15
12
15
2 20
25
30
35 35
40
12
Ali Hakami Portfolio BArch Portfolio 2013 - 2018
“
”
4
2
Degree Project
14
Comprehensive Design
20
Structure, Systems, Space and Form
26
House and Housing
34
Site Orders
44
Program and Space
50
Natural Tendency
58
Principles and Program
Design Communication II
64
Design Communication I
68
3
4
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/
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5B
Degree Project 2018_SPRING_ARCH.492.
“The main concept of the project is the completed but looking like unfinished grid structure as the primary structure that would allow to plug in units. The stacking strategy of units overlapping with creating support to the unit above, the roof created on each floor is used for drones to land. The program is divided into public and private spaces that allows applying a secondary program. As the site surrounded by colleges, and mostly occupied by students, we decided to have educational program that benefits them to be more informed on warehouses and how they work. The main support in the center of the building is also the main circulation that divides the visitors from employees. Responding to the site, on a horizontal geometry the two cross streets are angled about 30 degree, which affected the orientation of the building geometry in the site, as well as the vertical geometry we applied the same angle used on the horizontal to have the effect of the freeway movement.”
5
Precedent Analysis
5B
island to be
by Keith Tyson
- A tract of land completely surrounded with boundy, and not large enough called a continent. - Being isolated or having little or no direct communication with others.
large field array The first produced by Tyson in 2006 and consists of three hundred sculptural objects placed on the walls and floor of a gallery space in a grid formation.
6
Grammar For The City Multifunctional Administrative City for 500.000, South Korea, 2005-06 (in collaboration with Office).”
“a church without god” opposing qualities are explored through visualizations of desolation and progress, death and continuation, noise and silence, nature and culture. the word ‘precept’ has been used a key element to suggest processes experienced by people in time, as well as to question the meaning of existence and established civilizations. .
“Blue Marble” A 'Blue Marble' image of the Earth taken from the VIIRS instrument aboard NASA's most recently launched Earth-observing satellite - Suomi NPP. This composite image uses a number of swaths of the Earth's surface taken on January 4, 2012. The NPP satellite was renamed 'Suomi NPP' on January 24, 2012 to honor the late Verner E. Suomi of the University of Wisconsin.
Topic study
5B
Conditions
of divition types
- Digged in, where is divies the spaces in both visual and acual connection
- Built up wall, where is divies the spaces in both visual and acual connection with visual dividers
7
- Digged in wall, where is divies the spaces only in acual connection but there is a visual connection
8
Site analysis
5B
Plan Strategy Navigation
excavated Courtyard
Excavated Land
Programs within retaining walls Test labatory Drone landing
Bardsdale USA, California
BARDSDALE
- It is located in the orange blossom and agricultural belt of the Santa Clara River Valley, south of the Santa Clara River and on the north slope of South Mountain. - An agricultural area with rich, fertile soil, Fillmore has a historic downtown that was established when the Southern Pacific built the railroad through the valley in 1887.
Kissing Gate ( Pavillion )
- Bardsdale is a rural unincorporated community.
9
5B
Site strategy
Site Site Land conditions Land Conditions
Site Strategy Site Strategy
Topography
excavated Courtyard
Dense
Medium
Programs within retaining walls Test labatory Drone landing
Soft
Kissing Gate Condetions : Kissing Gate type II
Topography geometry vs City grid
Kissing Gate type II
Retaining Wall
Retaining Wall Excavating Drop Down
10
Collapsed Data Layers
Excavating Drop Down
Site strategy
Seriers Sections Series ofof Sections
5B
Axon Strategy Series of Sections C10
C10
C1 C2
C9
C3
C4
C9
C5 C6
C7
C8 C9
C10
C8
C8
C7
C7
C6
C6
C5
C5
C4
C4
11 C3
C1
C3
C2 C3
C4
C5
C2
C6
C7
C8 C9
C2
C10
C1
C1
5B
Section zoning
Moments
of condition change - a1.
Fieds of Experiments.
- b2.
Ramprt walls.
- c3.
Citadel Architectural wall.
- d4.
Retaining walls.
a1
12
b2
Section zoning
c3
5B
d4
13
4A
Comprehensive Design 2016_FALL_ARCH.487.
14
The conceptual idea of the project is to analyze the site in 6 different forces/topics. Each force has a different impact on how much it influences the mass from each elevation with a triangulation geometry. From that, I set up a system of order on the mass to create an envelope that responds to the solar studies by offsetting the edge point in the three directions x,y,z to create indirect natural light to the galleries, and direct natural light for other programs. The separation of the program happens in different stages. Semi separation stage for the view by having all the circulation looping around , and higher separation level for the circulation by crossing the plugins barrier as chick in stations.
N
W
E
15
S
Seattle Central Library Type : ( Public Library ) Location: Seattle, WA, USA Year:2004
Structure
Architect: OMA
Program
16
Circulation
Massing
Site analysis
4A
Traffic Flow + Mass
Traffic Flow
How the traffic force affects the mass based of the circulation density.
Traffic Flow + Mass
How the traffic force affects the mass based of the circulation density.
C6
C7
C7
C5
C4
C6
C3
C5
C2
Wind + Voids
Wind
C2
C3
Voids of the mass that allows the wind to travel through for passive ventilation
C4
Site Plan SCALE 1� = 64’
Eagle Rock Type : ( Residential near to Commercial ) Location: 2055-2099 Merton Ave, Eagle Rock
Topography + Drainage + Level Change
Drainage
Slope created by the topography that makes drainage travel to the south direction of the site with site manipulation that allows the building to have different level changes
CA. 90041
SITE FORCES Conceptual idea that focuses on the site research and apply them as forces in different levels that derives the project
Solar ( Sun )
Solar ( Sun )+ Envelope
Triangular geometry that allows the envelope to create openings to direct sunlight
17
4A
Systems Integration and Plan
Circulation The project circulation focuses on having a full accessibility circulation that loops around to allow a vision openings within the galleries and this diagram mostly focuses on the egress system.
C6
C7
C6
C7
8
9 12
11 8
C7
4
11 9
C5
12
11
C7
3
11 C5
4 3
3
3
3
3
C4
3
3
3
3
3 3
C4
C6
3
3
C6
C3
level +16
1
C3
level +16
11
9
1
UP C5
C2
Active and Passive Systems Design
11
9 8
UP
11
C5
C2
For the passive system the project has been broken into two different strategies. One is while the circulation is looping around allowing some cantiliver moments that allows air to travel through to ventilate. Second the envelope strategy and how it allows direct and indirect sunlight to get through
8
level +15
11
level +15
UP
UP
UP level +12
2
UP level +12
8
2
UP
8
24’ UP
level +9
1 11
24’
level +9
11 1
8
11 11
8
11 11
PLAN II SCALE 1” = 16” PLAN II SCALE 1” = 16”
C2
C3
C2
C3
C4
C4
Structure and Envelope Design The structure system is categorized into primary and secondary.The primary is a steel framing followed by the envelope strategy and the secondary is heavy massing walls that supports the contilivar primary.
COMMERCAIL 1- LOBBY 2- GALLERY COMMERCAIL 3- OFFICES 14- LOBBY EMPLOYEES SELF CAFE 25- GALLERY CLASSROOM 3- OFFICES 6- CAFE 4- EMPLOYEES SELF CAFE 7- MEETING ROOM 5- CLASSROOM 6- CAFE RESIDENCAIL 7- MEETING ROOM 8- LIVING 9- DINING RESIDENCAIL 10DEN 8LIVING 11BEDROOM 9DINING 12 KITCHEN 10DEN
C6
C7
C6
C7
11BEDROOM 12 KITCHEN
8 8
9 9
11
C7
11 11
C5
3’
12 12
11
C7
5 5
1 1
C5
level 0
3’
level 0
level 0 level 0
7 7 5 5
C4 C4
UP UP C6 C6 UP UP
18
C3 C3
6 6
level -3 level -3
2 2
level +3 +3 level
2 2
Building Service Systems Design The water system is as followed: A main source connected by main pipes that travel through the envelope geometry and reach a secondary mechanical units that splits the water system and drives it through the building.
9
11 C5 C5 UP
C2 C2
UP UP
8 8
1 11 11
SPLIT UNIT FROM PRIMARY TO SECONDARY level +6 level +6
WATER FROM THE MAIN SOURCE
level -6 level -6
level 0 level 0
DN DN
UP UP
MAIN WATER SOURCE
level -3 2 -3 level
2
8 8 DN
DN 24’
11
24’
11
level -6
1
11
11
level -6
1
11
8
11
8 11
11
MAIN POWER SOURCE
PRIMARY POWER CABLE
SECONDRY POWER CABLE
PLAN II SCALE 1” = 16” PLAN II SCALE 1” = 16”
C2
C3
C2
C3
C4
C4
DN
PLAN II SCALE 1” = 16”
C2
C3
C4
24’
11
Elevations, Section and detaial
level -6
1
4A
11 11
8
11
C2
C3
C4
PLAN II SCALE 1” = 16”
The Plugins Barrier
C1
C7 C1
Section I SCALE 1” = 16”
The plugins concept is to create plugged in units that allows division between the galleries. The C7 start and end of each gallery determines where each unit is located, which allows a new experience for the residents to circulate throw the gallery while going to their units. This experience is the main idea that alleviates housing shortages.
Section I SCALE 1” = 16”
SOUTH ELEVATION
NORTH ELEVATION
1 9 2 1
SOUTH ELEVATION
EAST ELEVATION
NORTH ELEVATION
WEST ELEVATION SCALE 1” = 16’
ARCH 487 Fall 2016 Instructor: Robert Kerr Student: Ali Hakami
Building Section SCALE ½” = 1’
EAST ELEVATION
Refrigerated Goods Storage Office Program Common Staff Area Drone Command General Warehouse Lobby
20
3B Site Orders 2016_SPRING_ARCH.284.
“The main concept of the project is the completed but looking like unfinished grid structure as the primary structure that would allow to plug in units. The stacking strategy of units overlapping with creating support to the unit above, the roof created on each floor is used for drones to land. The program is divided into public and private spaces that allows applying a secondary program. As the site surrounded by colleges, and mostly occupied by students, we decided to have educational program that benefits them to be more informed on warehouses and how they work. The main support in the center of the building is also the main circulation that divides the visitors from employees. Responding to the site, on a horizontal geometry the two cross streets are angled about 30 degree, which affected the orientation of the building geometry in the site, as well as the vertical geometry we applied the same angle used on the horizontal to have the effect of the freeway movement.”
21
3B
22
Expressive space and geometric form
Site Plan and Section
3B
Collapse of section and elevation that shows the ADA circulation and how the structure system works at 3 points that hits the ground, where one of them is the primary which works as structure and also the vertical circulation.
23
Site plan that shows the site boundary and also the cantilever area.
Analysis Diagrams
3B
Tolerance pocket steel inserts
Procast yoke Precast yoke Stainless steel flange Steel plate with shear stude under
Insitu node
Steel dowel
Waterproofing detail Elastomeric bearings Prefabricated bracing
Concrete ground grid Connection of the pipes to concrete
24
Circulation Pipes for water Mechanical room
The bottom part of the mass takes big products with big weights and the second level takes medium size products with room to fit more products, and the upper level is bigger space for small products. The green part represents circulation on each level. The pathway also gets smaller as you go up.
Small storage size On the highest floor
Medium storage size On the middle floor
Big storage size On the lowest floor
Circulation
Site Plan and Section
3B
Section, Elevation The main concept of the project is the completed but looking like unfinished grid structure as the primary structure that would allow to plug in units. The stacking strategy of units overlapping with creating support to the unit above, the roof created on each floor is used for drones to land. The program is divided into public and private spaces that allows applying a secondary program. As the site surrounded by colleges, and mostly occupied by students, we decided to have educational program that benefits them to be more informed on warehouses and how they work. The main support in the center of the building is also the main circulation that divides the visitors from employees. Responding to the site, on a horizontal geometry the two cross streets are angled about 30 degree, which affected the orientation of the building geometry in the site, as well as the vertical geometry we applied the same angle used on the horizontal to have the effect of the freeway movement.
64’= 1’’
25
N 64’= 1’’
Site Plan
Infrastructure
The is showing how the drainage flows withen the site as showing in different line work to explain different
3A
House and Housing 2015_FALL_ARCH.383.
26
“The site is located at Lookout Dr. and Stadium way. The site is located in between two major streets; upper side of Lookout Dr. and the lower side of Stadium way. The concept that the project focus mostly on, is to use the upper part of the slope in the site as entrance and the lower part of the slope as the view. I created a system of order that guides me to create a definite massing form that responds to the urban fabric. In addition, the system of order is also used to create the circulation. My intention is to have a hybrid typology of courtyard and collapsed plans that has different extrusions created by following the system of order to produce multiple access for ventilation within not only the building but also the unit itself. The extrusion also causes a slightly different unit layout. The system of order is also used to sub-divide the unit layout to create what is private and what is public.�
e. As well as the transportation types of roads.
27
Access + Circulation
1
Layered Circulation 1-
Showing the Vertical Circulation along the 7 levers and how they respond to its own formal void space, which has been created by the main buildings massing.
Plan + Section
2
1-
Showing the relationship between the exterior and the interior spaces and the stansetion between them.
Part - Whole Relationships
1
Unit to Building. 1-
How the units are layed out with the geometry
2
Details 1-
How each units focuses on the center point.
Thresholds + porosity
28
1
Public/Private. 1-
Show the dansity from public to private as it gets darker
Topics of Investigation
Urban Fabric + Connections
Formal Conceot + Massing
1-
2-
3-
4-
5-
1
Buildings Catagories 1234-
2
Academis Buildings Students Stores Studends Entertainment Tietgen Dormitory
Zoomed 360 direction detail 1-
6-
1
From the Center Points the lines show the important directions for the students. In different catagories.
Steps of Concept 1-
Six diagrams shows how the formal concept has got to its final mass. By merging two shapes that sharer the same center point.
Structure + Layers of building systems
Support Spaces & Sevices
1
Programs Organization 123-
1
Structure Inclosure 123-
Pantry Kitchen Living Room ( Lounge )
Tietgen Dormitory
3A
Wall Component Floor Plugs in
Dwelling Patterns
Light + Transparency
Typology: ( Courtyard )
29
Location: Copenhagen, Danmark Year: 2006 Architect: Lundgaard & Tranberg
1
Function 1-
Showing how the functions of the buiding layered. Two programs by one residential.
1
Sun & Units Layout 1-
How the Sun Efficts the room layout
Infrastructure The is showing how the drainage flows withen the site. As well as the transportation as showing in different line work to explain different types of roads.
Infrastructure The is showing how the drainage flows withen the site. As well as the transportation as showing in different line work to explain different types of roads.
Formal Concept + Massing
Part-Whole Relationships
30
Access + Circulation Parking Level 1 10
0
10
20
30FEET
N
Study models
3A
31
1St study model that focuses on the view of the site as the main concept.
2nd study model that starts to
3rd study model that starts to bring
respond the urban concept, and apply courtyard as typology by creating solid and void spaces.
elements from the Tietgen Dormitory of the exterior extrusion which creates more ventilations possibilities.
Final Drawings
3A
2
3
2
3
4 4
4
1
1
2
3 4
4
4 1
1 3
4
6 2
1 4
1
2
4
4
2
3
3
1
4
2
7 1 4
3 4
2 1 4
4
1
4
4 2 3
3
2
3
Palladium Plan S Approx. 765 sq. ft.
Second Floor o
8 10
9
6
Gold Plan 1-A Approx. 637 sq. ft. 13 3
11
12
7
15
14 4
32
14 15
Silver Plan 1-B Approx. 666 sq. ft.
Ground Floor
Titanium Plan 2-A Approx. 1138 sq. ft.
Platinium Plan 2-B Approx. 1211 sq. ft. 20
Parking Level ev 2 10
0
10
20
30FEET
N
0
20
40
60FEET
N
Site Plan and Section
3A
33
Parking Level 1 10
0
10
20
30FEET
34 45 20
25
30
35
40
45
12
15
2B 12
15
20
25
30
35
40
Site Orders 2015_SPRING_ARCH.283.
“Natural and urban site orders are explored and analyzed using writing, photography, mapping and sectional studies to develop site planning and building design with a special emphasis given to the relationship between program and external context. Projects focus on influences of adjacencies and environment, through the development of clear systems of movement, space, structure, energy efficiency and daylight.�
35
Crystallize
DESIGNER: Eduardo de Miguel YEAR: 2009 LOCATION: Spain, alicante DEFINTION: To cause to take a definite form.
36
In Short, the atmosphere of this space situated at the foot of the hill was defined by its industrial past as a strategic location, the site for a refinery,with galleries and depots excavated in the rocky nucleus, with mouths opening on to an existing quarry. A tough landscape accentu-ated by the sunlight and sea salt, with planes formed from stone slabs showing the marks of what preceded it. A place that stood against the sea and now appears banded in by the frontier of the infrastructures and constructions that distanced it from that sea. The new Tram line and the location of the La Sangueta stop have become the perfect excuse set. The intervention has consisted of building a minimal number of elements for the functional use of this spot, building and developing a site that would accompany the tracks and a prom-quarry; facing it, in front of the largest, oldest and most spectacular cut, is the Tram plaza and stop that has been developed by the project.
ANALYSIS
1.
The curved tram line interrupts the sharp e1dgs of the construct.
2.
The architect seccessfully had engage the site with the mountains.
3.
Under ground area created a shade for the toruist.
4.
Tram stop staion.
5.
One of the water channel that runs the water from the mountins to
6.
There was not much vajitatiion because of dried area.
the see is underneath the tram line.
Precedent Analysis
GEOMETRY
CONTOUR
2B
CONTOUR
37
DRAINAGE
PROGRAM
VEGETATION
Program Program
Vegetation Vegetation
Crystallize: Is to make or become definite and clear. 45
45
40
40
35
35
30 45
30
25
25
45
20 40 35
20
15
12
15
40
Program Program
35
30
30
25
25
20
20
15
15
12
12
12
Program Program
Drainage Drainage
38 1 - 11
Drainage Drainage
1 - 11
16
MEASURE
MANIPULATE
MANIPULATE
10
0
10
20
30FEET
N
Site Manuipulation
2B
Program
Vegetation
45
45
40
40
35 30 45
35
25
30
20 40
45
30
CONTOURS
PROGRAM
VEGETATION
20
15
40 35
25
12
Program
35
15
12
30
25
25
20
20
15 12
15 12
Program
39
Drainage
1 - 11
Drainage
1 - 11
16
10
0
10
20
30FEET
N
GEOMETRY: PLAN
DRAINAGE
2B
Process Models
1
2
3
45
40 35 30
13
45
25
20
15
40
9
35
12 30
25
6
12
20
15 12
40
16
10
0
10
20
30FEET
N
Final Drawings
1 - Parking. 2 - BasketBall Cort. 3 - Lobby. 4 - Administration Office. 5 - Snak Bar. 6 - Men’s Locker Room. 7 - Men’s Shower Room. 8 - Men’s Bathroom. 9 - Women’s Locker Room. 10 - Women’s Shower Room. 11 - Women’s BathRoom. 12 - First Aid . 13 - Pool. 14 - Mechanical Room. 15 - Maintenance. 16 - Equipement Storage. 17 - Exercise Room A,B. 18 - Fishing Pier. 19 - Boat Storage. 20 - Trian Station.
2B
40
1
1
Zone1: Entrance and Parking
160
2
Zone2: BasketBall Cort
2
240
Zone3: Mechanical Room and the Path way to the Athlatic Center
14 4
: PLAN
3
3
45
45
40
40
35
35
30
13
45
30
5
25
25
13
45 20
20
360
11 15
40
9
35
15
40
7
35
10
12 30
25
6
12
30
12
25
Zone4: Upper entrance and lower floors of the Center,and the Pool
8
20
20
15
15
12
12
Zone5: Path way that takes to the gym and the fishing pier, and the Train Station
20
440
16
15 17 A
17 B
18 16
10
0
10
20
30FEET
N
19
Zone5: The gym and and the fishing pier. 520
41
2B
Section and Axon
2
3
5
42
10
0
10
20
30FEET
Site Plan
12
9
11
2B
10
17 A
20
43
10
0
10
20
30FEET
N
2A
Program and Space 2014_FALL_ARCH.281.
“An in-depth analytical study is made of everyday domestic, work and recreational rituals through research and precedent analysis with an emphasis on spatial accommodation of program through materiality, finish, structure and form. Projects set in limited contexts emphasize the influence of internally driven relationships, with a special focus on hybrid programming�
44
Difference
45
Precedents Study
2A
Modern
Meenakshi Amman Temple, Pandyan Tamil Nadu, India, 1623-1655
Ancient
46
Alhambra Granada, Spain, 10th century
Precedents annlysis that fcouses on three vitruvious: 1 - Firmitas “stucture”. 2 - Utilitas “function”. 3 - Venustas “beauty”.
Art to Opjects
2A
Packing
Difference
“Two Heads” by Paul Klee, Encaustic with oil and pencil,1932.
Exaggerate
Crop
“Possibilities at sea” by Paul Klee, Encaustic with oil and pencil,1932.
Models that respond to the artwork narrative.
Sup-models that has been effected by verbs applied to them.
47
2A
Construct to Program
DN DN
LOBBY LOBBY
DN BOOKSTORE BOOKSTORE
LOBBY
BOOKSTORE
GALLERY GALLERY
GALLERY GALLERY
GALLERY
GALLERY GALLERY
GALLERY
GALLERY OUTDOOR CAFE OUTDOOR CAFE
OUTDOOR CAFE
Ground Floor
DN
MECHANICAL ROOM MECHANICAL ROOM
DN
MECHANICAL ROOM
DN
GALLERY GALLERY
GALLERY
GALLERY GALLERY
GALLERY GALLERY
GALLERY
GALLERY
GALLERY ROOM GALLERY ROOM
GALLERY ROOM
1st Floor
MECHANICAL ROOM MECHANICAL ROOM
48
STORAGE STORAGE GALLERY GALLERY
MECHANICAL ROOM
STORAGE GALLERY
DN DN
DN
SPECIAL ART ROOM SPECIAL ART ROOM
SPECIAL ART ROOM
2nd Floor
Space to site
2A
1. The museum is based on a platonic shape which is the triangle. My ancient precedent was Meenakshi Amman temple, and my modern precedent was
R
the AL-Hambra. I used the difference between the void and solid space in my previous model and started creating a relationship between both from their geometries. I started creating the museum space by using the grid geometry from the previous model. 2. It is important to have different space sizes that derive a visitor’s movement throughout the museum. The importance of the space is that the bigger the space, the more freedom is given to the visitors to admire different kinds of
F3.1
F3
PC
work. As the space gets smaller, the visitors become more focused on the most important piece. 3. The entrance starts on the ground level and it guides the visitors to go only in one direction starting from the gallery area. The cafĂŠ is at the end of the first floor.
F2
The second floor has the mechanical room and the gallery space is all around the second floor and there is a gallery room that allows the sunligzht to go through. The third floor is the smallest floor which gives it the exceptional element for the special art room. The middle circular void area of the museum is the sculptural area with surrounded with glass. At the end of the third floor the stairs takes F1
you back all the way to the bookstore in first floor.
OU
TD
49
GA
OO
RC
AF
E
LLE
GA
RY
LLE
RY
SC
UL
BO
OK
STO
PT
UR
ES
UP
RE
GA
LLE
DN
B LO
BY
N
10
0
10
20
30FEET
RY
50
1B Natural Tendencies: building relationships 2014_SPRING_ARCH.183.
“The relationship of architecture to the body is developed further with an exploration of essential architectural principles as they relate to a fundamental understanding of natural elements and human tendencies. Projects introduce scale, enclosure, architectural elements, spatial expression and program as form givers�.
51
1B
Tendency and Environment
This is the left side of the body with view of a smaller buliding. You can hear sounds from a few students walking and talking outside. The time of the day and sunlight are causing the temperature to be warm. The person is standing in a shady area to be comfortable.
LEANING TEXTING
The time of day and sunlight are causing the temperature to be warm. The body is leaning against the stairs of the building which is providing shade. This is the view from behind the body of the stairs. You can hear sounds from a few students going up and down stairs.
52
The body is leaning against the wall, the back is straight while the left leg is supporting the bodyweight. The head is looking down with the eyes staring at the hands holding the phone for approximately 10 minutes.
This is the right view of the body showing students models in between two bulidings. Because there are models in between the two buildings, not a lot of people walk by. Therefore there is not much talking going on.
Verb and Constructs
1B
Two symmetrical shapes are intersecting. The primary shape is being supported by the secondary shape. Two symmetrical shapes are intersecting. The primary shape is being supported by the secondary shape.
To Support -To provide means, force, or strength that is secondary to back up. -To give assistance to a primary battle force. “Support.” Gove, Philip Babcock. Webster’s Third New International Dictionary: Of the English Language; Unabridged; and Seven Language Dictionary. Chicago: Encyclopedia Britannica, 1981. Print. -To bear or withstand (pressure, weight, etc). “Support.” The Free Dictionary. Farlex, n.d. Web. 24 Jan. 2014. -To bear the weight of, or hold upright, in place. “Support.” Merriam-Webster. Merriam-Webster, n.d. Web. 24 Jan. 2014.
The construct is being hold together by being connected with basswood pieces. It is also being supported by having the opposite side of the shape as the base. The construct is being hold together by being connected with basswood pieces. It is also being supported by having the opposite side of the shape as the base.
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Having the basswood on both sides helps to support the chipboard construct to Having the basswood on both sides helps to support the chipboard construct to stand. Overall balance stand. Overall balanceis created and its allowing the construct to stand on its own. is created and its allowing the construct to stand on its own.
1B
54
Tendency Studies
Human and Objects
1B
1st construct that starts to repond to the verb support
2nd construct that starts to apply spaces
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3rd construct that starts to greate leaning surfaces
1B
56
Objects and Site
Tendecy, Objects and Site
1B
57
A person starts by going up the stairs and then the site is divided in two to provied shade depending on the different time of day. This way a person can have a shady area to text who they want to at any time and not be disturbed by direct sunlight.
1A
Principles and Processes, Bodies and Objects 2013_FALL_ARCH.182.
“Fundamental principles and processes of twoand three-dimensional design are introduced through the real scale study of objects and their relationship to the human body. Methods of perception, technique, composition, critical evaluation and verbal, written and graphic presentation�.
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59
1B
Line, Fold and Mold
A top, front and side views of a cast of five lines formed to creat a bundled mold using 5 lines that are not touching, nor parallel, and four parallel lines formed with no intersecting at any point.
5 lines not parallel, touching at an edge 4 lines not parallel, not touching
60
Drawing of both molds offset in front of each other from the top view to analyze the relationship between them, with 16 srctions cut are projected and collapsed at section 16.
“These new methods were the orthographical projection and the vertical, i.e., non-perspective, elevation...Raphael begins by pointing out that the architect does not draw in the same way as the painter. What the architect needs is a representation which will permit him ‘to master all the dimensions of a building and to see all its parts without distortion. Three views, Raphael continues, are necessary to a complete representation, namely a ground plan, an elevation, and a section with orthogonal projection.� (Wolfgang Lotz, Architecture in Italy 1500-1600, 33)
Graphic Presentation
1B
61
1B
Analysis and Verb
To Mystify
The sketch shows a 2D drawing of Multiple section collaps and how the idea of mirroring is under control by moving each point slightly.
The construct shows how the same technique of moving points can
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bring the inside out, and the outside in.
Human and Object
1B
63
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Arch 211 DESIGN COMMUNICATION 2. 2014_SPRING.
“Various skills used in two- and three-dimensional methods of representation employing digital media are introduced, with an emphasis on their use as design tools that merge traditional and electronic techniques�
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DC2
Verbs andAnalysis
FOOT PUMP
FOOT PUMP−OBLIQUE OBLIQUE
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
FOOT PUMP-CIRCULATION DIAGRAM DIAGRAM CIRCULATION
FOOT PUMP−SECTION
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
Scale 1”=1”
FOOT PUMP-CIRCULATION DIAGRAM
FOOT PUMP−SECTION SECTION
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
PLAN FOOT PUMP−PLAN
FOOT PUMP−ELEVATION
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
Scale 1”=1”
FOOT PUMP−PLAN
Scale 1”=1”
FOOT PUMP−ELEVATION ELEVATION
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
FOOT PUMP−TOP TOP
FOA Yokohama Ferry Terminal
FOOT PUMP−MOVEMENT SECTION
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
Scale 1”=1”
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Compression and Expansion
Scale 1”=1”
FOOT PUMP−TOP
FOOT PUMP−MOVEMENT SECTION MOVMENT-SECTION
ALI HAKAMI ARCH 211 GAMBETTA ASSIGNMENT 1.5
FOOT PUMP−MOVEMENT OBLIQUE MOVMENT-OBLIQUE
Speed
Contraction
During
After
Scale 1”=1”
Speed
FOOT PUMP−MOVEMENT OBLIQUE
Contraction
Scale 1”=1” Before
ALI HAKAMI ARCH 211 GAMBETTA
FOA Yokohama Ferry Terminal
FOA Yokohama Ferry Terminal
Precedent Analysis
DC2
SECTION
ALI HAKAMI ARCH 211 GAMBETTA
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PLANS
ALI HAKAMI ARCH 211 GAMBETTA
DC1
Line wights and qualities
Arch 114 DESIGN COMMUNICATION 1. 2013_Fall. 2014_FALL_ARCH.281.
The Drawing consists of 50, 14’’ lines (each with a serious of spaced, rotated, and graduated serial lines). There were specific rules to consider such as: rotations cannot exceed 10 degrees, the spacing cannot exceed 3/4”, and the length of the lines cannot exceed 1”. Each 14”line must have a minimum of 18 serial lines along it. 35 of the lines are sold, and 15 are dashed. Dashed lines, and their spacing is all measured. All lines fall with the 16” bounding box. This type of drawing is meant as an exploration to introduce the construction of line work.
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Line Qualities Study ( 22" x 22" )
Line Drawing
DC1
69
Fraction study with line qualities. ( 30" x 30" )
Precedents
DC1
,QWHULRU Wall
&LUFXODWLRQ
Facade
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Structure
Exploded Model
Exploded hand Drawing Axson ( 22 x 30 )
Narrative
DC1
Character: An Information Prospector who uncovers trivial truths. A photo collage that overlays on a handdrawing axon of study mobel, to represents the character with photos of tourist attractions of places around the world and also sectences that I am saying while represent the character.
• Hand drawing and photo collage is show eye level perspective from the town facing the Museum.
• The narrative is showing that the museum is under construction.
• The narrative is showing that the museum is divided into four sections.
Light Museum
• This narrative shows inside one of the gallary in the museum.
71 This narrative is • showing an artwork about the speed of light.
• This narrative is showing how the natural light could effect the nature.
The big Collage from the museum showing the town view using a one point perspective by the size and layout of the uites as will as the depth of the crane.
Woodbury University School of Architecture
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Ali Hakami PORTFOLIO
2016
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