Design Porfolio by Alessio Ghiselli

arch. Alessio GHISELLI address phone e-mail

gender date of birth place citizenship languages

via don Giovanni Minzoni, 4 - 48024 Lugo (Ra) +39 348 4460419 alessio.ghiselli91@gmail.com male 26 settembre 1991 Bologna italian italian, english e french

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The idea comes from the current issue of the decommissioning of offshore platforms once the life cycle ended and they discontinued. Indeed, they have a production period of 30 years after which it has an obligation to cleanup and redevelopment. However, the huge cost of the operation and ecosystem loss resettled under them invites to look for alternatives to the dismantling. The project is divided into 2 parts (above and below the sea level). The marine ecosystem resettled on the pillars of the platform supports the idea of creating real underwater gardens, artificial barriers for repopulation of marine flora and fauna and to attract a growing diver tourism in this area. The platform is the nodal point of the project below sea level and accommodation for tourism and research above.

PORTFOLIO | Alessio Ghiselli

soil movements used in the project want to recall the gentle hills of Emilia and remember the strong ties of the territory with the land and agriculture

the sinuous shapes of the monument and the context become edges in Lamborghini key, drawing overlapping planes that intersect creating slender and sharpened forms

the silhouette of Laborghini cars is unmistakable as to allow to draw them with a single simple line. The project highlights this feature by inserting a LED into a cut of Monument matter

farming origins are marked in the faรงades, where the contrast between land and structure is seen as a growing metaphysical shapes between what it was (the land) and what it is today (the car)

as a reminder of the aerodynamic study, used designing sport cars, it has assumed a flow running through the monument to characterize the flat surface of the roundabout

as well as Lamborghini looks to the aeronautic sector and adapts it to its projects, also the construction system of the monument takes inspiration by this sector. The metal ribs, hollow inside, make up the structure in order to lighten it and allow an internal ventilation to preserve the monument from overheating

the rear light of the car, futuristic and iconic, is shown with a LED as a cut in the material

the orientation of the monuments was set in order to guarantee a pleasant view from any road entry

the matt black color refers to carbon (Lamborghini material body), the shiny orange refers to gaudy car bodies that characterize the brand; opaque glass refers to rear window engine protection. The metal parts are made of aluminum for its lightness and versatility of processing (further reference to the aeronautic sector).

to ensure the safety in case of car crash, the orientation was set avoiding the alignment with the roads, also the distance from the road is at least 5 meters in order to avoid impact with the structure. In the inevitable event of impact, the aluminum material, because of its ductility, absorbs the kinetic energy

The project consists of creating a multipurpose tower with 5 floors near the Mediopadana Calatrava station in Reggio Emilia. The technology used is mixed: steel and reinforced concrete, divided by serving and served parties. The triangular shape of the building has been designed in order to have the best exposure to the sun to ensure a natural ventilation through the chimney effect. The yield of the chimney was calculated in the various seasonal phases using data provided by ISPRA. The buildingâ&#x20AC;&#x2122;s facade with vertical uprights was inspired by the sound produced by the car rushing in the adjacent street and characterize it following the Doppler effect of sound.

PORTFOLIO | Alessio Ghiselli

Restoration work for the church of San Domenico in Ferrara. The project provided for the study of the faĂ§ade through the state of art analysis, the degradation analysis and subsequent processing in order to restore itself. The study focus was concentrated on the adjacent Cananiâ&#x20AC;&#x2122;s Chapel, once minor apse of the main church and the host of Cananiâ&#x20AC;&#x2122;s Family remains.

PORTFOLIO | Alessio Ghiselli

The project demanded the creation of a new supermarket model, in particular the hypothesis of new methods of purchasin than usual. It was decided to revolutionize the classic method, going to replace the shelf with the spaces for the fruition of the products before its purchase, also with the addition of multimedia panels to the order the products, picked up athe the ende of the path. The central route becomes a space constantly used and in different ways, during the hours of the day, it is transformed from a closed place in a neighborhood. For this purpose, the complex was placed inside a green area as an urban park.

PORTFOLIO | Alessio Ghiselli

segnala la presenza di un evento al suo interno

PORTFOLIO | Alessio Ghiselli

The project consist to an enlargement of â&#x20AC;&#x153;Ercole Mostiâ&#x20AC;? elementary school in Ferrara and a redevelopment of the surrounding area, with a construction of a residential complex that relates to the two existing buildings: the school and a chapel located in the north-east of the lot area. The central concept of the project is the theme of the courts that identify 6 different functions. The project includes: two school courts (a play -court and an entrance-court), a court for performances (which uses the small chapel as a scenic backdrop), a sports court (with a mini soccer field), a commercial court, and a residential one (with different types of accommodation). The division of these areas is obtained with dividing walls and earthworks that give soft divisions.

PORTFOLIO | Alessio Ghiselli

The project consist on the redevelopment of the site of the Eridania factory, now abandoned, through the realization of a housing complex of different typologies. The project allows to leave cars in the underground parking and direct access to the buildings by main stairs and lifts. The central path connects the old building of the factory (retrained to performance area) to the new complex of mult-storey building. The focus of the project is set on the last building covered with a glass roof (inspired by the old factory), metaphoric link between old and new. The project plays on the contrast between the exterior faรงade (strict as Eridania factory faรงade), and the inner one characterized by irregular jutting parts that allows the realization of accommodation of different sizes and types.

PORTFOLIO | Alessio Ghiselli

The plan was to design a neighborhood cultural center with wood technology compared with a pre-existence. The construction method used is the mixture of panels x-lam, laminated beams and steel pillars. The building is characterized by a permeable facade facing the courtyard, which allows the contemplation of the pre-existence, and a completely opaque to the outside. All the building is elevated on a platform that creates continuity also with vertical partitions and coverage through the use of the same material, the use of a continuous warping of the coating and the rounded corners between the vertical elements.

PORTFOLIO | Alessio Ghiselli

The project involves the renovation and conversion of an old steel structure barn with a breakfast area of farmhouse â&#x20AC;&#x153;Piano Rossoâ&#x20AC;? in proximity of the lot. On the ground floor there are an open space kitchen for front cooking classes and a bathroom; upstairs tables for breakfast and tastings. The large window on the main front allows to enjoy the view of the valley of Marradi.

PORTFOLIO | Alessio Ghiselli

Design, development, manufacture and distribution of sartorial clothing brand â&#x20AC;&#x153;dot-labâ&#x20AC;?, design of the logo and trademark registration. Product care from birth to retail and online sale. Texture handmade, scanned and produced serially with the screen printing method. Internet site design, management of social networks, realization of photographs, book presentation, creation of promotional videos.

PORTFOLIO | Alessio Ghiselli