A L B E R TA C O L L E G E O F A R T + D E S I G N 2 0 1 3 G R A D U AT I O N C ATA L O G U E
introduction
02
letter from acadsa
04
letter from the president
06
ceramics
08
drawing
16
glass
38
fibre
46
jewellery + metals
60
media arts + digital technologies
74
painting
86
photography
114
print media
132
sculpture
140
visual communications design
148
list of graduates
194
credits
197
All attempts were made to accomodate student wishes for t h i s b o o k . We a p o l o g i z e i f n o t a l l t h e s e w i s h e s w e r e m e t b u t we worked within our best judgement.
LETTER FROM FROM ACADSA
Dear Graduates, I t ’ s h a r d t o s a y a t e x a c t ly w h a t I s h o u l d b e w i s h i n g y o u g o o d l u c k , a s t h e g r a d u a t e s o f ACAD are diverse and have the oppor tunit y to excel in and become integral additions to a plethora of communities, some which already exist and some which don’t. But I have n o d o u b t t h a t y o u w i l l m a k e r e m a r k a b l e a d d i t i o n s t o o u r c i t y, o u r p r o v i n c e , o u r c o u n t r y and beyond. I believe in the education we receive here at the Alberta College of Art + Design as well as the graduates who’ve obtained it. And I know that these degrees provide us with a c a p a b i l i t y, a d r i v e a n d a s p i r i t t h a t a r e m a t c h l e s s . Here’s to your accomplishments, your causes, your satisfactions and your dissatisfactions creating motivation that you can’t resist. Here’s to demonstrating the strength of your perspectives, your thinking and your innovation. And here’s to wanting to learn more and teaching what you’ve learned. Be ambassadors of the eagerness you had when you started, of your purpose along the way and of the aptitude you leave with as you graduate. On behalf of the Alberta College of Art + Design Students’ Association, please accept our sincere congratulations on your graduation. morgan riotte
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president, acadsa, 2012-2013
Dear Graduates;
LETTER FROM THE PRESIDENT
On behalf of the Alberta College of Art + Design I offer my sincere congratulations as y o u c l o s e o n t h i s i m p o r t a n t c h a p t e r o f y o u r e d u c a t i o n . We a r e a l l e x t r e m e ly p r o u d o f your accomplishments — they reflect on your hard work, your work ethic, your skills, a n d m o r e i m p o r t a n t ly y o u r p a s s i o n — t h e n e c e s s a r y i n g r e d i e n t s f o r a n y s u c c e s s . T h e s e achievements are also a reflection of the quality and dedication of your instructors and a l l t h e s t a f f a t A C A D, f o r t h a t t o o w e a r e v e r y p r o u d a n d v e r y f o r t u n a t e . T h e r e f o r e t h i s graduation, although individual in nature, is shared by all of us – when you are successful, we are all successful. I t r u ly b e l i e v e t h a t a t A C A D w e a r e e n g a g e d i n t h e e s s e n t i a l t a s k o f m a k i n g t h e i n v i s i b l e b e c o m e v i s i b l e . Yo u r r o l e , e v e n y o u r d u t y, a s a r t i s t s a n d d e s i g n e r s i s n o t a s i m p l e o n e ; i t i s t o b e e n g a g e d i n w h a t A l d o Va n E y c k c a l l s t h e m e a n i n g o f m a k i n g a n d t h e m a k i n g o f meaning. I would like you to remember that while you have learned how to wield numerous different tools in each of your practices, be it: a pencil, a mouse, a paintbrush, a l o o m , a s i l k s c r e e n , a s o l d e r i n g i r o n o r a n y o t h e r i n s t r u m e n t , a lw a y s r e m e m b e r t h a t t h e greatest instrument you have for creating is yourself. Through its histor y ACAD has helped shape the creative and cultural landscape of Alberta and Canada. This catalogue of extraordinary art and design is a testament to y o u r r o l e i n t h i s c o n t i n u u m - t h i s c o l l e c t i o n o f w o r k i s a s h o w c a s e o n ly o f t h e e n d o f t h e b e g i n n i n g . A s t h e y o f t e n s a y, t h e r e s t i s h i s t o r y a n d I c a n n o t w a i t t o s e e i t u n f o l d . Again, my sincere congratulations to all of ACAD’s graduating class of 2013 dr. daniel doz
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president + ceo
brenda danbrook juliana katchur tayler letwin kaitlyn mcgill janet peters
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jocelyn reid
BRENDA DANBROOK
J U L I A N A K AT C H U R
Graduating is a form of farewell; this work is my parting
If I could tell you what it meant..to have known, shared,
salutation, a personal farewell;
created and been inspired by the vast talent and friendship
T h e a c t o f d e p a r t i n g p o l i t e ly ;
I h a v e e n c o u n t e r e d , w h a t a n o p p o r t u n i t y.
“I disliked long farewells”;
T h e o n ly d i f f e r e n c e b e t w e e n m e a n d a m a d m a n i s t h a t
“she took her leave”;
I ’ m n o t a m a n .”
“ h i s p a r t i n g i s s u c h s w e e t s o r r o w.”
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juliana.rose.clay@gmail.com
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the fall out
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bob reimer: “beginnings and endings.”
TA Y L E R L E T W I N
K A I T LY N M C G I L L K a i t ly n M c G i l l i s a c e r a m i c a n d p a p e r c u t a r t i s t w h o s e w o r k is a sweet and light-hearted collaboration of memory and material. McGill believes, “In art, the hand can never execute anything higher than the h e a r t c a n i m a g i n e .”
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– R . W. E m e r s o n
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with god, anything is possible. genesis 1 : 1
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untitled
JANET PETERS
J O C E LY N R E I D
My Bunmen series explores the combination of woman and
J o c e ly n R e i d i s a c e r a m i c a r t i s t c u r r e n t ly l i v i n g a n d w o r k i n g
b u n n y. O n e s e t i s b a s e d o n p i n - u p g i r l s f r o m t h e f i f t i e s .
i n C a l g a r y. H e r w o r k e x p l o r e s p a r a l l e l s b e t w e e n m a n u f a c -
They arose from my desire to be more expressive in my work.
tured objects and organic formations, as well as the line
The most recent group looks at paintings and sculpture for
b e t w e e n a d u l t h o o d a n d c h i l d h o o d . J o c e ly n h o p e s t o a lw a y s
inspiration, and I call them Classical Bunmen.
continue exploring these boundaries, and to one day create
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the biggest sandbox in the world.
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untitled
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bunmen
paul agecoutay kai beaudette-hodsman janine bennett nicole bracey christina burch spencer chalmers ryan flemmer shura galbraith corrie hamm kristin hollman natasha jensen mina kim joel kometz dejana lucac samantha lyons christina mayder colwyn paddon katie parkin
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alison stalker
P A U L A G E C O U TA Y “I h o p e I d i e w h i l e h u g g i n g a n d n o t w h i l e i n a w i n e d r i n k i n g
KAI BEAUDETTE-HODSMAN Up and onward from here. Let’s see where this goes.
c o n t e s t .” - B a b y c a k e s
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kai.beaudettehodsman@me.com
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that one night in front of the tube
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untitled
JANINE BENNETT
NICOLE BRACEY
Janine’s practice has developed in response to romanticized
I am enamoured by objects and intrigued by collecting; a
i d e a s o f f e m i n i n i t y, b e a u t y, d e a t h a n d d e c a y. R e f e r e n c i n g
v i c t i m o f H o r r o r Va c u i . I ’ v e s u r r o u n d e d m y s e l f w i t h c l u t t e r,
both the connotations and processes surrounding still life
l i t e r a l ly a n d m e t a p h o r i c a l ly f i l l i n g a s p a c e . I ’ v e b e g u n t o
and vanitas, her work materializes through graphite draw-
explore the relationship between myself and my objects, my
ings, photography and the installation of objects.
identity and my collections.
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w w w. n i c o l e b r a c e y . c o m
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precious
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purse
CHRISTINA BURCH “ T h e m o u n t a i n s a r e c a l l i n g a n d I m u s t g o .” - J o h n M u i r
SPENCER CHALMERS Spencer was in School for a very long time, but he now h e i s d o n e a n d p r o b a b ly k n o w s e v e r y t h i n g . N e x t H e w i l l d i s a p p e a r f o r e v e r.
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Maybe Spencer was never real at all?
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galeophobia
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longing
R YA N F L E M M E R
SHURA GALBRAITH
The word architecture encompasses the planning, design-
Coming to ACAD as a retirement project has expanded my
i n g a n d c o n s t r u c t i n g o f a b u i l d i n g , s k y s c r a p e r, o r s p a c e .
horizons and awareness in the world of art and artists as
My work finds its footing in Architectural Determinism, a
well as in areas of the liberal arts. I have had the opportu-
t e r m c o i n e d b y M a u r i c e B r o a d y, d e s c r i b i n g t h e r e l a t i o n s h i p
nity to explore and value many media, techniques and meth-
between the buildings we form and how they form us. I use
ods that I had not expected to experience.
basic forms that represent architecture to explore our social e x i s t e n c e i n o u r s p a c e s ; t h e f o r m s a r e t h e n b l u r r e d v i s u a l ly
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to create a cause and effect.
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horizons, weaving
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untitled
CORRIE HAMM “I b o u g h t a b i g b a g o f p o t a t o e s a n d i t ’ s g r o w i n g e y e s l i k e
KRISTIN HOLLMAN “I t s e e m s t o m e t h e n a s i f a l l t h e m o m e n t s o f o u r l i f e o c c u p y
c r a z y. O t h e r f o o d s r o t . P o t a t o e s w a n t t o s e e .”
the same space, as if future events already existed and were
Bill Callahan, ‘Letters to Emma Bowlcut’
o n ly w a i t i n g f o r u s t o f i n d o u r w a y t o t h e m a t l a s t … ”
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- W. G S e b a l d , A u s t e r l i t z
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garry
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untitled
N ATA S H A J E N S E N
MINA KIM
Natasha Jensen is a renaissance woman working in two and
“ B e c o m i n g a w o m a n .”
three-dimensional forms to create laborious drawings and sloppy assemblage sculptures. Drawing practice corresponds between romantic tradition and feminine culture; Natasha Jensen’s creates a space that is haunted and contrary to a
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s e n s e o f b e a u t y.
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vagina
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untitled
JOEL KOMETZ
DEJANA LUKAC
It has been an amazing experience becoming a part of the
My work is generated through a combination of media and
A C A D c o m m u n i t y. H e r e i s a q u o t e t h a t k e p t m e c r e a t i v e ly
approaches and is also informed by an interest in nature and
inspired through it all:
the culture and practice of graffiti art. Departing from the
“ I d o n ’ t d r e a m a t n i g h t , I d r e a m a t d a y, I d r e a m a l l d a y ; I ’ m d r e a m i n g f o r l i v i n g .” - S t e v e n S p i e l b e r g
art-historical tradition of depicting illusionistic space in a two-dimensional manner I create abstract forms that bear a resemblance to forms in nature and the urban environment.
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jkometz@hotmail.com
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wave, untitled
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future preparation
S A M A N T H A LY O N S “S o b e s u r e w h e n y o u s t e p , S t e p w i t h c a r e a n d g r e a t t a c t . And remember that life’s A Great Balancing Act. And will
C H R I S T I N A M AY D E R “ O n e d a y I w i l l f i n d t h e w o r d s , a n d t h e y w i l l b e s i m p l e .” - J a c k Ke r o u a c
y o u s u c c e e d ? Ye s ! Yo u w i l l , i n d e e d ! ( 9 8 a n d 3 /4 p e r c e n t g u a r a n t e e d ) K i d , y o u ’ l l m o v e m o u n t a i n s .” - D r. S e u s s , O h , T h e P l a c e s Yo u ’ l l G o !
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sassycakescalgary@gmail.com
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i am a yew tree in the shade of a hedge
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no image
C O LW Y N PA D D O N Be true to yourself and die young
K AT I E P A R K I N “T h e r e i s n o e x c e l l e n t b e a u t y t h a t h a t h n o t s o m e s t r a n g e n e s s in the proportion� - Francis Bacon
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katieparkin90@gmail.com
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fragments
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specter
A L I S O N S TA L K E R
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T h i s i s j u s t a g h o s t s t o r y. . .
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residue
carli castle charissa hong laura kelly maddison klein
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kristyn wozniewich
CARLI CASTLE
CHARISSA HONG
Throughout my life I have had a tendency to wander; in
Charissa, a graduate of the Alberta College of Art and
this open state I collect visual information from the world
D e s i g n m a k e s w o r k a b o u t l o c a t i o n , h o m e a n d s e l f i d e n t i t y.
around me, taking note of spectacles that draw me in.
W h i l e C h a r i s s a w o r k s p r e d o m i n a n t ly i n g l a s s , h e r p r a c t i c e
Through this process I absorb my surroundings and am
expands to include other mediums such as textiles, wood,
given the ability to wittiness the phenomena that occurs
m e t a l , p r i n t m a k i n g a n d p a p e r. A s a c o m p l e m e n t t o h e r s t u -
within chance.
dio practice, Charissa has travelled to Scotland, Australia
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and America to learn about glass techniques.
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untitled
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untitled
L A U R A K E L LY When I think of poem, I think of you.
MADDISON KLEIN “ Yo u c a n ’ t d o a n y t h i n g a b o u t t h e l e n g t h o f y o u r l i f e , b u t y o u
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c a n d o s o m e t h i n g a b o u t i t s w i d t h a n d d e p t h .” E v a n E s a r
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untitled
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archive of feelings
KRISTYN WOZNIEWICH I have a fear of the dark. There is a distinct line where my v i s i o n e n d s o n t h e p e r i p h e r y. B e h i n d m e t h e r e i s n o t h i n g n e s s , i n f r o n t a s o l i t a r y s o u r c e o f b a r e ly p e r c e p t i b l e l i g h t . I t f e e l s somehow inescapable, the darkness. There is no face, just utter and complete blackness.
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w w w. k r i s t y n d o n . c o m
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GLSS
dreamcheese drupcakes
jessica armstrong c. dana bush jessie frase alyssa mcmurray lauren millang sabrina niebler sheena perratt lauren plante jessica roh megan slater
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julia rose sutherland
TJIETS L ES I C A A R M S T R O N G “ . . . f o r s h e i s a lw a y s c r e e p i n g , a n d m o s t w o m e n d o n o t c r e e p
T I. TD L EA N A B U S H C
I am a multidisciplinary artist and an ecologist. My art
b y d a y l i g h t .�
examines and portrays ecosystems: the relationships
T h e Ye l l o w Wa l l p a p e r , C h a r l o t t e P e r k i n s G i l m a n .
among different species, and the relationships between wild species and us. I use three-dimensional structures, such as mobiles, overlays, transparencies, jackets and books, to reveal the concepts of dynamic balance,
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interaction and relationships.
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fescue dance
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femme fatale
JESSIE FRASER “L a n g u a g e i s w h a t h o n o r s t h e v a n i s h i n g . O r i s l a n g u a g e w h a t
A LY S S A M C M U R R Y “ i t h a s b e e n s a i d , ‘ t h e t r u t h w i l l m a k e m e n f r e e .’ t h e t r u t h
slows the leaving?
a l o n e h a s n e v e r m a d e a n y o n e f r e e . I t i s o n ly d o u b t w h i c h
O r d o e s i t o n ly d e e p e n w h a t w e k n o w o f l o s s ? ”
w i l l b r i n g m e n t a l e m a n c i p a t i o n .”
-Jacqueline Berger
- A n t o n S z a n d e r Ve Ve y ”
jessie.fraser4@gmail.com
“ y o u ’ r e i n p r e t t y g o o d s h a p e f o r t h a t s h a p e y o u a r e i n .”
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- D r. S e u s s
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axis/sanctum
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justicia
L AUREN MILL ANG “Making abject objects, invading your consciousness, threatening your body gestalt”
SABRINA NIEBLER “C r e a t i v e a c t s a l s o a r i s e f r o m t h e i m p u l s e t o a l t e r a n i n n e r state or to communicate something to others that might a l t e r t h e i r i n n e r s t a t e .”
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-Frank R. Wilson
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flesh a poem
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untitled
S H E E N A P E R R AT T
L AUREN PL ANTE L a u r e n P l a n t e w a s b o r n a n d r a i s e d i n C a l g a r y. S h e w o r k s s p e c i f i c a l ly w i t h s i l k s c r e e n i n g m e t h o d s , a n d c r e a t i n g n a t u r e inspired paper forms. She is influenced by text and language,
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as well as symbolic meaning created through images.
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untitled
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place of comfort.
KE S J LS I EC Y AH R UO GH HES
K EELGSAENY SHLUAT GH M EE RS
N e v e r f o r g e t w h o y o u a r e , a n d w h a t y o u s t a n d f o r. Yo u ’ r e a
M e g a n S l a t e r i s g r a d u a t i n g f r o m t h e B FA P r o g r a m w i t h a
m a k e r o f t h i n g s . Ta k e p r i d e i n y o u r w o r k . B e i n s p i r e d , a n d
major in Fibre. Her main studio practice focuses on ideas of
inspire others. Never stop learning. Educate others. This is
tension, restriction and loss. She utilizes the material quali-
the way of life.
ties of nylon to communicate her ideas. Megan also enjoys
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weaving and silkscreen printing.
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my silence is a virtue
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untitled
KU EL LI SA E YR O HS UE G HSEUST H E R L A N D J Julia Rose Sutherland is a recent grad from the Alberta College of Art and Design in Fibre. She is an interdisciplinary artist who works in a large range of mediums such as largescale sculpture, video, painting and textiles. Julia’s practice d e a l s w i t h i d e a s o f p l a c e , i d e n t i t y, p e r c e p t i o n a n d f a m i ly dynamics. Her most recent work deals with issue of being a
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bi-product of a mother addicted to drugs.
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untitled
wade ames nancy caughy shannon esler katerinna ewald meghan hewett stephen holman emmeli-sue klumpenhower brette andra peters avery ruuska justin sukeroff marlee cheyanne watts
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kristyn wozniewich
WA D E A M E S
NANCY CAUGHEY
“ . . . B u t I , b e i n g p o o r, h a v e o n ly m y d r e a m s ; I h a v e s p r e a d m y
My work is about seeing the beauty in everyday life, and
d r e a m s u n d e r y o u r f e e t , Tr e a d s o f t ly b e c a u s e y o u t r e a d o n
being creative in the process of bringing that idea to life.
m y d r e a m s .� - W. B . Ye a t s
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w w w. w i x . c o m / n c a u g h e y / n c a u g h e y 2
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garden series- floral ring
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the hunter
SHANNON ESLER
K AT E R I N N A E W A L D
Fo r g e t a l l t h e r e a s o n s w h y i t w o n ’ t w o r k a n d b e l i e v e t h e o n e
Humans have sought identity through adornment for
reason why it will�
thousands of years. From tattoo to contemporary fashion, h o w w e c h o s e t o r e p r e s e n t o u r s e lv e s o n t h e o u t s i d e h a s helped to defined who we are to those around us, and to o u r s e lv e s . I n m y w o r k , I r e p r e s e n t t h e u n c o n v e n t i o n a l in beauty and elegance.
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w w w. k a t e r i n n a . c a
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praelia pendant
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brood comb
MEGHAN HEWETT
STEPHEN HOLMAN
My work is very organic. It is not about sharp angles
Born in the dying days of a once mighty Empire, Stephen
o r s t r a i g h t l i n e s ; i t i s r e a l ly a b o u t m o v e m e n t ; r e f l e c t e d
Holman toils now to enact visceral change on the face of
in curved lines, twists and turns. Nature is a strong
this world. He draws his primary inspirations from the
influence in my work. I am inspired by Nature’s patterns,
troubled edges of his subconscious and other people’s half
c o l o r s , i t s r e s i l i e n c e a n d d i v e r s i t y. I e n j o y i n t e r p r e t i n g
remembered dream. Make of that what you will.
nature’s dualities; its innocence, and yet sometimes sinister
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m a g i c a l q u a l i t y.
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untitled
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hair piece
EMMELI-SUE KLUMPENHOWER
BRETTE ANDRA PETERS “My artwork explores the relationship I maintain with my inner child and seeks to connect with the inner child of others. It is intended to be a bridge that links the transitory stages o f y o u t h w i t h t h e p e r c e i v e d a t t a i n m e n t o f m a t u r i t y, f u s i n g them so the ending of one is indiscernible from the beginning o f t h e o t h e r.�
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w w w. b r e t t e a n d r a . c o m
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voyage
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mirror, mirror
AV E R Y R U U S K A
JUSTIN SUKEROFF
The symbiotic relationship between the natural world and the human is undeniable. Using jewellery as a medium I util i z e t h e b o d y a s a s e t t i n g f o r n a t u r a l f o r m s t o g r o w. B y t a k i n g n a t u r e o u t o f c o n t e x t a n d e m p l o y i n g m e t a l a s a m e d i a t o r, t h e l i n e s b e t w e e n h u m a n s a n d n a t u r e b l u r.
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avery.ruuska@gmail.com
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lambent metre
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flora
M A R L E E C H E Y A N N E W AT T S
KRISTYN WOZNIEWICH
M a r l e e C h e y a n n e Wa t t s ’ p r a c t i c e f o c u s e s o n t h e b o d y. T h i s
I have a fear of the dark. There is a distinct line where my
interest in adornment has inspired her love for wearable art
v i s i o n e n d s o n t h e p e r i p h e r y. B e h i n d m e t h e r e i s n o t h i n g n e s s ,
and fashion. Many of her looks allude to primitive culture
i n f r o n t a s o l i t a r y s o u r c e o f b a r e ly p e r c e p t i b l e l i g h t . I t f e e l s
and fantasy and possess a ceremonial or ritualistic appear-
somehow inescapable, the darkness. There is no face, just
a n c e . Wa t t s p l a n s t o m o v e t o M o n t r e a l a n d c o n t i n u e c r e a t i n g
utter and complete blackness.
one of a kind jewellery and fashion.
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stellaaaaa!
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mallory augustyn mike buckingham yuvia cha calvin chen jasmine chopyk leah desmond isaac ho christine howell
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MALLORY AUGUSTYN
MIKE BUCKINGHAM
Lorem ipsum dolor sit amet, consectetur adipisicing elit,
Each object has its own personal history and when these
sed do eiusmod tempor incididunt ut labore et dolore
histories intersect they allude to a deeper collective mean-
magna aliqua.
ing. This is the framework that felicitates a bridge between f o r t h e o b s e r v e r t o c r e a t e a n e w c o n n e c t i o n a n d f a m i l i a r i t y, and in turn a new personal history with the work. Grat i t ud e t o t ho s e t hat hav e he l p e d m e und e rs t and and d e v e l o p
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my identity and passion along this continuing life long quest.
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YUVIA CHA
C A LV I N C H E N
Most important thing of my working is communication with
New meets old. Mechanical meets spiritual. Believers are
a u d i e n c e s . Ta k i n g f o r m o f a c o n s e n s u s w i t h a n i n t i m a t e
converted into mindless zombies at the hands of the me-
drawing, and making an image production by finding out
chanical Buddha. Ascend or be cast out. Live on in the
and unraveling the historical and humanistic factors within
Afterlife. Live on as a fragmentation of a fading memories.
those contents. I am making an effort to try and find out the material in a variety of other ways that we have to share
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a n d t h i n k t o g e t h e r.
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JASMINE CHOPYK
LEAH DESMOND I am SO excited to be graduating and starting the next part o f m y l i f e i n Va n c o u v e r. G o i n g t o a r t s c h o o l h a s b e e n a n amazing experience; I have met so many amazing and inspir a t i o n a l p e o p l e I I c a n o n ly h o p e t h a t m y j o u r n e y c o n t i n u e s t o b e a s i n s p i r e d a s i t h a s b e e n d u r i n g m y t i m e i n C a l g a r y.
illumifly
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Leah.Desmond.Art@gmail.com
ISAAC HO
CHRISTINE HOWELL
Remember Little Red Riding Hood? well how about this? This
T h e b e s t w a y t o r e l e a s e f r u s t r a t i o n i s t o s t a r t o v e r, n a m e
little girl is now a serial killer who will stop at nothing to
t h e f i l e “ W O R Ky o u p i e c e o f s h i t ” a n d t h e n l a u g h a t t h e f a c t
reach her objective.
that it listened.
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christine.howell13@gmail.com
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little dead
I D A T E S FA G I O R G I S Love all types of animation but there is nothing like 3D animation and having had the opportunity to learn it was great. I enjoy putting a scene together to tell a story but there is nothing more enjoyable than becoming Frankenstein in a sense and bringing a character to life.
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tesfagiorgis_ida@yahoo.ca
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megan andrew holly ardern brittany baum karen beattie christina bolcsfoldy-horne megan conley andrea fenniak danielle folkerts dionna gooding heather heikkinen sharon hogg jason isaac jordan kanzig paige loetscher kent merriman katie mikalauskas jay-dean pupp shirley quan kelsey reich lucke toane lobsang tseten matthew waites melissa wenzel stephanie wilson
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tiffany wollman
MEGAN ANDREW The beauty in art is that it does not have to make sense, but s i m p ly p r o v o k e a q u e s t i o n o r i d e a w i t h i n t h e v i e w e r.
HOLLEY ARDERN “ I’m a super bitch, I fuck it up, I do this shit” -Brooke Candy
“ Creativity is the power to reject the past, to change the
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s t a t u s q u o a n d t o s e e k n e w p o t e n t i a l .” - A i We i w e i
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lost in translation: an idea
B R I T TA N Y B A U M “Using our senses, Art poses deeper questions, rather than
K A R E N B E AT T I E C o n t e m p o r a r y s o c i e t y r e v e l s i n a s h a l l o w b a n a l i t y.
giving easy answers”
Ignorance is worn with pride, and hedonism goes hand in
-Makoto Fujimura
h a n d w i t h a k i n d o f m o r a l b a n k r u p t c y. ‘ C o o l ’ i s t h e n e w ‘ p r e t t y ’, a n d t h e t e r m s “ L o s t G e n e r a t i o n ” a n d “ a u s t e r i t y ” h a v e b e e n a p p r o p r i a t e d f r o m t h e p e o p l e i r r e p a r a b ly s c a r r e d by war and reinvented for the age of entitlement.
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kbeattie.com
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rococo
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CHRISTINA BOLCSFOLDY-HORNE
MEGAN CONLEY
My life has been influenced by three main areas:
In my work, I re-experience/re-enact power dynamics
My military life gave me the confidence and determination
implicit within my dental experiences and examine and
to overcome difficulties. My art life has given me the
fulfill ongoing re-mastery impulses. By referencing the
freedom and language to express myself, and the world
p h y s i c a l a s p e c t s o f m y j a w, t e e t h , g u m s a n d c h i n , I a m a b l e
of nature and animals have given me peace and inspiration
to explore my past anxieties surrounding reconstructive
when I needed it most.
transformation. I treat my face as a site of experience
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and knowledge.
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animals
ANDREA FENNIAK “ I am a multimedia, process, generative, and rule-based
DANIELLE FOLKERTS M y p r a c t i c e i n v o lv e s p a i n t i n g , d r a w i n g , c o l l a g e a n d i n s t a l -
artist, working with instructional guides.
lation; and through the processes of collecting and arrang-
My goal is to become a teacher who is able to help others
i n g t h e c o n c e p t s o f m e m o r y, h i s t o r y, n a r r a t i v e , a n d l o s s a r e
become comfortable in their own skin, encourage, and help
r e v e a l e d . I a m p a i n t i n g i n I t a ly t h i s f a l l , a n d w i l l c o n t i n u e
them to hone all the talents they possess.
m y i n v o lv e m e n t i n s t r u c t i n g a r t w o r k s h o p s , a n d s e l l i n g a t F 2
W h o d a r e s t o t e a c h m u s t n e v e r c e a s e t o l e a r n .”
F u r n i s h i n g s / M o d e r n C r e a t i o n s G a l l e r y.
- John Cotton Dana
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daniellefolkerts.wordpress.com
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DIONNA GOODING
H E AT H E R H E I K K I N E N “ O u t o f t h e w o u n d , b e a u t y i s b o r n .” -Alberto Burri
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h e a t h e r h e i k k i n e n a r t . t u m b l r. c o m
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greater than the sum
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ethiopia
SHARON HOGG I practice guerilla art. I hide things in plain sight.
JASON ISAAC “I t n e v e r g o t w e i r d e n o u g h f o r m e ” - D r. H u n t e r S . T h o m p s o n
I listen, I listen in. I quote everything. I p r a c t i c e d e a d ly i n s i g h t a n d I l e a v e a s m o k i n g g u n . I am the beer can to your coyote.
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Look hard for what it is you want to see.
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JORDAN KANZIG
PA I G E L O E T S C H E R
Life is chaotic and unexpected which makes it beautiful. I
eustatia_paige@hotmail.com
use painting as an outlet from the stress of everyday life. The gestural marks are all an extension of self, expressing everything within me, in any particular moment. Randomness, intuition and the play between the controlled and
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uncontrolled are of main importance.
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K AT I E M I K A L A U S K A S
My Paintings are an outlet to create critical comments about
Katie Mikalauskas’ practice seeks to express societal issues
w h a t P a i n t i n g c a n a c t u a l ly m e a n . I u t i l i z e M e t a P a i n t i n g , a
through narratives and abstract expressionism. She has been
method of Painting about Painting, in my practice because it
inspired by her volunteer work in the community where she
allows me to let the Paint become an extreme and authentic
works to assist those at risk through the medium of art and
f o r m o f r e p r e s e n t a t i o n a n d g i v e s m e t h e a b i l i t y t o l i t e r a l ly
c r e a t i v i t y. K a t i e c u r r e n t ly l i v e s a n d w i l l b e c o n t i n u i n g h e r
Paint an idea. My goal is to keep having fun in life.
education at The University of Calgary in pursuit of a career
Don’t cage your imagination, it’s cruel, let it run wild.
as an art therapist.
bright idea
susan
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KENT MERRIMAN
J AY - D E A N P U P P “ There are two problems in painting. One is to find out
SHIRLEY QUAN I strive to discover the fantastical aesthetics behind the
what painting is and the other is to find out how to make
b i z a r r e u n i o n o f o r g a n i s m s t h a t a r e a n a t o m i c a l ly n o t t h e
a p a i n t i n g .” - F r a n k S t e l l a
same. It is more than disassembling and reassembling. It is the understanding of uniting qualities.
“ Vulnerability is the birthplace of innovation, creativity
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a n d c h a n g e ”. - B r e n e B r o w n
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perceptions
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all the canvas and some linen
KELSEY REICH “ B e t h e c h a n g e y o u w i s h t o s e e i n t h e w o r l d .”
LUKE TOANE “A line is a dot that went for a walk. - Paul Klee
- Mahatma Ghandi “An animal’s eyes have the power to speak a g r e a t l a n g u a g e .” - M a r t i n B u b e r Androdeas2008@hotmail.com
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LOBSANG TSETEN
M AT T H E W W A I T E S
“ A l l m a j o r r e l i g i o u s t r a d i t i o n s c a r r y b a s i c a l ly t h e s a m e m e s sage, that is love, compassion and forgiveness. The import a n t t h i n g i s , t h e y s h o u l d b e p a r t o f o u r d a i ly l i v e s .”
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- H.H. Dalai Lama
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tsoshing
MELISSA WENZEL
STEPHANIE WILSON
“One must write poetry in such as way that if one threw the p o e m i n a w i n d o w, t h e p a n e w o u l d b r e a k .” -Daniil Kharms
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melissanicolewenzel.com
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the enmeshment: part two
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T I F FA N Y W O L L M A N
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laura ambrosone kaitlynn body kim bui alison clayton vanessa dezutter kayla griffiths jen hall christina hills emma kopstein dana prediger brendan stephens kristen thomas cydney toth jenny wyma
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K A I T LY N N B O D Y
P h o t o g r a p h y, w h a t a f a n t a s t i c m e d i u m . L i k e a l l o t h e r m e d i -
Kaity Body is an editorial fashion and beauty photographer
ums it begins as an idea, a nail in the wall that will someday
w h o p l a n s o n r e m a i n i n g i n C a l g a r y, A B , t o p u r s u e h e r c a r e e r
s u p p o r t t h e c o m p l e t e d e p i c t i o n i n y o u r m i n d ’ s e y e . Fo r m e ,
i n t h e p h o t o g r a p h y i n d u s t r y.
it allowed a machine to be my deteriorating eyes and in its
K a i t y h a s a lw a y s b e e n a d r i v e n , p a s s i o n a t e , a n d g e n u i n e p e r -
message, symbolize my intensifying soul and for that I am
son who is determined to reach her goals while also enjoying
forever grateful.
t h e s m a l l e r a n d e q u a l ly i m p o r t a n t t h i n g s i n l i f e .
laudaimages.com
kaitybody.com
complex
black on black
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L AURA AMBROSONE
KIM BUI
A L I S O N C L AY T O N
T h e r e i s r e a l ly n o t h i n g a s s a t i s f y i n g a s k n o w i n g y o u c r e a t e d
The greatest lesson that art school (&life) taught me:
s o m e t h i n g w o r t h y. M y h e r o s a y s i t b e s t , “ W r i t e i t , s h o o t i t , p u b l i s h i t , c r o c h e t i t , s a u t e i t , w h a t e v e r. M a k e .�
Yo u m u s t f a i l b e f o r e y o u c a n r e a l ly s u c c e e d . E m b r a c e y o u r
-Joss Whedon
failures, learn something frmo them and then let them go. Remember that each failure and mistake helped to make you
buishoots.com
t h e p e r s o n y o u a r e n o w.
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alisonclayton.ca
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VA N E S S A D E Z U T T E R
K AY L A G R I F F I T H S
I use photography to explore my own personal curiosities,
If we shadows have offended,
c o n s e q u e n t ly m y w o r k i s c o m p r i s e d o f f a s h i o n a n d b e a u t y
Think but this, and all is mended—
e d i t o r i a l p h o t o g r a p h y. B u t w h e t h e r i t ’ s c a n d i d p o r t r a i t s , o r
That you have but slumbered here
high fashion editorials, I shoot with a belief that everything
W h i l e t h e s e v i s i o n s d i d a p p e a r.
has inherent beauty that needs to be discovered.
- P u c k ; A c t V, S c e n e 1 : A M i d s u m m e r ’ s N i g h t D r e a m , William Shakespeare
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puredawnphoto.ca
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android nation
JENNIFER HALL
CHRISTINA HILLS
Going to ACAD to learn photography was a “shot” in the
I ’ v e a lw a y s l o v e d p h o t o g r a p h y a n d A C A D h a s b e e n a g r e a t
d a r k . A f t e r f i r s t y e a r p h o t o I f i g u r e d w h y t h e “ F - S t o p ”. N o w
place to develop this passion and to realize the value of the
after four years of “focus” with the lessons my teachers
p e o p l e t h a t y o u m e e t a l o n g t h e w a y. I w i l l m i s s t h e o p e n a n d
“ e x p o s e d ” m e t o I ’ v e “ d e v e l o p e d ” q u i t e w e l l . “ I S O ” s o r r y.
accepting atmosphere of school, but now I feel that I’m one
photography just “lens” itself to puns.
s t e p a h e a d a n d m o r e c a p a b l e f o r t h e “ r e a l w o r l d ”.
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hawaii jon
EMMA KOPSTEIN Emma hopes to spend the rest of her life travelling as much
DANA PREDIGER “What moves me about…what’s called technique…is that it
as possible, surrounding herself with positive people, and
comes from some mysterious deep place. I mean it can have
p u r s u i n g h e r c a r e e r a s a n E d i t o r i a l a n d C o m m e r c i a l Fa s h i o n
something to do with the paper and the developer and all
P h o t o g r a p h e r. L i v i n g i n a p l a c e w h e r e p a l m t r e e s g r o w i s
t h a t s t u f f , b u t i t c o m e s m o s t ly f r o m s o m e v e r y d e e p c h o i c e s
also high on her priority list.
somebody has made that take a long time and keep haunting
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t h e m .” - D i a n e A r b u s
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BRENDAN STEPHENS Wo r k i n g p r i m a r i ly i n c o m p o s i t e p h o t o g r a p h y w i t h i n t h e c o m mercial advertising realm, Brendan Stephens focuses to cre-
KRISTEN THOMAS “O n e d r e a m i s b e t t e r t h a n a t h o u s a n d r e a l i t i e s � - J . R . R . To l k i e n
ate work that when viewed will make the audience stop and look at the photographic work as well as the concept behind
kristenthomas.ca
t h e w o r k . M o s t ly f o c u s i n g h i s p e r s o n a l c o n c e p t w o r k a r o u n d a humorous play on pop culture references and recognizable i m a g e r y, h i s o v e r a l l g o a l i s t o c r e a t e v i s u a l ly a r r e s t i n g i m -
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ages that can also make you laugh.
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CYDNEY TOTH M y n a m e i s C y d n e y To t h a n d I a m a c o m m e r c i a l , e d i t o r i a l a n d f a s h i o n p h o t o g r a p h e r. I i n c o r p o r a t e m y l o v e a n d p a s s i o n
JENNY WYMA “ To l i v e a c r e a t i v e l i f e , w e m u s t l o s e o u r f e a r o f b e i n g w r o n g ” - Joseph Chilton Pearce
for Photoshop and the endless possibilities it holds. Much of my work draws inspiration from the world around me, and
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the classic fairytale stories of my childhood.
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once upon a midnight dreary
N ATA S H A Y O K O Y A M A - R A M S A Y “ ...nothing is ever alike. The best thing is the difference.
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I g e t t o k e e p w h a t n o b o d y n e e d s .� - D i a n e A r b u s
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melancholic clown
anna desramaux keri macleod kendra murphy gabrielle nadon
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maverick sham
KERI MACLEOD
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J e f f Ko o n s ’ s P u p p y a t e m y h o m e w o r k .
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spring brokedown detail
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ANNA DESRAMAUX
KENDRA MURPHY “if you can’t make it good make it big, if you can’t make it big m a k e i t r e d , i f y o u c a n ’ t m a k e i t r e d m a k e i t a r o o s t e r, i f y o u
GABRIELLE NADON “The one place where it all doesn’t have to mean anything, but can be everything”
can’t, then find another profession” -unknown gabrielle_2@hotmail.com kendramurphywalls.wordpress.com
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kendramurphywalls@gmail.com
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ne-19-26-24-w4’ ‘void’ series
M AV E R I C K S H A M Know that if you want something to happen, then make it happen. There is no one stopping you but yourself…… ……Growth means change, and change brings risks. So take a leap into the unknown and know that wherever you land is
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where you are meant to be.
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there are no words
jenna braid shanna cline laura hill amber johnston dylan mason-mclernon sarah urbanczyk
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tara-marie winspur
JENNA BRAID
SHANNA CLINE “ Yo u c a n n o t a r r e s t t h e p r e s e n t . Yo u j u s t h a v e t o a b a n d o n everyday your past. AND accept it. And if you can’t accept it, then you have to do sculpture. If your need is to refuse t o a b a n d o n t h e p a s t , t h e n y o u h a v e t o r e - c r e a t e i t .”
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- Louise Bourgeois
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beauty and the obese
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partway throughway
L AURA HILL I m a k e w o r k i n a d i r e c t w a y, i n t e r p r e t i n g m a t e r i a l w i t h a n awareness its echo.
DYL AN MASON-MCLERNON “ Adaptation is stillness in movement -- The stillness in stilln e s s , i s n o t r e a l s t i l l n e s s ; o n ly w h e n t h e r e i s s t i l l n e s s i n movement does the universal rhythm manifest”
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- Bruce Lee 105
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where are we?
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pinch
SARAH URBANCZYK “ Because the people who are crazy enough to think that they
TA R A - M A R I E W I N S P U R “ D o n o t f e a r m i s t a k e s . T h e r e a r e n o n e .” - M i l e s D a v i s
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c a n c h a n g e t h e w o r l d , a r e t h e o n e s w h o d o .” - S t e v e J o b s
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justine anwieler
jun ren
elena bell
victoria scattergood
jenny bonar
mateusz sliwon
sara borowski
dylan smith
katherine bushy
nikki stephens
tegan cann
maria stoian
rheannon chan
carolyn tam
kristin collins
marta tomasir
donald cook
scott tronnes
fiona de monye
chris turner
danielle goudie
carolina velasco
nicole gueldenpfenning
maaike van lambalgen
kaewjinda hataitham
kelly wichowski
macy hippsley
elizibeth wright
kelsey hughes maura kang michael kohlweg sara kwan kristy lannan nathalie lavoie sulkie lee edwin lim victoria lo joanne lueng dylan mason ryder mclean wes niven candace potter
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lyndon navalta
JUSTINE ANWIELER
ELENA BELL
It’s better to regret having done something than to regret
I n f l u e n c e d b y O s k a r F i s c h i n g e r, I ’ v e b e e n e x p e r i m e n t i n g
never knowing.
with organic materials to create abstract motion graphics. Fo r i n s t a n c e , t h e D i s c o v e r y C h a n n e l I D u s e d u n c o n v e n t i o n a l materials to recreate images that could be seen under a microscope or in space, which, appeals to the scientific and
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entertaining nature of the Discovery Channel.
roue magazine
discovery channel id
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JENNY BONAR
SARA BOROWSKI
Jenny Bonar grew up in a small Alberta town by the Rocky
: ) S E E YA S U C K E R S : )
Mountains. She has a deep affection for telling stories with her illustration about the natural world and the people in it. When she’s not in her studio painting Jenny enjoys petting bumble bees and baking pies.
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the studio
K AT H E R I N E B U S H E Y
TEGAN CANN
“R e a d b o o k s . C a r e a b o u t t h i n g s . G e t e x c i t e d . Tr y n o t t o b e t o o d o w n o n y o u r s e l f . E n j o y t h e e v e r p r e s e n t
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g a m e o f k n o w i n g .” - H a n k G r e e n
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foodie in the wild
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unstick your mind
RHEANNON CHAN
KRISTIN COLLINS
Creative advertising and branding are my areas of focus.
The best advertisements are the ones that beguile and spur
M y w o r k c o n s i s t s m a i n ly o f a t t e m p t i n g t o s e e t h e w o r l d
participation. I’m not sure I’m there yet but its something
through a male’s perspective and appealing to
I aspire to do. My time at ACAD has exposed me to many
a youthful audience.
brilliant and inspiring individuals and works. I hope to find s i m i l a r o n ‘ t h e o u t s i d e ’. krispy@kristincollins.ca
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call of dooty - a public service announcemen
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quiznos rebranded - corporate business cards
DONALD COOK “A s h i p i s s a f e i n h a r b o r, b u t t h a t ’ s n o t w h a t s h i p s a r e f o r.”
FIONA DE MONYE Diner Deluxe is a beloved Calgary brunch joint on Edmonton Tr a i l . K n o w n f o r i t s f a b u l o u s f o o d a n d r e t r o d e c o r, t h e c u r -
dc@doncookillustration.com
rent brand was not conveying the values that Diner Deluxe
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s t a n d s f o r.
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diner deluxe re-brand
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john cook
MARIA DILLMANN
DANIELLE GOUDIE
A crazy childhood dream of mine was to create super awe-
Danielle, or better known as ‘Goudie’ is a designer based out
some, badass characters.These days I’m still kicking around
o f C a l g a r y, A l b e r t a . A f t e r f o u r y e a r s o f t h e v i s u a l c o m m u n i -
the same dream, so I figured I’d try and make a living out of
cation department she’s ready to roll on.
it. Until then, I’ll hold on to my trusty sign that says “Will dirtygoudie.com
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d r a w p i c t u r e s f o r f o o d ”.
NICOLE GUELDENPFENNIG
K A E W J I N D A H ATA I T H A M
H i , I ’ m N i c o l e a n d I ’ m a g r a p h i c d e s i g n e r. T h i s i s a r e - b r a n d
I’m an international student from Thailand. I am proud of
of Seattle based ski, snowboard, skateboard and wakeboard
m y c u l t u r e a n d a lw a y s w a n t p e o p l e t o l e a r n a b o u t i t . H e r e i s
shop Evo. I specialize in publication and brand design.
one of the projects that represents my culture to the North A m e r i c a n a u d i e n c e i n a c o n t e m p o r a r y w a y.
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floating market
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MACY HIPPSLEY
KELSEY HUGHES Advertising attracted my attention long ago, and I have a lw a y s h a d a n a p p r e c i a t i o n f o r w i t t y i d e a s a n d s m a r t d e s i g n . I enjoy the process of ideation, strategic thinking, and the strange places it sometimes takes you. Now graduating I am excited to explore new projects and places. Check out more
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penny magazine
student check in
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collaboration with sara borowski
NICK JOHNSON
MAURA KANG
There are many cookie jars in the world of Illustration, and
My greatest passion is not just illustration, but its ability
Nick has his hands in most of them; from children’s books to
t o t e l l a s t o r y t h r o u g h c h a r a c t e r s , e n v i r o n m e n t s , c o l o u r,
comic books, editorial illustration, storyboarding and char-
composition, and imagination. These are the things that
acter design. He has a passion for energetic and evocative
I seek to share with the world as it is my hope that in doing
storytelling which he perfects through his work in graphic
so, others will in turn be inspired to create and imagine.
novels. His work can be viewed at nickj.ca.
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kyritis city
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M I C H A E L KO H LW E G “A t i g e r d o e s n ’ t l o s e s l e e p o v e r t h e o p i n i o n o f s h e e p ” - ZAG
S A R A K WA N I v i s u a l ly c o m m u n i c a t e p l a y f u l i d e a s ! MAC Supreme is a sub brand of MAC cosmetics. Limited edition glitz makeup for pageant mothers and their
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daughters. Cosmetics fit for a queen but made for a girl.
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mac supreme product design
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buttercream comercial
KRISTY LANNAN
N AT H A L I E L AV O I E
The universe can be compared to a vast wall of the most
I just wanna draw raccoons, ok?! ok.
o r n a t e b e a u t i f u l w a l l p a p e r. E a c h o f u s i s a f r a m e o n a specific part, and are consciousness is in fact the universes
nlavoie.com
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attempt to experience itself with. Thank you Gorgio.
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raccoonica
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SULKEE LEE “Sulkee Lee is an illustrator who enjoys creating narrative
EDWIN LIM E d w i n i s a d e s i g n e r, i l l u s t r a t o r a n d f r o n t - e n d w e b and cat videos.
olympic mascotts
juliette
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developer that loves to design for social change...
c h i l d r e n ’ s i l l u s t r a t i o n s a r e a m o n g s t h e r k e y i n t e r e s t s .”
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illustrations. Designing characters, figure drawing, and
JOANNE LEUNG
VICTORIA LO
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I h a v e a lw a y s l o v e d l i t e r a t u r e , e s p e c i a l ly m y t h o l o g y and folklore. In my book Parasomnia Mythology I illustrate the different cultural interpretations of sleep d i s o r d e r s t h a t i n v o lv e s a b n o r m a l s l e e p b e h a v i o r s . Although it is a common experience, it is fascinating h o w p e o p l e i n t e r p r e t i t s o d i f f e r e n t ly.
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spreads from “parasomnia mythology�
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DYL AN MASON
RYDER MCLEAN
Q: What is green and has wheels?
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A: Grass. I lied about the wheels.
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pattern for cjsw
LY N D O N N AVA LTA “ M r. Fa n c y P a n t s ” s o m e t i m e s o n a b a d d a y c a l l e d “ L a m e d o n
WES NIVEN Ke e p y o u r h e a d u p , d o n ’ t p a n i c , s t a y b u s y.
N o t - c o o l t a ”. K n o w n f o r h i s f o n d n e s s o f b o w t i e s a n d well-groomed moustachios. H e o b v i o u s ly t h i n k s h i g h ly o f h i m s e l f s o n e x t t i m e y o u s e e h i m , m a k e s u r e t o t h r o w c o m p l i m e n t s h i s w a y, h e ’ l l l o v e
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the attention.
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wake up call
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fabulous ever after. a piece from prince charmed
CANDACE POTTER M y n a m e i s C a n d a c e w i t h a n ‘A’ a s i n A C E . G o a l l i n w h e n y o u p l a y a n d y o u ’ l l b e a t t h e t a b l e . J u s t g i v ’ r. A C E o u t . c a n d a c e p o t t e r. c o m
Jun is a graphic Designer/Illustrator from Shanghai, China. His work is informed by his cultural hertigae that when integrated with the western philosophies of design creates a very unique visual presence. hellorj.com
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JUN REN
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personal branding. logo
V I C T O R I A S C AT T E R G O O D
M AT E U S Z S L I W O N
We ’ r e a l l t h e s a m e . We j u s t w a n t t o f i n d o u r p l a c e , f i n d
Nothing exists except atoms and empty space, every-
o u t w h e r e w e f i t i n . D o n ’ t b e d i s c o u r a g e d , t h e o n ly t h i n g
thing else is opinion.
stopping you is yourself. Embrace your instincts and let
-Democritus
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them guide you, you’ll find your place in no time.
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nothing exists
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DY L A N S M I T H
NIKKI STEPHENS
Fo r I l o v e o n ly t h r e e g o d d e s s e s :
#weirdideasatmidnight
My Muse and my Freedom.. A n d m y m o n e y. . . - D. R i m b a u d
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barley, water & hops
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smoking for pleasure
MARIA STOIAN
C A R O LY N TA M
I lied, I’m going to Edinburgh.
There’s something beautiful about being so eager to eat soup s o t a s t y y e t s o b l a z i n g ly h o t t h a t y o u a r e w i l l i n g t o b u r n yourself on every spoonful—as if you were afraid it would lose its tastiness or cool down too much if you waited—and
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the elephant in the room
M A R TA T O M A S I R
SCOTT TRONNES T h i n k o u t s i d e t h e b o x , b e c a u s e t h e e n d c r e a t i o n i s a lw a y s more interesting, even if it extends past the guidelines of the project. tronnesscott@gmail.com
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pheonix
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CHRIS TURNER
CAROLINA VELASCO
OUT OF COLLEGE
I like to think of myself as a child of god. A spirit wrestling
[ ] Money spent
with the delightful joy of pure innocence.
[ ] See no future
God be with you.
[ ] Pay no rent [ ] All the money’s gone
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[ ] Nowhere to go
tach guide
findings: a visual identity
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collaboration with dylan smith
M A A I K E VA N L A M B A L G E N
K E L LY W I C H O W S K I Everything is something and something has the possibility to be anything. This has become my outlook on life and design in general. I love to create visual solutions that turn
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imagination into real world design.
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muscox barbershop
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ELIZABETH WRIGHT
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-- ceramics
christina mayder
brenda danbrook
colwyn paddon
juliana katchur
katie parkin
madeline koshowski
alison stalker
tayler letwin
rachel zwambag
kaitlyn mcgill
-- fibre
janet peters
jessica armstrong
jocelyn reid
dana bush
leah spagrud
jessica fraser
-- drawing
alyssa mcmurry
paul agecoutay
lauren milland
curtis anderson
sabrina niebler
kai beaudette-hodsman
jasper nyman
janine bennett
andrew penner
skylar borgstrom
sheena perratt
nicole bracey
lauren plante
christina burch
jessica roh
spencer chalmers
danielle rutkowski
damian espinosa
megan slater
ryan flemmer
julia sutherland
shura galbraith
katherine thomas
corrie hamm
-- glass
kristin hollman
carli castle
natasha jensen
charissa hong
yuqi kang
laura kelly
mina kim
maddison klein
rob knudsen
kristin wozniewich
joel kometz
-- jewellery + metals
dejana lukac
wade ames
samantha lyons
danielle baade
heather heikkinen
shannon esler
sharon hogg
kat ewald
jason isaac
mags hewett
jordan kanzig
stephen holman
paige loetscher
emmeli-sue klumpenhower
kent merriman
brette peters
katie mikalauskas
avery ruuska
jay-dean pupp
justin sukeroff
shirley quan
marlee watts
kelsey reich
kristyn wozniewich
jas singh
-- media arts +
luke toane
digital technologies
lobsang tseten
mallory augustyn
ashley vu
mike buckingham
matthew waites
evgeniy alexandrovich
melissa wenzel
yuvia cha
stephanie wilson
calvin chen
tiffany wollman
jessie cheng
-- photography
jasmine chopyk
laura ambrosone
kaitlyn cooper
kaitlyn body
leah desmond
kim bui
jarrett fellows
alison clayton
zhenyu fu
vanessa dezutter
christine howell
kayla griffiths
varda khan
jennifer hall
levente kovacs
christina hills
ida tesfagiorgis
emma kopstein
prinka verma
minwoo lee
-- painting
tavis morley
megan andrew
dana prediger
holly ardern
brendan stephens
natalie bakko
julya hajnoczky
momo bando
kristen thomas
brittany baum
cydney toth
karen beattie
jennifer wyma
christina bolcsfoldy-horne
natasha yokoyama-ramsay
heather campbell
-- print media
lejla cenanovic
anna desramaux
megan conley
keri macleod
kurtis denne
kendra murphy
andrea fenniak
gabrielle nadon
danielle folkerts
joel qualie
kristen foran
maverick sham
dionna gooding
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C O M P L E T E L I S T O F G R A D U AT I N G S T U D E N T S
nancy caughey
-- sculpture
dylan smith
jenna braid
nicolette stephens
valentin brovko
allison swertz
matthrew brunning
marta tomasir
shanna cline
scott tronnes
juan gonzalez
christopher turner
shelby gray
carolina velasco
laura hill
hannah wheeler
amber johnston
kelly wichowski
jayda karsten
elizabeth wright
dylan mason-mclernon
-- vcd:character design
cindy santa
samer abbas
hyla stuijfzand
chris bexiga
sarah urbanczyk
nathalie lavoie
-- vcd:advertising
sulkee lee
katherine bushey
xiaoshuo li
rheannon chan
dione mcguire
kristin collins
ryder mclean
Photographer
kelsey hughes
syed mirza
jenny wyma
michael kohlweg
andrew pakarnyk
sara kwan
carolyn tam
ACADSA Student Coordinator
candace potter
maaike van lambalgen
laura russell
-- vcd:illustration
dan barnfield
laura sand
jennifer bonar
-- vcd:graphic design
donald cook
justine anweiler
jean-paul csuka
kimberly ballerini
maria dillmann
richard ballermann
robin eng
elena bell
christer guillergan
sara borowski
nicholas johnson
tegan cann
maura kang
fiona de monye
kristy lannan
danielle goudie
joanne leung
nicole gueldenpfennig
victoria lo
kaewjinda hataitham
lyndon navalta
macy hippsley
maria stoian
erin kerr
danqiu (alicia) wu
G R A D C ATA L O G U E T E A M
Designers
dylan smith maria stoian
edwin lim dylan mason kelly matsalla wesley niven jun ren alyssa schollaardt mateusz sliwon
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