ARCHITECTURE PORTFOLIO 2013

Page 1

AMANDA KRACZKOWSKY

ARCHITECTURE PORTFOLIO


vivacious

(adj) 1. full of spirit and animation; lively or vital 2. having or displaying tenacity of life In order to engage the senses of the user, architecture must be vivacious. The animated spirit of the form and the composition of the structure must be visually captivating for those who immerse themselves within the space. The transitions throughout a building should be a harmonious marriage of functionality and stimulating spatial progression.

statement of intent

Vivaciousness also refers to the ability of a being to endure and survive within an environment. The greatest architectural works exude an understanding of their surroundings and are adaptive to the changing needs of their users. To ensure future growth and sustainability, we now must address not only the needs of people EXW DOVR WKH GHPDQGV RI QDWXUH :H PXVW Ă€QG D ZD\ WR FUHDWH DQ endurable structure within our natural environment while still main-­ taining a practical application of spatial integrity and program. In the past few years I have come to understand duality of archi-­ tecture both in its artistic expression and its functional foundations. A building should not only speak to its users in structure and shape but it should speak of its vernacular. I have come to appreciate the natural environment not only as a source of inspiration for a building but as a driver for the entirety of the design. The vivacity which nature exudes in its rejuvenation, growth and development must be the driving force behind creating lasting, captivating and sustainable architecture.


architectural studios & relevant work studio VII (graduate): the pride of liberty country

projects

a renewal of the fabric of Hinesville, Georgia (fall 2012)

studio V/VI: jacksonville ecological museum

an ecological museum showcasing sustainable materiality in Jacksonville, Florida (winter&spring 2012)

studio IV: park. shop. live. create.

an artist’s community, parking, retail and residential structure in Austin, Texas (fall 2011)

studio III: oasis urbaine (urban oasis)

a multi-­modal transportation hub in the Rive Gauche district of Paris, France (spring 2011)

studio II: bywater community center

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studio I: greenovation

an improved and futuristic look at student housing in Savannah, Georgia (fall 2010)

fundamentals III: residence and spa at 215 w. broughton st.

a three-­story residential townhouse above a retail space in Savannah, Georgia (spring 2010)

fundamentals II: factor’s walk climbing gym

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fundamentals I: le sommet ski resort construction technology ii.

AAA architecture construction documents (winter 2011)

additonal artistic explorations

contents

an exploration of the structure and tectonics of the built form (fall 2009)


studio vii

project location: Hinesville, Georgia program: urban planning & redevelopment

studio VII: the pride of liberty county

a place whose livelyhood began in the 1700’s, the ciy of HInesville, Georgia has become dwarfed by the population of its neighboring army base, Fort Stewart, and has become physically discon-­ nected with the social needs of its people. by redesigning the zoning and layout of its major trans-­ portation artery, memorial drive, the city would regain its colonial presence in a modern community. by reexamining the existing zoning of the area, proposing major commercial zoning along memorial drive and creating a central park, a memorial lake/park, a newly renovated library, a boutique hotel and a memorial to its neighboring soldiers and veterans, the city of Hinesville would become a major place of interest for its patrons and vsitors alike.

collaborative studio project: student partners in graduate architecture design studio vii amanda kraczkowsky : main board composition & presentation layouts, leading designer on photo-­ shop work, all hand rendering, collaborative work on site design, building design and urban zoning UREHUW GDQLHO UHYLW DQG VNHWFKXS PRGHOOLQJ SURFHVV ERRN FRPSRVLWLRQ ]RQLQJ DQG VWUXFWXUDO LQĂ€OO of proposed urban cityscape, collaborative work on site design, building design and urban zoning


studio VII: the pride of liberty county


studio VII: the pride of liberty county

downtown hinesville memorial drive

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georgia

liberty county

hinesville


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surrounding context

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utilizing existing infrastructure in urban development the city of hinesville is sporatic in its current nature; buildings are built on large lots with large setbacks and the majority of structures located along the heart of the town center are residential, not commercial. by rezoning memorial drive to include mainly commercial structures, the city becomes a destination for residents and visitors in the surrounding area. the existing LQIUDVWUXFWXUH RI WKH FLW\ ERDVWV D JUHDW GHDO RI DPPHQWLWLHV KRZHYHU D VHULRXV SODQ IRU XUEDQ LQĂ€OO LV QHHGHG LQ WKH WRZQ

studio VII: the pride of liberty county

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studio VII: the pride of liberty county

creating a sense of place

although hinesville boasts numerous governmental, religious and municipal buildings, the lack of social interaction with the town’s structures is highly noticable. in order to usher more patrons into the city, there must be various catalysts in the form of commercial and social development. by integration of a farmers market and urban farm, two major parks, a major reno-­ vation to an existing library and educational facility and the creation of a local hotel, the town will become a destination.


studio VII: the pride of liberty county

imposing a grid

identity creation

incorporating green space

multimodal transportation

environmental attention

cultural appreciation

neighborhood integration


studio VII: the pride of liberty county

existing roadways | property lines | vacant lots

existing zoning | vacant lots

existing structures

memorial development focus areas


memorial drive vegetated corridor

new zoning of memorial drive

structures impacted along memorial drive

studio VII: the pride of liberty county

new roads & pedestrian walkways


studio VII: the pride of liberty county


studio VII: the pride of liberty county

master plan


studio VII: the pride of liberty county

hotel & dining

library memorial park


studio VII: the pride of liberty county

central park


studio VII: the pride of liberty county

veterans memorial


studio VII: the pride of liberty county

memorial lake park


studio VII: the pride of liberty county

commercial area section


studio VII: the pride of liberty county

central park


studio V/VI: jacksonville ecological museum

studio v/vi

project location: Jacksonville, Florida program: ecological museum

plagued by a blighted industrial sector in the eastern half of the city, the area on the north bank of the John’s river in Jacksonville boasts a large quantity of barren land and underutilized cityscape. WKH LQWURGXFWLRQ RI D PXVHXP WR VKRZFDVH WKH EHDXWLIXO QDWXUDO Ă RUD IDXQD DQG ODQGVFDSH RI WKH northern Floridian coast would serve as a destination to inspire growth and interaction with the riv-­ erscape. the use of sustainable materials such as recycled wood, green walls with native Florida vegetation and recycled water via a vegetated bioswale would serve as a catalyst for growth and beauty within an over-­industrialized and stark built environment


studio V/VI: jacksonville ecological museum


studio V/VI: jacksonville ecological museum

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duvall county

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duval county &downtown jacksonville


easy access to/from marsh street

spatial buffer between surrounding context and museum site

line of sight continued from I-­95 and jacksonville jaguars stadium

prospective site spatial buffer between water treatment facility and museum site line of sight continued along river walk

line of sight along main street bridge not blocked by other structures

the blight of jacksonville

dock access at two major sites and water access for marine patrons possible additional stop for existing jacksonville water taxi service

the site sits on a heavily travelled artery of jacksonville’s east bay street, a route intersecting the major downtown metropolitan area and the underutilized industrial area of the eastern bank. the area is in need of a major connective element to establish a presence and identity for the district. to balance the more lively jacksonville landings on the western side of the city, a struc-­ ture promoting gathering and community usage must be established within this enormous, barren site. the program, a mu-­ VHXP VKRZFDVLQJ WKH HFRORJLFDO EHDXW\ RI QRUWKHUQ Ă RULGD DQG LWV PDQ\ DGMXQFW IXQFWLRQV ZRXOG EH EHQHĂ€FLDO IRU WKH DUHD

studio V/VI: jacksonville ecological museum

line of sight continued along bay street


studio V/VI: jacksonville ecological museum

intrigue

playfulness

inspiration

destination

creating the emotional response upon arriving at the site, it was suggested that the creation of an implied feeling or emotion would serve as a strong basis for the conceptualization of the structure. based on personal site observa-足 tions and interaction with the site, the inspirational words were translated into conceptual modeliing


studio V/VI: jacksonville ecological museum

energy


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tree

studio V/VI: jacksonville ecological museum

WZR ZD\ WUDIĂ€F ZLWK YHJHWDWHG PHGLDQ introduction of four-­way intersection @ Marsh St. main vehicular entryway bioswale bay street trolley stop & waiting area accessible parking (2) designated employee parking loading dock & access lane exterior perforated shading canopy

river ferry waiting area ground level outdoor amphitheater interactive water fountain passive riverwalk pathway active riverwalk pathway river ferry docking area marina parking & accessible ramps

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time of use

lobby RIÀFH cafe museum shop outdoor amphitheater hike & bike active/passive trail

12” deep swale 6” check dam 3:1 slope

18” bioretention soil mix with 8” gravel drainage layer

8” perforated drain pipe

bioswale

studio V/VI: jacksonville ecological museum

auditorium galleries


studio V/VI: jacksonville ecological museum


studio V/VI: jacksonville ecological museum


studio V/VI: jacksonville ecological museum

connection details & structural section


St. Johns River

20’-­0” active river path

10’-­0” green space 10’-­0” passive river path

20’-­0” drop off & bus lane

18’-­0” employee & accessible parking

10’-­0” parking lot sidewalk

10’-­0” bioswale (grey water source)

public green space

15’-­0” pedestrian sidewalk

9’-­0” parallel parking lane

11’-­0” east bay street eastbound

10’-­0” vegetated median

11’-­0” east bay street westbound

9’-­0” parallel parking lane

15’-­0” pedestrian sidewalk

Maxwell House Coffee Factory

studio V/VI: jacksonville ecological museum

site & transverse museum section


studio V/VI: jacksonville ecological museum

lobby


studio V/VI: jacksonville ecological museum

gallery


studio V/VI: jacksonville ecological museum


studio V/VI: jacksonville ecological museum


studio iv

project location: Austin, Texas program: multipurpose, parking, retail, residential

studio IV: park. shop. live. create.

park. shop. live. create. was inspired by the local culture of the artistic community in Austin, Texas. the vibrant citygoers of live music capitol of the world, home to the austin city limits concert and austin art festival, fueled the playful, colorful design of this multifunctional building. amentities of the structural program include 750 parking spaces, 11 individual street level retail spaces, 35 residential apartments and 22 leasable artist gallery studios.

park. shop. live. create.


studio IV: park. shop. live. create.


studio IV: park. shop. live. create.

the importance of parking the beginning developmental concept by which this studio was orchestrated began with the under-足 standing of systematic parking decks. through exploration of circulation and by understanding ve-足 hicular and pedestrian movement, the structures became foundations for explorative interventions.


parkinggarage garagestudies studies parking

garage studies single-threaded helix circulation model intervention 1

intervention

single-threaded two-way traf c system

split-level circuation model intervention 1

parking garage

multi-bay circulation model parking garage studies intervention 1 parking garage studies double-threaded helix circulation model intervention 1

double-helix one-way traf c system

original model

multi-bay circulation model intervention 1

studio IV: park. shop. live. create.

parking garage studies parking garage studies

single-threaded double-threaded helix circulation model helix circulation model intervention 1 intervention 1

multi-bay multi-way traf c system

single-threaded two-way traf c system

intervention

original model

double-helix one-way traf c system

split-level circuation model intervention 1

original model

intervention

split-level two-way traf c system

split-level two-way traf c system

intervention

original model

multi-bay multi-way traf c system


sitesiteanalysis analysis

project location austin city grid

site analysis

studio IV: park. shop. live. create.

project location

site analysis the congress street district of austin boasts a variety of locally owned and operated retail and perfor-­ mance venues. this local atmosphere inspired by the “keep austin weird” movement, an emphatic DSSURDFK WRZDUG VKRZFDVLQJ ORFDO DUWLVDQV DQG PXVLFLDQV ZLWKLQ WKH FLW\ DQG WR HQVXUH D ÁRXULVKLQJ independent business sector. other notable landmarks in this district on the north side of the colo-­ rado river include new high-­rise residential landmarks and a hike & bike trail which utilizes the natural shape of the river to provide an outdoor park within an urban environment.


studio IV: park. shop. live. create.


application of program

studio IV: park. shop. live. create.

massing model study 1 &2

applicationofofpro pr application

midterm massin

midterm massing m


experientia experiential perspectives experiential perspectives walking to housing component & south gallery

experiential perspectives experiential perspectives view from a distance

approaching car entry

view from a distance

entry park for hike & bike trail & circulation paths

approaching car entry

entering garage

driving through garage level

leaving garage

design development

g component & south gallery entering garage

parking and leaving car

walking to retail component (north side) leaving garage

studio IV: park. shop. live. create.

view from a distance

entering garage


nal design typical oor plan north gallery circulation tower walkway

south gallery

studio IV: park. shop. live. create.

residences two-足way circulation ramp skyways from garage to galleries and apartments pedestrian pathway solar photovoltaic skin


studio IV: park. shop. live. create.

circulation plan


studio IV: park. shop. live. create.


studio IV: park. shop. live. create.


24” x 24” square precast concrete columns 16rb32 rectangular concrete columns

8’-­0” x 20” double-­tee beams safety guard rails w 30 x 99 columns anchored to concrete slab (skin frame)

studio IV: park. shop. live. create.

photovoltaic solar panels anchored to w 30 x 99 columns with spacing for ventilation

curtain wall panels polycarbonate plastic sun shading retail signage


arrive

connect

enter

circulate

park

enter

explore

shop

studio IV: park. shop. live. create.

approach


studio IV: park. shop. live. create.


studio IV: park. shop. live. create.


studio iii

project location: Rive Gauche, Paris, France program: multipurpose, tram/bus station & market

studio III: oasis urbaine (urban oasis)

oasis urbaine (urban oasis) utilized a prime location at the end of the Avenue du France in Paris’s up-­ and-­coming Rive Gauche district to provide a multi-­modal train, tram and bus station for the young neighborhood. inspired by the idea of movement and the post modern green buildings set to be constructed in the area by 2020, oasis urbaine included a naturally growing skin for sustainability as well as an outdoor open-­air market for users to openly interact with their community members.

collaborative studio project: architectural studio iii, fundamentals iii, interior design studio iv studio iii (amanda kraczkowsky): main revit model & structural grid, all photoshop work and board composition, renderings, sections, elevations, skin design fundamentals iii (matthew spinner): structural detailing, assisting skin composition, process book work interior design studio iv (michelle kuvinka): kiosk design and functional detailing


studio III: oasis urbaine (urban oasis)


studio III: oasis urbaine (urban oasis)

13th arrondissement (district)

greater paris

site location, roadways, railways

site analysis the Rive Gauche district of Paris, France is located in the southeast corner of the city, balancing the equally modern district of La Defense in the northwest corner. the highly developed and popular sector of La Defense boasts what the Rive Gauche sector currently lacks; a connection to the hu-­ man scale regardless of the monumentality of the structures. the Rive Gauche is an impressive ex-­ ample of juxtaposition between the classic historic sector of Paris and a modern atmosphere, yet a connection to the human scale and natural environment would prove crucial in the design.


vegetation

private green space

public green space

the rive gauche contains an adequate amount of vegetation, yet does not provide any true in-­ teractive green space or usable parks for visitors and residents to utilize. the area also lacks a major staple of french life, the outdoor air market or ‘marche.’ in order to maximize the func-­ tionality of the twin sites, the larger trapezoidal site became home to a multi-­modal train de-­ pot with a connecting bridge to the open air marche and park located on the smaller site.

studio III: oasis urbaine (urban oasis)


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studio III: oasis urbaine (urban oasis)

design development


studio III: oasis urbaine (urban oasis)


studio III: oasis urbaine (urban oasis)


studio III: oasis urbaine (urban oasis)


studio III: oasis urbaine (urban oasis)


studio III: oasis urbaine (urban oasis)


studio III: oasis urbaine (urban oasis)


studio ii

project location: Bywater, New Orleans, Louisiana program: community center

studio II: bywater community center

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New Orleans, Louisiana

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Fire Station

Located at the mouth of the Mississippi River and on the Gulf of Mexico, New Orleans, Louisiana has a rich history of trade, shipping, music and culture. Sedimentary silt shapes the landscape of the city and creates differences in topography of 40 feet above and 15 feet below sea level.

Mechanical Room

0 Elevation Line

Storage 1.5’

Outdoor Amphitheater

Bywater

E Water Collection Cisterns

4.5’

A New Building Addition Interior Courtyard

I

Outdoor Urban Garden

Site

1000 Poland Avenue consists of a narrow stable building and an adjacent green space. The location is on the corner of Poland Avenue and North Rampart Street.

North

Scope of Project

The design will include the renovation of the existing stables building and adding new space through a secondary structure and a redesign of the outdoor area.

Community Room

Main Entry F

rt Stre

et

Men’s Rest room

Rentable Office Meeting Office D

Day Care & Play Space

Rampa

D. Main Entry and Lobby

Women’s Rest room Shower Janitor Closet

Interior Courtyard

Readapted Use of Existing Structure

H

Rear Entry

Cafe Entry

Neighborhood Residences

Liaison Office Main Lobby

A l t e r n a t i v e Fu r n i t u r e P l a n s B a s e d o n S p a t i a l U s a g e

Coat Closet Rest room

G

Polan d Aven ue

6’

Cafe Counter

Accessible Parking C

3’

Bywater is located in the Upper Ninth ward of the city grid. Bywater sits three feet above sea level and is bordered by the Industrial Canal to the East and the Mississippi River to the South.

Cafe

Library

B

Classroom E. Cafe and Secondary Entry Nap Room

A

Site Plan: 1000 Poland Avenue

F. Main Entrance: Poland Avenue

Street Section: North to South

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Growth

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Va r i a b l e s

Interacting

Fluctuation

The Client

The Bywater Neighborhood Association is in need of a place to hold community activities and local events. Live Jazz Night Clubs

Design Theory

The Mississippi River

Mirliton Festival

Southside Bywater

Jazz Musicians

Mardi Gras A. West Facade from North Rampart St. and Rear Entry

Mississippi River

Arpent System

The design is based on the Japanese principle ‘shakkei’, defined as borrowed scenery or landscape. The original agricultural land division of New Orleans plantations is known as the Arpent System.

G. Intersection of North Rampart St & Poland Avenue

Land Division

Purity, Harmony, Reflectivity

Design Concept

The musical keywords used to influence the design are octave, rhythm, and dynamic. Their relationship to water and its fluid qualities are the basis for the overall design.

Growth

Dynamic

Fluctuation

Fluctuation

Rhythm

B. Poland Avenue, Accessible Parking and Entryway

H. Community Room

Design Intent

The intention is to create a highly dynamic, functional program. A modern building intervention, representative of the fluidity of water and the sound of music, will provide a connection within the two separate halves of the Bywater community.

C. Lobby & Existing Building Renovation

Interacting

Interacting

East Elevation

Constant

Flow

I. Day care Center

C. North Cafe Entrance from Poland Avenue, Accessible Parking, Outdoor Amphitheater

South Elevation

We s t E l e v a t i o n

North Elevation Mandy Kraczkowsky & Rand Gharaibeh ARCH 302 & INDS 714 Winter 2011 Professors Montgomery & Whitney

studio II: bywater community center

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Promoting Community Spirit in New Orleans, Louisiana


studio II: bywater community center

new orleans parish bywater

new orleans

mississippi river

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COMMUNITY CENTER at BYWATER

studio II: bywater community center


mechanical room storage FDIH library

studio II: bywater community center

interior courtyard community room

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main lobby coat closet UHVWURRP IRU FODVVURRP

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water collection cisterns

new building addition

UHDU HQWU\ outdoor urban garden

accessible SDUNLQJ FDIH HQWU\ readapted XVH RI KLVWRULF structure

main entrance

studio II: bywater community center

outdoor amphitheater


FINAL DESIGN

studio II: bywater community center

We s t t o E a s t S e c t i o n N e w B u i l d i n g

East Elevation

E a s t t o We s t S e c t i o n N e w B u i l d i n g

We s t E l e v a t i o n


We s t t o E a s t S e c t i o n E x i s t i n g B u i l d i n g

FINAL DESIGN COMMUNITY CENTER at BYWATER

East Elevation

studio II: bywater community center

E a s t t o We s t S e c t i o n E x i s t i n g B u i l d i n g


We s t Fa c a d e a n d R e a r E n t r y

studio II: bywater community center

AL

DESIGN

Poland Avenue and Entr y way

We s t Fa c a d e a n d R e a r E n t r y


Main Entrance : Poland Avenue

Main Entr y and Lobby

We s t Fa c a d e a n d R e a r E n t r y

COMMUNITY CENTER at BYWATER

N o r t h C a f e E n t r aPnoclea nf rdo A mv eP n ou l aen adnAdv Eennturey,wAacyc e s s i b l e Park ing, Outdoor Amphitheater

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studio II: bywater community center

ible ater

FINAL DESIGN


DESIGN

studio II: bywater community center

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COMMUNITY CENTER at BYWATER


studio II: bywater community center


studio i

project location: downtown Savannah, Georgia program: student housing renovation

studio I: greenovation

following the concept of human proportioning and accessibility, the renovation of SCAD’s Ogletho-­ rpe House dormitory became a relavent concept to explore when designing student housing in rela-­ tion to comfort and needs of the student population. the existing structure, a 1960’s motel adorned with wrought iron and art deco detailing, provided the bones beneath a total exterior transforma-­ WLRQ DQG EXLOW DGGLWLRQ WKH QHZ GHVLJQ LQFOXGHG ÁH[LEOH VXLWH VW\OH VWXGHQW URRPV DV ZHOO DV PRUH traditional double rooms, a new lobby and adjacent green space and a green skin composed of ventilated louver systems for natural ventilation.


studio I: greenovation


oglethorpe house J.O.’s cafe club SCAD

studio I: greenovation

parking

site analysis EHJLQQLQJ WKH ÀUVW RIÀFLDO VWXGLR FRXUVH ZLWK D VLWH ORFDWHG LQ RXU VFKRRO·V FLW\ SURYLGHG D ZHOO grounded knowledge of the existing cultural context of Savannah. the analysis of the site included the student’s perspective on housing, which became crucial consideration in a practical design. the input of student clients in conjunction with our own knowledge of existing dormitory conditions in savannah became the driving force in addressing the necessary programmatic components for a dormitory renovation.


studio I: greenovation


VNLQ ORXYHUV DOORZV QDWXUDO YHQWLODWLRQ DQG UHテ?FW VXQOLJKW

studio I: greenovation

transition from urban to natural environment within structure


studio I: greenovation

transition from urban bustle to private green space


studio I: greenovation


studio I: greenovation


studio I: greenovation


studio I: greenovation


fund. iii

project location: downtown Savannah, Georgia SURJUDP UHVLGHQFH VW ÁRRU UHWDLO

fundamentals III: 215 w broughton st

utilizing the existing historical context of Savannah’s downtown commercial center, the residence DW Z EURXJKWRQ ZLWK OHDVDEOH UHWDLO VSDFH LQWURGXFHG VSHFLÀF LQWHUDFWLRQ ZLWK D FOLHQW DQG H[SORUHG SUREOHP VROYLQJ LQ RUGHU WR PHHW WKHLU VSHFLÀF QHHGV VSDWLDO FRQÀJXUDWLRQ RI URRPV DQG openings was based on the desires of the client and overall exterior design remained dependent on matching the surrounding downtown facade syles and materiality.

215 w. broughton st


215 w. broughton st

fundamentals III: 215 w broughton st

proposed structure


fundamentals III: 215 w broughton st

VWUXFWXUDO Ă RRU SODQ

load bearing masonry wall


fundamentals III: 215 w broughton st


fund. ii

project location: downtown Savannah, Georgia program: rock climbing gym

fundamentals II: factor’s walk gym

the climbing gym on factor’s walk and its accompanying programmatic requirements became the ÀUVW H[SORUDWLRQ LQWR WKH V\VWHPDWLF VNLOO RI PDQDJLQJ VSDFHV DQG WKHLU DGMDFHQW FRQQHFWLRQV IXQF-­ WLRQDO VTXDUH IRRWDJHV DQG WKH ÀUVW LQFOXVLRQ RI D UHDO OLIH VLWH PDGH WKLV WKH ÀUVW SUDFWLFDOO\ DSSOLHG project I had explored. programmatic elements included a three-­story rock climbing wall, party and PHHWLQJ URRPV ORFNHU DQG UHVWURRP DUHDV DQG VSHFLÀF PHFKDQLFDO VWRUDJH QHHGV


fundamentals II: factor’s walk gym


fundamentals II: factor’s walk gym


fundamentals II: factor’s walk gym


fund. i

project location and program theoretical

fundamentals I: le sommet ski resort

WKLV FRXUVH LQWURGXFHG WKH Ă€UVW SUDFWLFDO DSSOLFDWLRQ RI WHFWRQLFV DQG VWUXFWXUDO LQWHJULW\ ZLWKLQ WKH Ă€HOG RI DUFKLWHFWXUH WKURXJK WKH H[SORUDWLRQ RI YDULRXV VSDWLDO FRQĂ€JXUDWLRQV VROLG DQG YRLGHG HO-­ HPHQWV DQG D FRQFUHWH UHSHDWDEOH Ă RRU SODQ DQ RYHUDOO VWUXFWXUH DQG FRQFHLYDEOH EXLOGLQJ ZDV formed. steps to complete this project included the study of primary, secondary and tertiary spaces, application of entryways and circulation, application of a tower to achieve monumentality and the construction of a base to ensure a secure connection within a theoretical site.


fundamentals I: le sommet ski resort

studies of primary, secondary and tertiarty spatial conditions led to structural grid development and entryway studies


fundamentals I: le sommet ski resort


fundamentals I: le sommet ski resort

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c.t. ii

project location: downtown Savannah, Georgia SURJUDP VW Ă RRU UHWDLO QG UG Ă RRU RIĂ€FH VSDFH

construction technology II: AAA Architecture

in order to fully understand the concept of structural assembly and the stringency of building codes, in groups of three we planned for a commercial building on broughton street. design developments included site location and accompanying elevations, universal accessibility requirements for spac-­ ing, structural sections and layout and subsequent structural detailing.

FROODERUDWLYH SURMHFW WKUHH VWXGHQWV LQ DUFKLWHFWXUDO VWXGLR LL FRQVWUXFWLRQ WHFKQRORJ\ LL amanda kraczkowsky: primary coding and zoning, elevation design, main steel structural system design, accompanying door jamb detailing anna gosselin: coding and zoning, elevations, main universal accessibility design, site cast concrete system, accompanying mullion connection detail arielle villardo: coding and zoning, elevation design, main site location analysis, precast concrete system, accompanying door head connection detail


ARCHITECTURE Project  Partners:

Design Submission Initial Revision Context Input

Revisions

AG AV

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COVER Â SHEET FLOOR Â PLANS Â AND Â ELEVATIONS EGRESS Â AND Â ACCESSIBILITY Â DETAILS WALL Â SECTIONS WALL Â DETAILS SITECAST Â CONCRETE Â STRUCTURAL Â DETAILS STEEL Â ASSEMBLY Â STRUCTURAL Â DETAILS PRECAST Â CONCRETE Â STRUCTURAL Â DETAILS

01.13.11 02.02.11 02.26.11

A-­  101 A-­  102 A-­  103 A-­  104 A-­  105 S-­  101 S-­  102 S-­  103

SCAD Construction Tech II Site,  Roof  Plan,  and Drawing  Index

$

construction technology II: AAA Architecture

Anna  Gosselin Mandy  Kraczkowsky Arielle  Vilardo

SHEET INDEX


60'  -­  0" 60'  -­  0" 5'  -­  9"

6'  -­  0"

3'  -­  4"

3'  -­  0"

4'  -­  0"

3'  -­  0"

9'  -­  7"

3'  -­  0"

8'  -­  5"

3'  -­  0"

4'  -­  1"

$ -­ -­-­-­ $

5'  -­  1"

3'  -­  0"

7'  -­  0"

3'  -­  0"

4'  -­  0"

3'  -­  0"

13'  -­  0"

3'  -­  0"

5'  -­  0"

3'  -­  0"

4'  -­  1"

3'  -­  0"

5'  -­  1"

3'  -­  0"

7'  -­  0"

3'  -­  0"

4'  -­  0"

3'  -­  0"

67$,5

9'  -­  4"

9'  -­  4"

3'  -­  0"

3'  -­  0"

3'  -­  0"

UP

13'  -­  3"

3'  -­  0"

5'  -­  0"

3'  -­  0"

3'  -­  10"

3'  -­  0"

3'  -­  0"

67$,5

9'  -­  4"

3'  -­  8"

UP

UP

67$,5

UP

ARCHITECTURE 8'  -­  9" 12'  -­  4  1/2"

8'  -­  9"

Project Partners:

23'  -­  0" 23'  -­  0"

EXISTING BUILDING

Anna Gosselin Mandy Kraczkowsky Arielle Villardo

OFFICE SPACE/ BUSINESS AREA OPEN FLOOR PLAN

EXISTING BUILDING

90'  -­  0"

Building Design :HVW %URXJKWRQ 6WUHHW 6DYDQQDK *$

70'  -­  0"

OFFICE SPACE/ BUSINESS AREA OPEN FLOOR PLAN

EXISTING BUILDING

MERCANTILE OPEN FLOOR PLAN 90'  -­  0"

$ -­ -­-­-­ $

4'  -­  4"

3'  -­  0"

6'  -­  8" 4'  -­  4"

STAIR # 1

8'  -­  4"

UP

8'  -­  4"

3'  -­  0"

7'  -­  7"

3'  -­  0"

ELEVATOR

3'  -­  0"

ELEVATOR

UP

19'  -­  9"

ELEV.

6'  -­  0"

UP

STAIR #1

7'  -­  7"

STAIR #1

4'  -­  4"

3'  -­  0"

RESTROOM

6'  -­  8"

RESTROOM RESTROOM

6'  -­  10"

NORTH

NORTH NORTH

6'  -­  0"

-­ $ -­-­-­ $

3'  -­  0"

5'  -­  0  3/4"

3'  -­  0"

7'  -­  0"

3'  -­  0"

4'  -­  0"

3'  -­  0"

4'  -­  0"

3'  -­  0"

5'  -­  11  1/4"

3'  -­  0"

5'  -­  0"

3'  -­  0"

5'  -­  0  3/4"

3'  -­  0"

7'  -­  0"

3'  -­  0"

4'  -­  0"

3'  -­  0"

4'  -­  0"

3'  -­  0"

6'  -­  3  1/4"

3'  -­  0"

5'  -­  0"

SECOND  FLOOR  PLAN A102-­2  1/8"  =  1'-­0"

3'  -­  10"

THIRD  FLOOR  PLAN A102-­3  1/8"  =  1'-­0"

Terra Cotta Tile Brick Facing

3'  -­  0"

4'  -­  2"

17'  -­  1  1/2"

ROOF 35'  -­  0"

ROOF 35'  -­  0"

Design Submission Layout Revision -­ AV Revision -­ AV

FIRST  FLOOR  PLAN A104-­1  1/8"  =  1'-­0"

16'  -­  3  1/4"

3'  -­  0" 4'  -­  6" 18'  -­  8  3/4"

Revisions

construction technology II: AAA Architecture

EXISTING BUILDING

EXISTING BUILDING

EXISTING BUILDING

23'  -­  0"

Low E Glass

THIRD  FLOOR 24'  -­  0"

THIRD  FLOOR 24'  -­  0"

Double Pane Glass Commercial Storefront Glass

SECOND  FLOOR 13'  -­  0" Terra Cotta Tiles

SECOND  FLOOR 13'  -­  0" Steel Framming

NORTH  ELEVATION  1/8"  =  1'-­0"

FIRST  FLOOR 0'  -­  0" 2

$5&+ :LQWHU Professor Alexis D. Gregory

Floor Plans and Elevations

FIRST  FLOOR 0'  -­  0" 1

SCAD Construction Tech II

SOUTH  ELEVATION  1/8"  =  1'-­0"

$


6'  -­  0"

3'  -­  0"

STAIR

4'  -­  0"

2'  -­  6"

STAIR UP

STAIR

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UP

EXISTING BUILDING

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OFFICE SPACE/ BUSINESS AREA OPEN FLOOR PLAN

MERCANTILE OPEN FLOOR PLAN

OFFICE SPACE/ BUSINESS AREA OPEN FLOOR PLAN

RESTROOM

RESTROOM

E101-­4 A-­102

0'  -­  6"

RESTROOM

STAIR

20'  -­  2  1/4"

E101-­6 A-­102

UP

ELEVATOR

ELEVATOR

NORTH

SECOND  FLOOR  PLAN E101-­2  1/8"  =  1'-­0"

NORTH

NORTH

THIRD  FLOOR  PLAN E101-­3  1/8"  =  1'-­0"

67$,5 75($' ,6

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3'  -­  11"

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3'  -­  0"

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Revisions

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0'  -­  2  1/2"

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STAIR

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SCAD Construction Tech II

$5($ 2) 5()8*( 0,1 2) ;

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TYPICAL  RESTROOM  ENLARGED  PLAN E101-­4  1/4"  =  1'-­0"

TYPICAL  STAIR  #2  ENLARGED FLOORPLAN E101-­5  1/4"  =  1'-­0"

4'  -­  0"

TYPICAL  STAIR  #1  ENLARGED FLOORPLAN E101-­6  1/4"  =  1'-­0"

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additional artistic explorations

additional artistic explorations

recreation of claude daubigny’s “the bargesâ€? Âľ [ Âľ DFU\OLF RQ FDQYDV Ă€QDO SURMHFW DUW KLVWRU\ ,, $57+ VSULQJ


additional artistic explorations


additional artistic explorations

“a walk in the garden” µ [ µ DFU\OLF RQ FDQYDV FRPPLVVLRQHG ZRUN VXPPHU


additional artistic explorations

reinterpretation of claude monet’s “water lillies” µ [ µ RLO RQ FDQYDV FRPPLVVLRQHG ZRUN VXPPHU


AMANDA KRACZKOWSKY 49 OLD MUSKET DRIVE NEWINGTON, CONNECTICUT 06111 (860) 202 - 8388 mkracz20@student.scad.edu


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