architecture PORTFOLIO by A. A. Alir Rizky Banito 2018 - 2021
Bachelor of Architecture
A. A. ALIR RIZKY BANITO This is my selected portfolio work from 2018-2021. The portfolio is divided into 4: Academic works, Competition works, Freelance works, and Architectural internships. I am familiar with using SketchUp, AutoCAD, Enscape, CorelDraw, and Microsoft Office. And I've used Pothosop, Lumion, and Vray. I am interested in construction from design to execution.
WORK EXPERIENCE ACADEMIC 2021
Architecture Thesis Project Pemakaman Umum Vertikal Daerah Istimewa Yogyakarta
2021
Lecture Assistant in Studio Architecture 5 Lecture: Nimas Sekarlangit, S. T., M. T.
2021
Lecture Assistant in Studio Architecture 3 Lecture: Dr. Ir. Rachmat Budiharjo, M. T.
2019
Architectural Studio 6th “Museum” Museum Gudeng & Makanan Tradisional Yogyakarta
DESIGN COMPETITION 2019
Exporvm “Ini Rumaku” UKDW | Participant Omah Bolong - Collaboration with Brigitta Mutiara K. J.
2018
Sayembara Konstelasi Archevent UNS | 3rd Place Embung Srawung - Collaboration with Mikael Ariko M.
INTERNSHIP 2020
Internship at Atelier Riri, Tangerang Selatan | Februari - Juli Drafter of "Amadea, Pondok Cabe 3" project, and conceptual idea of "Tentang Esok" project part of the school scope.
2019
Internship at CV Wisanggeni, Yogyakarta | August - November Conceptual, 3D moddeling, rendering, and drafter of renovation project, Rumah Ret-ret, Panti Semedi, Klaten.
FREELANCE 2021
Mr. Dacosta's House Renovation Project, Bogor Exterior and Interior Design
2020
Mrs. Theresia Ayu's Home Interior Renovation Project, Jakarta Space and Interior Layout Design
2020
Mr. Galih's House Facade Design Project, Yogyakarta Front Facade Design
COMPETITION
ACADEMIC
TABLE OF CONTENT Pemakaman Umum Vertikal Daerah Istimewa Yogyakarta Architecture Thesis Project 2021
Museum Gudeg & Makanan Tradisional Yogyakarta th Architectural Studio 6 2018
Embung Srawung Konstelasi Archevent UNS 2018
Omah Bolong Exporivm “Ini Rumahku” UKD 2019
1 9 17 25
FREELANCE INTERNSHIP
Mr. Galih's House, Yogyakarta Facade Design 2020
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Mrs. Theresia Ayu's House, Jakarta Renovation Project 2020
35
Mr. Dacosta's House, Bogor Renovation Project 2021
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Conference Hall in Panti Semedi Retreat House, Klaten Internship at CV Wisanggeni 2019
43
“Amadea” Pondok Cabe 3 2D Drafter Internship at Atelier Riri 2020
44
Tentang Esok Part of the School Scop Internship at Atelier Riri 2020
44
Final Project Studio Architecture
2021
Pemakaman Umum Vertikal D. I. Yogyakarta
Sedayu, Bantul, D. I. Yogyakarta
1
15.628 m
2
2
PROJECT BACKGROUND I n 2 0 1 4 , t h e c i t y of Yo g ya k a r ta experienced a shortage of tomb space. 4 Yogyakarta municipal government cemeteries are full and require the use of an intercropping burial system. Death facilities such as funeral homes and crematoriums are still scattered and become less efficient. P e m a k a m a n U m u m Ve r t i k a l D. I . Yogyakarta is trying to answer the lack of burial space with a vertical burial system, and also the death facilities being centralized with the cemetery. So that the funeral procession becomes more efficient. Scan Me
Animation Video
3
The image is an ex
xterior part that uses natural colors as the dominant color (Brown, White, Gey)
4
Design Emphasis
Narative Architecture PLOT
Life
Death
Suffering Body
The One Almighty God
Soul Happiness
The concept of Narrative Architecture is here to support the function of the cemetery as a reflective place of pilgrimage. Where reflective is meant to remember the end of human life, namely death, and self-awareness of God Almighty.
5
TYPE OF ROOM VERTICAL TOMB There are 3 types of vertical burial chambers, namely vertical drawer tombs, vertical earthen tombs, and columbarium. The division of the type of burial chamber based on the religion and belief of the user. Processing the interior atmosphere of the tomb room which is clean, sacred, luxurious. Produced from the use of natural nuanced materials (brown, gray, white, black, and green).
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DEATH REFLECTION ROOM The reflection space of death is a space that describes the journey of the soul of someone who has died.
The Reflection Room of The Suffering
There are 3 rooms for reflection of death. Which is divided based on his life story. The Reflection Room of the suffering soul, as a depiction of the suffering of the soul after death. Reflection room of a happy soul, as a picture of a happy soul after death.
The Reflection Room of The Happy S
Divine Reflection Room, as a reminder of God's power over human life.
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The Reflection Room of Div
Funeral house as a place of burial
Soul
Soul
vinity
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Crematorium space to support the columbarium
Architectural Studio 6th
2019
Museum Gudeg dan Makanan Tradisional
Kalasan, Sleman, D. I. Yogyakarta
9
10.935 m
2
10
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Access to the auditorium is made of terraces so that it can be used as a garden to relax for museum and auditorium visitors. The hallway under the steps serves as access to the preparation rooms for auditorium performances.
North View
East View
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The roof of the museum is accessible to visitors and used as a garden, so that all sides of the museum can be enjoyed by visitors and there is no dead space. The bridge in the middle of the road functions as a garden on the roof, a Gudeg museum space on the inside, and vehicle access space on the bottom.
West View
South View
13 JACKFRUIT HARVEST ROOM
The Jackfruit Harvest Room is a room that tells the stages of finding the main gudeg ingredients, namely young jackfruit. The process of searching for young jackfruit is by picking it from the tree, and this space invites visitors to experience the process of searching for jackfruit on a tree.
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Room Experience The museum display is above the room with partitions that have an explanation of the space. Then visitors will read by turning their heads to the top of the room like people who are looking for young jackfruit.
15 GUDEG STIRRING ROOM
The room for making gudeg is a room that tells about the process of processing gudeg. Gudeg comes from the word "HAUDEG" which means to stir by turning the stirrer in the cauldron. From the gudeg mixture, it will form a vortex in the middle because of the circular motion like a tornado. This space invites visitors to feel the twist like a gudeg stirrer that rotates in a cauldron.
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Room Experience With the game of stairs that go up and down and there is a navel in the middle, it gives a twisted impression to this space. The wooden boards that line the stairs are the display media of this room, which makes visitors go around following the directions of the stairs to see the display.
“Konstelasi Archevent” of UNS
2018
Embung Srawung
Embung Langensari, Klitren
17
2
150 m
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PROJECT BACKGROUND Embung Srawung is a social installation located in the Langensari Embung area, Klitren, Yogyakarta. This installation was made with the aim of being a breaker of loneliness in Embung Langensari. It is hoped that the installation that functions as a viewing post and resting place can attract the attention of visitors to visit the Langensari Embung. The focus of users is millennials who like to take pictures and relax.
The image shows the rela
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ationship between the installation and the Langensari dam, jogging track, and park.
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INDOOR ARE
The space in the installation is useful as a place to socialize and rest for visitors to avoid the heat of the sun and rain.
There are seats with various heights, so that users can choose a seat according to their portion.
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5.80 3.00
1.90
1.90
e 3.00
x
8.50 5.50
ex 2.25
1
6.00 10.50 3
2
0M
5
2.25
U 10
4
1st Floor Plan
e 3.70
x5.50
11.30
3.10
ex 1.80
7.20 11.00
2.00
U 1 0M
22
3 2
5 4
2nd Floor Plan
10
23
1
3
5
2
0M
4
SOUTH VIEW
1
3
5
2
0M
4
EAST VIEW
1
3 2
0M
5 4
WEST VIEW
1 0M
3 2
5 4
NORTH VIEW
24 OUTDOOR AREA
The upper part of the installation serves as a viewing post, which can be used to enjoy the atmosphere of the Langensari Embung and the Klitren village area.
There are stairs leading to the viewing post, which is also used as an amphitheater. Can be used as a place to socialize and relax.
“Ini Rumahku” of UKDW
2019
Omah Bolong
Jl. Nitiprayan, Yogyakarta
25
2
250 m
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PROJECT BACKGROUND
The location of the site is in the area of fruit traders who produce fruit basket waste, besides that it is also in the area of making light bricks a nd p rov i d i n g b u il d i n g materials (sand, gravel, cement, wood, steel, tiles). Adjacent to the site, there are wood craftsmen who produce unused wood waste.
JL. KARAWITAN
6.15
22.70
10.85
4.40 1.30
JL. NITIPRAYAN
This potential can be used as an option to use materials from used goods that are suitable for use. As well as the use of used materials (ga lva lume) from the under p a ss co n s tr u c t i o n project in the northern ringroad.
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3.00
3.70 3.30 11.00
1.00
Site Plan
SITE ARE : 250 M2 2 KDB : 78 M (31,2 ) BORDER SOUTH : JL. NITIPRAYAN BORDER WEST : JL. KARAWITAN BORDER NORTH : RESIDENTIAL BORDER EAST : RESINDENTIAL
B
11
1.50 4
3.50
B
9
5
12 1.75
6
1.50
3.50 8
6
3.00 A
2.00
2
8.00
2.00
14
3.00
1 B 3.70
3.00
2.50 First Floor
1
2 3 4 5 6
8
3.00
9
1.50
B
6.70
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A
7
3.50
0.85
10
3 1.00
3.00
Terrace Living Room R. TRANSISI Family Room PANTRY & Dining Room Bathroom
1.20 6.70
3.00 Second Floor
7 8 9 10 11 12
Main Bedroom Children’s Bedroom Balcony Corridor Laundry Rooftop
Exterior 1. Balcony & Rooftop 2. Back Garden 3. Side Garden
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BASKET FRUIT
USED BAMBOO
LIGHT BRICK
USED GALVALUME
USED WIRE MESH
WOODEN WASTE
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Interior 1. Living Room 2. Family Room 3. Dining Room 4. Second floor
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Exterior Renovation
Mr. Galih’s House
Yogyakarta, 2020
33
34
Interior Renovation
2020
Mrs. Ayu’s House
Jakarta, 2021
250 m
35
2
36
Renovation Project
Mr. Dacosta’s House
Bogor, 2021
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38
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Living Room
Mini Bar da
Family Room
Family R
40
an Stairs
Room
Pantry Dining Room
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Children's room one
Children's
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Prayer Room room two Bathroom
INTERNSHIP CV. WISANGGENI
Aula Manresa, Panti Semedi
43
INTERNSHIP ATELIER RIRI
Thownhouse Amadea, Pondok Cabe 3 (DED)
A Part of DED images (View and Sections)
Tentang Esok | Elementary School Disinfection Booth
Disinfection Booth
Shoe Sterilization
Washing hands
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COVID-19 Adaptation
Thank You
A. A. Alir Rizky Banito