Creative Thinking

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Creative Thinking BA Graphic and Product Design

Alam Mohammed


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Content

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Borough High Street Project

14-15

Marble Run Project

16-29

3D Typography Project

30-41

Wayfinding Project

42-53

Grid Structure Project

54-57

Grids withing the Environment

58-61

Pictograms

62-65

Taxonomy

66-71

LetterPress

72-77

End Users Project

78-88

Evolution Project

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Ergonomics Project

96-105

Materials

106-117

Packaging Project

118-135

Sleep Project

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Research

These two pages contain my research stage, I began my research by visiting the area we where told to go to. I recorded my research by taking images of the area and also making quick sketches to get a better feeling and understanding of the area. I also realised whilst being in the area that there was a massive contrast on one side of the road compared to the other side. So I decided I wanted to express that contrast between the urban and Victorian buildings on each side of Harper road.

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Comparison

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These are my experiments I produced to show the contrast between the two areas on Harper road. I went with the idea that the images of the Victorian buildings should be in black and white and the images of the urban buildings should be in colour to again show contrast between the two.

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On this page I paid particular tension to the scale of the model and how it would look like if it was built by using the silhouettes.

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Here I actually built the model to show how it would look with the architectural models of the actual buildings around the area I also tired representing the noise level by the height of the building so depending on how noisy the area was will influence the height of the building

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Outcome

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This is the image of my final outcome. I decided to combine both of my ideas together because the model really some ups the area in terms of the urban and Victorian buildings and also the difference in noise levels depending on what part of the area you are standing in.

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These was the final peace we put together as a group. The first every model was at 160cm in height and as it went down it was decreasing by 10cm. My model was at 100cm, I created the height by stacking cardboard boxes together.

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He put the coffee in the cup He put the milk in the coffee cup He put the sugar in the white coffee With the little spoon He stirred He drank the white coffee He replaced the cup Without speaking to me He lit a cigarette He blew smoke rings He put the ashes in the ashtray Without speaking to me Without looking at me He got up He put his hat on his head He donned his raincoat Because it was raining And he left Beneath the rain Without an uttered word Without looking at me And I, I put my head in my arms And I wept. 16


RESEARCH This is my research stage where I used images of the Internet as my starting point and these images influenced me the most throughout my work. I found the image on the bottom left most inspiring because it seemed to me as if it had the emotion of a brake up, it also reminded me of the poem because the poem is about a couple braking up and to me the spill of the coffee represents all of that.

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This is one of my experiments where I created a stencil of the word “HE� and poured coffee on top of it. As I lifted the stencil of I realised It had a scattered effect to it 21


My theme behind this idea was to represent the brake up between the two couple through the spill of the coffee I also decided to extract part of the poem and stick the words with the follow of the spill. In my opinion I felt that the spill of the coffee was a good way of representing the brake without being to literal.

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This is the stage where I realised that I didn’t need the type to be evident for it to communicate my idea of the whole brake up scene. So I decided to recreate the scene but from my perspective of the poem. I also added an extra aspect to it which was the image of the two couple being teared apart from there I took several images of the scene I created from different perspective to get a different feel to it. So to me a over the shoulder shot has a massive impact in creating tension in a scene.

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These images are more forced on the spill of the coffee to represent the brake up of the couple on how the relationship is falling apart. As I was taking my images I wanted emphasize more on spill.

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He put the coffee in the cup He put the milk in the coffee cup He put the sugar in the white coffee With the little spoon He stirred He drank the white coffee He replaced the cup Without speaking to me He lit a cigarette He blew smoke rings He put the ashes in the ashtray Without speaking to me Without looking at me He got up He put his hat on his head He donned his raincoat Because it was raining And he left Beneath the rain Without an uttered word Without looking at me And I, I put my head in my arms And I wept.

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W A Y FINDI N 30


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RESEARCH

The London underground tube map inspired me the most throughout my designs because of it simplicity and its strength in communicating to others through the use of lines and colour codes. This is exactly the straghy I intent in using throughout my designs.

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Here I decided to conduct a survey where I drew a map and asked the local residents to direct me to different destinations by using a coloured pencil. I used the colours to categorise different types of people such as student business people and the local people. This was the point where I realised I wanted to explore the idea of colour coding the make the subway much more easier to use and understand. I also chose to put my colour scheme to test so I asked the local people if they thought a colour scheme for the subway will make it easier to navigate through it and all most all of them said yes so from there I decided to experiment with idea of colour coding in different ways.

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For this design I chose to use the idea of how motorways give people directions very quickly and how we all understand them signs through colours arrows and words. So I wanted to take the idea of communicating directions quickly and effectively for the users of the subway.

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This is my outcome where I have made a mock up of how it might look it was actually made. I used strips of coloured card for my colour coding. So every destination will have a different colour so depending where your heading you follow the colour undirected at the start of every entrance.

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grid Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission

Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission


Grid Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission 44

Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission


Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop

Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary

“this is a recontraction of how it may of looked as a house in the 19’s” Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and

Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop

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Grid Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary


Gri comp 48


rid pany Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the

Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington 49


We

can

Buy Sell Make Find Think 50

Art


Grid 51


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Info

About how you could join the company for more information visit www.gridcompany.co.uk

Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ planning permission to build the current masjid, with a temporary Originally a tiny shop basement in Newington Crescent, then in about 1990 they acquired the current site and 10 years’ plan 53


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This page contains my image I captured whilst looking for grids around the environment.

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Originally a tiny shop basement in Newington Crescent, then in about 1990 they acq masjid, with a temporary Originally a tiny shop basement in Newington Crescent, the mission to build the current masjid, with a temporary Originally a tiny shop basement and 10 years’ planning permission to build the current masjid, with a temporary Orig acquired the current site and 10 years’ planning permission to build the current masj then in about 1990 they acquired the current site and 10 years’ planning permission ment in Newington Originally a tiny shop basement in Newington Crescent, then in a to build the current masjid, with a temporary Originally a tiny shop basement in Newi years’ planning permission to build the current masjid, with a temporary Originally a t quired the current site and 10 years’ planning permission to build the current masjid, then in about 1990 they acquired the current site and 10 years’ planning permission in Newington Crescent, then in about 1990 they acquired the current site and 10 yea nally a tiny shop basement in Newington Originally a tiny shop basement in Newingto planning permission to build the current masjid, with a temporary Originally a tiny sho the current site and 10 years’ planning permission to build the current masjid, with a in about 1990 they acquired the current site and 10 years’ planning permission to bu Newington Crescent, then in about 1990 they acquired the current site and 10 years a tiny shop basement in Newington Crescent, then in about 1990 they acquired the with a temporary Originally a tiny shop basement in Newington

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y acquired the current site and 10 years’ planning permission to build the current t, then in about 1990 they acquired the current site and 10 years’ planning perment in Newington Crescent, then in about 1990 they acquired the current site Originally a tiny shop basement in Newington Crescent, then in about 1990 they masjid, with a temporary Originally a tiny shop basement in Newington Crescent, sion to build the current masjid, with a temporary Originally a tiny shop basein about 1990 they acquired the current site and 10 years’ planning permission Newington Crescent, then in about 1990 they acquired the current site and 10 ly a tiny shop basement in Newington Crescent, then in about 1990 they acasjid, with a temporary Originally a tiny shop basement in Newington Crescent, sion to build the current masjid, with a temporary Originally a tiny shop basement 0 years’ planning permission to build the current masjid, with a temporary Origiington Crescent, then in about 1990 they acquired the current site and 10 years’ y shop basement in Newington Crescent, then in about 1990 they acquired ith a temporary Originally a tiny shop basement in Newington Crescent, then to build the current masjid, with a temporary Originally a tiny shop basement in years’ planning permission to build the current masjid, with a temporary Originally the current site and 10 years’ planning permission to build the current masjid,

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Pictograms

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Pictograms

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This is my taxonomy where we had to categorise sweets into as many different categorise we could so I decided to start of by looking into categorising by colour, type, texture, shape and height.

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Taxnonmy


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taxonomy Abnegate Bowd Cantilena Daraf Elute Fiscal Guanine Hamza Inapt Jeripego Kino Labdanum Majascule Normoblast Obeah Pakela Quarto Raze Satyr Tenebraus Uriel Vatic Weal Xanthate Yakuza Zeta

alphabetical length vowels constanants

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Bowd Kino Raze Weal Zeta Daraf Elute Hamza Inapt Obeah Satyr Uriel Vatic Fiscal Pakela Quarto Yakuza Guanine Abnegate Jeripego Labdanum Xanthate Cantilena Majascule Tenebraus Normoblast

Bowd Satyr Daraf Fiscal Hamza Inapt Kino Raze Vatic Weal Zeta Abnegate Elute Labdanum Majascule Normoblast Obeah Pakela Quarto Uriel Xanthate Yakuza Cantilena Guanine Jeripego Tenebraus


Obeah Zeta Weal Uriel Raze Kino Hamza Bawd Yakuza Vatic Satyr Quarto Pakela Inapt Guanine Elute Daraf Fiscal Majascule Labdanum Jeripego Abegnate Tenebraus Cantilena Xanthate Normoblast syllables strokes origin date alphabetical length vowels constanants

taxonomy


Figure 1

Figure 2

Figure 3

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Figure 4

Figure 5

This is my research stage where I looked into letterpress posters from the Internet. I choose those particular images because they all work differently from each other for example figure 1 stands out really well in terms of its colours and the texture on the letters against how the white background in figure 4 makes the letters bold and powerful.

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Game over

This is the poster we created as a group we came up idea of using the game tetris as our inspiration and having the word ‘GAME OVER’ in bright red colour to make it standout and have a contrast between the tetris blocks and the word. We also wanted to the blocks to have a textured look so we decided to use the back of wooden blocks to create the texture. We then made 20 print of the same poster and distributed to everyone in the class.

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Here i wanted put a scene of humar behind the image instead of just capturing the image of the poster on its own i wanted it to stand out and be different from how the other posters are photographed i wanted it to be captured in a momment and through the moment it also represents my poster.

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Lette press 70


er ss 71


End Users

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Notes

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Outcome

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Evolution

1928

1948

1946

1948

1947

1953

1921-1962

1940

1986

1992

1963

1989

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1921-1930

1930-1950

1950-1970

1970-1992

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Evolution

Made out of metal

Translucent catalin case with glossy surface and portables made from newer plastic.

Bakelite case

Bakelite case with plastic fascia

It also first to feature inset contrals, aslo the handel was moulded in one piece.

Bakelite case To promote the idea of light-weight portable.

Cast metal body coverd with imitation snakeskin plastic base and lift up lid

Polystyrene case and sythetic fabric strap

None-toxic plastic Radio for a child

Plastic and colly This is an expensive, precision-engineered model.

Polystyrene Case Prominent five-band graphic equaili

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Plastic case leather cloth-coverd surround, chromium trim, perspeydial

Mahogany baffle cabinet


Plastic

Wood

Metal

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Research This is my research from the chair collection in the V&A i found them inspiring interms of there form and shapes and also the materials which they where made from.

Heal and Son London

Arne Jacobsen

Robin Bay

Rodney Kinsman

Moulded plywood and bent tubular steel

moulded plywood with teak veneer and chromium plated steel and also made from one sheet of wood.

moulded Polypropylene shell

Tubular and expoxy resined perforated sheet steel.

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Joe Colombo

Verner Panton

Injection moulded ABS plastic

Moulded fiberglass reinforced polyester

First injection moulded all plastic chair

First plastic chair to be conceived entirely as a single piece.

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Old to 1902-71

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1915

1926-98


New

1930-71

1940

1943

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Evalution

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Outcome This is my outcome where I chose to print my evolution of my design onto acetate because I wanted to show how over a period of time design has become more complex and the shapes have become much rounded and the materiels have become much more plastic like.

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Alam Mohammed Student ID: MOH10301131 BA (Hons) Graphic and Product Innovation Ergonomics

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Daniel Eltner

Research

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I started of by researching into Danil Eltner’s designs as I really like the way he shapes the everyday objects into more of a organic form. He also shapes the handles in a ergonomic shape so it is easier for it to fit into peoples hands.

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Experiments

At this stage I started experimenting with shapes and forms made out of foam. I started of by choosing a object in my case I choose a cutting saw, from there I started to change the handle of the saw in terms of how people may hold it.

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Outcome

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This is my outcome where I choose to go with the idea of the thumb being moulded around the handle for the person to feel more comfortable whilst cutting.

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Rubber

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Early Commercialization History Natives from Central America and the West Indies are first known to have used rubber around 1600 BC to make balls and waterproof boots. In the middle of the 18th century and early 19th century, Europeans began using rubber to waterproof goods. Brazil and East Asia became the center of the rubber trade between the 1700s and 1900s, when large-scale plantations developed in response to consumer demand. In the early 19th century, the center of production shifted away from Brazil to East Asia due to cost differences.

Rubber Tree Growing Process Tree seedlings are placed in pots until firmly established. The saplings are transplanted to a plantation, where they grow for about 6 years. Rubber trees are tapped by removing slivers of bark, which allows the latex to flow out of the tree into receptacles attached to the tree. The tapping is performed every other day on alternating sections of each tree. The latex is then taken for treatment and is eventually transformed into usable goods.

Types Rubber is divided into natural rubber and synthetic rubber groupings. Natural rubber is made from the sap of some types of plants and trees. Synthetic rubber is made from chemical compounds and typically uses oil as a base agent.

Historical Names Rubber is known historically by different names. In Mayan cultures, rubber was referred to as kik and means blood. In ancient Mexico, rubber was referred to as olli. Ecuadorian Indians referred to rubber as hevea. In Central America and Mexico, Indians called rubber castilloa. West Africans used funtumia elastica and Brazilians used manihot glaziovii to refer to rubber.

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Furniture

Designed By Thomas Brown, The desks are a combination of 3 separate recyled rubber layers which are glued together. The base layer is a hard compound, which protects the underside of the desk/chair and also offers a durable surface for the user to work on. The core layer is again a hard rubber compound, which enhances the rigidity of the desk and supports the weight of the user. The final layer is a soft rubber compound, which acts as a cushion. Because of its material, The chair was so comfort to be sit on.

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Besides Cover-Tiles, Studio JSPR also makes rubber-coated Plastic Fantastic in and outdoor furniture. Thanks Jasper & Sylvie!

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Research

The re-purposed automotive inner tubes used in fabricating KASTd bag designs are recovered from local landfills and derelict car garages in the regions surrounding Toronto. The inner tubes are waste from the automotive and agricultural industry. Despite the fact that most modern automobiles have “tubeless� tires, there is a vast abundance of junked car inner tubes across North America. KASTd also utilizes farm machinery tubes, such as tractors, which are still used today. Tubes can be decades old and retain their material integrity and remain incredibly durable. The bags are crafted in Toronto where they are hand stitched using traditional upholstery techniques and tools. The vulcanized rubber is extremely durable and cleans easily with water. Each bag carries marks from its previous life and develops a lustrous patina in time through heavy use as a vessel, improving with age. Each bag takes on its own personal expression depending on the tube selected. The design objective is to alter the shape of the inner tube in as few alterations as possible, celebrating the geometry to bring sophistication and surprise to a mass-produced and discarded material.

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Research

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Packaging

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Research

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Research

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Prototyping

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Opptical illusion

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Opptical illusion

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on

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Sleeping Map

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choose where your mind will take you.....

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Sleeping Map

This is my sleep map where we had to work in groups of three and we had to come up with a idea on how we can represent the conscious and subconscious mind so as a group we came up with the idea of looking into optical illusion because we realised that optical illusions make you believe your see things that really don’t exist so from there we decided to create our own optical illusions going from crazy to the most relaxing illusions. For our final map we choose to create a file on flash where all the illusions are moving in different directions from each other in form of a spiral and you stop it from spinning around when clicking on which ever illusion you want to experience or which mood you want to be in.

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choose where your mind will take you.....

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Sleepinng Map

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Prototyping

These are my optical illusion cards where I have used three different types of illusions going from crazy to relaxing illusions and I chose to document the emotion through the scribbles on the back of the card so it is also away of recognising what deck the card belongs to because the cards will have a different pattern on the back depending which deck it belongs to.

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