ALEX DALLAS 2 0 1 1 - 2 0 1 4 A r c h i t e c t u r a l Po r t f o l i o
Housing
URBAN CLIFF GISELLA ALLEN
ALEX DALLAS S
The constructed ground plane reacts to the topographical limits of the site by negotiating the two main levels while also being manipulated by programmatic forces. By using the metaphor of the urban cliff condition, the architecture creates a theatrical backdrop for the site’s various activities while addressing issues such as prospect and refuge.
CONTENTS
Housing
Housing HOUSING
Caret 6
OFFICE Office
Office
RETAIL Retail
Urban Cliff
4 Spoke
Office
Retail
School
Retail
School
Gym
12
Austin Green Center School
28 Crestview Station
Gym
Gym
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Light Instruments
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50
Bubbles
Arboretum Pavilion
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22 Kraanspoor
Computation in Compression
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38 The Refuge
Graphic Speculations
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68
CARET 6
FALL 2013 | PROFESSOR KORY BIEG COLLABORATORS: TEX-FAB, Mitsubishi plastics & UT ENGINEERING TEAM: KORY BEIG’S DESIGN V STUDIO ROLE: LEAD DESIGNER & PROJECT LEADER
Caret 6 is an architectural installation designed to exhibit the finalists and winners of the TEX-FAB SKIN competition. The exhibition supports graphic displays and prototype models, while standing on its own as an architecturally significant project. The structure consists of an inhabitable catenary vaulted space and an articulated ground surface that emerges from the vault to support the competition finalists. Using digital tools (Rhinoceros, Grasshopper and Kangaroo), Caret 6 is designed parametrically to generate unique formal qualities and fit the programmatic requirements for the exhibit, while allowing for the mass customization of hundreds of unique pieces and connections, which are cut on a CNC router. The form is a result of the study of the modularity of diamonds and their ability to aggregate within complex geometries. The diamond modules are deconstructed into two primary elements, ribs and infill surfaces. The ribs serve as the structure that support the infill surfaces, which are hinged to emphasize the pattern. The ribs are discontinuous as a result of the irregular grid that the modules aggregate within. These discontinuities necessitated collaboration with students and professors from the UT Cockrell School of Engineering to ensure the structural integrity of the installation.
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© Casey Dunn
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Infill Surfaces
Tertiary Ribs
Secondary Ribs
Primary Ribs
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Infill Surfaces
Tertiary Ribs
Secondary Ribs
Primary Ribs
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Caret 6 was published in Architectural Record, ArchDaily, Texas Architect Magazine, and The Architect’s Newspaper. After the initial exhibition in the University of Texas at Austin’s Mebane Gallery, Caret 6 traveled to South by Southwest, where it was a featured art installation, and then to The University of Houston School of Architecture.
Connection Details
Š Casey Dunn
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URBAN CLIFF
FALL 2014 | PROFESSORS DOLL, BRETON, & RENAUD TEAM: GISELLA ALLEN, SEYEONG GWAK & SARANYA KANAGARAJ
This project was a part of a study abroad semeter at Ecole Nationale Supérieure d’Architecture de Paris-Belleville. The team comprised on three University of Texas students and one from Belleville. One of the most fascinating aspects of urban living and culture is the presence of a great number of very different people in a very limited amount of space, in which most are strangers to each other. This allows the possibility to build up an extensive system
of
subcultures
each other’s into
people’s
urban
living
close
to
each
other,
exposed
to
influences, but without necessarily intruding private
lives.
provides
the
This
physiological
opportunity
to
condition
intersect
of
these
different subcultures and urban programs to create a richer and more interwoven urban experience for the city dweller. The Urban Cliff’s constructed ground plane reacts to the topographical limits of the Parisian site by negotiating the two main levels while also being manipulated by programmatic forces. By using the metaphor of the urban cliff condition, the architecture creates a theatrical backdrop for the site’s various activities while addressing issues such as prospect and refuge.
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MESA VERDE NATIVE AMERICAN CITY BUILT BY THE ANASAZI TRIBE IN COLORADO, USA. MESA VERDE NATIVE AMERICAN CITY BUILT BY THE ANASAZI TRIBE IN COLORADO, USA.
BUILDING EDGE VS. CLIFF WALL EDGE
ELEVATED VS. SUBMERGED MASSES
PRIVATE TO PUBLIC CIRCULATION
Building Edge vs CLIFF Cliff WALL WallEDGE Edge Elevated vs Submerged PrivatePRIVATE to Public Circulation BUILDING EDGE VS. ELEVATED VS. SUBMERGEDMasses MASSES TO PUBLIC CIRCULATION One of One theOne ofmost the of most fascinating the most fascinating fascinating aspects aspects ofaspects urban of urban living of urban living andliving culture and culture and is culture theispresence the is presence the presence of a great of a great of number a great number ofnumber very of very of very different different people different people in people a very in alimited very in a very limited amount limited amount ofamount space, of space, in of which space, in which most in which most are strangers most are strangers are strangers to each to each other. to each other. Thisother. allows ThisThis allows allows the possibility the the possibility tomost build tofascinating build uptoan build up extensive an up extensive an extensive system ofsystem subcultures of subcultures of subcultures closeclose toiseach close to presence each other, to each other, exposed other, exposed to exposed each to each other’s to each other’s other’s Onepossibility of the aspects of system urban living and culture the of a great number of very influences, influences, influences, butpeople without but without but necessarily necessarily intruding intruding intruding into people’s into into people’s people’s private lives. private lives. This lives. physiological ThisThis physiological condition condition condition of allows of of different innecessarily awithout very limited amount of space, in private which most are strangers tophysiological each other. This urbanthe urban living urban living provides living provides provides opportunity the theextensive opportunity to intersect tosystem intersect to these intersect these different these different subcultures different subcultures andother, urban and exposed urban and programs urban programs to other’s to to possibility tothe build up opportunity an of subcultures close tosubcultures each toprograms each createinfluences, create a richer create a richer and abut richer more and more and interwoven more interwoven interwoven urban urban experience urban experience for the forcity the for dweller. city thelives. dweller. city dweller. without necessarily intruding intoexperience people’s private This physiological condition of urban living provides the opportunity to intersect these different subcultures and urban programs to create a richer and more interwoven urban experience for the city dweller.
DENSITY DENSITY DENSITY DENSITY WALL + SOLID + VOID INTERACTION
WALL + SOLID + VOID INTERACTION
WALL STARTS WALL WALL STARTS TO INFORM STARTS TO INFORM TO INFORM IMPLIED IMPLIED DENSITY IMPLIED DENSITY OF DENSITY OF OF SOLID +SOLID VOID SOLID RELATIONSHIP + VOID+RELATIONSHIP VOID RELATIONSHIP SOLID +SOLID VOID SOLID + VOID+ VOID
EXTRUDED EXTRUDED / VOID/ VOID EXTRUDED SOLID /SOLID VOID SOLID CONTOUR CONTOUR CONTOUR
The idea of carving and experimenting limits of the site begins to locate solids and voids Wall Starts to Inform Solid + Void Implied Density ofwith Solid + Void Extruded Solidwhere + Void Contour occur.WALL Active voids exist to create more public spaces whereas passive voids exist to EXTRUDED create more intimate STARTS TO INFORM IMPLIED DENSITY OF SOLID / VOID spaces. The shift in+scales user experience. SOLID + VOID RELATIONSHIP SOLID VOID of solid and void creates a diverse CONTOUR The idea of carving and experimenting with limits of the site begins to locate where solids and voids occur. voidsbecome exist to create more public spaces whereas passive to create more the intimate SolidsActive and voids more articulated closer to the park edge andvoids less exist articulated towards train spaces. The to shift in the scales of solid and the voidpark creates diverse usersketch experience. tracks. The increased articulation starts blur limits between and athe site. The below
demonstrates limits and where on the site they can be articulated more or less. Program is then located Solids and voids become more articulated closerdepending to the parkonedge less articulated towards the train howand it relates to surrounding topography. tracks. The increased articulation starts to blur the limits between the park and the site. The sketch below demonstrates limits and where on the site they can be articulated more or less. Program is then located depending on how it relates to surrounding topography.
SOLID +SOLID VOID SOLID PROGRAMMATIC + VOID+PROGRAMMATIC VOID PROGRAMMATIC DEVELOPMENT DEVELOPMENT DEVELOPMENT VOID PROGRAMMATIC DEVELOPMENT Solid +SOLID Void +Programmatic Development
TRAJECTORY TRAJECTORY TRAJECTORY TRAJECTORY
IMPLIED ENCLOSURE IMPLIED ENCLOSURE IMPLIED ENCLOSURE
Implied Enclosure IMPLIED ENCLOSURE
Circulation Circulation Circulation is determined is determined is determined by topographical by topographical by topographical limits.limits. Thelimits. six The meter The six meter six wall meter between wall wall between the between the the streetstreet level street and levelpark level and is park and treated park is treated is astreated a boundary as a as boundary a boundary and used and used and as a used limit as a as to limit inform a limit to inform to how inform how how the user the moves user the user moves throughout throughout throughout space. This space. can Thisinclude This can limits. include canmoments include moments moments where where one where moves one moves one moves Circulation ismoves determined byspace. topographical The six meter wall between the towards, towards, away towards, away from, away from, or against from, or against orthe against wall, theawall, determining the wall, determining determining short short and long views. long and long views. views. street level and park is treated as boundary and used asshort aand limit to inform how 14 the user moves throughout space. This can include moments where one moves The urban The The urban conditions urban conditions conditions of the ofpark the ofand park thethe railyard park and railyard andare railyard blended are blended areby blended creating byand creating bylong acreating landscape a landscape a landscape towards, away from, or against wall, determining short views.
Inspired by the cliff dwellings of Mesa Verde, the idea of carving and experimenting with limits of the site begins to locate where solids and voids occur. Active voids exist to create more public spaces whereas passive voids exist to create more intimate spaces. Solids and voids become more articulated closer to the park edge and less articulated towards the train tracks.
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Housing
IMPLIED ENCLOSURE
Housing Housing
Office Office
en the how oves Office
Retail
dscape e than round owing phy
Retail
School
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School
Gym
Office
Retail Retail
School
Retail
School
School
School
Gym
Gym
Gym
Gym
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Street Level
First Level
Park Level
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BUBBLES
FALL 2011 | STOKES, ROBBINS, & ODOM COLLABORATORS: FROG DESIGN, SHW GROUP & FLINTCO TEAM: SAVANNAH COLBERT, BEN VETTERS & MAX PEAKE ROLE: LEAD STUDENT DESIGNER & PROJECT LEADER
The McCallum High School Bubbles are a series of interactive outdoor seating structures designed and built by students. The initiative, called Teach Design Austin, teaches high school students on the methodologies of design through immersive, real-world programs that result in positive design mentoring experiences and a lasting impact on the school and community. The Bubbles project was a result of their collaboration with students from McCallum High School. The Bubbles project transformed a relatively dead space outside the school by filling the programmatic need for seating, as well as providing a sculptural piece that creates the needed icon for the fine arts aspect of the school. The Bubbles also stimulate the spaces they are in by their metamorphosis throughout the day in the lighting qualities they create.
DORMANT SITE 7:00 AM
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START OF SCHOOL DAY 9:00 AM
NIGHT TIME EVENT 9:00 PM
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ARBORETUM PAVILION
SPRING 2012 | PROFESSOR NICHOLE WIEDEMANN
The mission of the Lady Bird Johnson Wildflower Center is to increase the sustainable use and conservation of native wildflowers, plants and landscapes. The Arboretum Pavilion aims to reinforce LBJ’s ideals of education and preservation by creating a space that can be used to gather, learn and grow. Built on the expanded trails of a new arboretum, the pavilion is submerged in the vast wild landscape from which its forms are derived. By studying the light, wind and water of the site, the building floats above the relatively untouched landscape and frames views of the beautiful landscape. Applying the concepts of the sustainable sites initiative of LBJ, the Arboretum Pavilion makes the indoors feel like outdoors while leaving the protected landscape healthy.
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By studying how to design a building that gathers the water, cools with the wind, lights from the sky, and shades from the sun, the pavilion creates poetic dialogue between the inhabitant and the natural forces on the site. This synergistic relationship between the environmental conservation efforts and the tranquil architectural experience is strengthened through the sustainable
SPOKE
FALL 2014 | PROFESSOR KEITH SIMON TEAM: ZACH WALTERS, ALEX WARR & BECCA BROWN
C When unlocking a bike from a public rack after dark, a person
needs at least two things in terms of lighting; general illumination and sufficient task lighting. Spoke aims to achieve both of these lighting qualities in order to provide the perfect illumination for the task at hand by its unique shape as well as its receptiveness to its surroundings. By using daylight sensors and motion sensors,
B
Spoke is able to be an efficient and responsive luminaire.
3 1/4� 6 3/4�
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C
B
1-0’ 1/2”
3 1/4”
4 1/2” 6 3/4”
A 8 1/2”
A
B
C
SCALE: 3”= 1’
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AUSTIN GREEN CENTER FALL 2012 | PROFESSOR JUAN MIRó
Located on South Congress in Austin, the Austin Green Center serves as a community resource to promote and research “all things green.” Austin Energy Green Building’s mission is to lead the transformation of the building industry to a sustainable future. This building was designed to AEGB’s lofty agenda, creating a building with a civic identity that exemplifies the sustainable designs they promote. With the growing interest and need for sustainable design, the Austin Green Center displays how sustainable design can be used to create a comfortable building, while also creating an original aesthetic. Designed around the idea of the micro-climate, the building performs as a climatic filter. The building’s interior courtyard creates a comfortable atmosphere in which all the other programs of the building are connected.
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Wrapping Solar Screen and Micro-climatic Massing
Division of Facade for Solar Orientation
Mass Stepping in Response to Neighborhood
Mass Stepping in Response to View
Private vs Public and Solid + Void Massing
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North Elevation
Section A
Section B
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SECOND FLOOR PLAN
UP
A UP
UP
UP
UP UP
B
FIRST FLOOR PLAN
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KRAANSPOOR
FALL 2014 | PROFESSOR ULRICH DANGEL TEAM: MICHAEL RAHMATOULIN
Kraanspoor is an adaptive re-use project located on the former grounds of the Netherlands Dock and Ship Building Company in Amsterdam. The project sits on one of the old concrete supports that held cranes (kraanspoor) for assembling the ships. The concrete crane-ways act as a foundation for the three-story building, made possible by the lightweight steel construction. By elevating the new construction, the building appears to float in the air, helped largely by the glass faรงade that clads the building. The double skin is very clear in plan and elevation, made of an outer layer of motor-driven, operable glass louvers and an inner faรงade of hinged timber windows that run from floor to ceiling. The skin controls air treatment, helps block out ultraviolet radiation and reduces noise pollution by creating a barrier to the outside.
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3’-6
1
6 11
3
9
12 10
616
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1
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14
11’-6”
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PARTIAL SECTION 7
1’-4”
15
5
3’-6”
11’-6”
13
13
1’-4”
15
3
6
1 112mm toughened-glass louvers 10 70 mm rein with concre with screen-print pattern 11 2 aluminium glass stop 11 window fra 3 aluminium supporting structure 12 80/80 mm 7 13 4 steel channel LI 2009 galvanized, galvanized 2 coated 13 window trim PARTIAL PLAN 5 80/80/9 mm steel T-section, 14 facade clad galvanized coated 16 aluminium 6 24mm grating 15 moisture-d 7 steel channel 280, galvanized membrane PARTIAL PLAN 8 convector with grating cover 16 double glaz 9 motor for glass louvers glass + 12 laminated s 1 12mm toughened-glass louvers 10 70 mm reinforced-concrete slab with concrete core activation with screen-print pattern 2 aluminium glass stop 11 window frame; laminated wood 1 12mm toughened-glass louvers 10 70 mm reinforced-concre 3 aluminium supporting structure 12 mm steel with 80/80 screen-print patternL-section, with concrete core activa 11 4 steel channel LI 200 galvanized, 2 aluminium glass stop galvanized 11 window frame; laminated 15 coated 7 3 13 aluminium supporting window trim structure 12 80/80 mm steel L-section 4 steel channel LI 200 galvanized, galvanized 5 80/80/9 mm steel T-section, 14 facade cladding: 3 mm annealed coated 13 window trim 13 galvanized coated aluminium 5 80/80/9 mm steel T-section, 14 facade cladding: 3 mm a 6 24mm grating 15 moisture-diffusing, water-repelling galvanized coated aluminium 7 steel channel 280, galvanized 6 24mm grating membrane120 mm mineral 15 wool moisture-diffusing, water 7 16 steeldouble channelglazing: 280, galvanized 8 convector with grating cover membrane120 mm mine 12 mm toughened 8 convector with grating cover 9 motor for glass louvers glass + 12 mm air cavity +168 double mm glazing: 12 mm to 9 motor for glass louvers glass + 12 mm air cavity laminated safety glass 2
16
11
PARTIAL PLAN 10’-6”
3’-6”
2
5
16
3
6
6
14 4
13
2
10’-6”
1
11’-6”
8
1’-4”
13
laminated safety glass
PARTIAL SECTION
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COMPUTATION IN COMPRESSION FALL 2014 | PROFESSOR DANELLE BRISCOE COLLABORATORS: ESCOBEDO CONSTRUCTION TEAM: ZACH WALTERS & LINCOLN DAVIDSON
Computational design tools allow for geometric form finding and structural optimization of compression only structures that can be digitally fabricated in limestone. The interlocking stone blocks form a catenary vault that are divided into a hybrid grid that combines the properties of a UV grid (as is applied to a vault) and a radial grid (as is applied to a dome). The resulting grid is a UV grid that tapers at the apex for structural efficiency and only allows for compressive stresses in the limestone units. In addition, this geometry minimizes the warping of the faces between adjacent hexagonal components so that all of the surfaces can be fabricated with a 3-axis CNC router.
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CRESTVIEW STATION
SPRING 2013 | PROFESSOR SARAH GAMBLE URBAN STRATEGY TEAM: CHARLOTTE FRIEDLEY, ELIZABETH FUCHS, KATHE MEYERS & ALLINE KANE
Designed
along
with
an
urban
strategy
that
promotes
a
sustainable vision for the future of Austin, Crestview Station is the transportation hub of the sustainable urban development. Located at the intersection of Lamar and Airport Boulevard, Crestview Station is at the junction of a Rapid Bus, Gondola and Commuter Rail. The building is able to accomidate the complex circulation needs of the site while providing a healthy living density. The main building is able to provide residential living space, commercial workspace as well as a ground floor restaurant and grocery store. The building navigates the delicate balance between private and public spaces by creating zones of inhabitation, which filter commercial users from the residence. The site itself and overall positioning of the building had to respond to the public street front and the private backyard, which faces a neighborhood. The design uses the building masses and the location of green space to step the development down and provide a healthy living environment.
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For the North Lamar area to reach the level of success it is capable of, sustainable transit oriented development must occur. This strategy involves the development of gondola network that connects high density areas of the city like North Lamar to Downtown and Austin’s other nodes.
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1234 Howard Street Stanley Saitowitz By: Alex Dallas
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UP
UP
UP UP UP
UP UP
UP
UP
UP
UP
UP
CISTERN
CISTERN
DOWN
UP
UP
UP
UP
UP
0
5
10
25
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North Section
East Section
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LIGHT INSTRUMENTS
SPRING 2013 | PROFESSOR JUDY BIRDSONG TEAM: MICHAEL RAHMATOULIN & LINCOLN DAVIDSON
Light Instruments was a project commissioned for the 2013 Cohen New Works Festival that aimed to redefine the way people experience everyday spaces through the manipulation of light. The driving concept behind the designs was to create a seamless union between the functionality and the emotive aspects of light. The systems captured and presented light to the viewer creating evocative spaces. Light Instruments consisted of two independent, modular systems on the University of Texas campus. One system was installed in the Payne Theatre Lobby and the other was intended for the McCombs UTC flyover staircase, but was relocated to the UTSOA Materials Lab.
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THE REFUGE
SPRING 2014 | PROFESSOR JUDY BIRDSONG
The Refuge serves as a filter between Waller Creek and Red River, offering visitors alternative perspectives and experiences related to the activities of roller-skating and bowling. The organization of the programs comes from the concept of the glimpse, which draws the visitor through the site by providing intentional and intriguing views of the bowler and skater. The visual and auditory presence of the pinsetters activate the bar as one directly enters from Red River, and then the glimpses of bowlers pulls them through until they reach the tranquility of the skating rink by Waller Creek. This transition marks the important role that the architecture plays in creating harmony between the busy urban life of Red River with the serenity of Waller Creek. The relationship between the areas of movement and the areas of pause/glimpse create a complex visual dialogue between the perception of who is the viewer and who is the subject.
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Glimpse Diagram
Program Diagram
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Waller Creek Master Plan By Van Valkenburgh Associates
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DOWN
DOWN
DOWN
DOWN
DOWN
DOWN
STREET LEVEL 1/8”=1’
UP UP
MECH/STORAGE
DOWN
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CREEK LEVEL 1/8”=1’
UP
Aluminum Louver Screen
Steel Beams
Steel Girders
Triple Pane Fritted Glass
White Canvas Sail Cloth Steek Columns
Concrete Decking
Steel Beams
Concrete Shear Wall
Concrete Foundation
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4 3
2
1
64 EAST DETAIL WALL SECTION
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1 - Cast in place concrete shear wall 2 - Thermal insulation 3 - Vapor barrier 4 - Air cavity 5 - Steel Tie 6 - Steel box beam with louver tracks 7 - Aluminum louvers fixed to wide flange steel beam 8 - Toughened glass 9 - Aluminum hangers 10 - Light diffusion fabric 11 - Aluminum support 12 - Stone cladding panels (exterior) 13 - Stone cladding panels (interior) 14 - Round steel air duct 15 - Slot diffuser 16 - Cast in place concrete on trapezoidal profile form decking 17 - Cast in place concrete foundation 18 - Stone coping 19 - Suspended wood ceiling 20 - Metal furring channel 21 - Cold rolled runner channel 22 - Suspension cable 23 - Wide flange steel beam 24 - Steel Gutter
North Elevation
North Section
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GRAPHIC SPECULATIONS VISUAL COMMUNICATIONS & STUDY ABROAD
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ALEX DALLAS 7613 Parkview Circle Austin, TX, 78731 alexdallas12@gmail.com 512.638.7772
EDUCATION
University of Texas at Austin Bachelor of Architecture | 2016 3.94 Design GPA | 3.84 Cumulative GPA 2011-Present
Ecole Nationale Supérieure d’Architecture de Paris-Belleville Study Abroad August 2014-November 2014
ACTIVITIES
American Institute of Architects Students Public Outreach Chair 2011-Present
Texas Society of Architects 2011-Present
Alpha Lambda Delta & Phi Eta Sigma honor Societies 2012-Present
Tau Sigma Delta honor Society in Architecture and Applied Arts 2013-Present
Design for America 2015-Present
EXPERIENCE
University of Texas at Austin |Research Assistant| February 2014-Present Contributed to the design of an acoustical wall paneling system for the University of Texas Energy Institute’s main lecture hall and gathering space. Brought up the design from starting schematic all the way to fabrication and build, using laser cutting, CNC routing, laminating and vacuum forming to achieve the final product.
Legge Lewis Legge |Intern Architect| May 2014-August 2014 Produced construction documents for a shade pavilion in downtown Dallas. Worked on fabrication files and helped coordinate with a sheet steel fabricator.
Kelly Grossman Architects |Intern Architect| June 2012-August 2012 & May 2013-August 2013 Contributed to the design development and construction documentation of several apartment projects in the San Marcos and Austin area. Worked on many of the construction detail drawings required to make the architectural set for an apartment drawing using both AutoCAD and Revit.
Teach Design |Lead Student Designer and Project Leader| September 2009 - February 2012 Collaborated with Frog Design, ShW Group and Flintco in the design and construction of two interactive outdoor seating structures for McCallum high School in Austin. Lead the design/construction team throughout the entire process all the way through the construction of both benches. Learned about the power and reality of designing in the real world and what it takes to organize and lead a group of students to a final product.
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COMPETITIONS
UT School of Architectre |1st place| January 2015 Coupling
ACME Brick Competitition |1st place| March 2013 Brick Wall
Cohen New Works Festival |Commissioned| Februray 2013 Percieving Campus
Cohen New Works Festival |Commissioned| Februray 2013 Light Instruments
RECOGNITION
College Scholar |7 out of 60| April 2012, April 2013 & April 2014
Design 6 Sound Building Distinction |11 out of 60| May 2014
Caret 6 Publications ArchDaily | March 2014 Architectural Record | March 2014 Architect’s Newspaper | March 2014 Texas Architect Magizine | March/April 2014 + May/June 2014 UTSOA ISSUE:010 | May 2014
Bubbles Publications Austin Business Journal | May 2011 Good Magizine | March 2010
SKILLS
Proficient Rhinoceros | AutoCAD | Illustrator | Photoshop | InDesign | Laser Cutting | Model Making | Drafting | Sketching | SketchUp | CNC Routing | Wood Working |
Familiar Revit | Grasshopper | Kangaroo | 3DS Max | GIS | VRay | 3D Printing | Photography