Issue N° 18 || Scopic Satisfaction

Page 1

MAGA ZINE Issue Nº 18
2
3

Contributors

Time to BeReal?

Dolls on the The Silencing

The Imaginary

The Ethics of

What Really Happens The Fat Lady

content 6. 8. 12. 20. 30. 38. 46. 54.
Letter
Editor’s
4

content

Letter Contributors BeReal? Or Not? the Rise

Silencing of Amber Heard Imaginary Audience of Children on TelevisionHappens Behind the Scenes?

Lady Siings/Exists for Herself

5

editor’s letter

Dear readers,

We are thrilled to present to you the latest issue of ALT Magazine, Scopic Satisfaction, which plays upon the theme of scopophilia and its impact on our community and beyond. Our team has put together an incredible issue that is both thought-provoking and visually stunning.

Scopic Satisfaction is a critical examination of the many ways in which women, BIPOC, and LGBTQ+ individuals are transformed into social spectacles. Inspired by early 2000s paparazzi photography, this issue raises important questions about our society’s fascination with objectifying individual people and how it contributes to the marginalization of certain groups.

The articles in this issue cover a diverse range of topics connected by the overarching themes of power, representation, and the human experience. We have aimed to explore how power dynamics can shape public opinion and impact our perception of self, our relationships with others, and our understanding of social justice. At ALT Magazine, we are committed to amplifying diverse voices and perspectives. We believe that by doing so, we can contribute to a more inclusive and equitable society. Scopic Satisfaction is a powerful example of this commitment, showcasing the perspectives and experiences of our contributors.

We would like to express our gratitude to our team of contributors for their hard work and dedication in bringing this issue to life. We would also like to thank our readers for your continued support and engagement. We hope you enjoy reading Scopic Satisfaction and that it inspires you to engage in critical conversations about power, representation, and the human experience. Thank you for choosing ALT Magazine as your source of alternative fashion and culture.

Sincerely,

6
7

PHOTOGRAPHY

Lucy Gillard

Van Tran

Bridget Flannery

Rishaan Kumar

FASHION

Reena Singhal

Grace McKinstry

Lily Mihelich

Olivia Mabbott

Jayda Bessel

Redet Dereje

MODELS

Parker Harmon

Sam Giguere

Megan Wu

Susan Farias

Carrie Chinsee

Elliot Jewell

in Chief Ginger Secretary Rachel

Director Sophia

Director Aishwarya Fashion Director Forrest

Director Charlene Huynh Photography Director Videography Director

Bridget

contributors EXECUTIVE Chief
Panagioti
Executive Officer
Editor
Makeup
Graphics
Writing
Social Media Director Model Coordinator
8

contributors

BOARD

Panagioti Tsiamis

Ginger Townsend

Rachel Navasier

Sophia Egge

Aishwarya Gouthaman

Forrest Rivers

Huynh | Emily Hirsch

Director Kaelin Silas

Director Luke Canning

Sofia Irigoyen

Bridget Flannery

MAKEUP

Rachel Neviaser

Macy Chen

Xaver Davey

Kaitlyn Tran

Anna Dirksmeyer

Emma Warne

WRITING

Jillian Turner

Katja Fair

Honor Durham

Lincoln Miller

Leah Maitland

Sonakshi Garr

Maddy Hu

GRAPHICS

Sofia Irigoyen

Annika Carter

Ian Vailliencourt

Yifan Cui

9
10
11
12
13
14
15
16
17
18
19

Dolls on the Rise

20
Lincoln Miller

In her podcast hihellohowrü, content creator Nykita Joy (known to her online fanbase as @neoitgirl) released an episode this past July titled, “The Invisible Man & Desirability Politics,” detailing the challenges trans women face in the 21st century dating scene. The episode revolves around a door in Nykita’s apartment that–at the instruction of her landlord–should never have its deadbolt locked. Having lost track of the key, the only way for the landlord (or anyone) to reopen the door would be to break the lock entirely. At that moment, Nykita, with bated breath, shares that at the time of recording, she has locked the deadbolt.

Every Trans Day of Visibility, infographics about the rates of suicide and domestic violence among trans people are plastered on Instagram stories with calls for change–yet, very rarely are the voices who have survived such statistics elevated to share their experiences, and thus the cycle continues. Nykita’s dissection of datingwhile-trans gives us a glimpse into a dynamic that many trans women find themselves in, ensnared in the affection of what Nykita coins as ‘the invisible man.’ Such a figure wishes to laud their doll with luxury gifts and cheap motel orgasms, but never wants to be seen with them in public, keeping their relationship entirely invisible. Nykita expounds on this fact and the psychological damage, accompanied by threats of physical harm if their partners are ever exposed, that many trans women endure as a result. This leads many trans women to view themselves as nothing more than vessels for cisgender, heterosexual men to release their ‘dark’ desires into and withdraw when finished, rather than people deserving of adoration and romance.

“The power these women derive from their visibility has allowed them to free themselves from the shadowed grasp
21

Such a perception of trans mystique has roots in some historical tropes and have been reintroduced to a new generation across media today. In the HBO hit-series Euphoria, Jules, a trans woman played by Hunter Schafer, enters into a concerningly exploitative relationship with her own invisible man. Their relationship and Hunter’s representation in a widely consumed show has become a point of reference of trans representation for a young audience to come into their own understanding of the queer community. Schafer, in addition to many other trans women in film & TV, have leveraged depictions of ‘the invisible man’ in dramas like Euphoria to gain notoriety and draw attention to their sisterhood’s struggles. After decades of being gawked at by an uneducated public, trans creatives have captivated American audiences with their compelling life stories and fierce talent.

Now, more than ever, trans women are becoming major sources of influence in our mediascape. Look no further than Ethel Cain or Dominique Jackson to see that transgender artists are here, they’re on the rise, and they are not going anywhere. Dolls are dominating the runway, the silver screen, and the recording studio, making them a verified spectacle for anyone who’s paying an inkling of attention to American culture in 2023. The power these women derive from their visibility has allowed them to free themselves from the shadowed grasp of the invisible man, setting an example for queer people around the world. For the first time, rather than barricading it shut, the rise of trans women is breaking down the door from within the room itself.

22
23
24
25
26

keys

Feeling invisible? Your talents and labor exploited yet simultaneously overlooked and undervalued?

Try PRIVILEGE today! Unlock new opportunities and being treated like a person. . .

27
to privilege
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
5757
58
59
alt.zine ALT Magazine-UW www.altmagazine.com ALT Magzine Follow 60
Magazine-UW Madison www.altmagazine.com Magzine Follow Us 61

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.