PORTFOLIO
Allan Metto ARCHITECT I'm a creative at the core, passionate about harnessing the potential of design to make the world a better place. I believe that modern, contemporary Architecture should not only represent a functional response but also strive to be an embodiment of the local context and content so as to create meaning and a sense of place. After all... "Architecture should make us feel different, if not, engineering should be enough" DANIEL LIBESKIND
WORK EXPERIENCE
BIO
2020 to 2023
Graduate Architect TEJ ARCHITECTS Projects tackled included residential, institutional & hospitality Key roles: Project inception Scheme & detail design
QUALIFICATIONS 2022
Designing for Greater Efficiency IFC (World Bank)
2019
Bachelor of Architecture Jomo Kenyatta University of Agriculture and Technology
2016
Bachelor of Architectural Technology
Project documentation
Jomo Kenyatta University of Agriculture and Technology
Contract administration Site inspection & supervision 2017 to 2019
Architectural intern MATHARU SINGH Key roles:
SKILLS
2011
K.C.S.E. (A-) Lenana school
2007
K.C.P.E. (A) Testimony school
LANGUAGES
Business Writer THE STANDARD Key roles : Contributing to weekly columns Interviews
2014 to 2015
Industrial Attachment MALABA KEYA AND PARTNERS Key Roles: Site documentation Data collection & analysis
Microsoft Office
Lumion
Adobe suite
Artlantis Sketch Up 2. Architectural visualization & modeling 3. Project Management & Documentation 4. Writing & Freehand Drawing
CONTACTS
Site documentation 2016 to 2017
Archicad
5. Amateur Photography
Scheme & Detail design Project presentation
1. Software proficiency:
Email: mettoallan@gmail.com English Fluent
Swahili Fluent
French Basic
INTERESTS
Linked-In: Allan Metto Tel: 0706-652-122
World History Traveling & Photography
REFERENCES
Wildlife
Available on request
Soccer
CONTENTS
REGIONAL LEGISLATIVE ASSEMBLY, KAJIADO COUNTY
OLD TOWN TOURIST RESORT, MOMBASA COUNTY
CULINARY ARTS EXHIBITION CENTER, NAIROBI COUNTY
KAJIADO COUNTY LEGISLATIVE ASSEMBLY BACKGROUND
Following the adoption of the new constitution in 2010 it was necessary to form legislative assemblies for the newly formed counties of the now devolved government. Therefore, Architecture had to play a role in this new geopolitical formation in response to the accommodation, symbolic and socio-cultural requirements of of a legislative building.
The design endeavored to capture the local context and content in the design of this legislative building. The building not only addresses the functional requirements but also strives to be a physical representation of the region, embodying it's natural physical characteristics and the cultural values & traditions of the local community.
DISSERTATION INFLUENCE OF REGIONALISM ON THE BUILT FORM: A CASE OF REGIONAL LEGISLATIVE ASSEMBLIES IN KENYA ABSTRACT Regionalism treats Architecture as an inseparable part of the region and as such public architecture ought to be a physical representation of its region and the cultural values of the people therein. However, the destructive legacy of colonial rule blurred the terms of reference for new public architecture and in the absence of new architectural language, public designs took two routes: Iconic, signature architecture and Normative, western-inspired architecture. These approaches to design conceived public buildings that lack regional identity and authenticity. Even so, the devolution of Government in 2010 and the birth of County Assemblies set the stage for a move towards the creation of regionally distinct, identifiable, authentic buildings. The overall objective of the research was to establish the influence the concept of Regionalism had on the eventual character of the built form of County Assembly buildings and the specific objectives were: to identify case studies of County Assembly buildings that have been informed by the concept of Regionalism, to document the attributes of Regionalism inherent in the built form and to determine the extent to which Regionalism influenced the eventual character of the built forms of the case samples . The study hypothesized that regional aspects greatly influence the built form. The research is timely as an increasing number of county governments look to put up new structures to meet the accommodation and symbolic needs inadequately addressed by the premises inherited from the defunct town and municipal councils. The review of Regionalism theory and the theory of Form was instrumental in establishing the theoretical and analytical background for the study. The research applied qualitative case study approach; two county assemblies were sampled through cluster sampling and the respondents were selected through stratified proportionate sampling. Data was collected through archival study, structured observation and standard questionnaires and analysed using descriptive and correlation methods. The study findings indicated that regional aspects: site context (r=0.9794) and metaphors & symbolism (r=0.7930) had statistically significant positive effect on the character of the built form. The research concluded that Regionalism is a significant determinant of form derivation and articulation. The studied built forms were deemed to be distinctly regional and had an identifiable architectural image. The study recommends that architects commissioned to design public buildings, particularly County Assembly buildings, take into account concepts of Regionalism if they are to create designs that are authentic and have a unique regional identity , specifically: an emphasis on the tactile just as well as the visual to create a multisensory experience (physical properties), incorporation of re-interpreted vernacular elements and symbols (metaphors and symbolism), use of local materials & finishes and structural poetic (tectonics), respect for topography and unique response to the light and thermal conditions (site context).
Func on Technology & Materials
Socio-cultural influences
Site forces: climate topography light
DESIGN APPROACH
CRITICAL REGIONALISM
CONCEPT
Physical Proper es of Form (Mul -sensory experience i.e Visual and Tac le )
View from Car Park
BUILT FORM Unique Regional Iden ty
Site Context (Response to Passive elements)
Sense of Place
Metaphor & Symbolism (Response to ac ve elements) Tectonics
(Structural Poe c )
Physical Model (Scale 1:5000)
CONCEPTUALIZATION BRIEF The Proposed Project is a Regional Legislative Assembly for The County of Kajiado . The County Govt of Kajiado inherited its current premises from the defunct Ol Kejuado County Council built in 1946. At the time, the structures were ndilapitated and lacked Debating chambers, public galleries and other crucial ammenities. It became a priority of the County Govt to put up new premises that are tailored to meet the spatial and functional requirements required of a contemporary legislature. The Legislative Assembly will also be a physical representation of the County of Kajiado; manifesting the cultural and natural landscape of the region through its Architecture. The site is located in Kajiado Town, the administrative HQ's of Kajiado County. It is in close proximity to the CBD and other County Govt offices. Kajiado is traditionally home to the Maasai people but is now a cosmopolitan town inhabited by several communities.
1
Maasai Architecture The Architecture of the Maasai is manifested as a consciously bounded architecture which rather than emphasizing the building as a free-standing object, places emphasis on the territory established by the building. The Enkang (1) is the traditional Maasai homestead. It has a cellular-like form defined by a thorny fence wall that encloses and protects the fragile interior. Towards the periphery is the Maasai home: The Enkanji. At the centre is the Kraal which holds the Maasai's most prized possesion: Cattle.
2
Planning The Planning concept (2) for the scheme was inspired by the Enkang which is organised around the Cattle Kraal. Similarly, the buildings of the legislature are arranged around the Plenary building which hosts core function of the legisature (3).
3
D
ROAD
PARKING
ROA
4
Material & Colour Palette The Enkaji is constructed with locally-sourced materials: a timberframe construction covered in brown cow dung that marries well with the natural background. The proposed Legislature makes use of locally-sourced, low-embodied energy materials wherever possible such as fire-burnt mud bricks for in-filling. Wall surfaces are realised in earth colours with rough, mud-like textures. Size & Scale The Enkaji is a low -lying form, only about 2 metres high, that blends well into the natural landscape. Likewise, the size of the Legislature's buildings reference the immediate context with the highest structure, the Plenary, being only 3 stories high. A humanfriendly scale has been used to create harmony with the users much like the Enkaji home. Metaphor & Symbolism The Plenary building employs the metaphor of a tree (4); A symbol of African governance. The sprawling roof with wide overhangs echo the canopy of the indigenous Acacia tree, supported by branch-like timber supports. Just as Maasai elders sat under a tree to discuss governance issues as well as resolve disputes amongst community members, the Plenary building will host the law-makers' Debating chambers together with Public and media galleries.
5
The entrance is defined by a Gatehouse that is inspired by the Maasai shield and spear; symbols of Power and Security used in the emblem of The County Government(5).
SCHEME
SLIP
D
7
10 11
5
2
24 23 R G x 0.1 x 0.2 52 96
3 1
E
12
4
PARKING
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23
22
21
20
19
18
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16
UP
ISL
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BUN
8
ON
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13
CO
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GE A
OFFICES
15
VEN
UE
DESIGN
ROA
16
17
18
19
20
21
22
23
DO
WN
KITCHEN
15
14 13 12
11 1 2
10
3 4
9 7 8
PLAZA
RESTAURANT RECEPTION
PLENARY 8
x 0.167 23R x 0.265 23G
7 6
UP
5
9
FOUNTAIN
6
GATE HOUSE
5
UP
23R 23G x 0.167 x 0.265
4 3
10
2 1
11
12 13
14
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WN
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ISL
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52 0.1 96 x R x 0.2 24 G 5 23 4
RS
1 13 12 11
10
6 7 8 9
MAIN GATE
ME
E MB
UP
PARKING
22
23
24
LOUNGE & BAR
PLENARY & ADMIN OFFICES
PARKING
PLAZA
RECEPTION
LIBRARY& RESTAURANT + GYM
7,55 0
DETAIL DESIGN
R 16,050
200
4,267
0 15
C
pv
W W
pv
W
pv
1d
2e
4b
3d
2e 3d
20 0 HANSARD
C
C
20 0
C
pv LADIES
1e
2d
4a
3d
pv
WHB
Polished Terazzo finish on landing with terazzo treads and risers D
O
W
N
R 9,350
pv
20
5
17
18
19
0 20
16
900
R 7,650
15
LIFT
B
14 13
R 6,450
PASSAGE
12
7 8
4b
3g
40 0
pv
1,200
200 WHB
1d
2e
4b
3d
pv
pv
10
1
11
17 18 19 20 21 23
87 5,3
22
AIR-LOCK
2,2 70
26 7
pv
N W O D
00 6,3
2d
4a
3d
s- X
pv
200
R 9,350 1,424
1,956
PASSAGE
415
4 27
pv
WHB
0 20
R 11,200 WC
15 0
URINALS
97 9
15 0
1d
2e
4b
3d
pv
2,0 70
SEARGENT AT ARMS
pv 1d
2e
4b
3d
K pv
8 37 5,
BOARDROOM
pv
5
2 3,93
1,217
WC 1e
SPEAKER'S 7 28 RECEPTION 5, SECRETARIA T
R 7,650
1,200
13
14 15
16
400
12
4 26
±0 900
20 0
2
5,0 71
3
27 9
9
4
pv
1,200
6
Wall acoustically treated to specifications
-150 R 6,050
HOUSE SPEAKER
pv
High density carpet ff
R 4,850
40 8 20 0
pv
-300
400
97 5,2
7
5
UP
21 7
WC
7,55 0
40 0 1,2 00
-150
1,3 00
pv
6,39 3
400
1,2 00
270
8
200
92 1,
s-X6
R 3,250
1,0 00
40 0
2,250
-450
900
pv
5,0 00
PRIVATE LOBBY
J FOYER/ ROBING ROOM
R 2,850
R 4,450
2,82 6
P
3d
559
WC
95 6
MA LO LE IP AIS D
816
±0
GENTS
TIC
2d
R 6,450
LIFT
pv
655
-450
-300
3,150
Q
5,700
1,200
2,000
8,727
2,000
-300
High density carpet ff
PASSAGE
1e 4a
285
-150
670
High density carpet ff
Polished Terazzo finish on landing with terazzo treads and risers
SERVICES
3,100
45 0
x 167 23R x 265 23G
pv
2,049
DISPATCH BOX
1,800
pv
WC
200
End ramp
3,703
R
WHB
I
-450
High density carpet ff
±0
3d
pv
2,250
2a
287
-300
RAMP (1:12) ±0
2e
1,276
0 40
1a
1 5,28
00 1,2
R 2,850
(56 SEATER)
pv
1d 4b
150
0 40
3,800
ANTECHAMBER
DEPUTY HOUSE SPEAKER
2,500
00 1,2
900
Start ramp
pv
9 27
3,150
0 40
FOYER/ ROBING ROOM
R 3,250
High density carpet ff -150
pv
-300
A ±0
pv
High density carpet ff
R 4,450
1,276
6
R 4,850
-150
150
5
High density carpet ff
0 6,30
4
00 1,3
3
UP
Wall acoustically treated to specifications
1,940
2
pv
±0
0 3,96
R 6,050
1
200
11
10 9
23R 23G x 167 x 265
s-X6
H
DEPUTY SPEAKER'S RECEPTION SECRETARIA T
PASSAGE
pv
22
23
AIR-LOCK 21
5,3 90
1d 4b
R 11,200 W
6,3 00
pv
C
0 30 6,
7 95
pv
pv
PRINT ROOM
pv
9 97
0 15
R 14,450pv
7 95
0 15 9 97
G
6,49 7
pv
200
s-X
2,050
200
1d
2e
4b
3d
0 30 6,
pv
pv
0 20
200
R 14,450 250
1,500
250 pv
pv
8 5,37
4,27 3
R 16,050
200
2,049 2,650
200
L
PLENARY GROUND FLOOR PLAN
erVersion 0.75.100.100
mombasa mombasaold oldtown townresort resort BACKGROUND Mombasa has a rich cultural heritage and a distinct Swahili Architecture that arose from the settlement of Arabs in the region. However, urbanization has led to an erosion of this Architectural heritage as more and more people adopt western architecture.
The design challenge for this project was how to embrace modernism while still retaining the distinct Swahili Architecture characteristic of Mombasa Old town. To achieve this, it was crucial to relate the built form, spatial organization, aesthetics, technical assembly and materials to the region in context of the contemporary world.
TOWER TOWER
RECEPTION RECEPTION
GUEST ROOMS GUEST ROOMS EXHIBITION EXHIBITION
VIEWING VIEWING DECKDECK
BOARD BOARD WALKWALK
UNDERWATER UNDERWATER OBSERVATORY OBSERVATORY
0.0.100.100 0.0.100.100
PROJECT BRIEF VIEW FROM SWIMMING POOL
SITE
CONSERVATION PROJECT Mombasa and Lamu are the most recognized historical landscapes in Kenya. Old Town Mombasa occupies an area of 72 Ha and is mainly inhabited by Swahili, Arabs, Asians, Portuguese and British people. The buildings exhibit African, Arabic and European influences with unique features including beautifully carved doors, windows and brackets. Other unique features are coutyards, gardens, public spaces, busy markets and mosques. All these led to recognition of Old Town as a rich conservation area.
The project site is located where the current Mombasa club sits, adjacent to the Fort Jesus in Old Town Mombasa. The objective was to design a Short Stay Resort -based on the conservation principles learnt- to spur tourism in the Old Town. The design, though contemporary in terms of the programme requirements, was meant to be cognizant of the conservation and environmental issues that contributed to the formation of the typology of the region. One of the Major streets in the Mombasa Old Town is Mbarak Hinawy. Alongside the narrow street are found rich historical buildings most of which are still in good condition. The National Museums of Kenya intends to restore the buildings along Mbarak Hinawy. It was necessary to undertake a study of the streetscape to understand its morphology and to analyse and document the condition of buildings and open spaces along the street. The lessons learnt were applied to design a modern Short Stay Resort alive to the local context and content.
VIEW FROM COURTYARD
ZONING STUDY
DESIGN DEVELOPMENT
FORT JESUS
RECEPTION
EXHIBITION
SITE FORCES STUDY
CIRCULATION STUDY
OFFICES
ACCOMODATION & RETAIL SPACES
RESTAURANTS
SWIMMING POOL
OBSERVATION TOWER
MARINA
SITE LAYOUT
EX
EN
TR
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S- y
693
20,
GROUND FLOOR PLAN
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67,472
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24R x 150 24G x 300
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1- CONTEMPORARY CUISINE RESTAURANT 2- LINEN ROOM 3- GUEST ROOMS 4- SHADED VIEWING DECK
EXHIB ITION
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2 3 4 5 x 163 19R x 274 18G
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x 163 19R x 274 18G
3 4 5 6 7 8 9
10
11
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BO
FIRST FLOOR PLAN
AR DW AL K
0
27,066
2,00
21,040
INFINITY POOL
R2
1- RECEPTION 2- EXHIBITION 3- SWAHILI CUISINE RESTAURANT 4- RETAIL SPACES 5- GYM
DW DW
DW DW
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interiors R
D-02
Q
7,720
R
P
6,315
Q
N
6,740
P
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7,660
N
L
495
M
K
3,950
L
D-01
J
4,870
K
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SECTION THROUGH RESTAURANTS
AXONOMETRIC SECTION
DETAILing
Terrazzo finish150mm thick R.C. SLAB with waterproofing treatment to S.E. details
600x600mm decorative mvule timber panels fixed onto conc. structural soffit to detail
+7,200
450mm High lime-plastered precast concrete parapet wall
600
600
1,850
1,850
+7,200
900mm High 50x25mm polished mahogany hand rail with double clear vanish finish fixed onto Swahili crafted balustrade with 30x30mm mvule frames with similar finish
1,150
1,150
50x100mm decorative mvule timber joist fixed onto the coral rag stone wall with m.s angle cleats to detail
+3600
900
1,850
2,100
Non-slip Ceramic tiles finish on 150mm thick R.C. slab on 1 layer 500G polythene membrane on 100mm lean mix conc. blinding on 300mm well-compacted hardcore
1,140
Non-slip ceramic tiles finish to architect's approval
600
Hand-scraped bamboo timber boards on 50x150mm timber joists on 75x100mm timber bearers on Swahili-crafted mvule bracket to S.E. details
600
+3600
Swahili-crafted timber frame window with decorative sun-screen to schedule
+000
150x150mm decorative, Swahilicrafted mvule columns to Architect's approval
+000
Foundation wall and RC footings to S.E details
RESTAURANT SECTION: DET-02
KITCHEN BALCONY SECTION: DET -01
CULINARY ARTS EXHIBITION CENTRE BACKGROUND The potential of culinary arts (as part of cultural heritage) to tell the human story, create a sense of place and evoke memories is immense. The design objective was to propose an extension to the Nairobi National Museum that would introduce culinary arts as part of the museum experience through the provision of interactive spaces that showcase indigenous food and their preparation process. The project site is located where the current Nairobi National Museum sits off Museum Hill Road, 5.3 km away from the Central Business District. Built in 1929 as the flagship museum for the National Museums of Kenya, the museum houses celebrated collections of Kenya's History, Nature, Culture and Contemporary art.
2 1
3
10 9
4
11
8
5
LEGEND
6 7
1- RECEPTION 2- GIFT/ SOUVENIR SHOPS 3- RAMP EXHIBITION 4- SOUND RECORDING& SCRREENING ROOMS 5- REHEARSAL / AUDITIONING ROOM 6- VIEWING DECK 7- AUDITORIUM 8- SERVICE BAY 9- CULINARY ARTS EXHIBITION 9a - CROCKERY& CUTLERY EXHIBITION 9b - DINING 9c - KITCHEN 10- PARKING 11- AMPHITHEATRE
SCHEME DESIGN PRIMARY ACCESS
3
RECEPTION
aluminium frame curtain walling to detail
000
GIFT SHOPS OFFICES
4
0
6
PARKING
S-
Aluminium frame curtain wall to detail
gift/souvenir SHOPS
000 1 2 3
2
Rise 167 Run 275
AUXILIARY SPACES
-500 mazeras stone paving laid in concentric pattern to approval
SCENIC COVERED WALKWAY
-500
CULINARY ARTS EXHIBITION
-500
RECEPTION
ticketing luggage counter
0 1
1
-1000
AUDITORIUM
00 -5
SECONDARY EXHIBITION
-500 kitchenette
F
S-
RAMP EXHIBITION
5
750 mm wide
-1 00 0
STEPPED exhibition SPACES
accounts office
6 manager's office
-1500
8%
-1500
SLO
-1500
AMPHITHEATRE
PE
A
-500
M 8%
B
PE SLO
CROCKERY/ CUTLERY EXHIBITION
7
L
GENTS non-slip ceramic tiles f.f
-2000
C
LADIES
-2000
non-slip ceramic tiles f.f
dINING SPACE
sound recording room
-1500
-2000
DR
-2000
K
-2500
DW
5500
DW
-2000
D
-2500
screening room
1
00 -25
F
8
-3000
-3000
2 3
GENTS
4 5
-3500
6
J
7 8
-2500
Rise 175 Run 275
9
LADIES
E
-2500
KITCHEN
10
-3500
11
13
3
dEck wo grani rk to te de p tail to
1
2
15
Ris Ru e 167 n 250
12
14
16 17 18
-2500
-5000
F
DR
dry storage
DW DW
G
cold storage
-5500
AMPHITHEATRE
1
8
REHEARSAL/ AUDITIONING ROOM
-5000 -5500
H
OUTDOOR SPILL-OUT -5500
-4500
-3000
F
-4000 -4500
-5000
N
-2500 wo gra rk nite de top ta to il
-2500
-1000
SERVICE BAY -3000
Rise 167 Run 275
2 3 4 1
Rise 167 Run 275
2
5
3
S-
4 5
0 1
-5000
-5500
boardwalk
-4000
-30 -35 00 -40 00 -4 00 -50500 00
1 Rise 167 Run 275
2
-6000
3
0 -600
4 5
-6500 Mvule floorboards f.f
-2500
-4500
-3000
1 2 3 4 5
STAGE
0 -700
7 8
-3500
Rise 150 Run 275
9 10
-4000 -4500 -5000
-5500
9
0 -750
-5500
VIEWING DECK
CULINARY EXHIBITION
RECEPTION
-6000
AUDITORIUM
-6500 -7000
BOARDWALK
6
STORAGE
0
STORAGE
S-
-5500
OUTDOOR SPILL-OUT
00 -55
-5000
6
0 -650
GREEN ROOM GREEN ROOM
STAGE
10
Strand carbonized bamboo floorboards
D-3
9
-7500
SECTION 06
views
EAST VIEW EAST ELEVATION
WEST ELEVATION
END