PORTFOLIO
Altan Yılmaz
Adress
Beyoğlu/İstanbul
Architect
PERSONAL
............................................................................................................................................................................. I am 25 years old and have graduated from ITU School of Architecture. I love my job and try to do with passion. For me, to make a production together or to be a part of a team is very important. In school life I have always preferred the collective production than individual production. I have graduated in January 2019. I like to work on cultural and public architectural projects and digital presentation techniques.
contact
altanyilmaz@outlook.com +90 553 525 61 80 www.linkedin.com/in/altan-yılmaz-171942127
Linkedin QR code
EDUCATION
.............................................................................................................................................................................
2013 - 2019 Architecture İSTANBUL TECHNICAL UNIVERSITY (ITU)
2017 - spring (Erasmus+) Architecture NATIONAL TECHNICAL UNIVERSITY OF ATHENS (NTUA)
2008 - 2012 High School SİVAS FEN LİSESİ
SKILLS
.............................................................................................................................................................................
technical drawing
modelling design
visualization
teamwork
WORK EXPERIENCE
.............................................................................................................................................................................
2
months intern - office Tuncer Çakmaklı Architects
1
1
month intern - office Aboutblank Architects
2
months intern - academic work Doç.Dr. Hüseyin Kahvecioğlu
9
months office Melike Altınışık Architects
9
months office SP Design Office
month intern - construction site Zincir Yapı (Levent Tower 205)
SOFTWARE SKILLS
.............................................................................................................................................................................
STUDIO EXPERIENCE
.............................................................................................................................................................................
Adobe Photoshop .
Adobe Illustrator Rhino 3D AutoCAD SketchUp
.
Lumion
Graduation Project Film Studios Maslak Atatürk Industrial District ............................................ Project VII Density Doç.Dr. Hüseyin Kahvecioğlu ............................................
.
Proje VI (Erasmus+) articulating to old building Dr. Nikolaos Ion Terzoglou (Athens-NTUA)
ArchiCAD Adobe Premiere Pro Grasshopper Revit
.
............................................
Project III Vertical living - (workshop building for faculty) Dr.Hakan Tong - Dr.Hülya Arı .
Project V Community Center Umut İyigün
Blender 3D After Effects .
LANGUAGE
.............................................................................................................................................................................
ENGLISH UPPER INT.
............................................ Project II Designing for Muğla - Çomakdağ village Prof.Dr. Mehmet Emin Şalgamcıoğlu
............................................
.
............................................
INTERESTS
.............................................................................................................................................................................
cinema TURKISH NATIVE
.
Construction Project House of a musician Dr. Caner Göçer ............................................ Project IV Housing+ (social housing for refugees) Yrd.Doç.Dr. İpek Yada Akpınar ............................................
music
technology
gaming
project studio III
LINK tags:düşeyde yaşam, module, connection, axis, articulation, triangle, studio, workshop, gate...
project studio III With the project it is aimed that bringing a solution to the problems of the work places and lack of studios that can be used by student continuosly. Studios are placed beyond of semi-permeable boundary that consist of taskisla and a woody area. The central axis of taskisla is strengthened though the project placed on the road in backyard. It was intended to establish a balance of independency with taskisla.
ITU FACULTY OF ARCHITECTURE
WORKSHOPS
Section & Diagrams
floor plans
1st floor plan
2nd floor plan
top elevation
3rd floor plan
project studio IV - workshop
BIRD OBSERVATORY
tags: observation, bird migration,adapta tion, aerodynamics, shelter, .
system diagrams Garipรงe Village, located in the northern part of the European side of Istanbul, is located on the birds' migration routes. Bird watchers often come here, observing and counting with cameras and binoculars. Within the scope of the project, the impact of the new bridge, -which will be built in Istanbul and will pass through this village- to the nature is discussed. It is important that birdwatching points should not distract birds, do not obstruct the winds, and be made with a harmonious form and material. In this experimental study which lasted for 2 weeks, it was aimed to design an observation point which was settled as a parasite in the abyss and which adapted to nature with its structure and form.
project studio V
COMMUNITY CENTER tags:düşeyde yaşam, module, connection, axis, articulation, triangle, studio, workshop, gate...
models and The community center, designed in Kadikoy, has sports, health and cultural centers. In the region where traffic and population density is high, the need for open space was determined. A square was designed between the two points where pedestrian density is high. Thus, it was ensured that the area became a community center that constantly alive with help of the form that adapted to topography and tha paths those connecting the dots and provides public areas.
project studio VI
WORKSHOP STUDIOS tags: Athens, Metaxurgeio, rehabilitation, eclectic, adaptive, old-new, renovation, street art, work shops, accomodation...
scenario Metaxurgeio began to be abandoned later, even it was a quite lively neighborhood on past. It has now become a secluded place known as dangerous in Athens. But as we walk around the streets, we see that street art lives here. We learn that many artists opening exibitions here and organizing workshops. The abandonment of the neighborhood made it attractive for artists somehow. In this project, it is aimed that by using this potential, neighborhood can be revitalize or rehabitated.
scenario considering Metaxurgeio’s recent impairment, lack of care and attention, a community center was designed here. It is aimed that the artists can live here and organize courses and workshops.
for this purpose, the small building units located at the front and preventing the visibility were removed. So that a clear visual contact from street was provided.
a design scenario was set up, which deals with the transformation and evolution of the historic depot building. The form of the depot building has evolved with some interventions.
scenario an annex designed to sit upright on top of the old building and contrast with the old building. This place is designed as a transparent studio.
this annex was intended to be perceived clearly by people passing. So it was designed as a transparent structure. We wanted to cover the public space underneath.
The old building was also strengthened in the structural sence and turned into a studio. And the bottom part of the old building is transformed to a accomodation place for street artists. In addition, the shaded area under the extension of the building is designed as an open stage for small theater studies.
sections
sections
plans
plans
project studio VII
POROUS CITY tag: density, industrial heritage, gridal pattern, productivity, creativity, social interactivity, access to nature, limitations, density and urbanism ...
scenario As a negative phenomenon, high density in large cities;“crowding�, carries the potential of a density that will turn into energy and diversity when negative inputs are removed. It is often an enigma that what to do with the facilities that leave the city center to be replaced with robotic facilities, and what will happen to the buildings left behind. At this point, the Demirciler industrial site in Zeytinburnu is an interesting base for the investigation and solution of these problems with its stable and gridal planning character. This region, which is on the agenda of moving now, has been determined as our working area in search of solutions for similar situations. The project aims to protect the productive pattern of the area together with the porous city project and to revive it together in the social environment. Searching for a solution for the unbalanced density distributions in the cities constitutes the main impetus of the project.
project studio VII In addition to the concept of density in terms of physical meaning, the concept of density perceived in connection with interaction with the space is used. The “perceived intensity� is the density that is felt as integrated with the space where the human feels instant. While a room with people who do not know each other is perceived as dense for them, a group of friends staying in the same room can change their perception of density. this perception is directly related to human psychology, socio-cultural norms and habits. While the main problem for spatial density is inadequate living space, the main problem for social density is the obligation to interact with many people. One of the focal points of the project is to use the social density and save it from the unwanted situation.
masterplan process
Due to the lack of green space in the region and for the purpose of creating public focal points, gaps were opened in order to infiltrate the green areas.
FabLabs, which were placed in the area to increase individual production, were placed in the parts nearby open areas because of establishing relations with nature and having the function of public boundary.
In order to concentrate the vehicle density on certain locations; offices, cultural buildings and eating areas were placed on the main streets in line with the main axes.
Afterwards, the houses were placed on the ground floors, partly in the inner areas and in the areas designed to be less dense.
By connecting the created gaps together, a network has been designed to form a second layer with opposite character to the substrate. This network was planned to determine the character of the landscape in the spaces.
Office buildings, which are planned to be higher than the houses, were placed at more edge points considering that they should not prevent the sunlight of the houses that to be located in the central parts.
models and sketches
models and sketches a new layer has been designed on the rational typology of the industrial zone. this second layer would control the social density as the upper elevations reached, and the hybrid position in design by showing its own character.
This new layer creates a new character in the upper elevations and becomes a fluid element in the opposite of the gridal order. Together with this fluidity, it also creates facades and landscaping. It doesn't compete with streets below, but it enriches the scenario by merging with it.
3D section The structure of the industrial buildings on the ground level was preserved. These are designed as office and fablab. The cranes, which were previously present, were protected. The old industrial character, was somehow adapted to the new world. The old machines of industry have become 3d printers or laser cutters of fablabs.
3D models and plans In the existing structural system, different functions are designed differently. The terraced houses were the priority. Appropriate plans were made for each residential unit to receive sunlight properly. These common terraces are accessible by circulation units. In this way, they become common terraces that strengthen neighborly relations.
graduation project
ISTANBUL FILM STUDIOS tag: cinema, film studios, architecture; city and cinema,industrial district, transparency, participation, productivity, recreation, park, observation ...
site plan
diagrams interaction with city
The project area; it forms a complete boundary between a low, rational and orderly settlement and a region that is uneven, irregular and has a highrise settlement typology. The starting points of the scenario were predictions about the future functions of AtatĂźrk Auto Industry and urban life - studio life interface issues. What makes cinema so valuable is the perfect branch of art to reflect the dynamism of modern life. Therefore the studio should be fed from the city and offer something to the city. The main aim of the project is to ensure that the production of the “kitchenâ€? is made through the interfaces, while the production process is continuous and efficient.
Using the traces of the prevailing urban fabric in the industrial zone, the land was divided.
The land serves as a wall between different urban textures. For strengthening the urban bond between the industry and the plaza area, permeability was prioritized.
diagrams
An urban space is planned in the area where urban life touching the area. A public square was designed and the buildings were planned further away.
The first contact with the city (I); the functions that will serve the public. Section (III) is devoted to the workshop functions which will work with the industrial zone, and (II) is the places of film production.
The masses were buried on the ground in a way that both the city could witness the production of the film and that the film production could continue uninterruptedly and efficiently. The film production traffic and urban life designed as overlapping layers.
At the interfaces of the studios and the city, there are facades with continuously changing pores that enable observers to witness the production of films. These facades can be porous or opaque when desired.
While the inter-studio traffic continues at the lower elevation, urban observer watches the upper elevation. Thus, materials that need to be taken to the film sets can be moved more easily and work traffic is not affected.
The facade of the exhibition and research center can serve as an open-air cinema at times of activity. Thus, a strong connection is established between the function of this campus and the facade of the building. The building works with the urban park.
storyboards
big studio thematic studio research & exhibiton center storage workshops activity area
service - parking area
residential post production
a
storyboards The main design idea in the project is that the film studios are positioned underground for efficient operation and the observer city can witness the production from the upper elevations. Therefore, pedestrian and vehicle-personnel axes are planned at different levels. The open exhibition and activity areas associated with film production will play an important role in building strong ties with the region. The exhibitions that will change periodically will keep the interest and curiosity of cinema in the city alive and enrich the place by making the place dynamic. In the areas of activity related to the workshop, the workshop will occasionally take out the production, and will have a live identity with the festivals and workshops that will be held there.
INDUSTRIAL ZONE
ENTRANCE CAFETERIA
COURTYARD
STUDIO
STUDIO SUPPORT
STUDIO SUPPORT
sections
URBAN PARK
INDUSTRIAL ZONE
PLAZAS
ENTRANCE CAFETERYA STUDIO SUPPORT
STUDIO SUPPORT
STUDIO
STUDIO SUPPORT
SERVICE & PARKING
The project area is located in an intersection zone between the low-rise settlements in the industrial zone and the tall buildings in the plazas. The idea of not being highrise in the project, and being buried in the topography is related to finding it own place of existence among these opposites. The project aims to be attractive with its open space and the space it creates. In line with this idea, the urban space and the urban park, which are created nearby to the skyscrapers, are designed to be a good recreational area for the employees who are working in those plazas.
STUDIO
WORKSHOPS
sections
research and exhibiton
residential post production storage film studios
film studios entrance - cafeteria administration
sections
sections
details
During the journey of the observer -civilians-, it was planned to have dynamic experiences. With the “interfaces�, it was aimed to offer the observer dynamic perspectives in his travel. Therefore, metal sheets that undertook the task of controlling the sun, were positioned by thinking the navigation here. The observers have the chance to watch different parts of the film production process at different times.
plans
(4) (6)
(2)
(1a)
(13)
(1b)
(13) (13)
(13)
(5)
(6) (4)
(2)
(1c) (6)
1. Film Studio a. Thematic Studio b. Big Studio c. Specific Studio 2. Director office 3. Production office 4. Wc 5. Lobby 6. Make up 7. performer room 8. Technical room 9. storage 10. open air cinema
(8) (16)
(5) (4)
(2)
(6) (4) (3) (3) (3) (16)
(6) (5)
(1a) (2) (2)
(3)
(1b)
(12) (3)
(4)
(1c)
(8)
(4)
(8)
(2)
(5)
(5)
(9)
(3)
(9)
(9) (8)
(6)
(8)
(8)
11. Movie Theater 12.Library - archive 13. Costume - metal - model workshop 14. Post Production 15. Cafeterya 16. Administrative office 17. Service - parking lot 18. Exhibitonal Space - lounge
(18)
(11)
(5)
(3)
(10)
(4) (15)
(16)
(9)
(4)
(9)
(17)
Vehicle and personnel circulation Public - civilian circulation
(7)
(1a)
(1b)
(13)
(7)
(13)
(1a)
(7)
(13)
(1c)
(12)
(7) (15)
(1c)
(10)
(7)
(1b)
(9) (9)
(9) (9) (16) (14)
(16)
model photos
film production campus
research and exbition center with open air public cinema
workshop building with open air activity area
courtyard from top
model photos
campus view from urban park
deatiled model of facades (painted with red in model)
facade zoomed view
top view
poster works
“A Poster for an Architect” Tadao Ando I made this poster for an elective course. In the poster, I wanted to use the simplicity, concrete, water and nature of tadao ando. I also wanted to use the walls of the architect's iconic building “church of light “.
poster works
“Architecture and Power� Floating School - NLE Architects In a poster homework on architecture and power, I wanted to express the power of architecture to deal with the real problems of the world. Kunle Adeyemi's floating school project inspired me. A very good example of the struggle of architecture with natural disasters, social injustice and poverty ...
melike altinisik architects
URBAN CARPET tags: weaving, module, loop, landmark, rythm, public, ...
renderings Weaving is one of the most widespread and traditional crafts in the world. It has been employed to create carpets, shelters, baskets, containers and so much more. It has been practiced for thousands of years, and the wide variation of weaving is remarkable. This unique Urban Carpet Landmark will take this craft into architectural scale to weav spaces with a looping structural system. MAA’s design explores ways of producing architectural interventions based on an understanding of the city as a field of dynamics and combines infrastructure and architecture at the center of the Dubai Creek Harbour. It provides a coherence between its flowing design and the harmony of this flow with the pathways on , in and under the Landmark. Urban Carpet Landmark is thought to be a continually contested and negotiated transient space, a ‘public living room, an orientation space, a public and private open space.
concept and the geometry
drawings
melike altinisik architects
CONCERT HALL tags: public, roof, music, landmark, rythm, landscape, ...
renderings Architectural design concept of the National Concert Hall aims to define a Landmark which plays a catalytic role in advancing and promoting music culture and knowledge throughout society. It will symbolize the important role and mission of the National Concert Hall. The main design concept is to create high quality architectural and urban environments with a cultural axis running from the Sound Hill Park on top of the building facade which is rising with the surrounding landscape. It offers an extended and elevated public zones on different levels on the park, on the roof and inside the Concert Hall building to create the musical atmosphere and offering new multidiciplinar cultural events which are combined by technology and spirit of time.
YA0657
YA0657
concept and the geometry PERSPECTIVE VIEW TOWARDS THE NATIONAL CONCERT
CEMETERY
ms to J DQG ,W ZLOO RQFHUW
DO DQG 6RXQG K WKH SXEOLF GH WKH QG RIHG E\
HSWLRQ FRQJH WKH VLQJOH H VXU-
VILNIUS CONCERT HALL
SOUND HILL
NERIS RIVER
+22.50
+16.00
±0.00
NORTH-EAST ELEVATION
NATIONAL CONCERT HALL FACADE AS PUBLIC AMPHIE
FUNCTIONAL LAYOUT
National Concert Hall which creates the fluidity of the perception with its iconic character and combines it with the soul of the contemporary Cultural Activities in the city of Vilnius.
NORTH ELEVATION 1/500 SCALE
The main entrance to the concert hall is aligned with the green spaces and slopes of the Tauras Hill facing the impressive panorama of the city and connecting into a linear foyer which is surround ing the Grand Hall on the front and Small Hall at the back. Main Lobby are is linked by two canyon on each side of the Grand Hall towards the commercial spaces and Expo-Educational spaces on the backside of the building. The huge volume for foyer spaces serve as impor tant orientation spaces, allowing people to under GRAND HALL stand and if necessary remap their trajectories.
NORTH-WEST PERSPECTIVE VIEW
+10.00 I EXPO EDUCATION SPACES
The exterior skin of the building wraps around the auditoriums into the main foyer, thereby heighten ing the sense that this space is an extension of the urban public realm. Passing from the Sound Hill Park, through this the main entrance , the visitors arrive at the main foyer and they experience the balconies wrapping the Grand Hall. The design aims to bring the majority of audience into the halls at the entrance level of the build ing. While The Grand Hall stage level is on the basement level, the small hall stage level is on the ground level. While staircases lead the visitors -di rectly from the main foyer up into the other levels.
GRAND HALL
+10.00 +5.00 +0.00
EXHIBITION BALCONIES
Commercial Spaces and Main Restaurant is locat (+10.00) and there are balconies surrounding the Grand Hall will be used as exhibition spaces for the histor of music as well as expo-education. SMALL HALL
The South side (V.Mykolaiclo-Putino g. Road) of the Concert Hall will be used for the service, staff and artist entrance. There is also an open staff carpark with capacity of 50 cars. All the artists rooms, staff and service rooms are located at the basement level(-5.00). The Orchestra Rehersal Rooms are also on this level close to dress ing rooms. There is also direct Access to the main stage of the Grand Hall from the basement Level. Next to the Loading bay zone there is an optional underground parking proposal with capacity of 42 cars (Visitors) and 6 cars for (staff).
+5.00 I COMMERCIAL SPACES
The hill already has users with NATIONAL CONCERT HALL LOBBY its great view and big green space. It will be a part of this public knowledge by its unique sound installations and interactive musical landarts distributed throughout the hill.
SMALL HALL
ARTIST / STAFF ENTRANCE
STAFF ENTRANCE
+0.00 I GROUND LEVEL
VSDFH DFWLYRSHDQ
ENT
AGEM
MAN
BBY
C LO
PUBLI
It will merge the local and the visitor community of all generations under a single roof with two auditoriums, their associated facilities and surrounding public cultural Sound Hill Park. National Concert Hall will allow an emergence of a new space which will enable people the chance to explore the cultural activities in the city of Vilnius. It will become a space where European culture is created.
PUBLIC MAIN ENTRANCE
+22.50
+16.00
+4.00 ±0.00
drawings NEW CITY CENTER
Gedim
ino p
N
r.
melike altinisik architects
DOLAC BRIDGE tags: transportation, rythm, ecology, landmark, lighting, public, old town, symbiosis, circulation ...
renderings Dolac Bridge will define a natural means of communication with the potential of combining city transformations in Banja Luka. In order to fully grasp the entity of the city variety of investigations through the existing morphological and structural elements defines the formation of its design. Urban and local scale proposals of the design all feed into and support the main concept. The Bridge has a rthym of vertical elements which has several properties that integrates itself into the environment with its forest like light structure. This design dialogue creates the relationship between fortress Kastel and the Dolac Bridge as a Veduta of the future to define the identity of this ambience in which these two characters meet. The bridge will create a harmony as an expression of a cultural continuity in the symbiosis between the historical heritage and contemporary.
concept and the geometry
concept sketch by Melike Altinisik
The design of the bridge will be equipped with facilities which will have a siginificant impact on the quality of the movement in the modern city by becoming a popular public space which makes the Highscape as the termination point at Banja Luka.
drawings