PRODUCT DESIGN RULANT
6
COTOLETTA VELÃ’
10
VAIRTUAL GURU
18
HELIANTHUS
24
3D MODELLING PIRIPICCHIO
34
SUN SPRAY
36
SPATIAL CONCEPTS HANG ON
40
CASA PER UNO SKATER
46
ILLUSTRATIONS PERINZIA
52
MANIFESTO DESIGN
54
PRODUCT DESIGN
Rulant
6
R ULANT
toy for fine motor skill Designed for autistic children, Rulant is a toy whose aim is to take the ball out of the box by moving the sticks. Collaboration with Fondazione Trentina per l’Austimo Onlus www.www.fondazionetrentinaautismo.it
7
R ULANT
personas WHAT EMANUELE NEEDS
PREVENTING FROM BITING HANDS
BEING STIMULATED BY SONOROUS OBJECTS
DEVELOPING FINE MOTOR SKILL
RULANT EM
AN
U EL
E, 12 YE A R
SO
LD
Focused on Emanuele, a boy afflicted with autism, Rulant is usable by not-disabled people even in later ages.
8
R ULANT
product elements ELEMENTS
top
sticks x4 sticks x4
ball
backpack
rubber seal x4
x2 HAND MADE RULANT available on the site
Rulant
COME COSTRUIRLO
USA LA CREATIVITA’!
SCATOLA:
BACCHETTE:
Procurati un cartone abbastanza robusto in formato 42x29,7 cm. Utilizza lo sviluppo della scatola sul retro per ricalcare le sagome sul cartone. Taglia poi i pezzi e piega lungo le linee tratteggiate.
Procurati otto bacchette di legno o plastica, lunghe 20 cm e con diametro da 1 a 1,5 cm e 16 tappi di sughero.
Questa è soltanto una guida, pertanto puoi usare la tua creatività per rendere il tuo Rulant ancora più personale! Perchè non riciclare delle bacchette cinesi ed utilizzarle come i rulli del tuo gioco?
I tappi vanno bucati, con un foro profondo circa 1 cm e con diametro uguale a quello delle bacchette.
Per ogni bacchetta infila un tappo in una sola estremità, dopo aver messo su di essa un punto di colla.
Infine, puoi colorare e decorare il tuo Rulant come preferisci. Eccoti alcuni esempi:
IL GIOCO Rulant è un gioco progettato per bambini affetti da autismo, che sviluppa la motricità fine e la coordinazione. Lo scopo del gioco è quello di usare i rulli trasportatori per far uscire la pallina dalla scatola, muovendo le bacchette dal basso verso l’alto. Rulant stimola l’interesse del bambino attraverso l’enfatizzazione sensoriale dell’udito e del tatto.
Perchè non riempire la pallina con legumi secchi o con del riso?
Una volta ritagliate le sagome, piegale seguendo le linee tratteggiate.
Una volta infilate le otto bacchette nei fori della scatola, avvitare i restanti otto tappi sull’estremità libera della bacchette.
PALLINA: Spalmare della colla vinilica sul lato esterno delle linguette. Infine unire le due componenti e aspettare che la colla asciughi.
9
Procurati una pallina trasparente del diametro di 4 cm, formata da due semisfere che si avvitano tra loro. Riempila di perline di plastica, chiudila e sigillala con della colla.
a t t e l o t o velò
10
COTO LET TA
VELĂ’
street food cargo bike Travelling around Milan a tricycle that cooks and sells the Milanese cutlet: a crunchy welcome to the many turists arrived in the city during the Expo. Company Trikego www.trikego.com
11
COTO LET TA
12
VELÃ’
COTO LET TA
VELĂ’
organizing the space
1. Fryer 2. Fire extinguisher 1
3
4
3. Icebox 4. Tongs box 7 2
5
6
5. Blotting paper 6. Sink 7. Cash register
7
8. Screen 8
5
6
9. Water jerry can 10. Peanut oil jerry cam 2
9
9
10
Cotoletta Velò is a traveling kitchen. Even if it is reduced in the place of a Cargo Bike, the kitchen has all the essential to make the tipical italian meal.
13
COTO LET TA
VELÃ’
7 6
4
3 9
10
11
12
11. Gel battery 12. Inverter 14
14
13. Luggage pack 14. Light
13
14
COTO LET TA
VELĂ’
inflatable seat
The Biscione, symbol of Milan, gives shape to the inflatable seat, able to gather up to four people. During the travels it is placed inside the luggage pack.
15
COTO LET TA
VELÃ’
packaging
16
COTO LET TA
VELĂ’
No more forks and knifes but a tong, easy-to-use even when you are walking.
17
VA I R T UA L
18
GUR U
VA I R T UA L
GUR U
Advi sor yS erv ice
Pro mo tio n
TES
TER
Tec uc
ts
er lS ica hn
v
ic e
o Pr
s
d
feeling the quality of air A service to guide the consumer from the consultation to the aftercare. The installed Vortice’s products are controlled by a device: the Guru. Company Vortice www.vortice.com
19
VA I R T UA L
GUR U
promotion
Vortice is the european leader in ventilation systems and air cleaning. For promoting the service, the company will use campaigns, like advertisements and posts on social media.
20
VA I R T UA L
GUR U
Families tell about their lifes with Vortice products by posting their stories on the company website..
..and on social media.
LIVE WITH A LEAD
Furnishing an apartment with air cleaning products during the Fuorisalone in Milan.
21
VA I R T UA L
GUR U
products
Vortice product package
Device - Guru
Nebula package is composed on
Guru supervises products and transforms data in light output. App advises the user about the problem and helps to resolve it.
air cleaning and ventilation. Aura package adds airconditioning to these services.
Quality of air
22
App
VA I R T UA L
The visual input of the Guru shows a fault in the system
GUR U
User controls the Vortice app to understand the problem
E ATTENZION ELEVATO CONSUMO
The app informs about consumption and other faults
Guru suggests turning off the product in use
The user turns off the product suggested in the app
Now the Guru shows the right quality of the air
23
HE LIANT HUS
RINGHIERA SCHERMANTE PER BALCONE
24
HE LIANT HUS
screening balcony railing Helianthus protects against sunbeams and intrusive gazes. The screen opens like a fan and it has the shape of a sunflower. The building is now filled with flowers that make the exterior space dinamic.
25
HE LIANT HUS
modules
AUXILIARY MODULE
BASIC MODULE
LEFT ANGULAR MODULE
RIGHT ANGULAR MODULE
In order to obtain a railing adaptable to any type of balcony, Heliathus consists of several modules with different dimensions.
26
HE LIANT HUS
basic module exploded view
27
1
CLOSING SHEET
2 3
PHYTOMORPHIC RAILING
3 4
SUN FLOWER
4 5
PRIVACY FLOWER
5 6
BALUSTER BRACKET SPOSTERIOR LEFT
6 7
BALUSTER BRACKET ANTERIOR RIGHT
7 8
BASIC MODULE VASE
HE LIANT HUS
privacy pole
SHEET HOLDING TYVEK
TYVEK SHEET FASTENING TYVEK
INNER POLE
EXTERIOR POLE
28
HE LIANT HUS
sunscreen pole
29
HE LIANT HUS
blooming
1. lock The locking element penetrates poles and impedes them from moving.
2. raising By pulling the knob, the interior pole is no longer locked and it can slide upwards.
30
3. release By removing the stress, the locking element returns to its initial position.
HE LIANT HUS
4. taking band Slide upwards the fabric Tyvek, to extract the velcro strip.
5. opening With the aid of the band, it is possible to easily open the flower.
31
6. fastening At the top of the pole the flower is fastened by VELCROÂŽSew Tape.
3D MODELLING
PI R IPICCHIO
real object
clothes shaves piripicchio sg76r, stefano giovannoni, alessi
34
PI R IPICCHIO
3d model
render
Piripicchio clothes shaver has been created by modelling with AliasÂŽ industrial design software and rendering with Keyshot.
35
S UN
S P R AY
real object
sun spray
- protection 20, coop italia
36
S UN
S P R AY
3d model
render
Based on technical drawings, the solar spray has been created by using the software Alias Design both for modelling and rendering.
37
SPATIAL CONCEPTS
HANG
40
ON
HANG
ON
living the absolute space What is an interior space? A shelter. Practical? It is a cave, a refuge even if it hasn’t got any furniture. It is an engraved place inside us, an emotional and psychological place.
41
HANG
The cave is made of three indipendent volumes, obtained by subtraction of matter. Whoever comes is invited to move between the cavities, drop, hold, stop and contemplate.
42
ON
HANG
43
ON
HANG
44
ON
HANG
“
ON
Intanto nella mia testa albeggiava l’idea di un enorme spazio, un paesaggio composto da quei volumi forati; e in quanto corpo forato, anche io vi appartenevo. Quello era il mio posto. Il mio luogo di appartenenza.
Mi arrampicavo, mi abbassavo, strisciavo, mi aggrappavo. Me ne stavo lì, seduto sui bordi di una di quelle gallerie irregolari. Mi sdraiavo. Forse lì avrei finalmente scelto io con cosa riempire quelle gallerie. Le mie gallerie. E forse avrei anche potuto decidere di lasciarle vuote... Lasciare che i raggi del sole vi penetrassero all’interno e mi permettessero di esplorarle meglio, da vicino... come forse avevo sempre avuto paura di fare...
”
45
C ASA
PE R
UNO
46
SKAT ER
C ASA
PE R
UNO
SKAT ER
27m3 for a particular user The basic theme is the Tiny House, lodgings smaller than 30 square metres. Despite the sizes, the house has been designed to fully express the personality of its inhabitant: a skater.
47
C ASA
PE R
UNO
The house is built on two levels, connected by a ladder. Downstairs there is the living room with kitchenette, skatering-wall and sitting area. Every element of the furniture is skateable.
48
SKAT ER
C ASA
PE R
UNO
SKAT ER
Upstairs there is the bed with storage boxes, a wall shelf for the skateboards and the bathroom that includes sink, toilet and a shower.
49
ILLUSTRATIONS
52
PE R INZ IA
“
Summoned to lay down the rules for the foundation of Perinthia, the astronomers established the place and the day according to the position of the stars. [...] They divided the map according to the twelve houses of the zodiac so that each temple and each neighborhood would receive the proper influence of the favoring constellations. Perinthia -they guaranteed- would reflect the harmony of the firmament. In Perinthia’s streets and squares today you encounter cripples, dwarfs, hunchbacks, obese men, bearded women. But the worse cannot be seen; guttural howls are heard from cellars and lofts, where families hide children with three heads or with six legs. Perinthia’s astronomers are faced with a difficult choice. Either they must admit tha all their calculations were wrong and their figures are unable to describe the heavens, or else they must reveal that the order of the gods is reflected exactly in the city of monsters.
invisible cities, italo calvino
”
In the foreground the illustration of Perinzia shows an astronomer, demiurge-like, who failed to create the perfect city. Now he can’t do anything but gaze at the monstrous descendants coming.
53
M A N I FESTO
2
54
D ESIGN
M A N I FESTO
D ESIGN
Each letter and number of the writing design2015 have been converted to images, in order to give power at first to the visual impact then to the sign.
55
ALICE ALESSANDRINI alice.alessandrini.a@gmail.com