Amani radeef portfolio

Page 1

ARCHITECTURE PORTFOLIO

amani radeef



2010-PRESENT amani radeef

amaniradeef@hotmail.com tel: 07846177958

COLLECTION OF WORKS


CURRICULUM VITAE

AMANI RADEEF Permanent Address: 89 Stonecot Hill, Sutton, Surrey, SM3 9HN University Address: 16 Greenway Court, Chaucer Road, Bath, Somerset, BA2 4SY Tel: 02086418672 Mob: 07846177958 amaniradeef@hotmail.com

EDUCATION UNIVERSITY OF BATH Bath, BA2 7AY 2010 - Present BSc (Hons) Architecture Graduated with : First Class Honours Degree URSULINE HIGH SCHOOL Wimbledon, Crescent Road, London, SW20 8HA

NONSUCH HIGH SCHOOL Ewell Road, Cheam, Surrey, SM3 8AB

2003 – 2008 GCSEs: 10 A* 2A (including English, Maths and the three Sciences)

2008 -2010 A-Levels: Maths (A*) Art and Design (A*), Physics (A) AS-Levels: Chemistry (A)

WORK EXPERIENCE February 2013- August 2012 - ARUP ASSOCIATES (London) - Part 1 Architects Assistant Preparing stage reports for various projects, Facade tower design for Tokyo competition project, Compiled drawing package for various housing developments, Explored Option studies for Heathrow T4 developments, Presentation standard work, Site visit for snagging evaluation of Penny Hill site. September 2012 - HOK ARCHITECTS (London) - Work Experience Mainly working on REVIT, editing option designs and hybrids of chosen options for Terminal 2 Heathrow extension. Working within the transport and aiviation team, appreciating time scales, supplier difficulties and the coordination of Architects plus other industries within the Construction Industry as a whole. March 2012- August 2012 - MARK REEVES ARCHITECTS (Putney) - Part 1 Architects Assistant Predominantly AutoCAD software usage working on masterplans of housing developments. Producing final presentation drawings of various projects including devising house types, floor plans and site plans. Amending accommodation schedules and issue registers. Compiling complete drawing packages for Phase 4 of Newton Leys, a project in Milton Keynes, currently on site. September 2011 - HOK ARCHITECTS (London) - Work Experience Mainly working on REVIT and InDesign, editing brochure pages for a Hospital Project in Nigeria, currently at Stage D, ready for hand-over and on Papworth Hospital in Cambridge, currently in competition stages. Working within the logistical department, appreciating time scales, supplier difficulties and the coordination of Architects plus other industries within the Construction Industry as a whole. August 2009 - RYDER ARCHITECTURE (Newcastle) - Work Experience On site project visits, Simple Sketching, AutoCAD and REVIT software usage, File Organisation. July 2008 - HOK ARCHITECTURE (London) - Work Experience On site project visits, Composing and sending out client letters, Using AutoCAD software, two design tasks, working alongside landscaping team. Work experience also included site visits, to the renovation of the British museum, London, and Barts and The London Healthcare Hospital during phase one of construction. This also involved meetings with main contractors, Skanska.

CURRICULUM VITAE amani radeef


TRANSFERABLE SKILLS COMPUTER TECHNIQUES I have an adept knowledge of AutoCAD, Adobe Photoshop, Adobe Indesign, Google SketchUp, Kerkythea Rendering and all Microsoft Office applications. Equally, fundamental skills comprise oF ArchiCAD , AutoArchitecture, MicroStation, Adobe Illustrator and various other Adobe design applications. I would like to develop my skills in rendering software programs further. INTERESTS AND ACHIEVMENTS I am always keen to try new things and become members of various societies, for example Active Citizenship committee, where my role as Finance Director allows me to understand the responsibilities present when dealing with money. I have also recently completed my Bronze and Silver Duke of Edinburgh’s Award. Volunteering at a Rainbows group allows me to interact with various people, of all age groups and the preparation and enthusiastic execution of tasks is vital. Moreover, playing the piano is a great passion of mine, along with sketching and painting as a means of relaxation. My artwork has entered and featured in many competitions including Tate Liverpool’s School exhibition and in the Saatchi Gallery, which I am very proud of. I have also spent a great part of my school years enjoying and developing skills in life drawing, strengthening my ability to draw from eye, maintaining ability to deal with proportion and perspective. ARCHITECTURE In my Third Year of studies at Bath University, I became the Oculus Prize Winner, chosen by the Architecture School for the Malta Design project. My final year project was something very close to my personal interests. I achieved the end of year Ken Smithies prize for design and construction. The work is due to be featured in BD Magazine, and soon to be submitted for the Bronze RIBA Presedents medals prize.

REFEREES mr Martin Gledhill, Architecture 4th Year Studio Leader, University of Bath, Bath, BA2 7AY; mlg20@bath.ac.uk Mr Daniel Wong, Architecture 3rd & 4th year studio tutor, University of Bath, Bath, BA2 7AY; djw25@bath.ac.uk Mr Hal Currey, Placement Director, Arup Associates London, 8 Fitzroy Street, W1T 4BJ; hal.currey@arupassociates.com

CURRICULUM VITAE amani radeef



Orthodoxy is very much known for the exaggeration of ritual and procession within a holy place; the importance of arrival onto a place as a means of cleansing and release for the human soul before entering atmospheric and religious places of worship. Currently in Stroud, due to the location of religious meeting spaces, there seems to be a lack in any sense of arrival and often most places of worship seem to be lost amongst the urban grain of the town centre. The brief is to provide a seminary with an aim to nurture and cultivate both practically and spiritually. The opportunity to bring a sense of ritual and ceremony into Stroud seems very challenging in a place of unorthodoxy and nonconformity. However, somewhere as extravogant and unconventional as Stroud would be accepting of it and engage in the public aspects of the scheme.

YEAR 4

STROUD SEMINARY


The Holy Trinity

RELIGION AND THE PRIMITIVE

M O D E R N O RT H O D O X Y

C E L E B R AT I N G L I G H T

ROUTINE & PROCESSION


Incense

Rituals of the Early Church

S Y R I A N O RT H O D O X Y

EXPLORING DARKNESS


Site - walkthrough


Early massing development


light / dark

Approach from vineyard

River Frome service bridge

composition

Internal walk through winery

topophilia

Approach to refectory

Refectory view


PUBLIC

Walk through tower

PRIVATE

View up through library

MASSING

Approach to Chapel

concept to p ro p o sa l

ORGANISATION

View to individual reflective space

LANDSCAPING

Retreat to dorm

ROUTINE & PROCESSION


Site

site plan

Car Park

Viaduct

Stroudwater Canal

Existing mound

River Frome

Vineyard Location


ground floor plan


Building parti


External north View


Dorm Development

REST

REFLECT

CLEANSE


short section through winery & dorm

Facade development in model form


Winery tectonic exploration


INTERNAL WINERY VIEW


long section through winery & seminary tower


External Approach View


Chapel Development


SECTION THROUGH CHAPEL



This year we were asked to prepare the design for a new Market Hall serving the City of Bristol. The brief however, endeavours to significantly evolve the typology by adding educational and exhibition spaces. In short, this ‘new’ typology is intended as an intelligent and realisable challenge to the supermarket model but integrating some of its logistical advantages. By bringing independent sellers together resources may be shared and integrated. The project will be managed by trustees of which the city council will be a major stake-holder. By this means the ethical position of stallholders with regard to food can be managed. The site is deliberately located adjacent to Temple-Meads station on the approach to the City and the feeder canal. The main aim was to revitalise the human connection to food by social interventions rather than it becoming a monotonous act.

YEAR 4

FOOD STATION


..........COOK

DEVELOPMENT PARTI

SOCIAL

DINE

FOOD

.....................SELL

LEARN TRAVEL

INTERACTION

TICKETING

BRIDGE LINK

............[REVITALISING RITUAL OF FOOD]

EAT COOK

MEET SOCIAL INTERACTION

.......EAT

TEACH

LEARN

BRIEF

CONTEMPORARY MARKET MODEL

DEVELOPMENT MODELS

FOOD STATION YEAR 4


TWISTING FORM

PEELING FACADE

EXPRESSED STRUCTURE

GREEN BALCONY VOID

SITE INTENTIONS

FIGURA SERPENTINATA - TWISTING FORM

FOOD STATION YEAR 4


SITE MODEL - MASTERPLAN

SITE PLAN

FOOD STATION YEAR 4


EXTERNAL VIEW - APPOACH ON TRAIN

INTERNAL VIEW - GREEN STAIR

FOOD STATION YEAR 4


MAIN VERTICAL CIRCULATION CORE WITH INTERMEDIATE VERTICAL COMPONENTS

MAIN VERTICAL CIRCULATION CORE WITH INTERMEDIATE DIAGONAL COMPONENTS SPANNING FLOORS

MAIN VERTICAL CIRCULATION CORE WITH INTERMEDIATE VERTICAL AND DIAGONAL COMPONENTS

CIRCULATION DEVELOPMENT

MARKET CONCEPT SKETCH

FOOD STATION YEAR 4


DELI LEVEL

ARTISAN LEVEL

RAW MEAT & FISH LEVEL

FRESH FOOD LEVEL

WHOLESALE / STORAGE LEVEL

JOURNEY 1 :

THE CHEESE MAN

JOURNEY THROUGH MARKET

CONCEPT SKETCH

CONSTRUCTION SEQUENCE

FOOD STATION YEAR 4


PERFORATED ALUMINIUM

BRUSHED ALUMINIUM

BIRCH WOOD

MATERIALITY

STRUCTURE

C0

2

ENVIRONMENT

MARKET PLATFORM SYSTEM

FOOD STATION YEAR 4


NORTH FACADE

EAST FACADE

SOUTH FACADE

WEST FACADE

FACADE STUDY

FACADE DETAIL PERSPECTIVE

TECTONIC MODEL - MARKET STALL

FOOD STATION YEAR 4


0

5

10

25m

TYPICAL PLANS

1:200 MODEL PHOTOGRAPHS

ROOF TOP BAR DETAIL

FOOD STATION YEAR 4


MARKET VISUAL

SECTIONAL PERSPECTIVE THROUGH WHOLE SCHEME

FOOD STATION YEAR 4



The site located on bristol’s vibrant waterfront, this was a perfect opportunity to create a new street art museum to showcase and exhibit banksy’s work, an artist who started and is famous to bristol and its architecturem becoming a part of it. My scheme aims to create a central external corridor between a louder public building and the quiter exhibit areas, linked by bridging corridors. the walkway then exposes the open workshop spaces that are made to exibit the production.

YEAR 2

BRISTOL STREET ART MUSEUM


Mud-Dock

Floating Harbour

St Mary Redcliffe Church

Queen's Square

WIDER SITE CONTEXT

Circulation // Bus Transport Links // Entrances into Site

Main Axis

DESIGN CONCEPT

SITE ANALYSIS Noise Pollution

Structural Strategy Public Circulation Staff Circulation Lighting Strategy

Services

Circulation

Staff /Private Area

Lighting Strategy

BRISTOL STREET ART MUSEUM

External Circulation

YEAR 2


Mud-Dock

Floating Harbour

St Mary Redcliffe Church

Queen's Square

Circulation // Bus Transport Links // Entrances into Site

FLOOR TO CEILING DETAIL POLISHED SCREED MEMBRANE SOUND IMACT INSULATION GROUT BETWEEN HOLLOW PLANKS PRE-STRESSED HOLLOW CONCRETE PLANKS STEEL I BEAM SECTIONS SUSPENDED CIELING Main Axis

SECTIONAL DETAIL Noise Pollution

Structural Strategy

Services

Circulation

Staff /Private Area

Lighting Strategy

External Circulation

Public Circulation Staff Circulation Lighting Strategy

STOTHERM INSULATION WALL SYSTEM

3D DETAILS

PARTI DIAGRAMS Public Circulation Staff Circulation Lighting Strategy

BRISTOL STREET ART MUSEUM YEAR 2



After a trip abroad to Valletta, the brief asked to design a performance space alongside hostel accomodation along the water front, as a way to revitalise the lost waterfront of malta. The main theme i explored was layers within the city, identifying it as a main theme running through the city; from its form and layout, through to the materiality existing. I mainly used models and hand drawing to present my scheme and how it has translated from concept, straight through to realisation.

YEAR 3

LAYERS OF MALTA


SITE ANALYSIS MODELS

CONCEPT DEVELOPMENT - LAYERS

LAYERS OF MALTA - CULTURE HOUSE AND HOSTEL YEAR 3


PARTI DIAGRAMS

1:20 DETAIL PERSPECTIVE - ENTRANCE

LANDSCAPE ARTWORK

LAYERS OF MALTA - CULTURE HOUSE AND HOSTEL YEAR 3


MODEL TESTING - MATERIAL

1:20 DETAIL PERSPECTIVE

LAYERS OF MALTA - CULTURE HOUSE AND HOSTEL YEAR 3


COURTYARD VISUAL

APPROACH VISUAL

MODEL PHOTOGRAPHS

LAYERS OF MALTA - CULTURE HOUSE AND HOSTEL YEAR 3



Kew Gardens Gateway project aims to engage with the Southern entrance of Kew Gardens, botanical gardens located on the River Thames. This building will act as a gateway exhibition and lecture space. The scheme involved testing of smaller external exhibition spaces, landscaped around tidal gardens which would work alongside the River Thames flood zone. This four week project allowed rigorous testing of site and accommodation, through sketching and model making.

YEAR 3

GATEWAY PROJECT - KEW GARDENS


PRECEDENT AND INSPIRATION

SITE - LONDON THAMES

YEAR 3: GATEWAY

This group project involved working with another architect and two engineers. Our brief was to design a new gateway entrance building for Kew Gardens, on a site which formed an edge between

BUILDING -

SITE SKETCHES - LONDON THAMES

CONCEPT MODEL

DESIGN DEVELOPMENT

GATEWAY PROJECT - KEW GARDENS YEAR 3


FINAL PLANS/SECTIONS/ELEVATIONS

GATEWAY PROJECT - KEW GARDENS YEAR 3


FINAL MODEL PHOTOGRAPHS

GATEWAY PROJECT - KEW GARDENS YEAR 3


FINAL MODEL PHOTOGRAPHS

GATEWAY PROJECT - KEW GARDENS YEAR 3



ARUP ASSOCIATES

WORK PLACEMENT


BUILDING INTENTIONS

BUILDING DEVELOPMENT

PLACEMENT WORK ARUP ASSOCIATES


MASTERPLAN

BUILDING COMPONENTS

PLACEMENT WORK ARUP ASSOCIATES


ランドマーク

LANDMARK

FACADE STUDY

EXTERIOR VIEW


FACADES

EXTERIOR PODIUM

FACADE OPTIONS STUDY

PLACEMENT WORK ARUP ASSOCIATES



ARTWORK


DRAWING

INK / WAX SKETCH


Ar

Design Studio Project -

DRAWING

EXPRESSIVE FACIAL SKETCHING


DRAWING

STILL ANIMATION & ARTWORK


DRAWING

STILL ANIMATION & ARTWORK


DRAWING

OBSERVATIONAL DESIGN SKETCHING


DRAWING

MIXED MEDIA OBSERVATIONAL WORK


DRAWING

LIFE DRAWING


DRAWING

OBSERVATIONAL SKETCHES


FINAL CRIT PIN UP DEVELOPMENT


AMANI RADEEF

- ARCHITECTURE PORTFOLIO AMANIRADEEF@HOTMAIL.COM TEL: 07846177958



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.