steel armature 47¼ × 19 × 19½ in. 120.0 × 48.3 × 49.5 cm
147–148. Sancas Plaster Maquette, 1983 Plaster, mixed media, wire armature 17 × 7 × 6½ in. 43.2 × 17.8 × 16.5 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
304
149–150. Marino Marini (1901–1980) Popolo (La couple) [People (Couple)], 1929 Terracotta, unique 26 × 43 × 18½ in. 66.0 × 109.0 × 47.0 cm Museo del Novecento, Collection Marino Marini, Milan Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Mondadori Portfolio / Electa / Luca Carrà / Bridgeman Images
151. Marino Marini (1901–1980) Giovinetta [Young Girl], 1938 Plaster 6113∕16 × 187∕8 × 149∕16 in. 157.0 × 48.0 × 37.0 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
152. Marino Marini (1901–1980) Nudo femminile [Female Nude], 1932 Plaster 63¾ × 215∕16 × 20½ in. 162.0 × 55.0 × 52.0 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini 153. Marino Marini (1901–1980) Giovinetta [Young Girl], 1938 Plaster 533∕16 × 175∕16 × 149∕16 in. 135.0 × 44.0 × 37.0 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
154. Figurine of a Concubine, Middle Kingdom, Egypt, XIIth Dynasty (1991–1786 BCE) Bone 47∕8 in. high 12.4 cm high Musée du Louvre, Paris Photo: Erich Lessing / Art Resource, NY
155. Alberto Giacometti (1901–1966) Femme au chariot [Woman with Chariot], 1943–45 Plaster, wood 6013∕16 × 12¾ × 137∕8 in. 154.5 × 32.4 × 35.3 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
156. Fertility Figure, Middle Kingdom, Egypt, XIth–XIIth Dynasty Clay, mixed media 7½ in. high 19.0 cm high Aegyptisches Museum und Papyrussammlung, Staatliche Museen, Berlin Photo: Werner Forman / Art Resource, NY 157. Photographer Unknown Marino Marini in his studio Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
158–159. M.J. Series V, 1989 Plaster, water-based pigments, mixed media, steel armature 46 × 21½ × 31½ in. 116.8 × 54.6 × 80.0 cm Private Collection
160. Alberto Giacometti (1901–1966) La forêt [The Forest], 1950 Bronze 227∕16 × 24 × 185∕8 in. 57.0 × 61.0 × 47.3 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
161. Ernst Scheidegger (1923–2016), Photographer Alberto Giacometti working with plaster, c. 1960 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich
162. Photographer Unknown Marino Marini in his studio Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
305
163. Photographer Unknown Carrara Studio, 2003
164. M. Lee Fatherree, Photographer Tyler Street Studio, 2004
CHAPTER 6
165. Makiko Nakamura, Photographer Carrara Studio, 1983
166. Ernst Scheidegger (1923–2016), Photographer Detail in Alberto Giacometti’s studio: wall with sculptures, c. 1954 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich
167. Ernst Scheidegger (1923–2016), Photographer Detail in Alberto Giacometti’s studio: sideboard with sculptures, c. 1954 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich
168. Ernst Scheidegger (1923–2016), Photographer Alberto Giacometti modelling, c. 1965 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich 169. Chula [Carla I], 1958–60 Plaster, oil-based pigments, mixed media, wood armature 46 × 14 × 16½ in. 116.8 × 35.6 × 41.9 cm San Francisco Museum of Modern Art, San Francisco, California, Gift of Mary Heath Keesling
170. M. Lee Fatherree, Photographer Benicia Studio, 1988
171–172. Standing Female Figure No. 4, 1978 Plaster, mixed media, steel armature 64½ × 24½ × 14½ in. 163.9 × 62.2 × 36.8 cm Private Collection
173–175. Posturing Series No. 5, 1978 Plaster, mixed media, steel armature 30 × 14 × 11½ in. 76.2 × 35.6 × 29.2 cm Private Collection
CHAPTER 7
176. Photographer Unknown Carrara Studio, 1982
177. Ernst Scheidegger (1923–2016), Photographer View of Alberto Giacometti’s studio with un nished sculptures, c. 1962 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich 178. Alberto Giacometti (1901–1966) Femme debout (Poseur II) [Standing Woman], c. 1954 Painted plaster 2211∕16 x 4 5∕16 x 71∕8 in. 57.6 x 11.0 x 18.0 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Courtesy of Fondation Alberto et Annette Giacometti, Paris
179. Malcolm Park, Photographer Alberto Giacometti sculptures in retrospective exhibition at the Tate Modern, London, May 8, 2017 (Detail) Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Malcolm Park editorial/Alamy Live News
180. Marino Marini (1901–1980) Pomona, 1945 Plaster 6515∕16 x 27¾ x 22¼ in. 167.5 x 70.5 x 56.5 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
181–183. La Palestra No. 5, 1988 Plaster, oil-based pigments, water-based pigments, mixed media, steel armature 30 × 51 × 19¾ in. 76.2 × 129.5 × 50.2 cm Private Collection
306
184–185. Kneeling Figure, 1991 Plaster, water-based pigments, mixed media, steel armature 40¼ × 28 × 18¼ in. 102.2 × 71.1 × 46.4 cm Denver Art Museum, Denver, Colorado, Gift from Vicki and Kent Logan to the Collection of the Denver Art Museum, 2001.798
186–187. Annunciation No. 1, 1982 Plaster, water-based pigments, mixed media, steel armature 51½ × 23 × 21½ in. 130.8 × 58.4 × 54.6 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.31
188–189. Armless Figure III, 1970 Plaster, oil-based pigments, mixed media, wood armature 61 × 26 × 30 in. 155.0 × 66.0 × 76.2 cm Private Collection
190–191. La Palestra No. 6 (Cast AP), 1988; Cast 2007; Patina 2016 Bronze, oil-based pigments 32 × 21 × 44 in. 81.3 × 53.3 × 111.8 cm University Museums, Iowa State University, Ames, Iowa, Gift of The Manuel Neri Trust
192–194. Prietas Series II (Cast 1/4), 1993; Painted 1994 Bronze, oil-based pigments 68½ × 17½ × 24 in. 174.0 × 44.5 × 61.0 cm Private Collection 195–197. On the Up No. 1, 1992 Plaster, water-based pigments, mixed media, steel armature 69½ × 19¼ × 16¼ in. 176.5 × 48.9 × 41.3 cm Nasher Museum of Art at Duke University, Durham, North Carolina, Gift of The Manuel Neri Trust, 2016.26.2
CHAPTER 8
198. M. Lee Fatherree, Photographer Tyler Street Studio, 1997
199. Caryatid I (Cast 1/4), 2008 Bronze, oil-based pigments 297∕8 × 6 7∕8 × 7 in. 75.9 × 17.5 × 17.8 cm Private Collection
200–201. Seated Figure Maquette, 2007 Plaster, water-based pigments, mixed media 12¼ × 7¾ × 8½ in. 31.1 × 19.7 × 21.6 cm Private Collection
202–203. Torso (Cast AP), 1978 Bronze, oil-based pigments 26½ × 18¾ × 183∕8 in. 67.3 × 47.6 × 46.7 cm Private Collection 204. Seated Girl II (Bather), 1963 Plaster, oil-based pigments, mixed media, wood armature 44 × 29½ × 23¼ in. 111.8 × 74.9 × 59.1 cm Fine Arts Museums of San Francisco, San Francisco, California, Gift of Susie Schlesinger in gratitude to her father, Peter Schlesinger, 2011.62
205. Female Torso III [Untitled Torso III], 1960 Plaster, oil-based pigments, mixed media, wood armature 23½ × 13½ × 8 in. 59.7 × 34.3 × 20.3 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
206. Female Torso II [Untitled Torso II], 1960 Plaster, oil-based pigments, mixed media, wood armature 24 × 14 × 6 in. 61.0 × 35.6 × 15.2 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
207. Two Figures (Bather Series), 1964 Plaster, oil-based pigments, mixed media, wood armature 49 × 17 × 18 in. (each gure) 124.5 × 43.2 × 45.7 cm Private Collection Photo: Courtesy of George Adams Gallery, New York, and Cecilia Dan Fine Art, California
307
208. Seated Female Figure III, 1979 Plaster, water-based pigments, mixed media, steel armature 32½ × 37 × 30 in. 82.6 × 94.0 × 76.2 cm Private Collection
209. Seated Female Figure IV, 1979 Plaster, water-based pigments, mixed media, steel armature 33¾ × 28 × 21½ in. 85.7 × 71.1 × 54.6 cm The Oakland Museum of California, Oakland, California
210. Blue Blond, 1979 Plaster, water-based pigments, mixed media, steel armature 34 × 18 × 25 in. 86.4 × 45.7 × 63.5 cm Private Collection
211. Seated Figure Study No. 28, 1981 Water-based pigments, ink, graphite on paper 11 × 8½ in. 27.9 × 21.6 cm
212. Seated Figure Study No. 31, 1981 Water-based pigments, ink, graphite on paper 11 × 8½ in. 27.9 × 21.6 cm 213. Seated Figure Study No. 30, 1981 Water-based pigments, ink, graphite on paper 11 × 8½ in. 27.9 × 21.6 cm Bound in the artists’ book Tristezas/Songs of Sadness; Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust
214–215. Standing Figure No. 3 (Cast AP-II), 1980; Painted 1992 Bronze, oil-based pigments 66 × 20 × 13½ in. 167.6 × 50.8 × 34.3 cm Nasher Sculpture Center, Dallas, Texas, Gift of The Manuel Neri Trust
216–217. Isla Negra Series I (Cast AP), 1989; Cast 1993; Patina 2016 Bronze, oil-based pigments 18½ × 15 × 10 in. 47.0 × 38.1 × 25.4 cm
218. Catun No. 1 (Cast 4/4), 1986; Cast 2003; Patina 2016 Bronze, oil-based pigments 67 × 19 × 24 in. 170.2 × 48.3 × 61.0 cm
219. Seated Woman [Squatting Woman] (Cast 1/4), 1981; Cast 1982 Bronze, oil-based pigments 315∕8 × 34 × 27 in. 80.3 × 86.4 × 68.6 cm Private Collection 220. Seated Woman [Squatting Woman] (Cast 4/4), 1981; Cast 1982 Bronze, oil-based pigments 315∕8 × 34 × 27 in. 80.3 × 86.4 × 68.6 cm Private Collection
221. Seated Woman [Squatting Woman] (Cast 2/4), 1981; Cast 1982 Bronze, oil-based pigments 315∕8 × 34 × 27 in. 80.3 × 86.4 × 68.6 cm Private Collection
222. Seated Woman [Squatting Woman] (Cast 3/4), 1981; Cast 1982 Bronze, oil-based pigments 315∕8 × 34 × 27 in. 80.3 × 86.4 × 68.6 cm Yale University Art Gallery, New Haven, Connecticut, The Twigg-Smith Collection, Gift of Thurston Twigg-Smith, B.E. 1942, 2001.148.64
223–225. Annunciation No. 1 (Cast 3/4), 1982; Cast 2005; Painted 2006 Bronze, oil-based pigments 46¾ × 22 × 24¼ in. 118.7 × 55.9 × 61.6 cm National Gallery of Art, Washington, DC, Gift of The Manuel Neri Trust, 2014.129.1
308
CHAPTER 9
226. M. Lee Fatherree, Photographer Benicia Studio, 1985
227. Arcos de Geso Plaster Maquette XI, 1984 Plaster, water-based pigments, mixed media, wire armature 24½ × 17½ × 3 in. 62.2 × 44.5 × 7.6 cm
228. Arcos de Geso [La Figura/Escalieta Study No. 10], 1987 Charcoal, oil-based pigments, graphite on paper 14 × 10½ in. 35.6 × 26.7 cm Private Collection
229. Arcos de Geso [Carrara IV], 1984 Pastel, graphite on paper 13¾ × 105∕8 in. 34.9 × 27.0 cm Private Collection
230. Arcos de Geso Plaster Maquette IV, 1984 Plaster, water-based pigments, mixed media, wire armature 24¼ × 16¼ × 3 in. 61.6 × 41.3 × 7.6 cm Yale University Art Gallery, New Haven, Connecticut
231. Arcos de Geso Study No. 4 (Diptych), 1984 Oil-based pigments, charcoal, graphite on paper 135∕8 × 207∕8 in. 34.6 × 53.0 cm Clarinda Carnegie Art Museum, Clarinda, Iowa, Gift of The Manuel Neri Trust 232. Arcos de Geso Study [Amal No. 4] (Diptych), 1984 Oil-based pigments, charcoal, ink on paper 17 × 24 in. 43.2 × 61.0 cm University Museums, Iowa State University, Ames, Iowa, Gift of The Manuel Neri Trust
233. Arcos de Geso II, 1985–89 Plaster, water-based pigments, mixed media, steel armature 78 × 57 × 16½ in. 198.1 × 144.8 × 41.9 cm Private Collection
234. Arcos de Geso Plaster Maquette V, 1984 Plaster, water-based pigments, mixed media, wire armature 23¼ × 16½ × 5½ in. 59.1 × 41.9 × 14.0 cm
235. Mujer Pegada Series No. 1 (Cast 1/4), 1985; Cast 1986 Bronze, oil-based pigments 70 × 56 × 10 in. 177.8 × 142.2 × 25.4 cm Private Collection
236. Arcos de Geso V, 1985 Plaster, water-based pigments, mixed media, steel armature 72¾ × 57½ × 12¾ in. 184.8 × 146.1 × 32.4 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.44 237. Mujer Pegada Series No. 1 (Cast 4/4), 1985; Cast 2005; Patina 2016 Bronze, oil-based pigments 70 × 56 × 10 in. 177.8 × 142.2 × 25.4 cm
238. Mujer Pegada Series No. 1 (Cast AP), 1985; Cast 2005; Painted 2006 Bronze, oil-based pigments 70 × 56 × 10 in. 177.8 × 142.2 × 25.4 cm Nasher Museum of Art at Duke University, Durham, North Carolina, Gift of The Manuel Neri Trust, 2016.26.1
239. Omaha No. 5, 1986 Oil-based pigments, charcoal on paper 31 × 22 in. 78.7 × 55.9 cm Private Collection
240. Omaha No. 4, 1986 Water-based pigments, oil-based pigments, charcoal on paper 30 13∕16 × 22 in. 78.3 × 55.9 cm Private Collection
241. Omaha No. 1, 1986 Oil-based pigments, charcoal on paper 30¾ × 22 in. 78.1 × 55.9 cm Private Collection
242. Omaha No. 8, 1986 Oil-based pigments, charcoal on paper 31¼ × 22 in. 79.4 × 55.9 cm Private Collection
309
243. Omaha No. 3, 1986 Oil-based pigments, charcoal on paper 31¼ × 22 in. 79.4 × 55.9 cm Private Collection
244. Pisano No. 48 (Preparatory Drawing for Arcos de Geso Reliefs), 1982 Oil-based pigments, charcoal, pastel, graphite on paper 16½ × 121∕8 in. 41.9 × 30.8 cm Private Collection
245. Arcos de Geso [La Figura/Escalieta Study No. 11], 1987 Charcoal, oil-based pigments, graphite on paper 14 × 10½ in. 35.6 × 26.7 cm Private Collection
246. Arcos de Geso Plaster Maquette XII, 1984 Plaster, water-based pigments, mixed media, wire armature 23¼ × 16½ × 5½ in. 59.1 × 41.9 × 14.0 cm Private Collection
247. Arcos de Geso Plaster Maquette X, 1984 Plaster, water-based pigments, mixed media, wire armature 23¼ × 16½ × 5½ in. 59.1 × 41.9 × 14.0 cm Private Collection
310
248. Arcos de Geso Plaster Maquette VII, 1984 Plaster, water-based pigments, mixed media, wire armature 22¾ × 16 × 4½ in. 57.8 × 40.6 × 11.4 cm
249. Ree Schonlau, Photographer Bemis Project, Omaha, Nebraska, 1986
250. Maha – Ceramic Relief I, 1986; Re-worked 2010 Fired clay, slip glaze 48 × 36 × 12 in. 121.9 × 91.4 × 30.5 cm Racine Art Museum, Racine, Wisconsin, Gift of The Manuel Neri Trust
251. Maha – Ceramic Relief II, 1986; Re-worked 2010 Fired clay, slip glaze 48 × 36 × 12 in. 121.9 × 91.4 × 30.5 cm Racine Art Museum, Racine, Wisconsin, Gift of The Manuel Neri Trust
252. Maha – Ceramic Relief III, 1986; Re-worked 2010 Fired clay, slip glaze 48 × 36 × 12 in. 121.9 × 91.4 × 30.5 cm Racine Art Museum, Racine, Wisconsin, Gift of The Manuel Neri Trust
253. Maha – Ceramic Relief IV, 1986; Re-worked 2010 Fired clay, slip glaze 48 × 36 × 12 in. 121.9 × 91.4 × 30.5 cm Racine Art Museum, Racine, Wisconsin, Gift of The Manuel Neri Trust 254. Maha – Bronze Relief No. 1 (Cast 2/4), 1986; Cast 2006 Bronze, oil-based pigments 42¾ × 32¾ × 10¾ in. 108.6 × 83.2 × 27.3 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
255. Maha – Bronze Relief No. 5 (Cast 1/4), 1986; Cast 2006 Bronze, oil-based pigments 43¼ × 34¼ × 10¾ in. 109.9 × 87.0 × 27.3 cm Clarinda Carnegie Art Museum, Clarinda, Iowa
256. Maha – Bronze Relief No. 6 (Cast 2/4), 1986; Cast 2006 Bronze, oil-based pigments 42½ × 32½ × 10½ in. 108.0 × 82.6 × 26.7 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
257. Relief Study No. 15, 1983 Charcoal, ink, graphite on paper 13¾ × 10¾ in. 34.9 × 27.3 cm Private Collection
258. Mujer Pegada Study [Gustavo No. 11], 1985 Charcoal, oil-based pigments, graphite on paper 135∕8 × 105∕8 in. 34.6 × 27.0 cm
259. Maha Study – Carrara I, 1984 Water-based pigments, oil-based pigments, charcoal, pastel on paper 301∕8 × 221∕8 in. 76.5 × 56.2 cm Manetti Shrem Museum of Art, University of California, Davis, California, Gift of The Manuel Neri Trust
260–261. Mujer Pegada Series No. 5 (Cast 1/4), 1985; Cast 2005 Bronze, oil-based pigments 84½ × 54½ × 15¼ in. 214.6 × 138.4 × 38.7 cm
262. Arcos de Geso Plaster Maquette XIII, 1984–85 Plaster, mixed media 24½ × 17½ × 3 in. 62.2 × 44.5 × 7.6 cm Nasher Sculpture Center, Dallas, Texas, Gift of The Manuel Neri Trust
263. Arcos de Geso [La Figura/Isla Negra Study No. 9], 1987 Charcoal, water-based pigments, graphite on paper 14 × 10½ in. 35.6 × 26.7 cm Private Collection
264. Arcos de Geso (Diptych)(Cast 4/4), 1985; Cast 2005; Painted 2006 Bronze, oil-based pigments 79 × 110½ × 13½ in. 200.7 × 280.7 × 34.3 cm 265. Relief Study No. 3, 1983 Ink, charcoal, graphite on paper 13¾ × 10¾ in. 34.9 × 27.3 cm Bound in the artists’ book Ode to a Beautiful Nude; Private Collection
266. Arcos de Geso X, 1985 Plaster, water-based pigments, mixed media, steel armature 79 × 56½ × 17½ in. 200.7 × 143.5 × 44.5 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.37
267. Relief Study No. 1, 1983 Ink, charcoal, graphite on paper 13¾ × 10¾ in. 34.9 × 27.3 cm Bound in the artists’ book Ode to a Beautiful Nude; Private Collection
268. Buddha No. 8, 1984 Water-based pigments, pastel, graphite on paper 13¾ × 105∕8 in. 34.9 × 27.0 cm Private Collection
269. Mary Julia, 1973 Water-based pigments, charcoal, graphite on paper 41¾ × 30 5∕16 in. 106.0 × 76.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.55 270. Emborados Series XV (Diptych), 1976 Water-based pigments, mixed media on paper 41 × 59½ in. 104.1 × 151.1 cm Private Collection
271. Mary Julia – Side I, 2001 Water-based pigments, charcoal on paper 447∕8 × 237∕8 in. 114.0 × 60.6 cm
272. Arcos de Geso VII, 1985 Plaster, water-based pigments, mixed media, steel armature 79 x 57 × 14¾ in. 200.7 × 144.8 x 37.5 cm Private Collection
273. Relief Study No. 11, 1983 Charcoal, ink, graphite on paper 13¾ × 10¾ in. 34.9 × 27.3 cm
274. Relief Study No. 12, 1983 Charcoal, ink, graphite on paper 13¾ × 10¾ in. 34.9 × 27.3 cm
275–276. Mujer Pegada Series No. 3 (Cast 2/4), 1985; Cast 2006 Bronze, oil-based pigments 77¾ × 55 × 12½ in. 197.5 × 139.7 × 31.8 cm Cantor Arts Center, Stanford University, Stanford, California, Gift by Manuel Neri in recognition of Curator Hilarie Faberman’s support of California artists, 2011.69
311
277. Mary Julia, 1999 Water-based pigments, charcoal on paper 407∕8 × 24¼ in. 103.8 × 61.6 cm
278. Arcos de Geso [Pisano No. 53], 1982; Re-worked 1984 Pastel, graphite on paper 16½ × 121∕8 in. 41.9 × 30.8 cm
279. Arcos de Geso III (Detail), 1985 Plaster, water-based pigments, mixed media, steel armature 78¾ × 56 × 14½ in. 200.0 × 142.2 × 36.8 cm Clarinda Carnegie Art Museum, Clarinda, Iowa, Gift of The Manuel Neri Trust
280. Recuerdo Benicia No. 8, 1993 Water-based pigments, charcoal on paper 40¾ × 26 in. 103.5 × 66.0 cm Private Collection
281. Arcos de Geso I (Diptych), 1985 Plaster, water-based pigments, mixed media, steel armature 80 × 114 × 12½ in. 203.2 × 289.6 × 31.8 cm Nasher Sculpture Center, Dallas, Texas, Gift of The Manuel Neri Trust
282. Arcos de Geso Study [Rock No. 48], 1984 Water-based pigments, charcoal, graphite on paper 10½ × 135∕8 in. 26.7 × 34.6 cm 283. Arcos de Geso Study [Rock No. 47], 1984 Water-based pigments, graphite on paper 10½ × 135∕8 in. 26.7 × 34.6 cm
284–286. M. Lee Fatherree, Photographer Benicia Studio, 1988
287. Mujer Pegada – Maquette for Marble Relief I, 1983 Plaster, mixed media, wire armature 28 × 9½ × 3½ in. 71.1 × 24.1 × 8.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.11
288. Mujer Pegada – Maquette for Marble Relief II, 1983 Plaster, mixed media, wire armature 237∕8 × 7¼ × 3 in. 60.6 × 18.4 × 7.6 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.12
289. Mujer Pegada – Maquette for Marble Relief III, 1983 Plaster, mixed media, wire armature 28 × 10 1∕16 × 3½ in. 71.1 × 25.6 × 8.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.13
312
290. Mujer Pegada – Maquette for Marble Relief V, 1983 Plaster, mixed media, wire armature 281∕8 × 10¼ × 3½ in. 71.4 × 26.0 × 8.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.7
291. Mujer Pegada – Maquette for Marble Relief VI, 1983 Plaster, mixed media, wire armature 281∕8 × 10 × 4 in. 71.4 × 25.4 × 10.2 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.8
292. Mujer Pegada – Maquette for Marble Relief VII, 1983 Plaster, mixed media, wire armature 22 × 6¾ × 2½ in. 55.9 × 17.2 × 6.4 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.9
293. Mujer Pegada – Maquette for Marble Relief VIII, 1983 Plaster, mixed media, wire armature 281∕8× 10 × 27∕8 in. 71.4 × 25.4 × 7.3 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.10
294. Mujer Pegada – Maquette for Marble Relief IX, 1983 Plaster, mixed media, wire armature 221∕8 × 6¾ × 2½ in. 56.2 × 17.2 × 6.4 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.6
295. Mujer Pegada – Maquette for Marble Relief IV, 1983 Plaster, mixed media, wire armature 267∕8 × 101∕8 × 3½ in. 68.3 × 25.7 × 8.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.14
296. Mujer Pegada No. 4, 1985 Marble 68¾ × 22½ × 11 in. 174.6 × 57.2 × 27.9 cm San Francisco International Airport, San Francisco, California
297. Mujer Pegada No. 8, 1985; Re-worked 2012 Marble, oil-based pigments 82 × 351∕8 × 12½ in. 208.3 × 89.2 × 31.8 cm Private Collection
298. Mujer Pegada No. 7, 1996 Marble, oil-based pigments 7413∕8 × 25½ × 11 in. 188.9 × 64.8 × 27.9 cm Private Collection 299. Maha – Ceramic Maquette I, 1986 Fired clay, slip glaze 20¼ × 15½ × 4 in. 51.4 × 39.4 × 10.2 cm Private Collection
300. Relief Study No. 9, 1983 Ink, charcoal, graphite on paper 13¾ × 10¾ in. 34.9 × 27.3 cm
301. Arcos de Geso Plaster Maquette IX, 1984 Plaster, mixed media, wire armature 24½ × 17¼ × 3¼ in. 62.2 × 43.8 × 8.3 cm
302. Carrara No. 5, 1984 Water-based pigments, pastel, graphite on paper 13¾ × 105∕8 in. 34.9 × 27.0 cm
303. Carrara No. 6, 1984 Water-based pigments, pastel, graphite on paper 13¾ × 105∕8 in. 34.9 × 27.0 cm Private Collection
304. Pisano No. 17 (Preparatory Drawing for Arcos de Geso Reliefs), 1982 Oil-based pigments, pastel, charcoal, graphite on paper 16½ × 121∕8 in. 41.9 × 30.8 cm Private Collection 305. M. Lee Fatherree, Photographer Tyler Street Studio, 2006
306–307. Standing Figure I, 1982 Plaster, water-based pigments, mixed media, steel armature 69 × 18 × 20½ in. 175.3 × 45.7 × 52.1 cm
308–309. Standing Figure No. 6, 1978 Plaster, mixed media, steel armature 65½ × 19¾ × 15½ in. 166.4 × 50.2 × 39.4 cm Nasher Sculpture Center, Dallas, Texas, Gift of The Manuel Neri Trust
310–311. Arcos de Geso XI, 1985 Plaster, water-based pigments, mixed media, steel armature 87 × 57 × 15½ in. 221.0 × 144.8 × 39.4 cm University Museums, Iowa State University, Ames, Iowa, Gift of The Manuel Neri Trust
312. Mary Julia Standing VII, 2009 Charcoal, water-based pigments on paper 40 × 26¼ in. 101.6 × 66.7 cm
313
CHAPTER 10
313. Joanne Leonard, Photographer Benicia studio, 1972
314. Constantin Brancusi (1876–1957) Muse endormie I [Sleeping Muse I], 1909–10 Marble 6¾ × 107∕8 × 8 3∕8 in. 17.2 × 27.6 × 21.2 cm Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966 © 2004 Artists Rights Society (ARS), New York/ADAGP, Paris Photo: Cathy Carver/Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
315. Makiko IV, 1980 Plaster, water-based pigments, mixed media 15 × 10½ × 10 in. 38.1 × 26.7 × 25.4 cm
316. Portrait Series I, 1959 Plaster, oil-based pigments, mixed media, wood armature 32 × 16 × 16 in. 81.3 × 40.6 × 40.6 cm Private Collection
317–318. Mi China, 1969; Re-worked 1974 Plaster, oil-based pigments, mixed media, wood armature 28 × 14½ × 13 in. 71.1 × 36.8 × 33.0 cm Private Collection 319–321. Dr. Zonk, 1958 Plaster, oil-based pigments, mixed media, wood armature 22 × 10¼ × 10¼ in. 55.9 × 26.0 × 26.0 cm Private Collection
322–323. Head of Joan Brown, 1959 Plaster, graphite, mixed media, wood armature 16 × 7 × 8 in. 40.6 × 17.8 × 20.3 cm Private Collection
324. David Park (1911–1960) Couple, 1959 Oil-based paints on canvas 26 × 48 in. 66.0 × 121.9 cm Fine Arts Museums of San Francisco, San Francisco, California, Partial gift of the Morgan Flagg Family Foundation, 1995.21.6 © The Estate of David Park, Courtesy of Hackett Mill, representative of the Estate of David Park
325. Plaster Mask I, 1960 Plaster, oil-based pigments, mixed media 97∕8 × 6¼ × 55∕8 in. 25.1 × 15.9 × 14.3 cm Private Collection
326. Plaster Mask III, 1960 Plaster, oil-based pigments, mixed media 9 × 6 × 4 in. 22.9 × 15.2 × 10.2 cm Private Collection 327. Alberto Giacometti (1901–1966) Head of Father (Mask), c. 1927–29 Plaster 57∕8 × 41∕8 × 13∕8 in. 15.0 × 10.5 × 3.7 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Bridgeman Images
328. Untitled Male Head, 1958 Plaster, graphite, mixed media 145∕8 × 10¾ × 6½ in. 37.1 × 27.3 × 16.5 cm San Francisco Museum of Modern Art, San Francisco, California, Gift of Robert B. Howard
329–330. Male Head No. 4, 1969; Re-worked 1974 Plaster, oil-based pigments, mixed media, wood armature 29 × 24 × 20 in. 73.7 × 61.0 × 50.8 cm Private Collection
331–332. Markos, 1958; Re-worked 1963 Plaster, oil-based pigments, mixed media, wood armature 29 × 18 × 9½ in. 73.7 × 45.7 × 24.1 cm Fine Arts Museums of San Francisco, San Francisco, California, Gift from the Thiebaud family, 1993.99.2
314
333. Head of Markos, 1963 Plaster, oil-based pigments, mixed media 111∕8 × 6½ × 8¾ in. 28.3 × 16.5 × 22.2 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.3
334. Mary Julia Head (Cast 2/4), 1980; Re-worked 1994 Bronze, oil-based pigments 18½ × 8½ × 9½ in. 47.0 × 21.6 × 24.1 cm Private Collection
335. Mary Julia’s Head II – Cast Paper (Black) and Mary Julia’s Head I – Cast Paper (White), 1975 Cast paper Each 9 × 6 × 4½ in. Each 22.9 × 15.2 × 11.4 cm
336. Mary Julia Head I, 1974 Plaster, water-based pigments, mixed media, wood armature 28 × 16 × 17 in. 71.1 × 40.6 × 43.2 cm Private Collection
337–338. Untitled Head IV, 1976 Plaster, oil-based pigments, mixed media 10 × 8 × 11 in. 25.4 20.3 × 27.9 cm Yale University Art Gallery, New Haven, Connecticut, Gift of The Manuel Neri Trust, 2017.88.5 339. Makiko I, 1980 Plaster, water-based pigments, mixed media 16¾ × 13 × 10 in. 42.5 × 33.0 × 25.4 cm Clarinda Carnegie Art Museum, Clarinda, Iowa, Gift of The Manuel Neri Trust
340. Makiko Drawing I, 1980 Charcoal, water-based pigments on paper 39 × 29¼ in. 99.1 × 74.3 cm Private Collection
341–342. Makiko I, 1980 Plaster, water-based pigments, mixed media 16¾ × 13 × 10 in. 42.5 × 33.0 × 25.4 cm Clarinda Carnegie Art Museum, Clarinda, Iowa, Gift of The Manuel Neri Trust
343. Marino Marini (1901–1980) Marina, 1940 Bronze 103∕8 × 73∕8 × 7½ in. 26.3 × 18.3 × 19.0 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
344. Marino Marini (1901–1980) Marina, 1940 Plaster 10¾ × 73∕8 × 73∕8 in. 27.3 × 18.7 × 18.8 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini 345. Marino Marini (1901–1980) Ritratto di America Vitale [Portrait of America Vitale], 1938 Plaster 11t9∕16 × 611∕16 × 8 9∕16 in. 29.4 × 17.0 × 21.8 cm Museo Marino Marini, Pistoia Art © 2017 Artists Rights Society (ARS), New York / SIAE, Rome Photo: Courtesy of Fondazione Marino Marini
346–347. Makiko II, 1980 Plaster, water-based pigments, mixed media 10¾ × 10½ × 9½ in. 27.3 × 26.7 × 24.1 cm Private Collection
348. Makiko III, 1980 Plaster, water-based pigments, mixed media 15 × 13 × 10 in. 38.1 × 33.0 × 25.4 cm
349. Makiko No. 1 (Cast 1/4), 1980; Cast 1981; Painted 1983 Bronze, oil-based pigments 15½ × 11½ × 9½ in. 39.4 × 29.2 × 24.1 cm Private Collection
350. Makiko No. 2 (Cast 2/4), 1980; Cast 1981; Painted 1983 Bronze, oil-based pigments 15½ × 11½ × 9½ in. 39.4 × 29.2 × 24.1 cm di Rosa Collection, Napa, California
315
351–352. Makiko No. 3 (Cast 1/4), 1980; Cast 1981; Painted 1983 Bronze, oil-based pigments 15¼ × 11¼ × 9¼ in. 38.7 × 28.6 × 23.5 cm Private Collection
353–354. Makiko No. 4 (Cast 1/4), 1980; Cast 1981; Painted 1983 Bronze, oil-based pigments 15¼ × 11¼ × 9¼ in. 38.7 × 28.6 × 23.5 cm Private Collection
355–357. Makida III, 1997 Marble, oil-based pigments 24 × 16 × 22 in. 61.0 × 40.6 × 55.9 cm Anderson Collection at Stanford University, Stanford, California, Gift of The Manuel Neri Trust, 2017.2.02
358–359. Makida II, 1994; Re-worked 1997 Marble, oil-based pigments 24¼ × 16¼ × 22¼ in. 61.6 × 41.3 × 56.5 cm Private Collection
360–362. Makida I, 1994; Re-worked 1997 Marble, oil-based pigments 24¼ × 16¼ × 22¼ in. 61.6 × 41.3 × 56.5 cm Private Collection 363. Makiko I (Cast 2/4), 1980; Cast 2008 Bronze, oil-based pigments 16¾ × 13 × 10 in. 42.5 × 33.0 × 25.4 cm Private Collection
364–365. Makiko IV (Cast 4/4), 1980; Cast 2012; Patina 2016 Bronze, oil-based pigments 16¾ × 13 × 10 in. 42.5 × 33.0 × 25.4 cm
366–367. Makiko II (Cast AP-I), 1980; Cast 2014; Patina 2016 Bronze, oil-based pigments 16¾ × 13 × 10 in. 42.5 × 33.0 × 25.4 cm
368–369. Makiko I (Cast 1/4), 1980; Cast 2008 Bronze, oil-based pigments 16¾ × 13 × 10 in. 42.5 × 33.0 × 25.4 cm Private Collection
370. Mary Julia Klimenko, Photographer Benicia studio, 1995
371. Photographer Unknown Marino Marini in his studio
372. Photographer Unknown Carrara Studio, 1993 CHAPTER 11
373. M. Lee Fatherree, Photographer Benicia Studio, 1983
374–376. Prietas Series VI, 1993 Plaster, water-based pigments, mixed media, steel armature 68½ × 19½ × 13 in. 174.0 × 49.5 × 33.0 cm Private Collection
377–379. Kneeling Figure, 1991 (Cast 1/4), 1991 Bronze, oil-based pigments 40 × 18 × 25 in. 101.6 × 45.7 × 63.5 cm Private Collection
380. George Segal (1924–2000) Walk, Don’t Walk, (1976) Plaster, cement, metal, painted wood, electrical light 1091∕8 × 72 × 743∕8 in. 277.2 × 182.9 × 188.9 cm Whitney Museum of American Art, New York; Purchase, with funds from the Louis and Bessie Adler Foundation, Inc., Seymour M. Klein, President, the Gilman Foundation, Inc., the Howard and Jean Lipman Foundation, Inc. and the National Endowment for the Arts, 79.4a-f Art © The George and Helen Segal Foundation/ Licensed by VAGA and ARS, New York, NY Photo: Sheldan C. Collins
316
381. Duane Hanson (1925–1996) Rita the Waitress, 1975 Polyester resin, berglass, polychromed in oil, mixed media, and accessories 66 × 26 × 22 in. 168.0 × 66.0 × 55.9 cm Art © Estate of Duane Hanson/Licensed by VAGA, New York, NY Photo: Tom Powel Imaging, New York/Courtesy of Van de Weghe, New York
382. John DeAndrea (b. 1941) Three Versions of Ariel [Ariel I, Ariel II, Ariel III], 2011 Bronze, oil-based pigments Each approx. 64 in. high Each approx. 162.6 cm Art © John DeAndrea Photo: Courtesy of Bernarducci Meisel Gallery, New York
383. Alberto Giacometti (1901–1966) Simone de Beauvoir, 1946 Painted plaster 5½ × 19∕16 × 15∕8 in. 13.9 × 4.0 × 4.1 cm Fondation Alberto et Annette Giacometti, Paris Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: J-P. Lagiewski/Courtesy Fondation Alberto et Annette Giacometti 384. Alberto Giacometti (1901–1966) Walking Quickly Under the Rain, 1949 Bronze 18¾ × 30 × 6 in. 45.2 × 76.2 × 15.2 cm The Museum of Modern Art, New York, Nina and Gordon Bunshaft Bequest Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Digital Image © The Museum of Modern Art/ Licensed by SCALA / Art Resource, NY
385. Henri Cartier-Bresson (1908–2004), Photographer Swiss sculptor Alberto Giacometti in his studio, 1945–46. Paris. The 14th arrondissement. Rue Hippolyte Maindron. Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY © Henri Cartier-Bresson/Magnum Photos
386. Inge Morath (1923–2002), Photographer Studio of Swiss sculptor Alberto Giacometti, 1958 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY © The Inge Morath Foundation/Magnum Photos
387. Alberto Giacometti (1901–1966) L’Homme au doigt [Man Pointing], 1947 Bronze 70½ × 40¾ × 163∕8 in. 179.0 × 103.4 × 41.5 cm The Museum of Modern Art, New York, Gift of Blanchette Hooker Rockefeller Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Digital Image © The Museum of Modern Art/ Licensed by SCALA / Art Resource, NY 388. Gordon Parks (1912–2006), Photographer Swiss artist Alberto Giacometti (1901–1966) surrounded by sculptures in his studio, 1952 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo: Gordon Parks/The LIFE Picture Collection/Getty Images
389. Ernst Scheidegger (1923–2016), Photographer Alberto Giacometti painting in his Paris studio; in the foreground is La Grande Tête, c. 1960 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich
390. Ernst Scheidegger (1923–2016), Photographer Alberto Giacometti with two sculptures, 1954 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich
391. Rene Burri (1933–2014), Photographer Rue Hippolyte Maindron. The studio of Alberto Giacometti, Swiss painter and sculptor Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photo © Rene Burri/Magnum Photos
392. Julia (Cast 1/4), 1976; Cast 1998 Bronze, oil-based pigments 66 × 18¾ × 13¾ in. 167.6 × 47.6 × 34.9 cm Private Collection
317
393–394. Carrara Figure No. 1, 1979–80 Marble, oil-based pigments 68 × 23 × 14 in. 172.7 × 58.4 × 35.6 cm San Francisco Museum of Modern Art, San Francisco, California, Gift of the Hamilton-Wells Collection
395–396. Carriona Figure No. 1, 1981 Marble, oil-based pigments 66½ × 18½ × 18¼ in. 168.9 × 47.0 × 46.4 cm Cantor Arts Center, Stanford University, Stanford, California, promised gift of Thomas J. Davis and Shirley Ross Sullivan, L.37.1.2004
397–398. Etrusca, 1989 Marble 70½ × 21 × 12½ in. 179.1 × 53.3 × 31.8 cm Private Collection
399–401. Re-making Mary Julia No. 1 (Cast AP), 1976; Cast 2006; Painted 2008 Bronze, oil-based pigments 64 × 21 × 13 in. 162.6 × 53.3 × 33.0 cm
402–403. Standing Figure No. 4 (Cast AP), 1980; Cast 1982 Bronze, oil-based pigments 69½ × 22½ × 13¾ in. 176.5 × 57.2 × 34.9 cm Private Collection
318
CHAPTER 12
404. M. Lee Fatherree, Photographer Tyler Street Studio, 1992
405–407. Carriona Figure No. 2, 1981 Marble, oil-based pigments 58 × 16 × 12 in. 147.3 × 40.6 × 30.5 cm Harold Washington Library, Chicago, Illinois
408–410. M.J. Series II (Cast 2/4), 1989; Cast 1990; Patina 2016 Bronze, oil-based pigments 68½ × 20½ × 14 in. 174.0 × 52.1 × 35.6 cm
411–412. Cipolina No. 1, 1983 Marble 72¼ × 23 × 23¼ in. 183.5 × 58.4 × 59.1 cm Private Collection
413. Ernst Scheidegger (1923–2016), Photographer View of Alberto Giacometti’s working desk, detail, c. 1952 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich
414. Ernst Scheidegger (1923–2016), Photographer View of Alberto Giacometti’s studio with sculptures, Paris, c. 1955 Art © Giacometti Estate/Licensed by VAGA and ARS, New York, NY Photograph by Ernst Scheidegger © 2017 Stiftung Ernst Scheidegger-Archiv, Zurich 415–416. Carrara Figure No. 3, 1979–80 Marble 39¾ × 15½ × 25 in. 101.0 × 39.4 × 63.5 cm Honolulu Museum of Art, Honolulu, Hawaii
417. Carriona Figure No. 3, 1981 Marble, oil-based pigments 67 × 14 × 14 in. 170.2 × 35.6 × 35.6 cm Private Collection
418–419. Aurelia No. 3, 1995 Marble 77¾ × 21¾ × 23 in. 197.5 × 55.2 × 58.4 cm Private Collection
420–421. Aurelia No. 2, 1992; Re-worked 1998 Marble, oil-based pigments 62 × 21 × 18½ in. 157.5 × 53.3 × 47.0 cm Private Collection
422–423. Re-making Mary Julia No. 8, 1976 Plaster, mixed media, steel armature 65¼ × 23 × 14¼ in. 165.7 × 58.4 × 36.2 cm Private Collection
424. Annunciation No. 2 [Penance No. 3], 1982; Re-worked 1984 Plaster, water-based pigments, mixed media, steel armature 49 × 16 × 25 in. 124.5 × 40.6 × 63.5 cm Private Collection
425. Escalieta, 1989 Marble 80 × 22 × 25½ in. 203.2 × 55.9 × 64.8 cm Private Collection
426. Odalisque I, 1989 Marble 12 × 57 × 26 in. 30.5 × 144.8 × 66.0 cm
427. Escalieta, 1989 Marble 80 × 22 × 25½ in. 203.2 × 55.9 × 64.8 cm Private Collection
428. Escalieta No. 2, 1988 Marble, oil-based pigments 75¾ × 20 × 17 in. 192.4 × 50.8 × 43.2 cm Private Collection
429. Odalisque IV, 1994 Marble 19¾ × 60¼ × 48 in. 50.2 × 153.0 × 121.9 cm Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan
430. Seated Marble Figure [Mujer Pegada No. 5], 1985 Marble 38½ × 20½ × 39 in. 97.8 × 52.1 × 99.1 cm Private Collection 431. Escalieta No. 2, 1988 Marble, oil-based pigments 75¾ × 20 × 17 in. 192.4 × 50.8 × 43.2 cm Private Collection
432–433. Bardilia No. 3, 1983 Marble 62½ × 18 × 16 in. 158.8 × 45.7 × 40.6 cm Private Collection
434. Escalieta No. 4, 1987 Marble 70 × 21 × 19 in. 177.8 × 53.3 × 48.3 cm Private Collection Pages 250, 275, 323 M. Lee Fatherree, Photographer Manuel Neri: Assertion of the Figure, Anderson Collection at Stanford University, 2017
(See pages 252–257 for a list of works in the exhibition Manuel Neri: Assertion of the Figure)
Page 258 M. Lee Fatherree, Photographer Benicia Studio, 1983
Page 260 Photographer Unknown Carrara Studio, 1982
Page 276 Leo Holub (1916–2010), Photographer Manuel Neri, Benicia 1984 Gelatin silver print Cantor Arts Center, Stanford University, Stanford, California; Given in honor of Leo Holub by Harry W. and Mary Margaret Anderson, 2007.31.115 © The Estate of Leo Holub
Page 290 Joanne Leonard, Photographer Benicia Studio, 1972
Page 294 Steve Moore, Photographer Benicia Studio, 1980
Page 320 Photographer Unknown Carrara Studio, 1995
