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About Me A L L I S ON ELIZAB ETH B RO W N Growing up, I moved around a lot for my father’s employment and spent some time living in Utah, Idaho, Indiana, Colorado, and central Mexico. I am an identical twin and
the youngest of seven children. I recieved a bachelor’s degree in interior design from
Utah State University. I am a LEED Green Associate and my goals are to become a LEED
AP and pass the NCIDQ within the next 5 years. I am a member of several interior design organizations, including: IIDA, USGBC, and NEWH. While attending USU, I was the IIDA
Campus Center President and was named the Outstanding Senior of the Year for the
college of Art and Design my senior year. I participated in three internships while at
USU, one of which was in Gensler’s Houston, Texas, office, where I worked with some of the most talented designers in the industry. I am passionate about commercial design, sustainability, and elevating the profession through legislation and accreditation.
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For my senior year at Utah State University, my capstone project was designing
nine separate projects. I had the freedom to choose what my nine projects were going to be with the exception of action items that needed to be completed
throughout the projects. I am passionate about commercial design, therefore, I decided to focus on commercial projects in my senior year. I set my own schedule for these nine projects and mapped out critic dates and deadlines. These projects overlapped and at some points I was working on as many as
three projects at once. I allotted about six weeks to finish each of the large projects. These included: research, space planning, construction documents,
renderings, branding, and specifications. My smaller projects took around two weeks to finish and these included a breakroom, a carpet design, and brand design. As I was given the freedom to choose the types of projects I worked
on, I chose projects that I have always had a desire to design. I designed an entire airport in Banff, Canada; a luxury retail boutique for Burberry; a refugee housing community project; an adaptive reuse project, converting an old fishery
warehouse into a restaurant; a commercial office headquarters; and a countryside bed and breakfast; as well as submissions into three different design competitions.
My senior year was filled with tasks and responsibilities of multi-tasking, staying
on schedule, setting deadlines, and working with clients and evidence-based designs. I have also included in my portfolio, many of my strongest projects that
were completed during my sophomore and junior years. These demonstrate the entirety of the skills and abilities I developed throughout my Bachelor’s degree in Interior Design. I hope that my dedication and passion for this profession are showcased through the projects and content that is displayed in this portfolio. Best,
Allison Brown
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Table of Contents Banff International Airport
P. 6
Burberry Retailer Boutique
P. 12
Refugee Housing Urban Development
P. 20
PierSide Kitchen & Bar
P. 26
La Cascada
P. 36
Rejuvinate Spa
P. 40
One57 Residence
P. 44
Fillmore Street Roasting Co.
P. 50
Orchard House
P. 54
Kaleidoscope Collection
P. 60
Project Crossroads
P. 64
Lavender Farms Bed & Breakfast
P. 70
Building 654
P. 80
A rustic, LEED Platinum airport in Banff, Canada, in the midst of several beautiful state and national parks
A newly renovated historic building for a Burberry Retail Boutique in downtown Salt Lake City, Utah A refugee housing complex in Salt Lake City, Utah, with a community garden and day care center
A newly renovated abandonded fishery warehouse on Bowen’s Wharf in New Port, Rhode Island
A 1,000 sq. ft. home located in Pine Valley, Utah, that sits on the edge of a cliffside and over looks a lake
A medical spa in Draper, Utah, that offers treatments from BOTOX to laser hair removal and massages
A million dollar, luxurious pied-a-tere in Manhattan, New York, that overlooks central park
A brand new urban coffee shop on the corner of Fillmore Street in San Francisco, California
A farm home in southern California that has orange and lemon orchards surrounding the property
An abstract carpet design inspired by the beautiful Swallowtail butterfly
A project in midtown Houston, Texas, to bring together the community and provide affordable housing
A converted southern farmhouse, featuring a quaint bed and breakfast in Madison, Georgia
The vibrant and sustainable West Coast headquarters for URBN, located in Portland, Oregon
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T ABLE O F C O NT E NT S
The details are not the details, they make the design.� - Charles Eames T A BL E OF C ONT ENT S
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They Were Taking O BA N F F I N TE R N AT I O N A L A I R P O R T
Banff International Airport is located 10 minutes from downtown Banff, Canada. The project is LEED
Platinum certified and has solar panels and an extensive vegetated roof with a small parking garage and a trolley for public transportation to downtown. The airport has an
international terminal and a domestic terminal which both have four different
gates with a central food court and lounge area. The building is two-levels, with
an arrivals floor and a departutres floor. The main floor contains a lounge, cafe, check-in counters, and a security checkpoint. Through security, there is retail
and restaurants as well as a lounge. The lower floor is for arrivals and consists of baggage claim, a rental car facility, food cafeteria, napping pods, yoga rooms,
The asthetics of the building reflect the area’s culture and climate. Natural woods, blackened metals, and
and all eight departure gates.
stained concrete, are accented with forest greens and blues and artwork from the
surrounding areas. There is easy access from the two levels through escalators and elevators and mountain views and daylight shines through the many windows and
the glass, domed ceiling in the central core. Banff is surrounded by many national and state parks and the tourists that come to the area are there to hike, bike, boat, back pack and snow board or ski, and the architecture reflects this
culture and also includes an exterior deck with views of the national parks and fire pits to stay warm in the snowy climate. The interior includes a green wall and an
area that mimics the natural surroundings outside. The project started with
the idea of creating a space of experiences that was easy to navigate, had plenty of space for waiting and eating while limiting the amount of travel
needed to get to different gates. Sleeping pods provide travellers with an area
where they can relax during layovers and where they can wait for their flight after having explored all week in the surrounding mountains. The yoga rooms provide
areas for relaxation and rejuvination before embarking on a long flight home.
Public transportation from the airport to downtown helps provide a convinent, beautiful, and sustainable airport to fly into and travel from.
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Designer Allison Brown Renderings Revit and Photoshop Date 10-15-2017
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The concept for the Banff International Airport started with the surrounding
climate and mountainous terrain as well as the desire to
create an airport that was easy to access and navigate
and a space with plenty of room for
lounging, eating, and relaxing. There is also access to outdoor
spaces and yoga
rooms to provide an enjoyable place for
people to spend time in while traveling to national and state parks or traveling
home. The airport design mimics the
Front Exterior Concept Sketch
mountains and climate and incorporates natural elements to create a place that is
comfortable and pleasing for all those who travel through it.
First Floor Concept Sketch
Back Exterior Concept Sketch
Second Floor Concept Sketch
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Space Plan Bubble Diagram PA G E
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Luxury Craftsmanship BUR R BE R R Y G R O U P PL C . , F A S H I O N C O M P A N Y, SALT LAK E CITY, U TAH , U SA Burberry Group PLC is a British luxury fashion house headquartered
Main Street is the most important commercial street in Salt Lake City,
trench coats (for which it is most famous), ready-to-wear outerwear,
Millcreek, and Murray. Its commercial importance is almost totally
in London, England. Its main fashion house focuses on and distributes fashion accessories, fragrances, sunglasses, and cosmetics.
Established in 1856 by Thomas Burberry, originally focusing on the development of outdoor attire, the fashion house has moved onto
the high fashion market developing and creation of the first of its
Utah, though it also extends south into the cities of South Salt Lake, derived from the few blocks of the street which are immediately
south of Temple Square that have attracted banks, major retailers, and heavy foot traffic throughout Salt Lake City’s history.
The new retail boutique for Burberry is located in an old 1930’s
waterproof, exclusively made for the brand. Developing 45-degrees
building on Main Street in downtown Salt Lake City, Utah. The space has been vacant for several years and is currently
accessories. The first shop opened in the Haymarket, London, in
was a large dome in the third floor ceiling and the building was
kind fabric called Gabardine, which is completely breathable and
unique pattern-based scarves, trench coats, and other fashion
1891. Burberry was an independent family-controlled company
Its distinctive check pattern has become one of its most widely copied trademarks.
until 1955, when it was reincorporated.
Its coats were worn in the trenches during the First World War by
for sale. The space was an old office building for Zions Bank. There opened up to create a large opening going up to the dome and a
large circular staircase was added to the space and now the three floors of the boutique are now connected with a
magnificent
spiral staircase and a giant chandelier that falls down the center of the staircase.
British soldiers, and for decades thereafter Burberry became so
The main floor of the new Burberry boutique contains the perfumes,
of Wales have granted the company Royal Warrants.
elevator in the back as well as the check-out desk and two restrooms
much a part of British culture that Queen Elizabeth II and the Prince More than over 100 years passed before Burberry trench coats began
to be made in more than two different colours: khaki (dust-coloured)
and black. From 2015 trench coats for men as well as women have started have been available worldwide in new colours: red, white, and honey.
and purses as well as home goods and accessories. There is also an as well as a breakroom and storage for new shipments.
children’s area that is complete with a play house and dressing rooms. The The second floor contains the
other side of the second floor has men’s clothing and accesories.
Continuing up the spiral staircase to the third floor, you enter into the women’s clothing area that fills the entire floor and
Lively Downtown Salt Lake City, Utah centers on Temple Square, with
is covered by a dramatic domed ceiling.
plentiful farm-to-table restaurants and global eateries, along with wine bars and Irish pubs.
design, including existing plans, demolition plans, and proposed
its soaring, castle-like Salt Lake Temple and the Mormon Tabernacle. The area has
The open-air City Creek Center mall has upscale shops while ballet, opera and Broadway shows are staged at the Capitol Theatre
A full set of construction documents was created for the
plans as well as interior furniture plans and elevations.
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Allison Brown
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Renderings
Revit and Photoshop
Date 11-15-2017
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An Important Mission REFU GEE H O U SIN G U RB AN D EV ELO PMEN T “A refugee, by definition, is someone who, owing to a well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is
outside the country of his or her nationality and is unable to or, owing to such fear, is unwilling to
avail himself of the protection of that country” (Cultural Orientation Resource Center (CORC), 2017). Refugees are legally brought to the United States by the U.S. Department of State. They may become
permanent residents after working for a year and can apply for citizenship after five years. They can
legally work in the U.S. as soon as they arrive (CORC, 2017).
Previous to arriving in their country of refuge, many of these refugees live in refugee camps
along the borders of their homelands or in a neighboring country. By the time a refugee makes
it to Utah, he or she might have lived in a refugee camp for many years. Some
younger people have even been born in one of these camps. Before a refugee comes to the U.S. he or she can request to be settled in an area where they already have family or friends living. This process creates some communities that are made up almost entirely of refugees (Utah.gov, 2016).
Many refugees that arrive in Utah have been through traumatic experiences before being admitted
to the US. Once here, it can be very hard for them to adapt to a new culture and language (IRC,
2017). All of these refugees are put into low income housing, mainly in the South Salt Lake area.
These apartments can be small and overpriced for these large families who are working minimum wage jobs. Most of the single mothers of these families feel the need to
have a support group and a place where their children can grow and play in a safe environment.
Since most of these communities are not integrated with non refugee communities, it also takes many of the refugee adults longer to learn English. This language barrier can be very difficult in going about daily tasks.
When asked about some of the biggest hurdles refugees face once they arrive in Utah, Tran, an IRC
employee, said “the language barrier is huge. Also, a lot of the current jobs we do here in the U.S.
require you have to have particular skills, and many refugees haven’t had opportunities to learn these skills. Many refugees have lived in refugee camps where they have spent 20-30 years of their life.”
In their home country, these families may have had their own farms and grew their own food or
shopped at a local market. Shopping at a large grocery store here can be very overwhelming. This is
also probably their first time using certain kitchen appliances, such as a microwave or refrigerator. Even
running water and toilets can be foreign luxuries to them (Tran Anderson, personal communication, November 9, 2017).
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Research and inspiration for a refugee housing community project in Salt Lake City
came from some existing refugee and subsidized housing around the world, such
as a modular development for 200 Syrian refugees in the German town of Winnenden by architect Werner Sobek; the Dream Neighborhood in Cleveland, Ohio; Orma Social
Housing Units by Alonso and Crippa; Vancouverâ&#x20AC;&#x2122;s fabulous vertical farm, Harvest Green, by Romses Architects; and Frankfurt, Germanyâ&#x20AC;&#x2122;s low-rise, modular refugee housing.
After researching current refugee housing and interviewing refugee caseworkers, we have discovered many of the needs that the refugee population in Salt Lake City face. The following is my solution to address these problems: First, these families need
sustainable, comfortable, clean, reliable, and affordable housing where they can feel at home and find comfort in having their own home. We will be exploring the idea of creating a safe haven community for these refugees, a place
that will help them integrate into the community and have the opportunity to socialize with locals and become an integral part of Utah. I designed modern,
flexible, affordable, townhouses with a variety of
sizes for different family sizes and created a place where a family can create a home
they are proud of. The houses will have large bedrooms, bathrooms, a living room and
kitchen area, a personal washer and dryer and a small exterior porch and garden with
community rooftop gardens. These homes will surround a larger living-learning community that includes a career center with a makerspace and day care; a market; a community center with a gym and community kitchen; a library with study areas and computer rooms; a health clinic with counseling services; a large turf soccer field, playground, and sports facility. A large community garden will connect each of the buildings together and provide an area for families to grow their own produce. The community will have a small parking
lot that is serviced by local public transportation, and a small road that surrounds the
community, allowing access but keeping traffic away from children and the community.
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South Exterior Elevation
North Exterior Elevation
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Site Plan
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This community will help reduce the stress these new
families face entering the United States for the first time, and will provide a place that they can feel comfortable
and secure. Having a place they can call home inside a
close-knit community will allow them to learn and
gain necessary skills in a safe mentoring environment
and provide them with the resources to become thriving U.S. citizens.
Designers Allison Brown and Lindsey Martin Renderings Revit and Photoshop Date 11-01-2017 PA G E
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BEDROOM 2 MASTER BEDROOM
BEDROOM 2
BATHROOM
BATHROOM
BATHROOM BEDROOM 3 KITCHEN & LIVING ROOM
BEDROOM 3
BEDROOM 4
Three & Four Bedroom Units Main Floor Plan
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Three Bedroom Unit Level 2 Floor Plan
Four Bedroom Unit Level 2 Floor Plan
MASTER BEDROOM BATHROOM
KITCHEN & LIVING ROOM
One Bedroom Unit Floor Plan
BEDROOM 2
BEDROOM 1
The bedrooms have space for many children or family members and the 4-bedroom town home has a closet that connects two
BATHROOM
of the childrenâ&#x20AC;&#x2122;s bedrooms together but provides access for the
neutral and clean with white paint, wood floors and dark stained
other bedrooms as well. The design for the homes is
doors. The second floors have access to a rooftop garden that KITCHEN & LIVING ROOM
connects the homes and provide an area for the community to gather and get to know each other.
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Those Experiences P I E R S I DE K I T C H E N & B A R , N EW PO RT, RH O D E ISLAN D , U SA
Welcome to Newport’s Premiere Year-round Destination.
government), Touro Synagogue, and Redwood Library attest to
buildings that were essential for a busy maritime wharf are what
Newport has long been known as a major yachting center and
Sailmaker’s shops, sail-drying lofts, and a whole array of you’ll find on historic Bowen’s Wharf.
Brick walks, granite quays, and 18th century commercial wharf
buildings bring you back to Bowen’s beginnings as a thriving
the America’s Cup Competition. Newport’s waterfront features improvements and updates for visitors to Bowen’s Wharf and
other harbor-oriented projects. Bowen’s Wharf was, and remains, the anchor of Newport.
After the Revolutionary War the most active ship’s chandlery
downtown Newport, Rhode Island from fine dining to casual
was on Bowen’s Wharf and trade to all corners of the world continued until the mid 1800s. The cobblestone street, granite-
walled quay, rare 18th Century wharf buildings, and brick 19th Century buildings all make this site unique both in New England and in America.
Newport Harbor, deep, sheltered, with direct access to
Narragansett Bay and the Atlantic Ocean, is one of the finest
Bowen’s Wharf is home to many excellent restaurants in eateries.
The PierSide Kitchen & Bar is a new restaurant that just opened on Bowen’s Wharf in New Port, Rhode Island. The old fishery
warehouse has sat abandoned at the end of Bowen’s
Wharf for eight years and has now been given new life as New
Port’s newest pier side restaurant. The white brick and metal siding has been restored
to its original beauty and the
natural harbors in New England making it one the most important
wooden beams that span the length of the warehouse have
Wharf has contributed to the city’s business and life.
The refinished wood flooring compliments the white brick and
and successful colonial seaports. Since the 17th century Bowen’s Throughout Newport today, many beautiful colonial homes and other landmarks such as the Old Colony House (center of
P AG E
host to the Newport to Bermuda Race, Transatlantic Races, and
seaport in one of the finest natural harbors in New England. Trading with all corners of the world, then and now, Bowen’s Wharf is the anchor of Newport!
30
the wealth and prosperity of Newport.
been restored to add rustic charm and character to the interior. mosaic tiles throughout the restaurant.
PA G E
31
DINING
The kitchen has been opened up to allow views into the
inner workings of the restaurant and into how the beautiful food is prepared and created. The open bar surrounds a large copper distillary tank that creates a statement piece in the restaurant. The wooden and steel staircase in the center creates a focal point and leads guests up to the second floor deck where they can enjoy their meal in many of the seating arrangements and groups can even reserve the glass room that
over looks the exterior deck and sea shore. On the main floor, large windows let in daylight and views to the sea. The back breakfast room creates an intimate
space where locals can sit, eat breakfast, enjoy the company of friends, and take in the beautiful views.
32
P AG E
Level 2 Floor Plan
NOOK
DINING
KITCHEN
LOBBY
Main Level Floor Plan PA G E
33
Designer Allison Brown Renderings Revit and Photoshop Date 12-15-2017 34
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seating indoors as well as outdoors on the large wooden deck. The soft color pallete
PierSide has plenty of
of browns, greens, yellows, grays, and coppers, create an inviting restaurant for
relaxing and enjoying the company of friends on the historic, Bowenâ&#x20AC;&#x2122;s Wharf.
PA G E
35
Surreal Surroundings 1, 0 0 0 S Q . F T . R E S I DE NC E I N P I NE VALLEY , U TAH , U SA
La Cascada Residence is a 1,000-sq. ft. house built on a cliff located
The inspiration for the residence came from waterfalls, triangular shapes and the in Pine Valley, Utah.
entire house was based on these concepts. The residence
is placed in the mountains and the interior green house on
the back side of the house incorporates the other geometric elements and brings in natural elements into the indoors. There are solar panels on the roof and the home is
completely
self-sustaining. Mid-century modern furniture is paired
with contemporary pieces, patterns, colors, and textures. These
elements are paired together and make up a very prominent design.
To enter the home, you must walk up the staircase that climbs
the side of the cliff. The triangle shape of the house is reflected
infinity pool that consists of a waterfall that flows off the side of the cliff into the
in the shape of the parking area.
I designed the entire home; rendered the floor plans, elevations, and perspectives; created an entire set of construction documents, and constructed a 3D model out of foam core and plexiglass.
36
P AG E
Main Floor Plan
Second Floor Plan
The floor plans were hand rendered using Prisma colored markers and pencils.
PA G E
37
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Hundreds of Hours were spent building a large 3D model out of
foam core, plexi glass, and transparency paper.
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A full set of construction documents; including floor plans and elevations, were created using AutoCAD.
PA G E
39
Beautiful Life REJU V EN ATE SPA, D RAPER, U TAH , U SA Rejuvenate Spa is a medical spa located in a shopping center in Draper, Utah that provides services from laser hair removal to
BOTOX treatments to any service that rejuvenates and brings
life back into the skin and body. The inspiration for the spa came from nature and the serenity that it provides. This serenity and
natural and neutral color scheme as well as through the materials
peace was brought into the spa through the
selection and the natural wood elements brought throughout the space.
The medical spa is a beautiful place where people can come
to relax and rejuvenate. The six different exam rooms provide a variety of services from BOTOX to laser hair removal. The natural colors provide a clean and relaxing space that brings in elements from nature and water falls into the interior to create
a unique and beautiful space.
I conducted research on medical spas and biophilia; space planned the spa; created a full set of construction documents,
including electrical and mechanical plams; and rendered 3D perspectives and elevations for the project.
40
P AG E
Designer Allison Brown Renderings Revit and Photoshop Date 12-15-2016 PA G E
41
Lobby Elevation
The design inspiration for the spa
came from calming elements; such
as, waterfalls, mountains, ivy, vines, forests, and oceans. The tiles in the space bring in textured, decorative, elements that are complimented by the wood planks and
the concrete tiled walls. The hallway is accented by beautiful Johnathan Adler wall lamps and classical mouldings. Restroom Elevation
42
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Hall Elevation
9"
9"
9"
6'-6"
8'-0"
6'-10"
8'-0"
9"
5"
12'-0"
8'-0 5/8"
109
12'-6"
8'-0"
13'-4"
1'-10 7/8"
112
LOBBY
13'-3 3/4"
CONSULTATION ROOM
11'-6"
12'-0"
11'-6"
1'-9"
110
19'-6"
PRODUCT DISPLAY
108
CONSULTATION ROOM
HALLWAY 2
2
7'-8 3/4"
4'-8 5/8"
10'-6"
1'-9"
111
HALLWAY 3
1
3'-5 3/4"
10'-8 3/4"
RECEPTION AREA 113
7'-8 3/4"
E.Q.
10'-6"
12'-0"
10'-6"
11'-6"
CONSULTATION ROOM 107
1'-9"
2'-4 7/8"
2'-4 7/8"
2'-5 3/8"
2
8 5/8"
1'-9"
1
1
114
5'-5 1/8"
114
FILE ROOM
1
2
2
E.Q.
1 2'-6 3/4"
1
9'-0 1/4"
11'-6"
10'-6"
3'-7"
106
1
1
E.Q.
13'-0"
11'-6"
10'-6"
10'-1 3/4"
117
URBIUM ROOM
7'-5 7/8"
4'-4 7/8"
ESTHETIC ROOM
2'-7 7/8
10'-6"
11'-6"
E.Q.
3'-6 1/8"
1'-9"
1'-11 1/2"
2
2'-7 7/8"
12'-0"
E.Q.
9'-2"
2'-11"
13'-6"
11'-6"
10'-6"
1
105
103
9'-7"
118
LAZER ROOM
1
2'-11"
9'-1 1/8"
2'-11"
1
4'-2 3/8"
11'-6"
9'-1 1/2"
119
LAZER ROOM
4'-8 1/8"
2'-7"
10'-6"
BOTOX/LAZER ROOM
2'-7"
3'-9 3/4"
HALLWAY 5
4'-4"
ESTHETIC ROOM
11'-6"
10'-6"
E.Q.
11'-6"
10'-6"
3'-7" 3'-7"
1'-9" 1'-9" 4'-0 1/8"
7 1/8"
3
4"
10'-6"
109
5'-11 3/8" 6'-7 1/8"
10'-3"
2
3
1'-10"
2
1'-10 1/2"
2 2
108
1'-0" 1'-0 5/8"
11'-6"
2
1'-11 3/4
RESTROOM
1'-9"
3
115
2
3
E.Q. E.Q.
2 6'-2 5/8" 4'-11 1/8"
1 1
107 115 1 5'-9 1/4"
4'-11 1/4"
11'-6"
7'-5 1/2"
3 106 7'-1 5/8"
1
2'-11"
1
11'-6"
E.Q.
OFFICE 102
11'-0"
12'-0"
E.Q.
5'-4 1/8"
1'-9 5/8"
10'-6"
2'-9 3/4"
E.Q.
2'-0"
10'-6"
2'-0"
1'-11 3/4"
RESTROOM
2
1'-6 7/8"
5"
3
116 116 1
2
3'-7"
1
3 105 1
3'-7" 3'-7"
2
1'-0" 1'-0"
1
1'-8 7/8" 3'-9 7/8
118
3 104 1
3'-9 7/8 13'-7 5/8"
6'-10"
102
101
8'-2 3/4"
100
E.Q.
3'-6 1/4"
JANITOR'S CLOSET 101
BREAKROOM/ STORAGE
2
2
10'-6"
2'-9 3/4"
E.Q. E.Q.
2
8'-0"
117
1 119
3'-9 7/8"
3
6'-11 5/8" 3'-7 1/2"
3
4'-11 7/8"
11 7/8"
2
9"
100
3'-9 7/8"
3
1 15'-5 1/2"
3 2 2'-6 1/4"
DOOR TYPE "B" TEMPERED GLASS PANEL
3
TEMPERED GLASS PANELS
12'-1 1/4" 4'-9 3/4"
DOOR TYPE "A" 3'-0"
19'-3 3/4"
3'-0" 3'-0"
The medical spa is a great place where people can come to relax
variety of services; from full-body massages to BOTOX and lazer
and rejuvinate. The six different exam rooms provide space for a
space that brings elements from nature into the interior to
hair removal. The natural colors provide a clean and relaxing
create a unique and serene space for treatment.
DOOR TYPE "C"
PA G E 43
An Elegant Encounter LU X U RY MAN H ATTAN PIED -A-TERRE
One57, formerly known as Carnegie 57 and nicknamed “The Billionaire Building”, is a 75-story
supertall skyscraper at 157 West 57th Street between Sixth and Seventh Avenues in the Midtown neighborhood of Manhattan, New York City. Christian de Portzamparc, the Pritzker Prize-winning architect, designed a soaring tower that provides
each residence with
extraordinary views and abundant natural light. One57 is an artistic sculpture,
billowing upward in a cloud-like formation, while the elegant striated custom curtain wall appears to flow toward the earth like a cascading waterfall.
This luxury pied-a-terre in One57, a high rise on 57th street in Manhattan, overlooking Central Park, embodies the feelings of luxury, sophistication and relaxation. The pied-a-terre is
designed to be comfortable for intimate gatherings as well as for hosting large parties and
events. Sub Zero and Wolf appliances are used throughout the kitchen and the most luxurious materials and decor creates the space. The layout of the apartment allows for incredible views of New York City and Central Park out of the floor to ceiling windows.
The large entry way with marble flooring welcomes you into the space and is paired with a recessed ceiling, gilded in 24 karat gold leaf, creating
a beautiful entry that only begins to showcase the exquisite design and materials used throughout. The space embodies a serene color palette that is contrasted with strong blacks
and golds, creating a luxurious and relaxing oasis in the middle of the city that
never sleeps.
As you enter the pied-a-terre, a marble floor and recessed ceiling gilded in 24 karat gold leaf welcome you into one of Manhattan’s newest luxury apartments. The gold and white is
accented with black and light pink accessories. The Met Chandelier designed by Hans Harald Rath, made with hand-cut Swarovski crystals, hangs above a black B&B Italia center table and an antique rug in light pink.
44
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PA G E
45
46
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The living room has many rich textures and beautiful art pieces that create a sophisticated space.
Including, the chandelier by De Majo, a painting above the mantel by Ivena Orlov, many antique
furniture pieces, and a large organic sculpture by the window.
PA G E
47
The kitchen features sleek black cabinets
with
stainless
steel,
Sub-Zero and Wolf appliances
and open shelving. The marble waterfall island features mosaic tile from New Ravenna and sits
below three antique pendants that hang from a recessed ceiling
inlayed with 24 karat gold and
marble tiles. The dining table seats up to ten people comfortably on eight midnight blue mohair
upholstered slipper chairs and two white cowhide arm chairs.
Above the table hangs a crystal chandelier and large vases of
white flowers sit atop a natural wood dining table with brass legs.
The marble floors and recessed ceilings, inlayed with gold leaf and glass
48
P AG E
mosaic tile, lead you along the long corridor which takes you from the entertainment area of the apartment to the private areas; the study and bedrooms
feature Classical moldings and original paintings adorn the walls with a wall covering in gold, featuring fowl in the air and antique sconces.
The Master bedroom consists
of a very soft and serene color palette and is contrasted with two black antique dressers and bold accents. The custom bed has
a cow hide head board from Kyle
Bunting and shear drapery that creates a perfect get away.
Designer Allison Brown Renderings Revit and Photoshop Date 03-20-2016 PA G E
49
Sweet Aromas F I L L M O R E S T R E E T R O A S T I N G CO ., SAN FRAN CISCO , CALIFO RN IA, U SA
For more than a century, San Francisco’s Fillmore neighborhood
has been a center of entertainment, entrepreneurship and intrigue, as well as the wellspring of cultural movements—not only for San Francisco, but for the whole of the U.S.
Where else in the world could boast the debuts of both Al Jolson
and The Grateful Dead? Over the last hundred years, Fillmore has evolved into an eclectic musical mecca that’s rich in history.
You’d be hard-pressed to find a more varied San Francisco
neighborhood for shopping, dining, and nightlife than the Upper
Fillmore, centered on 10 tree-lined blocks north of Geary Boulevard. Add three Lower Fillmore blocks south of Geary— where the highly acclaimed The Progress, and State Bird, and
Black Bark BBQ are thriving—plus a Saturday Farmer’s Market— and you’ve got the makings of a great walking weekend.
Fillmore Street Roasting Company is a brand new urban coffee
shop on Fillmore Street in San Francisco, California. The coffee
shop has a rustic feel with wood and concrete floors. Live plants are planted around the space and a green
living wall decorates the back wall of the coffee shop. Large
pendants hang over the center long tables and plenty of seating
50
P AG E
creates a
perfect place for socializing and relaxing
with a steaming cup of freshly brewed coffee.
The coffee shop is placed on the corner of Fillmore Street in San
Francisco. The coffee shop is clad in black siding with classical
pilasters. The awnings are black with the company’s logo and the exterior patio consists of tables, chairs and umbrellas. The upper
floor apartments have an original brick siding and the interior
of the coffee shop has the same rustic brick walls. Half of the windows are from an old factory and the others open up with
herb boxes in the middle, bringing in natural and innovative elements into the space.
The project focused on the branding for the company. 2D and 3D
a logo that incorporates the San Francisco skyline into a coffee bean. This logo and variations can also be seen on the coffee
models were generated and produced, including
mugs, carry-out cups and carriers, employee aprons, the large chalk board menu and the small paper menus. The
branding
inspired the interior design of the space and helped
create a cohesive, urban, and a sustainable business model.
PA G E
51
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Designer Allison Brown Renderings and Branding Revit, Photoshop, & Illustrator Date 11-15-2017
Fillmore Street Roasting Co. is a restored corner
commercial space that has been converted into a
new and hip coffee shop and bakery. Product design and brand design was the focus of the project and from which, the interior of the coffee shop was
inspired and recieved its character and style.
PA G E
53
Letâ&#x20AC;&#x2122;s Stay Home
The Orchard House is a residence in the country side with an orchard
O R CHAR D HO U S E , O R A NGE C O U N T Y , C A L IFO RN IA, U SA
panel siding on the exterior with a front and back porch, a three-car
and large vegetable garden. The home has river rock, shingles and garage and long drive way with a swimming pool. The interior has four
bedrooms and a large attic space for an in-home studio. The house has classical moldings and hardwood flooring throughout. The
countryside home, and close to the city.
perfect
A full set of construction documents was created for the property; including, building sections, wall sections, floor plans, and exterior elevations. Orchard House is a beautiful home on incredible acreage in southern California. 54
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59
The Details K A L E I DO S C O P E C O L L E C T IO N CARPET D ESIGN
inspired by the texture, colors, and movement of a group—or kaleidoscope—of butterflies. The Kaleidoscope collection was
The specific colors derive from the small Tiger Swallowtail butterfly, which is one of the most familiar yet beautiful
butterflies in the eastern United States. The Tiger Swallowtail is easily identified by the black “tiger stripes” on its wings.
The intricately layered, organic shapes of the designs carry you
through the space and create a dramatic connection between
the two areas. The carpets interact with and build upon each other, but each is unique in its own way.
the collection mimics and showcases the inspiring life cycle of a butterfly; from the first stages as a caterpillar in the pre-function areas to the final stages as a beautiful butterfly in the ballroom.
Throughout the ballroom and pre-function areas,
These two carpets are designed as separate components that
are divided by dark gray carpet transition stripes in the doorways
and create a coordinated flow throughout the space to create one large, detailed and cohesive design.
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Designer Allison Brown Renderings & Designs Photoshop and InDesign Date 02-15-2018
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Floor Plan
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63
The World Filled With Wonders PR O J E C T C R OSSRO AD : A CO MMU N ITY PRO JECT FO R IN TEGRATIO N , H OUST ON, T X, USA
“To integrate Houston’s community by overcoming invisible boundedness as a crossroad
to encourage improbable friendships.” While interning in Gensler’s Houston office this summer
I had the incredible opportunity to work on a project with all the other interns. Our client was a local church
a mixed-use space that would fulfill their mission of helping the homeless and those in need and bring the community of Houston together. We created an expansive program that included 40 size adjustable subsidized housing units for single
in the city who wanted to build
mothers who were on the road to recovery after drug
addiction or incarceration, an after-school program,
workshops and maker space that would educate
the residents and other community members with skills
that they could use to create employment for themselves,
co-working space for community members to come a create local businesses and other
a
endeavors, an area for the Emergency Aid Coalition with
public showers and restrooms, a large event space for the
an art gallery, an outdoor area for concerts and events, a rooftop community garden and a bakery, coffee shop, and restaurant that would use fresh ingredients from the community,
rooftop garden, a barber shop, and bike shop where the
residents of the housing units could work and develop important skills for employment.
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The site is adjacent to three of the church’s other plots
of land and we created a visible path and “crossroads” that would connect all of the sites. The idea of crossroads came from the idea and desire of creating a place where people from all walks of life could come together and cross paths with people that would not normally come in contact to form improbable friendships and bring the community together.
We had nine weeks to complete the project and created a
marketing packet that the client could use for fundraising and getting support from the church congregation and
community members. I was able to work on every aspect of the project and was able to do a lot of research and
help create the program, floor plans, site plans, and restaurant rendering. At the end of the nine weeks we
presented to 30 community members, our client, and
the entire Houston office. The support that we received and the desire to make this project a reality as well as the impact that I was able to have with the community
I was able to help design a space that, now more than ever, after Hurricane Harvey, they stand in need of, and this has impacted the way I members of Houston and the church was incredible.
approach every design I create.
crossroads PA G E
65
MA
IN
MONTROSE
DA L
E
5 TO IN JAC
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ITC
E IN CA
RO L
HI
TA
RADIUS PA L
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AU ST IN
Emergency Aid Coalition BISSONNET
PROGRAM OVERVIEW
W
SA
St. Matthew Lutheran Church
DISTRICT PRESENCE
UT
FA N
NI
IN
N
M
First Presbyterian Church
THE SITE
RO SE
First Unitarian Universalist Church
SO UT HM OR E
St. Paulâ&#x20AC;&#x2122;s United Methodist Church
DA L
E
T
CA
Museums & Parks Primary, Secondary, Higher Education
Housing & Hospitality Medical Care Parking
LU ME
T
LA
BR
AN
CH
EC
Retail/Tenant Center Workshops After-school Program Outreach Services Outdoor Event Space Co-working Housing Shared Spaces
Transportation
Restaurants
OA K
PR OS P
Site
BIN
Z
HE
RM
AN
N
EW
IN G
Homelessness by Gender
Homelessness by Race
1%
Others
Transgender
9%
30%
5% 3% Asian / Native
THE SITE
Americans
Hispanic
Female
18%
65%
Caucasian
African American
69%
STATISTICS AND DEMOGRAPHICS
Male
Houston Racial Demographics
Education Degrees
18% Other
39% GED
21%
61%
African American
Caucasian
21% College Degree
Homelessness in Houston
Decrease Since 2011...
82% 78%
Become homeless from Houston
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Unsheltered Chronic Homelessness
60% Overall Homelessness
#1
Most expensive neighborhood for renting Median one-bedroom rent: $2,280 / month Median two-bedroom rent: $3,070 / month
#9
Most expensive neighborhood to buy a home Median price: $831,131
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The project was split up between the 15 interns and each was
in charge of a specific area. We were split into three groups: branding, interiors, and architecture. I was put on the interiors team and I designed the coffee shop. The coffee
shop was created as a space to bring people together and create unexpected friendships. People are able to walk
over from the art gallery, or the co-working space, the maker
space, or from their own apartment in the subsidized housing
across the courtyard. There is seating inside the restaurant
as well as out on the exterior patio. The interior of the coffee shop is designed with light colors, natural materials, such as wood, green walls, and stone, and the
Designers Gensler Interns, Houston, TX Renderings Revit, SketchUp and Photoshop Date 08-10-17
seating is arranged for many communication areas where people, friends or soon-to-be friends, can sit together at one long table
and get to know each other. The entire space is accommodating to those in wheelchairs or disabilities and the bar/counter can
be accessed by everyone; making sure all those who come
into the coffee shop feel welcomed and accepted. When Project Crossroads was presented to the client and the
community members who would be affected by the project,
there were tears of joy and appreciation as they connected to the space and could understand that it would be a great place
for rehabilitating the recovering addicts and the homeless and
bring together all members of the community.
PA G E
69
Southern Living LAVE N D E R F A R M S B E D & B R E A K F A S T
Lavender Farms Bed & Breakfast is
The bedroom on the main floor is ADA
one hour outside of Atlanta. The bed
welcome at Lavender Farms. The second
located in beautiful, Madison, Georgia, and breakfast has undergone a beautiful remodel and revitalization, turning the
1940â&#x20AC;&#x2122;s single family farmhouse into a
quaint, bed and breakfast located on five acres. The property contains a vegetable
and flower garden; a horse stable; an orchard filled with all kinds of fruit trees,
and a landscaped area with a swimming
pool and pool house. Inspiration for the design was drawn from many southern
farmhouses and different bed and breakfasts from across the country.
The bed and breakfast has seven lovely
rooms, all named after and decorated in
a specific theme of flowers and herbs. The front room of the bed and breakfast
features a small store where customers can purchase fresh produce, honey,
jellies and jams, and homemade breads and pastries, all picked and made on the farm by the owners, Annabelle and George Blackmon.
In the main house there are six bedrooms.
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compliant and allows everyone to feel
floor hosts five bedrooms, three of which have their own connected bathrooms
and two which share a connecting bathroom.
The fifth bedroom is located above the garage with a vaulted ceiling and a separate staircase to access it, making
this the largest and most exclusive suite in the bed and breakfast.
The main floor of the pool house has a yoga studio and classes are given every morning and evening by the pool side.
The second floor has one of the larger suites in the bed and breakfast and provides and even more private oasis for the couples that choose to stay there. A
branding
specifications, construction
package,
renderings,
documents
furniture
were
and all
developed for this project and were created in just under four weeks.
Site Plan PA G E
71
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5' - 9 1/2"
21' - 1 1/4" 1 A113 1
1
1
1
1 1
1 1
Sun Porch
PORCH TO BE DEMOLISHED EXISTING DOOR TO BE REMOVED
1
33 308 SF
2 33A
A113
18' - 6 1/4"
5 A109
Sim
COLUMN TO BE REMOVED
1
DN 1
WALL AND WINDOW TO BE REMOVED 1
4' - 2 5/8"
4' - 10 5/8"
4' - 0"
4' - 9 1/8"
4' - 9 1/8"
4' - 0 1/8"
2
2' - 6 3/4"
2 Car Garage
4' - 2 3/8"
12
2 8A
561 SF
8B
2/A110
Breakfast Nook
DN
15 DN
256 SF
UP
4' - 6 1/2"
6' - 9 5/8"
UP
1/A110
EXISTING CABINETS TO BE REMOVED
Sim
9' - 3 1/8"
---
Mud Hall 17
9/A110
115 SF
Kitchen Suite #1
Gathering Area
6
8
359 SF
644 SF
EXISTING WALL AND DOOR TO BE REMOVED
9' - 0 5/8"
4' - 8 1/2"
5' - 0"
8/A110
16
5' - 3 5/8"
EXISTING WALLS AND DOORS TO BE REMOVED
9' - 6"
9' - 10"
239 SF
10
42A
B
Bath
7/A110
19 EXISTING SINK TO BE REMOVED
42 182 SF
5/A110
4/A110
Bathroom Suite #1
EXISTING WALL AND DOORS TO BE REMOVED ALL EXISTING PLUMBING FIXTURES TO BE REMOVED
4 A109
27 SF
Sim
6/A110
A110
DOWN EXISTING DOOR TO BE REMOVED
Laundry Pantry
10
11
77 SF
13 SF
3/A110
Foyer
Dining Room 5
18
221 SF
169 SF
Store and Check in 4
UP
192 SF
UP
Wrap Around porch 14 Not Enclosed
New Construction
1 A102
74
Level 1 - Demolition 1/4" = 1'-0"
P AG E
New Construction
NEW ROOF BELOW
2 A113
Suite #6 31
Bath 4 8/A111
32
9/A111
377 SF
ALL EXISTING PLUMBING FIXTURES TO BE REMOVED
79 SF DN DN
Closet 26
Closet
75 SF
EXISTING DOOR TO BE REMOVED
25 EXISTING DOOR TO BE REMOVED
51 SF
Suite #4
EXISTING SINK TO BE REMOVED
354 SF 1/A111
Bath 1
4/A111
2/A111
EXISTING WALL TO BE REMOVED
3/A111
EXISTING DOOR TO BE REMOVED
5/A111
30
A
27
EXISTING DOOR TO BE REMOVED
76 SF 1' - 5"
376 SF
6/A111
23 22A
28 EXISTING DOOR TO BE REMOVED
87 SF
7/A111
Bath 2 Suite #3
DN
DN
EXISTING SINK TO BE REMOVED
Suite #2 EXISTING DOOR TO BE REMOVED
20 200 SF
EXISTING DOOR TO BE REMOVED
Loft 21 227 SF
Suite #5 22 229 SF
1 A103
Level 2 - Demolition 1/4" = 1'-0"
1 A105
Level 2 - New Construction 1/4" = 1'-0"
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1 A113
LIGHTING LEGEND
HIGHTOWER CARAVAGGIO PENDANT
9"
2
ANTIQUE BARN SCONCE
7' - 9 3/8"
New Wood Beam
New Wood Beam
New Wood Beam
6' - 4 1/2"
6' - 4 1/2"
6' - 4 1/2"
New Wood Beam
EXTERIOR COACH LIGHT
A113
BIRCH LANE CEILING FAN
4" RECESSED CAN LIGHT
WESTINGHOUSE STYLISH PENDANT 3/12
3/12
FARMHOUSE BRASS PENDANT
BRASS POT RACK
8' - 5 1/2" 16' - 0 7/8"
9/A111
PAINT EXISTING GYPSUM BOARD WHITE
8/A111 2/A110
16' - 0 7/8"
PAINT EXISTING GYPSUM BOARD WHITE
PAINT EXISTING GYPSUM BOARD WHITE
9"
EXISTING BEAMS TO BE REFINISHED
10' - 0"
PAINT EXISTING GYPSUM BOARD WHITE
8' - 5 1/2" 1/A110
PAINT EXISTING GYPSUM BOARD WHITE
10' - 0"
8' - 5 1/2"
EXISTING BEAMS TO BE REFINISHED
3/12
3/12
8' - 5 1/2" 9/A110
10' - 0" 14' - 3 1/8"
PAINT EXISTING GYPSUM BOARD WHITE
10' - 0"
10' - 0"
8/A110
8' - 5 1/2"
10' - 9 3/8"
EXISTING BEAMS TO BE REFINISHED
10' - 0"
8' - 5 1/2"
10' - 0"
10' - 0"
8' - 5 1/2"
10 A110
8' - 5 1/2"
PAINT EXISTING GYPSUM BOARD WHITE 5/A110
4/A110 8' - 5 1/2"
6/A110
10' - 0"
8' - 5 1/2" 7/A110
10' - 0"
10' - 0"
3/A110
PAINT EXISTING GYPSUM BOARD WHITE
PAINT EXISTING GYPSUM BOARD WHITE
(5) c 60W INC.
10' - 0"
10' - 0"
8' - 5 1/2"
8' - 5 1/2" 8' - 5 1/2"
PAINT EXISTING GYPSUM BOARD WHITE
PAINT EXISTING GYPSUM BOARD WHITE
8' - 11 3/8"
EXISTING
NEW LEDGER 11 7/8 I JOIST 9" INSULATION 1'-0"
FASCIA
1 1/2"
5 1/8"
FAUX BEAM WOOD BEAM
4 5/8" Wood Stud 16" O.C. 9 1/8"
1' - 0"
1' - 0"
8' - 5"
5/8" GYP. BRD.
5" Accoustic Insulation
8"
1 A113
1
76
P AG E
A113
Sun Porch Construction 2 3/4" = 1'-0"
2 A113
Sun Porch Construction 3/4" = 1'-0" 3/28/2018 5:01:48 P
WALKER ZANGER DUQUESA TILE ANTIQUE BARN SCONCE SUBWAY TILE
10
SUBWAY TILE
SUBWAY TILE
IRON PLAINS ROUND VESSEL SINK IRON PLAINS ROUND VESSEL SINK SUNSTRUCK OVAL FREESTANDING BATH
SUNSTRUCK OVAL FREESTANDING BATH
1 A111
Level 2 - Bathroom 1 South Elevation
2
1/2" = 1'-0"
A111
Level 2 - Bathroom 1 West Elevation 1/2" = 1'-0"
3
Level 2 - Bathroom 1 East Elevation
A111
5
1/2" = 1'-0"
A111
LUXURY CLOUD FREESTANDING BATH
Level 2 - Bathroom 3 West Elevation 1/2" = 1'-0"
WHITE PAINT
ANTIQUE BARN SCONCE
ACORN SCONCE
SUBWAY TILE
WALKER ZANGER DUQUESA AMBRA
10
SUBWAY TILE
ANTIQUE SINK IRON PLAINS ROUND VESSEL SINK
SUNSTRUCK OVAL FREESTANDING BATH SUNSTRUCK OVAL FREESTANDING BATH
4 A111
Level 2 - Bathroom 3 North Elevation
6
1/2" = 1'-0"
A111
Level 2 - Bathroom 2 East Elevation
7
1/2" = 1'-0"
A111
Level 2 - Bathroom 2 West Elevation 1/2" = 1'-0"
GRAHM AND BROWN FLORAL WALLPAPER
IRON PLAINS ROUND VESSEL SINK
GRAHM AND BROWN FLORAL WALLPAPER
LUXURY CLOUD FREESTANDING BATH
8 A111
Level 2 - Bathroom 4 North Elevation 1/2" = 1'-0"
9 A111
Level 2 - Bathroom 4 West Elevation 1/2" = 1'-0"
3/28/2018 5:01:42 PM
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3' - 0 3/8"
9' - 0 5/8"
B
3/A110
2/A111
3/A111
27 76 SF
DN
Level 1 - Suite Bathroom
4
7
1/2" = 1'-0"
A109
1/A111
Bath 1
79 SF
8/A111
5/A110
4/A110
32
9/A111
Bath 4
2' - 5 3/8"
A109
Level 2 - New Construction Bathroom 4
1
1/2" = 1'-0"
A109
Level 2 - New Construction Bathroom 1/2" = 1'-0"
1 A113 21' - 1 1/4" 4' - 5 1/2" 1
4' - 5 1/2" 1
1
3' - 2 3/8"
Bath
1
7/A110
19
Bath 2 23
7/A111
4' - 5 1/2" 1
6/A111
5' - 10 3/4"
6/A110
5' - 9 1/2"
87 SF
27 SF
7' - 6 3/4"
C
5' - 4 1/8"
1
1
1
4' - 1 3/4"
1
Sun Porch 33
2 A109
Level 1 - Half Bathroom
3
1/2" = 1'-0"
A109
Level 2 - New Construction Bathroom 2 1/2" = 1'-0"
308 SF
2 A113
5' - 1 3/8"
33A
Closet 25
18' - 6 1/4"
51 SF
3' - 8 5/8"
1
DN
3' - 8 5/8"
5/A111
1
4/A111
1
4' - 2 3/8"
5 A109
78
Level 1 - New Construction Porch 3/8" = 1'-0"
P AG E
6 A109
Level 2 - New Construction Bathroom 3 1/2" = 1'-0"
CROWN MOULDING CROWN MOULDING
MIRROR
WALKER ZANGER CONTESSA PAPRIKA
WHITE PAINT
SUBWAY TILE
11
WHITE PAINT SUNSTRUCK OVAL FREESTANDING BATH PEDESTAL SINK 7" BASE BOARD
7" BASE BOARD
Living room East Elevation
1 A110
5
1/2" = 1'-0"
A110
Level 1 - Bathroom 2 West Elevation
7
1/2" = 1'-0"
A110
Level 1 - Bathroom 1 North Elevation 1/2" = 1'-0"
CROWN MOULDING
WINDOW
WHITE PAINT
11
WHITE PAINT 2
SUBWAY TILE
2 8A
8C
WHITE PAINT
8B
7" BASE BOARD
Living Room South Elevation
4
1/2" = 1'-0"
A110
WINDOW
MIRROR
6
1/2" = 1'-0"
A110
Level 1 - Bathroom 1 West Elevation 1/2" = 1'-0"
WINDOW
1' - 3"
MIRROR
WINDOW
Level 1 - Bathroom 2 East Elevation
WHITE PAINT
10
10
2' - 6"
2 A110
10
1 1/2"
1' - 6"
WALKER ZANGER CONTESSA PAPRIKA
SUNSTRUCK OVAL FREESTANDING BATH
2' - 7"
SUBWAY TILE
8 1/4"
8 1/2"
1' - 9 1/2"
8 1/4" 10
10
A110
1/2" = 1'-0"
A110
2' - 5 1/2"
EXISTING ARCHWAY TO REMAIN
3' - 0"
2' - 5 1/2"
2' - 5 1/2"
1' - 6 3/8"
2' - 5 1/2"
Cabinet Detail 1/2" = 1'-0"
1' - 6 7/8"
2' - 5 1/2"
2' - 5 5/8"
1' - 6"
2' - 6"
2' - 6"
2' - 1"
2' - 1"
1' - 3"
A110
1' - 9 1/2"
Level 1 - Bathroom 2 North Elevation
1' - 3"
3
EXISTING ARCHWAY TO REMAIN
2' - 6"
2' - 6"
WHITE PAINT
9 A110
Kitchen West Elevation 1/2" = 1'-0"
WALKER ZANGER CONTESSA TILE
8 A110
1 1/2" 1' - 6"
1 1/2" 1' - 6"
WALKER ZANGER CONTESSA TILE
Kitchen North Elevation 1/2" = 1'-0" 3/28/2018 5:01
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Building 654 UR B N WE S T CO AST H E A DQ U A R T E R S , PO R T L A N D , O REGO N , U SA
80
P AG E
The New West Coast headquarters for URBN, an American multinational clothing
corporation, is located in an existing high rise in downtown Portland, Oregon. The company has a long history of fashion and design.
URBN is a portfolio of global consumer brands comprised of Urban Outfitters,
Anthropologie, Free People, BHLDN, Terrain and the Vetri Family. They’re a passionate, creative, entrepreneurial bunch who think outside the box and are all about providing a unique shopping experience while inspiring and connecting with their customers.
URBN’s new office in Building 654, is LEED Platinum certified and encourages health and
wellness for all of its employees. The office has been restored to its original beauty
and the two buildings surround an exterior garden where employees can have a garden plot and the vegetables are used for the food in Cafe 654. The office has a bohemian aesthetic and has bold colors that create a fun and creative environment.
Since the first store opened in West Philadelphia the company continually strives to
connect with their customers through unique products and engaging store design. Instead of transforming the buildings into something new, the original features were preserved, a trait that has become their signature look. The paint was striped back to its first layer,
exposed brick walls, and the use of original pieces as displays and fixtures were used.
The approach went beyond historical preservation – it was about maintaining a layered history, but infusing a new, fresh atmosphere.
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The corporate campus fosters creativity and fun as well as a healthy work-life balance
for employees. The campus is a collaborative, creative environment where employees can connect and interact both professionally and socially.
Creativity is in the fabric of all the company does. Itâ&#x20AC;&#x2122;s tangible in their store windows, their clothes and their incredible employee talent. Itâ&#x20AC;&#x2122;s obvious when you realize no two store windows are the same.
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In both buildings on the campus, you can spot a furry fellow. Not only can employees bring their dogs to work, but they can also take them to the dog park for a quick break. Located in the heart of campus,
the dog park is an area where pups can play and socialize. On any given day, at any given time, and rain or shine,
youâ&#x20AC;&#x2122;ll find owners and their furry friends enjoying time al fresco.
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Second Floor Open Office
The exterior courtyard features a community garden, dog park, fire pits, and decks for doing yoga and relaxing.
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Second Floor
Exterior Deck
First Floor Exterior Patio
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Designer Allison Brown Renderings Revit and Photoshop Date 11-15-2017
First Floor Conference Room 86
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The office is more of a community
home goods and much more – to give
designed to bring employees together
to browse and shop unique items.
than just a building to work in. It was and collaborate in teams.
Portland is a bike-friendly city and a
large percentage of their employees are bike commuters. There is a bike room
that employees can easily store their bikes for the day while they work.
From 6am TRX insanity, to lunch time
employees and local residents a chance
“Gallery 654,” which showcases a range of regional artists celebrating all types of art, artists and media
Building 654 also features
and brings added exposure to local artists.
boot camp, Zumba, boxing, body physics,
Every Friday during lunch, Brown Bag
offered a variety of fun classes that
provides engaging, useful information on
yoga and more — their employees are provide an effective workout for any level.
Their employees have access to a full, on-site gym with treadmills,
Workshops
are
held.
Each
session
a variety of topics. These workshops give employees an opportunity to connect with other like-minded colleagues and tap into their artistic minds.
ellipticals, weight machines, and more.
The Shop 654 Café features eight different
trainers are also available to help
soups to salads, sandwiches, grilled
There’s even a yoga studio! Personal employees achieve their fitness goals.
The in-house nutritionist provides onsite
appointments, meeting with employees at work to tackle their health goals,
food stations offering everything from items, sushi, pizza, desserts and more.
Ingredients are fresh, flavors are delicious, and the menu is constantly changing. Shop
whether they include weight loss, better
654’s culinary team creates innovative,
energy levels throughout the day.
internal meetings, private occasions and
food choices,or ways to sustain their
Each month, Building 654 hosts an ever-
custom menus for both external and corporate events.
changing roster of local entrepreneurs,
Building 654 is full of benefits for it’s
who bring items like handmade jewelry,
creativity, and innovation.
gardeners, artists, shops and designers
homemade chocolates, vintage clothing,
employees and has space for wellness,
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Thank you.
Allison Brown 425.208.9314 allisonebrown96@gmail.com 710 S. 300 W. #4, Logan, UT 84321 www.linkedin.com/in/allisonelizabethbrown https://issuu.com/allisonnewell/docs/portfolio_january_23_2018