Lala Alexandr - Graduate Portfolio 2019 - Architecture by Alex Lala

ALEXANDR LALA

PORTFOLIO 2019 - ARCHITECTURE

email: lalalexandr@gmail.com phone: +30 6975421541 skype: lalalexandr address: Folegandrou 9, Melissia, 15127, Athens, Greece

CURRICULUM VITAE

education

2011-2018 Department of Architecture University of Patras Patras, Greece Diploma in Architecture (5-year professional degree) G.P.A: 8.82/10

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2014 University of Florence Florence, Italy Erasmus Student at MA course 2011 Melissia High School Athens, Greece High School Diploma

academic essays

born on : 16/03/1993 nationality: Greek

2016 Green as a duty in contemporary architecture Diploma Research Thesis Supervisor: Alcestis Rodi 2014 Lanthimosâ&#x20AC;&#x2122;s Dogtooth : an architectural investigation Class: Advanced Spatial Narrations Collaborator: C. Karavota Supervisor: Panos Dragonas

publications 2018 Ex machina anathema

Diploma Thesis project Collaborator: C.Moustakis Tutor: Panos Dragonas //archetype.gr

2015 Concordia Lighthouse Competition

email: lalalexandr@gmail.com phone: +30 6975421541 skype: lalalexandr address: Folegandrou 9, Melissia, Athens, Greece

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project shortlisted Top 50 //matterbetter.com,

2015 Naxos Dwelling Mutations

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Architectural Design Studio 7 project Collaborator: C.Moustakis Tutor: Athanasios Spanomaridis //arch.upatras.gr

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born onborn : 16/03/1993 on : 16/03/1993 born in: born Moldova in: Moldova nationality: nationality: Greek Greek

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2018-present 2018-present A&S A&S architects architects

2016 2016 Rethink Rethink the Night the Night IslandIsland of Kea, ofGreece Kea, Greece Theme: Theme: architectural architectural lighting lighting technology technology and projection and projection mapping mapping

2015-2018 2015-2018 A&S A&S architects architects

2014 2014 Hellastock Hellastock ‘14, ‘14, “The “The Hanging Hanging City”City” Athens, Athens, Greece Greece Theme: Theme: Hands-on Hands-on ephemeral ephemeral shelter shelter construction construction

Athens, Athens, Greece Greece October October 2018 2018 - present - present : full-time : full-time assistant assistant architect architect

Athens, Athens, Greece Greece October October 2015 2015 -July 2018: -July 2018: part-time part-time internintern architect architect

2014-2018 2014-2018 Freelance Freelance graphic graphic designer designer

Co-creator Co-creator of tourist of tourist brands brands //dodekamc.com //dodekamc.com and r-topia and r-topia tshirts, tshirts, creative creative director director for //giftintl.com for //giftintl.com

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exhibitions exhibitions 20172017 Space Space and the andArchitecture the Architecture of of compassion compassion

Digital Digital Print Print + Projection + Projection mapping mapping Installation Installation Organized Organized by: Michalis by: Michalis Kakoyiannis Kakoyiannis Cultural Cultural Foundation Foundation

20142014 The day Thethe daysh the came sh came out out

MixedMixed mediamedia modelmodel installation installation Organized Organized by: Michalis by: Michalis Kakoyiannis Kakoyiannis Cultural Cultural Foundation Foundation

languages languages Russian Russian mother mother tongue tongue Greek Greek uentuent English English Cambridge Cambridge C2 C2 Italian Italian CELI 3CELI - B23 - B2 French French Delf A2 Delf A2

2014 2014 Citylab Citylab Workshop Workshop Patras, Patras, Greece Greece Theme: Theme: UrbanUrban Architecture Architecture theory, theory, design design workshop workshop on Patras’ on Patras’ sites. sites.

competitions competitions 2019 2019 The Hadith The Hadith Narrator’s Narrator’s Museum Museum Madinah Madinah Organized Organized by : by : Madinah Madinah Region Region Development Development Authority Authority Collaboration Collaboration with Studio with Studio 75 architects. 75 architects. 2015 2015 Reconstruction Reconstruction and reuse and reuse of former of former lignite lignite mining mining areasareas in theinregion the region of of Western Western Macedonia. Macedonia. Organized Organized by : by : PublicPublic PowerPower Corporation Corporation S.A. S.A. As anAs assistant an assistant architect architect at A&S atarchitects. A&S architects.

2015 2015 Concordia Concordia Lighthouse Lighthouse Competition Competition OpenOpen International International Competition Competition Organized Organized by://matterbetter.com by://matterbetter.com Collaborators: Collaborators: A. Moroglou, A. Moroglou, C.Moustakis, C.Moustakis, L. Labropoulou, L. Labropoulou, E. D. Papadogianni E. D. Papadogianni Distinction: Distinction: Shortlisted Shortlisted top 50 top out50ofout 282of 282 projects. projects.

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skills hobbies hobbies - activities - activities skills graphic graphic design, design, drawing drawing with mixed with mixed media, media, skateboarding, skateboarding, travels, travels, lming lming and editing, and editing, guitarguitar playing, playing, science science and sci- and enthusiast sci- enthusiast

Computer Computer Programs Programs

Autocad, Autocad, Rhinoceros, Rhinoceros, 3ds max 3ds(V-ray max (V-ray rendering), rendering), Revit,Revit, Pix4d,Pix4d, Zbrush, Zbrush, Adobe Adobe Photoshop, Photoshop, Illustrator, Illustrator, Indesign, Indesign, Premiere Premiere

Modeling Modeling

Cardboard, Cardboard, Concrete Concrete , Plaster , Plaster moldsmolds etc. etc.

HandHand Drawing Drawing

A SELECTION OF THE SKETCHBOOKS USED IN THE CREATIVE PROCESS

TABLE OF CONTENTS

EX MACHINA ANATHEMA

pg.6-25

GREEN AS A DUTY IN CONTEMPORARY ARCHITECTURE

pg.26-29

URBAN BUNKERS

pg.30-33

DWELLING MUTATIONS

pg.34-37

UN-BROKEN ATHENS

pg.38-41

MPOA - MODERN PLATFORM OF ART

pg.42-45

PALACE OF SUBCONSCIOUS

pg.46-47

PROFESSIONAL WORK

pg.48-49

Academic - Diploma Thesis

Academic - Research Thesis

Academic - Design Studio 8

Academic - Design Studio 7

Academic - Urban Design Studio

Academic - Design Studio 5

Exhibition - Michalis Cacoyannis Foundation

Work Experience - Employer: A&S architects

Alexandr Lala

EX MACHINA ANATHEMA Academic - Diploma Thesis - spring 2018 Kardiotissa Island, Cyclades - Aegean Sea supervisor: prof. Panos Dragonas collaboration: C. Moustakis

A tour in a perhaps not so distant future, where the absolutism of information has become an end in itself and a means to eternity. The newcomer, marching on straight and frangible lines, proceeds into infrastructures dominated by the element of the machine. There, they are initiated through a set of contradictions in the surrounding space and in an almost ritualistic equation of the “old” world of human domination to a “new” world where man has accepted the dominance of information.

Masterplan I - arrival infrastructure II - short stay infrastructure III - nutrition infrastructure IV - transmission infrastructure V - data center infrastructure

Alexandr Lala

Through a linear process of interaction with five main infrastructures, the newcomer is gradually assimilated into the machine. The transition from the status quo of the “old” material reality to the “new” one, intact and undefined by metaphysics, is given by the ever-changing forms of everyday material functions: pleasure is defined as a necessity, introspection as a tool of meeting with the information, the death of the body as a planned event. The contrast between old and new becomes visible also through the subject’s transition from Enlightenment’s perception of the Self to one characterized by an endless process of division within the collectivity of a server. The new world is no longer palpable through experience, it is not a set of sensory stimuli or the result of observation and experimentation. In a small dried up island of the Aegean sea, we become inhuman in the service of the future, hoping for an endless asceticism. An anathema of life itself by the machine, a proof of human vanity and of the common, ancestral and eternal fear of the end.

I. ARRIVAL INFRASTRUCTURE The main reception area is attached to the vertical rocky surface, 40 meters above sea level. A specially-designed staircase starting at the pier, counting up to 250 steps leads to the interior of a 10-meter high 20x20 m. mesh grid. A short 10-meter trail in the void leads the visitor to the closed oval reception area. This organic form is retained by the grid on the rock and surrounded by illuminating mechanism which, due to the properties of the shell material, form a state of absolute light inside. The interior space subjects the newcomer to a sensory shock necessary for him/her in order to move on. Alexandr Lala

inner volume section

panelling

lighting system

supporting beam structure Structure Diagram

Axonometric View

Reception Floor Plan

dwelling units

II. SHORT-STAY INFRASTRUCTURE The short-stay area is divided into two distinct parts: A space frame, with dimensions 62*36m. and a three-level surface located below. Within the space frame, organized in 3 wings, there are 24 housing units and a staircase leading to the level below. The common outdoor space below accommodates 3 separate bathing modes for optional use by the subjects: A. Sprinkler system with low temperature water. B. Swimming pool with moderate temperature water. C. Reservoir with hot water flowing in its walls creating a steam room environment.

space frame

ground level bathing plaza

Exploded Axonometric View

Alexandr Lala

swimming pool

shower

steam room

+39.90

+37.10

+35.10

+33.60

Ground Floor Plan

detail of the subjectâ&#x20AC;&#x2122;s communion

Nutrition Tower Parts: 1. hydroponic dome 2. blender 3. heaters - drying process 4. nutrient division disks 5. component storage pouches 6. mixing pouches 7. dining/communion area

Alexandr Lala

Axonometric Section

III. NUTRITION INFRASTRUCTURE In the tower of the nutrition infrastructure, food production and processing takes place. It consists of 6 cooperating sections organized vertically, with each section accounting for one stage of the overall process. The raw material of the final nutrition product is grown on top and through a detailed process it is separated into four basic groups of nutrients (protein, carbohydrates, fat, vitamins). In powder form, the nutrients are stored in the corresponding pouches. Dispensers release powder from each pouch in prescribed proportions into a homogenization vessel. Water is added and the mixture is slurred into the duct that leads to the feeding nozzle. In the center of the room there is a pedestal equipped with a tray dispenser. By slightly lifting a tray, the nozzle releases a specific amount of nutrition that is automatically dropped on it. The consumption of food takes place in the surrounding space where seats are freely arranged. 15

Transmission Unit Upper part: 90-degree rotating seat mechanism Lower part: Body Hydrolysis Chamber

Alexandr Lala

IV. TRANSMISSION INFRASTRUCTURE The particular infrastructure facilitates the subject’s transition from the physical realm to a digital one (infrastructure V). The central space consists of a linear course suspended 20 meters above the lower level. This central corridor, resembling an “aisle” divides the space into two equal parts forming the voids in which the transmission systems are suspended. Each area on either side of the corridor consists of 12 vertical switching / transmitting units to which the central switch is connected . Before the entrance to the main corridor, there is a disinfection chamber (three sections stripping, washing, drying). The subject is put in one of the units until the process of transmission is completed. Upon completion, the subject’s body is put to dissolution via the hydrolysis chamber. 17

Section

Alexandr Lala

Upon entering the Transmission Infrastructure, an available seat shall descend.

V. DATA CENTER INFRASTRUCTURE The final phase of transmission has been completed. The data input has been allocated to a personal storage drive, which enters the ever-evolving system of the Data Center Infrastructure situated in an artificial cave .

Alexandr Lala

Axonometric View

To ensure the safety of the data, a specially adapted water-cooling system for the infrastructure was designed for the maintenance of the ideal temperature of the equipment. Fresh seawater is pumped, filtered and penetrated into the lower water tank. Auxiliary pumps push the water into the interior of the grid by cooling the units through a specially designed heat exchange system. The hot water is released into the upper water tank. After its temperature returns to desirable levels it returns to the sea and new, cool water is pumped.

Alexandr Lala

volume data units

Horizontal Section supporting structure

seawater pumps, hydrocooling system

hydrocooling supporting foundation

Section

presentation model materials: concrete, resin, woodboard, 3d printed models, led strips

Alexandr Lala

GREEN AS A DUTY IN CONTEMPORARY ARCHITECTURE Academic - Research Thesis - fall 2016 supervisor: prof. Alcestis Rodi

The matter of investigation of the implemented research study is the “green” trend in contemporary architecture, the extensive definition of the term, the issues related to it and the design criteria for a “green” or ecological architecture that respond to modern standards. Through different scales, the “green” trend is being detected, subjected to criticism, and eventually dealt with. The range of the scales in which it can be detected accentuates the urgent need for a comprehensive approach to architecture and urban design, and explains why “green” is, or has to be, “a duty”. The methodology is based firstly on bibliographical research and statistics that contribute to the better understanding of the terminology in use. The references are drawn from printed and web publications, statements and conclusions by international conferences on climate change and environmental decay, and data from various approaches on the international scene. These are supplemented with consumer trends and behaviour research, lectures on the philosophical dimension of the phenomenon and interviews of architects who approach it critically. Finally, the research refers to contemporary theories in order to analyze and develop design criteria. The research study is divided into four chapters. The first one focuses on the most frequently occurring terms related to green architecture. The second chapter combines selective analyses of green strategies that are derived from different social groups, highlighting the scale of the issue and putting into question the position of architectural design. The third chapter analyzes the attitudes and criticism relating to three different scales in order to investigate the problems associated with the term of sustainability. Finally, in the fourth chapter, through criteria, modern theories and examples, there is an attempt to respond to the questions raised in the second section and addresses the problems detected at the start of the investigation.

Alexandr Lala

CONTENTS 1. DEFINITIONS OF GREEN

1.1. Sustainability // 1.2. Green = Sustainability? // 1.3. Greenwashing 2. GREEN STRATEGIES IN DIFFERENT SCALES 2.1. The international approach to green recovery // 2.2. LEED | certified green assessment 2.3. Sustainability Images: Biomimicry and “Green Camouflage” // 2.4. Guerilla Gardening | A self-fulfilling green need. 3. CRITICISM ON THE GREEN TREND 3.1. Lifestyle | Green alternatives or green guilt? // 3.2. Architecture: Oppositions and criticism // 3.3. Urban scale : Green, technology and planning significance 4. CONTEMPORARY THEORIES ON SUSTAINABILITY - CRITERIA 4.1. Coexistence, Distinction, Visibility S.Hagan // 4.2. Preservation, Traction, Connection | L.Hosey // 4.3. Ecological Urbanism // 4.4. Conclusions - Criteria composition 5. GENERAL CONCLUSIONS

SELECTED BIBLIOGRAPHY Tracey David [2007], Guerrilla Gardening: A Manualfesto, Gabriola Island, BC: New Society Publishers // Reynolds Richard [2008], On Guerrilla Gardening: A Handbook for Gardening Without Boundaries, New York: Bloomsbury // Charles E. Beveridge and Carolyn F. Hoffman [1997](editors), The Papers of Frederick Law Olmsted, Baltimore: Johns Hopkins University Press // Tate Alan [2003], Great city parks, London: Spon Press // Gissen David [2003], Big and Green: Toward Sustainable Architecture in the 21st Century, New York: Princeton Architectural Press // Yeang Ken [2000], The Green Skyscraper: The Basis for Designing Sustainable Intensive Buildings, Munich, London, New York: Prestel // Glaeser Edward L. [2012], Triumph of the City, London: Pan Books // Rybczynski Witold [2015] , Makeshift Metropolis: Ideas About Cities, transl. Maxim Korobochkin, Moscow: Strelka Press // MVRDV [2015], KM3-EXCURSIONS ON CAPACITIES, Barcelona: Actar // Hagan Suzannah [2001], Taking Shape, Oxford: Architectural Press // Hagan Suzannah [2015], Ecological Urbanism: the nature of the city, New York: Routledge // Maas Winy, Ulf Hackauf, Pirjo Haikola [2014], Green Dream: How Future Cities Can Outsmart Nature, Rotterdam: nai010 // Hosey Lance [2012], The Shape of Green: Aesthetics, Ecology, and Design, Washington: Island Press // Lefas Pavlos [2003] (edit.), Tomorrow, the cities, Athens: Plethron // Sang Lee [2011](edit), Aesthetics of Sustainable Architecture, Rotterdam: 010 Publishers // Tsouderos Ioannis.[2008], Ecological Behaviour of the cities, Athens: NTUA // Thomas [2008], Hot, Flat and Crowded – Why We Need a Green Revolution – and How it Can Renew America, New York: Farrar, Straus & Giroux // Dornfeld David [2010], Green Manufacturing: Fundamentals and Applications, Νέα Υόρκη: Springer // Farmer John [1996], The Green Shift, Oxford. London and Boston: Butterworth Architecture // Scruton Roger [1994], The Classical Vernacular, Manchester: Carcanet // SHIVA, Vandana [1993], Monocultures of the Mind, London: Zed Books // Gausa Manuel [2003](edit.), The Metapolis Dictionary of Advanced Architecture: City, Technology and Society in the Information Age, Barcelona: Actar // Werquin Ann Carol [2005] (edit.), Green Structure and Urban Planning, Luxembourg: Office for Official Publications of the European Communities // Mostafavi Mohsen, Gareth Doherty (edit.) [2010], Ecological urbanism, Baden: Lars Müller Publishers // Howard Ebenezer [1902], Garden Cities of To-Morrow, London: Faber and Faber // Εdward Ng [2010], Designing high-density cities for social and environmental sustainability, London Sterling, New York: Routledge, 2010

N Masterplan 1 - Temporary Exhibitions - UB01 2 - Community Workshops - UB02 3 - Kidsâ&#x20AC;&#x2122; Workshop - UB03 4 - Mediatheque - UB04 5 - Cafe + Auditorium - UB05 6 - New Athens Museum - UB-M

Alexandr Lala

URBAN BUNKERS

Academic - Design Studio _8 - spring 2015 Athens supervisor: prof. Panos Dragonas collaboration: C. Moustakis Based on an initial analysis of the limits between the city and the park, the project proceeds on revealing them by configurations of landscape and greenery. The process of adjusting the relief, led to a speculative discovery of bunker-pavilions structures that in our case represent a forgotten, yet occasionally revisited idea that is finally put to action. The whole arrangement of the green elements constitutes an expression of the relationship between the city and the park. On the east side, where the city is located, the park is austerely designed, following strict axons. Moving to the west, the park begins to regain its organic form, which symbolizes the new parkâ&#x20AC;&#x2122;s intention to expand in the future. Simultaneously, the Museum is situated in such a way that the park can be observed in its entirety, whilst the bunkers that function as pavilions are scattered half-buried in the park as shelters within the city, each one of them with its special programme and purpose.

Axonometrics of the parkâ&#x20AC;&#x2122;s facilities

Longitudinal Section

Presentation Model

Boundaries

Paved Areas

Green Areas

Land Formations + Bunkers

Concept Collage

View from UB05

Alexandr Lala

DWELLING MUTATIONS

Academic - Design Studio _7 - fall 2014 Naxos Island supervisor: prof. Athanasios Spanomaridis collaboration: C. Moustakis This dwelling proposal envisions a contemporary/redefined version of the existing habitation system of the Castle of Naxos. The project consists of three different parts . The redesigned plaza connects the town center with the project area near the bay. Underneath the plaza is located the underground parking which receives direct natural lighting through linear skylights. In the northern part , a connection of the shore with the docks is located, that leads to the local port, ending up at the dwelling part in the south. From the hill emerges the infrastructure bound to accommodate the connection of the dwelling units. The units are situated several meters above the sea level and they are adapted to the rising walls interconnected through a system of beams. The elevated dwelling complex creates a new version of the island, commencing a dialogue with its history.

1. Connection bridge + pathway 2. Plaza + underground parking 3.Dwelling area

Axonometric Masterplan

Alexandr Lala

View from plaza

Dwelling Type A’ - Floor Plan

Dwelling Type B’ - Floor Plan

View of Dwelling Type A’

Dwelling Type A’ - Section

4 6

- flattened areas

Alexandr Lala

UN-BROKEN ATHENS

Academic - Urban Design Studio - fall 2014 Athens Supervisor: prof. Alcestis Rodi During the crisis in Greece, the proportion of abandoned buildings in Athens has risen by a large percentage, while various micro-regions of the Center have either acquired bad reputation or, on the contrary, have experienced significant growth. Few facts have not changed in recent decades. There is, on the other hand, an uneven trend of development that results in the degradation of regions that haven’t been in favor. The two components that generated the project were the detection of Blind Regions and the land values in micro-regions. The Blind Regions were selected as regions within the center of Athens that can act as starting points for finding a balance. These, having gone through degradation through the crisis (abandonment,loss in value, poor maintenance) remain “blind”, virtually excluded from the events around them, are not able to offer, accept or host vitality. The land values consisted a criterion for how the intervention would locally interact with the surroundings. An elevated corridor, a superstructure is adapting accordingly to the 7 blind regions it encounters, expressing an attempt to reinvigorate or devalue different areas respectively to distribute equally their attraction levels. For this purpose, it penetrates buildings or demolishes them where necessary, balances on them, encircles them and hovers over roads to strengthen its unifying movement. The superstructure was conceived to be built of materials that have been left untapped by others - leftovers of the crisis. It meets the conditions of today and does not require any kind of luxury to develop and contribute. It’s built from the pieces it collected as it progressed, with each building contributing to the corresponding area of interest. There is no attempt to sensitize the abandoned and worn-out, but there is one to emphasize on the response and exploitation of the city center’s treaty through available means. The superstructure is adapting to and interacting with the reality to eventually influence the pre-existing situation.

General Region Analysis

Concept Collage

Alexandr Lala

Region 1

Region 2

Region 3

Region 4

Region 5-7

Night View

Masterplan

Exploded Axonometric - Sections Alexandr Lala

MPOA [modern platform of art]

Academic - Design Studio_6 - spring 2014 Patras supervisor: prof. Agapi Proimou & Prof. Ulisse Tramonti (Erasmus Florence) collaboration: C.E.Karavota

When trying to understand the meaning and role of the Museum today (or what it should be) taking into account the multiple social factors and having as examples the tangible architectural products, it is very likely to find oneself in an undefined gap between problems, requests and their proposed solutions. A starting point to start defining the term “Museum” would be to bypass any associations with the given term and to seek a completely different approach to the space that will host modern art, according to its contemporary requirements and needs. The title “Modern Platfom of Art” defines a more open framework, capable of accommodating any form of artistic activity, exalting art and simultaneously interacting with the city, its social structures and the human factor. The studio’s assignment was to transform an existing office building of the port of Patras into a building that would become a center for the arts. The proposed project maintains the existing structural grid and reconfigures the spaces into a multi-use Platform of Art. At the level of ground floor the two volumes signify the entrance to the building, while an artificial water canal creates an “island” for the open-air sculpture gallery. Inside, a cylinder penetrates the floor slabs, bringing into the interior a rich natural light while creating a circular ramp that unifies all the uses at once. From there, a series of ramps create a continuous movement to reveal the various spaces found across the building.

Fround Floor - Offerings Room

Entrance ramp - concept

Section A-A

Section B-B

Longitudinal Section - Collage

plaster mold

Alexandr Lala

concrete model

Ground Floor Plan

Middle Floor Plan

First Floor

Second Floor

Third Floor

media: Digital Collage Print (60*80cm) +Video Editing + Projection mapping *based on a drawing of Étienne-Louis Boullée

Alexandr Lala

PALACE OF SUBCONSCIOUS

Exhibition - “Space and the Architecture of Compassion”: Michalis Cacoyanis foundation - 2017 Athens Exhibited text as part of the installation: “There is a place whose purpose is not for the weary, but for those who want to heal. The medium is the dream. It is inside its monumental walls that the subconscious itself, the desires, the phobias, traumas, perversions and every hidden thought are revealed. Based on the psychosomatic nature of one’s tendency to illness, this cinema of dreams mediates one’s positive state to another (healing) or vice versa (compassion). The overwhelming sense of the space transcends a divine atmosphere, supplemented by an interior landscaping which stimulates activation of subconscious. Any dreamer or non-dreamer, claiming to be healthy or not, can attend the palace. Those willing to participate subconsciously are accommodated on beds, whose mental processes are to be projected onto one of the hundreds of screens on the big wall. Accordingly, those seeking for stimuli of any nature without participating, are provided with seats or couches just to watch and empathize. All in all, the palace offers 2 options to the attendants: laying down or sitting. Two rudimentary types of accommodations aimed at offering more than one could possibly expect.”

ΥΓΡΟΜΟΝΩΤΙΚΗ ΜΕΜΒΡΑΝΗ

ΥΓΡΟΜΟΝΩΤΙΚΗ ΜΕΜΒΡΑΝΗ ΦΡΑΓΗ ΑΡΜΟΥ

ΦΡΑΓΗ ΑΡΜΟΥ

ΚΑΛΥΜΜΑ ΣΤΗΘΑΙΟΥ ΑΠΟ ΣΤΡΑΝΤΖΑΡΙΣΤΟ ΠΡΟΒΑΜΜΕΝΟ ΦΥΛΛΟ ΑΛΟΥΜΙΝΙΟΥ ΠΑΧΟΥΣ 1mm ΕΠΕΝΔΥΣΗ ΜΕ ΤΣΙΜΕΝΤΟΣΑΝΙΔΑ

ΚΑΛΥΜΜΑ ΣΤΗΘΑΙΟΥ ΑΠΟ ΣΤΡΑΝΤΖΑΡΙΣΤΟ ΠΡΟΒΑΜΜΕΝΟ ΦΥΛΛΟ ΑΛΟΥΜΙΝΙΟΥ ΠΑΧΟΥΣ 1mm

ΣΤΗΝ ΤΕΛΙΚΗ ΦΑΣΗ ΤΟΥ ΕΡΓΟΥ ΤΟΠΟΘΕΤΕΙΤΑΙ ΘΕΡΜΟΠΡΟΣΟΨΗ

ΕΠΕΝΔΥΣΗ ΜΕ ΤΣΙΜΕΝΤΟΣΑΝΙΔΑ

Γ ΣΤΗΝ ΤΕΛΙΚΗ ΦΑΣΗ ΤΟΥ ΕΡΓΟΥ ΤΟΠΟΘΕΤΕΙΤΑΙ ΘΕΡΜΟΠΡΟΣΟΨΗ

+10.80 +10.60

ΣΥΣΤΗΜΑ ΕΞΩΤΕΡΙΚΗ ΣΚΙΑΣΗΣ ΑΠΟ ΔΙΑΤΡΗΤΑ ΣΥΝΘΕΤΑ ΠΑΝΕΛΑ ΑΛΟΥΜΙΝΙΟΥ ΑΝΟΙΧΤΗ ΘΕΣΗ

+3.05

ΑΜΜΟΣ ΘΑΛΑΣΣΗΣ ΓΕΩΥΦΑΣΜΑ ΕΠΙΧΩΜΑ ΑΠΟ ΔΙΑΒΑΘΜΙΣΜΕΝΟ ΘΡΑΥΣΤΟ ΥΛΙΚΟ

ΥΦΙΣΤΑΜΕΝΗ ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΛΩΡΙΔΕΣ ΑΛΟΥΜΙΝΙΟΥ ΓΩΝΙΑΚΟ ΤΕΛΕΙΩΜΑ ΨΕΥΔΟΡΟΦΗΣ 20Χ20Χ2 ΕΠΕΝΔΥΣΗ ΜΕ ΦΥΛΛΟ ΓΥΨΟΣΑΝΙΔΑΣ ΠΑΧΟΥΣ 12.5mm

ΕΠΕΝΔΥΣΗ ΑΜΦΙΠΛΕΥΡΑ ΜΕ ΦΥΛΛΟ ΓΥΨΟΣΑΝΙΔΑΣ ΑΝΘΥΓΡΗΣ ΚΑΙ ΠΥΡΑΝΤΟΧΗΣ ΠΑΧΟΥΣ 12.5mm

ΟΠΛΙΣΜΕΝΟ ΣΚΥΡΟΔΕΜΑ

+3.00

ΣΥΜΠΑΓΗΣ ΠΕΤΡΟΒΑΜΒΑΚΑΣ ΠΑΧΟΥΣ 50mm ΒΑΡΟΥΣ 75 kgr/m³

+3.00

ΟΡΘΟΣΤΑΤΗΣ ΓΥΨΟΣΑΝΙΔΑΣ CW-50x50x0.6 ΣΤΗΡΙΞΗ ΥΦΙΣΤΑΜΕΝΗΣ ΨΕΥΔΟΡΟΦΗΣ ΟΠΗ ΑΕΡΙΣΜΟΥ

ΕΚΤΟΞΕΥΟΜΕΝΟ ΣΚΥΡΟΔΕΜΑ C35/45 ME ΔΟΜΙΚΟ ΠΛΕΓΜΑ Β500 ΧΑΛΥΒA Φ10/15 ΑΜΜΟΣ ΘΑΛΑΣΣΗΣ ΓΕΩΥΦΑΣΜΑ

ΣΤΟΙΧΕΙΟ ΚΑΛΥΨΗΣ FAN COIL FAN COIL ΥΦΙΣΤΑΜΕΝΟ ΨΕΥΔΟΔΑΠΕΔΟ

ΥΦΙΣΤΑΜΕΝΗ ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΛΩΡΙΔΕΣ ΑΛΟΥΜΙΝΙΟΥ

+7.20 +7.00

ΨΕΥΔΟΡΟΦΗ ΓΥΨΟΣΑΝΙΔΑΣ

ΓΥΨΟΣΑΝΙΔΑ

ΚΑΤΑΣΚΕΥΗ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ ΑΠΟ ΜΕΤΑΛΛΙΚΕΣ ΣΤΡΑΤΖΑΡΙΣΤΕΣ ΔΙΑΤΟΜΕΣ 50Χ50 mm

ΣΥΣΤΗΜΑ ΑΝΑΡΤΗΣΗΣ ΣΚΙΑΣΤΡΩΝ

ΤΕΛΕΙΩΜΑ ΤΥΠΟΥ Β

+3.60

ΘΕΡΜΟΜΟΝΩΣΗ

+3.60

ΣΥΜΠΑΓΗΣ ΠΕΤΡΟΒΑΜΒΑΚΑΣ ΠΑΧΟΥΣ 50mm ΒΑΡΟΥΣ 75 kgr/m³

ΟΠΗ ΑΕΡΙΣΜΟΥ

ΕΚΤΟΞΕΥΟΜΕΝΟ ΣΚΥΡΟΔΕΜΑ C35/45 ME ΔΟΜΙΚΟ ΠΛΕΓΜΑ Β500 ΧΑΛΥΒA Φ10/15

ΣΤΗΡΙΞΗ ΥΦΙΣΤΑΜΕΝΗΣ ΨΕΥΔΟΡΟΦΗΣ ΟΠΗ ΑΕΡΙΣΜΟΥ

±0.00

ΓΩΝΙΑΚΟ ΤΕΛΕΙΩΜΑ ΨΕΥΔΟΡΟΦΗΣ 20Χ20Χ2

ΕΠΙΧΩΜΑ ΑΠΟ ΔΙΑΒΑΘΜΙΣΜΕΝΟ ΘΡΑΥΣΤΟ ΥΛΙΚΟ

ΕΠΕΝΔΥΣΗ ΜΕ ΦΥΛΛΟ ΓΥΨΟΣΑΝΙΔΑΣ ΠΑΧΟΥΣ 12.5mm

Βλ. ΛΕΠΤΟΜ. 2

±0.00

ΦΥΣΙΚΟ ΕΔΑΦΟΣ

ΛΕΠΤΟΜΕΡΕΙΑ 5

ΣΥΜΠΑΓΗΣ ΠΕΤΡΟΒΑΜΒΑΚΑΣ ΠΑΧΟΥΣ 50mm ΒΑΡΟΥΣ 75 kgr/m³ ΚΑΤΑΣΚΕΥΗ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ ΑΠΟ ΜΕΤΑΛΛΙΚΕΣ ΣΤΡΑΤΖΑΡΙΣΤΕΣ ΔΙΑΤΟΜΕΣ 50Χ50 mm

ΛΕΠΤΟΜΕΡΕΙΑ 1

ΣΤΗΡΙΞΗ ΥΦΙΣΤΑΜΕΝΗΣ ΨΕΥΔΟΡΟΦΗΣ ΟΠΗ ΑΕΡΙΣΜΟΥ

ΣΥΜΠΑΓΗΣ ΠΕΤΡΟΒΑΜΒΑΚΑΣ ΠΑΧΟΥΣ 50mm ΒΑΡΟΥΣ 75 kgr/m³

ΣΥΣΤΗΜΑ ΑΝΑΡΤΗΣΗΣ ΣΚΙΑΣΤΡΩΝ

ΑΝΟΞΕΙΔΩΤΕΣ ΡΑΒΔΟΙ Φ16 mm

ΣΥΣΤΗΜΑ ΕΞΩΤΕΡΙΚΗ ΣΚΙΑΣΗΣ

ΚΑΤΑΣΚΕΥΗ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ ΑΠΟ ΜΕΤΑΛΛΙΚΕΣ ΣΤΡΑΤΖΑΡΙΣΤΕΣ ΔΙΑΤΟΜΕΣ 50Χ50 mm

ΑΝΟΞΕΙΔΩΤΟΣ ΟΡΘΟΣΤΑΤΗΣ ΔΙΑΤΟΜΗΣ 60Χ14mm

ΤΕΛΕΙΩΜΑ ΤΥΠΟΥ Β

+3.60

ΧΕΙΡΟΛΙΣΘΗΡΑΣ ΑΠΟ ΑΝΟΞΕΙΔΩΤΗ ΣΩΛΗΝΑ

ΣΤΗΡΙΞΗ ΥΦΙΣΤΑΜΕΝΗΣ ΨΕΥΔΟΡΟΦΗΣ ΟΠΗ ΑΕΡΙΣΜΟΥ

+3.60

ΕΚΤΟΞΕΥΟΜΕΝΟ ΣΚΥΡΟΔΕΜΑ C35/45 ME ΔΟΜΙΚΟ ΠΛΕΓΜΑ Β500 ΧΑΛΥΒA Φ10/15

ΑΜΜΟΣ ΘΑΛΑΣΣΗΣ ΓΕΩΥΦΑΣΜΑ ΕΠΙΧΩΜΑ ΑΠΟ ΔΙΑΒΑΘΜΙΣΜΕΝΟ ΘΡΑΥΣΤΟ ΥΛΙΚΟ

ΥΦΙΣΤΑΜΕΝΗ ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΛΩΡΙΔΕΣ ΑΛΟΥΜΙΝΙΟΥ ΓΩΝΙΑΚΟ ΤΕΛΕΙΩΜΑ ΨΕΥΔΟΡΟΦΗΣ 20Χ20Χ2 ΕΠΕΝΔΥΣΗ ΜΕ ΦΥΛΛΟ ΓΥΨΟΣΑΝΙΔΑΣ ΠΑΧΟΥΣ 12.5mm ΣΥΜΠΑΓΗΣ ΠΕΤΡΟΒΑΜΒΑΚΑΣ ΠΑΧΟΥΣ 50mm ΒΑΡΟΥΣ 75 kgr/m³

+3.00

ΒΙΟΜΗΧΑΝΙΚΟ ΔΑΠΕΔΟ

-1.95

ΚΑΤΑΣΚΕΥΗ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ ΑΠΟ ΜΕΤΑΛΛΙΚΕΣ ΣΤΡΑΤΖΑΡΙΣΤΕΣ ΔΙΑΤΟΜΕΣ 50Χ50 mm

ΟΠΗ ΑΕΡΙΣΜΟΥ

Βλ. ΛEΠΤΟΜ. 3

+3.00

ΣΤΟΙΧΕΙΟ ΚΑΛΥΨΗΣ FAN COIL FAN COIL ΥΦΙΣΤΑΜΕΝΟ ΨΕΥΔΟΔΑΠΕΔΟ

+3.60 +3.40

ΣΥΣΤΗΜΑ ΕΞΩΤΕΡΙΚΗ ΣΚΙΑΣΗΣ ΑΠΟ ΔΙΑΤΡΗΤΑ ΣΥΝΘΕΤΑ ΠΑΝΕΛΑ ΑΛΟΥΜΙΝΙΟΥ ΚΛΕΙΣΤΗ ΘΕΣΗ

ΛΕΠΤΟΜΕΡΕΙΑ 2

ΤΕΛΕΙΩΜΑ ΤΥΠΟΥ Β

ΣΤΗΡΙΞΗ ΥΦΙΣΤΑΜΕΝΗΣ ΨΕΥΔΟΡΟΦΗΣ ΟΠΗ ΑΕΡΙΣΜΟΥ

ΥΦΙΣΤΑΜΕΝΗ ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΛΩΡΙΔΕΣ ΑΛΟΥΜΙΝΙΟΥ ΓΩΝΙΑΚΟ ΤΕΛΕΙΩΜΑ ΨΕΥΔΟΡΟΦΗΣ 20Χ20Χ2 ΕΠΕΝΔΥΣΗ ΜΕ ΦΥΛΛΟ ΓΥΨΟΣΑΝΙΔΑΣ ΠΑΧΟΥΣ 12.5mm ΚΑΤΑΣΚΕΥΗ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ ΑΠΟ ΜΕΤΑΛΛΙΚΕΣ ΣΤΡΑΤΖΑΡΙΣΤΕΣ ΔΙΑΤΟΜΕΣ 50Χ50 mm ΠΡΟΒΑΛΟΜΕΝΟ ΠΑΡΑΑΘΥΡΟ ΑΛΟΥΜΙΝΙΟΥ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ ΕΤΕΜ E-85211 ή ALUMIL M70077

+3.60

ΥΑΛΟΠΕΤΑΣΜΑ ΑΛΟΥΜΙΝΙΟΥ ΤΥΠΟΥ ΕΤΕΜ E-85356 ή ALUMIL M70055 ή ΙΣΟΔΥΝΑΜΟΥ

+3.00

ΣΥΣΤΗΜΑ ΑΝΑΡΤΗΣΗΣ ΣΚΙΑΣΤΡΩΝ

ΑΜΜΟΣ ΘΑΛΑΣΣΗΣ

ΣΥΣΤΗΜΑ ΕΞΩΤΕΡΙΚΗ ΣΚΙΑΣΗΣ ΑΠΟ ΔΙΑΤΡΗΤΑ ΣΥΝΘΕΤΑ ΠΑΝΕΛΑ ΑΛΟΥΜΙΝΙΟΥ ΑΝΟΙΧΤΗ ΘΕΣΗ

ΕΚΤΟΞΕΥΟΜΕΝΟ ΣΚΥΡΟΔΕΜΑ C35/45 ME ΔΟΜΙΚΟ ΠΛΕΓΜΑ Β500 ΧΑΛΥΒA Φ10/15

Α ΟΠΗ ΑΕΡΙΣΜΟΥ ΣΤΟΙΧΕΙΟ ΚΑΛΥΨΗΣ FAN COIL

FAN COIL

ΕΡΓΟ:

-3.90

TOMH A-A ΚΛ. 1:20

ΕΠΙΧΩΜΑ ΑΠΟ ΔΙΑΒΑΘΜΙΣΜΕΝΟ ΘΡΑΥΣΤΟ ΥΛΙΚΟ ΓΕΩΥΦΑΣΜΑ

ΟΠΗ ΑΕΡΙΣΜΟΥ

ΛΕΠΤΟΜΕΡΕΙΑ 6

ΤΕΛΕΙΩΜΑ ΤΥΠΟΥ Β

ΣΥΜΠΑΓΗΣ ΠΕΤΡΟΒΑΜΒΑΚΑΣ ΠΑΧΟΥΣ 50mm ΒΑΡΟΥΣ 75 kgr/m³

ΕΚΤΟΞΕΥΟΜΕΝΟ ΣΚΥΡΟΔΕΜΑ C35/45 ME ΔΟΜΙΚΟ ΠΛΕΓΜΑ Β500 ΧΑΛΥΒA Φ10/15 ΑΜΜΟΣ ΘΑΛΑΣΣΗΣ ΓΕΩΥΦΑΣΜΑ ΕΠΙΧΩΜΑ ΑΠΟ ΔΙΑΒΑΘΜΙΣΜΕΝΟ ΘΡΑΥΣΤΟ ΥΛΙΚΟ -3.90

+3.60

ΥΦΙΣΤΑΜΕΝΟ ΨΕΥΔΟΔΑΠΕΔΟ

+4.87

ΛΕΠΤΟΜΕΡΕΙΑ 3

± 0.00 -0.20

ΜΕΛΕΤΗ:

ΒΕΤΑΠΛΑΝ Α.Ε.Μ.

+4.77 +4.40

ΚΟΙΛΟΔΟΚΟΣ 40*40mm ΓΑΛΒΑΝΙΖΜΕΝΟ ΧΑΛΥΒΑ

+4.00

ΔΙΑΜΟΡΦΩΣΗ ΠΑΡΚΟΥ ΣΤΟ ΕΜΠΟΡΙΚΟ ΚΕΝΤΡΟ KATOΨΗ MARE WEST ΚΛ. 1:20

+5.85

+3.00

ΣΤΟΙΧΕΙΟ ΚΑΛΥΨΗΣ FAN COIL FAN COIL ΥΦΙΣΤΑΜΕΝΟ ΨΕΥΔΟΔΑΠΕΔΟ

ΑΡΙΣΤΟΔΗΜΟΥ 1, 106 76 ΑΘΗΝΑ ,THΛ. 210 7250196, e-mail: betaplan@betaplan.gr , Website: www.betaplan.gr

+4.40 +4.20

+4.05

ΤΙΤΛΟΣ ΣΧΕΔΙΟΥ:

ΕΚΤΟΞΕΥΟΜΕΝΟ ΣΚΥΡΟΔΕΜΑ C35/45 ME ΔΟΜΙΚΟ ΠΛΕΓΜΑ Β500 ΧΑΛΥΒA Φ10/15 ΑΜΜΟΣ ΘΑΛΑΣΣΗΣ ΓΕΩΥΦΑΣΜΑ ΕΠΙΧΩΜΑ ΑΠΟ ΔΙΑΒΑΘΜΙΣΜΕΝΟ ΘΡΑΥΣΤΟ ΥΛΙΚΟ

ΠΑΚΤΩΣΗ ΑΝΑ 50 CM ME ΑΚΙΔΑ ΜΗΚΟΥΣ 10CM

ΒΛ. Λ04

ΒΛ. Λ05

+3.20 +3.00

SKATEPARK ΛΕΠΤΟΜΕΡΕΙΕΣ

ΒΛ. Λ27

ΤΟΠΟΘΕΤΗΣΗ ΘΕΡΜΟΜΟΝΩΣΗΣ ΤΥΠΟΥ DOW ΕΠΕΝΔΥΣΗ ΜΕ ΦΥΛΛΟ ΤΣΙΜΕΝΤΟΣΑΝΙΔΑΣ 12,5 mm

ΛΕΠΤΟΜΕΡΕΙΑ 7

+3.60

ΚΟΙΛΟΔΟΚΟΣ ΔΙΑΤΟΜΗΣ 5X5 εκ.

+3.60

ΣΥΣΤΗΜΑ ΑΝΑΡΤΗΣΗΣ ΣΚΙΑΣΤΡΩΝ

ΣΤΑΔΙΟ ΜΕΛΕΤΗΣ:

ΑΙΘΡΙΟ

ΜΕΛΕΤΗ ΕΦΑΡΜΟΓΗΣ ΒΛ. Λ06

±0.00

±0.00 -0.20

ΦΥΣΙΚΟ ΕΔΑΦΟΣ

ΑΡΙΘΜΟΣ ΣΧΕΔΙΟΥ:

ΒΛ. Λ13

ΤΟΠΟΘΕΤΗΣΗ ΘΕΡΜΟΜΟΝΩΣΗΣ ΤΥΠΟΥ DOW

-1.55

ΚΛΙΜΑΚΟΣΤΑΣΙΟ

ΕΠΕΝΔΥΣΗ ΜΕ ΦΥΛΛΟ ΤΣΙΜΕΝΤΟΣΑΝΙΔΑΣ 12,5 mm ΚΟΙΛΟΔΟΚΟΣ ΔΙΑΤΟΜΗΣ 5X5 εκ.

-2.00

ΒΛ. ΣΧA06-B

ΑΡΧ-Λ.30

ΒΛ. Λ27

ΒΛ. Λ13

ΨΕΥΔΟΡΟΦΗ

ΒΑΛΛΙΣΤΙΚΗ ΠΡΟΣΤΑΣΙΑ

ΚΛΙΜΑΚΑ:

ΗΜΕΡΟΜΗΝΙΑ:

ΑΚΟΥΣΤΙΚΗ ΠΡΟΣΤΑΣΙΑ

ΒΛ. ΣΧA08-B

+3.00

ΤΟΜΗ 1 - 1

ΑΡΧ-Λ.02 1:10, 1:20

-3.60 -3.75

ΛΕΠΤΟΜΕΡΕΙΑ 4

κλίμακα 1:20

κλίμακα 1:10

-2.90

-3.90

ΤΕΛΕΙΩΜΑ ΤΥΠΟΥ Β κλ. 1:2

ΒΛ. Λ07

ΣΤΟΧΟΣ

ΑΙΘΟΥΣΑ ΣΚΟΠΟΒΟΛΗΣ

ΟΝΟΜΑ ΑΡΧΕΙΟΥ:

ΒΛ. Λ12

ΒΙΟΜΗΧΑΝΙΚΟ ΔΑΠΕΔΟ

B801C_SKATEPARK.DWG

Design of a dynamic shading system of self-adjusting perforated panels. resposible for: concept,visualisation, detailed design

Design for a skatepark, part of a new sports park in Corinth. responsible for: concept, visualisation, detailed design

AEK B.C. adaptive reuse Athens, GR 2018

Multifunctional Center Sharurah, KSA 2018

Reuse of the velodrome complex at the Olympic Athletic Center of Athens for basketball courts. responsible for: concept, visualisation

Part of a series of designs at pre-concept stage for the upgrade of 8 cities in Saudi Arabia. responsible for: concept, visualisation

B801c

-3.90

ΒΛ. ΣΧA06-A

ΥΠΟΓΡΑΦΗ ΜΕΛΕΤΗΤΗ:

ΛΕΠΤΟΜΕΡΕΙΑ 8

Mare West Sports Park Corinth, Greece 2018 - ongoing

ΦΕΒΡΟΥΑΡΙΟΣ 2019 ΚΩΔΙΚΟΣ ΕΡΓΟΥ:

ΒΙΟΜΗΧΑΝΙΚΟ ΔΑΠΕΔΟ

ΒΛ. Λ07

ΒΛ. Λ10

Bank of Greece facade Athens, GR 2016 - ongoing - partly built

Alexandr Lala

ΒΙΟΜΗΧΑΝΙΚΟ ΔΑΠΕΔΟ ΜΕ ΕΠΟΞΕΙΔΙΚΗ ΕΠΙΠΑΣΗ

ΡΑΓΑ ΣΤΟΧΟΥ

1:10, 1:2

ΗΜΙΥΠΑΙΘΡΙΟΣ ΧΩΡΟΣ

+3.00

ΒΛ. Λ12

ΤΟΜΗ Α-Α

Shooting Range Facilities Athens, Greece 2018 y

+5.85

+4.40 +4.20

+3.00

+2.00

+1.40

+1.20

+0.80

ΦΥΣΙΚΟ ΕΔΑΦΟΣ

A partially underground building, accomodating a shooting training facility. responsible for: visualisation, detailed design ΒΛ. Λ06

ΒΛ. Λ06

ΒΑΛΛΙΣΤΙΚΗ ΠΡΟΣΤΑΣΙΑ

ΒΛ. Λ27

ΑΛΕΞΙΣΦΑΙΡΟΣ ΥΑΛΟΠΙΝΑΚΑΣ

ΑΚΟΥΣΤΙΚΗ ΠΡΟΣΤΑΣΙΑ

ΨΕΥΔΟΡΟΦΗ

±0.00

ΒΑΛΛΙΣΤΙΚΗ ΠΡΟΣΤΑΣΙΑ

ΑΝΤΙΒΑΛΛΙΣΤΙΚΟ ΑΚΟΥΣΤΙΚΟ ΠΑΝΕΛ

ΡΑΓΑ ΣΤΟΧΟΥ

CONTROL ROOM

ΒΛ. Λ07

ΥΠΕΡΥΨΩΜΕΝΟ ΔΑΠΕΔΟ

ΒΑΛΛΙΣΤΙΚΗ ΠΡΟΣΤΑΣΙΑ

ΑΝΤΙΒΑΛΛΙΣΤΙΚΟ ΠΑΝΕΛ

ΑΙΘΟΥΣΑ ΣΚΟΠΟΒΟΛΗΣ

ΒΙΟΜΗΧΑΝΙΚΟ ΔΑΠΕΔΟ ΜΕ ΕΠΟΞΕΙΔΙΚΗ ΕΠΙΠΑΣΗ

ΒΛ. Λ10

ΓΡΑΜΜΗ ΣΚΟΠΕΥΣΗΣ

ΒΛΗΜΑΤΟΔΕΚΤΗΣ

ΣΤΟΧΟΣ

ΒΙΟΜΗΧΑΝΙΚΟ ΔΑΠΕΔΟ

ΠΑΝΕΛ ΑΠΟΡΡΟΦΗΣΗΣ ΜΕ ΠΛΑΣΤΙΚΟ ΔΑΠΕΔΟ

ΕΓΚΛΙΝΗΣ ΘΩΡΑΚΙΣΜΕΝΗ ΠΛΑΚΑ 10χιλ. ΕΞΟΣΤΡΑΚΙΣΜΟΥ ΕΠΕΝΔΕΔΥΜΕΝΗ ΜΕ ΑΝΤΙΒΑΛΛΙΣΤΙΚΟ ΠΑΝΕΛ

Executive Staff Accomodation Building Doha, Qatar 2017 A proposal for a multi-storey housing building, enclosed in a shading skin. responsible for: concept, visualisation

-3.90

ΘΥΡΙΔΑ ΕΠΙΣΚΕΨΗΣ ΑΤΣΑΛΙΝΗ ΒΑΣΗ

ΓΡΑΜΜΗ ΣΤΟΧΩΝ

ΤΡΙΜΜΕΝΟ ΧΟΝΤΡΟΚΟΚΚΟ ΕΛΑΣΤΙΚΟ

ΤΟΜΗ Β-Β

PROFESSIONAL WORK Employer: A&S architects Selected Works - 2016-2018 Athens

The transition from the academic environment that virtually has no limitations, to the professional domain, is rather abrupt and full of controversies. The reality of client demands, the building legislation and the challenging deadlines as a whole, is to be considered either as a restriction or, on the contrary, as an opportunity to reach further. At this early stage of practice, one could say that even a standardized or procedural task offers the chance to advance, and innovate competitively. I was fortunate enough to find myself among professional architects that emphasize on teamwork in order to introduce new methods and implement new ideas. In this context, I had the opportunity to make the necessary associations between my conceptual approach and the technical requirements of the given project.

Alexandr Lala