M- 480 L IVE MIXING CONSOLE
The New Flagship Console of the V-Mixing System
V-Mixer – t he Evolut ion Cont inues
D evel o p e d t o e x pl o i t id e a l sound. With superb sound quality, powerful functions, expandability and intuitive operation, the V-Mixing System continues to introduce new possibilities to the world of live mixing. Now four years after its debut and in direct response to actively listening to our users, the next generation V-Mixer has arrived. Equipped with a newly developed mixing engine, the M-480 provides a powerful level of flexible audio processing. The M-480 is the first V-Mixer to support a cascade connection that enables 96 channels of mixing by connecting a second unit. Supporting live events, mobile production, broadcasting, and sound installation the V-Mixing System with the V-Mixer at its heart provides the next level of innovation for any live mixing venue.
01
T he new f l a g s hip V-M i xer is born.
The V–Mixing System has been installed into thousands of venues worldwide
M- 480
L IVE MIXING CONSOLE
48 mixing channels plus 6 stereo returns Main LCR outputs, 16 AUX buses, 8 matrices 4-band fully parametric EQ, gate/compressor on all channels All input and output channels equipped with delay 6 built-in multi-effects and 12 graphic EQs Cascade capability supports large format applications
02
V-Mixer M-480 Feat ures Powerful processing provides an unprecedented level of control Advanced Processing Power The processing power of the M-480 supports the widest range of venues and applications. The newly developed mixing engine provides a 4-band fully parametric EQ, gate, compressor, and delay on each input channel.185 possible patch points with 90 discreet outputs.
Easy, intuitive and award-winning interface design The large color display and dedicated knobs and buttons in the channel edit section offers intuitive operation. The user interface is designed to be easy to learn and easy to use. Combining the cursor buttons around the value dial provides optimized and efficient operation.
All input and output channels equipped with delay In large format venues such as a concert halls and stadiums as well in broadcast applications, audio time alignment settings are critical. The M-480 is equipped with delays on all mixing channels and outputs buses. High quality and precise sound adjustments can be accomplished by using the built-in real time analyzer.
The cascade capability enables a solution for high channel counts The M-480 supports a cascade connection requested by many live sound engineers. Connecting two M-480s with one REAC cable enables the mixing of up to 96 channels as well as advanced synchronization of internal busses. A mixing environment equivalent to a large format console can be created within a minimal footprint and budget.
V-1600HD Multi-format Video Switcher
R-1000 48-Track Recorder/Player
M-480 V-Mixer
03
M-48 Live Personal Mixer
S-4000S Series Digital Snake
S-1608 Digital Snake
S-0808 Digital Snake
Configure a system for any venue or application The V-Mixing System - an advanced mixing environment It’s not simply a digital version of an analog console. The V-Mixing System is the next generation mixing “ecosystem” that exploits the advantages of digital technology. It separates mixing (V-Mixer) from the input/output section (Digital Snake) enabling pure sound, minimal loss of transmission with very flexible system configuration and setup. It allows effortless add-ons for monitoring solutions (M-48 Personal Mixer) as well as multi-channel live recording (SONAR REAC Recording System and R-1000 48-Track Recorder/Player). The V-Mixing System encompasses the entire live sound process expanding the possibilities far beyond a mixing console.
High quality sound is obtained with ease and flexibility REAC - advanced audio transfer technology REAC (Roland Ethernet Audio Communication) technology is the cornerstone of the V-Mixing System. REAC is Roland’s original technology for low latency, high quality digital audio transfer. REAC is an Ethernet based technology that enables multiple components to be PC Direct Analog Audio Multi-Channel easily integrated using lightweight Cat5e/6 cable. With Recording just a single inexpensive cable, 40 x 40 channels of AES/EBU 24-bit uncompressed audio data (including level and S/PDIF MADI control information) are transferred. Multiple analog cables were used to transmit data at low gain levels,
Frequency Response Comparison
which caused problems such as unwanted noise, sound quality deterioration, and crosstalk between channels. With REAC, these problems have been eliminated because the pre-amp gain is set before the data is transmitted digitally. REAC is the audio transmission
V-Mixing System Analog Transfer
technology over Ethernet cable that provides high quality sound with the bonus of convenient setup.
Output Impedance: 600 ohms
Output Impedance: 2 k ohms (without direct box)
04 Cakewalk SONAR V-STUDIO 700
V-Mixer M-480 Overview Equipped with all the functionality of current digital consoles. A myriad of features support any application. Powerful mixing capacity with Cascade support The capacity of 48 mixing channels, 6 stereo returns, main LCR outputs, 16 AUX buses, and 8 matrices supports any venue or application. The cascade connection enables two M-480s to be linked allowing up to 96 mixing channels. The fully assignable REAC A and B patchbays allows for very fl e x i b l e i n te r n a l r o ut i ng . A po s t preamp patchpoint allows direct ro u t i n g f r o m i n p u t s t o o ut put s without having to route through the console.
Newly developed mixing engine with powerful signal processing All inputs and outputs are equipped with a 4-band fully parametric EQ. A gate, compressor and delay is also available on all mixing channels. Channel parameters are controlled using the dedicated knobs and buttons. With a high resolution crystal clear color display, the M-480 provides an unprecedented audio mixing experience.
Rich effects along with Twelve GEQs/PEQs The M-480 is equipped with six dual-mono, multi-effects processors that are available as AUX or insert effects. Each multi-effects processor has 18 algorithms of various types such as reverb, delay, chorus, pitch shift and advanced channel strip. Six types of precisely emulated legendary vintage Roland effects such as the RE-201, SDE3000, and SRV-2000 are included. In addition, twelve 31-band g r a p h i c EQs or 8-band fully p a r a m e t r i c EQs are included for sound adjustment. T h e s i x mul t i-effects and twelve GEQs/PEQs can be used simultaneously.
05
All inputs and outputs are equipped with delay The M-480 is equipped with delay on all input channels and output busses. Problems with sound delay in a concert venue or broadcast application can be solved using the internal processor. Delay time is adjustable up to 400msec, and is selectable in both time and distance units b e t w e e n m s e c / f e e t / m e t e r s / frames. I t al so f eatu res a h i gh performance graphical real time analyzer for precise and focused sound adjustment.
Remote control and offline setup using a PC The M-480 can be controlled remotely by connecting an PC via USB. The M-480RCS control software has the same user interface as the built-in display. The M-480RCS can also be used when the M-480 is not connected allowing offline setup and configuring of the system before an event. Setup data can then be copied to a USB flash drive ready to load into the console at the venue. Using a connected PC and a wireless LAN, a tablet device can control the M-480 from a remote location like the stage or a seat in the audience. * M-480RCS can be downloaded from
www.rolandsystemsgroup.net
Three live recording options The M-480 supports live multi-channel recording. Simply connect the R-1000 with Cat5e/6 cable to easily record (or playback) up to 48 channels of 24-bit audio. Uncompressed BWF f ile data is stored on a removable SSD or HDD where it can be edited later in the studio with a DAW of cho ice. B y u si n g C a k e w a l k S O N A R Producer software*, up to 40 channels can be recorded directly by simply connecting a single REAC cable to a PC. In addition, the built-in USB memory recorder can record a stereo output signal from the M-480 as an uncompressed WAV file. The USB memory recorder also supports WAV file playback for c o n v e n i e n t p l a y b a c k o f m u s i c a n d announcements. * REAC driver kit is required to record using Cakewalk SONAR directly.
R-1000 48-Track Recorder/Player
SONAR REAC Recording System
Built-in USB Recorder/Player
06
V-Mixer M-480 Applications Expandability and flexibility bring many advantages Basic System The basic system supports typical mid-sized live event applications. Two S-1608 for I/O enable a total of 32 inputs and 16 outputs on the stage with 10 inputs and 10 outputs at the console. Stage
Front of House 8ch XLR
S-1608 S 1608 10ch
16ch XLR 16ch XLR
10ch
M-480 8ch XLR
S-1608 S 1608
Live Monitoring System Expanded system for mixing live stage. Flexible I/O setup is possible by using four S-0808s. Using four M-48 and M-480, the V-Mixing System can be used as a monitoring system for any live application. Stage
Front of House
M-48 S-4000D 10ch POWER
10ch
S-4000M
M-480 8ch XLR
8ch XLR
8ch XLR
8ch XLR
8ch XLR
8ch XLR
8ch XLR
8ch XLR
S-0808
Broadcasting System Use the M-480 for mixing TV/radio broadcasts along with recording direct preamp splits via a parallel connection using the R-1000 and SONAR REAC Recording System. Using the Roland S-MADI bridge, the sound is sent to an OB van using MADI format. The S-4000D enables easy splitting and distribution of the audio. Stage
Recording Booth
S-MADI
MADI
OB Van
8ch XLR Monitors
S-4000D
32ch XLR
S-4000S-3208
R-1000
M-480 SONAR REAC Recording System
07
Press Room
S-0816
Audio Installation for Hall/Church A setup of two S-0808s on the stage and an S-4000S on the side of the stage can support a variety of events. An M-480 at the FOH (front of house) position connected to a PC can be remotely controlled through a wireless LAN using a tablet PC. Stage
Recording Booth Stage 8ch XLR
32ch XLR
Side of Stage
8ch XLR
S-0808
8ch XLR
Tablet PC
S-4000S-3208
PC Control Software M-480RCS Wireless LAN* 1
RS-232C 2ch
USB
8ch XLR
POWER POWER
Wireless Mic Receiver
S-4000M* 2
8ch XLR
S-0808
CD/DVD Player
S-1608 S 1608
S-4000S-3208
8ch XLR
External Controller
32ch XLR
8ch XLR
M-480
8ch XLR
16ch XLR 48 input channels must be selected from 106 physical inputs via M-480 patchbay.
*1 Wireless LAN equipment and setup are required. *2 Using S-4000M patchbay, 40 input channels must be selected from 80 physical inputs.
Multi-Channel Recording/Playback System The R-1000 not only records multi-channel audio but can also play back 48 channels in combination with a V-Mixing System or other digital consoles using MADI. This enables playing backing track and rehearsing/training without the band present. The SONAR REAC Recording System enables multi-channel recording simultaneously. Stage
Front of House SONAR REAC Recording System 8ch XLR
S-4000S-3208 32ch XLR 16ch XLR
R-1000
M-480
8ch XLR
S-1608 S 1608
Cascade System Cascade connection enables up to 96 mixing channels by connecting two M-480s via a single Cat5e/6 cable. Master console shares Main/AUX/Matrix/Solo buses of Slave Console. A large format mixing system can be configured with minimum footprint. Stage
Front of House 10ch
8ch XLR
10ch
S-4000S-3208 32ch XLR
M-480
32ch XLR
10ch 10ch 8ch XLR
S-4000S-3208
M-480 08
V-Mixer M-480 Specifications PROCESSING Mixing Channels
INPUT: 48 channels, 6 stereo returns BUS: MAIN L/C/R, 16 AUX, 8 MATRIX OUTPUT: 10 ports (Max 90 ports When using REAC devices)
AD/DA Conversion
24-bit/48.0 kHz or 44.1 kHz
Nominal Input Level (Variable)
CONSOLE INPUT jacks (1 to 8): -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu (Pad: ON), (typ.) STEREO IN jacks (L / R): -18 to 0 dBu TALKBACK MIC IN jack: -50 to -10 dBu
Input Impedance
CONSOLE INPUT jacks (1 to 8): 14 k ohms STEREO IN jacks (L / R): 10 k ohms TALKBACK MIC IN jack: 41 K ohms
Non Clip Maximum Input level
CONSOLE INPUT jacks (1 to 8): +8 dBu (Pad: OFF) or +28 dBu (Pad: ON),(typ.) STEREO IN jacks (L / R): +18 dBu (typ.) TALKBACK MIC IN jack: +8 dBu (typ.)
Nominal Output Level
CONSOLE OUTPUT jacks (1 to 8): +4 dBu (Load impedance: 10 k ohms, typ.)
Output Impedance
CONSOLE OUTPUT jacks (1 to 8): 600 ohms PHONES jack: 100 ohms
Recommended Load Impedance
CONSOLE OUTPUT jacks (1 to 8): 10 k ohms or greater PHONES jack: 8 ohms or greater
Non Clip Maximum Output level
CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load, typ.) PHONES jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)
Residual Noise Level (IHF-A, typ.)
-88 dBu (All faders: Min)
Equivalent Input Noise Level (E.I.N.)
-126 dBu
2.8 mS (typ.) System Latency of audio signal from S-1608 inputs to *Total outputs via M-480's REAC ports (A or B). *Sample Rate: 48.0 kHz * Effects : No insert effects
Network Latency
CONNECTORS CONSOLE INPUT jacks (1 to 8)
XLR-3-31 type (balanced, phantom power)
TALKBACK MIC IN jack
XLR-3-31 type (balanced, phantom power)
STEREO IN jacks (L / R)
RCA phono type
CONSOLE OUTPUT jacks (1 to 8)
XLR-3-32 type (balanced)
PHONES jack
Stereo 1/4 inch phone type
DIGITAL OUT jacks Stereo
Optical type, Coaxial type
REAC Ports
RJ-45 EtherCon type
USB connectors
USB Type A and Type B
OTHERS Display
800 x 480 dots Wide VGA backlit TFT color screen
Remote Controls
RS-232C connector: 9-pin D-sub type, MIDI connectors (OUT/THRU, IN): 5-pin DIN type
Power Supply
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Other Connectors
GND Terminal, LAMP connector XLR-4-31 type
Power Consumption
95 W
Dimensions
749.0 (W) x 614.0 (D) x 229.0 (H) mm 29-1/2(W) x 24-11/16(D) x 9-1/16(H) inches
Weight
20 kg, 44 lbs. 1 oz.
INPUT/OUTPUT CHARACTERISTICS Frequency Response
CONSOLE OUTPUT jacks (1 to 8): -2 dB / +0 dB (20 k ohms load, +4 dBu,typ. PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.)
Total Harmonic Distortion + Noise
CONSOLE OUTPUT jacks (1 to 8): 0.05 % (+4 dBu, typ.) PHONES jack: 0.05 % (typ., 40 ohms load, 150 mW, typ.)
Dynamic Range
CONSOLE OUTPUT jacks (1 to 8): 110 dB (typ.)
Crosstalk@ 1 kHz
CONSOLE INPUT jacks (1 to 8): -80 dB (Pad: ON, Input gain: +10 dBu, typ.) CONSOLE OUTPUT jacks (1 to 8): -100 dB (typ.)
(0dBu=0.775Vrms) XLR type: 1 GND, 2 HOT, 3: COLD power: DC +48 V(unloaded maximum), 14 mA *(maximum * Phantom load) (All XLR type inputs) * LAMP power: DC +12 V/500 mA * When a S-4000D REAC Splitter&Power Distributor or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds. * EtherCon is the registered trade mark of Neutric®
Digital Snake S-1608/0816 Specifications Number of Channels
S-1608 : 16 in 8 out
AD and DA Conversion
24 bit / 96 kHz
Frequency Response
-2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz)
Total Harmonic Distortion + Noise
0.05 % or less (Pad: On, Input Gain: +4 dBu, 22Hz to 20 kHz)
Dynamic Range
110 dB
Cross Talk
-80 dB or less (Input Gain: +4 dBu, typ.)
Nominal Input Level
-65 to -10 dBu (PAD: Off), -45 to +10 dBu (PAD: On) (1 dB step, Max. +28 dBu)
PAD
20 dB On/Off
Power Supply
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Input Impedance
14 k ohms
Power Consumption
45W
Nominal Output Level
+4 dBu, Max. +22 dBu
Dimensions
Output Impedance
600 ohms
Weight
Recommended Load Impedance
10 k ohms or greater
Residual Noise Level (IHF-A, typ.)
-80 dBu or less
S-0816 : 8 in 16 out
Equivalent Input Noise Level
-128 dB
Network Latency
375 microseconds when using REAC cable only (*1) (AD > REAC > DA Latency: approx 1.2 ms)
Nominal Input Level
XLR Input (XLR-3-31 type, balanced, phantom power): 16 (S-1608), 8 (S-0816) XLR Output (XLR-3-32 type, balanced): 8 (S-1608), 16 (S-0816) Digital Output connector x 1 (Optical type) REAC Connector x 1 (RJ-45 EtherCon type) Remote Connector x 1 (RS-232C, DB-9 type)
401(W) x 135(D) x 177(H) mm 15-13/16(W) x 5-3/8(D) x 7(H) inches 5.5 kg, 12 lbs. 3 oz. (Including rack-mount adaptor)
power: DC +48 V(unloaded maximum), 14 mA(maximum load) (All XLR type inputs) * Phantom * When a S-4000D REAC Splitter&Power Distributor or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds. EtherCon is the registered trade mark of Neutric®
*
V-Mixer M-480 Dimensions
Digital Snake S-1608/0816 Dimensions
Unit: mm
135
135
636.1
401
482
369.8
606.8 598.5
563.4 614
322.2
95.8
5º
64
87.2
177
7.6
228.5
749
177
35º
680
09
Unit: mm
* EIA-4U Size when the bundled rack-mount adaptor is attached.
+48V
PHANTOM
GAIN
PHANTOM
PHANTOM
+48V
PHANTOM
GAIN
GAIN
A/D
8 INPUTS
SIG
PEAK
REAC B INPUT
1
40
1
A/D
A/D
40
PLAYBACK L / R
FX 1L OUT–FX 6R OUT
TO EXTERNAL FX RETURN
MAX 40 INPUTS
HI-Z ON/OFF
(7/8 ONLY)
A/D
A/D
CONSOLE INPUT 1–8
GAIN
SIG
PEAK
8 INPUTS
MAX 40 INPUTS
A/D
STEREO INPUT L, R
S-4000M
+48V
INPUT 5–8
+48V
PHANTOM
INPUT 1–4
S-0808
SI-AES4 AES/EBU
+48V
SI-AD4
GAIN
GAIN
PHANTOM
S-4000S
+48V
A/D
SIG
PEAK
16 INPUTS
MAX 40 INPUTS
SRC
GAIN
INPUT1–8
A/D
REAC A INPUT
RTN 1L–6R
HPF
Post ATT
- SELF POST GATE - CH 1–48 POST GATE
- SELF POST HPF - CH 1–48 POST HPF
ATT
Post ATT
KEY-IN FILTER
KEY-IN FILTER
KEY-IN
DELAY
Post COMP
DELAY
KEY-IN SOLO
KEY-IN SOLO
COMP
GR
Post GATE
KEY-IN
GATE/ EXP
GR
Post HPF
Post DELAY
TO SOLO
TO SOLO
INSERT EXT FX
Post DELAY
FX 1
4-BAND EQ
Pre EQ
Pre FADER
MUTE OPTION
Post FADER
PAN
PAN
Post FADER
FADER
MUTE OPTION
MUTE
Pre FADER
ATT
PFL (L)
POST FADER
PRE FADER
PRE EQ
PRE PHASE
POST FADER
PRE FADER
PRE EQ
POST FADER
PRE FADER
PRE EQ
PRE FADER
OSC ON
AFL (R)
DIRECT OUT POINT
MAIN L, R, C INSERT OUT
MAIN L, R, C INSERT OUT
MTX 1–8 INSERT OUT
AUX 1–16 INSERT OUT
CH 1–48 INSERT OUT
SEND LEVEL
SEND
RETURN RETURN LEVEL
TO EXTERNAL FX SEND
EXT FX 1–8
EXTERNAL FX RETURN
GEQ 12
Same as the above
Same as the above
AUX/MTX LINK
LCR
SOLO
TO 2, 4...16
TO 1, 3...15
SOLO
To INPUT PATCHBAY
To MAIN L, R, C INSERT IN
To MTX 1–8 INSERT IN
To AUX 1–16 INSERT IN
To CH 1–48 INSERT IN
TO OUTPUT PATCHBAY
TO OUTPUT PATCHBAY
To MAIN L, R, C INSERT IN
To MTX 1–8 INSERT IN
To AUX 1–16 INSERT IN
To CH 1–48 INSERT IN
To MAIN L, R, C INSERT IN
To MTX 1–8 INSERT IN
OUTPUT SELECT
OUTPUT SELECT
OUTPUT SELECT
TO 2, 4...16
TO 1, 3...15
TO OUTPUT PATCHBAY
PAN
GEQ 2
OUTPUT
OUTPUT
LEVEL SW
AFL SW
TALKBACK TALKBACK LEVEL ON
OSC
PFL (R)
AFL (L)
PFL (L)
POST FADER
PRE FADER
PRE PHASE
POST FADER
MTX 1–8 INSERT OUT
GEQ 1
Same as the above
FX 6
Same as the above
FX 2
EFFECT
A/D
TALKBACK
PRE FADER POST FADER
LEVEL SW
To AUX 1–16 INSERT IN
INPUT
INPUT
GAIN
MAIN SW
AUX SEND 1–16, MTX SEND 1–8
CENTER
LR SW
C SW
AUX/MTX LINK
LCR
MAIN L, R, C AUX 1–16 MTX 1–8 SOLO L, R
TO OUTPUT PATCHBAY
PAN
31-BAND GEQ or 8-BAND PEQ
INPUT SELECT
INPUT SELECT
INPUT SELECT
+48V
PHANTOM
PINK NOISE WHITE NOISE SINE WAVE MULTISINE
MUTE OPTION
PAN
PAN
OSC LEVEL
FADER
MUTE OPTION
MUTE
AFL (R)
AFL SW
DIRECT OUT POINT
LEVEL SW
LEVEL SW
AUX 1–16 INSERT OUT
AUX 1–16 OUT
MAIN L, R, C INSERT OUT
MTX 1–8 INSERT OUT
AUX 1–16 INSERT OUT
CH 1–48 INSERT OUT
EXTERNAL FX
GEQ
EFFECTS
TALKBACK
OSCILLATOR 1–2
φ
PREAMP
MAIN SW
LR SW
C SW
CASCADE INPUT
AUX SEND 1–16, MTX SEND 1–8
CENTER
AFL (L)
GAIN
8 INPUTS
SIG
φ
PREAMP
CH 1–48
PFL (R)
A/D
A/D
PEAK
INPUT PATCHBAY
HI-Z ON/OFF
PHANTOM
S-0816
+48V
INPUT1–16
S-1608
SIG
PEAK
8 INPUTS
SIG
PEAK
MAX 40 INPUTS
A/D
A/D
16 INPUTS
(7/8 ONLY)
From FOH (V-Mixer)
S-4000M
+48V
INPUT 5–8
PHANTOM
INPUT 1–4
S-0808
SI-AES4 AES/EBU
+48V
GAIN
GAIN
PHANTOM
SI-AD4
SRC
GAIN
PHANTOM
S-4000S
+48V
INPUT1–8
S-0816
+48V
GAIN
V-Mixer M-480 Block Diagram
PHANTOM
INPUT1–16
S-1608
10
MAIN
LRC
LRC
MAIN
AUX
AUX
78
MTX
1 2 15 16 1 2
78
MTX
1 2 15 16 1 2
SOLO
LR
LR
SOLO
INSERT EXT FX
INSERT EXT FX
Post ATT
INSERT EXT FX
Post ATT
MONITOR SELECT
REC SELECT
CASCADE OUT LEVEL
SOLO LEVEL
ATT ATT ATT LEVEL
MAIN L, R, C AUX 1–16 MTX 1–8 SOLO L, R
Link to BUS ATT, SOLO LEVEL
CASCADE OUTPUT
FADER BAL
Pre FADER
GEQ INSERT
GEQ INSERT
SOLO LOGIC
INPUT
MUTE
MONITOR LEVEL
USB MEMORY RECORDER
USB MEMORY
LIMITER
Post LIMITER
C SW
D/A
PHONES LEVEL
TO MONITOR SELECT
TO INPUT PATCHBAY
AFL SW
MTX LINK
PAN
MTX LINK
DELAY
DELAY
SOLO
L R C
OUTPUT PATCHBAY
MONITOR OUT R
MONITOR OUT L
REC OUT L,R
MTX 1–8 OUT
AUX 1–16 OUT
MONO OUT
MONO MIX
MAIN L, R, C OUT
DIRECT OUT CH 1–48 DIRECT OUT RTN 1L–6R OSCILLATOR 1–2 TALKBACK
MONITOR
TO SOLO
φ
Post DELAY
TO SOLO
TO MTX 2, 4...8
TO MTX 1, 3...7
TO MAIN R
TO MAIN C
TO MAIN L
φ
Post DELAY
TO SOLO
TO MTX 2, 4...8
TO MTX 1, 3...7
φ
Post DELAY
PHONES
DELAY
SOLO
SW SEND
LCR
DELAY
SW SEND
CENTER
MAIN SW
LR SW
TO MONITOR SELECT TO REC SELECT
AFL SW
POST FADER
PRE FADER
PRE EQ
MTX SEND 1–8
PAN (LCR)
PAN
PAN
SOLO
SW SEND
TO MONITOR SELECT TO REC SELECT TO FX INPUT SELECT
AFL SW
MAIN SEND
Post LIMITER
LIMITER
Post FADER
GEQ INSERT
PRE EQ PRE FADER POST FADER
DELAY
SW SEND
TO MONITOR SELECT TO REC SELECT TO MONO MIX
MTX SEND 1–8
Post LIMITER
LIMITER
Post FADER
MUTE
Post FADER
FADER BAL MUTE
Pre FADER
FADER BAL
Pre FADER
REC LEVEL
MAIN L, R, C, AUX 1–16, MTX 1–8 SOLO
MAIN LR OUT MAIN C OUT MAIN LCR MAIN MONO OUT REC OUT LR
MTX 1–8 OUT
AUX 1–16 OUT
MONITOR
MAIN OUT L+C MAIN OUT R+C MAIN MONO OUT
MAIN L, R, C OUT
MTX 1–8 OUT
AUX 1–16 OUT
USB MEMORY RECORDER
4-BAND EQ
Pre EQ
4-BAND EQ
Pre EQ
4-BAND EQ
Pre EQ
FROM AUX 1–16, MAIN L, R, C
ATT
MTX 1–8
CASCADE OUT ATT
ATT
AUX 1–16
FROM AUX 1–16
CASCADE OUT ATT
ATT
Post ATT
MAIN L, R, C
STEREO INPUT L, R
CONSOLE INPUT 1–8
REAC A INPUT 1–40 REAC B INPUT 1–40
1
EXT FX ENABLE
REAC B OUTPUT
REAC A OUTPUT
SPLIT/ BACKUP
EXTERNAL FX SEND
40
1
40
MAX 40 OUTPUTS
8 OUTPUTS
MAX 40 OUTPUTS
16 OUTPUTS
8 OUTPUTS
MAX 40 OUTPUTS
8 OUTPUTS
MAX 40 OUTPUTS
16 OUTPUTS
8 OUTPUTS
D/A
CONSOLE OUTPUT 1–8
OPTICAL
COAXIAL
DIGITAL OUTPUT
(M-300, M-380 or M-400)
To Monitor/Broadcast Console
S-4000M
D/A
OUTPUT 1–8
S-0808
SRC
AES/EBU
SO-AES4
D/A
SO-DA4
S-4000S
D/A
OUTPUT 1–16
S-0816
D/A
OUTPUT 1–8
S-1608
(M-300, M-380 or M-400)
To Monitor/Broadcast Console
S-4000M
D/A
OUTPUT 1–8
S-0808
SRC
AES/EBU
SO-AES4
D/A
SO-DA4
S-4000S
D/A
OUTPUT 1–16
S-0816
D/A
OUTPUT 1–8
S-1608
COMPONENTS
DIGITAL AUDIO TRANSFER
S-4000S-3208
S-4000S-0832
S-4000S-MR
40CH I/O MODULAR RACK
40CH I/O MODULAR RACK
40CH I/O MODULAR RACK
32in/8out flagship I/O unit
8in/32out flagship I/O unit
SI-AD4
4-channel Analog Input Module
Modular rack chassis with no preinstalled In/Out modules
SO-DA4
4-channel Analog Output Module
SI-AD4
SO-DA4
SI-AES4
SO-AES4
SI-AES4 4-channel Digital Input Module
SO-AES4 4-channel Digital Output Module
8X8 I/O UNIT S-0808 8in/8out compact digital snake
S-1608
S-4000M Merge up to four REAC devices
S-OPT
REAC MERGE UNIT
Power REAC devices supporting “REAC Embedded Power� (S-0808, M-48)
PERSONAL MIXING
M-48
STAGE UNIT
16in/8out I/O unit
LIVE PERSONAL MIXER
REAC OPTICAL CONVERTER
Converts multi-channel REAC signal to a digital optical signal
S-MADI
S-4000D
FOH UNIT
8in/16out I/O unit
MADI
Musician controls up to 40 channels via 16 stereo groups Built-in ambient mic, reverb, EQ, line in, line out, etc. – many functions for the best possible stage monitoring solution
S-0816
W100S-R
Equipped with 10 REAC ports including 8 ports of REAC Embedded Power
REAC CABLE (100m)
REAC MADI BRIDGE
R-1000
SC-W100S REAC CABLE (100m)
100 meter Cat5e cable on reel for REAC signal transmission Crossover Ethernet cable with NeutrikÂŽ Ethercon connectors on both ends
SC-W20F REAC CABLE (20m) SC-W100S
MULTI-CHANNEL RECORDING
Bi-directional conversion between REAC and MADI BNC and Optical MADI ports Clock source can be selected from REAC, MADI or Word Clock
REAC SPLITTER & POWER DISTRIBUTOR
48-TRACK RECORDER/PLAYER
Dedicated recorder for recording/ playback of up to 48 channels via REAC connection HDD and SSD media supported
SONAR V-STUDIO 700
VS-700C VS-700R
V-STUDIO Console V-STUDIO I/O
Ultimate recording and editing solution for use with REAC systems
L I N EU P
M-480 Live Mixing Console
M-400 Live Mixing Console
48 Mixing Ch/6 Stereo Return/19 Bus/8 Matrix, flagship console of V-Mixer lineup
48 Mixing Ch/18 Bus/8 Matrix, award-winning digital mixing console
M-380
M-300
Mixing Console
Mixing Console
Rack-mountable console with the same engine as the M-400
Powerful and compact, 32 Mixing Ch/11 Bus/4 Matrix digital mixing console
Roland Systems *URXS a member of the worldwide group of Roland companies, is dedicated to the support of audio and video professionals demanding excellence in both performance and system design. 7KURXJK WKH GHYHORSPHQW DQG VXSSRUW RI YLGHR DQG DXGLR SURGXFWV ZH HQGHDYRU WR LPSURYH ZRUNĂ RZ DQG PD[LPL]H FUHDWLYH SRVVLELOLWLHV
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Copyright 2011 Roland Corporation. All right reserved. All trademarks and logos are the property of their respective companies. All specification and appearances are subject to change without notice.
www.rolandsystemsgroup.com/m480
Printed in Japan APR. 2011 RAM-20017 IO-PD