ARCHITECTURAL PORTFOLIO AMBIKA GOYLE I KRVIA
AMBIKA GOYLE 4th year, B. Arch
Email: ambikagoyle@gmail.com Phone No. :9987711472
Education
Kamla Raheja Vidyanidhi Institute of Architecture (2017-) Rajhans Vidyalaya ( 2005 - 2017) Balvatika School (2002 - 2005)
Workshops
Studying Versova Gauthan by Archana Hande The Object in the Museum by Nisha Nair Urban Ecology by Anand Pendharkar Parametric Thinking by Dimple Mehta Digital Tools: Mapping and Visualization by Kartik Gala Introduction to Sociological Thought by Shinzani Jain Alternate Cartographies by Ankush Chandran
Work Experience
Internship at Sudhir Shetty Design Consultants
Software Skills
AutoCad, Photoshop, Indesign, Rhino, Sketchup and Microsoft Office
Languages
English, Marathi, Hindi
Interest
Travel, Painting, Sketching, Cooking and Singing.
12/303 Indra Darshan Phase 2 Lokhandwala Andheri West Mumbai -400053 26 th July 1999 DOB: 26th July 1999
03
CONTENTS YOUTH PLAZA
NAYA KARYALAY
Community Plaza Kohima, Nagaland
Dormitory Sidhpur, Gujarat
Ward Office Mumbra, Thane
02
01
YATRI NIWAS
CREVICES AND CRACKS
03 TEMPLE LIVING Housing
MISCELLANEOUS Allied , Construction, B-tech
Housing
04
05
06
04
YOUTH-PLAZA NAGALAND 2020 I SECTION
C SECTION PURLIN POLY CARRBONATE ROOF
Festivals of Kohima helped me to ideate and create a youth-plaza that celebrates the importance of festivals of Kohima. Like the people of Kohima who are varied in their interests the plaza also provides a space for varied activities that brings together all these people. The design tries to incorporate the music and colours that dominate the life of the people in Kohima and makes the plaza a lively space throughout the year. Big scale festivals such as Harvest festival where the women of Kohima come together to cook delicious meat and small scale day to day activities are all a part of the plaza. The building provides a space for multi-scalar activities throughout the year acknowledging the importance of being one community. The design takes in account to the already existing contours of the site and aims to create a structure that sits in the slope of the site.
BAMBOO POST ANGLE CLEAT TREADED ROD
METAL PLATE WELDED WITH THE I SECTION
BAMBOO POST 20 MM TK CONC. MORTAR
400 MM TK RCC BEAM STONE PAD
COLUMN I-SECTION 200MM*200MM WELDED TO PLATE WITH PINNED JOINT PINNED JOINT BASE PLATE 350MM*350MM ANCHOR BOLTS
Site plan
Section through the Reception Area and Pavilion
Wall section
150 MM TK RCC SLAB
230 MM TK BRICK WALL
05
CONCEPT DIAGRAMS CIRCULATION: The plaza has multiple entries and exits at different levels making the structure easily accessible and more welcoming.
SKIN: To incorporate openness, the plaza was designed to have low-lying toe walls with bamboo posts. This helped in increasing the ventilation and natural sunlight. This type of skin structure also makes the building look transparent therefore inviting all kinds of people.
The project aims to increase inter-level interaction between the different levels of the building by allowing the higher level to always overlook into the lower level and allowing transparency through the structure. The structure is embedded in the already existing contours so as to keep the original slope of the site and allowing all the levels to enjoy a view of the mountains and hills from the site.
First Floor Plan
The different modules are designed while keeping the openness of the structure in mind in order to make the plaza welcoming, whereas the internal space is modular and can change with the change in activity. All modules open out in the central amphitheatre that promotes community activities such as concerts, plays etc, creating a feel of togetherness and promoting their values of community celebration and the structure acts as a symbol of celebrating togetherness.
06
Synthesis Drawing
Lower -Ground Floor Plan
Ground Floor Plan
07
The pavilion is a long walking path overlooking the main kitchen and therefore increasing the interaction between people on different floors. The other structure also shows similar characteristics and increases inter-level interaction. The roof is a butterfly roof supported by a completely separate steel portal-frame structure giving an openness to the building and making it more welcoming and providing to the people of kohima a versatile space which reacts to their daily activities and their occasional festivals.
Section through the Pavilion and Community Kitchen
08
09
Section through the Library, Cafe and Day-Care Centre
10
NAYA KARYALAY MUMBRA 2019
Lying in the foothills, Mumbra is a small muslim dominated town and suburb of Thane district in Western India. The ward office was designed in order to provide a platform for the local people to express their emotions, views and frustration, to become more aware of their surroundings, be an active part of the decision making that affects them directly and indirectly and also increase the involvement of the government towards the betterment of Mumbra. The structure provides opportunities of increasing public consultation on various levels by using the circulation spaces as common gathering spaces when needed. The design is wrapped around a central courtyard which can cater to large scale gatherings and discussions promoting public consultation. The skin of the structure is designed in such a way that the transparency of the ward office increases symbolizing the need of making our government bodies more transparent.
Ground Floor Plan
Second Floor Plan
CONCEPT DIAGRAMS
First Floor Plan
11
SKIN: The facade of the structure is mainly glass so that it makes the structure more transparent with vertical louvers so that it also helps in reducing the sunlights and prevents the structure from overheating.
COMMON SPACES: The design provides multiple scalar common spaces on all floors depicted in the diagram. This helps in creating more spaces for public gathering and therefore increasing the involvement of the public in the decision making process of the Ward office.
CIRCULATION: The design tries to increase inter-level interaction between the floors so that the structure is transparent in terms of circulation also. This also helps the circulating spaces to act as public gathering spaces and in turn increasing public consultation.
Synthesis Drawing
12
Section through the Central Courtyard (AA’)
13
Section through the Amphitheatre (CC’)
14
WORKING DRAWINGS A''
B''
MUMBRA 2019
C''
A'
D''
B'
E''
F''
C'
D'
NOTES:
G''
E'
F'
G'
1.
H'
2. 3. 4
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
SCHEDULE FOR FINISHES
Q NO.
1
9 1
C50
9345
5355
SINGLE COAT CEMENT PLASTER (NEERU) + ASIAN PAINTS APCOLITE EMULSION PAINT
9
E1
2900
2400
EXTERIOR WALL FINISH
1930 7420
12
W5
C23
SILL HEIGHT
TYPE
WIDTH
HEIGHT
DESCRIPTION
ELEVATION
REVOLVING DOOR ALUMINUM FRAME FIXED GLASS PANEL
2200
1600
D1
6405
-2 M
-2.45 M
RECEPTION
C19
UP
4800
6205
4425
D1
1785
1635
1600
21M X 6.2M
5355
2230
D1
D1
3200
1345
6960
17
B
C
D
E
F
G
H
I
J
1100
2100
SINGLE SHUTTER TIMBER FRAMED TIMBER PANEL DOOR
C11
K
L
M
TYPE
SILL HEIGHT
WIDTH
HEIGHT
W1
1000
3400
600
W2
750
DESCRIPTION
ELEVATION
WOODEN FRAMED VENTILATOR WITH CONCRETE LINTEL AND FIXED GLASS
N
PANELS 800
REVOLVING WINDOWS WITH ALUMINUM FRAMEWORK AND FIXED GLASS PANELS
2200
O
500
840
LOUVER WINDOW FOR BATHROOM VENTILATION
1000
1200
WOODEN FRAMED WINDOW WITH CONCRETE LINTEL AND FIXED GLASS PANELS
W5
1000
2400
600
W6
900
700
1000
W3
1300
W4
1200
18
C17
C15
C13
17 A
D4
C18
21000
C9
C7
C5
C16
EXHIBITION SPACE
W1 F1 C1S1
D1
D1
D1
12940
DOUBLE SHUTTER ALUMINIUM FRAMED GLASS PANEL DOOR
WINDOW SCHEDULE
11120
C14
1970
D1
1550
3200
2965
1600
3550
C3
2200
16
2700
2540
7285
7340
2730
2100
9700
12385
-3.5 M
14.6M X 9.7M
W1 F1 C1 S1
2 1
DN
UP
D2 840 1570
9
5 4 3
2 1
C1
8
5 4 3
18
6
8 7 6
3210
C12
W1 F1 C1S1
AMPHITHEATRE
10 RISERS 150 MM = 1500 MM
8 7 6
12.9M X 6.4M
5
9
4405
C10
CITY MODEL ROOM
12 11 10
3290
7
13
12 11 10 9
6640
C8
4
1200 13
5750
C6
11
D2
10
8895
1020
W1 F1 C1S1
3
2500
2
C2
820
1500
8965
8360 1
W4 C4
D2
D3
15
15930
16
25 MM TK TILE FINISH
SINGLE SHUTTER ALUMINIUM FRAMED GLASS PANEL DOOR
6410
16350
C20
C21 4500
14910
C'
14.6M X 6.4M
(SLOPE 1:12)
15
18355
8625
C
14
W1 F1 C1S1
+00
25 MM TK TILE FINISH
+10.8
+7.9
A'
C24
20 MM TK SCREED
DOOR SCHEDULE
13
C25
ROUGH CAST FINISH CONCRETE
18MM
3 MM TK METAL PLATE
+11.4
9005
14600
`DADO 2500MM HIGH, 500MM x 500MM VITRIFIED TILES
12MM
B'
C26
C27
12MM
CEILING FINISH
BOLT
IN CASE OF DISCREPANCY , IT SHOULD BE IMMEDIATELY BROUGHT TO NOTICE OF THE ARCHITECT / CONSULTANT . REVISION :
10
2400
D2
SKIRTING FINISH
C1
11
C29 3275
500
UP
12MM
S2
8
9.
UP
14
4905
C30
500MM x 500MM SOMANY ANTI-SKID CERAMIC FLOOR TILE
+10
19005
S1
500MM x 500MM SOMANY ANTI-SKID CERAMIC FLOOR TILE
100 MM HIGH ADANGAR BLACK `GRANITE STONE SKIRTING ON IPS FLOORING
OF WORK .
1:8)
C45
C32
C33
9 M X 7.1 M
8360
3 2 1
12MM
MS RAILING
ALL THE SERVICES TO BE REFERRED FROM THE SERVICES CONSULTANT DRAWINGS . FOR ALL OTHER DETAILS , REFER TO OTHER RELEVANT DRAWINGS . .ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT
(SLOPE
+00
C46
11345
C57
JANITORS ROOM
3 RISERS 150 MM = 450 MM
1255
2675
1285
3180
C39
C41
12350
12MM
FLOOR FINISH SKIRTING FINISH
6. 7. 8
+10.8
14050
1645
FLOOR FINISH
F2
DOUBLE COAT SAND FACED , WATER PROOF CEMENT PLASTER + ASIAN PAINTS APEX EMULSION
KOTA STONE FINISH
FOLLOW WRITTEN DIMENSIONS ONLY .
A
STORAGE
20 MM
F2
7 W5
25MM
5 6
C34
9000
12MM
WALL FINISH FLOOR FINISH
DO NOT SCALE THE DRAWINGS .
B
W1 F1 C1S1
C35
C37
CANTEEN
D3 2635
D2
C47
C51
D2
C38 33330
W1 F1 C1 S1
21M X 6.2M
C43
2990
DOUBLE COAT CEMENT PLASTER (NEERU) SMOOTH FINISH
WALL FINISH
F1
4
DESCRIPTION
ALL DIMENSIONS ARE IN MM .
THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION . THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWINGS.
+00
15
14
16
13
12
11
C56
10
UP
9
8
7
6
5
4
3
2
4205
C59
11 12
1
10
13
2775
7.4M X 6.9M
820
2010
7140
C48
C36
820
C52
24000
3225
C55
C60
2320
C63
6500
KITCHEN
W1 F2 C1S1
7
1320
C42
3420
W1
C68
6
7515
C49
C54 C61 C62
2495
C53
4 5
3
C44
1180
+2.5
20490
THICKNESS
W2
W1
2
2 3
SURFACE
5.
UP
A 8
P
WOODEN FRAMED VENTILATOR WITH CONCRETE LINTEL AND FIXED GLASS PANELS
ALUMINUM FRAME WALL AWNING WINDOWS
SITE- MUMBRA
Q
KAMLA RAHEJA INSTITUTE OF A'
ARCHITECTURE AND
B'
ENVIRONMENT STUDIES
C' D'
NAME: AMBIKA GOYLE
E' F'
A'
GROUND FLOOR PLAN SCALE 1:100
N
YEAR: 3 RD YEAR
G'
C''
8775
B''
A''
C'
NOTES: 1.
D'
7440
2.
E'
3.
F'
3365
4
G'
4745
H'
3830
2
E 4110
F
H
2950
2865
I
K
1655
L
8705
M
4260
N
3335
7380
O
4710
3830
P
5.
Q
2875
6.
1350
435
2560
D 3800
230
PB43
PB33
PB36
PB39
PB41
PB46
PB31
PB34
PB37
PB24
TONGUE AND GROOVE JOINT
+11.4
+10.8
UP
PB19
+7.9
+10
2200
12
1:8)
PB18
2 10 11 (SLOPE
PB17
PB56
1
13
PB21
PB20
KEY PLAN SCALE 1:1000
14 COLUMN
6010
PB16
PB15
PB14
W2 F2 C1S1
PB13
+10.8
2200
PB25
PB63
IN CASE OF DISCREPANCY , IT SHOULD BE
+00
PB23
PB22
PB26
PB30
PB32
PB35
PB38
PB42
PB29 PB28
1005 935
PB40
955 1095
PB27
PB49
2890
OF WORK . IMMEDIATELY BROUGHT TO NOTICE OF THE ARCHITECT / CONSULTANT .
PB55
PB62
PB68
14
ALL THE SERVICES TO BE REFERRED FROM THE SERVICES CONSULTANT DRAWINGS . FOR ALL OTHER DETAILS , REFER TO OTHER RELEVANT DRAWINGS . .ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT
REVISION :
PB50
PB57
SHEET NO: 4
FOLLOW WRITTEN DIMENSIONS ONLY .
8
9.
PB45
PB48 PB51
PB58 PB54
PB64
13
PB53
PB61
10
PB65
SIGN:
DO NOT SCALE THE DRAWINGS .
7.
PB44
PB47
PB52
PB59
PB66
PB67
9
C 3560
PB60
8
615565600 635
6
B 3850
1585
5
7
2100
4
A
ALL DIMENSIONS ARE IN MM .
THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION . THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWINGS.
UP
3
ROLL NO: 1731 SCALE AS SPECIFIED
SHEET: GROUND FLOOR PLAN
G''
F''
E''
D''
DATE:
H'
B' 3370
SIZE
C6, C8, C10, C12, C14, C16, C18-C-27, C39, C41, C43
230 x 230
C51-C68, C1-C4, C31 , C-28 C40
400 x 230
C46, C45, C29, C32, C33 C30, C23, C25
400 x 230
C35, C34
500 x 340
C49, C44, C42, C38, C37,C36
350 x 300
C48
500 x 340
C5, C7, C9, C11, C13 , C15
15
14970
COL. NUMBERS
500 x 340
NOTES: 1. 2. 3.
10 MM BARS AT 150 MM C/C
4
+10.2 M
D1
D1
D1
D1
9035
D1
PB11
D1
350
+6.5 M
W2 F2 C1S1
W2 F2 C1S1
D1
D1
D1
D1
D1
D1
5.
PB12
W2 F2 C1S1
PB10
W2 F2 C1S1
PB6
16
FOLLOW WRITTEN DIMENSIONS ONLY .
ALL THE SERVICES TO BE REFERRED FROM THE SERVICES CONSULTANT DRAWINGS . FOR ALL OTHER DETAILS , REFER TO OTHER RELEVANT DRAWINGS .
8
.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK .
9.
IN CASE OF DISCREPANCY , IT SHOULD BE IMMEDIATELY BROUGHT TO NOTICE OF THE ARCHITECT / CONSULTANT .
5505
PB9
PB8
PB7
PB5
PB4
PB3
PB2
PB1
6380
DO NOT SCALE THE DRAWINGS .
7.
16
+2 M
18 MM BARS AS PRINCIPAL REINFORCEMENT D1
6.
ALL DIMENSIONS ARE IN MM .
THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION . THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWINGS.
REVISION : 17
12 MM BARS FOR COLUMN REINFORCEMENT 3285
18
17
2950
E
1175
F
5625
G
8 MM STIRRUPS AT 100 MM C/C
SECTION BB' 6425
J
3335
7380
K
L
4710
3830
M
N
2875
O
1350
P
Q
SITE- MUMBRA KAMLA RAHEJA INSTITUTE OF ARCHITECTURE AND
+11.2 M
W1F1 C1S1
+8 M
6440
5660 W1 F1 C1 S1
A''
3370
7380
C''
B''
W1 F1 C1 S1
D''
6735
4710
ENVIRONMENT STUDIES
+10 M
NAME: AMBIKA GOYLE
D1
G''
F''
E''
+6.5 M
YEAR: 3 RD YEAR DATE:
ROLL NO: 1731 SCALE AS SPECIFIED
SHEET: FOUNDATION PLAN
+5 M
FOUNDATION PLAN SCALE 1:100
N
W1 F1 C1 S1
W1F1 C1S1
W2
+2 M
W2
D1
D1
SIGN:
D1
D2
+2 M
SHEET NO: 3
DETAIL AT A SCALE 1:10
15
NOTES:
E
F
G
K
J
L
M
P
N
1. 2. 3.
+11.2 M
W1 F1 C1S1
2200
2500
+8 M
3600
D1
W1F1 C1S1
+6.5 M
2810
350 W2
W2
ALL THE SERVICES TO BE REFERRED FROM THE SERVICES CONSULTANT DRAWINGS .
7.
FOR ALL OTHER DETAILS , REFER TO OTHER RELEVANT DRAWINGS .
8
.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK . IN CASE OF DISCREPANCY , IT SHOULD BE IMMEDIATELY BROUGHT TO NOTICE OF THE ARCHITECT / CONSULTANT .
CONCRETE GUTTER
D1
D1
150 MM TK BBC CONCRETE GUTTER
FOLLOW WRITTEN DIMENSIONS ONLY .
CURTAIN WALL
D2
+00
+2 M
6.
DO NOT SCALE THE DRAWINGS . THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION . THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWINGS.
REVISION :
D1
W1 F1 C1S1
5.
FLOOR FINISH 230 MM TK BBC 350 MM TK SLAB FACIA
AEROFOIL LOUVERS
3900
5510
+5 M
MS HAND RAIL
9.
2700
W1F1 C1S1
1000
W1F1 C1S1
+10 M
1390
880
30 MM TK GLASS
2300
2700
575
STONE COPING BUND WALL
840
4
ALL DIMENSIONS ARE IN MM .
+2 M B
MS GRILL W1F1 C1S1
W1 F1 C1S1
RETAINING WALL
3500
3810
W1F1 C1S1
+11.4
UP
+0 M
A
GROUND LEVEL
+10.8 +7.9
+10.8
OPE
(SL
C'
1:8) +10
PLINTH LEVEL
-2 M
UP
B'
C A'
E
F
G
L
K
J
M
N
P
N
O
P
SECTION AA'
MS HAND RAIL
3800
D1
FLOOR FINISH 230 MM TK BBC 350 MM TK SLAB FACIA
AEROFOIL LOUVERS
1000
W1F1 C1S1
3755
+10 M
150 MM TK BBC CONCRETE GUTTER
D1
CURTAIN WALL
1960
2200
W1 F1 C1S1
950
3700
1520
+6 M
+2 M
FLOOR FINISH
RETAINING WALL
3240
310
895
MS GRILL W1 F1 C1S1
SITE- MUMBRA KAMLA RAHEJA INSTITUTE OF
-2 M
ARCHITECTURE AND
PLINTH LEVEL CONCRETE DRAIN
ENVIRONMENT STUDIES NAME: AMBIKA GOYLE YEAR: 3 RD YEAR
SECTION BB'
DATE:
ROD INDIAMART AEROFOIL LOUVERS 1000 MM X 300MM X 10 MM
N ALUMINIUM BOX SECTION
3 MM TK MS PLATE
MS SCREW
SIGN:
3500 X 10 M.S PLATE 75
15MM Ø BOLT
A
150
ALUMINIUM MULLION (150 X 75 X3MM THK)
3
25 MM CERAMIC TILE
15
20 MM MORTAR
12
100 MM DIA BOLT
LOUVERS
SHEET: LOCATION, SITE AND SETTING OUT PLAN
P
O
DETAIL A
8 6
8MM THK TOUGHENED GLASS 12MM AIR GAP 6MM THK CLEAR GLASS CLIP SILICON SEALANT
ROLL NO: 1731 SCALE AS SPECIFIED
100 MM DIA BOLT
1600
1600
150 MM X 75 MM MULLION 3 MM TK MS PLATE
LOUVERS IN PLAN
SHEET NO: 8
16
17
AMBIKA GOYLE
YATRI-NIWAS SIDHPUR 2018
Facades of Sidhpur so densely packed with one another, almost stuck creating a huge wall on one side of the street created a necessity to break the monotony and respond to the site by pushing the main structure to the back and creating an open public plaza at the front and hence breaking the visual repetition. The shopping-plaza would help create a buffer space between the road and the structure. The design tries to incorporate the geometry that is filled in the architecture of Sidhpur and also keep in mind how the degree of publicness reduces with the progress in length of the structure. The degree of publicness in the design gradually reduces horizontally, from front of the structure to the back of the structure as well as vertically, from ground floor to top floor. In order to step away from monotony the structure is oriented around a central courtyard allowing the residents to have a fresh breath of air in an otherwise claustrophobic site.
Ground Floor Plan
Synthesis Drawing
18
Section through the Central Courtyard
First Floor Plan
CONCEPT DIAGRAMS
COMMON SPACES: The design provides a common space on all different levels for people to come and interact. The programs are oriented around the central courtyard that acts as the main common community space.
CIRCULATION: The common passages are all designed in such a way that they face the central courtyard overlooking the activities in the courtyard and also the passage of the lower floor increasing the inter-level interaction.
Second Floor Plan
19
The structure is made up of a grid concrete column-beam structure with exposed brick walls. The windows made out of wood also try to capture the essence of Sidhpur and the Jali walls help in creating a barrier between different programs but at the same time increasing ventilation and keeping the structure cool in the extremely hot weather of Sidhpur.
The degree of Publicness of the programs gradually decreases as you move from the front to the back. The design at the start has a shopping plaza and a multi-purpose hall and then as you move horizontally the programs turn into more private programs
The degree of publicness also reduces vertically. The ground floor consists of all public activities, the first floor consists of dorms and the second floor consists of private rooms hence moving from public to private
Section
20
21
CREVICES AND CRACKS
The project tried to study the spatial experiences and the human anthropometry by carving out spaces to scale from a block of soap.
Reflected Ceiling Plan
Floor Plan
22
AMBIKA GOYLE
TEMPLE LIVING
SIDHPUR 2018
Vision for utopia started with a space where conservation of nature is the most important ideal. A place where nature itself is considered God and is prayed to. Hence the structure in this nature loving utopia is transparent, whose shape is determined by the already existing trees. The module of every house gives central importance to trees by orienting the rooms of the house around it. The roof of the structure is designed in such a way that 50% of the roof is made up of skylights therefore forcing the residents to be dependent on trees for their natural shade and hence taking care of them. The multiple skylights also play with a lot of natural sunlight therefore relating the house to nature as much as possible and hence considering nature as the most important power.
Axonometric Drawing
Floor Plan
23
MISCELLANEOUS
24
AMBIKA GOYLE
ALLIED SEM 3
Done in collaboration with Keyur Ambavane and Jhanvi Patil The project helps in understanding the nature of materials such as concrete and wood.
COLLEGE PROJECT SEM 4
Done in collaboration with Aditi Kamble
ALLIED SEM 4
Done in collaboration with Aditi Kamble and Aboli Sanghai The chair is made keeping the human anthropometrics in mind with metal and jute.
AD SEM 4
An antique alcohol glass converted into a smoking pipe.
AD SEM 3
The project is trying to demonstrate the endless beauty of nature from the top of a mountain.
AMBIKA GOYLE
25
COLLEGE PROJECT SEM 2
CONSTRUCTION SEM 3
Done in collaboration with Aditi Kamble and Satyam Rastogi and Nikita Taori. Studying the tensile property of concrete.
ALLIED SEM 4
Done in collaboration with Aditi Kamble and Aboli Sanghai. An intervention made by repeating a module which will help create multiple levels of the
CONSTRUCTION SEM 4
Done in collaboration with. A structure made only using paper tubes.
B-TECH SEM 4
Done in collaboration with. A lift created by Bamboo and jute.
The meal made in the large scale cooking of beef is sold by plate at a fundraiser that happens beside the Khedi Baptist Church during the harvest festival. Money collected during this event is used by the church to provide for schools in the khel.
A BAD WOMAN
MY DREA
M GIRL
A BUCKET OF RAIN
Khedi Baptist Church
harvest festival
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Made In Nagaland Made in Nagaland is the store in Kohima where books from the Penhill Publication House are sold. It also houses a collection of many locally produced goods.
The book has been published by the Penthrill Publication House, the only publishing house of Kohima. It is headed by Rita Krocha and has published 28 books since 2011. Books are printed in Guwahati and distributed throughout the northeast.
PRODUCED BY AN AUTODESK STUDENT VERSION
Penthrill Publication House
P-Khel houses several livestock markets and slaughter houses, which source the animals from Dimapur. Butchers act as middlemen and buy these animals from the slaughter houses, before selling its meat to their respective shops.
The book has been authored by Agnes Tepa, an educator and writer based out of Kohima. Her book is a collection of seven short stories.
De Baed
De Baed
Albert is a student at the Khedi Baptist School. He found the novel 'Adventures of Lhusaka and other stories' in his school library.
De
Baed De Baed
Dimapur
EXHIBITION SEM 4 SIDHPUR , GUJARAT N
WEST ELEVATION
Done in collaboration with. A study of the architecture and intriguing facades of Sidhpur.
Corner House
The Corner House sits at the junction of the P-Khel and the D-Khel, in isolation from nearby settlement and at the curve of a road. The family residing here consists of four members, where the father practices agriculture and the mother is a housewife. Both children are primary school students and take keen interest in reading and literature.
the novel
the gali
local slaughter house
During wedding ceremonies, the bride is gifted with a gali by her family as a ritual. The gali vessel is used for the harvest festival, where all women of the khel cook beef in large quantities and carry the food to church, as an offering.
EXHIBITION SEM 6 KOHIMA, NAGALAND
Done in collaboration with Druhan Chhugani and Aashmi Haria. A detailed study of the different objects and their narrativesfound in Kohima.
AMBIKA GOYLE
INTRODUCTORY WORKSHOP SEM 1
Done in collaboration with. An intervention exhibiting the experience of the world of Navigation Apps.
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