Alexandra Marquez
Professor Monroy Design Fundamentals II Spring 2021 AAID 102-M03 New York Institute of Technology
Table of Contents Volumetric Vessels
Painting Analysis Narrative Diagram Combination of Vessels
Bath House
Bath House Precendent Adding Water Narrative Diagram Sun Diagram Perspectives, Plans, and Sections Interior Perspectives
Volumetric Vessels We chose a painting from Le Corbusieur to analysis and create concepts that woulld later be used in the Bath House. We analyzed the contours of the painting apart from color to be able to come up with a clear concept. Afterwards we used the contours to create vessels that we would use in the Bath House. We selected vessels that we thought would work better together and combined them to create a unique space.
Violon, verre et bouteille Le Corbusier | 1925 Alexandra Marquez | Fundamentals 02 | Spring2021
Painting Analysis
Here you can see the different contours I was able to extract from the painting not using color which is why they are in greyscale. I started to see if i could possibly only focus on the bottles but was still exploring different ideas. However towards the right we can see that I started extracting contours by color to be able to create a concept for the Bath House.
01_CATALOG 1.0_FOREGROUND Alexandra Marquez | Fundamentals 02 | Spring 2021
01_EXPLODED AXONOMETRIC_EDGES RULE: BY FOREGROUND Alexandra Marquez | Fundamentals 02 | Spring 2021
01_CATALOG 1.0_DIVISION
01_CATALOG 1.0_COLOR
Alexandra Marquez | Fundamentals 02 | Spring 2021
Alexandra Marquez | Visualization 02 | Spring 2021
01_EXPLODED AXONOMETRIC_EDGES RULE: BY COLOR
01_EXPLODED AXONOMETRIC_EDGES RULE: BY DIVISION OF BOTTLES
Alexandra Marquez | Visualization 02 | Spring 2021
Alexandra Marquez | Fundamentals 02 | Spring 2021
Further Analysis
When extracting colored contours I wanted to take advantage of this and see how color is related to the painting. When discovering these different ideas on how I should use these contours for the project we created a color palette to better understand the colors in the painting and what they meant. Ultimately I decided that the painting wasn’t helpful for me in terms of creatng a concept which is why I shifted the painting later on.
Violon, verre et bouteille Le Corbusier | 1925
00_COLOR SWATCH Alexandra Marquez | Visualization 02 | Spring 2021
01_CATALOG 1.0_WARM TONES AND COOL TONES
01_CATALOG 1.0_GREYSCALE
Alexandra Marquez | Fundamentals 02 | Spring 2021
Alexandra Marquez | Fundamentals 02 | Spring 2021
01_EXPLODED AXONOMETRIC_EDGES RULE: BY GREYSCALE
01_EXPLODED AXONOMETRIC_EDGES RULE: BY WARM AND COOL TONES Alexandra Marquez | Fundamentals 02 | Spring 2021
Alexandra Marquez | Fundamentals 02 | Spring 2021
01_CATALOG 1.0_ARMATURES
01_CATALOG 1.0_SHIFTED ARMATURES Alexandra Marquez | Fundamentals 02 | Spring 2021
01_CATALOG 1.0_ARMATURES IN PAINTING
01_CATALOG 1.0_SHIFTED ARMATURES IN PAINTING Alexandra Marquez | Fundamentals 02 | Spring 2021
SIMPLE EXTRUSIONS
INTERACTING EXTRUSIONS
PAINTING EXTRACTS _ FRONT VIEW
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
This is my exploartion on how I would started to connect the vessels by a simple extrusion. On the left I wanted to create a clear concept of scale to later use in my Bath House where the bigger contours would be a low level of privacy and the smaller contours would be a high level of privacy. This diagram was to demonstrate an early vision of what the main concept for the Bath House would be. Not only was this for my main concept but I used the concept of scale to create my combination vessels that would later have the element of different levels of privacy in the project.
VOLUME 01 VOLUME 02 VOLUME 03 VOLUME 04 [ CONTOUR ]
[ ITERATION 01 ] LOFT
[ ITERATION 02 ] ROTATE/REVOLVE
[ CONTOUR ]
[ ITERATION 03 ] RAIL REVOLVE
[ ITERATION 01 ] LOFT ALEXANDRA MARQUEZ |
VOLUME 04
VOLUME 03
VOLUME 02
VOLUME 01
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ PLAN ]
[ SECTION ]
[ ELEVATION ]
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ PERSPECTIVE]
[ PLAN ]
[ SECTION ] ALEXANDRA MARQUEZ |
VOLUME 09 VOLUME 10
VOLUME 05
VOLUME 11
VOLUME 06
VOLUME 12
VOLUME 07 VOLUME 08 [ ITERATION 02 ] ROTATE/REVOLVE
[ CONTOUR ]
[ ITERATION 03 ] RAIL REVOLVE
[ ITERATION 01 ] LOFT
[ ITERATION 02 ] ROTATE/REVOLVE
[ ITERATION 03 ] RAIL REVOLVE
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ ELEVATION ] F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ PERSPECTIVE]
VOLUME 12
VOLUME 08
VOLUME 11
VOLUME 07
VOLUME 010
VOLUME 06
VOLUME 09
VOLUME 05
F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ PLAN ]
[ SECTION ]
[ ELEVATION ]
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ PERSPECTIVE]
A. VOLUME
H
B. VOLUME
C. VOLUME
F. V O L U M E
G. VOLUME
D. VOLUME
A
G D I &J
F
K
E. VOLUME
H. VOLUME
C E
B L A
I. VOLUME
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
J. VOLUME
K. VOLUME
L. VOLUME
SOUTHWEST VIEW
COMB C O M B I N AT I O N 0 1
SOUTHEAST VIEW
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
ALEXANDRA MARQ
SOUTHWEST VIEW SOUTHWEST VIEW
B I N AT I O N 0 5
Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
C O M B I N AT I O N 0 2
NORTHEAST VIEW
SOUTHEAST VIEW
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
NORTHEAST VIEW
C O M B I N AT I O N 0 3
COMBINA
SOUTHWEST VIEW
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
ALEXANDRA MARQUE
SOUTHWEST VIEW
AT I O N 0 6
NORTHEAST VIEW
C O M B I N AT I O N 0 4
NORTHEAST VIEW
Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
SOUTHWEST VIEW
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1 A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
RIVER
Bath House
SITE
LOCKER ROOM
STEAM ROOM
HOT BATH
SECONDARY SPACES
After analyzing the painting and creating concepts for the bath house we researched a bath house to get a better idea of what a bath house is and its programs. Afterwards we placed water inside the vessels to get an idea where the pool would be and how light would enter the space. Then, we created the programs for the spaces and a narrative to better demonstrate who would go to this bath house and how the program would look like. Then we captured how the inside of the space would look like and we created plans and sections to better demonstrate the ciculation of the bath house.
KEY
WARM BATH
POOL
DN
DN
01
ELEVATION
N
Cold (59 degrees Fahrenheit) Indoor Pools Sea Water Pools Changing Room (Cloakroom) Thermal Waters (Temperature varies from 82.4-100.4 degrees Fahrenheit)
Hot (104 degrees Fahrenheit)
Bath House Precendent
THERMAL BATHS
Pools fed by thermal springs at various temperatures.
SEA
A very long private beach, lapped by crystal clear waters.
NATURE
You will be surrounded by a park with over six hectares (approx. 645835 square foot) of terraces.
HEALTH
Specific treatments, anti-stress and anti-aging treatments, and medical advice on the use of the spa.
WELFARE
Holistic and relaxing treatments are integrated with spas, sun, sea and the beauty of nature.
I researched the bath house Giardini Poseidon in Ischia, Italy that was designed by the architect Zollinger. I was interested in how this bath house / spa came to be with its historical presence in that this location used to be farmland but the landowner wanted to use the myths and legends of the land to build a bath house. I found it particularly interesting how the architect used scale in deciding the programs for the pools. For example, he designed the Hot and Cold pool right next to each other and distinguished them by scale. The bigger pool would be the Hot Bath while the smaller pool would be the Cold Bath. So, I incorporated this idea into my bath house.
BEAUTY
Personalized treatments for face and body to make you always feel young, healthy and relaxed.
Alexandra Marquez | Fundamentals 02 | Spring 2021
A
B
B
B
A
B
A
A
A
A [ PLAN ]
SUNLIGHT
[ PLAN ]
B
[ PLAN ]
B
HT
IG NL SU
[ WARM BATHS ] SEMI PUBLIC
PUBLIC
[ SECTION A ]
[ SECTION A ]
[ SECTION B ]
[ STEAM ROOM ]
PRIVATE STEAM ROOM
[ SECTION B ] A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
B A
B
A
B
[ PLAN ]
A
B
[ PLAN ] SUNLIGHT
NL IG
HT
A
SU
[ NATATORIUM ]
[COLD BATHS ]
PRIVATE
[ SECTION A ]
[ SECTION B ]
[ HOT AND COLD BATHS ]
SEMI PRIVATE
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
[ SECTION A ]
[ SECTION B ]
[ SECTION A ]
[ SECTION B ]
Nature’s Corner
[ PRIVATE ]
[ STEAM ROOM ]
[ HOT / COLD BATH ] [ NATATORIUM ]
[ STEAM ROOM ]
[ WARM BATH]
WEST
EAST
[ MEDICINAL BATH ]
[ COLD BATH ] [ NATATORIUM / POOL ]
[ HOT / COLD BATHS ] [ HOT BATH ]
[ WARM BATH ]
[ MEDICINAL BATH ]
[ PRIMARY PROGRAMS ]
[ PROGRAM SCALE ]
[ PROGRAM SERIES ]
[ PUBLIC ]
N [ ABOVE GROUND ] [ PROGRAM | CIRCULATION + LIGHT ]
[ BELOW GROUND ]
[ N A R R AT I V E ]
[ VESSELS IN SITE ] A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
Summer Solstice
Summer Solstice
Winter Solstice
6 AM
9 AM
12 PM
Winter Solstice
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | F U N D A M E N TA L S 0 2 | S P R I N G 2 0 2 1
3 PM
6 PM
RIVER RIVER
SITE
SITE
LOCKER ROOM
LOCKER ROOM
STEAM ROOM
STEAM ROOM
HOT BATH
HOT BATH
SECONDARY SPACES
SECONDARY SPACES
WARM BATH
KEY
WARM BATH
KEY
POOL
POOL
DN
DN
DN
01
ROOF PLAN
N
DN
01
ELEVATION
N
02 PRESPECTIVE
RIVER
SITE
RIVER
SITE
LOCKER ROOM
LOCKER ROOM
STEAM ROOM
STEAM ROOM
HOT BATH
HOT BATH
SECONDARY SPACES
SECONDARY SPACES
WARM BATH
WARM BATH
POOL
POOL
KEY
PRESPECTIVE
KEY
01
In these perspectives you are able to see the panels that were incorporated to the different spaces. For the pool I chose to use a panel that would play with light in a very interesting way which is the top right panel design. The steam room since it’s green I wanted to use this opportunity to have a way for the steam to leave the space while also looking like they were vines coming down from the ceiling. The panel was the bottom right panel design. Lastly, the panel in the middle right I placed it in a transitional space where a spiral staircase is that leads the audience into a more private and intimate space. I felt that even though it’s simple it’ll create minimal shadows in the space.
A L E X A N D R A M A R Q U E Z | V I S U A L I Z AT I O N S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | V I S U A L I Z AT I O N S 0 2 | S P R I N G 2 0 2 1
A L E X A N D R A M A R Q U E Z | V I S U A L I Z AT I O N S 0 2 | S P R I N G 2 0 2 1
LOCKER ROOM
WARM BATH
STEAM ROOM
POOL
HOT BATH
RIVER
SECONDARY SPACES
RIVER
SITE GLASS
KEY
DN
DN
SECTION
POOL
HOT BATH
WATER
KEY
DN
01
WARM BATH
STEAM ROOM
SECONDARY SPACES
SITE
STAFF ROOM
Steam Room
MEDICINEAL BATH
DN
N
02 SECTION
N
MEDICINEAL BATH
WARM BATH
SITE
WARM BATH
GLASS
POOL
GLASS
RIVER
HOT BATH
RIVER
HOT BATH
GLASS
SECONDARY SPACES
SITE
SECONDARY SPACES
WATER
KEY
KEY
DN
DN
DN
DN
03
SECTION
N
04 SECTION
N
RIVER
RIVER
SITE
SITE
LOCKER ROOM
LOCKER ROOM
STEAM ROOM
STEAM ROOM
HOT BATH
HOT BATH
SECONDARY SPACES
SECONDARY SPACES
WARM BATH
WARM BATH
POOL GLASS
DN
DN
DN
01
PLAN
N
03
PLAN
N
KEY
KEY
DN
POOL
RIVER
SITE
SITE
LOCKER ROOM
STAFF ROOM
STEAM ROOM
ECONDARY SPACES
HOT BATH
SECONDARY SPACES
Circulation to Hot Bath
POOL
KEY
WARM BATH
GLASS
DN
DN
DN
DN
02 PLAN
N
04 PLAN
N
KEY
Circulation to Pool
RIVER
6am
Entrance to the top of the Bath House
Top of the Bath House
DN
DN
DN
DN
DN
DN
N
Locker Room
N
Circulation of Nature’s Corner
N
11
The hiker or backpacker would start by choosing whether they want to experience the top of the bath house where the vessels are sticking out a bit to intrigue the audience while also representing the different level of privacy in the space. The more you see the vessel on top of the site the lower the level of privacy it is and the less you see of the vessel the higher the level of privacy it is. When, the hiker or backpacker is done exploring they would go into the bath house to start their experience. First is the locker rooms where a spiral staircase is seen that leads the person to the steam room that has panels hanging from the ceiling. Next is the Hot bath where the person can relaxing and look at the sky while enjoying a swim. Afterwards is the cold bath where you can the lighting starts to get darker to demonstrate the level of privacy in that space. Next, is the spiral staircase that leads people into the medicinal bath which is the highest level of privacy in the bath house. From there people would go to a staircase of small pools to reach the final two pools. The last interior perspective is the final pool where people would go to and experience a view of the outside through the panels.
12p
m
7am
8am
9am
10am
Steam Room
DN
2pm
DN
DN
[ ABOVE GROUND ]
[ ABOVE GROUND ]
[ ABOVE GROUND ]
[ BELOW GROUND ]
1am
Cold Bath
Hot Bath
[ BELOW GROUND ]
DN
[ BELOW GROUND ]
N
12pm
1pm
2pm
DN
DN
N
N
12pm
3pm
1pm
2pm
3pm
4pm
Bottom level of the Bath House
Spiral Staircase to the Medicinal Bath
Nataurium / Pool
DN
DN
DN
[ ABOVE GROUND ]
N
2pm
2:30pm
3pm
3:30pm
[ BELOW GROUND ]
DN
DN
DN
N
N
5pm
6pm
7pm
8pm