Architecture + Design Portfolio

Page 1

Alejandra Kuri

Portfolio architecture + design selected works 2012 - 2018

Image: Thesis’ cover for professional degree.


Alejandra Kuri González

Address

Architect

Rio Elba 666 Col. Del Valle San Pedro Garza García N.L., México.

alekurig@gmail.com +52 8120750285 @alekurig https://www.linkedin.com/in/alejandra-kuri

EDUCATION

ABOUT ME Mexican Architect 24 years old Interests. Urbanism, Interior Design, Lightning Design, Home Automatization. Hobbies. Graphic Design, Acrylic Painting, Amateur Photography Experience. Residential construction management; Residential design and executive projects. Objectives. Work in an international firm; have a masters degree in BIM management and Lightning Design; contribute positively with city-opened architecture that adapts to the constantly changing modern life styles.

August 2012 - May 2017 Architecture [Final Grade. 9.1/10 - Thesis with Excellence] Universidad de Monterrey, Monterrey. February 2015 - July 2015 Architecture Universidad Mayor, Santiago, Chile. August 2009 - May 2012 International High School Instituto Tecnológico de Monterrey, Monterrey.

WORKING EXPERIENCE September 2017- present. Safa Velez Proyectos Junior Architect

Contact

LANGUAGES

August 2015 - September 2017 Safa Velez Proyectos Construction Managemenet/Supervision

Spanish Native Language

January 2012 - August 2015 Redso Digital Marketing Graphic Design 2011 - present. Free Lance Graphic Design

SOFTWARE & SKILLS Autocad Revit Sketchup / Vray Photoshop Illustrator InDesign 3D Max LightRoom Microsoft Office Suite

Hand drafting and modeling Sketching Collaging Photo Editing Site Analysis Laser cutting Teamwork

English TOEFL 610pts.

French Multicultural Diploma ITESM


EXHIBITIONS 2017

Student Architecture 5th Biennal, Colegio de Arquitectos de Nuevo León. Published: Hipermananza, Hyperblock. (Thesis)

2015

Centenario Museum Published: Urban Regeneration in Centrito Valle, San Pedro Garza García.

RECOGNITIONS

9.7

November 2017 Silver Medal, Mixed-use Category Student Architecture 5th Biennal. Hipermanzana, Hyperblock. Colegio de Arquitectos de Nuevo León. May 2017 Excellence. Thesis for Architect Degree. Universidad de Monterrey.

INTERNATIONAL EXPERIENCE January 2015 - July 2015 Student Exchange Santiago, Chile. April 2008 Leadership Summit Geneve, Switzerland.

ACTIVITIES / WORKSHOPS / SOCIAL PRACTICE 2018 Revit course - Parametric Families Workshop Safa Velez Proyectos Monterrey, N.L. 2017 Tatiana Bilbao Conference Workshop for thesis’ feedback Universidad de Monterrey 2016 UDESIGN Art, Architecture and Design Congress Pabellón M, Monterrey. 2015 Ando San Pedro Regeneration of public space event. Collaboration with furniture production and Marketing. Casco Urbano, San Pedro Garza García. 2015 Construye Construction social practice Casco Urbano, San Pedro Garza García. 2014 Roberto Garza Sada Center of Arts, Architecure and Design Opening Volunteer / Staff Universidad de Monterrey 2011 - 2012 Entrepreneur Congress Board of directors, First edition. Instituto Tecnológico de Monterrey 2009 - 2012 Student Council Instituto Tecnológico de Monterrey


UC Innovation Center ŠAlejandra Kuri

Contents


01

Graduate Thesis l Hipermanzana [Hyperblock] hybrid architecture l mixed-use l urban

07

Core mixed-use building l public l architecture

13

Architecture Prosthesis l Fab-Lab Former Brewery Ebner cultural l public

19

Arts and Reading Cultural Center cultural l public

25

Lookout Orinoco public space l urban intervention

31

Tower II collective housing l

35

Nomad l Working with SteelcaseÂŽ furniture

41

Residential Construction Management work experience

45

Residential Design architectural design l work experience

47

Graphic Design free lance

A


01 Hyperblock Year Place Collaboration

Fall 2016 - Spring 2017 Monterrey N.L., México Alberto Cuevas and Jose Roberto Martínez

Monterrey’s continued expansion and development, positions it as fertile territory for an architecture innovation and new urban solutions. The city center’s densification is a priority in the government’s agenda. The current model of urban development depends of real state market speculative conditions as it guarantees a fast return of investment, resulting in a standardized and fast solution product. These projects become mixed used developments segregated from the city, empty towers, walled group of houses; the majority placed in the city’s outskirts. During the 20th century, the origin of the “superblock” resulted in numerous collective housing sets that now a day have serious shortcomings. The typology of the “superblock” can adequate to perform a radical transformation in its structure and adapt itself to modern living styles. Maintaining the current structure and original form of the superblock buildings, and providing them all types of necessary program, the spaces can be rehabilitated. At the same time, this collective housing can become dense and city-opened, no need to expand.

01


The 4 archetypes that transformed the city.

Axial Street

“Place Royale”

Independent Block

SuperBlock

?

The city center has the only collective housing superblock in the Monterrey and has the necesity of growth and densification. Condominios Constitución is a 9 hectare superblock, designed by the architect Guillermo Cortés, built in 1964, with 50 collective housing buildings, 1044 apartments, public space and a kindergarten.

The Condominio’s resemblance to the Do-mino structure (Le Corbusier), gives us the opportunity to transform de facades and distribution of the buildings.

02


There are 135 circulation cores; an opportunity for optimization.

Reconfiguration of the units. Original

Proposed

45% less circulation. 25% more profitable area. Provides programatic variety.

03 01


Axis designed to communicate the whole complex with voids and bridges.

Model. Acrylic and cartboard Laser cutter 04


Structure and transformation of the facade.

05

Connections

06



02 Core Year Place Collaboration

Spring 2016 San Pedro Garza Garcìa, N.L., México Barbara Ochoa and Jose Roberto Martínez

The challenge we confronted while designing this building was meeting the program percentages and square meters of profitable space. We started by analyzing the area and target market, then the site. The car and people flow indicated how to locate the buildings and paths. As the following diagrams show, after locating the buildings with their corresponding programs in the site, a platform was proposed to elevate the building and create an invisible barrier between the public space of the site and the street. Also, the platform would visually connect the public space of the building with the city’s public space: Calzada del Valle. Then, according to the needs of the program, we determined the size and number of levels the building would have. Next, both buildings were twisted with the purpose of generating terraces, variety of views, ventilation, fluid circulation and entrances. We twisted the volumes in a way that they would create a communicative space in between them by being face to face, and the voids remaining would become the hotel and office lobbies. Finally, a path perforates de complex, communicating the first level to all the vertical circulation nucleus.

07


2,034.1 m2 3,028.7 m2 5,062.8 m2 Summer sun Winter sun

Bubble diagram

Platform

Levels

Twist

Perforation

Commerce

Volumes

Green terrace 08


AMENITIES 637 M2

HOTEL 4,251 M2

RESTAURANTS 845 M2

GYM

404 M2

COMMERCE 1,680 M2

HOTEL LOBBY 842 M2

Level 6 21.50

Level 5 +17.50

Level 4 +13.50

Level 3 +9.50

Level 2 +5.50

Level 1 +1.50 Level 0 00.00 Level -1 -1.76

Level -2 -4.80

Section

Longitudinal 09


OFFICES 5,624 M2

OFFICE LOBBY 461 M2

Level 6 21.50

Level 5 +17.50

Level 4 +13.50

Level 3 +9.50

Level 2 +5.50

Level 1 +1.50 Level 0 00.00 Level -1 -1.76

Level -2 -4.80

Section

Transversal 10


SUBE

LOBBY OFICINAS

OFICINA

SUBE

AREA CIRCULACIONES

AREA COMERCIAL SEGURIDAD

BOGEGA

LAVANDERIA

LOBBY HOTEL

RESTAURANTE

COR FirstE Level

Floor Plan

11

Ubicación: Calzada del Valle esq. con Calzada San Pedro. San Pedro Garza García, N.L. México.

DIBUJÓ: Alejandra Kuri Barbara Ochoa Jose Roberto Martinez

UNIVERSIDAD DE MONTERREY DISEÑO INTEGRAL II FECHA 7 DE ABRIL DE 2016

SIMBOLIGIA

NOTAS

PLANO PLANOS ARQUITECTONICOS NIVEL 1 ESC. 1:250

A-01


C1 A1 SALIDA

A2

P6

P1

+1.4

DETALLE PISO CONCRETO APARENTE CON ANTIDERRAPANTE DETALLE P6

C1

A4

C1

P1

0.00

D1

D1

+25.5

C1

P1

C1 +1.4 21.5

P6 ENTRADA

+17.5

A2 +28.5

P1

+13.5

C1

P1

A4

P1

A4

A4

A4

C1

A2

+9.5

P1

1.50 1.25

P6

1.00

D1

+1.5

A2

P1

P1

A2

+1.5

D1

+13.5

C1

D2 +13.5 +25.5

C1

A1 A4

+21.5

A1

A4

D2

A4

D1

C1 0.00

Site and Landscaping Plan

A2

A4

A1

D1

D1

+1.4

A4

C1

C1

+2.0

0.25

A2

D1

0.00

0.75 0.50

+1.5

A4

0.00


03 Ex-Brewery Ebner Year Place Adviser

Spring 2015 Santiago, Chile Arq. Francisca Pulido

An architecural prosthesis is an element that is attached to an existing building and, as a prosthesis of the human body, aids to the function of it. It may offer a new function or improve an actual one. The objective of this project, was to find within the city, a building that lacked a function because of its failure to adapt. The exhaustive analysis of a city that I only knew from a month back (Santiago, Chile), was the main challenge of the project. The Ex-Brewery is an old brewery built in 1888, located in the municipality of Independencia. It was declared National Monument of Chile, however, it still belongs to a particular citizen and remains in a deplorable state. The carelessness of this building is one of the reasons of the zone's deterioration. The objective is to recover the heritage and offer the urban equipment shortcomings that the municipality suffers. The analysis of the zone shows a strong concentration of informal and textile commerce and educationalcenters. However it shows a lack of public space and green areas. The investigation concludes that the prothesis' program should offer the community a space tu locate this commerce and learn to manage it. Specially, an equipped place to revive the crafts that someday existed. The Ex-Brewery would function as the core of the project that will distribute to the strategic process: Heritage Restoration - Devise - Design - Produce - Distribute. 13


ANALYSIS FOR IDENTIFICATION OF PROGRAMATIC NEEDS IN INDEPENDENCIA. EDUCATIONAL CULTURAL COMMERCIAL

[TEXTILE; INFORMAL AND METROPOLITAN LEVEL]

Cultural House SEPADE

Gabriela Mistral School

Municipal Public Library “Pablo Neruda”

School of Medicine U. de Chile

Neighborhood Patronato Neighborhood La Vega Textile Commerce Textile Commerce Concentration Informal Commerce Conglomeration

School of Odontology U. de Chile

Corean Concentration Arab Concentration Textile Zone Peruvian Concentration Decorative Arts Museum

Mapocho Station Cultural Center 14


Municipal Contribution Impulse textile economy. Train municipality to start their own businesses.

Metropolitan Contribution Projection center and project fabrication for students, professionals, business starterts.

National Contribution Spread chilean culture with innovative artisan products inspired in chilean traditions.

FAB-LAB

Speciality in Chilean Crafts Equipped space for the production of objects on a personal or local scale. 1. Historical Monument Rehabilitation 2. Link Intangible Heritage (cultural- artisan) with Tangible Heritage (Ex Brewery Ebner) 3. Encourage artisan commerce and application of crafts to products used in daily life. 4. Boost entrepreneurs.

Within a system of educational & cultural centers.

13


Auditorium Classrooms

Metal Workshop

Textile Workshop

Ceramic and Clay Workshop

Wood Workshop

Computer Lab

Laser Cutting

3D Printing

Workshops Auditoriumm Event H

Permanent and temporary exhibitions Labs

Storage

Offices

Reception

Boardroom

PROGRAMA LINEAL

0

Commerce

Public Space

Administration

Patrimonial Restoration

Design

Devise

Production

Distribute

Diseña Fabrica

Idea

Design Produce

Fabrica Diseña

Devise Museo

Exhibitions

Espacio Público de FabLab y Museo

Distribuye + Espacio Común

Idea

Comercio Public Space of FabLab & Museum

El proyecto busca integrar el espacio público a nivel comunal con el Fab-Lab y museo. Se busca crear un recorrido el cual siga el siguiente ritmo. Se propone que la Ex Cervecería Ebner sea el núcleo de distribución de programa, así como el elemento principal del espacio público.

Fabrica Diseña

Espacio Distribute Público Common Space Av. Independencia

Commerce

Idea

Distribuye + Espacio Común

Museo

Public Spacet Av. Independencia

Circulaciones.

Distribuye + Espacio Común

Museo

Programa Circulaciones.

Programa por n

16


CORTE A-A’ ESC 1:150

EX

Comercio

FACHADA PRINCIPAL ESCALA 1:350

B

b

01

5

10

20 Café

Café

Taller de Madera

Cont Herra rol y mien ta

Comercio

s

E

A

A'

Administración

Auditorio

Recepción EXPOSICIONES

B'

17

Sala de Juntas

PLANTA BAJA ESC. 1:150

N


“Fabrica” Nivel 1 y parte de Ex Cervecería Ebner

“Idea” y Diseña”

“Fabrica” Nivel 1 y parte de Ex Cervecería Ebner

“Idea” y Diseña” SALA COMPUTADORAS

CAFÉ

PATIO

RECEPCIÓN

CAFÉ

CORTE B-B’ ESC 1:150

Espacio Púbico Espacio Púbico

X CERVECERÍA EBNER / TALLER VII PROFE. FRANCISCA PULIDA / RICARDO TORO EX CERVECERÍA EBNER / TALLER VII PROFE. FRANCISCA PULIDA / RICARDO TORO FACHADA PRINCIPAL ESCALA 1:350

01

5

10

/

/

ALUMN. ALEJANDRA KURI GONZALEZ

ALUMN. ALEJANDRA KURI GONZALEZ

20

18


04 Arts and Reading Cultural Center Year Place

Autumn 2015 San Pedro Garza Garcìa, N.L. , Mèxico

For this project, we were given the site, whose main characteristic is its actual use as a public space, the numerous trees that existed, and it’s surrounding program: an institute for kids with cerebral palsy called Nuevo Amanecer. Generalizing, the user that would frequent the project would be the kids’ relatives, which qualify mostly as women ages 30-60. The site should offer a cultural program and public space for the municipality. The analysis of the lack of urban equipment lead to the conclusion that a Cultural Center (especially for arts and reading) would fulfil the needs of the community. Another condition we had to meet for this project is the use of organic architecture to design the center. The direct relation to nature was a petition in the project’s rubric. Because the site was filled with Oaks, they were taken as the principal concept of the design. There are some similarities between a tree and a building, their parts can be compared as an analogy. Especially the tree bark. The tree bark is part of the structural support of a tree, conduces nutrients through the tree to feed it and gives solar protection to the tree trunk. In comparison with the slab or cover of a building, it is part of the structural system, it conduces installations as electricity to feed it and gives solar protection to the users.

19


Orientation depending on entrances and exits of the site.

The form of the bark permits segregation of spaces with lightning, giving an organic feeling.

The protagonist of the design concept is the bark(cover), switch program to it.

20


00 3.

Floor Plan

00

00

3.

00

3. 00

3.

0

00 36.0

3.

00

3.

00

3. 00

3. 00

3.

00

3.

Elevation North

21

00

00

3.

3.

00

3.

00 3. 00

3.

00 1 2 .

3.

Second Level


Structural Section 1

2

3

4

5

6

7

8

9

10

11

12

13

L PRODUCT

¨"I"

22


A

4

SE MUESTRA VIGA PERIMETRAL

I

SE MUESTRA VIGA PERIMETRAL

TRADICIONAL #6

Structure

Facade Section

23

Facade

I

TRADICIONAL #6


PRODUCED BY AN AUTODESK ED

D

C

24 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E

B

A


05 Lookout Orinoco Year Place

Autumn 2014 San Pedro Garza Garcìa, N.L. , Mèxico

San Pedro Garza Garcia’s Centrito Valle is a municipality zone that receives and gives home to 18,000 people a day. Public transportation is null. Climate conditions and infrastructure makes cyclists and pedestrians very few. There are 1,000 parking spots and over 6,000 vehicles that circulate daily. This city’s spot is a fertile place to make an urban intervention to improve the pedestrian’s life, and subsequently reduce the car use. The investigation was carried out by the whole group, each of us taking a specific topic and making a model to explain it’s situation, later on making an exhibition of Centrito Valle’s opportunities. The urban intervention took advantage of the zone’s voids. The proposal is to concentrate all the parking lots into parking buildings located in strategic spots that give the users a 200 meter radius to walk to their destination. With the concentration of vehicles, the establishments’ private parking lots could be used as construction voids to create a lineal path that trespasses the blocks of Centrito’s core. The main streets of the zone would be communicated, have the same urban language, and contain public program. The last stage of the project was to design each station of the lineal path as a public profitable location. My urban intervention was called Lookout Orinoco. It is located in between buildings and serves now as a parking lot. The purpose is to maintain the void and send the program underground, creating a dynamic cover that serves as public space. 25


Analysis Exhibition

Each module represents an area of opportunity of Centrito Valle.

26


1

2

3

Rio Mississippi

4

Rio Mississippi

Rio Mississippi

5

6

7

8 9

Rio Orinoco

Rio Orinoco

Rio Orinoco

10 11

Demolition Construction Affected Properties

27

12

13


N.P.T 0.00

B

N.P.T -3.06

N.P.T 0.00 N.P.T -3.06

B

N.P.T 0.00

Floor Plan Street Level

Elevation South

28


29


Section

Longitudinal

30


06 Tower II Year Place Collaboration

Spring 2014 San Pedro Garza Garcìa, N.L. , Mèxico Sara Montemayor

This project’s objective is to create a complex of collective housing buildings, all of the same dimensions, that compose an isolated grid of the city. This almost utopian place is 100% pedestrian and it’s street level is all commercial and services. The wood-made model is a representation of the complex in which every one in the group included a transparent facade of their 10x10x10 meter building. In my case, the design characterised by its circulation nucleus that divides the building in two equal parts. The nucleus is inspired by the impossible stairs of M. C. Esther (artist), giving a sense of uncertainty and confusion to the user by changing the direction and type of the stairs in each level.


Type B 105 m2

75 m2 Metal Shutter

Type C 150 m2

Metal Shutter Metal Shutter

Ventanas Electricas

Recamara 1 11.5 mts 2

Ventanas Electricas

Recamara 2 15.5 mts2

Ventanas Electricas

Ambiente

Baño

8.2 mts2

C/L

3.0 mts2

2 mts2

Metal Shutter

Metal Shutter

Balcon 10 mts 2

Comedor

Cocina

24 mts2

16.4 mts2

Metal Shutter

Baño 6.8 mts2

Metal Shutter

Recamara 1 Metal Shutter

14.2 mts2

Ventanas Electricas

Baño

Ventanas Electricas

Sala 12.5mts

Baño 4.3mts 2

Baño 4.3mts 2

C/L 2 mts2

Cocina/Comedor 10 mts2

Metal Shutter

14 mts2

20 mts2

Metal Shutter

Metal Shutter

Metal Shutter

Metal Shutter

Recamara 9.5mts 2

Metal Shutter

C/L 2.5mts 2

Balcon

Sala

14 mts2

Ventanas Electricas

Balcon 8.5 mts 2

6.1 mts2

Recamara 2

Metal Shutter

Closet 1.3 mts2

Ventanas Electricas

Metal Shutter

Comedor/Cocina 21 mts 2

Sala 14 mts 2

Metal Shutter

Baño 6.5 mts2

Baño 4.8 mts2

Balcon 6 mts 2

32


The exterior membrane is formed by a series of metal shutters that make the facade transformable.

The facing the circulation nucleus lineas windows’ purpose is to ventilate and give natural lightning to the apartments. At the same time, make a lightning design in the nucleus.

Stair case. Create a path that comunicates every part of the building.

Double Skin: first is cristal, second metal shutters to give the user option of an open or close space.

Completely transparent commercial area to give lightness to the bulding, a sensation that it floats.

33


B

A

B

A

A

A

B

A

B

B

S

S

S

C

C

C

C

B

A

A

A

S

A

A

A

A

A

S

B

1st Floor Commercial

2nd Floor

3rd Floor

4th Floor

5th Floor

6th Floor

7th Floor

34


07 Nomad (Working with Steelcase®) Year Place Collaboration

Spring 2017 San Pedro Garza Garcìa, N.L. , Mèxico Sara Montemayor, Kalahni Higginson, Paulina Garza

Nomad is a project that involved multidisciplinary point of views, the team was conformed by 2 architects, 1 graphic designer and 1 fashion designer. The course was supported by Steelcase® Mexico. We worked directly with them to create a project that solved an issue we founded in the next generation’s working space. The new generations need a new personalized furniture system that encourages the productivity in office hours, both in the office and at home. In 2020, a 45% of professionals will be workers of knowledge and innovation, called “knowmads”: innovative, imaginative, creative, open to collaboration almost anywhere with anyone. New generations will work mostly from home: it increases productivity, it is what’s happening right now, and what young people want. For this need of concentration and versatility in new generation’s work, we designed a work space economically accesible to start-ups and workers, with the objective of have the same commodity, concentration and efficiency in different places.


ACTIVATE

FOCUS

+ !"# Necesidades

REGENERATE & INSPIRE

HOME NEEDS

OFFICE

Space saving Avoid Distractions Privacy Social Area Furniture Storage

Modular Space Collaboration Different Arrangements Meetings Storage

Ergonometry $%&'(#&

Variety of Postures to complete de cycle. Stool height, desk height, leaning.

Space Typology Work as residential’s social area furniture.

Storage

'()*+,(-./&0-1.23,/+,4),-52,5/&3.)&%,/.6(

Collaboration possibilities.

!"#$%$

Generate privacy.

Choice & Control

36


37

Slide

Open

Open

Side Seat for Collaboration

Diferent Postures

Two Heights


Regenerate & Inspire Lay Down Social Time Design Angles

Activate & Focus Collaboration and Diferent Postures

Ergonometry

38



40


08 Construction Management Year Place Firm

Spring 2015- Autumn 2017 San Pedro Garza GarcÏa, N.L. , Mèxico Safa Velez Proyectos My work experience in construction managing. . The activities involved were: supervision of all building stages 1. Foundation 2. Masonry 3. Finishes 4. Drywall ceilings 5. Fan Coil Air Conditioner 6. Lighting 7. Post-Sale Service

41


C1 Y C2 Residences 2017

5 de mayo Residences 2016

Prados Residence 2016

Veredalta Residences 2015-2016

Constatino Residence 2016

Fontana Di Trevi Residences 2015 42


4

5 de mayo Residence Stairs

43

Cordillera IbĂŠrica Residence Beam Detail


42

Cordillera IbĂŠrica Natural Lighting Detail

Venecia Residence Marble Shower

44


1

Detalles Viga Volado 1 : 50

09 Design and Plan Detailing Year Place Firm

Autumn 2017 - Spring 2018 San Pedro Garza Garcìa, N.L. , Mèxico Safa Velez Proyectos

Working in the project area of Safa Velez Proyectos, my tasks are: designing housing distributions, facade proposals, drawing executive plans, revising structural engineering, revising air conditioning, revising pipes and electrical engineering crossings, detailing plans, give service to construction management, give service to the client’s requests, etc.

45


3.05 m

3.05 m

3.00 m

3.05 m

Perfiles rectangulares de 1" x 2" con separación de 3" entre si NewtechWood

2.63 m 0.14 m

0.28 m

9.00 m Rectangular 2" x 1"

NewTechwood

3.05 m

3.05 m

3.05 m

Tablón NewTechwood 14.00 cm ancho x 1" de espesor.

1.00" 1.00"

0.14 m

H-05 Isométrico Losa IPR Fach Ppal con Tensores

0.50"

3.82 m

Detalle NewTechwood 1:5

7.15 m

0.0 8m

0.0 8

5m 1.4

m

0.06 m

0.06 m

0.30 m

2.60 m

0.20 m

1.23 m

0.06 m

2.02 m

Rio Blanco Residence Ironworks detailing. Date with Newtechwood.

Rectangular 1" x 1/2"

Rectangular 2" x 1"

0.06 m

Estructura para recibir NewTechwood Marco de perfil rectangular de 1" x 1/2"

0.60 m

1

2

H-04 Isométrico Losa IPR Fach Lateral con Tensores

Rio Blanco Residence Ironworks detailing. Slab with steel slides.

0.60 m

Calle Barisan, Col. Cordillera Residencial, Santa Catarina

Sotano

5

: 224.78m2

H-05 Detalle Tensor

Planta Baja : 349.54m2 Planta Alta : 336.81m2 Total

:

911.13m2

0m 1.1

4

H-04 Detalle Tensor

RESPONSABLE:

FECHA

:07/03/2018 01:39:06 p. m.

ESCALA

:

REVISIONES:

2

Arq. César Villagómez

1 : 50

121-ES

1

Detalle Escalones Volados Planta 1 : 20

Detales Viga Volado

2

Gregorio Garza Residence Beam detailing

Detalle Escalones Volados Isometrico 1 : 20

3

Detalle 1 : 20

Detalle Escalones Volados Elevación Frontal 1 : 20

Rio Sena Residence Stair detailing

46


A

10 Logo Design Year Place

2012-2018 San Pedro Garza Garcìa, N.L. , Mèxico Free Lance

Multiple logos. Clients vary between: Start-up Businesses, Social Work Associations, Student Associations, young politician’s campaigns.

Bolivia 2015 ©Alejandra Kuri 47


MÉXICO

48



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