Degree book progress

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a hand-crafted workbook

CREATED BY AMBER WEBSTER







a hand-crafted workbook CREATED BY AMBER WEBSTER



introduction This is Make a Mark, a workbook designed to teach you how to draw using your own unique mark making. Everyone can make a mark and this book is intended to teach you how to take those marks and apply them in a new ways. This is an abstract experience to move away from perfection. This workbook is intended to get you to put pen to paper and make something out of nothing. Nobody’s a natural and we all have to start somewhere, so why not start here. Make a mark will take you through quick step by step exercises that will push you to draw more on your own, it’s all about what you make of it.

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what is mark making? What do expressive qualities add to the look and feel of an artwork? Mark making describes the different lines, dots, marks, patterns, and textures we create in an artwork. It can be loose and gestural or controlled and neat. It can apply to any material used on any surface: paint on canvas, ink or pencil on paper, a scratched mark on plaster, a digital paint tool on a screen, a tattooed mark on skin…even a sound can be a form of mark making. Artists use gesture to express their feeling and emotions in response to something seen or something felt. The impressionists used mark making – in the form of separate brush marks or dabs of paint – to add life, movement and light to their paintings of the things they saw around them. Later artists working in an expressionist style also created representational artworks using mark making. Cy Twombly developed gestural mark making into a form of personal handwriting. In his series of paintings based on the seasons, he uses this ‘handwriting’ of marks to express what the different seasons mean to him. Artists also use expressive mark making to create purely abstract artworks which do not necessarily


YAYOI KUSAMA, INFINITY NETS

3 refer to anything in the real world but are intuitive or respond to a defined set of rules.Action painters such as Jackson Pollock (who dripped and splashed paint onto his canvases) and Niki de Saint Phalle, who in her shooting pictures found a novel way of mark making, by firing a gun through bags of paint which then exploded onto a canvas creating explosive marks, splashes and drips. An important influence on this kind of improvised mark making was the surrealist doctrine of automatism – which meant accessing ideas and imagery from the subconscious or unconscious mind. Well known for her repeated dot patterns, Yayoi Kusama is another artist who systematically mark-makes. She creates paintings, sculptures and installations that immerse the viewer in her obsessive vision of endless dots. For her interactive Obliteration Room an entirely monochrome living room is ‘obliterated’ with multi-coloured stickers, transformed from a blank canvas into an explosion of colour, with thousands of spots stuck over every available surface.


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mark your heart out.


getting started. The exercises you will run through

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get inspired I start every sketch with a quick surf around the internet to my favorite design sites or I flip through design and illustration books to find inspirational imagery. It helps me to pull images and make simple mood boards. Through this I have been able to build an array of artists that always evoke great art out of me, from Pollock to Kandinsky.


mood board noun An arrangement of images, materials, pieces of text, etc., intended to evoke or project a particular style or concept.

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things Since I draw with pen 99.9% of the time I try to buy durable and very absorabant paper. It keeps the ink from leaking through and smearing too easily. So it all depends on the tool you choose to use. You’ll notice the book comes with three different paper types that you can use the included pens to test out.


included tools:

included paper:

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exercise 1


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intermission


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exercise 2


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20 intermission


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exercise 3


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26 All great art starts with a great idea.


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benefits of experimentation I’m one of those people who finds something they like and sticks to it. I have found though that if I loosen up a bit and take risks my work is much better,


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