2013
PORTFOLIO Architecture Ameer Mustafa Varzgani
Bio
Content 2012 Ameer Mustafa Varzgani B.Arch (National College of Arts,Lahore, Pakistan)
Architectural education is always in a transition, the education has shifted from static to dynamic forms, from planes and solid geometry to morphogenesis, from classical proportions and orders to different complex experimentations. Different modes of expressions through computer modeling have changed the entire working environment of architects and students. Therefore, I would like to be tuned with the current affairs and technologies so that I can contribute to the society as an architect. This portfolio contains a sample of the work conducted during my academic years as well as my professional career as an architect. Each selected project aims to highlight the diverse skills which were developed for the solution of an architectural/urban problem assignment. For in-depth review of my projects, contact: amvarzgani@gmail.com +92 333 782 8256
2012
2011
2011 Group
2011
01 02 03 04 05
School of Art and Architecture
2011
Group
Parasitic Architecture
Architecture of Events
2010
2010
Reinvigorating
Summer Pavilion
2010
2013
06 07 08 09 10
Rehabilitation
Architecture and Democracy
The Oasis
Vernacular Architecture
Professional
Note: All the sketches, 3ds, drawings and presentations are made by the author Ameer Mustafa Varzgani. Mediums used are AutoCAD, 3ds Max, Adobe Photoshop, Illustrator and Corel Painter. For Traditional Sketches mediums used are Pencils, Pens, Felt-tip Pens, Water-Colors and Color Pencils.
Artwork Samples
The situation between art, architecture and the other branches must be oblique, instead of vertical and horizontal. That transition should make one experience and becomes aware of dimension of time. The space should become responsible where ones imagination and inventions flourish.
A Building of Places
School of Art and Architecture:
Art and architecture were detached from each other that brought up in mastering them with different dimension. A junction or a program which enables all the disciplines to fuse in and trans-disciplinary performance takes place.
01 2012
Art and architecture are two different forms of expressions, articulated in different manners. Early thoughts were that art and architecture belonged together. With the rise of the merchant class to power in the 19th century, the plastic arts began to lose their interdependency and to separate. It was due to the general fragmentation of the society into competing social class. This was further fragmentized into further specialized fields. Painting, sculpture, performing art (theatre), films, photography and architecture became a real estate that often trade hands for money. Now, these forms are rarely to be under one big top. This separation enabled these form to influence on each other in ways that never happened before. In beginning of 20th century we started to find paintings and sculptures having direct influence on architectural design. It was their independency that allowed the disciplines to go beyond the limits and learn from each discipline. These different notions now are again inter-dependent on each other.
Utopia and Integrated Planning
Spatial Harmony
Innovative Design
Sustainable and Adaptive
Flexibility
Aims And Objectives
Community of Learning
Site
1
02 Immediate Connections
03 Problems/ Transperancy
Existing Master Plan
North
0’
250’
500’
750’
Total Area: 23.7 Acres (1,032,372 sqft.) Built Area: 319,265.12 sqft. Open Spaces: 713,107 sqft. 1000’
04 Inserting Program
05 Subtracting Areas
07 Cross-Disciplinary
Sculpting the Volume
01 Site
Level 01
Basement Level 1. Underground Parking 2. Sculpture Court/ Intermediate Space 3. Auditorium 4. Workshop 5. Cafeteria 6. Media Library
Level 02
1. Ramp 2. Exhibition Area/ Intermediate Space 3. Auditorium 4. Administration 5. Courtyard
a
b c
1. Studio 2. Exhibition Area/ Intermediate Space/ Event Space 3. Auditorium 4. Administration 5. Lecture Theatre/ Drawing Studio
a
b c
Internal Spaces
Axonometric Plans
7. Art Store
1 3
5
4
2
5
7 6
2 1
3 4
a
b c
Level 04
Level 03 1. Studio 2. Exhibition Area/ Intermediate Space/ Event Space 3. Auditorium 4. Administration 5. Lecture Theatre/ Drawing Studio
Level 05
1. Studio 2. Exhibition Area/ Intermediate Space/ Event Space 3. Auditorium 4. Administration 5. Lecture Theatre/ Drawing Studio
a
b c
1. Studio 2. Exhibition Area/ Intermediate Space/ Event Space 3. Auditorium 4. Administration 5. Lecture Theatre/ Drawing Studio
a
b c
1. Studio 2. Exhibition Area/ Intermediate Space/ Event Space 3. Auditorium 4. Administration 5. Lecture Theatre/ Drawing Studio
a
b c
5
5 1
Level 06
2
1 4
3 1
1
1
4 1
3 1
4
b c
5 2
1
1
4
1
1
a
1
3 1
1
2
4 1
1 1
3 1
1
Plug-in Design
Parasitc Architecture
The intentions of the parasite vary from host to host, in most of the cases the intention of the parasite is to serve the users and work according to the context. Parasite system has many strategies for surviving. They according to the situation grow and sustain simultaneously reproduce. If the proposal is widely supported by the society, it will change the physical system of the area. It will blend in with the system that almost becomes the part of it. The sense of temporariness of the parasite expires here and it dissolves the whole meaning of the parasite. Then it starts as functioning as a co-host running simultaneously with the host, where, you might get to see that it overpowers the host and take over the system. The definition dissolves here. In order to be a part of the system, you should have a complete understanding of the system, i.e. the context. Parasitism allows a volume/space to evolve from pre-existing system. In order to analyze the context and the system, parasitic approach will guide to find an appropriate area for an intervention to happen.
02 2012
The site chosen to intervene is the main courtyard of The University of Lahore, which is mostly under harsh sunlight and the lecture theatre building. The lecture theatre compound contains 12 lecture theatres which are occupied throughout the day. The lectures mostly end at same time which causes crowdedness, therefore some breathing space should be provided. Further the waiting area for the classes are not present at every floor which creates the corridor a good gathering space but at the same time disturbs the lectures going on inside. Therefore, a proposal is made that will enhance the quality of the surrounding with just having the basic framework of the structure which is the host and introducing a system which uses the same infrastructure and making its own growth over the building.
Site: The University of Lahore’s Courtyard/ Lecture Hall Bock
Formation of the Parasite
Cross-Section
Anchoring with Exisitng Structure
Creating Social Places/ Connections
Expanding the Waiting Area in front of Lecture Halls
Reinforcement of the Structure
Access to the Plugged Structure
Flexible Spaces that can be Appropriated
Stucture covers the courtyard which can be used all-weather
Provision of Expansion
“Architecture is not about the conditions of design, but about the design of conditions that will dislocate the most traditional and regressive aspects of our society and simultaneously reorganize these elements in the most liberating way, where our experience becomes the experience of events organized and strategized through architecture. Strategy is a key word in architecture today. No more masterplans, no more locating in a fixed place, but a new heterotopia. This is what our cities must strive towards and what we architects must help them to achieve by intensifying the rich collision of events and spaces.�Bernard Tschumi
Dislocation of Aspects of the Site
Activities of the surrounding neighborhood rearranging the elements that runs the circus organization; selecting the most strategic location on the site. Minar-e-Pakistan
Badshahi Mosque
Site
Zonning Legend
Circulation Big Top Well of Death Amphitheatre
Administration Accommodation Storage Parking North
Over-Lapping of Programs Admin Performers
1
Public Facilities Veiwers North
North
North
North
North
North
The Circus
Architecture of Events
Accommodation
03 2011
2
3
4
5
6
7
Master Plan
Ariel View Ferry Wheel
Walk Around Activities
Water Channel
Amphitheatre
Big Top
Accommodation
Well of Death
Administration
North
Big Top Formation
Big Top Seating
Big Top/Amphitheatre
Structural Elements
Ariel Performer Wings
Chaplin Pavilion
Summer Pavilion
2011
Group Project
Plan North
04
The assignment was based to design a summer pavilion from a character. The character that we chose was Charlie Chaplin. As Charlie Chaplin’s medium to convey his message was performance (visually) that enabled us to create something that relates to movements. His movements were mechanical and he was all about contrast such as comedy complimented by tragedy, loudness by quietness. For Chaplin you did not need any stage or platform, you just need a space and the surroundings itself becomes an audience. Therefore, the site chosen to build this pavilion was in the midst of the happening, where still it stands out and makes you curious. The theme was to keep it black and white according to his era, and the fabrication pattern was based on his small umbrella movements. The structure itself is was a stiff one which was inspired by his movements and the overall form was adapted from his character showing ambiguity.
North Elevation
East Elevation
West Elevation
South Elevation
Chaplin Pavilion
Openable Flaps
Seating
Immitating the Context
Supporting Columns
Openable Flaps/ Shades
Collapsable Structure
Horizontal Supports
1
2
Complex Structure
1 3
3 2
Joineries
Three types of joineries combined to develop the whole form, defining the Chaplin that how with simple acts he entertained the audience.
A Concept of Rural Re-settlement
Excerpts from the booklet published by the author, Ameer Mustafa Varzgani.
Reinvigorating
05 2011
Introduction
Chapter 1: The Way of Sikhs
In order to relocate such a complex structure(resettling of locals of Kot Shera, Gujranwala, Pakistan), you need to go and encounter all the fundamental elements which helped them to achieve contentment in the way they are living, the social life and their dream values, and how people are associated with... What are the inter-dependent elements which affects the whole physical space and how the space acts to fulfill them?? How they reject the unsuitable applications and accept the ones which adds colors to their character and their homeland?
... the only spiritual path in entire world, where, preservation of natural hair is important. As the Sikhs have no spiritual allies, they would prefer making their own sphere where they can live in separately (socially and politically), which didn’t allow the different sects to add-in in their lifestyle. The Haveli is currently situated east of an Industrial city, Gujranwala. The Sikhs were all over Punjab and Hazara District still preferred this site which was few miles away from Lahore City. The symmetry and the rigid planning of the Haveli, reflects that Mangla Singh was influenced by some flavor of the British. The floral patterns on the capitals of the columns of the Haveli, shows the appreciation of Nature in Sikhs. The style predicts that the Haveli was built in late 1800.
Chapter 3: From Patiala to Gujranwala
Chapter 4: Adding Colors
Gujjars from Patiala migrated all the way to Gujranwala, coming from a city of royal heritage and rich tradition, where palaces and its narrow lanes defined their way of living. Home is where you feel associated with... being familiar with the Sikhs life-style, they preferred Kot Shera. After losing everything, they went beyond the pattern book and started to occupy the Haveli their own way. As each family had their own sphere of living and to bring back the sense of security, inter-transformation took place within the Haveli.
Like campfire arrangement, settlements started to spread as shown. Gujjars as the first settlers occupied the Haveli and its surroundings. Sharing common religion, allowed different sects to settle and add to the growth of Kot Shera. This arrangement ended up making clusters of compounds. This ripple effect growth strengthened the sense of community, but the caste system does not allow common communal spaces. The only common ground of meeting is the mosques and streets. This pattern shows how the settlers are self-centered and share some Sikh element of being segregated with semi-permeable walls. Settlements are the visible expression of the relative importance attached to different aspects of life and varying ways of perceiving reality.
Fig.2 Route from Patiala to Gujranwala
Social Heirarchy 1. Gujjars 2. Jutts 3. Sheikhs 4. Panjees 5. Marasi
Chapter 2: Independence 1947
Fig.1 A View of Havelli Mangla Singh
Fight for identity and homeland divided the sub-continent, where, religion broadened the thickness of the line. Muslims from India migrated to Pakistan and Hindus to India, forgetting about whatever they belonged. All the associations and their dream values were erased from their everyday life, traditions were lost and a whole new physical space to be acquired. Insecurity was occupying minds...
Havelli Mangla Singh Fig.3 Growth Pattern of the Village according to casts and races
Chapter 5: A Scam
Chapter 7: Discovery
In late 1990 s, private land owners and developers contributed in Kot Shera Chaos. Basic infrastructure layout was laid and sold lands which ended up unsuccessfully. This basic layout interrupted the organic growth on the east but strengthened the social hierarchy. The whole history of Kot Shera makes aware of the complexity and over-lapping of things, and further clarifies those elements that are constant and those which change. The history of the settlement describes how the city was shaped.
Today the government of Punjab has declared Haveli Mangla Singh a listed building, with plans to evict the current inhabitants of and its surrounding settlement. So, the current settlement needs to be relocated just across the road. In order to relocate such a complex structure, you need to go and encounter all the fundamental elements which helped them to achieve contentment in the way they are living, the social life and their dream values, and how people are associated with... What are the inter-dependent elements which affects the whole physical space and how the space acts to fulfill them??
Chapter 9: Above 10’
Fig.6 The ‘Villagescape’
The streets are not the only connection between the families, the rooftops enables a healthier social life, for which they are properly maintained. This expands their social spheres and is easily penetrated by the family members living in that compound. No external forces are allowed to enter these perimeters.
Chapter 10: Inside
Fig.7 Streetview
Fig.9 Ariel View
Fig.8 Courtyard
Fig.10 Rooftops
Chapter 8: The Walk Fig.4 Grid Planning preventing the organic growth pattern
Chapter 6: The Shape
Fig.5 Existing Shape of the Village
To analyze the area and a complex spatial structure, I walked the streets to discover the fundamental elements which dominate and to interpret the basic elements from which they achieve the contentment in the way they live and how do they identify spaces. The above illustration pictures the whole ‘villagescape’ of the existing settlement, including their activities and form of life and how every element is inter-dependent. Narrowing the view down, I walked into the streets to see how it functions.
To get what’s happening parallel to street activities, I went inside the volumes, which they call ‘home’ and the combination of these volumes gives the settlement the physical shape. Their occupation defined their way of living. Most of families were with an average of 6-8 members, where only the males were the bread-winners, females were mostly housewives with only few contributing in family earnings. Mostly labors working on daily wages, seconded by farmers and factory workers (in Gujranwala).
Fig.11 Cross-section of the village
Fig.12 Existing Spatial Structure of the village Kot Shera
Chapter 11: Steps
+
+
+
Existing System Fig.13 Existing System Translated into a Formation of Compound System
+
+
4-5 houses Interlinked to Make Compound of Extended Family
Chapter 12: Re-Shaping Fig.14a Placed on the Periphieries of the Compounds allowing free flowing pedestrian circulation, making the street a common ground to meet with privacy control among the families
Fig.14b From open flowing to inwardly-centered spaces, increasing the sense of ownership and expansion of spaces with exterior courtyards.
Fig.14c Panorama of the internal courtyard
Fig.15 Zonning
Each Compound then Composed to provide a sustainable Social Community
The site alloted by the goverment for the resettling the locals is just accross the main road of the existing settlement.
North
Master Plan
Basic Family Structure
Low-Cost Housing, Layyah, Pakistan
Flood Affectees Rehabilitation
In 2010, Pakistan’s major areas were affected by heavy monsoon rainfall which resulted into floods. Pakistan’s one fifth of the land was underwater that affected about more than 20 million people, which included their livelihood, property, infrastructure and lives.
06 2011
Group Project
Al-Khair Foundation Pakistan approached us and assigned us to design a low-income housing of 300 houses with facilities such as medical center, farms, commercial and communal zones. Site was near Liah which was one of the affected regions, where mostly the source of income for the families were farming and livestock. In order start we group of four students looked into their way of living and studied the context which enabled us to see things their way. To get to this conclusion, demographics and statistics were studied. Further S.W.O.T. analysis was done for that region. After researching on all the data required we started designing. Our job was to develop a Master Plan for the housing. The aim was to give them a full sense of community which will overcome their losses and help them move forward.
Each Unit is designed in a way that every family member can contribute in building the unit. (Self-Help Homes) This will create sense of ownership within the family and will end up into sustainable environment.
Type A
North Type B
Master Plan Legend Residential Educational Commercial Religious NGOs/Admin Cattleyards
Designs of Residential Unit
Sense of Community
According to their way of living and commuting with each other the planning is inwards where each parcel will be having an open space; space for keeping cattles, they can keep eye on the children playing (eyes on street). It creates a sense of community among them by having common grounds for meeting.
Farming
Communal Gatherings
The housing master plan is planned in a way so that it should be self-sustaining, where you have all the avaible needs for spaces in the premises, such as cattle yards, livestock farming, technical schools where you can start cottage industry and open lands for farming are kept the most as the soil is fertile enough.
Provincial Assembly Building, Kashmir
Architecture and Democracy
07 2010
Master Plan 0’ 25’ 50’
intimate zone personal zone social zone public zone
100’
A’
North
Translating democracy through architecture was an objective in this project. Using Edward T. Hall’s concept of the intangible zones of an individual human; Intimate zone (18” around the body), Personal zone (18”-4’), Social zone (4’-10’), Public zone (10’-25’). Applying the same rule of the zones on the building with the same ratio will give us the common zones that the neighborhoods shares. As Democracy is rule of the people by the people for the people, then the same goes for buildings and spaces. This will directly bring us on the track of contextual architecture. So let the neighborhood decides where the structures should reside. By those intangible lines and spaces, we get a common area where all the Public zones are intersecting. Public Zones of any state are easily penetrated and the most comfortable zone, automatically decides our spaces and translating the definition of democracy in architecture. The building is decided by the neighborhood for the city. The Structure will somehow conflict the idea of democracy. In democracy, nothing is fully agreed by anyone, because when you get into a position, as sense of individuality is built up. The spaces will translate the whole concept of democracy, how things go around. The hierarchy within the spaces leads to chaos which is shown through the structure (refer to Structural Plan). The spaces narrate how things work in democratic state.
150’ 200’
height visibility +ive -ive +ive -ive
-ive
Assembly Building/Administration
Hostels/Accommodation
Parking
Assembly Building/Administration Forces acting by the neighborhood Forces on Site by the neighborhood buildings
+
+
+ -+
Forces by the neighborhood creating different zones and sculpting the form and massing on the site
Hostels/Accomodation
C'
Ground Floor Plan
Government Officials/ Women’s Gallery Plan
49'-115 8"
UP
KITCHEN 8'-11"
STORE
MANAGEMENT
dump waiter
24'-9" UP
CAFETERIA
UP TUCK SHOP 10'
UP
MAIN ENTRANCE
DOCTOR'S ROOM
27'-85 8"
27'-73 8"
±0'-0"
CONFERENCE ROOMS
27'-85 8"
8'-5"
4'
+1'-6"
15'-7"
Ground Floor Plan
UP MAIN ENTRANCE LOBBY
UP
8'
+32'-0"
+14'-0"
UP DEPARTMENT OF SECURITY/ WATCH AND WARD/ GARDENING DEPARTMENTS
RECORDING ROOM
C'
UP
B
6'
C
8'
7'
14'-11"
DEPARTMENT OF ACCOUNTS
30'
+9'-6"
30'
17'-6"
8'
B'
B
B'
DEPARTMENT OF LAW
+4'-6" UP
30'
30'
down
18'-10" 14'
DEPARTMENT OF NEWS/SOUND/ CCTV SYSTEM
20'-27 8"
15'-71 4" 13'-6" SPEAKER OFFICE
dump waiter 30' ASSEMBLY HALL
8'-11 4"
30'
North 14'
20'
SECRETARY OFFICE
SPEAKER CHAMBER
DEPARTMENT OF ADMINISTRATION AND PROTOCOL
DINNING AREA
UP
North
UP
16'
13'-3"
20' LOBBY
UP
DEPUTY SPEAKER CHAMBER MINISTERS OFFICES
V.I.P. and Press Gallery
First Floor Floor Plan C'
C
Roof Structure Plan
8'
8'
UP
UP
UP
DOWN +40'-0"
Second Floor Floor Plan
C
DOWN
B
B
B'
C'
UP
B'
1" 10'-02
North
North
UP
DOWN
View of the Assembly Building
C
Third Floor Floor Plan Section BB’
1" 87'-114
1" 87'-114 78'
3'-6" 56'-45 8"
2'-6" 3" 36'-88
14' 9' 19'
21'-6" 11' 3'
1'-6"
12'
North UP
View of the Hostel Building
2010
JUNE
110
MAY
JULY
100
SEP AUG APRIL
90
MAR
OCT JUNE FEB DEC
70
Climate: Hot and Dry
JAN
SEP No
rt h
OCT
APRIL
60
Bahawalpur
JULY AUG
NOV
MAY
80
Temperature/ F
Children Resource Center, Bahawalpur
The Oasis
08
There is a fine balance between architecture and humanity. The buildings we design directly influence the way in which we live our lives, they direct and manipulate the way in which we engage with our social values, educational, commercial and spiritual needs, even our appreciation of the arts. This means the balance between society and architecture is in a constant state of flux, buildings and people evolve repeatedly; new buildings are built to facilitate our social development. Green development, sustainable design -flexibly describes this new kind of architecture as "taking less from the Earth and giving more to people." In practice, "green" building varies widely. It can range from being energy efficient and using nontoxic interior finishes to being constructed of recycled materials and completely powered by the sun. Green building practices offer an opportunity to create environmentally sound and resource-efficient buildings by using an integrated approach to design. The building promote resource conservation, including energy efficiency, renewable energy, and water conservation features; consider environmental impacts and waste minimization; create a healthy and comfortable environment; reduce operation and maintenance costs; and address issues such as historical preservation, access to public transportation and other community infrastructure systems. The entire life cycle of the building and its components is considered, as well as the economic and environmental impact and performance.
MAR
50
NOV DEC
40
FEB JAN
Legend Site High Temperature Zone Low Temperature Zone Comfort Zone Min/Max Temperature
30 20 10 0 0
10 20
30 40 50 60 70 80 90 Relative Humidity/ %
100
Live Duct (Evaporative Cooling System) hot air enters through vents cooling of air (venturi effect) cool air out
A
Live Duct (Evaporative Cooling System)
WASHROOMS
B WASHROOMS
24'
LIBRARY
UP
6'
DOWN
1" 8'-42
1" 25'-02
1" 8'-12
ADMINISTRATION
1" 6'-08
First Floor Plan
UP
2'
B’
Basement Plan
EMERGENCY EXIT
AUDIO/VISUAL ROOM
+2'-0"
1" 6'-44
MAIN ENTRY
CAFETERIA 12'-105" 8 36'-57 8"
1" 7'-84
+2'-0"
Section BB’
DISPLAY AREA
+2'-0"
+3'-0"
12' MAINTENANCE/ STORAGE 15'-45 8"
SERVICES
First Floor Level
North 0'-0"
A’
Ground Floor Plan
Ground Floor Level Road Level Basement Level
Section AA’
Children Resource Center
Vernacular Architecture
09 2010
Quetta, a city with harsh winters has its own characteristics which have been countered by the vernacular style of thick mud wall, with bamboo strengthening. Vernacular architecture, the simplest form of addressing human needs, is seemingly forgotten in modern architecture. However, due to recent rises in energy costs, the trend has sensibly swung the other way. Architects are embracing regionalism and cultural building traditions, given that these structures have proven to be energy efficient and altogether sustainable. In this time of rapid t e c h n o l o g i c a l advancement and urbanization, there is still much to be learned from the traditional knowledge of vernacular construction. These low-tech methods of creating architecture which is perfectly adapted to its locale are brilliant, for the reason that these are the principles which are more often ignored by prevailing architects.
Site Analysis
Front Elevation
Climatic Region: Arid Zone
Location: Askari Park, Quetta, Pakistan
SUMMER WINDS (FROM SOUTH-EAST)
SITE 25434 SQFT.
No WINTER WINDS (FROM NORTH-WEST)
rth
LATITUDE: 30.18 LONGITUDE: 66.95
Legend: Site (25434 Sq.ft)
Pedestrian Circulation
Vegetation
Ground (+3’-0” from R.L.)
Parking Area (Road Level= 0’-0”)
Ground (+6’-0” from R.L.)
Gardenia Resturant
Ground (+7’-0” From R.L.)
Water Channel
Ground (+8’-0” From R.L.)
Main Entrance (+5’-6” from R.L)
Ground (+9’-0” From R.L.)
Balochistan
-temperature range= 0.4 to 37.6c -rugged landscape (hard rocky mountains) -earthquake (red) zone
Balochi Traditions (Architecture)
-internal orchard -sense of privacy -traditional practice of segregating male and female -openings: due to harsh winter winds and security small openings are considered
Library
Display/Activity
Basic Building Materials
-mud, wood, bamboo MUD PROPERTIES -high thermal mass -ecological -energy efficient building material -protects from asthama and allergies -ability to regulate internal humidity
Resource Rooom Lobby
Cafeteria
Reception
Principal
Administration
Main Entrance
Ground Floor Plan
Roof
1 1 Wind Catchers Cool air enters in summers and diverts the winter winds
Ground Floor
2
Amphitheatre/ Exhibition Area
An open area, which can be appropriated according to an event
2 3 4 5
North
Ground Floor Plan
3 Open corridors making the area more playable for the students
4 The lobby can be seen by each office/rooms for constant surveillance
13'
+2.0m
13'
2'
11'
+0.5m G.L.
3'
Section AA’
Basement
6 Exploded Axonometric Diagram
12'-10"
17'-10"
13'
+3.2m 9'-6"
5 Different levels to give a feeling of t he geography of the region
6 Audio Visual Room Stone is sufficient in the region which is used for basement and also good for acoustics
+2.0m 12'
G.L. 0m
-2.90m
Section BB’
MM Alam Road, Lahore
Waseem Jewellers [Flagship Store]
10 Professional
2013
Ground Floor Plan
Basement Plan
Section BB
Service Floor Plan
First Floor Plan
Section AA
Second Floor Plan
Sectional Perspective
Copyright Š 2013 Ameer Mustafa Varzgani All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, mechanical, electronic, photo-copying, recording or otherwise without the prior written permission of the publisher. For information, contact: amvarzgani@gmail.com