SHAKESPEARE'S SEAS

On 31 March, a First Folio of Shakespeare’s plays, in two volumes and on loan from Dulwich College, goes on display at the National Maritime Museum.

It is part of a national celebration of the 400th anniversary of the Folio’s publication; Shakespeare’s First Folio was published in 1623, seven years after his death. In total 235 copies are known to survive, with 50 in the UK.

The two volumes contain evidence of possible use in theatrical performances; handwritten notes, ink and water stains and burn holes suggest these volumes were well-used before they were acquired by Dulwich College.

The display at the National Maritime Museum reflects on London’s changing relationship with the water during Shakespeare’s lifetime, when maritime expansion created juxtaposing views of the sea as a place of opportunity, but one that was also hostile and unpredictable.

Throughout his plays, Shakespeare invokes maritime imagery, from sea battles and shipwrecks to sunken treasure and magical islands. It has led scholars to question whether Shakespeare himself travelled overseas. More likely, however, the proximity of London’s docks and volume of passing sailors influenced his writings.

The Tempest and the Thames: 31 March – 24 September

The National Maritime Museum, Maritime London Gallery www.rmg.co.uk/folio-400

There will also be a programme of events on Shakespeare’s birthday, 23 April, plus a Shakespeare and the Sea conference on 8 and 9 September.

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell The Tempest