Alex Lamoureux 3rd Year Portfolio (Spring 2022)

Page 1

ALEX LAMOUREUX

Academic Works



ALEX LAMOUREUX

alamoureux@ku.edu 402.917.8007 issuu.com/alexlamoureux

EDUCATION

EXPERIENCE

UNIVERSITY OF KANSAS

ARCH 209 STUDIO

Honors Student School of Architecture and Design Lawrence, KS Class of 2024

PRITZKER LAUREATE ARCHITECTURE TOUR Dallas - Fort Worth, Texas

CONESTOGA HIGH SCHOOL

Murray, NE Class of 2019

AWARDS DEANS LIST

Awarded 5 Times 2019 - Present

U.S. BANK BELIEVER & ACHIEVER Top 48 Award

REFERENCES KAPILA D. SILVA

Professor of Architecture University of Kansas kapilads@ku.edu 785.864.1150

JAE D. CHANG

Professor of Architecture University of Kansas jdchang@ku.edu 785.864.1446

Software Consultant Will teach and assist second year students in modeling projects in Rhino 7. Spring 2022

RESEARCH ASSISTANTSHIP Research Assitant for Dr. Kapila D. Silva Spring 2022

CONESTOGA BASKETBALL

Youth Basketball Coach Head coached youth basketball team during winter and summer break. 2015 - 2021

SOFTWARE PROFICIENT:

Sketchup, Rhino, Grasshopper, Adobe Creative Cloud, Lumion, Microsoft Teams, Zoom

FAMILIAR: Grasshopper, Revit, 3Ds Max, AutoCAD

INTERESTS Guitar Gardening Weight training



CONTENTS

01

02

03

The Museum of Vanishing Arts pg. 01-24

The Agrarian Market pg. 25-48

The Crux pg. 49-62


01

THE MUSEUM OF VANISHING ARTS

A Museum for Dead & Dying Arts Fort Worth, TX Professor: Kapila D. Silva Fall 2021

The Museum of Vanishing Arts acts as a sanctuary for the endangered and vanishing arts. The vanishing arts refer to crafts, skills, or human activities that have become or are becoming obsolete. Many refer to the vanishing arts as “dead art.” However, this would not be a correct name for these arts. While it is true that some of these art forms are truly dead, many are still being practiced by a small number of individuals. As a result of the attention brought to the apparent endangerment of these arts, a revival then occurs. This cyclical life cycle that all in the material world is bound to is called Samsara and is a fundamental belief of most Indian religions. The Museum of Vanishing Arts aims to educate visitors on the Samsara of Arts—the life cycle that they take on. The significance of these vanishing arts is expressed by creating a crafted museum that engages and educates visitors through a progressive gallery experience. (Rhino, Grasshopper, AutoCAD, Lumion, Illustrator, Photoshop)

1


2


CONCEPT GENERATION Samsāra: “The cycle of death and rebirth to which all in the material world is bound.” LIFE

Causes of Endangerment for Arts

REVIVAL

THE SAMSĀRA OF ARTS

DETERIORATION

-Technological Advancement -Commodification -Loss of Value -Appropriation -Loss of Authenticity

DEATH

SOCIAL VALUE

THE VALUE CHANGE OF ARTS

THE AGE OF ENLIGHTENMENT

The materiality, facade, and construction techniques should emulate the vanishing arts to achieve a crafted space.

3

18601920

17301760

14501600

CREATING A CRAFTED SPACE

ARTS AND CRAFTS MOVEMENT

PREINDUSTRIAL REVOLUTION

THE RENAISSANCE

DECREASING

INCREASING

THE VALUE CHANGE OF ARTS

17151790

INDUSTRIAL REVOLUTION 17601840

MODERNISM 19001940

EXPRESSING CULTURAL WEAVING REVIVING DEAD ARCHITECTURE The United States has long been considered the melting pot of the world—a country where people of all different nationalities, cultures, and ethnicities are mixed together. All of these different cultural experiences weave our social fabric together.

The form takes inspiration from the dead architecture of the local Native American


FORM GENERATION FORM DEVELOPMENT

CADDO HUT STRUCTURE

WATER AS A SOURCE OF LIFE

HUT MODULE

WATER AS A SOURCE OF LIFE

PLAN OF PUEBLO BONITO

CREATING A VILLAGE

UNFOLDING VARIATIONS

LIGHT

VIEWS

ACCESS

4


02 ORGANIZING SPACE

01 PRESERVING ORDER

The Kimbell Art Museum demonstrates order and encourages the surrounding context to follow suit. Order is preserved and extended onto the site through a modular grid.

The site is divided first into the two primary fu and the support spaces. The support spaces private sectors. The Heritage Tree acts as the protected and separated from the rest of the

LAYOUT PROGRESSION

CLUSTER PROGRESSION

Grid & elliptical module layout is created

04 CONFIGURING FORM

Modules are orientated towards the center of the grid

The form of the hut modules emerges from a curved extrusion of the module’s elliptical footprints. The height of each extrusion is determined by the number of floors and the function of the space.

5

GALLERY

05 INTERTWINING THE BUILD

The various hut modules are intertwined throu walkways orientated along the grid.


unctions of a museum—the galleries are further subdivided into public and e center of this spatial order and thus is e site by a courtyard.

GALLERY

DINGS

GALLERY

ugh a series of single and multi-level

03 CONSTRUCTING A VILLAGE

A series of elliptical modules are arranged around the Heritage Tree and clustered together to accommodate various spaces’ programmatic needs.

OFFICES

OFFICES

Modules are clustered in various formations to accommodate programmatic needs

06 ACKNOWLEDGING HERITAGE

The rooftops of the huts are angled towards the Heritage Tree—acknowledging the tree’s significance to the site.

6


Darnell 7


l Street 8


GROUND LEVEL 1”= 50’- 0”

9


10


LEVEL 2

1”= 50’- 0”

11


LEVEL 3 12


SECTION A

BASEMENT 1”= 50’- 0” 13


14


Cultural Ar 15


rts Gallery 16


Lobby

Typical gallery space 17


Second level walkway

Dead art gallery 18


WIDE FLANGE GIRDER OPEN WEB STEEL JOIST OPEN WEB STEEL GIRDER

HO

BELOW GRADE

ABOVE GRADE

VERTICAL TIMBER SLATS MOUNTED ON HORIZONTAL TIMBER FURING

19

WIDE FLANGE GIRDER GLUE LAMINATED TIMBER COLUMN CONCRETE RING BEAM CONCRETE COLUMN FOUNDATION

GLUELAM FINS MOUNTED ON GLUELAM COLUMNS AT 8’ INTERVALS


PLAN SCALE 1/2”=1’

DIAGONAL TIMBER SLATS HORIZONTAL TIMBER FURING

GLUELAM FIN GALVANIZED C BRACKET WITH THERMAL BREAK C BRACKET ANCHOR PLATE GLUELAM COLUMN

VERTICAL TIMBER SLATS ORIZONTAL TIMBER FURING GLAZED CURTAIN WALL

GLAZED CURTAIN WALL MOUNTED BETWEEN GLUELAM FINS HORIZONTAL TIMBER FURING MOUNTED ON GLUELAM FINS DIAGONAL TIMBER SLATS MOUNTED ON HORIZONTAL TIMBER FURING

20


DETAIL A 1

TOP 53’-6” 2 3

E

4 5 6

ROOF 50’-0”

7

Water Spill Over 1 R 2 Waterproofing WATERPROOFING 3 Monolithic CON Conc MONOLITHIC 4 Moistu MOIST 5 3“RIGID RigidI 3“ 6 Vap VA 7 CONCRETE ConcreteFILL FillON on Meta META 8 Open OPEN

WATER SPILL OVER 1 3” Precast Concrete Panel 3” PRECAST CONCRETE PANEL 2 Moisture Barrier3 MOISTURE BARRIER 3” INSULATION Rigid Insulation4 3” RIGID Galvanized J-Bracket Furring5 GALVANIZED JBRACKET FURRING Vapor Barrier6 VAPOR BARRIER Concrete Wall7 CONCRETE WALL Water8 WATER

D

LEVEL 3 30’-0”

LEVEL 2 15’-0”

DETAIL B

C B

A

LEVEL 1 0’-6”

1 2 3 4 5 6

7 8 9 10 11

BASEMENT -15’-0” BOTTOM -17’-6”

3 1/2” ConcreteSLAB Slab 3 1/2” CONCRETE MoistureBARRIER Barrier MOISTURE 3” RIGID INSULATION 3” Rigid Insulation VAPOR VaporBARRIER Barrier CONCRETE FILL ON METAL DECKING Concrete Fill on Metal Decking OPEN JOIST OpenWEB Web Joist KEYLOCK® SUSPENSION KEY-LOCK® SuspensionROD Rod KEYLOCK® SUSPENSION KEY-LOCK® SuspensionCLIP Clip KEYLOCK® TOPTop CROSS KEY-LOCK® CrossRAIL Rail KEYLOCK® FURRING CHANNEL

1/1 11 P.V.C.P.VG Top W/ Rail w/ 22 TOP RAIL 33 1/ 44 1 P.V.C. 55 P.VG 66 77 ALUM 88 Al 99 3” PRECAS 10

KEY-LOCK® Furring Channel 10

SCALE 1/4”=1’

21 SCALE 1/4”=1’

3” Pr


DETAIL D 8 9 10 11 12 13 14 15 16

10

1 2 3 4

11 12 13 14 15 16 17

5 6 7

17

8 9

18 19

18 19

20 21 WOOD FLOORING SCREED Flooring CONCRETE FILL ON Wood METAL DECKING Screed OPEN WEB JOIST Concrete Fill on Metal Decking KEYLOCK® SUSPENSION ROD Open Web Joist KEYLOCK® SUSPENSION CLIP KEY-LOCK® KEYLOCK®Suspension TOP CROSSRod RAIL KEY-LOCK® Suspension Clip KEYLOCK® FURRING CHANNEL 1/2 “ GYPSUM BOARD KEY-LOCK® Top Cross Rail DIAGONAL TIMBER SLATS KEY-LOCK® Furring Channel

23 22

River Rock 9 RIVER ROCK 9 Bondcoat 10 BONDCOAT 10 crete Slab NCRETE SLAB1111 ure Barrier TURE BARRIER1212 Insulation 1313 INSULATION por Barrier APOR BARRIER1414 al ALDecking DECKING1515 NWeb WEBJoist JOSIT1616

KEY-LOCK® Suspension Rod 17 KEYLOCK® SUSPENSION ROD 17 KEY-LOCK® Suspension Clip 18 KEYLOCK® SUSPENSION CLIP 18 KEY-LOCK® RailRAIL1919 KEYLOCK®Top TOPCross CROSS KEY-LOCK® Furring Channel KEYLOCK® FURRING CHANNEL2020 1/2 “ Gypsum Board 1/2 “ GYPSUM BOARD2121 1/2 “ Gypsum Board 1/2 “ GYPSUM BOARD2222 Light Gauge LIGHT GAUGESteel STEELFraming FRAMING2323

/2 “ GYPSUM BOARD 1/2 “ Gypsum Board GLAZING CHANNEL V.C. Glazing Channel STEEL POST Steel Post /4" TEMPERED 1/4” TemperedGLASS Glass GLAZING CHANNEL V.C. Glazing Channel FLASHING Flashing BASE BaseOFofRAIL Rail MINUM PLATE SPACER luminum Plate Spacer RAIL ANCHOR PLATE Rail Anchor Plate ST CONCRETE PANEL

1 2

13 24 35 46 57 68 79 810 1/2 “ Gypsum Board 9 Diagonal Timber Slats 10

DETAIL C

TIMBER RING 4” DRAIN PIPE Timber Ring FIN 11 GLUELAMINATED TIMBER 4” Drain PipeWALL 12 CURTAIN Gluelaminated Timber Fin 13 TIMBER BLOCKING Curtain WallPLATE 14 GUSSET Timber 15 W Blocking 24X117 BEAM Gusset PlateSLATS 16 VERTICAL TIMBER GLUE LAMINATED TIMBER COLUMN W 24x1 17 Beam 17

11 12 13 14 15 16 17 18 19

Vertical Timber Slats 18 Glue Laminated Timber Column 19

1 2 14 3

15 16 17 18 19 20

4 5 6 7

21 22 23 24 25

26 27 28 29 30

DETAIL E

8

12

12 13 14 15 16

31 32 33 34 35

13

9 10 11 12 13

14

15 16 17 18 19 20 21 22 23 24 25

GLUETimber LAMINATED TIMBER Glue Laminated Column 1 COLUMN PLATE CONNECTORS Internal INTERNAL Knife PlateKNIFE Connectors 2 STEEL ANCHOR WITH PIN CONNECTION Steel Anchor with Pin Connection 3 WOOD Wood Flooring 4 FLOORING SCREED Screed 5 CONCRETE FILL ON METAL Concrete Fill on Metal Decking 6 DECKING OPEN WEB JOIST Open Web Joist 7 CONCRETE RING BEAM Concrete Ring Beam 8 KEYLOCK® SUSPENSION ROD KEY-LOCK® Suspension 9 KEYLOCK®Rod SUSPENSION CLIP KEY-LOCK®KEYLOCK® Suspension FURRING Clip 10CHANNEL KEY-LOCK® Furring ChannelTOP11CROSS RAIL KEYLOCK® KEY-LOCK® Top Cross Rail 12

“ GYPSUM 1 1/2 “ 1/2 Gypsum Board BOARD 13 VERTICAL SLATS 2 Vertical TimberTIMBER Slats 14 RING 3 TimberTIMBER Ring 15 DOUBLE INSULATED 4 Double Insulated Glass GLASS 16 GLUELAMINATED TIMBER FIN 5 Gluelaminated Timber Fin 17 4” DRAIN PIPE 6 4” Drain Pipe 18 TIMBER RINGS 7 Timber TIMBER Rings 19 DIAGONAL SLATS 8 Timber Slats 20SILL YESDiagonal 45 XT MULLION SYSTEM 9 YES 45 XT Mullion System SillSEALANT 21 BACKER ROD & 10 Backer Rod & Sealant 22 FLASHING 11 23 CONCRETEFlashing SPLASH BLOCK 12

Concrete Splash Block 24

13 14 15 16 17 18 19 20 21 22 23 24

1/2” Concrete CONCRETE PAVING 33 1/2” paving 25 25 MOISTURE BARRIER Moisture Barrier 26 26 3” INSULATION 3”RIGID Rigid Insulation 27 27 VAPOR BARRIER 28 Vapor Barrier 28 CONCRETE FILL ON METAL DECKING 29 Concrete Fill on Metal Decking 29 OPEN WEB JOIST 30 Web JoistROD 30 31 KEYLOCK®Open SUSPENSION KEY-LOCK® RodCLIP 31 32 KEYLOCK®Suspension SUSPENSION KEY-LOCK® Suspension ClipRAIL 32 33 KEYLOCK® TOP CROSS KEY-LOCK® Top Cross Rail 33 34 KEYLOCK® FURRING CHANNEL KEY-LOCK® Furring Channel 34 35 1/2 “ GYPSUM BOARD 1/2 “ Gypsum Board 35

1 2 3 4 5 6 7 8

17 18

9

19 20 9 10 11

26 27 28

21 22 23 24 25 26 27 28 29

9

30 31 32 33 34

1111 12 12 13 13 14 14 15 15 16 16 17 17 18 18 19 19 20

recast Concrete Panel 20

MOISTURE MoistureBARRIER Barrier 3” RIGID INSULATION 3” Rigid Insulation GALVANIZED JBRACKET FURRING Galvanized J-Bracket Furring VAPOR VaporBARRIER Barrier CONCRETE COLUMN Concrete Column BACKER ROD AND Backer Rod andSEALANT Sealant YES 45 XT MULLION STYSTEM HEADER YES 45 XT Mullion Stystem Header DOUBLE INSULATED GLASS

21 21 22 22 23 23 24 24 25 25 26 26 27 27 28

Double Insulated Glass 28

6” SPLICE 20” STANDING SEAM METAL ROOF 1 20” Standing Seam Metal Roof 1 6” CLEAT Splice MOISTURE BARRIER UNDERLAYMENT 2 Moisture Barrier Underlayment 2 MOISTURE BARRIER UNDERLAYMENT Cleat 1/2” PLYWOOD SHEATHING 3 1/2” Plywood Sheathing 4 3 Moisture Barrier Underlayment GLUELAMINATED TIMBER RING 3” RIGID INSULATION 3” RigidBARRIER Insulation 5 4 Gluelaminated Ring ROOFTimber DRIP EDGE 5.VAPOR Vapor Barrier 5 Roof Drip Edge 4 1/2” GUTTER 6. LINER PANEL 6 Panel 7 6 4 1/2” Gutter GUTTER HANGER LIGHT GAUGE STEEL Liner PURLINS 4” DRAIN PIPE Light Gauge SteelJOIST Purlins 8 7 Gutter Hanger OPEN WEB VAPOR BARRIER Open Web Joist 9 8 4” Drain Pipe TIMBER BLOCKING 1/2” PLYWOODVapor SHEATHING GUSSET PLATE 109 Timber Blocking Barrier 3” RIGID INSULATION . W 24X1 17 BEAM Gusset Plate 1110 1/2” Plywood Sheathing 1/2” PLYWOOD SHEATHINGIV COPING COVER 12 . W 24x117 Beam 11 3” Rigid Insulation

Coping Cover 12

13 13 14 14 15 15 16 16 17 17 18 18 19 20 19 21 20 22 21 23 22 24 23

MOISTURE BARRIER Moisture Barrier 25 VERTICAL ATTACHMENT FURRING (STONEWOOD®) Vertical Attachment Furring (Stonewood®) 26 CONTINUOUS RAIL EXTRUSION (STONEWOOD®) Continuous RailCLIP Extrusion (Stonewood®) 27 STANDARD EXTRUSION (STONEWOOD®) Standard Clip Extrusion (Stonewood®) CORTEN STEEL28 PANEL Corten Steel PanelFLASHING 29 30 YES 45 XT MULLIONFlashing SYSTEM HEADER YES 45 XT Mullion SystemINSULATED Header 31 DOUBLE GLASS VERTICALGlass TIMBER32 SLATS Double Insulated GLUE LAMINATED TIMBER Vertical Timber SlatsCOLUMN 33

25 26 27 28 29 30 31 32 33 34

Glue Laminated Timber Column 34

1/2” Plywood Sheathing 24

22


Heritage C 23


Courtyard 24


02

THE AGRARIAN MARKET

A Grocery Store of the Future Kansas City, MO Professor: Jae D. Chang Spring 2021

The grocery store is an essential element of any community, and like most things, has seen tremendous change in the way they are designed and experienced over the years. The Agrarian Market is a prototype for the grocery store of the future. When looking twenty to forty years down the road, the possibilities are endless as to what can be accomplished. The Agrarian Market is located in downtown Kansas City, south of the Power & Light Building and east of Bartle Hall. This multistory grocery store consists of two shopping levels, a micro fulfillment center, dining, and community agricultural classrooms. Additionally, the store has a hydroponic farming tower, which provides the majority of the produce for the grocery store. Additional farming takes place on the roof of Bartle Hall and the Municipal Auditorium. Rooftop farming helps combat the multimillion-dollar stormwater runoff issue in downtown Kansas City. Project featured on BRR’s website (Rhino, Grasshopper, Lumion, Illustrator, Photoshop)

25


26


CONCEPT & PRECEDENT

The driving inspiration for the form of the grocery store was the idea that the form could speak to where our food originates from. The form of the grocery store draws from the vernacular agricultural forms of the Midwest.

Benched terrace

The terraced base of the store borrows from the use of terraced farming in the Midwest. Terrace farming is implemented to increase the amount of arable land and improve irrigation by slowing stormwater runoff.

The farming tower is inspired by the grain bin. The grain bin stores harvested produce, while the farm tower grows produce to be harvested. The structure and assemblage of the grain bin are expressed, as is the structure of the farming tower..

27

Benched terrace with interval slope


FORM CONCEPT DIAGRAM

COMPRESS TERRACE Compress the sides of the Divide the compressed form to rectangular site to draw in pedestrian create the required spaces for the foot traffic, and create circulatory program, and extrude each of spaces for grocery pick up and the spaces in relation to the site delivery. topography.

TOWER Establish the farming tower, which increases the farmable area of the site by 2.5 acres.

ENCLOSE Extend the enclosure for the farming tower over the terraces, creating a protected area for outdoor dining and classroom spaces.

CLIMATE The extension of the enclosure over the terraces creates a thermal chimney and helps to regulate the climate within the farming tower.

28


Kansas City, Missouri

29


During the analysis, the area east of the site was discovered to be a food desert. To support and provide this large poulation with affordable, healthy foods, came the proposal to take advantage of the flat roofs on the Municipal Auditorium, The Grand Ball Room, and Bartle Hall for farming. This area as well as the stores area will provide 16 acres of farmable land. Which if farmed hydroponically are equivalent to 480 acres. Bartle Hall: 10 acres The Grand Ballroom: 2 acres Municipal Auditorium: 1 acres Farming Tower: 2.5 acres Rooftop Farming: 1.5 acres Total Farming Area: 16 acres 1 hydroponic acre = 30 traditional farming acres Expected Acreage Return: 480 acres Expected Produce Return:16,000 lb of leafy green vegetables per day

0

300

600

900

1200 ft

30


POP-UP MARKET PROTOTYPE -Stocked at the store -Drives to its service area -Fully autonomous -Returns to the grocery store to be restocked.

POP-UP MARKET’S SERVICE CONCEPT MAP

Commerce

Farmers Market

Commerce

Union Station

Commerce

Commerce

Residential

Food Desert

Food Desert

Commerce

Commerce

Commerce

Residential

Food Desert

31


PRODUCE Supplies fresh fruits and vegetables to residential areas.

BAKERY Supplies freshly baked goods to residential areas as well as commercial districts.

SALAD AND SANDWICH Supplies fresh salads, sandwiches, and healthy snacks to residential, commercial, and school districts.

32


33


FIRST FLOOR 1 Coffee

7 Restrooms

2 Bakery

8 Janitorial

3 Deli

9 Micro Fulfillment

4 Meat & Fish

10 Imported Produce

5 Mech Room

11 Wine and Spirits

6 Meat & Fish Cooler 34


35


SECOND FLOOR 1 Break Area 2 Offices 3 Store Grown Produce

36


37


THIRD FLOOR 1 Kitchen 2 Restrooms 3 Dining Area 38


39


FOURTH FLOOR 1 Agricultural Education Space 2 Storage 3 Bartle Hall Skyway

40


East-West Section

Natural Ventilation

41


Photovoltaic Glass

Water Collection

42


Farming tower as seen from outdoor dining area

Circulation through the farming tower 43


Second floor store grown produce department

First floor grocery 44


Enclosed D 45


Dining Area 46


West 14 47


4th Street 48


03

THE CRUX

A Thermal Bathouse Mammoth Lakes, CA Partner: Ethan Overland Professor: Jae D. Chang Fall 2020

The healing powers of hot springs have been used for thousands of years. They are known to have a number of therapeutic benefits, such as boosting blood circulation, reducing stress, relieving pain, and healing skin problems. Crux is a bathhouse that harnesses hot springs’ healing powers by pumping in water from the nearby hot springs. Crux is designed to act as a getaway from the stresses of one’s everyday life. The space integrates large observation windows and light modulation to create an environment conducive to relaxation and meditation. Crux is defined as a point of ascension. The bathhouse is a space where visitors can elevate their mind and their body. The bathhouse is located in the hillside north of the parking lot and access road and south of the existing hot springs. The structure is oriented to favor the views towards the north and south mountain ranges and allow the southern sun to penetrate deep into the structure. (SketchUp, Lumion, Illustrator, Photoshop) *Indicates graphics completed by Ethan Overland

49


50


Existing Hot Springs

SITE PLAN 0

60

120

180

240ft

TECTONIC PLATE BOUNDARIES Mammoth Lakes

The bathhouse emulates the natural geographical processes that created the Sierra Nevada mountains that surround the hot springs. The bathhouse, like the Sierra Nevada mountain range, was formed through a process of horizontally shifted plates, that through their horizontal movement create new geographical high points.

Transform Plate Boundary

51


FORM CONCEPT DIAGRAM*

SHIFT SEPERATION Establish two separate volumes Create a physical separation to function separately as public between the public and private and private. volumes.

SECONDARY SHIFT Creates two second story terraces on both the private and public volumes.

ACCESS Extend the circulatory space through the top level of the public volume to establish a clear access point.

EXTRUSION A circulatory space is erected from the ground between the volumes to create a connection between the two.

COMPLETION The final form is achieved, acting as a new Crux for the hillside.

52


Lobby and Indoor Lounge

Dining Area 53


ACCESS FLOOR PLAN*

6

9

8 7 1

A

4

2

5

3

A’

10 6

1. Lobby & Indoor Lounge 2. Indoor Dining Room and Bar 3. Kitchen 4. Outdoor Dining 5. Couples Guest Room 6. Outdoor Lounge Area 7. Check-in Desk 8. Managment Offices 9. Storage 10. Freezer

54


Outdoor Thermal Pools

Interior Thermal Viewing Pool 55


FLOOR PLAN -1

12

13

14

2

A

A’ 5

1

7

9 3

8 10 4

11

6

1. Main Circulation Space 2. Locker Room 3. Interior Thermal Light Pool 4. Interior Thermal Viewing Pool 5. Interior Cool Pool 6. Outdoor Thermal Pools 7. Family Guest Room 8. Outdoor Bar 9. Steam Room 10. Sauna 11. Pump Room and Storage 12. Maintance Space 13. Storage 14. Laundry Room

56


Thermal Light Pool Concept*

Section A- A’ 57


Guest Room Corridor Light Concept

58


Guest Room Corridor*

Interior Thermal Light Pool* 59


60


0

Couples Room

Family Room

6

9

12 ft

Family Bedroom*

North Elevation* 61

3


Bathroom*

Couple

Family

0

6

12

18

24 ft

62



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.