ALEJANDRO A L C A L A Selected Works 2011 - 2016
Architecture with a capital “A� is a living system that responds to time and space; it changes, evolves, it excites you ...
ALEJANDRO ALCALA Dipl. Architect / M. DesR
STUDIES
SOUTHERN CALIFORNIA INSTITUTE OF ARCHITECTURE (SCI-ARC) 2014-2015 Master of Design Research (M. DesR) Emerging Systems Technologies and Media (ESTm) UNIVERSIDAD AUTONOMA DE SINALOA (UAS) 2007-2012
7660 Beverly Blvd, Apt. 261 Los Angeles, CA USA +1 (213) 292-2342 alxalcala@icloud.com
Bachelor in Architecture (B.Arch) Dipl. Architect
TOM WISCOMBE ARCHITECTURE - Los Angeles, CA - Sept. 2015 to May 2016 Tom Wiscombe - Principal, SCI-Arc Undergrad Chair Project Designer WORKING EXPERIENCE
SOUTHERN CALIFORNIA INSTITUTE OF ARCHITECTURE (SCI-ARC) - Los Angeles, CA Sept. 2015 to May 2016 Assistant Teacher for Tom Wiscombe Studio - M.Arch 2 First Year Instructor of Visual Studies Class for M. Arch 2 - Exact Forms Assistant Teacher of Tom Wiscombe Studio - B. Arch Forth Year FREELANCE - Mexico City, Guadalajara, Culiacan, Mx. May 2013 to Jun. 2014 AT-103 - Mexico City - Jan. 2013 to May 2013 Francisco Pardo - Principal, SCI-Arc Mexico Director Julio Amezcua - Principal Project Designer JAIME ZAZUETA ARQUITECTOS - Jan. 2011 to Jan. 2013 Jaime Zazueta - Principal Intern Junior Architect
SKILLS
Modeling: Maya, Rhino, Z-Brush, ArchiCAD, Revit Rendering: Maxwell, Mental Ray, Keyshot, Artlantis Studio Drafting: AutoCAD, ArchiCAD, Revit, Rhino Coding: Processing, Phyton, MEL 3D Print: MakerBOT, Meshmixer, Z-Print Shop Skills: CNC Milling, 3D printing ( Powder, PLA, ABS, Resin, Paper), Laser cutting, Molding, Casting, Shop Tools
LENGUAGES
Spanish, English
MIXED REALITY MODELING_FALL_2014 FAKE PHYSICS
PERSPECTIVE 01
ALEJANDRO ALCALA ESTM
AXONOMETRIC
The parts, or ‘supercomponents’, also point to a method of prefabrication where the project is built in integrated components including primary and secondary construction as well as metal panel envelope.
CONTENTS
8
FUZZY MONOLITH / WTC LA PROPOSAL Marcelo Spina / Vertical Studio / Design Studies / 2014
14 RE-THINKING STUTTGART TRAIN STATION TERMINAL Greg Otto / Advanced Structure Systems / Applied Studies / 2014 18
MONKEY PAW Tom Wiscombe / Alien Tectonics / Applied Studies / 2015
22
SUPERMASSIVE BLACKHOLES Tom Wiscombe / Vertical Studio / Design Studies / 2015
26
SPATIAL DISCONTINUITY / THESIS PROJECT: Advisor Marcelo Spina & Casey Rehm / Master in Design Research Thesis Project
32
MIXED USE BUILDING Vertical Studio / Design Development / 2011
34
METROBUS STOP HYPERTHREADS WORKSHOP by Zaha Hadid Architects / 2014
40
EMERGENT ARCHITECTURE IN A UNDERDEVELOP COUNTRY Undergrad Thesis Project / 2012
40
PHYSARUM Satorou Sugihara / Advance Coding Form / Applied Studies / 2015
ACADEMIC
CONTENTS
TOM WISCOMBE ARCHITECTURE THE MAIN MUSEUM OF LOS ANEGELES ART MUSEUM Private client / Los Angeles, CA / 2015-2016
46
TOM WISCOMBE ARCHITECTURE SUNSET BILLBOARD PUBLIC SPACE/COMPETITION (FINALIST) City of West Hollywood / Los Angeles, CA / 2015-2016
57
PB HOUSE RESIDENTIAL Private client / Guadalajara, MX / 2014
64
HOUSE3 RESIDENTIAL Collaboration Jaime Zazueta Arquitectos / Culiacan, MX / 2014
CLUB HOUSE RESIDENTIAL Collaboration Jaime Zazueta Arquitectos / Culiacan, MX / 2014
66
70
HORSESHOE EQUESTRIAN RANCH Private client / Culiacan, MX / 2014
74
HF BUILDING HOSTEL Private client / Mexico City, MX /2014
78
MR BUILDING MIXED USE BUILDING Private client / Mexico City, MX /2014
82
PROFESSIONAL
10
FUZZY MONOLITH
MARCELO SPINA / VERTICAL STUDIO / DESIGN STUDIES / ESTM / SCI-ARC / FALL 2014
Vertical Studio Marcelo Spina Classification: Academic Team Work: Oscar DeLeon Year: Fall 2015 Location: Los Angeles, CA Area: 12,252 sqf Type: WTC, Apartments, Retail
The aim was to create a visual effect through the use of porosity of the surface that could be utilized in a practical manner. Urbanistically, create forms that are sliced by urban moves found in the context. We found that the conceptual slicing wasn’t only a useful for form making but also influential in the juxtaposition of materiality. Architecturally, a visual effect, through the use of depth in the aperture, blur any flatness occurring on the surface while also revealing the reality so to cause multiple interpretations of the surface. The same openings, used for a visual unclarity on the surface, were also used to create opening for practical use such as; windows, skylights, balconies, doors, and light wells. F latness occurring on the surface while also revealing the reality so to cause multiple interpretations of the surface. The same openings, used for a visual unclarity on the surface, were also used to create opening for practical use such as; windows, skylights, balconies, doors, and light wells.
Design Process Diagram
Design Process Diagram
Selected Works 2011-2016
11
Overall design_Render
The skin of the project was addressed as s continuous diagrid structure enclosed by a glazing mullion system
The project is about re-think and re-imagine the LA WTC, Located in the north border of downtown, this side of the town is mainly occupied by people working in towers of the surrounding area, and by this we can see that after office hours this area is completly dead, our project propose to revive the area, connecting all sides of the block, and by this getting a better communication of the pedestrian flow, and therefore we took the decision to convert all ground floor into retail and shopping mall, and then apartments and the WTC in the upper levels . And with this revitalize the area economically and socially. In collaboration with Oscar DeLeon
Rendering
12
The Project started by analysing the programmatic context of the surrounding site: the LA Hotel, Bank of America Tower and Bunker Hill area being the largest areas, but also a lot of small neighbourhoods cut by the freeway. By using the interstitial spaces of the freeway, volumes were introduced with that geometry which rise from the ground through the freeway hight and eventually become towers or “legs”. A top piece is set at approximately 450 feet above the ground connecting all four legs. Programatically this is taking the WTC and moving it into this area, freeing the zone which was occupied by it before and allowing for a “central park” to apear in between.
Site PLan
Elevations
Selected Works 2011-2016
13
Rendering
Rendering
Rendering
14
Selected Works 2011-2016
15
Rendering
16
RE-THINKING STUTTGART TRAIN STATION TERMINAL GREG OTTO / ADVANCED STRUCTURE SYSTEMS / APPLIED STUDIES / 2014
Advance Structure Systems Seminar Greg Otto Classification: Academic Team Work: Anhuar Farah Year: Spring 2015 Location: Stuttgart, Ger. Type: Train Station Terminal
This project was more an experimental exercise, which took a semester to develop, the overall objective of the exercise was to take a real project to be built, which lackof good communication between architecture and engenering, engineers vs architect. So we decided to choose the new Stuttgart Train Station by Ingenhoven Architects Taking its central aesthetic essence, it active structure form, continuous surfaces, and most importantly not use conventional structure. To which we take help of digital tools, parametric structural analysis, free modeling sofwares, animation and simulation softwares, then moving forward proceding to analys iterations processed by multiple types of analysis, such as form finding, tension, flexibility, relaxation, rationalization, and finally optimization. never consider leaving the aesthetic appearance as a designer, and manipulating the softwares to throw us the desired and ideal result.
Low-Poly Geometry
Relaxed Geomtry
Design Process Diagram
Rendering
Selected Works 2011-2016
Diagram Structure Layers
Diagram Structure Layers
Model Photograph
17
18
Selected Works 2011-2016
19
Rendering
20
MONKEY PAW
TOM WISCOMBE / ALIEN TECTONICS / APPLIED STUDIES / 2015 IN COLLABORATION WITH IOANNA GEORGITSOPOLOU
This project deals with the defamiliarization of conventional tectonics made possible through composite materials. Our focus is on creating strange scalar effects and mysterious joinery and seaming techniques which create a sense of surpise and mystery not possible with mineral materials. We investigate in particular how an object-oriented approach can contribute to the discourse of tectonics. Moving beyond the tectonic discourse of the naive real, often based on geometry, technology, or building science, which signifly knowledge, we turn towards “weird realism�, focused on the strange and unknowable.
Weird Tectonics Seminar Tom Wiscombe Classification: Academic Team Work: Ioanna Georgitsopolou Year: Spring 2015
3D Detail Section
Diagram Joinery Studies
We focused on an exceptionally high degree of discreteness of components, exploring how seams and components can begin to exhibit autonomy and avoid generalizing conditions often associated with construction systems. While the Werewolf has often been used as an analogy to describe a world of flows where every part can become every other part, we trade that in for frankenstein`s patchy, half-healded, stylized thresholds between a discrete set of parts, We investigate the meta-possibilities of joints and seams to become jagged, near-figural, and even fake, with the express intent of moving away from the homogenizing gradients oanelization promoted by parametric design.
Selected Works 2011-2016
21
Rendering
Joints and seams are no longer understood as the site of hardware, bt rather of interlocking, friction-fitting, keying, and gluing; semas will no longer index a lack in the form of beginnings and ends of little pieces of material. We have mined the intelligences of contemporary and historical garment stitching and tranditional Japanese wood joinery (Miyadaiku), which, as pre-Modern, pre-mineral forms of joinery, may bear on our subject. Finally, we explore tectonics as represented in indie science fiction as precedents for a “weird reallist” tectonics in architecture. We were also investigate a pointed and speculative deployment of robotics and their implications for alternate constitutions of the real. We avoid fantasy in favor of playing out the strange consequences of “weird tectonics” in acts of fabrication and construction.
Exploded Axon of Components
22
Photographs
Selected Works 2011-2016
23
How do we treat architecture as an weird object ? The tectonics of Weird Architecture explores its provocative, yet primitive approach that is inspired from fashion stitching, seaming, and wood joinery. The unfarmiliarity is exemplified by projecting the familiar stitching & joinery techniques into weird figuration, in which consists of finger-like locking system that provides rigidity and aesthetic quality. Rendering
24
SUPERMASSIVE BLACKHOLES
TOM WISCOMBE / VERTICAL STUDIO / DESIGN STUDIES / 2015
Vertical Studio Tom Wiscombe Classification: Academic Individual Work Year: Fall 2015 Location: New York Area: 7,525 sqf Type: Fine Art Museum
One of the fundamental things architecture does is characterize the threshold between exterior and interior, In this, it must take an ontological position with regards to the state of existence of “outside” and “inside”, and the degree to which they might be illusions. A key part of this work is the exploration of fake and real shadows, reflections, and halos, in terms of how they may emanate from objects and deep involutions and then be refied into physical features. These features may exist as surface effects, such as changes of material or sheen, or they may be used to transform the three-dimensional mass more aggressively. The goal will be to create flattering, depth, or obscuring effects that heighten the mystery and irresolution of the building object. Rendering is not used to represent finished designs or produce “special effects” or other phenomena, but rather as a toool to study possible configurations and patterns of lightness and darkness in service of noumena, or the thing-in-itself.
Design Process
Section Diagram
Selected Works 2011-2016
25
Diagram Joinery Studies
3D Detail Section
Exploded Axon of Components
26
Photographs
Selected Works 2011-2016
27
At stake, ultimately, is the status of objects, their qualities, and our lack of access to them as they withdraw into ther dark interiors. Qualities, for us, will begin to slip off objects, marking them more abstract and ineffflable. This marks a turn away from universally “articulating� object and surfaces in ultra high fidelity, a disciplinary interest of the 2010s (sometimes referred to as the neo-Baroque) which now seems exhausted. While contemporary object-oriented philosophy may offer us windows into this problem, it will be important for us to operate within the discipline of architecture. We must generate our own lexicon and basis for success and failure, and no doubt invent new forms of subjectivity, without which architecture cannot exist.
Rendering
28
SPATIAL DISCONTINUITY / THESIS PROJECT
ADVISOR MARCELO SPINA & CASEY REHM / MASTER IN DESIGN RESEARCH THESIS PROJECT
Post-graduate Thesis Project Advisior: Marcelo Spina and Casey Rehm Classification: Academic Team Work: Mary Franck Year: Summer 2015 Location: Death Valley, CA Type: Factory, Museum.
The mass employs hyperarticulated mixedresolution systems in combination with media to create spatial discontinuity. The project it’s about a process of discontinuous recursion to degrade a monolith and create excessive, granular detail within the mass. These interlocking mixed resolution systems create a fuzzy monolithic whole with multiple readings. Our project pushes the extent to which a monolithic object can be degraded and recomposed while preserving coherence through both geometric and media strategies. Rather than uniform elements that disappear into a single volume, our project is composed of discontinuous patterns of excessive, granular detail and tens of thousands of volumes. The result is a tension between coherence and incoherence in a single architectural object. This approach is continued temporally in the use of spatial, non-perspectival media in opposition to the totalizing media strategies of past superarchitecture. The hyper articulation of these surfaces allow for peripheral affective effects of motion and light and new possibilities of spatial illusion and organization of visual information.
Mixed Resolution Components Design Process Diagram
Selected Works 2011-2016
29
Exploded Axon of Components
Rendering
30
Design Process
How do we treat architecture as an weird object ? The tectonics of Weird Architecture explores its provocative, yet primitive approach that is inspired from fashion stitching, seaming, and wood joinery. The unfarmiliarity is exemplified by projecting the familiar stitching & joinery techniques into weird figuration, in which consists of finger-like locking system that provides rigidity and aesthetic quality.
Elevations
Top View
Selected Works 2011-2016
31
Rendering
32
Rendering
Selected Works 2011-2016
33
The program of the building is inhabited by “Media”, adapting to an external environment without being in direct communication, but attempts to simulate an outer space within an interior space, projecting and simulating a the known reality. But this same design of media occasionally reminds us by glitches that is not real, it’s an illusion, it is a space created by humans, is also planned, awakening Scalar effects, but most importantly changing the perception of what we understand is “space”, taking us out of our known reality, into an analog virtual space This part of the project was developed by using virtual reality technologies, using occulus googles, and this was the only way to experience the interior of the building.
34
MIXED USE BUILDING
VERTICAL STUDIO / DESIGN DEVELOPMENT / 2011
Vertical Studio 4B Design Development Classification: Academic Team Work: Eduardo Lazcano and Horlando Araujo Year: Spring 2011 Location: Culiacan, Sin, Mx Area: 5,500 sqf Type: Mixed-Use, Retail, Apartments.
This project was done in the 8th semester of my bachelor in architecture. The main focus of the studio during the first month, was to make an urban study of the downtown area of Cuiliacan, Sinaloa, Mexico. Then with the results we choose an area that had all the requirements of the urban development plan of the city currently in progress and by this could determine a good social impact of urban densification in the city center. The plan was to design a mixed-use building, the entire plant was its first inhabited by different trade, and the upper floors for apartments of different configurations, to attract different parts of the society.
Elevation
The technological approach was to create a modular design, efficient in terms of energy and use of appropriate materials according with climate conditions of the project. Thus incorporating the metal structure of the building to be aesthetic part of it. double glass facade to retain the hot air, while allowing natural ventilation esthetically helping to give depth and light effects by the colors of the interior facade. The scope of this project was very ambitious, proposing structure, construction details, proposed electrical installations, lighting, hydraulic and air conditioning systems, details of facades and interior design.
Rendering
Rendering
Selected Works 2011-2016
35
Exploded Axon of Components
Rendering
36
METROBUS STOP
HYPERTHREADS WORKSHOP by Zaha Hadid Architects / 2014
In October 2011 I took part in the Workshop ZHA CODE Hyper Threads by Zaha Hadid Architects in Mexico City. During this workshop we focused in several concepts of parametric design and digital fabrication. Design based in the physical properties of materials, the combination of shape and structure, and computational methods to optimize the fabrication process as well in adoption of local resources and construction techniques. As an excercise we developed a project for a bus stop using the mentioned techniques above.
Zaha Hadid Architects ZHA CODE Workshop Classification: Academic Team Work: Manuel Franco, Isaac Lopez and Vicente Pardo Year: Fall 2011 Location: Mexico City, Mx Area: 625 sqf Type: Bus-stop station, Pavilion, Monument
Form Finding
Catalogue of Iterations
Selected Works 2011-2016
The project was to build a “metrobus station� in Mexico City. One of the constrains was a limited site of 30 m x 20 m, we had to considerate the dimensions of the urban transport, and also we needed to provide comfort zones inside the station, another parameter was the correct flow between all the users. The main idea was inspired by the moebius strip, making a fussion between form and function, the geometry part from a really basic diagram that has an easy flow in all the ways, with straight entrances and exits.
37
Design Process
38
Selected Works 2011-2016
39
Rendering
40
Maya animation techniques were used to apply tension, gravity and external forces to the geometry, in order to optimize the shape, racionalazing the surface and helping the find the ideal form.
Form Finding Relaxed Surface Studies
Selected Works 2011-2016
41
Exploded Axon of Components
Renderings
42
EMERGENT ARCHITECTURE IN A UNDEVELOPED COUNTRY UNDERGRADUATE THESIS PROJECT / 2012
Undergraduate Thesis Project Classification: Academic Individual work Year: Spring 2012 Location: Culiacan, Sin, Mx Area: 625 sqf Type: Pavilion, Landscape, Cafe
This project is an intervention in the gardens of the architecture school of the Universidad Autonoma de Sinaloa. And therefore presents a major challenge accompanied by a trade-off between function and aesthetics effects of the buil, effectively evidencing the various attributes and transform the space. The Audir system must create new plans, new volumes, new leaks and new ambiguities, through these elements, attract a differnt space, accessible and flexible. The architectural project is a block that contains an exhibition space and a cafe, these tto structures connected by walkways, and by this giving life to this space of the school. In terms of design we decided to go against the mexican architecture school, which is still teaching and sketching
Photographs of the region to study
airs of the modernist school, and that way we approach in terms of structure the active structure forms and leverage of the use of parametric tools, and also by the same time by using this techniques, this project can be completed by one single person on time. Then the main idea was to do it under sustentable principies and also that the project can represent thtat region of the country in terms of architecture, economy and sociaty. A pavilion was the answer from previous ideas, as analogy we took a shell, and then we pixeled it by using a basic unit represented by green plastic boxes, because the city is world wide known by its high level of production of tomatoe, the idea to make it happen it was to ask agricultural companies to donate a thousand boxes and get built it by students.
Secondary Economic Activity
Architecture
Primary Economic Activity
Agriculture Land
Selected Works 2011-2016
25
24 23 22 20 19 18 17 0.78
16
15
13
12 11 10 9 8 7 6
13.65
0.39 0.39 0.39 0.39 0.39 0.39
1.96
1.75
1.75
21
43
5
0.39 0.39 0.40 0.39 0.39 0.39 0.78
1.95
14
17.49
6.00
4
3
6.98
2.96
1
N
1.54
M
L
K
J
I
H
G
F
E
D
C
B
A
21.75
0.86
0.70
0.70
0.70
0.65 0.70 0.05
1.40
0.70
0.70
0.70
0.66
4.92
5.17
4.00
0.00
NSP + 5.1600 1.14
NTV + 4.100 NIL + 3.600 NIV + 3.300
1.07
6.41 5.55
1.55
0.21 0.30
0.80 0.80
2.40
2.40
0.89
NPT + 0.600
2.07
2.69
2.35
14.75
19.79
F-01 -
5
6 7 8 9 10 11 12
Fachada Oeste 1:100
13
15
16
17 18 19 20 22 23 24
Corte Transversal Arquitectonico 1:100
C-08 -
25
13.65
1
3
0.78
4
1.54
0.39 0.39 0.39 0.39 0.39 0.39
1.95
1.75
1.75
14
17.49
2.96
0.39 0.39 0.39 0.39 0.39 0.39 0.78
1.95
6.98
21
21
14
4
3
1
6.00
17.49
0.62
6.00
0.62
6.98
2.96
1.54 NSP +4.100
0.99
NTV + 3.500 NIL + 3.300
6.52
2.10
0.21
4.12
1.20
NPT + 0.600 -0.013
B
C
D
E
F
G
H
I
J
K
L
M
4.92
0.66 0.70 0.70 0.70
1.40
0.70 0.70 0.70 0.70
+0.600
5.80
6.79
0.20
4.30
0.20
NPT +0.600 +0.150
0.20
Corte Longitudinal Cafetería 1:100
C-01 -
N
21.75 5.17
1.97
0.40 +0.300
0.20
Fachada Este 1:100
4.00
+0.300
+0.150
2.10
+0.600
+0.450
14.04
F-02 A
NIV +2.570 3.50
2.39
0.90
NSL + 3.030 NIL +2.870
0.21 0.30
1.00
1.20 2.30
4.48
NTV +3.500
1.02 0.43
NIV +3.000
3.50
1
+6.822
3
4
14
21
0.70 17.49
NSP + 5.160
1.54
+5.162
0.31 0.15
2.96
6.98
6.00
0.90
NTV + 4.100 NIL + 3.600 NIV + 3.300
D-01 Detalle Steel Deck
D-03 Techo Verde
6.52
1.11
LOCALIZACIÓN
NTV +3.500 NIL +3.300
0.21 0.30
4.56
NIV +3.000
Facultad de Arquitectura, Ciudad Universitaria UNIVERSIDAD AUTONOMA DE SINALOA
0.64 0.71 NPT + 0.600
1.86
0.75
2.11
1.51
+0.600
+0.450
+0.300
+0.600
5.84
3.00
2.40
2.38
D-02 CT-1
+0.300
10.48
+0.300
+0.150
+0.600 0.40
±0.000
+0.450
NIV +3.000 +0.300
+0.150
9.22
Fachada Sur 1:100
F-03 -
C-02 -
Corte Longitudinal Cafetería 1:100
SIMBOLOGÍA
N
M
L
K
J
I
H
G
F
E
D
C
B
NPT Nivel piso terminado NIL Nivel inferior losa NSL Nivel superior losa NSP Nivel superior pretil RAN Registro aguas negras RAP Registro aguas pluviales BAP Bajante aguas pluviales BAN Bajante aguas negras TV Tubo de ventila
A
21.75 +6.822
5.95
0.70 0.70 0.70 0.70 0.70
1.40
0.70 0.70 0.70 0.66
4.92
5.17
4.00
NSP + 5.160 1.10 6.52
NTV + 4.100
1.06 4.56
Elevations
0.78 0.64
+0.300 ±0.000
+0.150
+0.600
+0.300
13.30
6.40
3.00
+0.600
0.71 +0.450
+0.300
NPT + 0.600
+0.150
CUADRO DE DATOS PROYECTO:
±0.000
FAUAS PABELLÓN (Parametricismo)
UBICACION:
AV. AMERICAS , S/N. CIUDAD UNIVERSITARIA, CULIACÁN, SINALOA
5.84
ALUMNOS
ID Subgrupo 01.1
ALEJANDRO ALCALÁ ORTIZ EDUARDO LAZCANO ROSALES
28.78
Orientación ASESORES:
ARQ. MELCHOR PEIRO GUERRERO ARQ. VICENTE AMARAL IBARRA ING. SUSANA CIFUENTES FECHA:
JUNIO/ 15
ACOTACION:
EN METROS
SUPERFICIE DE CONSTRUCCION :
TOTAL
Nombre del Plano Fachadas y Cortes
ESCALA:
LA INDICADA
=
1122 M2
N ID del plano
01.1.3
Exploded Axon of Components
Site View Rendering
AL
AS
F
H
I
J
K
L
M
44
N
Humus 1 cm
.70
1.40
0.70
0.70
0.70
0.70
Tierra Vegetal 4cm Drenaje (gravilla) 5cm Barrera Anti-Raíz Capa de Protección y Separación Impermeabilización
0.70
Techo Verde 1:10
D-03 Detalle 3D Techo Verde
Humus 1 cm Tierra Vegetal 4cm Drenaje (gravilla) 5cm Barrera Anti-Raíz Impermeabilización Rampa techo verde
25 0.78
24 23 22 20 19 18 17
0.39 0.39 0.32 0.07 0.39 0.39 0.39
21
Concreto Steel Deck Estructura de acero
Pabellón
1.95
16 1.75
Interior Cafetería Placas de corian
15 1.06
Piso cafetería Resina con pintura epoxica
14 0.69
13 18.93
1.95
12 11 10 9 8 7 6
0.39 0.39 0.39 0.39 0.39 0.39 0.78
5
4
C-06 4.18
C-04 C-03
Esquema 3D de todos los componentes del proyecto
3
LOCALIZACIÓN
Piel exterior cafetería Panel Trespa
1.11
2
Facultad de Arquitectura, Ciudad Universitaria UNIVERSIDAD AUTONOMA DE SINALOA
Components
.70
1.40
H
0.70
I
0.70
J
0.70
K
0.70
L
0.70
M
SIMBOLOGÍA
N
NPT Nivel piso terminado NIL Nivel inferior losa NSL Nivel superior losa Detalle Fijación torillos NSP Nivel superior pretil RAN Registro aguas negras RAP Registro aguas pluviales BAP Bajante aguas pluviales BAN Bajante aguas negras TV Tubo de ventila
Planta Estructural 1:100
3.43
0.36
0.74
1.05
1.32
1.55
1.78
2.00
2.25
2.52
3.69
3.44
0.30
0.62
0.92
1.20
1.45
1.71
2.00
3.82
3.91
2.87
2.39
3.57
6
1.39
5
1.35
1.85
2.26
2.64
2.98
3.28
3.78
3.98 4.15
4.29
4.40 4.48
4.53
4.57
4.60
4.64
3.68 2.14
2.47
2.77
3.05
3.29
3.32
3.74
4.18
4.65
5.10
5.43
5.65
5.79
5.89 5.95
Perspectiva 3D Estructura de Acero y Losa de cafetería
12
2.74 1.77
3.55
3.50
3.69
3.85
3.99
4.11
4.19 4.26
4.31
4.35
0.80
1.17
1.58
2.02
2.47
2.90
4.40
11
0.82
1.21
1.65
2.11
2.56
3.00
3.43
3.86
4.32
4.77
5.16
5.43
5.95
18
5.61
5.73
5.81 5.84
5.79
17
Fijación por medio de tornillos auto-roscables de 2" en sentido oeste-este
Fijación por medio de tornillos auto-roscables de 2" en sentido sur-norte
Sujetadores plásticos de alta resistencia
Método de Anclaje vertical parejas
K1
+
Caja Plástica Colada
Perforaciones con taladro en cada esquina
Castillo K1
Losa de Cimentación
CUADRO DECajas DATOS coladas PROYECTO:
Fijación por medio de tornillos auto-roscables de 2" en sentido sur-norte
0.20cm x 0.15cm 4V #3 E @ 0.20 cm
Detalle Castillos K1
Cajas Plásticas Sólidas Coladas
Detalle fijación tornillos
Barbas 0.70 m V #3 Plantilla concreto f´c= 100 kg/m
Detalle Planta
Detalle corte
Cajas coladas con castillo K1
Anclaje armado cimentación con cajas coladas
FAUAS PABELLÓN (Parametricismo)
UBICACION:
Cajas Plásticas Sólidas
3.17
0.30
0.61
0.94
1.26
1.62
2.14
3.31
3.42
2.52
4
1.75
2.08
2.39
2.67
2.92
3.15
3.35
3.54
3.72
3.87
3.99
4.10
4.18
4.25 4.30
4.36
10
0.94 0.05
0.87
1.32
1.79
2.27
2.72
3.17
3.62
4.06
4.50
4.88
5.16
5.36
5.50
5.60 5.65
5.64
ALUMNOS
5.61
16
2.52
0.80
1.32
1.67
1.85
0.85
0.74
2.86
3
0.16
0.17
2.71
1.66
0.69
0.73
2.04
1.42
1.78
2.09
2.37
1
2.87
3.09
3.30
3.50
3.69
3.88
4.04
4.18
4.29
4.37
4.43
1.11
1.41
1.67
1.91
2.14
2.36
2.57
2.79
3.01
3.24
3.46
3.67
3.82
3.92
0.91
1.20
1.44
8
1.67
1.89
2.10
2.33
2.57
2.83
3.13
3.47
3.68 3.79
0.99
1.50
1.99
2.47
2.93
ARQ. MELCHOR PEIRO GUERRERO ARQ. VICENTE AMARAL IBARRA ING. SUSANA CIFUENTES
0.429m
3.82
4.22
4.57
4.84
5.05 5.21
5.33
5.40 5.42
1.70 0.15
2.19
2.66
3.10
3.89
4.21
1.84
2.73
3.12
3.47
3.78
4.04
ACOTACION:
EN METROS
TOTAL
5.41
5.41
4.47
4.69
4.86
4.99
5.09
5.14
5.17
5.17 5.18
14
2.30
JUNIO/ 15
SUPERFICIE DE CONSTRUCCION :
ESCALA:
LA INDICADA
=
1122 M2
N ID del plano
01.4.2 LOCALIZACIÓN
0.74
0.91 0.30
3.51
FECHA:
Nombre del Plano Plano Estructural 02
15
3.87
7
3.38
0.06
3.99
0.28
0.10
4.50
9
2.26
2
2.63
0.07
Orientación ASESORES:
0.389m
Perspectiva 3D Rampa techo verde con muros de contención
0.37
ID Subgrupo 01.4
ALEJANDRO ALCALÁ ORTIZ EDUARDO LAZCANO ROSALES Cajas Plásticas Perforadas
0.70m
Perspectiva 3D Estructura Cafetería
AV. AMERICAS , S/N. CIUDAD UNIVERSITARIA, CULIACÁN, SINALOA
4.27
4.45
4.60
4.72
4.80
4.85
4.88
4.90
4.92
13
Facultad de Arquitectura, Ciudad Universitaria UNIVERSIDAD AUTONOMA DE SINALOA
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1
SIMBOLOGÍA NPT Nivel piso terminado NIL Nivel inferior losa NSL Nivel superior losa NSP Nivel superior pretil RAN Registro aguas negras RAP Registro aguas pluviales BAP Bajante aguas pluviales BAN Bajante aguas negras TV Tubo de ventila
CUADRO DE DATOS
HT-07 -
Unfold Components
Plano Constructivo Pabellon 1:100
PROYECTO:
FAUAS PABELLÓN (Parametricismo)
UBICACION:
AV. AMERICAS , S/N. CIUDAD UNIVERSITARIA, CULIACÁN, SINALOA
ALUMNOS
ID Subgrupo 01.5
ALEJANDRO ALCALÁ ORTIZ EDUARDO LAZCANO ROSALES
Orientación ASESORES:
ARQ. MELCHOR PEIRO GUERRERO ARQ. VICENTE AMARAL IBARRA ING. SUSANA CIFUENTES FECHA:
JUNIO/ 15
ACOTACION:
EN METROS
ESCALA:
LA INDICADA
SUPERFICIE DE CONSTRUCCION :
TOTAL
Nombre del Plano Plano Constructivo Pabellón
=
1122 M2
N ID del plano
01.5.1
Selected Works 2011-2016
45
Design Process Shell
Overview Axo View
Overview Axo View
46
Rendering
Selected Works 2011-2016
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Rendering
48
PHYSARUM
SATOROU SUHIGARA / ADVANCE CODING FORM /APPLIED STUDIES / 2015 Undergraduate Thesis Project Classification: Academic Individual work Year: Spring 2012 Location: Culiacan, Sin, Mx Area: 625 sqf Type: Pavilion, Landscape, Cafe
Selected Works 2011-2016
49
PHYSARUM The physarum is a slime mold that moves in a shuttle streaming behavior. Shuttle streaming is characterizaed by the rhythimic back-and-forth flow of the protoplasm
GROWTH - AGENTS There will be an agent that acts as a parent and that will branch out by multiplying, creating children agents in the Steiner minimum tree pattern. This tree of agents will recognize where the different “triggers” are located in the layout and create the most efficient paths between them. Once the path is determined the agents that where branching out will regroup on the network between “triggers” giving it thickness. We will not recreate the spore reproduction system, we are more interested in the growth of the physarum in its plasmodium state.
EXPERIMENTS WITH PHYSARUM Physarum has been used in many experiments to determine the possibilities of physarum. Physarum has been proven to solve simple mazes and simulate road networks.
50
full energy
1
add_library('igeo')
The grouth of the physarum starts with a random direction in a set angle.
def setup() : IG.bg(0.6) size(600,1000,IG.GL) IConfig.syncDrawAndDynamics=True IG.pers() IG.open("S2.3dm") surface = IG.surface(0).clr(163,177,179) #surface.hide() points = IG.layer("nutrition").points()
LineAgent(None, IVec(0.5,0.5,0), IVec(0,0.005,0), 1, surface)
2
for pt in points : Nutrition(pt.pos(), 2.0) class Nutrition(IAgent) : def __init__(self, p, rad): self.calories = 10000 self.pos = p self.radius = self.calories / 10000 * 2.0 self.sphere = IG.meshSphere(self.pos, self.radius).clr(204,212,213) def interact(self, agents): for agent in agents : if isinstance(agent, LineAgent) : if not agent.isColliding : if agent.surfPt2().dist(self.pos) < self.radius and self.calories >=0: self.calories -= 1 agent.setEnergy(1) def update(self): self.radius = self.calories / 10000.0 * 2.0 self.sphere.del() self.sphere = IG.meshSphere(self.pos, self.radius).clr(204,212,213) class LineAgent(IAgent) :
The nutrition has 1000 calories that will be absorved by the line agent, Once the nutrition is reached by the physarum its radius starts decreasing.
def __init__(self, parent, pt, dir, energy, surface): self.parent = parent self.pt1 = pt self.pt2 = pt.dup().add(dir) self.isColliding=False self.energy = energy self.line = None self.surface = surface self.receivingEnergy = 0 self.geometry = None def surfPt1(self): # convert pt1 as UV coordinates to XYZ coordinates return self.surface.pt(self.pt1.x(), self.pt1.y()) def surfPt2(self): # convert pt1 as UV coordinates to XYZ coordinates return self.surface.pt(self.pt2.x(), self.pt2.y())
3
def interact(self, agents) : if self.time() == 0 : for agent in agents : if isinstance(agent, LineAgent) : if agent is not self : #agents include "self" if agent.pt2.dist(self.pt2) < self.pt2.dist(self.pt1)*10 : intxn = IVec.intersectSegment(agent.pt1,agent.pt2,self.pt1,self.pt2) if intxn is not None and not intxn.eq(self.pt1) and not agent.isColliding : self.isColliding = True return The line agents are piped and its radius depends of the calories that the physarum has absorved at that moment.
def update(self) : if self.receivingEnergy > 0 and self.parent is not None: self.parent.setEnergy(self.receivingEnergy) self.receivingEnergy = 0 self.energy -= 0.01 #0.03 if self.line is not None: self.line.clr(self.energy) if self.geometry is not None: self.geometry.clr(self.energy)
4
The line agents that couldn´t reach the nutrition after a while start retracting and following a path that already found a spot with nutritions.
5
if self.isColliding or self.energy <= 0: if self.line is not None: self.line.del() if self.geometry is not None: self.geometry.del() self.del() elif self.time() == 0 : #if not colliding self.line = ICurve(self.surfPt1(),self.surfPt2()).clr(self.energy) dir = self.pt2.dif(self.pt1) dir2 = self.pt2.dif(self.pt1) angle = PI*0.18 #PI*0.18 if IRand.pct(50) : dir.rot(angle) dir2.rot(-angle) else : dir.rot(-angle) dir2.rot(angle) LineAgent(self, self.pt2, dir, self.energy - 0.01, self.surface) if IRand.pct(40) : LineAgent(self, self.pt2,dir2, self.energy - 0.01, self.surface)
When the line agents that donâ&#x20AC;&#x2122;t have nutrition desapear the ones left are the thick withe agents that create an intricate path between the nutrition agents.
def setEnergy(self, energy): self.receivingEnergy=energy if energy > self.energy : self.energy = energy
no energy
Selected Works 2011-2016
51
52
TOM WISCOMBE ARCHITECTURE THE MAIN MUSEUM OF LOS ANEGELES ART MUSEUM Private client / Los Angeles, CA / 2015
Position: Project Designer THE CAFE Location: Los Angeles, CA. Working Period: Sept. 2014 The architecture of the rooftop Cafe is based on - May 2015 Working Scope: 2D drawing, 3dcollecting a series of Jacks (figural shapes) into modeling, rendering. an elastic envelope, allowing some to be revealed Type: Museum, Recreation, like a fist pushing through a rubber sheet. Some Theater, Cafe Area: 3,200 sqm are barely revealed, others disappear leaving Status: In construction
involutions. One large Jack is lodged in the interior, creating an inaccessible inner world. The skin of the Cafe is embedded with mysterious Tattoos that emphasize the shade and shadows of the form, increasing the withdrawn quality of the object. The Tattoos also serve to vicariously connect the Cafe with the Amphitheater. The Cafe is located on the south corner of the Bankhouse Garage. One Jack tumbles over the edge of the building, becoming visible from Main Street, but without fully revealing itself. The resulting cantilever projects a fake-figural shadow down the Main Street Facade creating a vicarious connection between Cafe and Facade. On the opposite side, toward the Promenade, it provides deep pockets and overhangs for shaded outdoor seating and events. The interior features a large nested Jack that houses hidden interior spaces for special events and dinners. The Cafe includes 1,800 SF. of seating, a bar, a small kitchen, and storage. Approximately 1,000 SF. of shaded outdoor seating is provided.
Cafe Figures
THE AMPHITHEATER The rooftop Amphitheater is formed from a giant Jack, resting uneasily on the ground. It is located on the north end of the Promenade, and houses approximately 150 seats in a cavernous shaded space. It spatially resonates with the Cafe but remains discrete. The Amphitheater will be used for cultural events such as lectures, symposia on the arts, music, and film. Central City community events of various kinds will also be hosted, with the intent of maintaining a lively, programmed urban space on the roof.
Circulation Overview
Amphitheater
Selected Works 2011-2016
53
ROOFTOP CIRCULATION
Rooftop Circulation
70
1
BUILDING MASSES ORIENTED FOR SELF-SHADING
2
CONSISTENTLY SHADED AREAS CREATE MICROCLIMATES
3
EVAPORATIVE COOLING FROM REFLECTING POOLS
4
COOLING MISTERS INTEGRATED INTO LAMPS
5
HIGH ALBEDO MATERIALS TO REDUCE HEAT ABSORPTION
5 2 1 5
4
4
3
Exploded Axon of Components
2
1
3
MICROCLIMATES
Microclimates OLD BANK DISTRICT MUSEUM SCHEMATIC DESIGN | 01.30.2015
54
Rendering
Selected Works 2011-2016
55
The Main Museum of Los Angeles Art is a non-profit contemporary art museum located in the heart of the Old Bank District of Downtown Los Angeles. The project is part adaptive re-use and part new construction, capitalizing on the tension between historical and contemporary architecture. It is devoted to engaging the public with the most important ideas of our time through the art of Los Angeles. The project is located beneath, inside of, and on top of the historical Farmers & Merchants Bank, the Hellman Building, and the Bankhouse Garage at 4th and Main Street. The museum is a three-dimensional space that weaves through these buildings, inhabiting their hidden recesses and forgotten spaces. It is an unorthodox museum form, in the sense that it withdraws from iconicity and creates a world within a world. In this museum, art is embedded deep into the space and life of the city, rather than preserved and presented in an exclusive environment. A sequence of architectural objects draws visitors through the space. Objects penetrate through floors, peek over rooftops, and inhabit dark interior voids. This produces a set of discrete experiences rather than a spatial continuum. Objects are primarily black or mirror chrome, creating a sense of mystery and inaccessibility, also allowing visitors to focus on the exhibitions. The main 40,000 SF Main Exhibition space is located in vast basement and sub-basement spaces that include turn-of-the-century bank vaults and other historical features. These will become part of the ensemble of objects.
56
92
+ 51'-02"
TOP OF AMPHITHEATER
+ 51'-02"
+ 15'-11"
+ 04'-11" + 00'-00"
9
8
8'
7
6
TOP OF AMPHITHEATER
SEVENTH ROW SEATING
AMPHITHEATER ENRTY
ROOF LEVEL
FIBER REINFORCED POLYMER (FRP) CANTILEVER CHUNK STEEL FRAME TRANSITION ZONE
9
17.509 0078°
PROJECTOR
40'-1"
AMPHITHEATER
2760 SF GROSS LOAD: 164 (SEATING + STAGE)
15'-0"
+ 15'-11" 25'x15' COLLAPSIBLE PROJECTION SCREEN
SEATS 144 PERSONS
310 SF NET LOAD: 20 (15 NET)
CAFE SECTION 1/14”=1’-0”
2'-8"
12" TUBE INNER-CORE FRAMING
1'-7"
FIBER REINFORCED POLYMER (FRP) DECKING
WEST SIDE PROMENADE
12'-1"
EAST SIDE PROMENADE
+ 06'-10" + 04'-11"
AMPHITHEATER STAGE AMPHITHEATER ENRTY
REFER TO POOL PLAN FOR PLACEMENT DETAILS
REFLECTING POOL II.
+ 00'-00"
4" REFLECTING POOL FIBERGLASS TUB 4" CONCRETE LEVELING FILL 6" CONCRETE SLAB
29'-0" 27'-3"
26'-0"
B'
A
26'-0"
26'-0"
E
D
C
B
ROOF LEVEL
4" FRP DECKING 12" TUBE BEAM STEEL PEDESTAL 4" CONCRETE LEVELING FILL 6" CONCRETE SLAB 18" STEEL BEAM
REFER TO PROMENADE SECTION FOR DETAIL 24'-3"
1/8”=1’-0”
AMPHITHEATER SECTION
Amphitheater Section
+ 37'-08"
SEVENTH ROW SEATING
SITTING STEPS
STAGE
OLD BANK DISTRICT MUSEUM SCHEMATIC DESIGN | 01.30.2015
TOP OF CAFE
CAFE
3307 SF NET LOAD: 211
+ 17'-06" + 15'-09"
MEZZANINE DINING
MEZZANINE LOUNGE MEZZANINE DINING MAIN DINING ROOM SIDE PATIO
+ 07'-01" + 03'-11"
LOUNGE BAR
MAIN STREET JACK LOUNGE ENTRY LEVEL
STAIR TO 6TH FLOOR GARAGE
30'-1"
4
Cafe Section
29'-11"
3
25'-11"
2
1
Selected Works 2011-2016
57
Structure Diagram - Steel Framing
The primary structure for the promanade, Amphitheater and cafe will be limited steel frame clad in FRP sandwich panel units. This system will be lightweight and allow for slender construction thicknesses as opposed to the heavy and thick construction associated with a rainscreen system. Because the FRP has structural capacity, a hybrid system is possible. This allows for overall reduction in gravity load and seismic mass, and will be more itelligible to the LADBS than an all-composite systems.
Construction Diorema
58
120
17’
18’
1880 SF 29’
17’
2424 SF
AMPHITHEATER SHELL FRP COMPOSITE ON STEEL FRAME
17’
TOTAL SURFACE AREA - 8034 SF
27’
1830 SF 11’ 27’
966 SF 27’ 41’
AMPHITHEATER SHELL
934 SF
FRP COMPOSITE ON STEEL FRAME TOTAL SURFACE AREA 8034 SF
Envelope Unfolds ENVELOPE UNFOLDS
OLD BANK DISTRICT MUSEUM SCHEMATIC DESIGN | 01.30.2015
118
37’
26’
2231 SF
27’
CAFE SHELL
22’
26’
FRP COMPOSITE ON STEEL FRAME
1926 SF
31’
TOTAL SURFACE AREA - 10,197 SF
28’ 1695 SF 25’
15’ 1602 SF
16’
2743 SF
CAFE SHELL
FRP COMPOSITE ON STEEL FRAME TOTAL SURFACE AREA 10,197 SF Envelope Unfolds
ENVELOPE UNFOLDS
OLD BANK DISTRICT MUSEUM SCHEMATIC DESIGN | 01.30.2015
Selected Works 2011-2016
102
TWO LAYERS
1
COMPOSITE MID SECTION 1 SHIPLAP JOINT (GLUED) WITH STRUCTURAL ADHESIVE
II. SECONDARY HYBRID 2 1/2"
I. PRIMARY
4 LIMITED STEEL FRAME
1
2'-0"
3 FRP SANDWICH PANEL (2 SIDES WITH EPS FOAM CORE)
3/16"
3/16"
2 BLACK ANNODIZED ALUMINUM EMBEDS
2
2 1/2"
3/16"
1'-0"
5 HOLLOW CORE “AILERONS” WITH STRENGTHENING RIBS
5
3
4
6 7
8
8"
RAIN SCREEN SYSTEM
5"
4"
9
8"
THREE LAYERS III. TERTIARY
4"
3' -7"
II. SECONDARY
8 METAL DECK WITH HARD INSULATION 9 COMPLETE STEEL FRAME 10 HUNG CEILING
I. PRIMARY 7"
6 METAL PANEL RAINSCREEN 7 PRESSURE EQUALIZED AIRSPACE WITH WATERPROOF MEMBRANE
10
1'-0"
Grids, meshes, and parametric ordering systems, which index material and industrial limits of the 20th century, are traded in for a mysterious and loose relation between building mass, surface articulation, and construction joints.
COMPOSITE UNITIZED SYSTEM
3/16"
The objects below are an excised chunk of our design for the Main Museum of Los Angeles Art, currently in planning. This work explores the weak materiality of composites, which allows for the 1:1 relation between conventional material limits and aesthetics to be broken and replaced by an indeterminate relation.
59
9/10”=1’-0” FRP UNITS VS RAINSCREEN
FRP UNITS VS. RAINSCREEN OLD BANK DISTRICT MUSEUM SCHEMATIC DESIGN | 01.30.2015
The goal is to draw out perception such that the architectural object cannot be consumed or exhausted, but remains durable and vexing. The idea of tectonic fictions draws on theories of the atectonic, where graphic and constructive realms may overlap but never fully align into a unified expression. Our office has developed a genre of tectonic fiction, based on what we refer to as tattoos, metaseams, and supercomponents, all of which are present in this piece.
Super Components
Finally, our piece reflects near-future technology, meaning that it is not a visionary proposal but is rather set in a time just ahead of today. It negotiates between the everyday real of the Los Angeles Department of Building and Safety and its requirements, and a projective architectural state. It is highly detailed and includes both familiar constructive elements as well as unfamiliar, strange ones.
Structure
60
Selected Works 2011-2016
61
Rendering
62
TOM WISCOMBE ARCHITECTURE SUNSET BILLBOARD PUBLIC SPACE/COMPETITION (FINALIST) City of West Hollywood / Los Angeles, CA / 2015
Position: Project Designer Location: Los Angeles, CA. Working Period: Sep 2015 - May 2015 Working Scope: 2D drawing, 3d modeling, rendering. Type: Billboard, Monument. Area: N/A Status: Competition
CIVIC FORMS: Belltowers, Obelisks and Monoliths
CIVIC FORMS: BELLTOWERS, OBELISKS AND MONOLITHS SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
Our design is a vertically-oriented, threedimensional. Media Monolith, in contrast to the ubiquitous flat and horizontal billboards of the Strip. It signals to other monoliths from deep cultural memory, such as ancient obelisks and bell-towers, which are associated with civic space and community, the telling of stories of triumph, and the publication of the rule of law. This Monolith instead tells the story of the transition from an era of exclusively controlled by media empires to a time of great diversity in marketing approaches and stakeholders. It speaks to a world where commercial and cultural content can be hybridized, and media is no longer a just a way of advertising but a way of life.
Our design provides for a combination of highvalue commercial media, feed from live cultural events occurring elsewhere in the City of West Hollywood, and provocative video art on its outer shell, provided by our partner the Museum of Contemporary Art (MoCA). This diverse content will be composed and programmed by our media content designer Imaginary Forces. The outer shell features a mix of high-resolution LED technology, conventional mesh billboard, video projections, and theatrical lighting, all of which will be integrated into a figural, non-directional pattern of perforated metal panels..
A pattern of non-directional panels and a heirarchy of figural â&#x20AC;&#x2DC;meta-seamsâ&#x20AC;&#x2122; breaks down the monolith optically into parts. These panels, in groups, serve to both organize the media content.
Metaseams
METASEAMS
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
Selected Works 2011-2016
63
Rendering
OUTER SHELL
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.20
The outer shell features a mix of high-resolution LED technology, conventional mesh billboard, video OUTER SHELL projections, and theatrical lighting, all of which will outer shell a mixnondirectional of high-resolutionpattern of be The integrated intofeatures a figural, LED technology, conventional mesh billboard, video perforated metal panels. projections, and theatrical lighting, all of which will be integrated into a figural, nondirectional pattern of
1
5
INTERIOR FIGURES perforated metal panels.
On its interior, the Monolith contains extruded figures andINTERIOR deep relief FIGURES that become surfaces for ‘dark On its interior, the Monolith contains extruded figures media’ . and deep relief that become surfaces for ‘dark media’. TheTheinterior figures as an unorthodox interior extruded extruded figures serveserve as an unorthodox stage promotion events. The stage is stagefor for promotion andand events. The stage is accessible by a winding stair embedded inside the hollow poche accessible structure, leading up from theinside street. the hollow by ofa the winding stair embedded poche of the structure, leading up from the street.
3
2
4
Architectural Concept
64
1 LED BILLBOARD 2 STAGE 3 CONCRETE SLAB 4 SIDEWALK
The envelope of the project is planar, perforated metal panel, supported by steel panel frames. These will be supported by a braced steel frame and concrete pile foundations that will absorb lateral forces. The stage and stair are steel construction and intended for special events and secured access only.
1
3
2
+ 0'-0"
+21'-6"
The high-resolution LED tiles will be hung on the steel substructure, and LED sticks and pucks will be used for low-resolution effects in other areas behind the perforated metal panel.
4
Mid Level Plan 1/8”=1’-0”
MID LEVEL PLAN
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015 1 SOLAR PHOTOVOLTAIC PANELS
INSTALLED IN PARKING LOT 2 1000 SF HIGH RES
LED BILLBOARD (10mm) 3 ENERGY FED BACK INTO CITY GRID
Several outdoor short-throw video projectors will be installed in and around the main object, in the most invisible way possible. To power the project sustainably, our solar company partner will provide solar PV panels free of charge or at reduced cost, and install them over zones of the parking lot, in exchange for use of the site and part of the proceeds from selling energy back to the grid. The goal will be to set a net-zero standard for future digital billboards.
1 2
3
Energy Concept
ENERGY CONCEPT
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
+ 72'-00"
72'-00" ++ 72'-00"
ROOF
+ 59'-00"
+ 30'-07" + 26'-04" + 22'-02"
+ 30'-07"
STAGE TWO
+ 26'-04"
STAGE
+ 22'-02"
STAGE ONE
+ 15'-06"
+ 00'-00"
Sections
00'-00" ++ 00'-00"
GROUND
LONGITUDINAL SECTION
ROOF ROOF
LED TOP
STAGE TWO
STAGE STAGE ONE
LED BASE
GROUND GROUND
TRANSVERSE SECTION
1/12”=1’-0”
SECTIONS
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
Selected Works 2011-2016
65
1 STEEL TUBE BRACED
FRAME STRUCTURE 2 CONCRETE PILE CAP 1
1
3 8, 36’ DEEP CONCRETE PILES 4 STAGE ACCESS STAIR
4
4
2
2
3
3
NORTH ELEVATION
EAST ELEVATION
Structure
STRUCTURE
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015 1 PANELS CANTILEVER OFF
OF PRIMARY STRUCTURE TO ALLOW FOR SHARP CORNERS 2 STAGE ACCESS STAIR 3 PANEL FRAMES ATTACHED
1
TO PRIMARY STRUCTURE 4 LIGHT WEIGHT PERFORATED
METAL PANEL (100% PLANAR) 3
4 2
Envelope System WEST SIDE
EAST SIDE
ENVELOPE SYSTEM
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
The parts, or ‘supercomponents’, alsotopoint The parts, or ‘supercomponents’ , also point a to a method of prefabrication where the project is built in method of prefabrication whereincluding the project is secondary built in integrated components primary and construction as well as metal panel envelope. integrated components including primary and secondary construction as well as metal panel envelope.
Super Components SUPERCOMPONENTS
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
66
Our design provides for a combination of high-value commercial media, feed from live cultural events occurring elsewhere in the City of West Hollywood, and provocative video art on its outer shell, provided by our partner the Museum of Contemporary Art (MoCA). This diverse content will be composed and programmed by our media content designer Imaginary Forces. The outer shell features a mix of high-resolution LED technology, conventional mesh billboard, video projections, and theatrical lighting, all of which will be integrated into a figural, non-directional pattern of perforated metal panels.
1 1000 SF HIGH RESOLUTION
LED BILLBOARD (10mm) 2 LONG RANGE PROJECTOR FOR
CULTURAL AND CIVIC CONTENT 3 POTENTIAL LONG RANGE PROJECTOR
FOR MEDIA DRIFT EFFECTS 4 POTENTIAL DARK MEDIA
PROJECTOR FOR OVERALL EFFECTS
5 SELFIE CAM 6 SHORT THROW PROJECTORS
2
FOR DARK MEDIA 7 POTENTIAL SECONDARY LONG RANGE
7
PROJECTOR FOR DARK MEDIA EFFECTS 8 VEHICULAR SENSORS 6
9 PEDESTRIAN SENSORS
1
5 9 4 3 8
MEDIA TECHNOLOGY
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
Media Techonolgy
Dark Media Projection Studies
DARK MEDIA PROJECTION STUDIES SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
Selected Works 2011-2016
67
Dark Media Projection Studies
DARK MEDIA PROJECTION STUDIES SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
STANDARD OPERATION
COMMERCIAL MEDIA
PROMOTIONAL EVENT
MEDIA DRIFT
COMMERCIAL AND CULTURAL MEDIA ARTIST: KHALIL JOSEPH
COMMERCIAL AND CIVIC MEDIA
COMMERCIAL AND CIVIC MEDIA
Life of the Objects
LIFE OF THE OBJECT
SUNSET SPECTACULAR MEDIA MONOLITH | 01.28.2015
68
Selected Works 2011-2016
69
Rendering
70
PB HOUSE RESIDENTIAL
Private client / Guadalajara, MX / 2014
Position: Lead Location: Guadalajara, Jal.. Mx. Working Period: May 2014 - Jul 2014 Working Scope: 2D drawing, 3d modeling, rendering. Type: Residential Area: 725 sqm Status: Built
Volumetric Composition
Residential project in the city of Guadalajara, Jalisco, Mexico. Puerta del Bosque. The architectural program consists of the following spaces: basement-garage for 4 cars, and game room on the ground floor living room, kitchen, TV room, bar, kitchen, interior garden and backyard. Upper level, TV room and three bedrooms with bathroom and walking closet..
Altogether it is a project of 725 m2. In terms of design we focused on developing a language between volumes and planes, predominating Massif over the span, and a very important point was the decision of the materials, massive volumes are dressed by travertine marble, the rest by white stucco, and planes by concrete, framing the windows with rolled black steel, and wood louvers.
Surface Articulation
Selected Works 2011-2016
71
Rendering
Exploded Axon of Components
Rendering
72
HOUSE3 RESIDENTIAL
Collaboration Jaime Zazueta Arquitectos / Culiacan, MX / 2014
Position: Associate Location: Culiacan, Sin, Mx. Working Period: Jan. 2015 - Mar. 2015 Working Scope: 2D drawing, 3d modeling, rendering. Project Architect: Jaime Zazueta Company: Jaime Zazueta Arquitectos Type: Residential Area: 1,350 sqm Status: Built
Rendering
Project in collaboration with Jaime Zazueta Arquitectos, leaders in the northwestern of Mexico in design and construction, in this occasion I was invited by the office to develop a project of three house for sale. The three houses share the same architectural design plans, and the only thing that varies are the facades, which are perfectly integrated by the same use of volumes and planes. Wood for volumens, concrete on planes, and visible steel structure, determining thus, an clear idea of each architectural element, detrmined for their material, and thus achieve a comprehensive group,
Rendering
Each house has 200 m2 in the ground floor and 250 m2 in the upper level, taking a total of 450 m2 of construction. Some challenges presented in this project was to follow the city district policy. Which forced us to have 65% at least of sloping roofs, no windows in service corridors on the left facade, have at least of 25% of ventilated facades, open garages, and respect at least 5 m in front and at the rear without construction.
Selected Works 2011-2016
1
4
3 4.70
7
0.78
4.58
10
8 0.54
AR-007 A-02
AR-004 S-01
AR-004 S-02
73
14
1.63
4.62
19
29.99
4.49
21
22
3.02
5.63
O
O 1.58
1.58
N
N
RESTRICCIÓN Comedor Terraza
1.70
L 4.22
AR-005 S-03
AR-005 S-03
10.30
H
JARDÍN
G
1.88
RE RIC ST
1.65
A-03 AR-006
AR-006 A-01
2.75 10.30
N CIÓ
D
0.75
1.15
C
B 1.88
1.47
Sala
A
A 4.70
0.78
4.58
1.18
0.98
3.81
2.25
3.05
3.02
5.63
3.71
33.70
1
3
4
9
7
10
12
19
16
20
23
21
5
1
7
6
8
AR-007 A-02
AR-004 S-01
AR-004 S-02
Ground Floor
11
10
13
15
21
20
22
29.99 5.74
1.62
2.71
0.54
1.63
3.81
0.44
1.53
4.58
1.78
5.63
O
O 1.58
N M
1.58
N
0.30 +4.360
1.40
+4.360
1.95
+4.360
+4.360
L
K 1.15
AR-005 S-03
+4.360
J 10.30
10.30 0.47
H
A-03 AR-006
2.27 0.90
I
0.60
0.88
E
F 1.00 +4.360
+4.360
C
3.90
2.63
A
A 4.40
2.97
2.71
1.18
0.98
7.46
2.90
1.78
9.34
33.70
2
6
7
9
10
18 AR-004 S-01
1
AR-004 S-02
AR-006 A-01
AR-005 S-03
20
21
23
A-04 AR-008
Upper Level Floor
N.S.P. +9.62
N.S.P. +8.98
1.96 1.31 N.S.L. +7.67
N.S.L. +7.66 0.30
0.31 N.I.L. +7.36
N.I.L. +7.36
2.12 3.00 N.S.P. +5.24
8.56 0.88 8.21 N.P.T. +4.36
N.P.T. +4.36 0.30
0.30
N.I.L. +4.06
N.I.L. +4.06
3.00
3.29
N.P.T. +1.06 N.P.T. +0.77
Longitudinal Section
74
Photograph
Selected Works 2011-2016
75
Photograph
76
CLUB HOUSE RESIDENTIAL
Collaboration Jaime Zazueta Arquitectos / Culiacan, MX / 2014
Position: Associate Location: Culiacan, Sin, Mx. Working Period: Nov. 2015 - Dec 2015 Working Scope: 2D drawing, 3d modeling, rendering. Project Architect: Jaime Zazueta Company: Jaime Zazueta Arquitectos Type: Residential, recreation, sports Area: 2,250 sqm Status: Built
The architectural firm Jaime Zazueta Arquitectos, a succesful design and construction firm in the northwest of the Mexico, invited me to participate in the schematic development for a clubhouse within a residential complex of 50 residences. Project located in Culiacan, Sinaloa, Mexico.
5
5 5
1. Tennis Courts 2. Club House / Gym 3. Basket ball Court 4. Pool 5. Canopies 6. Playground
AB-05
2
6
3
1
This clubhouse has green areas, playgrounds for children, three tennis courts with bleachers, a basketball court, grill areas, and a building that houses bathrooms with showers, kitchen and area for parties on the ground floor, a gym for men and women and an open space for mixed uses in the upper level.
4
5
5
6
This complex was developed following the same line of design, simple shapes, slender volumes, and matariales of the region in warm hues.
Site Plan - Club House
1
2
3
4
5
6
7
8
9
24.275 5.500
0.880
1.870
4.700
17.500
4.700
0.600 0.700
2.300
1.350
1.100
2.050
1.275 1.275
0.350
NSL + 7.250 0.350 0.350 NIL + 6.900
0.800 0.250
2.400
0.600 0.250
3.300
0.600 0.500
0.250
0.250 0.150 7.238 0.300 0.300
0.550
0.900
0.300 0.300 0.468
7.238
NPT + 3.600
NIL + 3.300
0.420 2.400 3.288
3.288 2.402
0.888
NPT 0.000
West Elevation - Club House
A B
C
D E
F
G H
I
17.000 2.775 2.775
11.375 0.415
2.185
1.350
0.550
1.225
2.850 1.220
0.555
3.875
NSL + 7.250
2.850
0.350
0.350 0.3500.350
0.750
0.800
0.250
0.250
0.600
0.600
0.250
0.250
0.550
0.600
0.493
0.250 0.500
0.257 0.150 0.300
0.550 0.248 7.250 0.152 0.300 0.3000.300
3.300
3.300 3.3003.300
NIL + 6.900
2.400 3.300
NPT + 3.600
NIL + 3.300
NPT 0.000 0.861
South Elevation - Club House
Selected Works 2011-2016
77
Rendering
Rendering
78
1.350
1.100
9
2.300
8
0.600 0.700
7
6 C-04
5
3 17.500 4.700
4
2
1
A-03
4.700
2.050
+0.000 +0.180
0.000 0.000
+0.360
+0.180 +0.360
+0.900
+0.540
B
+0.900
+0.540 +0.720
0.415
+0.900
2.185
A B
+0.720
C
5.310
1.350 0.850
0.550
C-03
F
F
11.375
10.960
A-04
1.225
AB-05
C-03
C-02 D E
C-02
C-01
G H
0.600
A-02
1.220 0.555
5.650
C-01
3.875
I
I AE-03
AE-03
Proyecci贸n de losa
4.700
0.600
4.700
3.000
1.350
1.100
2.050
17.501
9
8
7
6 C-04
3
4
1
2
A-01
Ground Floor Plan - Club House
9
7 3.150
9.650
4.700
17.500
C-04
2
1
A-03
B
B 4.085
5.310
C-02
C-02
E F
A-04
5.376
2.300
G
A-02
10.960
F
10.960 1.225 1.220
C-03
AB-05
C-03
C-01
1.576
4.430
5.650
I
I AE-03
AE-03
3.150
9
7
C-04
17.500
2
A-01
9.650
4.700
1
Upper Level Plan - Club House
C-01
Selected Works 2011-2016
79
Rendering
Rendering
80
HORSESHOE EQUESTRIAN RANCH Private Client / Culiacan, MX / 2014
Position: Lead Location: Culiacan, Sin, Mx. Working Period: Mar. 2015 - Jun. 2015 Working Scope: 2D drawing, 3d modeling, rendering. Type: Horseshoe, Ranch Area: 20 acres Status: Esquematic design
BASIC SHAPE
ZONIFICATION
MEWS
CANOPIES
CANOPY MEWS
RESTROOMS/GRILLS
CORRIDORS
ARENA
CANOPY RESTROOMS/GRILLS
Design Porcess Horseshore
RESULT
The project is an equestrian ranch, located on the outskirts of the city of Culiacan, Sinaloa, Mexico. City in northwestern Mexico, characterized by its exportation of agricultural products. In this city it is widely practiced horsemanship and activities in the open field. And in this case, entrustment of a private client, we were invited to intervene 20 acres of rural land, which already had planting zones, of tomato and corn, and a rest house in the middle of the site.
In terms of design, We tried to handle a clear line in style and materials, we wanted that our design proposal reflects cultural aspects of Mexican society, likewise incorporating it with a discreet design, based on blind walls and flat slabs, to express simplicity, lightness and contemporary airs. Culturally, we tried to adapt our deisgn to the context by using local materials, black volcanic stone, rammed earth walls, and handmade ironworks.
The assignment was to design an access to the ranch, stables, visual shots, parking lots, BBQ areas, swimming pool with garden area and an arena for horses, all connected by vehicle and pedestrian walkways.
An important aspect we had in mind was to keep the vastness of open spaces, and create opportunities for relaxation through natural materials and the use of light.
J
I
H
G
F
33.447
E
D
C
B
A
31.395 1.167
1.867
1.166 6.500
4.850 2.400
13.295 1.500
11.795
4.850 1.500
1.167
3.200
1.867
1.167
5.700 NSL + 5.176 0.400 0.200 0.776 1.576
0.200 0.600
NSL + 4.776 NIL + 4.576
NSL + 3.800 NIL + 3.600
1.200
0.630 1.800 NNT 0.000 -0.023
North Elevation
Selected Works 2011-2016
81
Exterior Rendering
Interior Rendering
Site Plan
0. 1
Gound Plan C-03
9
0.650
C-07
10.851
4
15.686
3.301
1.198
8 73.785 4.200 4.000
4.200 4.200
4.000
10.675
A M2 = 865.00 m2 P = 378.00 mL AL = 3.600 m AEL= 0.976 m N = 0.10 m
0.200
0.200 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
0.200
CABALLERIZA 1 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
0.200 0.300 0.500
M2 = 52.00 m2 P = 31.00 mL AL = 3.000 m N = 0.10 m
4.200
B C D C-07
ÁREA DE ASADOR
5.700
4.850
10.782
ANDADOR
PATIO CENTRAL
M2 = 407.00 m2 P = 85.00 mL AL = 4.576 m AEL= N = 0.10 m
PROYECCIÓN DE LOSA
E
CABALLERIZA 7 BODEGA
1.960 2.600
CABALLERIZA 6
CABALLERIZA 4
CABALLERIZA 3
CABALLERIZA 2
M2 = 865.00 m2 P = 378.00 mL AL = 3.600 m AEL= 0.976 m N = 0.10 m
ANDADOR
ANDADOR
M2 = 865.00 m2 P = 378.00 mL AL = 3.600 m AEL= 0.976 m N = 0.10 m
M2 = 107.00 m2 P = 44.00 mL N = 0.10 m
PATIO CENTRAL
20.395
13.295
F
Planta Baja G
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
PROYECCIÓN DE LOSA
14
CABALLERIZA 11 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
13
CABALLERIZA 9 V 0.60X0.60
0.500
4.200
CABALLERIZA 10 V 0.60X0.60
M2 = 865.00 m2 P = 378.00 mL AL = 4.576 m AEL= N = 0.10 m
4.200
V 0.60X0.60
ANDADOR PM 1.30x1.15 PH 1.30x1.15 A=1.15
3.600
CABALLERIZA 8 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
CABALLERIZA 12 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
CABALLERIZA 13
CABALLERIZA 14
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
PROYECCIÓN DE LOSA
CABALLERIZA 15
BODEGA M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
4.850
H I
V 0.60X0.60
1.500
V 0.60X0.60
BEBEDERO
PM 1.30x1.15 PH 1.30x1.15 A=1.15
22.795
ANDADOR M2 = 865.00 m2 P = 378.00 mL AL = 3.600 m AEL= 0.976 m N = 0.10 m
PROYECCIÓN DE LOSA
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PROYECCIÓN DE LOSA
PM 1.30x1.15 PH 1.30x1.15 A=1.15
11.795
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PROYECCIÓN DE LOSA
V 0.60X0.60
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
1.500
PROYECCIÓN DE LOSA
V 0.60X0.60
PROYECCIÓN DE LOSA
PROYECCIÓN DE LOSA
M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
PM 1.30x1.15 PH 1.30x1.15 A=1.15
7.590
V 0.60X0.60
4.000
CABALLERIZA 5
PROYECCIÓN DE LOSA
0.200
PROYECCIÓN DE LOSA
V 0.60X0.60
5.412
4.850
A-Este
C-01 C-02
I
73.781
8
V 0.60X0.60
4.200 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
13.295
H
4.200
V 0.60X0.60
4.200 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
PM 1.30x1.15 PH 1.30x1.15 A=1.15
4 G
C-09
94.585 3.600
F
PROYECCIÓN DE LOSA
10 V 0.60X0.60
0.200
PM 1.30x1.15 PH 1.30x1.15 A=1.15
11 M2 = 17.00 m2 P = 17.00 mL AL = 3.60 m N = 0.10 m
PM 1.30x1.15 PH 1.30x1.15 A=1.15
5.300
PM 1.30x1.15 PH 1.30x1.15 A=1.15
4.000 V 0.60X0.60
4.000
4.204
4.850
PM 1.30x1.15 PH 1.30x1.15 A=1.15
0.200
4.196 PM 1.30x1.15 PH 1.30x1.15 A=1.15
4.200
E
PM 1.30x1.15 PH 1.30x1.15 A=1.15
12
V 0.60X0.60
13
PROYECCIÓN DE LOSA
4.000
ÁREA DE TRABAJO
D
C-09
6 4.000
4.200
PM 1.30x1.15 PH 1.30x1.15 A=1.15
0.200
4.200
V 0.60X0.60
14
C
PROYECCIÓN DE LOSA
7 4.000
PM 1.30x1.15 PH 1.30x1.15 A=1.15
4.200
V 0.60X0.60
15
PM 1.30x1.15 PH 1.30x1.15 A=1.15
A-Norte
5.239
2 2
C-06 C-06
C-05 C-05
A-Este
1. Arena 2. Horshore 3. Grill / Restrooms 4. Pool 5. House 0.400
V 0.60X0.60
5
PM 1.30x1.15 PH 1.30x1.15 A=1.15
C-10
V 0.60X0.60
1.000
B
PM 1.30x1.15 PH 1.30x1.15 A=1.15
A
PROYECCIÓN DE LOSA
16
PROYECCIÓN DE LOSA
3 A-Oeste
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PM 1.30x1.15 PH 1.30x1.15 A=1.15
facebook.com/studio5arquitectos
Calle 16 de septiembre #1648 Col. Centro Sinaloa Culiacán, Sinaloa, Mexico. Tel . (667) 714.6061
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
V 0.60X0.60
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PM 1.30x1.15 PH 1.30x1.15 A=1.15
Los planos arquitectónicos elaborados por STUDIO 5 ARQUITECTOS tendrán prioridad sobre cualquier otro realizado por algún consultor, asesor o contratista. Las dimensiones escritas en estos planos y dibujos tendrán prioridad sobre dimensiones a escala. Los contratistas deberán verificar y en su caso, serán responsables de cualquier modificación que se haga en la obra, debiendo notificar por escrito a STUDIO 5 ARQUITECTOS de cualquier variación de dichas dimensiones y condiciones, no pudiendo iniciar sus trabajos sin la aprobación por escrito de STUDIO 5 ARQUITECTOS. Todas las ideas, diseños y planos indicados o representados por estos dibujos, son propiedad exclusiva de STUDIO 5 ARQUITECTOS, habiendo sido creados y desarrollados para uso de STUDIO 5 ARQUITECTOS y en relación con el proyecto especificado. Ninguna de estas obras, diseños, especificaciones y planos podrán ser usados, expuestos o publicados por alguna persona o corporación con alguna finalidad, sin el permiso escrito de STUDIO 5 ARQUITECTOS haciéndose acreedores, los que así lo hagan, a las sanciones establecidas en el capitulo 8 de la Ley Federal sobre el Derecho de Autor.
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
METROS
N
RUEDO / ARENA M2 = 253.00 m2 P = 57.00 mL N = 0.00 m
4.300
C-03
C-04 PROYECCIÓN DE LOSA
M2 = 19.00 m2 P = 18.00 mL AL = 3.000 m N = 0.10 m
BAÑO HOMBRES
M2 = 19.00 m2 P = 18.00 mL AL = 3.000 m N = 0.10 m
J
A-Sur 4.196
4.200
0.650
0.176
3
1.183
17
0.200 31.395
J
4.200
A-Norte
BANCA / JARDINERA
JARDINERA
ANDADOR M2 = 865.00 m2 P = 378.00 mL AL = AEL= N = 0.10 m
R 11.413 R 11.813
R 8.968
R 10.900 20.800
PROYECCIÓN DE LOSA 7.590
5.300
1.000
C-10 4.300
17
1.250
4.200
16
15
4.204
PROYECCIÓN DE LOSA 94.581
12
4.200
4.200
10
11
PROYECCIÓN DE LOSA
9
C-04
BAÑO MUJERES
5.425
7
6
ANDADOR
M2 = 865.00 m2 P = 378.00 mL N = 0.10 m
5.425
5
6.500
4.200
4
31.395
15.700
A-Sur
3.298
3
1
1:200
FEBRERO 2014
CED. PROF.: REG. S.S.A: J D.R.O:
FIRMA
PERITO RESPONSABLE:
FIRMA
SR. PABLO LÓPEZ
PROPIETARIO:
FECHA:
5. EL PLANO CON LA ULTIMA CORRECCION CANCELA LA ANTERIOR. 6. TODOS LOS ACABADOS, ESPECIFICACIONES Y DETALLES SEÑALADOS EN ESTE PLANO DEBERAN EJECUTARSE DE ACUERDO A LAS ESPECIFICACIONES CORRESPONDIENTES.
1. LOS NIVELES SON REFERIDOS EN METROS, ACUERDO AL BANCO DE NIVEL EXISTENTE. 2. LAS COTAS RIGEN AL DIBUJO, NO SE TOMARAN MEDIDAS A ESCALA DE ESTE PLANO. 3. ESTE PLANO DEBERA VERIFICARSE CON LOS CORRESPONDIENTES DE ESTRUCTURA E INSTALACIONES, CUALQUIER DISCREPANCIA DEBERA CONSULTARSE CON EL PROYECTISTA 4. EL CONTRATISTA RECTIFICARA EN EL LUGAR DE LA OBRA LAS DIMENSIONES Y NIVELES INDICADOS EN ESTE PLANO, ANTES DE EJECUTAR CUALQUIER TRABAJO DEBIENDO SOMETER A LA DIRECCIÓN DE LA OBRA CUALQUIER DIFERENCIA QUE HUBIERE, ASI COMO LA INTERPRETACION QUE DE EL PROPIO CONTRATISTA A ESTE DIBUJO.
NOTAS GENERALES
CAMBIO DE NIVEL AL = ALTURA LIBRE M2 = SUPERFICIE P = PERIMETRO AEL = ALTURA ENTRE LOSAS N = NIVEL INDICADO EN PLANTA L.P. = LIMITE DE PROPIEDAD NNT = NIVEL NATURAL DE TERRENO NPT = NIVEL DE PISO TERMINADO NSL = NIVEL SUPERIOR DE LOSA NIL = NIVEL INFERIOR DE LOSA NSP = NIVEL SUPERIOR DE PRETIL NJ = NIVEL DE JARDÍN NB = NIVEL DE BANQUETA LAV = LECHO ALTO DE VENTANA LBV = LECHO BAJO DE VENTANA LAP = LECHO ALTO DE VENTANA LBP = LECHO BAJO DE VENTANA LAM = LECHO ALTO DE MURO
SIMBOLOGÍA:
ARQ. MARÍA DEL ROSARIO ORTIZ LÓPEZ
CONTRATISTA:
ARQ. ALEJANDRO ALCALÁ ORTIZ Ced. Prof 7923809
REVISÓ:
ARQ. MANUEL VICENTE PARDO ÁLVAREZ
DIBUJÓ:
CARRETERA CULIACAN-MAZATLÁN KM 16.5 CULIACÁN, SINALOA, MEXICO. CP. 80300
LOCALIZACIÓN:
ACOTACIÓN:
ESCALA: 1:200
Planta Baja
CONTENIDO:
RANCHO ECUESTRE "LAS ISABELES"
PROYECTO:
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
PM 1.30x1.15 PH 1.30x1.15 A=1.15
2
C-01 C-02
A-Oeste
V 0.60X0.60
PM 1.30x1.15 PH 1.30x1.15 A=1.15
82
1
Selected Works 2011-2016
83
Horseshore Rendering
Interior Rendering
84
HF BUILDING HOSTEL
Private client / Mexico City, MX /2014
Position: Lead Location: Mexico City, Mx. Working Period: May 2014 - Dec 2014 Working Scope: 2D drawing, 3d modeling, rendering. Construction supervision Type: Residential, Hostel Area: 3,200 sqm Status: Built
This was a project commissioned by a private client, located in Mexico City, in the Colonia Del Valle, a well sought residential area. The work consisted to intervene building over 50 years old, which in its earlier program had: 3 apartments of 750 m2 and one of 250 m2, the proposal was to rehabilitate and remodel he building to sell. Our proposal was totally different, we proposed to change the program of the building, apartment to student hostel, sohrough financial strategies we show the client that by considering our proposal to change the building program, could recover the investment in 2 years and they would still be the owner of the property. Photograph
The client was agree with the idea and we started designing the new interior and a new facade that would join the context in a friendly way, and at the same time show airs of contemporary architecture and retain some of its history and its essence. In matters of architectural language, we try to emphasize the horizontality of the building, emphasizing these three frames that are degraded from left to right, and likewise through objects or elements of considerable scale give it a dominant character.
Photograph
Selected Works 2011-2016
85
Rendering
Rendering
86
4 1
2
1
2
3
2
5
1
1
1
1
1
5
Upper Level
The iteriores are composed of 6 single bedrooms and 2 doubles. for these 11 people three bathrooms, laundry room, 2 TV rooms, dining room, kitchen and two terraces are shared. The main idea was to maximize space and have the greatest number of users while preserving spaces comfortable and reasonable, taking all services available per floor. This plant is repeated twice more, and ground floor parking for 12 cars and a 2 bedroom apartment.
Longitudinal Section
1. Bedroom 2. Bathroom 3. Kitchen 4. Loundry 5. TV Room
Selected Works 2011-2016
87
Photograph
Horseshore Rendering
Photograph
Interior Rendering
88
MR BUILDING MIXED USE BUILDING Private client / Mexico City, MX /2014
Position: Lead Designer Location: Mexico City Working Period: Dec. 2014 - Mar. 2015 Working Scope: 2D drawing, 3d modeling, rendering. Type: Mixed Use, Apartments, Retail. Area: 2,500 sqm Status: Built
This project was commissioned by a private client, the work consisted in restoring and remodeling a building of more than 50 years old, located in one of the most sought area of Mexico City. The project spanned from reinforcing the structure, to the finishes of the cosntruction. To this it was necessary to collaborate with specialists in structure, surveyors and contractors. My work consisted from the conceptual stage of the project, digitalization of old project, and construction supervision.
Ground Floor (Retail)
Upper Levels (Apartments)
The project is a mixed-use building where the first floor is for retail in general, and the upper levels occupied by 4 apartments of to bedrooms. One important thing to note is that this building was the second project for the same client, and the former building is right next to it, with a completely different program, a hostel. Which it was something interesting for us, as it was an opportunity to create a building of a larger scale, taking the hand of an architectural composition that managed to unify the two buildings, with the same style and similar aesthetic, but at the same time create ambiguity . It was very important for us that the buildings could be read as a single building, but at the same time as separate buildings.
Selected Works 2011-2016
89
Rendering
Rendering
90
Lamina de acero 3/16 "
0.600
0.600
0.600
0.630
1.530
1.570
1.540
0.030
Losa recubierta
0.600
Alucomex color gris fijado en bastidores de PTR de 2"
0.600
0.030
Parasol
Ventana
1.470
Corredera vertical Aluminio negro 4 "
Lamina de acero 3/16 " Muro aplanado
Detalles de entrecalles con perfiles de aluminio de 1"
Lamina de acero 3/16 "
0.970
0.930
0.900
1.570 0.470
0.600
0.500
1.500
Losa recubierta
Alucomex color gris fijado en bastidores de PTR de 2"
Cortina de acero
9.600
1.000
0.630
2.260
0.600
Lamina de acero 3/16 " Parasol
Ventana
0.200 0.280
2.570
2.570
2.570
CORTE POR FACHADA 003 1:100
CORTE POR FACHADA 3D 003
0.330
0.330
2.290
1.300
Panel de anuncio
Alucomex color gris fijado en bastidores de PTR de 2"
Losa recubierta
0.200 0.220
Cortina de acero
2.230
Alucomex color gris fijado en bastidores de PTR de 2"
Banqueta
0.110
CORTE POR FACHADA 004 1:100
C-04 -
1.500
PVC ó Aluminio 2 "
Ventana
Corredera vertical Aluminio negro 4 "
Barandal
0.830
0.200
1.500 9.590
Corredera vertical Aluminio negro 4 "
Lamina de acero 3/16 "
Cristal templado de 9mm y Barandal en perfil de acero 1" x 3"
1.000
1.200
Detalles de entrecalles con perfiles de aluminio de 1"
Losa recubierta
Alucomex color gris fijado en bastidores de PTR de 2"
Bastidor de de acero en PTR de 2" Recubierto de Alucomex color negro
0.930
Banqueta
C-03 -
Muro aplanado 1.630
0.030 0.630
Panel de anuncio
1.570 9.600
Ventana
Lamina de acero 3/16 "
1.030
Cristal templado de 9mm y Barandal en perfil de acero 1" x 3"
Muro 1.440
PVC ó Aluminio 2 "
Corredera vertical Aluminio negro 4 "
Barandal
0.130
0.030
Corredera vertical Aluminio negro 4 "
Alucomex color gris fijado en bastidores de PTR de 2"
1.470
Corredera vertical Aluminio negro 4 "
0.030
PVC ó Aluminio 2 "
Lamina de acero 3/16 "
1.410
Ventana
0.030
Parasol
Ventana
Lamina de acero 3/16 " Parasol
PVC ó Aluminio 2 "
CORTE POR FACHADA 3D 004
C-05 -
1.500
Panel de anuncio
Alucomex color gris fijado en bastidores de PTR de 2"
Losa recubierta
Alucomex color gris fijado en bastidores de PTR de 2"
2.560
Cortina de acero
Banqueta
CORTE POR FACHADA 005 1:100
CORTE POR FACHADA 3D 005
Facade Details
As an Mexican architect I think it is important to understand Latin American culture and especially as architecture can be a catalyst for social, political and cultural change, especially in Mexico City, where there are no empty spaces, the population tends to spread in the periphery of the city, and therefore causing large scale urban problems, such as mobility. Redensify the hearts of the city, is a response by the Mexican architects committed to change the country, bring life and high quality spaces in the city through densification, and restauration of forgiven buildings.
Front Elevation
The context is clearly influenced by the modernist period of Mexico City around the 50s and 60s, the predominant use of glass, steel, colorful mosaics and basic geometric shapes are some of the predominant elements of the area, which we decided not to be very aggressive in order to achieve a friendly communication between modern architecture and contemporary architecture. Using white stucco, black aluminum panels, wood, concrete and glass.
Selected Works 2011-2016
91
Photograph
Photograph
ALEJANDRO ALCALA Selected Works 2011 - 2016 alxalcala@icloud.com +1 (213) 292-2342 Los Angeles, CA