Pink Globalization Hello Kitty’s Trek across the Pacific by Christine R. Yano

Page 328

Index

addiction to Hello Kitty, 154, 155, 220 advertising. See marketing affect aliens, 164, 165 affective labor, 61, 70, 82 – 83, 162 African Americans, marketing to, 124 Ah Map. See Fan Man-­yee Ahmed, Sara, 20, 164 Akiyama, Leika, 233, 243 – 46, 250 Allison, Anne, 11, 37, 62, 252, 253 All Things Kawaii (website), 124 Alsworth, Sarah, 113 – 14 amae. See dependency ambiguity, 36 – 37, 48, 50, 57, 192, 227 – 29, 266 Americanization, 13 Angry Little Girls, 123 anime, 7, 258, 262 – 63 Anime News (magazine), 262 – 63 anniversary celebrations: fiftieth, 252 – 53; narratives, 80 – 82; Sanrio strategies, 233 – 38; thirtieth, 233 – 34; thirty-­fifth, 47, 76 – 80, 82, 85, 100, 233, 236 – 37, 238, 252 Anpanman, 263 anthropometry, 288n47 Aoki Misako, 258 Appadurai, Arjun, 12 Arden, Elizabeth, 33 Armstrong, Robert Plant, 19 – 20

art and aesthetics: edginess in, 109, 230 – 31, 235 – 37, 249; Hello Kitty as artisanal product, 40, 87 – 92, 248 – 49; kitsch and, 231 – 32, 249 – 50; patronage by Sanrio, 233 – 38, 249, 266 – 67; play and, 231 – 32, 235 – 37, 249 – 50; self-­censorship in, 240; sentimentality in, 230 – 32, 243 – 44, 249 – 50 Artemis Records, 96 Asian American counterculture, 125 – 26 Asian American women: consumerism of, 138 – 39; critiques by, 170 – 72; identity of, 9, 170 – 71; marketing to, 122 – 24; sex workers, 225 – 27, 227; stereotyping of, 171 – 74, 176 – 77, 181, 226, 228 Asians and Friends, 215 AsianWhite.Org (website), 172 Asian women: consumerism of, 138 – 39; stereotyping of, 168, 171 – 74, 226 asobi. See play Austin Powers in Goldmember (film), 100 authenticity, 21, 64, 73, 93 – 94, 110 avant-­garde, 168, 209, 230, 231, 244, 250 bad boys, 241 – 43, 254 – 57 Badtz-­Maru, 108, 139, 141 Band X Japan, 267


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