CHAPTER 1
1. INTRODUCTION The first film sets in a film were built to resemble the stage, so as not to confuse the actors and audience who were used to the conventions of theatre. When a movie is released and watched all the acclaim and the applaud goes to the actors and directors, and no one realizes how much hard work and effort is done to bring out the verisimilitude in the film. This realism is brought by a team of production design who has worked day and night to build an imaginary world of the director’s vision. I think it is because; a good set design goes unnoticed in film. Inside film world, the terms art direction, production design, and set direction are interrelated, despite the fact that the initial two would appear to have a more extensive domain. All in all, ideas of creation plan or craftsmanship heading can include the accompanying things: set structure, painting, adornment, development, and planning; the consolidation of areas into the by and large "look" of a film; choices about the tone and shade of a work's photography; and embellishments. The specialty's motivation is to deliver a general pictorial "vision" for the film. At the beginning of production design, real architects were called to style and make the sets. Not only did filmmakers receive beautiful results, but architects were additionally ready to reach audiences up to 80 million people. Set design helps to be economical with screen time and it comes particularly in handy when in a film a character is to be introduced in a short time. Instead of writing a bunch of clunk, expositional dialogue to introduce the characters to the audience the respected actors can be shown in there space. All the art passes through a similar manner of creation, the degrees may be interchanged but they're greater or less similar to each other. There are broadly 3 tiers of developing: conceptualizing, designing and manufacturing and these levels have many sub levels which contribute to the final design. Likewise in cinema and architecture there are masses of
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