ALI's BArch portfolio

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Ali Hakami Portfolio BArch Portfolio 2013 - 2018




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2

Degree Project

14

Comprehensive Design

20

Structure, Systems, Space and Form

26

House and Housing

34

Site Orders

44

Program and Space

50

Natural Tendency

58

Principles and Program


Design Communication II

64

Design Communication I

68

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5B

Degree Project 2018_SPRING_ARCH.492.

“The main concept of the project is the completed but looking like unfinished grid structure as the primary structure that would allow to plug in units. The stacking strategy of units overlapping with creat­ing support to the unit above, the roof created on each floor is used for drones to land. The program is divided into public and private spaces that allows applying a secondary program. As the site surrounded by colleges, and mostly occupied by students, we decided to have educational program that benefits them to be more informed on warehous­es and how they work. The main support in the center of the building is also the main circulation that divides the visitors from employees. Responding to the site, on a horizontal geometry the two cross streets are angled about 30 degree, which affected the orientation of the building geometry in the site, as well as the vertical geometry we applied the same angle used on the horizontal to have the effect of the freeway move­ment.”

5


Precedent Analysis

5B

island to be

by Keith Tyson

- A tract of land completely surrounded with boundy, and not large enough called a continent. - Being isolated or having little or no direct communication with others.

large field array The first produced by Tyson in 2006 and consists of three hundred sculptural objects placed on the walls and floor of a gallery space in a grid formation.

6

Grammar For The City Multifunctional Administrative City for 500.000, South Korea, 2005-06 (in collaboration with Office).”

“a church without god” opposing qualities are explored through visualizations of desolation and progress, death and continuation, noise and silence, nature and culture. the word ‘precept’ has been used a key element to suggest processes experienced by people in time, as well as to question the meaning of existence and established civilizations. .

“Blue Marble” A 'Blue Marble' image of the Earth taken from the VIIRS instrument aboard NASA's most recently launched Earth-observing satellite - Suomi NPP. This composite image uses a number of swaths of the Earth's surface taken on January 4, 2012. The NPP satellite was renamed 'Suomi NPP' on January 24, 2012 to honor the late Verner E. Suomi of the University of Wisconsin.


Topic study

5B

Conditions

of divition types

- Digged in, where is divies the spaces in both visual and acual connection

- Built up wall, where is divies the spaces in both visual and acual connection with visual dividers

7

- Digged in wall, where is divies the spaces only in acual connection but there is a visual connection


8


Site analysis

5B

Plan Strategy Navigation

excavated Courtyard

Excavated Land

Programs within retaining walls Test labatory Drone landing

Bardsdale USA, California

BARDSDALE

- It is located in the orange blossom and agricultural belt of the Santa Clara River Valley, south of the Santa Clara River and on the north slope of South Mountain. - An agricultural area with rich, fertile soil, Fillmore has a historic downtown that was established when the Southern Pacific built the railroad through the valley in 1887.

Kissing Gate ( Pavillion )

- Bardsdale is a rural unincorporated community.

9


5B

Site strategy

Site Site Land conditions Land Conditions

Site Strategy Site Strategy

Topography

excavated Courtyard

Dense

Medium

Programs within retaining walls Test labatory Drone landing

Soft

Kissing Gate Condetions : Kissing Gate type II

Topography geometry vs City grid

Kissing Gate type II

Retaining Wall

Retaining Wall Excavating Drop Down

10

Collapsed Data Layers

Excavating Drop Down


Site strategy

Seriers Sections Series ofof Sections

5B

Axon Strategy Series of Sections C10

C10

C1 C2

C9

C3

C4

C9

C5 C6

C7

C8 C9

C10

C8

C8

C7

C7

C6

C6

C5

C5

C4

C4

11 C3

C1

C3

C2 C3

C4

C5

C2

C6

C7

C8 C9

C2

C10

C1

C1


5B

Section zoning

Moments

of condition change - a1.

Fieds of Experiments.

- b2.

Ramprt walls.

- c3.

Citadel Architectural wall.

- d4.

Retaining walls.

a1

12

b2


Section zoning

c3

5B

d4

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4A

Comprehensive Design 2016_FALL_ARCH.487.

14

The conceptual idea of the project is to analyze the site in 6 different forces/topics. Each force has a different impact on how much it influences the mass from each elevation with a triangulation geometry. From that, I set up a system of order on the mass to create an envelope that responds to the solar studies by offsetting the edge point in the three directions x,y,z to create indirect natural light to the galleries, and direct natural light for other programs. The separation of the program happens in different stages. Semi separation stage for the view by having all the circulation looping around , and higher separation level for the circulation by crossing the plugins barrier as chick in stations.


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Seattle Central Library Type : ( Public Library ) Location: Seattle, WA, USA Year:2004

Structure

Architect: OMA

Program

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Circulation

Massing


Site analysis

4A

Traffic Flow + Mass

Traffic Flow

How the traffic force affects the mass based of the circulation density.

Traffic Flow + Mass

How the traffic force affects the mass based of the circulation density.

C6

C7

C7

C5

C4

C6

C3

C5

C2

Wind + Voids

Wind

C2

C3

Voids of the mass that allows the wind to travel through for passive ventilation

C4

Site Plan SCALE 1� = 64’

Eagle Rock Type : ( Residential near to Commercial ) Location: 2055-2099 Merton Ave, Eagle Rock

Topography + Drainage + Level Change

Drainage

Slope created by the topography that makes drainage travel to the south direction of the site with site manipulation that allows the building to have different level changes

CA. 90041

SITE FORCES Conceptual idea that focuses on the site research and apply them as forces in different levels that derives the project

Solar ( Sun )

Solar ( Sun )+ Envelope

Triangular geometry that allows the envelope to create openings to direct sunlight

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4A

Systems Integration and Plan

Circulation The project circulation focuses on having a full accessibility circulation that loops around to allow a vision openings within the galleries and this diagram mostly focuses on the egress system.

C6

C7

C6

C7

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9 12

11 8

C7

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11 9

C5

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C7

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11 C5

4 3

3

3

3

3

C4

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3

3

3 3

C4

C6

3

3

C6

C3

level +16

1

C3

level +16

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9

1

UP C5

C2

Active and Passive Systems Design

11

9 8

UP

11

C5

C2

For the passive system the project has been broken into two different strategies. One is while the circulation is looping around allowing some cantiliver moments that allows air to travel through to ventilate. Second the envelope strategy and how it allows direct and indirect sunlight to get through

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level +15

11

level +15

UP

UP

UP level +12

2

UP level +12

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2

UP

8

24’ UP

level +9

1 11

24’

level +9

11 1

8

11 11

8

11 11

PLAN II SCALE 1” = 16” PLAN II SCALE 1” = 16”

C2

C3

C2

C3

C4

C4

Structure and Envelope Design The structure system is categorized into primary and secondary.The primary is a steel framing followed by the envelope strategy and the secondary is heavy massing walls that supports the contilivar primary.

COMMERCAIL 1- LOBBY 2- GALLERY COMMERCAIL 3- OFFICES 14- LOBBY EMPLOYEES SELF CAFE 25- GALLERY CLASSROOM 3- OFFICES 6- CAFE 4- EMPLOYEES SELF CAFE 7- MEETING ROOM 5- CLASSROOM 6- CAFE RESIDENCAIL 7- MEETING ROOM 8- LIVING 9- DINING RESIDENCAIL 10DEN 8LIVING 11BEDROOM 9DINING 12 KITCHEN 10DEN

C6

C7

C6

C7

11BEDROOM 12 KITCHEN

8 8

9 9

11

C7

11 11

C5

3’

12 12

11

C7

5 5

1 1

C5

level 0

3’

level 0

level 0 level 0

7 7 5 5

C4 C4

UP UP C6 C6 UP UP

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C3 C3

6 6

level -3 level -3

2 2

level +3 +3 level

2 2

Building Service Systems Design The water system is as followed: A main source connected by main pipes that travel through the envelope geometry and reach a secondary mechanical units that splits the water system and drives it through the building.

9

11 C5 C5 UP

C2 C2

UP UP

8 8

1 11 11

SPLIT UNIT FROM PRIMARY TO SECONDARY level +6 level +6

WATER FROM THE MAIN SOURCE

level -6 level -6

level 0 level 0

DN DN

UP UP

MAIN WATER SOURCE

level -3 2 -3 level

2

8 8 DN

DN 24’

11

24’

11

level -6

1

11

11

level -6

1

11

8

11

8 11

11

MAIN POWER SOURCE

PRIMARY POWER CABLE

SECONDRY POWER CABLE

PLAN II SCALE 1” = 16” PLAN II SCALE 1” = 16”

C2

C3

C2

C3

C4

C4


DN

PLAN II SCALE 1” = 16”

C2

C3

C4

24’

11

Elevations, Section and detaial

level -6

1

4A

11 11

8

11

C2

C3

C4

PLAN II SCALE 1” = 16”

The Plugins Barrier

C1

C7 C1

Section I SCALE 1” = 16”

The plugins concept is to create plugged in units that allows division between the galleries. The C7 start and end of each gallery determines where each unit is located, which allows a new experience for the residents to circulate throw the gallery while going to their units. This experience is the main idea that alleviates housing shortages.

Section I SCALE 1” = 16”

SOUTH ELEVATION

NORTH ELEVATION

1 9 2 1

SOUTH ELEVATION

EAST ELEVATION

NORTH ELEVATION

WEST ELEVATION SCALE 1” = 16’

ARCH 487 Fall 2016 Instructor: Robert Kerr Student: Ali Hakami

Building Section SCALE ½” = 1’

EAST ELEVATION


Refrigerated Goods Storage Office Program Common Staff Area Drone Command General Warehouse Lobby

20


3B Site Orders 2016_SPRING_ARCH.284.

“The main concept of the project is the completed but looking like unfinished grid structure as the primary structure that would allow to plug in units. The stacking strategy of units overlapping with creat­ing support to the unit above, the roof created on each floor is used for drones to land. The program is divided into public and private spaces that allows applying a secondary program. As the site surrounded by colleges, and mostly occupied by students, we decided to have educational program that benefits them to be more informed on warehous­es and how they work. The main support in the center of the building is also the main circulation that divides the visitors from employees. Responding to the site, on a horizontal geometry the two cross streets are angled about 30 degree, which affected the orientation of the building geometry in the site, as well as the vertical geometry we applied the same angle used on the horizontal to have the effect of the freeway move­ment.”

21


3B

22

Expressive space and geometric form


Site Plan and Section

3B

Collapse of section and elevation that shows the ADA circulation and how the structure system works at 3 points that hits the ground, where one of them is the primary which works as structure and also the vertical circulation.

23

Site plan that shows the site boundary and also the cantilever area.


Analysis Diagrams

3B

Tolerance pocket steel inserts

Procast yoke Precast yoke Stainless steel flange Steel plate with shear stude under

Insitu node

Steel dowel

Waterproofing detail Elastomeric bearings Prefabricated bracing

Concrete ground grid Connection of the pipes to concrete

24

Circulation Pipes for water Mechanical room

The bottom part of the mass takes big products with big weights and the second level takes medium size products with room to fit more products, and the upper level is bigger space for small products. The green part represents circulation on each level. The pathway also gets smaller as you go up.

Small storage size On the highest floor

Medium storage size On the middle floor

Big storage size On the lowest floor

Circulation


Site Plan and Section

3B

Section, Elevation The main concept of the project is the completed but looking like unfinished grid structure as the primary structure that would allow to plug in units. The stacking strategy of units overlapping with creating support to the unit above, the roof created on each floor is used for drones to land. The program is divided into public and private spaces that allows applying a secondary program. As the site surrounded by colleges, and mostly occupied by students, we decided to have educational program that benefits them to be more informed on warehouses and how they work. The main support in the center of the building is also the main circulation that divides the visitors from employees. Responding to the site, on a horizontal geometry the two cross streets are angled about 30 degree, which affected the orientation of the building geometry in the site, as well as the vertical geometry we applied the same angle used on the horizontal to have the effect of the freeway movement.

64’= 1’’

25

N 64’= 1’’

Site Plan


Infrastructure

The is showing how the drainage flows withen the site as showing in different line work to explain different

3A

House and Housing 2015_FALL_ARCH.383.

26

“The site is located at Lookout Dr. and Stadium way. The site is located in between two major streets; upper side of Lookout Dr. and the lower side of Stadium way. The concept that the project focus mostly on, is to use the upper part of the slope in the site as entrance and the lower part of the slope as the view. I created a system of order that guides me to create a definite massing form that responds to the urban fabric. In addition, the system of order is also used to create the circulation. My intention is to have a hybrid typology of courtyard and collapsed plans that has different extrusions created by following the system of order to produce multiple access for ventilation within not only the building but also the unit itself. The extrusion also causes a slightly different unit layout. The system of order is also used to sub-divide the unit layout to create what is private and what is public.�


e. As well as the transportation types of roads.

27


Access + Circulation

1

Layered Circulation 1-

Showing the Vertical Circulation along the 7 levers and how they respond to its own formal void space, which has been created by the main buildings massing.

Plan + Section

2

1-

Showing the relationship between the exterior and the interior spaces and the stansetion between them.

Part - Whole Relationships

1

Unit to Building. 1-

How the units are layed out with the geometry

2

Details 1-

How each units focuses on the center point.

Thresholds + porosity

28

1

Public/Private. 1-

Show the dansity from public to private as it gets darker


Topics of Investigation

Urban Fabric + Connections

Formal Conceot + Massing

1-

2-

3-

4-

5-

1

Buildings Catagories 1234-

2

Academis Buildings Students Stores Studends Entertainment Tietgen Dormitory

Zoomed 360 direction detail 1-

6-

1

From the Center Points the lines show the important directions for the students. In different catagories.

Steps of Concept 1-

Six diagrams shows how the formal concept has got to its final mass. By merging two shapes that sharer the same center point.

Structure + Layers of building systems

Support Spaces & Sevices

1

Programs Organization 123-

1

Structure Inclosure 123-

Pantry Kitchen Living Room ( Lounge )

Tietgen Dormitory

3A

Wall Component Floor Plugs in

Dwelling Patterns

Light + Transparency

Typology: ( Courtyard )

29

Location: Copenhagen, Danmark Year: 2006 Architect: Lundgaard & Tranberg

1

Function 1-

Showing how the functions of the buiding layered. Two programs by one residential.

1

Sun & Units Layout 1-

How the Sun Efficts the room layout


Infrastructure The is showing how the drainage flows withen the site. As well as the transportation as showing in different line work to explain different types of roads.

Infrastructure The is showing how the drainage flows withen the site. As well as the transportation as showing in different line work to explain different types of roads.

Formal Concept + Massing

Part-Whole Relationships

30

Access + Circulation Parking Level 1 10

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30FEET

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Study models

3A

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1St study model that focuses on the view of the site as the main concept.

2nd study model that starts to

3rd study model that starts to bring

respond the urban concept, and apply courtyard as typology by creating solid and void spaces.

elements from the Tietgen Dormitory of the exterior extrusion which creates more ventilations possibilities.


Final Drawings

3A

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3 4

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4 1

1 3

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6 2

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7 1 4

3 4

2 1 4

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4 2 3

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Palladium Plan S Approx. 765 sq. ft.

Second Floor o

8 10

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6

Gold Plan 1-A Approx. 637 sq. ft. 13 3

11

12

7

15

14 4

32

14 15

Silver Plan 1-B Approx. 666 sq. ft.

Ground Floor

Titanium Plan 2-A Approx. 1138 sq. ft.

Platinium Plan 2-B Approx. 1211 sq. ft. 20

Parking Level ev 2 10

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30FEET

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60FEET

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Site Plan and Section

3A

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Parking Level 1 10

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30FEET


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Site Orders 2015_SPRING_ARCH.283.

“Natural and urban site orders are explored and analyzed using writing, photography, mapping and sectional studies to develop site planning and building design with a special emphasis given to the relationship between program and external context. Projects focus on influences of adjacencies and environment, through the development of clear systems of movement, space, structure, energy efficiency and daylight.�

35


Crystallize

DESIGNER: Eduardo de Miguel YEAR: 2009 LOCATION: Spain, alicante DEFINTION: To cause to take a definite form.

36

In Short, the atmosphere of this space situated at the foot of the hill was defined by its industrial past as a strategic location, the site for a refinery,with galleries and depots excavated in the rocky nucleus, with mouths opening on to an existing quarry. A tough landscape accentu-ated by the sunlight and sea salt, with planes formed from stone slabs showing the marks of what preceded it. A place that stood against the sea and now appears banded in by the frontier of the infrastructures and constructions that distanced it from that sea. The new Tram line and the location of the La Sangueta stop have become the perfect excuse set. The intervention has consisted of building a minimal number of elements for the functional use of this spot, building and developing a site that would accompany the tracks and a prom-quarry; facing it, in front of the largest, oldest and most spectacular cut, is the Tram plaza and stop that has been developed by the project.

ANALYSIS

1.

The curved tram line interrupts the sharp e1dgs of the construct.

2.

The architect seccessfully had engage the site with the mountains.

3.

Under ground area created a shade for the toruist.

4.

Tram stop staion.

5.

One of the water channel that runs the water from the mountins to

6.

There was not much vajitatiion because of dried area.

the see is underneath the tram line.


Precedent Analysis

GEOMETRY

CONTOUR

2B

CONTOUR

37

DRAINAGE

PROGRAM

VEGETATION


Program Program

Vegetation Vegetation

Crystallize: Is to make or become definite and clear. 45

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Program Program

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Program Program

Drainage Drainage

38 1 - 11

Drainage Drainage

1 - 11

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MEASURE

MANIPULATE

MANIPULATE

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Site Manuipulation

2B

Program

Vegetation

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CONTOURS

PROGRAM

VEGETATION

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Program

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15 12

Program

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Drainage

1 - 11

Drainage

1 - 11

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GEOMETRY: PLAN

DRAINAGE


2B

Process Models

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Final Drawings

1 - Parking. 2 - BasketBall Cort. 3 - Lobby. 4 - Administration Office. 5 - Snak Bar. 6 - Men’s Locker Room. 7 - Men’s Shower Room. 8 - Men’s Bathroom. 9 - Women’s Locker Room. 10 - Women’s Shower Room. 11 - Women’s BathRoom. 12 - First Aid . 13 - Pool. 14 - Mechanical Room. 15 - Maintenance. 16 - Equipement Storage. 17 - Exercise Room A,B. 18 - Fishing Pier. 19 - Boat Storage. 20 - Trian Station.

2B

40

1

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Zone1: Entrance and Parking

160

2

Zone2: BasketBall Cort

2

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Zone3: Mechanical Room and the Path way to the Athlatic Center

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: PLAN

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Zone4: Upper entrance and lower floors of the Center,and the Pool

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Zone5: Path way that takes to the gym and the fishing pier, and the Train Station

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17 B

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Zone5: The gym and and the fishing pier. 520

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2B

Section and Axon

2

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Site Plan

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2A

Program and Space 2014_FALL_ARCH.281.

“An in-depth analytical study is made of everyday domestic, work and recreational rituals through research and precedent analysis with an emphasis on spatial accommodation of program through materiality, finish, structure and form. Projects set in limited contexts emphasize the influence of internally driven relationships, with a special focus on hybrid programming�

44

Difference


45


Precedents Study

2A

Modern

Meenakshi Amman Temple, Pandyan Tamil Nadu, India, 1623-1655

Ancient

46

Alhambra Granada, Spain, 10th century

Precedents annlysis that fcouses on three vitruvious: 1 - Firmitas “stucture”. 2 - Utilitas “function”. 3 - Venustas “beauty”.


Art to Opjects

2A

Packing

Difference

“Two Heads” by Paul Klee, Encaustic with oil and pencil,1932.

Exaggerate

Crop

“Possibilities at sea” by Paul Klee, Encaustic with oil and pencil,1932.

Models that respond to the artwork narrative.

Sup-models that has been effected by verbs applied to them.

47


2A

Construct to Program

DN DN

LOBBY LOBBY

DN BOOKSTORE BOOKSTORE

LOBBY

BOOKSTORE

GALLERY GALLERY

GALLERY GALLERY

GALLERY

GALLERY GALLERY

GALLERY

GALLERY OUTDOOR CAFE OUTDOOR CAFE

OUTDOOR CAFE

Ground Floor

DN

MECHANICAL ROOM MECHANICAL ROOM

DN

MECHANICAL ROOM

DN

GALLERY GALLERY

GALLERY

GALLERY GALLERY

GALLERY GALLERY

GALLERY

GALLERY

GALLERY ROOM GALLERY ROOM

GALLERY ROOM

1st Floor

MECHANICAL ROOM MECHANICAL ROOM

48

STORAGE STORAGE GALLERY GALLERY

MECHANICAL ROOM

STORAGE GALLERY

DN DN

DN

SPECIAL ART ROOM SPECIAL ART ROOM

SPECIAL ART ROOM

2nd Floor


Space to site

2A

1. The museum is based on a platonic shape which is the triangle. My ancient precedent was Meenakshi Amman temple, and my modern precedent was

R

the AL-Hambra. I used the difference between the void and solid space in my previous model and started creating a relationship between both from their geometries. I started creating the museum space by using the grid geometry from the previous model. 2. It is important to have different space sizes that derive a visitor’s movement throughout the museum. The importance of the space is that the bigger the space, the more freedom is given to the visitors to admire different kinds of

F3.1

F3

PC

work. As the space gets smaller, the visitors become more focused on the most important piece. 3. The entrance starts on the ground level and it guides the visitors to go only in one direction starting from the gallery area. The cafĂŠ is at the end of the first floor.

F2

The second floor has the mechanical room and the gallery space is all around the second floor and there is a gallery room that allows the sunligzht to go through. The third floor is the smallest floor which gives it the exceptional element for the special art room. The middle circular void area of the museum is the sculptural area with surrounded with glass. At the end of the third floor the stairs takes F1

you back all the way to the bookstore in first floor.

OU

TD

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GA

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RC

AF

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LLE

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RY

LLE

RY

SC

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BO

OK

STO

PT

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ES

UP

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LLE

DN

B LO

BY

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10

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RY


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1B Natural Tendencies: building relationships 2014_SPRING_ARCH.183.

“The relationship of architecture to the body is developed further with an exploration of essential architectural principles as they relate to a fundamental understanding of natural elements and human tendencies. Projects introduce scale, enclosure, architectural elements, spatial expression and program as form givers�.

51


1B

Tendency and Environment

This is the left side of the body with view of a smaller buliding. You can hear sounds from a few students walking and talking outside. The time of the day and sunlight are causing the temperature to be warm. The person is standing in a shady area to be comfortable.

LEANING TEXTING

The time of day and sunlight are causing the temperature to be warm. The body is leaning against the stairs of the building which is providing shade. This is the view from behind the body of the stairs. You can hear sounds from a few students going up and down stairs.

52

The body is leaning against the wall, the back is straight while the left leg is supporting the bodyweight. The head is looking down with the eyes staring at the hands holding the phone for approximately 10 minutes.

This is the right view of the body showing students models in between two bulidings. Because there are models in between the two buildings, not a lot of people walk by. Therefore there is not much talking going on.


Verb and Constructs

1B

Two symmetrical shapes are intersecting. The primary shape is being supported by the secondary shape. Two symmetrical shapes are intersecting. The primary shape is being supported by the secondary shape.

To Support -To provide means, force, or strength that is secondary to back up. -To give assistance to a primary battle force. “Support.” Gove, Philip Babcock. Webster’s Third New International Dictionary: Of the English Language; Unabridged; and Seven Language Dictionary. Chicago: Encyclopedia Britannica, 1981. Print. -To bear or withstand (pressure, weight, etc). “Support.” The Free Dictionary. Farlex, n.d. Web. 24 Jan. 2014. -To bear the weight of, or hold upright, in place. “Support.” Merriam-Webster. Merriam-Webster, n.d. Web. 24 Jan. 2014.

The construct is being hold together by being connected with basswood pieces. It is also being supported by having the opposite side of the shape as the base. The construct is being hold together by being connected with basswood pieces. It is also being supported by having the opposite side of the shape as the base.

53

Having the basswood on both sides helps to support the chipboard construct to Having the basswood on both sides helps to support the chipboard construct to stand. Overall balance stand. Overall balanceis created and its allowing the construct to stand on its own. is created and its allowing the construct to stand on its own.


1B

54

Tendency Studies


Human and Objects

1B

1st construct that starts to repond to the verb support

2nd construct that starts to apply spaces

55

3rd construct that starts to greate leaning surfaces


1B

56

Objects and Site


Tendecy, Objects and Site

1B

57

A person starts by going up the stairs and then the site is divided in two to provied shade depending on the different time of day. This way a person can have a shady area to text who they want to at any time and not be disturbed by direct sunlight.


1A

Principles and Processes, Bodies and Objects 2013_FALL_ARCH.182.

“Fundamental principles and processes of twoand three-dimensional design are introduced through the real scale study of objects and their relationship to the human body. Methods of perception, technique, composition, critical evaluation and verbal, written and graphic presentation�.

58


59


1B

Line, Fold and Mold

A top, front and side views of a cast of five lines formed to creat a bundled mold using 5 lines that are not touching, nor parallel, and four parallel lines formed with no intersecting at any point.

5 lines not parallel, touching at an edge 4 lines not parallel, not touching

60

Drawing of both molds offset in front of each other from the top view to analyze the relationship between them, with 16 srctions cut are projected and collapsed at section 16.

“These new methods were the orthographical projection and the vertical, i.e., non-perspective, elevation...Raphael begins by pointing out that the architect does not draw in the same way as the painter. What the architect needs is a representation which will permit him ‘to master all the dimensions of a building and to see all its parts without distortion. Three views, Raphael continues, are necessary to a complete representation, namely a ground plan, an elevation, and a section with orthogonal projection.� (Wolfgang Lotz, Architecture in Italy 1500-1600, 33)


Graphic Presentation

1B

61


1B

Analysis and Verb

To Mystify

The sketch shows a 2D drawing of Multiple section collaps and how the idea of mirroring is under control by moving each point slightly.

The construct shows how the same technique of moving points can

62

bring the inside out, and the outside in.


Human and Object

1B

63


64


Arch 211 DESIGN COMMUNICATION 2. 2014_SPRING.

“Various skills used in two- and three-dimensional methods of representation employing digital media are introduced, with an emphasis on their use as design tools that merge traditional and electronic techniques�

65


DC2

Verbs andAnalysis

FOOT PUMP

FOOT PUMP−OBLIQUE OBLIQUE

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

FOOT PUMP-CIRCULATION DIAGRAM DIAGRAM CIRCULATION

FOOT PUMP−SECTION

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

Scale 1”=1”

FOOT PUMP-CIRCULATION DIAGRAM

FOOT PUMP−SECTION SECTION

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

PLAN FOOT PUMP−PLAN

FOOT PUMP−ELEVATION

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

Scale 1”=1”

FOOT PUMP−PLAN

Scale 1”=1”

FOOT PUMP−ELEVATION ELEVATION

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

FOOT PUMP−TOP TOP

FOA Yokohama Ferry Terminal

FOOT PUMP−MOVEMENT SECTION

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

Scale 1”=1”

66

Compression and Expansion

Scale 1”=1”

FOOT PUMP−TOP

FOOT PUMP−MOVEMENT SECTION MOVMENT-SECTION

ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5

FOOT PUMP−MOVEMENT OBLIQUE MOVMENT-OBLIQUE

Speed

Contraction

During

After

Scale 1”=1”

Speed

FOOT PUMP−MOVEMENT OBLIQUE

Contraction

Scale 1”=1” Before

ALI HAKAMI ARCH 211 GAMBETTA


FOA Yokohama Ferry Terminal

FOA Yokohama Ferry Terminal

Precedent Analysis

DC2

SECTION

ALI HAKAMI ARCH 211 GAMBETTA

67

PLANS

ALI HAKAMI ARCH 211 GAMBETTA


DC1

Line wights and qualities

Arch 114 DESIGN COMMUNICATION 1. 2013_Fall. 2014_FALL_ARCH.281.

The Drawing consists of 50, 14’’ lines (each with a serious of spaced, rotated, and graduated serial lines). There were specific rules to consider such as: rotations cannot exceed 10 degrees, the spacing cannot exceed 3/4”, and the length of the lines cannot exceed 1”. Each 14”line must have a minimum of 18 serial lines along it. 35 of the lines are sold, and 15 are dashed. Dashed lines, and their spacing is all measured. All lines fall with the 16” bounding box. This type of drawing is meant as an exploration to introduce the construction of line work.

68

Line Qualities Study ( 22" x 22" )


Line Drawing

DC1

69

Fraction study with line qualities. ( 30" x 30" )


Precedents

DC1

,QWHULRU Wall

&LUFXODWLRQ

Facade

70

Structure

Exploded Model

Exploded hand Drawing Axson ( 22 x 30 )


Narrative

DC1

Character: An Information Prospector who uncovers trivial truths. A photo collage that overlays on a handdrawing axon of study mobel, to represents the character with photos of tourist attractions of places around the world and also sectences that I am saying while represent the character.

• Hand drawing and photo collage is show eye level perspective from the town facing the Museum.

• The narrative is showing that the museum is under construction.

• The narrative is showing that the museum is divided into four sections.

Light Museum

• This narrative shows inside one of the gallary in the museum.

71 This narrative is • showing an artwork about the speed of light.

• This narrative is showing how the natural light could effect the nature.

The big Collage from the museum showing the town view using a one point perspective by the size and layout of the uites as will as the depth of the crane.


Woodbury University School of Architecture

45

Ali Hakami PORTFOLIO

2016

20 30

25 35 40 45


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