4.2
4.3
4.4
simple, powerful. easy structure . homogeneous spaces door needed.
> v 1.1 > simple. moderate high looking at the harbour.
powerful. easy structure . several diverse spaces. no door needed.
dynamism . undefined spaces. structural problems. no elevated open space.
> v 1.4
> v 2.3
> simple. two different spaces of moderate high. nessie.
> double. progressive elevation in two levels.
outside space.
+ + -
> STRUCTURE.
> STRUCTURE.
> SPACES.
outside covered space.
+ ? -
inside space.
outside covered space.
outside space.
> SPACES.
inside space.
outside space.
+ + + +
simple, powerful. easy structure . several diverse spaces. door needed.
> STRUCTURE.
> STRUCTURE.
> SPACES. + + + -
inside space.
outside covered space.
inside space.
outside space.
outside covered space.
> SPACES.
inside space.
outside covered space.
> SPACES. + + -
?
> steel trush following the projection of the extent old rails???
dynamism . covered space in other side. structural problems. no elevated open space.
> IMAGES
BRIDGE > 4.x. 4.1
> ???.
> IMAGES
LOOPING > 3.x. 3.1
> steel trush following the extent old rails.
> IMAGES
2.3
> steel trush following the extent old rails.
> IMAGES
2.2
> steel trush following the extent old rails.
> STRUCTURE.
DOUBLE > 2.x. 2.1
> IMAGES
1.4
> obviously there are many ways of folding the ground. here are a few, with the architectonic effects of some of them
1.3
> variations
> event
> what would happen if boats came back to the leith harbour? > the intervention could act as access p oint/door to a possible ocasion related to ships (race, exhibition...).
1.2
> v 3.1 > looping. inversion of the two sides of the ground.
> v 4.5 > bridge. bridge on north dock, covered space in other side.
alexiares bayo, 2010.
"Any account of one's emotional reactions to position must include the subject of levels. Below level produces intimacy, inferiority, enclosure and claustrophobia, above level gives exhilaration, command, superiority, exposure and vertigo." Gordon Cullen
> the main idea is simple: to create a point of attraction. > to elevate the the ground, attempting to elevate and change radically the point of view. to see the sea and leith at the same time.
> infinity.
> territory
> truncation.
> what used to connect the piece of land with the rest of leith? the old rails. > the idea should be just to transform the end of the old rails in a start point of activity. to provoke movement.
> route > route, territory and event. folding leith . > alexiares bayo. architecture & well-being . eca 2010.
> route, territory & event
"Foreground cuts out background and the normal, prosaic recession is disturbed. (...) So, instead of the scene making a gradual transition along the scale of distance between oneself and the distant object, this effect neatly juxtaposes the near and the distant." Gordon Cullen
SIMPLE > 1.x. 1.1