Americana Gazette Octobrt/November 2010

MERICANA GAZETT E A 2010 / October / November

Feature Story: GERRY GROTHUES Maggie Mae AMA Conference & Awards Doug Kroening Patches & Petals Raul Malo Jason & The Scorchers Rosanne Cash, Composed Tom Mason Dan Baird & Homemade Sin

AMERICANA GAZETTE Greetings: Andy and I just returned from our Nashville trip.

What a terrific time we had. Great friends, food and music all around. Anyway, I had the pleasure of spending a great deal of time with my friends Warner and Deb Hodges and I got to meet Warner’s mother. What a terrific lady!! I hope we didn’t scare her too much with our Wisconsin stories.

We also spent some time and made deliveries of Wisconsin cheese and New Glarus Beer to Cowboy Jack’s, Tim Carroll, Paul Griffith, Todd and Melita Snider, Peter and Charlotte Cooper, Eric Brace Mrs. Hodges and Mary Ann Werner, Jim Gray, Phil Lee, Tom Mason, Fats and Kristi, Tom T. and Ms. Dixie Hall, and Jason Ringenberg to mention a few.

We also delivered some delicious chocolates from Chocolate Temptations in Monroe, Wisconsin to The Halls, Rosanne Cash and JR Rich, and Cary Baker. I also had a chance to see Fayssoux McLean perform again at the Bluebird Café. What a treat that was. She has a beautiful voice.

I was so excited to meet my new little Nashville friend, Baker Wiley Cooper. The newest addition to the Peter and Charlotte Cooper family.

He is adorable and I had the Warner Hodges pleasure of getting to hold him while his Daddy played at the Bluebird Café. I would have liked to bring him home as a s o u v e n i r, but Peter and Charlotte didn’t seem to go along with this idea!!

Darn!

I have been sending my new little friend lots of Green Phil Lee & Peter Cooper Bay Packer attire. Peter emailed me the other night and said Baker was enjoying his first Packer win!!!

The Red Beet Party that my friends, Eric Brace and Mary Ann Werner hosted was the best. The amount of

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PUBLISHER Joyce Ziehli jziehli@advisorymgt.com SENIOR EDITOR Andy Ziehli aziehli@advisorymgt.com STAFF WRITERS/PHOTOS Rob Kosmeder Litt Dubay Robert Hoffman Jim Smith Aaron Williams Rosemary Ziehli

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Joe Lowery Andrew Pulver CREATIVE DIRECTOR Ric Genthe rgenthe@charter.net The Americana Gazette is printed by: The Print Center Brodhead, Wi. 53520 AMERICANA GAZETTE % ANDY & JOYCE ZIEHLI P.O. BOX 208 BELLEVILLE, WI. 53508 OFFICE: 608-424-6300 Andy Cell: 608-558-8131 Joyce Cell: 608-558-8132 talent in that room was unbelievable. It was breathtaking. I can’t wait until these guys come up to Wisconsin again to perform.

Oh and by the way, speaking of chocolates, with the coming of fall, the smell of homemade fudge will be in the air. Scarecrows, pumpkins, pecan pie, and apples – all my favorite things will be around again!! So enjoy the fall season, take time to enjoy visits with your friends, sample some fine food and especially check out some good music!!!!

Til next time, Joyce Ziehli Publisher

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Welcome to

Americana Gazette TABLE OF CONTENTS FEATURE STORY 8 Gerry Grothues WHERE TO LOOK: 3

1/2 Notes

4

Litt DuBay’s Slant

5

Women In The Round Maggie Mae

7

Annual Americana Music Awards

8

Gerry Grothues

10 CD Reviews 11 Doug Kroening 12 A Pet Note 13 Aaron’s Anecdotes 14 Americana Conference 15 Patches & Petals 16 Raul Malo 18 3 for 1 19 Jello 20 Jason & the Scorchers 22 Clouds, Corn and Cows 23 What Family Is That?

images and press releases.

Images & Graphics • Press Releases:A regular and fax version of our press release in various formats - 116KB • Testimonials: Quotes from people who have toured with us in the past - 68KB • Logos: High quality FAT logos - 349KB • Spring Green / Dodgeville Art:Artwork created by Spring Green & Dodgeville Artists - 22.87MB • Baraboo Art:Artwork created by Baraboo Artists • Mineral Point Art:Artwork created by Mineral Pont Artists • Working Artist Images: Images of various artists at work • Studio Images: Examples of some of our artists studios

1/2 Notes Performing Songwriter Enterprises is re-establishing itself through music-focused media initiatives to continue the mission of “celebrating music and those who create it. Under the Performing Songwriter umbrella I’m launching Be Heard Music Media, a home for songwriters, musicians and journalists to tell their stories in print, video, audio and digital formats—separately and as multimedia projects.And 2011 will see the “Be Heard Songwriter Series”of books written by songwriters, available in multi-formats and with digital enhancements. It’s all very exciting!

Beth Kille announced she is expecting a baby in February. After December, she’ll be taking an indefinite maternity leave. On December 3rd she will be having a CD Release Party at the Majestic. Doors open at 800 p.m so mark you calendar - that'll be her last big show before baby!!

Matt Belknap has been recording his new CD at Sugar River Studious,and is in the final mixing stages. He plans to release it by December 1, 2010.

Amber Skies plays at Schwoegler’s Sugar River Lanes in Belleville on Saturday October 15th from 8:00 – 12:00 Amber Skies plays at The 5th Quarter in Verona on Saturday November 27th from 8:00 -12:00 The MAMA’s Registration Opens September 30 2010.

Registration for the 2011 Madison Area Music Awards opens on September 30th. Check out the MAMA’s website at themamas.org for more information.

15% DISCOUNT On your first recording project!

313 East Church Street • Belleville, WI 53508

608-424-6300

Don't miss your chance to spread the word about the Midwest's premier fall art event.The annual Fall Art Tour return Oct. 15-16-17, 2010.This event is a wonderful opportunity for the public to visit artisans in their studios.

It allows participants to gain a unique,behind-the-scenes view of how talented artists create their work.

Special demonstrating artists and guest artist have been added this year. Below you will find links to download

24 Rosanne Cash, Composed 25 Driftless by Rhodes 26 Dan Baird & Homemade Sin 26 Eric Brace& Peter Cooper 27 Enjoy Music

AMERICANA GAZETTE SUBSCRIPTION The Americana Gazette is a free bimonthly publication and may be picked up at area locations.

However if you would like a copy mailed to you, please fill out the following information and submit a check for $15.00 to:Americana Gazette, P.O. Box 208, Belleville,Wi. 53508

28 Tom Mason

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Date:______________________________________ 3

Litt DuBay’s

Rant!

by Litt DuBay

Hey ya’ll. The Ziehli’s just got back from Nashville and all they brought me was a t-shirt! Cheap bastards!!!

They were out living the Rock & Roll lifestyle, staying in fancy hotels with valet parking and room service. Rubbing elbows (actually Jack White was rubbing Joyce’s shoulders) with big time rock stars playing big shots while me and the rest of the staff were working our asses off getting this issue ready for production. Can’t wait for my turn to be boss!

Taylor Swift was lip synching on TV I guess. Really not interested that much. Toby Keith is still out red necking it in a trailer park.

Truth be told he lives in a giant of a mansion outside Norman, Oklahoma with an iron gate to keep his fans out. I love a guy that can look you in the eye and tell you how much he loves his fans (as long as they stay 100 feet away from him and outside a gate). A true Americana that one!

Craig’s list folks listen up. Stop whining on the musician’s page that you don’t like somebody else’s post.

Don’t read it! If someone wants to look like a jerk and moron let them alone. Wait, you look like a jerk and a moron bitching about them. Keep it up!

As fall starts out watch out for Wi s c o n s i n ’s number one killer of cars, deer. They are usually everywhere so be careful.

Also don’t give them any booze; they are horny enough this time of year. I overheard a southern guy tell Andy that Nashville is a lot like Wisconsin only 25 years ahead. I wonder ahead of what. Last time I checked Nashville still didn’t have Culvers. Enough said.

vember 1st thru February 28th). It is Andy’s favorite time of year, then it’s Brat Season (which runs May 1st thru October 15th) each year. Buffet Season runs all year round especially if there is cheese cake or fritters on the table.

BlackWaterGin Texas Rock with Bite

Well my rant this time is on people who think they are stars until they find out that they were just satellites circling the drain. You know those Country “Super Stars” that are manufactured and shoved down our throats for 2 ½ years and then end up in rehab, write a tell all autobiography (at age 25),have a sex video on Entertainment tonight, and end up depressed and out of work because they really didn’t have any talent to begin with. They just looked good in a cowboy hat, tight jeans, short skirt, blond hair, and or open shirts (male and female). You know they are all over the charts and are nominated for every award at the CMA’s and ACM’s, and then they just disappear like they were not even here to begin with.

Let’s see if we can name a few in the last ten years; LeAnn Rimes, Shania Twain, Billy Gillman, Faith Hill,Warren Brothers, Lonestar,Tracy Byrd, Big & Rich, the Muzic Mafia, and countless others. Nashville makes them up, and spits them out faster than Taco Bell does Tacos on Taco Tuesday’s!

BWG Entertainment 608-574-2916 www.myspace.com/blackwatergin

((( BWG )))

Let’s be real some of these folks did have a natural talent, but most were made up cartoon characters who could not carry a tune in a five gallon bucket. If it were not for Pro Tools and auto tune most Country top 40 artists would not be on radio at all. It’s a shame that Nashville and the rest of the country rely more on look than substance when it comes to music today. I say let’s storm the castle walls, tar and feather the scoundrels who took over Music City (you know who you are) and start releasing real county music again.

Now the Americana Music Association (AMA) is in danger of promoting the same kind of bad behavior as the CMA and ACM. The only difference is that they the AMA are spending too much time and effort budding (hint) up with old grizzled rock stars from the 70’s, washed up rock producers from the 80’s and 90’s, goofy ass screamers playing out of tune guitars at volumes OSHA should have shut down, and Rolling Stone wanna be's. That has been Country Music’s problem since the 80’s. Country/Americana/Folk/Blue Grass is not Rock & Roll. It’s Roots Music and it can stand on its own! We don’t need Bobby Zeppelin, Donnie Who, and Keith and Mick to bring listeners to the table. We need the AMA to promote the artists and build new artists from the trenches we have already dug and continue to mine talent from.

Mr. Jed quit kissing Rock & Roll’s butt, and start showing our faces to the world. Those other guys like Bobbie and Donnie are just using us to make some more money before they drift off and leave us high and dry. We’ve got plenty of talent which is evident in all the great showcases each year and records released. We are unique and proud of it. We don’t try to sound like anybody but ourselves. Let’s keep it that way!

Litt Dubay

We are a regional advocacy, technical assistance and networking program for all types of creative entrepreneurs – including visual artists, composers, musicians, writers, actors, dancers, and choreographers. We connect artists and arts leaders throughout southwest Wisconsin. :H DGYRFDWH IRU WKH DUWV :H GHOLYHU ZRUNVKRSV DQG HGXFDWLRQDO offerings on entrepreneurial skill topics :H IRVWHU FRPPXQLFDWLRQ DPRQJ artists and arts groups via email updates containing information about grants, workshops, and opportunities.

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Carol Spelic 608.342.1314 spelicc@uwplatt.edu

By the time you read this Fudge Season will only be a few short weeks away (fudge season runs from No-

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roll. Dad would come out yelling at us saying that you girls are going to make the cows curdle their milk!! So back in my mind,it brought me back in time and I thought I just got to get me a guitar. So I went home that day and ordered a guitar off the Internet. I ordered a Martin guitar and I waited for it to come in the mail and opened it up, got a book and I just taught myself to play and sing. I just chord,but it gets me by.

HUNGRY FOR SOME GREAT FOOD AND MUSIC…. ... VISIT MAGGIE MAE’S CAFÉ IN OXFORD, WISCONSIN One of my fellow co-workers,Mike Wellnitz attended the Green County Fair where he heard Maggie Mae perform.

He inquired as to if I had ever heard of her and that she was from Oxford,Wisconsin. I said I hadn’t but I would certainly give her a call and try to do an interview. And that is exactly what I did.

Maggie Mae was busy with her Grandsons when I called, but she still found time to chat with me a spell.

Joyce: Good evening Maggie. It is great to talk with you.

Let’s start out by you telling me a little bit about your background. How you got involved in music and the restaurant business?

Maggie Mae: Hi Joyce. I am so delighted to talk with you. Well it all started where I grew up in Tomah, Wisconsin. I’m the 9th of 10 kids and when you are growing up in a big family, you don’t really know what you are going to do when you really grow up, because it’s all about survival. I never thought in a million years that I’d be singing for a living. I think it’s pretty cool how it all came about.

In December 2001, my husband Roger Hilliard and myself, we bought a little restaurant here in Oxford,Wisconsin and it’s called Maggie Mae’s Café. At the time when we bought it I didn’t even sing. I didn’t know I could sing and it was about 3 or 4 months after we opened the restaurant, that my husband, (I always refer to him as Mr. Maggie Mae) mentioned he liked my w w w. a m e r i c a n a g a z e t t e . n e t

singing and so did the customers. I was a waitress, I had a cook and a dishwasher and I was singing while I was working in the kitchen. Mr. Maggie Mae would tell me when your singing it sounds kind of nice and I think the folks out there really enjoy it.

I’d say, “No, I can’t sing”, and didn’t really think anything more of it. A few months later I saw somebody playing guitar on television and you are always trying to think of something unique for your business, especially a restaurant, so I thought maybe I’ll buy a guitar and learn how to play it. I wasn’t even really thinking about singing. I went to work the next day and told the boys that sit at the coffee table every morning, “Hey, I’m thinking about buying a guitar.” One of them was a truck driver and had a guitar in his truck,so I said to bring it in. He brought it in and sang some old Hank Williams songs and Jim Reeves, Eddy Arnold and it just reminded me of when I was growing up on the farm in Tomah. My Dad always had those old songs on the radio and every time he’d go empty the milk into the milk house into the bulk tank, my sisters and I would change the channel to rock ’n

Shortly after I’d sit at the restaurant and learn songs. The first month I think I learned 15 songs.

I’d go to work and sit at someone’s table and say, “hey Joe, listen to this song.” Then I’d sing an old Patsy Cline, Patty Loveless, Loretta Lynn or Dolly Parton song and it just kind of grew from there. People started coming to hear this lady sing at the restaurant. Pretty soon I graduated to a microphone and an amplifier, after that we got really busy at the restaurant. We probably sat around 30 to 35 people, so busy we had waiting lines. It took us about a year to figure out we needed to add on a little bit.

We doubled our capacity so we seat about 75 now. And Roger built me a little stage in the corner and I would sit and play my guitar several times a week. That’s what happened the first couple of years.

Besides this, I have 5 albums and 3 of them were recorded in Nashville at Quad Studios. My first CD I did, I had only been singing for 6 months and within 1 year I sold 1,000 of them. Today I’ve sold thousands of them. It’s been so amazing!!!

Joyce: How’s the food at Maggie Mae’s Café?

Maggie Mae: It’s so good! We got a full menu for a small café. We carry everything from breakfast, lunch and dinner and daily specials as well as specializing in our breakfasts and homemade pies. We have cranberry pancakes, blueberry pancakes and pecan pancakes, and asparagus omelets. We have a lot of nice little comfort foods. It’s continued on page 6

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kind of neat that in September 2009, Maggie Mae’s won Restaurant Pick of the Month through Discover Wisconsin. How they pick is that they send Discover Wisconsin people out to where they hear about neat places and they visit that place 3 times without them knowing. This way they can make their own decision. That’s what happened.

One time when they were there I happened to be yodeling.

Joyce: Do you write your own songs or do mostly covers?

Maggie Mae: I used to do just covers, but I started writing my own music now. I wrote a song about Maggie Mae’s Café, I wrote a yodeling song and a Christmas song. I have really started to take off with my music writing. A few years ago I had decided I wanted to learn how to yodel and that has become my crowd pleasing specialty.

Joyce: I work in New Glarus and we have lots of yodeling there.

Maggie Mae: They do a harder yodeling than me. It’s Swiss yodeling, I think. I do more of a cowboy yodel and haven’t mastered the Swiss Yodel yet.

Joyce: Any new CD’s in the making?

Maggie Mae: Yes, my next CD is going to be a gospel album. I’m working on songs for that. We will probably record in January when things slow down a little bit.

Joyce: Tell me about your barn dances.

Maggie Mae: A few years ago, over the Winter months, Mr. Maggie Mae was out cleaning the barn. I’d say,“What are you doing out there?” He’d come in all dirty and he’d say I’m just cleaning up the barn. We have an 8,000 square foot barn and he cleaned it all out and sanded the floor and built me a stage. Since then we’ve been holding barn dances in there. We held 9 of them last year and this year we only held 4 or 5 because I’ve gotten so busy with my music and traveling. We averaged between 500 to 1,000 people at these dances. They come from all over the U.S. I quit advertising for them.

I only advertise on my website or on my schedules that I pass out at my shows.

Joyce: Do you play mostly in Wisconsin or do you travel about the States?

Maggie Mae: This is the first year we are really traveling. I usually play all over Wisconsin, but I will be traveling to Virginia for a couple of Christmas shows this year. I will also be playing in Iowa and Missouri,appearing in Branson for my second time.I’m doing 4 shows in October.

lifetime goal is to travel out of the State and do more shows. This is how my career will grow. I would also like to have my own music theatre here in Oxford.

And speaking of traveling, I’m doing a cruise called the RFDTV Penny Gille Cruise with special guest Maggie Mae from February 13-20, 2011. We also plan bus trips and so forth. If anyone is interested you can get further information on the website at www.maggiemaecountry.com Joyce: My next question was to ask what you do to relax and for fun, but I’m not sure you have any free time?

Maggie Mae: You are right. I’don’t have much free time.

But my all time passion besides singing is serving people. I’m a server and I make a lot of people happy, but they make me happy as well. My hobby is horse back riding. I’m an avid trail rider. In fact I just got back a couple of weeks ago from Colorado. It was quite an experience.

Joyce: Maggie Mae, if you could perform with anyone, whom would you pick?

Maggie Mae: I have kind of a neat story.

I’d pick people like the Riders in the Sky, who have sung together for many years, 25 – 30 I think. They have been on the Grand Ole Opry close to 400 times. I got to sing with them when I first learned how to yodel a few years ago.

Joyce: Who holds the fort down when you are out and about?

Maggie Mae: All the gals at the restaurant. They are a great help.

Most of them have been there since the beginning and we are going on our 9th year. I’m usually there about 3 times a week. We suggest to people that are traveling from afar that want to hear me sing to call ahead to check on my schedule at Maggie Mae's Café.

Another neat thing I do is that I perform on a television show called the Mid West Country Show which airs on RFD TV on Saturday nights.

The show is filmed out of Sandstone, Minnesota. It comes on every Saturday night between 7:30 and 8:30.

I’m on that show 1 or 2 times a month and I have a commercial that I put on and it talks about Maggie Mae’s Café in Oxford,the barn dances and inviting people to come. Back at the restaurant, we are open 7 days a week. Sometimes I will ask if anybody new is here and you might see 10 or 12 hands go up. I ask where they are from and it is all over. I say,“What are you doing here?” They respond, well you invited us!!!

Joyce: Maggie Mae, what are your future goals?

I went to one of their shows because I love them.

I knew 1 yodel song. Ranger Doug from the Riders in the Sky said,“Well I just heard there’s a young girl in the audience that knows how to yodel and we are going to get her up here to yodel with us.” My heart was in my throat.

I couldn’t believe it. They were going to call me up on stage.

Pretty soon Ranger Doug says,“Lucille would you come up here.”Here it was somebody else, Lucille and she was 80 years old, young girl??? She yodeled 3 songs with them and when she left the stage I said,“Wow, that lucky Lucille!”. That’s what I called her. I lucked out though. Ranger Doug turned and smiled at the audience and asked if there were any more yodelers in the room from Wisconsin? I raised my hand and he called me up. He asked if I wanted to yodel and I said I’d love to. I also asked if I could borrow his guitar. Ranger Doug looked at the boys, looked at his guitar, looked at the audience and handed it to me. “Sure Maggie Mae, it’s only a $250,000 guitar, but you can play it”said Ranger Doug. We became good friends after that and they always invite me to play with them if I happen to be at their show. (we both laughed.)

Joyce: Well, Maggie Mae, it’s been great talking to you and I think when this next issue comes out in print, I will have to personally drive your copy up to Oxford so I can check out those cranberry pancakes.They sound pretty darn yummy!

Maggie Mae: You do that!

Maggie Mae's Cafe is located in Oxford,Wisconsin. Owned by Roger and Maggie, it’s a unique place to eat because you can get a song with your meal. Check her schedule out at www.maggiemaecountry.com and stop in at Maggie Mae’s for some mighty fine cookin’.

Story by: Joyce Ziehli Photos supplied.

Maggie Mae: I take it as it happens. We still farm here in Oxford. We crop farm, have 2 laundromats and the Café. On weekends, this is our music part of the business. My

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9

th Annual Americana Music Association Honors & Awards

At The Ryman Auditorium in Nashville Award for an Executive.The Chairman of Universal Music Group Nashville, Lewis’ visionary commitment to the label’s Lost Highway imprint and other Universal subsets has created a home for numerous Americana greats.

On September 9, 2010, it was grit instead of glam, authenticity in place of artifice tonight during the Americana Music Association’s 9th Annual Honors and Awards ceremony. Staged in Nashville’s iconic Ryman Auditorium, the event celebrated a year’s worth of soul-searching, torch-lighting roots music. Jim Lauderdale served inimitably again as master of ceremonies, while Buddy Miller led a top-flight house band.

The theme from film Crazy Heart earned 2010 Song of the Year honors: Co-written

by Ryan Bingham and T Bone Burnett, “The Weary Kind” also took home an Oscar and a Golden Globe earlier this year. Patty Griffin and Darrell Scott presented the award.Bingham’s big night became explosive as the relative newcomer returned to the stage to accept the Artist of the Year award from presenters Martie Maguire and Emily Robison of the Courtyard Hounds.

Sam Bush stepped in to present the Lifetime Achievement Award for an Instrumentalist to Greg Leisz, the go-to lap and pedal steel, guitar, mandolin and bass virtuoso who has enriched recordings by Lucinda Williams, Smashing Pumpkins,Whiskeytown,Wilco, Robert Plant & Alison Krauss, Beck and more.

Emmylou Harris led the presentation of the Lifetime Achievement Award for a Producer/Engineer honoring Brian Ahern, whose work as a producer includes seminal albums for Harris, as well as acclaimed output from Marty Robbins,George Jones,Anne Murray,Billy Joe Shaver, Rodney Crowell, Jesse Winchester and Ricky Skaggs.

The multi-talented Rosanne Cash also enjoyed a memorable evening,asThe List received Album of the Year. The acclaimed project is a definitive bridge between contemporary and classic: the disc features 12 interpretations of songs pulled from a famous list of country standards Cash’s legendary father gave her in 1973. 2010 Spirit of Americana Free Speech in Music Award honoree Mary Chapin Carpenter and First Amendment Center President & CEO Ken Paulson presented the award.

Backwoods virtuosos the Avett Brothers walked away with a Duo/Group of the Year win, presented by John Oates and Mary Gauthier, while wry charmer Hayes Carll was crowned New/Emerging Artist of the Year by past winners the Avett Brothers and Grace Potter. Perennial favorite Buddy Miller earned another Instrumentalist of the Year title, presented by the peerless Robert Plant and Gibson Guitar Corp.

President Dave Berryman.

2010 Americana Lifetime Achievement Awards were also presented to Wanda Jackson, John Mellencamp, Luke Lewis, Greg Leisz, and Brian Ahern.

Jack White presented the Lifetime Achievement Award in Performance to Wanda Jackson,the undisputed Queen of Rockabilly and Rock and Roll Hall of Famer member, whose growling glamour reshaped the role of women in both rock and roll and country.Wanda celebrated the honor with a charged performance.

An unbridled celebration of gutsy roots sounds, the evening was stacked with fiery live performances by Sarah Jarosz, Corb Lund, Minton Sparks featuring Buddy Miller and Don Was, the Carolina Chocolate Drops, Joe Pug, Emmylou Harris featuring Rodney Crowell, Ryan Bingham, Ray Wylie Hubbard, the Avett Brothers, and Jim Lauderdale.

A surprise served as the quintessential Americana finale: Robert Plant ignited the audience with a transcendent half-hour power set. ♦♦♦♦♦ 2010 Americana Honors and Awards recipients ALBUM OF THE YEAR: "THE LIST" ROSANNE CASH ARTIST OF THE YEAR: RYAN BINGHAM INSTRUMENTALIST OF THE YEAR: BUDDY MILLER NEW / EMERGING ARTIST: HAYES CARLL SONG OF THE YEAR: “The Weary Kind” by Ryan Bingham (Written by Ryan Bingham &T Bone Burnett) DUO / GROUP OF THE YEAR:THE AVETT BROTHERS Jack Emerson Lifetime Achievement Award for Executive: LUKE LEWIS Lifetime Achievement Award for Instrumentalist: GREG LEISZ Lifetime Achievement Award for Performance: WANDA JACKSON Lifetime Achievement Award for Producer/Engineer: BRIAN AHERN Lifetime Achievement Award for Songwriter: JOHN MELLENCAMP

Rosanne Cash bestowed the Lifetime Achievement Award in Songwriting on John Mellencamp, whose songs have influentially combined the blue collar sweat of rock and roll and the humble grit of honky tonk. Mellencamp then thrilled the audience with a soulful performance of “Save Some Time to Dream.”

♦♦♦♦♦

Lucinda Williams took the stage to honor Luke Lewis with the Lifetime Achievement

Information and photos supplied by the Americana Music Association.

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Gerry Grothues: Singer/Songwriter Gentleman

G

erry Grothues did not start out to be a country songwriter. In fact, he wasn’t a big fan of country music as a youth. He sang in the church choir from age six, where the choir director would find solo parts for him to sing. Rock and roll soon took over and Grothues dove headlong into a healthy diet of late 70’s, early 80’s Rock. A stint in the Air Force and a change in radio formats made him look else where for music to listen to. Garth Brooks broke about that time and all his friends were getting into Country so he gave it a listen, and was hooked.

Grothues grew up on the East side of Madison until his teen years when his family moved a little north to DeForest. After getting into Country Music he started to write songs and perform under the name Gerry Lehr (his mother’s maiden name) because no one would ever spell or pronounce his name correctly (boy do I know that feeling). We talked at length about his passion for writing and what it takes to be a songwriter today.

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AG: Hi Gerry, long time no see!

Grothues: (Laughs again) It was mixed! I think that is because we “older” folks did not have the time in our 20’s to commit to songwriting at this level. I know that for me, with kids and work, I did not have the time to commit to songwriting. I’m sure that it’s the same for others.

When you get into your 40’s and 50’s time frees up and you can put the effort into the passion you have to write. They’ve done the family and job thing and now they have the time to put into writing.

Grothues: Yes, it has been. We live so far apart (only 4 blocks)!

AG: You write wonderful songs. Do you play any instruments?

Grothues: I play a little guitar. I’m not very good, but I’m working on it. When I write I come up with the lyrics and vocal melody first, then pick up the guitar to figure out the chords underneath. To me that’s the easiest way to write. I sing the lyrics into a recorder then pick up the guitar and put the music together.

AG: So I’d probably fit in okay?

Grothues: No problem! (Chuckles)

AG: How did you start writing songs?

AG: They say that Nashville is a five year town. I see that with my friends. Do you see that too?

Grothues: Back in the 70’s I was listening to Genesis and bands like that. I also liked songwriters like Jim Croce. The Eagles were a big influence too. I started studying songs and how they were put together. I think that some of us are cursed with the desire to write and create music and we gravitate to that with coming up with our own material even if there is no outlet for it at the time. I had that curse at about age 16. I didn’t do anything with the songs I wrote then, but I had the bug. I stopped writing when I went into the Air Force and did not start again until the early 90’s.

A friend of mine wanted to go to Nashville and be a Country artist in the early 90’s. He made some contacts and they informed him that he needed some original material. He did not write. I told him that I used to write and maybe I could come up with some material for him. I listened to a few country CDs, and wrote a song. After that I was hooked again.

AG: Did he ever get anywhere?

Grothues: No he didn’t. After about four months he decided that it was too hard to break into Nashville, but it got me on the path.

AG: When you perform with a band do you have a set group of musicians or do you just fill in for that job?

Grothues: Most of the time now I just perform acoustically without a band. Back when I was using a band it was always the same guys. We won some pickoffs and played and opened for national touring groups. That was 2001 to 2005.

We were not a cover band, we played mostly originals.

AG: You belong to the NSAI (Nashville Songwriters Association International) not the NSA? Grothues: (Laughs) Yea that’s right!

AG: How did that come about?

Grothues: When I was writing the songs for my second album in 2005, I wanted to put them out for others to record. I contacted some folks I knew in Nashville and asked if they would listen to them. They told me the best thing I could do was to contact the NSAI to see if they could help w w w. a m e r i c a n a g a z e t t e . n e t

Grothues: Oh yea! It takes a while to get into and behind the locked doors. It’s all about networking.

Getting to know people and getting them to remember you. There is an unwritten apprenticeship you need to serve as a songwriter.

AG: What do you find the most rewarding about and frustrating about songwriting?

me. I talked to NSAI and went to one of their events, Spring Training. It was life changing for me. The things I saw and heard were unbelievable. I knew then that this is what I wanted to do with my life, write songs. About a year later I started a chapter in Madison so others could follow their dreams and get the help that I had gotten. Three years later it is really going strong.

We started out with a handful of people attending and now there are over 20 people at each session. We connect with Nashville by bringing up songwriters and through using Skype on the web.

AG: Can you explain what it is like to go to an event like that one for the first time?

Grothues: Well, Jason Blume, a fantastic songwriter, taught at it and they had great panels to attend. Some were songwriter panels, and producer panels. Bobby Braddock taught at one.

Bill Anderson also taught at one. You get to hear the journey of these folks and it puts a new perspective on songwriting for you. You get to meet up-and-coming writers who maybe just a year or two ago were sitting where you are today.

The music landscape has changed so much in the last 10 years that it is not the same for writers as it once was. It is harder to get cuts because there are fewer artists looking for songs and more artists are involved in writing these days to help them and he labels bring in more revenue. Publishers are also not investing the time and money to develop new writers like they once did.

AG: When you went to the session in Nashville for the first time were there mostly younger people in attendance or older folks like you?

Grothues: Anybody that has that voice to tell them to write songs has to do it or they will go crazy. It is something that you just cannot explain. It’s in your DNA! It’s the creative process for me. It’s co-writing or sitting around in a circle song swapping. It’s making something out of an idea or thought. The frustrating part is that sometimes you have cowrites and you don’t connect with your co-writer and you just wasted time trying. It might be that you are not on the same page as them. You just spent a real good idea on someone that is not going to pan out. The most frustrating thing is the rejection you get from publishers or artists when you poured your soul into a song and they don’t like it.

There are 1000’s of songwriters doing the same thing you are doing so you have to have a super incredible song, not just a great song to get cut or even listened to. You can play your best song and a producer will say "what else do you have”. That hurts!

AG: What was it like the first time you were told that they did not like your song when you felt it was one of your best?

Grothues: I think you have to have thick skin.

What I learned from NSAI was that when someone critiques your song they are doing it to help you, even thought they say your song sucks! It hurts, but you need that kind of feedback to become better. They are doing you a favor by telling you so, so you will write better songs. It’s a necessary evil.

AG: I remember the first songs I ever sent to anyone in the industry. He is a friend of mine, and I thought he would just love them because I did. It took a couple of months to hear back from him.

He said that one song was very good, and the rest sucked. Throw them away and start over. It was crushing! I thought Jeeze you are my friend and you said that. What would you do if you were my continued on page 31

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CD Review Tom Mason ♪♪♪♪♪ Alchemy Style: Indie/Americana Alchemy is a collection of songs that exists solely for your listening pleasure. There are no heavy political songs, right or left wing anthems, or cry in your beer ballads. This fine collection of songs is meant to be enjoyed and absorbed as life through Tom Mason’s eyes to your ears as some of the coolest best written songs I have enjoyed all year.

The CD comes with a lyric book that is filled with wonderful pictures that accompanies the songs perfectly. The songs themselves are lyrical works of art. Each telling a complete story that you can wrap your head around easily. Mason a top-notch guitar player has created wonderfully lyrical instrumentation to mesh with his hand crafted songs to make listening to Alchemy a spiritual experience.

My favorite cuts of the CD are Ramblin, Chano Pozo’s Shoes,The World is Drunk, and Pirate Song (which is a hoot when Mason performs it live). The songs on this CD include Blues influenced,Vaudevillian, Cuban, Sea Chantey, and Americana.

This CD deserves to be in your collection. It’s not your normal easy listening CD. It’s exciting,entertaining,and just plain fun to listen to! Not often does a CD come out that is as eclectic as Alchemy that also fits and sits well with everyone. This is one! Buy it, steal it, but make sure you get it!

this CD including co-producer John Tanner, Scott Cowling on guitar, Dan Walkner on slide and lap steel, and Craig Bauman on Drums.

I really liked this CD! It is not your run of the mill Singer/Songwriter fare I am usually deluged with. This is an honest well written and recorded CD that is filled with great songs that deserve to be heard. I can honestly say that I liked everything on this CD! My favorite cuts are Drifter, Old St. Blind Mann, and Please. This CD is well worth finding and owning. You can listen to theses tracks at Pritzel's myspace page at www.myspace.com/derekpritzel or at CD Baby. Don’t let this one get away from you!

Review by: Andy Ziehli

Marty Stuart ♪♪♪♪♪ Ghost Train (The Studio B Sessions) Sugar River Records Style: Country This CD is as country as you can get, and that’s a good thing!!! Marty Stuart is the true keeper of the flame of traditional country music. Unlike his contemporaries Alan Jackson and George Strait, Stuart is as Country as it gets. No studio tricks here. Recorded in the Famous RCA Studio B where some of the biggest hits of all time were cut, Stuart delves into authentic Country music headlong.

The CD opens with “Branded”, a Haggard type song that moves with the rhythm and tempo of pure 60’s/70’s Country Music like I used to hear on WMAQ AM as a kid. The rolling Telecasters really burn this song along. Hot picking flows through this CD with Stuart, Kenny Vaughn, and Ralph Mooney on steel guitar. Jimmy Martins the “Bridge Washed Out” is redone and redone well! Stuart slows it down and sings a lovely Country duet with his wife Connie Smith with I run to you. My two favorite cuts are the Instrumental Hummingbird which could have easily appeared on a Buck Owens album and Little Heartbreaker which is as pure Waylon Jennings as it gets.

Stuart has recorded a true classic here. It teams with authentic Country Music played by the best authentic Country Musicians left today. This CD is a fine edition to any collection. If you love REAL COUNTRY MUSIC and have been jonesin for it like I have, your fix is here. This will put the swagger back in your walk, and a smile on your face.

Review by:Andy Ziehli

Stonehoney ♪♪♪♪♪ The Cedar Creek Sessions Style: Country Rock/Americana

Review by:Andy Ziehli

Derek Pritzl ♪♪♪♪♪ Drifter Independent Style: Americana Derek Pritzl is an Americana singer and songwriter from Milwaukee. He got into this trade by listening to Todd Snider’s Near Truths and Hotel Rooms. He started out playing bars and coffeehouses around Milwaukee but since has started to reach a larger audience in venues across Wisconsin and the Midwest. Pritzl’s music has been described by The Onion as “taking another kind of thoughtful, rootsy detour, at times digging up raggedy old soul sounds, and other times leaning into the quiet barren territory where Gillian Welch fans dwell.” Think of John Prine meets Neil Young (Southern Man years).

I had read the album credits before ever popping it in the CD player, and to be honest I did NOT expect anything like it.

The live performance given by these guys is comparable to most extensive studio recordings. Free of overdubs, this album has a dynamic that can usually only be replicated at live venues. Their instrumentation and phenomenal harmonies make their songwriting skills that much more impressive.

Hurley’s lead guitar parts are perfectly structured in the songs and Davis and Randolph have the perfect balance of Electric and Acoustic rhythm. Last, but most definitely not least Phenicie’s bass lines are exactly what the songs need, from his more rock-like bass lines to his walking country bass he doesn’t spare a single well-thought performance.

This is one of the best local CD’s I have had the pleasure reviewing ever! It is different in content and songwriting than most CD’s I have reviewed in the past. You can tell a lot of thought was put into this project. The songs all flow. There are not any hiccups here!

Where to begin on this powerhouse vocal line-up is near impossible due to the all around flawless performances. Their harmonies alone could make even Dex Romweber sound heavenly. From Davis’ thick southern vocals to Hurley’s higher octave ranges they all give a perfect plethora of vocal ranges on this album.

This CD is a wonderful collection of songs that really reach into one’s soul. There is social commentary,folksy whimsical,and just down right well crafted Americana songs here. The nine song CD is well recorded. Pritzl has fantastic backing musicians on

Their handful of guest musicians greatly aid in the songs overall emotions and really makes it sound like it’s a band that hasn’t missed a day of playing in its

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continued on page 25

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Doug Kroening a man with a distinctive voice!

Straight talking, no nonsense, what you see is what you get- meet Doug Kroening. He has one of the most distinctive voices I’ve heard in a long time and as you’ll read below he’s earned every bit of his raspy voice. From living the hard life of a musician for most of his formative years, to finding out he had throat cancer, Doug is what you call a musician for the people. His honesty in his performance is what draws people in; he’s a masterful storyteller that can paint a perfect picture of American life today.

He’s ready for a change and he’s ready to take the next step. He’s always had the musician blood running through his veins.As you’ll see in my interview his honesty is what more musicians can only hope to strive for. I sat down with Doug and got the real picture of a real American musician in the midst of a life changing adventure.

Meet the next American story teller.

Aaron Williams: Gibson or Fender and electric or acoustic.What do you prefer these days?

Doug Kroening: For years, I was an acoustic player. But I have to confess that these days I'm lovin' on the electric. I think the acoustic is a little more expressive and I'm probably a better acoustic player, but I love the sound of an electric when it's dialed in just right.As for Gibson or Fender, I recently started endorsing Washburn electrics.

And I sincerely prefer them to either, that being said, I'm all about the feel of the Fenders over the Gibson’s. If the Tele is good enough for Keith Richards, it's good enough for me.....

AW:What do you see as the biggest problem with the music business today? Any ideas on how to fix it?

DK:Where to begin....The problems in the music business are plentiful, but as I see it, hype has replaced substance. Somewhere along the line, and this is in my lifetime, someone realized that there was a whole bunch of money to be made and it had very little to do with music.So they grab some kid who can't write a song,and knows next to nothing about performing.They sink a pile of money into this "package" and VIOLA, a superstar. Nobody stopped to realize that when everyone is a superstar, no one is a superstar. But on the flip side this thought process has cleared the way for the indie labels. Not everyone wants top 40 radio to dictate to them what music they should like. So from where I'm standing, indie labels are the savior of the music and end of the music business.There's very little honesty left in the big labels.

caffeine, then a little more caffeine, and I'm good.

AW:What’s the one thing you want your fans to know about you that they already don't know?

DK:They just need to know that their support and encouragement are both deeply appreciated and sincerely inspirational AW:What inspires you to write new material and what is your songwriting process?

DK:The need to express myself is always the biggest inspiration. I'm a lazy writer, so I can go a while without writing anything, and then out of nowhere these songs start to fall out of my head. I've got notebooks full of half written gems. So if I really hit a wall, I start looking through those and seeing if there's anything worth working on. Sometimes someone will say something, and it strikes a chord in my head, thinking "That would be a great first line of a chorus"...and then my process is just to pull out the hand held recorder and the guitar, and start playing some chords until they start to fall together.

Then I will just spit out whatever words come out of a melody.That goes on and on. But somewhere in there is the song.After that, I just go back, listen, and start pulling out the good stuff, letting the editing process take over. I write it all down,and try to make something that matters out of it. Sometimes, it's a feeling, sometimes it's a story, but it all starts with a few words....

AW: .You have a very distinctive voice- have you always had that tonal quality to your vocals?

DK: Not really, when I started doing this I had the stereotypical choir boy voice. Clean and crisp.Thousands of gigs later, this is what I ended up with.As I got older, the raspiness started to creep in.I think it had a lot to do with singing when I shouldn't have been singing. I HATE to cancel shows, so I'd push my voice when there wasn't really much to push.You accompany that with my lifestyle at the time, and there's bound to be some raspy headed your way. So I was running around with this raspy voice, and learned I had throat cancer.That was 5 years ago,and after all the surgery and radiation was done,I was unbelievably fortunate that the voice came back. It's a little worse for the wear, for instance, I can sing way better than I can talk, but I'll take that. I think I've always been lucky enough to have a voice that somehow or another is able to convey the emotion of the song I'm singing. I always thought it was just raspy; turns out I was being soulful.

All in all, I'd rather sound like AL Greene, but I got to work with what I've got....

AW: Denny's, Perkins or Cracker Barrel after a good show?

Story by: Aaron Williams DK:You know I'm more of a gas station grab and go guy. Just a sandwich and some w w w. a m e r i c a n a g a z e t t e . n e t

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A PET NOTE

Mr.Wiggles and the Ugly Toad

Well, I was sitting around debating on who should be the Pet Note this month and my husband said,“Why don’t you do a story on our Wylie? You wrote about him when he was first given to us, but at that time we had no idea he’d be so interesting”. Guess what,Wylie is now 1 ½ years old and indeed has developed quite a personality and has had many life experiences worth sharing with our readers.

Wylie, our 1 ½ year old English Springer Spaniel is the“gift that keeps on giving”. Our friends, Pat and Kim Cockroft gave Wylie to us as a gift. And we dearly THANK them for this!!!! He is the gift that keeps on giving – giving us grief most of the time. (Every time we share a Wylie story with Pat, he laughs!)

Wylie came to live with us when he was about 8 weeks old. A small, cute little bundle of fur, he adapted to the household pretty darn fast and became great friends with the other four legged pets in the house,especially his Uncle Duncan,our 7 year old English Springer Spaniel (whom is the world’s most perfect dog) and our 13 year old black cat,Mulder. At first,Wylie was about the same size as Mulder and Wylie’s days consisted of chasing Mulder around the house and wrestling with him on the floor. This was really cute then, but now as Wylie has grown up to his ginormous size of 88 pounds, when the two of them wrestle, heads up for flying furniture. I don’t know why everything in this household has to be so big. Wylie is as tall as a Golden Retriever and weighs twice as much as all his siblings. As our vet Dr. Craig says,“Wylie and Duncan are the biggest Springer Spaniels I have ever seen.”

When Wylie was little he would get so excited that his little tail would wag so hard, we nicknamed him “Mr.Wiggles”. Of course there were other nicknames as well, but this is a family magazine and I didn’t feel I should print them. Wylie is quite fond of our employees, Rob Kosmeder and Andrew Pulver.Wylie likes to visit them in the studio, especially when they decide to order a pizza. (I think Mr.Wiggles has a boy crush on Andrew. He likes to sit and stare googly eyed at Andrew, I’m not sure what that is all about.)

Wylie has also enjoyed the company of some of our Nashville guests this past summer. Phil Lee and Tom Mason, Fats Kaplin and Kristi Rose and most recently Warner & Deb Hodges and Dan Baird. In fact Wylie took quite a liking to Dan. Now,Wylie does have his good qualities. Every morning, rain – sleet – snow - ice, he runs down to the end of the sidewalk and brings us the daily newspaper.This works pretty well unless his arch nemesis, Grady (the neighbor’s dog) happens to be out.

Then Wylie’s ADD kicks in and he ventures across the street for a little morning visit.

Another good quality is…………. I’m trying to think of the other “good” qualities, but they are slipping my mind right at the moment. But I do have some of his other “notso-good” recent behavioral issues fresh on my mind.

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Andy and I decided to screen in our front porch this past summer. In hopes of being able to use it without being eaten alive by mosquitoes. The day came and it was finally finished, around 5:00 P.M. on a Saturday evening. The gentleman who worked so hard to construct this said to just be careful when we let the dogs out, there is one little section next to the doorway that doesn’t have any bracing protection, so it would not be a good place to let the dogs lay up against. The screen could push out from this area. No problem right? Sunday morning came and I reminded Andy to be careful letting the dogs out, especially Wylie because of the new screens. Well,Andy walked out and stood in front of the doorway (blocking the screened door so Wylie wouldn’t go through the screen) and low and behold the fool of a dog ran right through that one little unprotected area and run right through the screen. Not even realizing what he did. Got the newspaper and came back through the same opening. The new screened in porch did not even last 24 hours. I was so proud of Wylie as I called the gentleman to say we would need a little repair on the new porch he just finished! As I called him to say we had an accident, he replied,“Wylie?”

The above incident I can live with, but this latest behavior, I’m not so sure about. I let Wylie out to do his business around 5:15 A.M. and when he came back in the house I saw he had something in his mouth. Now this is normal behavior. He usually takes a toy out with him or he will pick up a chew bone he left outside earlier or maybe pick up a little stick to chew on. I wasn’t too concerned. Wylie ran past me and jumped back in bed with Andy. As I got ready to step into the shower, I got thinking about what he brought in. It was kind of dark when he came back in and I thought well maybe I better turn the light on and just look to see what he had. Thinking to myself, if it was a gross piece of rawhide, I should probably toss it away. Andy wouldn’t be happy to wake up with that next to his pillow. On went the light, and laying on its back next to Wylie and Andy was the biggest, ugliest toad with all four feet in the air!!!!

Kicking away!!! Wylie was looking at it as proud as he could be. As my screaming diminished, Andy flew from the bed wondering what the ? was going on. The cat even got involved with some heavy duty meowing. I think Mulder wanted to play with the toad and was upset with me when Andy tossed it out the door. Now toad hunting seems to be the major purpose in Wylie’s day. There’s never a dull moment with Mr. Wiggles around!

Even though the bad stuff sticks out more than the good,Wylie is a good dog. He is very lovable, gives kisses, shakes hands and is generally a “good boy”. We love him dearly and he is indeed a “BIG” part of our lives. Once it freezes and the toads are gone, I’m awaiting to see what the next wildlife adventure will be.

Story and photos by: Joyce Ziehli

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Aaron’s Amusing Anecdotes

the night,practice space, jam room,bathroom, it’s everything.What happens in the band van stays in the band van. It’s where a touring band will spend more time then anywhere else, even the stage.

The sexy life after a show can be varying. Whether you’re playing a show in Kansas City on aTuesday or a Saturday makes a big difference.Regardless of the level of the show, our rituals are the same.After all the CD’s are sold and we’ve spoken with the last fan and signed the last autograph, we must pack up our own gear.Very few indie bands these days can afford a roadie crew.The tearing down process usually begins after the venue has closed, likely after 2am.

Once the van has been loaded it’s time to hit the road. If you’re lucky the hotel isn’t too far away. If you’re not lucky you don’t have a hotel that night and the van is tu casa for the night. Regardless there is always a stop at the nearest gas station.The best pit stops are truck stops, your one stop for shopping for anything. I’ve been lucky enough to find an actual zebra print snuggie made for a dog…I have no dog but of course I had to buy it.

While in the truck stop the arcade is always a popular choice and our band has become akin to the“claw”game.My bass player,Z has quite the steady hand and has decorated our van with his numerous wins. From a mini basketball with Curly of theThree Stooges on it to an engagement ring suited for gorilla.It’s the satisfaction, bright lights and shiny objects that draws us in.

Once that 5 hour energy drink has done its trick it’s the never ending game of staying awake during the long haul.Opening the window,singing a song,honking the horn are all fine and dandy but there is nothing like playing car bingo at 4am. It’s every band member’s nightmare when you’ve fallen asleep and you’re dreaming of the big contract, the pretty ladies and the millions of dollars that you’ll make…when a loud RUMBLE-RUMBLE-RUMBLE shakes you awake.“Is this it, is this my time!” It’s the rumble strip on the side of the road reminding you of exactly where you’re at and how much you have in your pocket. It’s also a good reminder that the driver is need of some sleep!

As the gigs get harder to find and the need to travel even further for these gigs, the van and truck stops become you’re friend. It’s sleeping for 5 hours in the worst motels you’ll ever see, and then driving for 7 hours hoping your van will make it. Only to show up to your next gig ready do it all over again, all with a smile on your face.

This by any means is no complaint from me.We all have tough jobs. Most musicians love this life, including me.We have to, when a band is making a name for itself the comfort of playing a show and playing music for a living is something we all think about and dream about. When that dream comes true we hold on to it and can’t let it go. It’s in our blood and it’s what we have to do.

Before you decide to pick up that guitar, bass, or drum sticks. Remember why you want to do this- anything in life is hard, some times the rewards are just a little better at the end of the tunnel. Keep on rocking…..

LIFE ON THE ROAD...

GLORIOUS TIMES!!!

Story by: Aaron Williams

Ahh, the beautiful life of an indie band in today’s ever changing market.We’ve all heard the stories of the summer of 2010 being the summer that the well dried up. No more touring, people aren’t coming out to shows anymore.The holy grail of a band’s monetary success has been lost.

It was always assumed that a band will make money on the road, doing shows and selling a ton of merchandise. In some areas I’ve seen the well drying, but in other areas the well is quite plentiful.And I say plentiful as a term on a sliding scale.

Most indie bands go through the growing pains of finding their audience. Playing as many shows as you can, hooking up with another band to go on tour.

There are different ways to go about this and no one way works for all bands.

Once on the road, life is yet again challenging.

So I thought I would write about the sexy life of a traveling musician.The real deal if you will.And it all starts in the van.The van is your best friend, hotel for w w w. a m e r i c a n a g a z e t t e . n e t

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Americana Music Association Conference # 11

Warner Hodges

Red Beet Party Mrs. Hodges, Cowboy Jack Clement, Warner

Joyce and I are just back from five days of music, meetings, and fun in Nashville. We attended for the second year the AMA (Americana Music Association) Conference at the wonderful Sheraton Downtown. First let me say that the staff at the Sheraton was the most absolutely wonderful group of people I have ever had the pleasure to work with, especially the Valets. All these hard working people deserve a pat on the back for making the conference and our stay such a fantastic experience. The folks that put on the conference Joyce,Jed,and Danna again did a wonderful job of getting everything to run like clock work (even though behind the scenes I’m sure they would tell you different.) It amazes me how these fine folks get everything lined up, running, and on-time.

Another round of applause for them.

that was very interesting. The panel was excellent and a lot of good ideas came from the open discussion. The most interesting point was the fact that there is no current information on Americana Music or listener ship. The last study was completed in 2008 by Jonathon Little.

This study was an excellent source of infor-

The music this year was fantastic! The awards show was incredible, the venues and all the music they hosted were great, and the concerts at the conference during the day were out of this world. It is a pleasure to be able to see so many fantastic musicians.

The Red Beat Records party hosted by Eric and Mary Ann was out of this world. Phil Lee, Peter Cooper, Tom Mason, Matt Urmy, Last Train Home, and Cowboy Jack Clement all performed to a full house. Cowboy Jack was incredible to see perform. He sang hits he had written for Johnny Cash, Waylon Jennings, and Porter Wagner & Dolly Parton. Tom Mason performed “The Pirate Song” and had the whole crowd singing along, and he lured Warner Hodges up to play guitar on it. Phil Lee got Eric, Peter, and Tom to dance on stage. Peter opened with a song that he and Todd Snider had written called “I got a lot of Love” which brought cheers from the crowd. He and Eric sang “Big Steve” from their new CD “The Master Sessions” about legendary door man Big Steve at Douglas Corners. Matt Urmy did a wonderful set of his original music with legendary guitar player Kenny Vaughn helping him out. Urmy is a fantastic singer and songwriter. Watch for more of Urmy in the Dec/Jan issue of the Americana Gazette.

Peter Cooper, Phil Lee & Warner Hodges A surprise appearance by an English duo was a very pleasant surprise. Their tight harmonies were spectacular. The electric autoharp was very cool.

Sid Griffin and Dave Gonzales were very kind and entertaining in granting us interviews at this year’s event. Rosanne Cash’s book signing (see review) was fun. Rosanne is the classiest lady you will ever meet. She is warm and friendly, and always interesting to listen to. Just the opposite was Mary Chapin Carpenter’s interview as a keynote speaker. Carpenter was cold and distant. She looked uncomfortable in front of the audience. She did answer questions openly. It felt like being in front of people in this format was not her cup of tea.

Now down to the nitty gritty. This conference is a wonderful way for Americana artists, record labels, promoters, and fans to meet and discuss the hot button issues facing the music and the industry. There are many workshops/discussion presentations during this event. My attendance this year at these events was not as busy as last year. What I did attend was a session on Sticking Your Pinky Toe Into The Americana/Roots Pond

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The Sheraton in Nashville

mation. We need to either update this or conduct a new study to help push the Americana format to radio.

The other really interesting session was on From Punk Rock to Americana. This was a lively discussion by panelists Sid Griffin, Peter Case, Jon Langford, Warner Hodges, and Exene Cervenka. It was interesting how theses pioneers have gone from the world of Punk Rock to Americana. I left with a new respect for these trailblazers!

The awards show onThursday evening at the Ryman in downtown Nashville was star studded. Americana folks clean up pretty well! I felt this year’s winners were pretty much right on target. No one was over represented with lop sided winnings. Record labels don’t control the voting which is all member driven, so the winners are the people’s choice. If there was one complaint from me was the too many Rock & Roll has been's, old icons, and wanna be’s seem to be getting an extra amount of stage time, and exposure. I’m just leery of their true relationship to these genera.

This was a fun filled interesting conference. It is well worth attending if you are involved in the“business”or just are a fan of Roots and Americana music. Check out the Americana Music Association’s website at www.americanamuisic.org . The fee to join is minimal, with the benefits very high. Please take the time to research the organization, their mission, and conference highlights. Again thank you to the staff and the board of the Americana Music Association. A fine job indeed!!!

Andy Ziehli Senior Editor w w w. a m e r i c a n a g a z e t t e . n e t

Need a New Hobby for This Winter?

How About Learning How to QUILT…..

Check Out “Patches & Petals” in Belleville, WI. Patches and Petals is located in the heart of Belleville, a small village outside of Madison, Wisconsin. It is a unique store in that it not only offers everything you need for your quilting projects, but also carries gifts, collectibles and antiques.

Patches & Petals opened in January 1998 in a 1500 square foot storefront.They started with 600 bolts and lots of dreams.The shop has steadily grown to its current size of approximately 5000 bolts of fabric. In July 2001, the rapid growth allowed them to move their store into a wonderful historical structure that was built in 1905.

The building was originally a 2 story furniture store. It still has its original tin ceiling and wood floors and they are firmly committed to preserving its integrity. They now have a shop with plenty of natural sunlight, great parking, a wonderful classroom and balconies that are perfect for displays.

Patches & Petals has everything you would need and is a quilter’s paradise. If you are visiting southern Wisconsin make sure to include a trip to Belleville and Patches and Petals. The friendly, trained and talented staff is eager to meet you and help you with your needs.

10 Reasons to Take a Quilting Class at Patches & Petals 1. Because there is always more to learn - a new technique, a new shortcut, a new tip.

2. Because a class can challenge and support you to finish a quilt.

3. Because it's fun to see how different fabrics look in the same design/pattern.

4. Because you always wanted a quilt you made yourself.

5. Because it's a good excuse to come to Patches & Petals more often.

6. Because quilt classes are a great place to meet old and new friends.

7. Because you can make a new holiday quilt.

8. Because it's fun!

9. Because you live and breathe for fabric!

10.Because quilting is what you love to do the most!

Store Hours: Tuesday - Friday: 10:00 a.m. - 6:00 p.m.

Saturday: 9:00 a.m. - 4:00 p.m.

Sunday: 12:00 p.m. - 4:00 p.m.

If you can't make it to Belleville, the online store is always open!

How to Contact Us: Patches & Petals, LLC 13 W Main Street Belleville,Wisconsin 53508 Phone: 608-424-1516 Fax: 608-424-1730 E-mail: patches_1@verizon.net By: Joyce Ziehli Photos supplied. w w w. a m e r i c a n a g a z e t t e . n e t

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RAUL MALO TEX MEX AND LATIN SOUL AT ITS BEST!

”SINNERS AND SAINTS” – The Title of His NEW Album!

Many of you may remember this Cuban-rooted,Tex-Mex guy from his days in “The Mavericks”. I certainly do. Just because the Mavericks are no longer together, did not put a stop to this talented man’s career. Raul Malo is releasing a new album entitled, “Sinners and Saints”. I have listened to the CD several times through and think I may have to request a second copy!!!

I had a chat with Raul Malo about this new CD and some other interesting topics.

In fact, a year ago when I was at the Americana Music Conference, I stood next to him at the John Fogerty concert. But being as quiet as I am, I was too shy to introduce myself. I mentioned this to Raul as we spoke the other day. I told him I was coming to the Conference again this year and was going to attend his music showcase. He said, and I quote,‘Well, you better come up and introduce yourself this time!” And I will!!!!

Here is a little information regarding the CD that I received from my great friend, Cary Baker of Conqueroo in LA. Cary was kind enough to send me the CD in advance as well.

The new album is called Sinners & Saints and is scheduled for release October 5th on Fantasy/Concord.Raul recorded the bulk of it at his home studio in Nashville, tracking most instruments himself (including drums and bass). Happily he did this before the Nashville floods in which he lost some guitars and equipment.

Raul took the masters to Austin where Augie Meyers (Sir Douglas Quintet,Texas Tornadoes) laid down some of that “She’s About a Mover”-style Vox Continental organ, joined by other members of Austin’sTex-Mex“A”team theTexasTornadoes,Shawn Sahm and hotshot accordionist Michael Guerra. Austin’s The Trishas laid down some background vocals.

The album’s title track, however, hearkens back to Raul’s roots in the Cuban side of Miami featuring some of his Flamenco-cum-surf/twang lead guitar. From his boyhood and through his years of coming of age in Miami, Malo spent many nights in neighborhood music rooms listening to local artists perform their Flamenco zarzuelas. Malo wrote“Sinners & Saints”by conjuring up those nights in his head, and playing his electric guitar with a cross between Flamenco melodicism and retro surf-twang.“It has no chorus, no repeatable line,” he says,“And it’s long. Purposefully long.” And there’s a notable cover of Los Lobos’“Saint Behind the Glass”which in its arrangement and mix displays an envelope-pushing side of Raul.

The second track,“Living for Today,”ventures into socio-political territory against an upbeat sound that includes chiming guitars, Meyers’Vox organ and the Trishas’ backing vocals. In a musical space that includes the biting observations of Rodney Crowell, James McMurtry or Todd Snider, this song is a welcome addition. Speaking of Crowell, Malo provides a heart-felt reading of his modern-day standard“Til I Gain Control Again.”

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The disc’s other songs are also full of special moments. In Austin Malo recorded an original song called “Superstar” with several pals from the Texas Tornados.That and several other tracks feature Guerra’s blazing Tex-Mex accordion, as in “San Antonio Baby.” In a more serious vein, Malo delivers the classic Spanish song “Sombras” in the stunning tenor voice that made him famous. He also offers an innovative cover of Los Lobos’“Saint Behind the Glass,” whose rich mix of percussion, guitars and Mexican instruments will leave audiophiles deeply absorbed.The cryptic lyrics offer an unexpected finale to the album.

Raul Malo has seen and done a great deal in his career but Sinners & Saints demonstrates there is much more inside him.“This is the hardest I’ve ever worked on an album,” he says with a mixture of relief and pride.That includes the physical labor of confronting the studio alone day after day as well as the emotional courage to challenge his listeners and speak his mind.“This really is about me and my point of view. I realized that after I’d done it. It reflects really how I feel about a lot of things.That’s why this is as much of me as I’ve ever put on a record.

Here is how my conversation with the handsome and sexy Raul Malo went: Joyce: Good morning Raul! How are you doing today?

Raul: Hi Joyce. I’m doing just fine.

Joyce: Are you in Nashville today? If so, how hot is it?

Raul: Yes, I am in Nashville today. Actually it’s not too bad. The thermometer on the car says 80 degrees, but it feels hotter than that. I’m used to it though, these brutal Southern summers.

Joyce: I love your new CD,“Sinners and Saints”. My husband asked if he could listen to it and I told him he’d have to wait a few days until I was ready to turn it over to him.

Raul: (he laughs) Well thank you.

Joyce: Let’s get started. Why don’t you tell me how you got involved in this business.

Raul: Well, my Mom plays beautiful piano. She is classically trained and my Granddad had a fantastic baritone voice,but nobody ever sang or played professionally. There was always music around the house, so I grew up listening to different kinds of music and whenever the family got together, which seemed to be every couple of days when we were kids, we listened to music. I was a first generation Cuban American, so my family had just gotten to this country and so we were pretty close. The family hung out together a lot. So there was always music, always singing going on. Growing up in Miami really expands your musical vocabulary. There’s a lot of music to listen to. We have all the Cuban music my family had, but also all the American music. My Mom was young enough at the time, and she had all these early rock ‘n roll records and big band records. I grew up listening to all of it. I didn’t think one was less than another, I enjoyed it all from opera to classical. It didn’t matter, I liked what I liked. I wouldn’t say I liked everything, but I liked elements of all of it.

w w w. a m e r i c a n a g a z e t t e . n e t

Joyce: Raul, how did you get into writing songs?

Joyce: Any chance of you coming to Wisconsin?

Raul: I started writing out of necessity, because I didn’t like what modern songs were sounding like. I wanted to write songs that fit my voice. Songs that I could really sing, a lot of my stuff sounds like that old timey stuff. There’s a reason.

Melodies are very important to singers. You have to have a good melody to sink your teeth into it. So that’s why I love those old timey melodies because they were perfect for singers.That’s why I gravitate towards them.

Raul: I think I’m having a showcase because I performed at the awards show last year.

Joyce: Do you play other instruments besides the guitar?

Joyce: That’ll be cool. I’ll be there. Any hobbies you are interested in?

Raul: Yea, on this last record I played a lot of drums, bass, keyboards, lot of percussion.

I played a lot of different instruments, just enough to hurt myself. (laughs)

Raul: Oh my God. (laughing) That’s so funny. In all seriousness, we got hit by that flood and I have not had any down time since it happened, like literally.

Joyce: Let’s talk about this new CD. Are you having a CD release party in Nashville?

Joyce: Did you loose a lot of stuff?

Raul: I hope so.

Raul: Yea, I lost all the guitars and the house got hit pretty good. It’s getting fixed and it will all be fine. Believe me, I’m not crying in beer about it. There are plenty of other people far off worse than I am. I’m not complaining about that. But we have not had a day to sit around and goof off since it happened. Yes, I do have hobbies and yes I like to do other things. However, I have not done them this whole summer. I ride motorcycles, go play racket ball,I don’t really do fishing, I golf every once in awhile. I haven’t had time for any of that. One half of the house was livable, one half was not. Luckily I had flood insurance. I’m not complaining about that, but I am complaining that I haven’t been able to sit around the pool and drink a margarita in 3 months. So there, I’m complaining about that. (laughs)

Joyce: Did you write all of these songs on this album?

Raul: No, I didn’t right the Spanish one,“Sombras” and I didn’t write the last one, it is a Los Lobos song.

Joyce: Oooooooo, I love the way you enunciate “Sombras”, please say it again.

Raul: (laughing) SOMBRAS Joyce: I personally love,“Sinners and Saints”. Do you have a favorite song on this CD? Raul: I guess for different reasons, I mean I’m partial to “Sinners and Saints” because that’s the one that really started the whole record. It kind of led me down the path to make this record. So I’m partial to that one because of it being the start plus I think it’s kind of different for me. It’s like a different musical piece. I’ve never written or composed anything like that before. That one’s kind of special. The whole record, I’ve never worked harder on any record in my life. I’ve been involved with this record since its inception, in every step of the way. From the recording side of it, I engineered it and I recorded it at my house. I even played almost all the instruments, everything about it is very personal to me.

Joyce: THIS IS YOU!!!!

Raul: YES IT IS, FOR BETTER OR WORSE. (laughs)

Raul: As a matter of fact, I know I’m coming to Wisconsin. I have a date on the preliminary schedule, but I don’t know the date for sure. I saw something in the books for Wisconsin, so I know I am headed that way.

Joyce: Will you be doing a showcase at the Americana Music Conference this year?

Joyce: Oh my. That could be an issue. You need to schedule that in your itinerary. I usually send out a Wisconsin treat for people who take the time to interview with me.

I would send you a margarita with a little umbrella in it if I could, but the postal system won’t let me. Sorry – how about cheese or chocolate?

Raul: Yea, any of that would be good.

Joyce: Thanks so much and I will see you at the Conference.

Raul: Sounds good. See ya then.

As you can see, Raul Malo has not slowed down one bit since the Mavericks and has a terrific sense of humor. Please check out his new CD,“Sinners & Saints” and check him out at his website: www.raulmalo.com

Joyce: Raul, will you be touring after the release?

Raul: Definitely when the record comes out we’ll be touring it with a full band. I have a great band put together and were going to go out and rock‘n roll a little bit and hopefully people will dig it. w w w. a m e r i c a n a g a z e t t e . n e t

Addition: Found this on his website: (11.20.2010 - SHARON LYNN WILSON CENTER - Brookfield,WI) Story by: Joyce Ziehli Photos supplied.

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3 for 1 Habitat for Humanity Green County

In 1984 after a devastating tornado ripped through Barneveld, Wisconsin and destroyed a church, and many homes and businesses, a group of volunteers from various churches in Green County rallied to help rebuild the destroyed church. Rev. Charlie Workman from Zwingli UCC in Monticello,and Rev.David Hunt from Peace UCC in Browntown were key leaders in organizing these volunteers who worked every weekend that summer under the direction of Rev. Phil Yeager from Dodgeville. A Browntown group also committed to help build five homes in the Blue River area as part of the recovery from a Grant County tornado that killed nine people in 1984.The Habitat bug bit this loyal group of volunteers that included, among others, Dave and Jean Hunt, Nancy and Jerry MacLeod and Oscar and Loraine Schumacher.

The Barneveld recovery efforts stimulated a group of five to dream about the possibilities of forming a Habitat for Humanity affiliate in Green County. These five dreamers included Rev. Charlie Workman, Rev. David Hunt, Rev. Edgar Guinther, retired pastor at Swiss UCC in New Glarus, Otto Graber, member of Washington Reformed UCC near Monticello, and James Brown from Union Presbyterian in Monroe.

The first organizing meeting of the Green County group occurred in February 1991 with approximately 30 interested parties in attendance. It was decided to rotate meetings at churches throughout the county. March 7th was the organizing meeting with more than 25 people in attendance as the board formed with six members (Charles Workman, Jerry MacLeod, Oscar Schumacher, Chris Wellington, Nancy MacLeod, and Marlene Schmalbeck. They chose the name of Green County Habitat for Humanity,decided to begin work on a logo,formed committees, and got verbal agreement of seed monies from Episcopal Outreach Ministries - Diocese of Milwaukee.

On April 8th the officers of the fledgling organization were elected: Jerry MacLeod (president), Otto Graber (vice-president), Marilyn Freitag (now Marilyn Workman - treasurer),and Nancy MacLeod (secretary).Other board members included Rev. David Hunt, Oscar Schumacher, Marlene Schmalbeck, Rev. Charles Workman, Rose Stietz, Don Tupper, Chris Wellington, and Mark Gehred-O'Connell. In June of 1991 Habitat for Humanity officially became affiliate #615 of Habitat for Humanity International and the fifteenth affiliate in the state.

Since their inception in 1991 there have been many dedicated volunteers who have stepped forward to lead the organization,to serve on committees, to assist with fund raising efforts and to swing a hammer or use a paintbrush at a work site.It is impossible to list them by name here. Likewise the number of Green County businesses and service organizations that have routinely responded to the call for help, and have been a significant boost to making these homes possible for families.

In a joint venture with United Way of Green County,

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Habitat for Humanity of Green County (HFHGC) for last eight years has made minor repairs and modifications to homes that, in turn allow eligible elderly and disabled persons to remain in their homes. HFHGC volunteers assess the situation,order the necessary materials,and provide the volunteers to do the actual work. United Way pays for the materials. Some of the beneficiaries of this service in 2007 received bathroom modifications, an entry ramps to their home and modifications to kitchen cabinets.

Habitat for Humanity is a fantastic origination that fills a need within the community. The organization survives on donations from folks like you. Volunteering to raise funds, work on job-sites, and help out in any other way is always appreciated. This is one organization where the money stays here to help the needy in Green County.

By: Andy Ziehli

The Community Foundation of Southern Wisconsin

staff about community needs, programs and agencies.

Grant distributions and investment management are handled by the Foundation.

Designated Fund Allows you to support the good work of a specific nonprofit organization. Because it’s given through the Community Foundation, your gift provides the organization you select not only funding, but planned giving and investment management services and the power of endowment.

Field of Interest Fund Allows the donor to target their gift to address needs in an important area of community life such as at-risk youth, the elderly, arts or whatever you may choose.The gift is directional yet flexible enough to adjust to diversifying community needs over time.

Women's Fund Provides a permanently endowed source of funding to non-profit agencies that serve the needs of women and girls in Southern Wisconsin. Its purpose is to provide hands on grant making and leadership through volunteer opportunities for fund donors.You are invited to contribute to the Women's Fund and help improve the quality of life for our entire community creating hope for a better tomorrow!

HOW FUNDS WORK...

It’s safe to say thatThe Community Foundation of Southern Wisconsin (CFSW) is making a huge difference in Southern Wisconsin. Besides their many grants to nonprofits, women’s funds, and scholarships given out each year, they provide a place to invest in Southern Wisconsin’s future.

The CSFW was started in 1992 as a tax-exempt public charity. We receive and invest tax-deductible gifts and distribute a portion of the earnings through grant awards to enhance the quality of life in Southern Wisconsin and beyond. We currently have over 500 funds supporting an array of charitable interests including the arts,education,the environment,health and human services, and historic preservation.

The Foundation has a board of directors comprised of community leaders from throughout the seven county service areas. This volunteer board handles decision making and general policy issues that concern the Foundation. All members of the board are passionate about charitable giving, the Community Foundation's success and welcome any questions regarding the Foundation.

CFSW serves eight counties: Crawford, Grant, Green, Iowa, Jefferson, Lafayette, Rock, and Walworth through 14 Community Funds and more than 500 other funds established to match personal philanthropy with community needs.

TYPES OF FUNDS include: Community Funds A Community Fund is a charitable component of the Community Foundation of Southern Wisconsin,Inc.It allows individuals and groups to contribute time and money toward the betterment of a specific community.

Each has a volunteer advisory board comprised of community members that encourage the growth of the fund and oversees distributions in the form of grants based on community projects, programs and other changing needs.

Donor Advised Fund A donor retains the right during his or her lifetime, or during the lifetime(s) of other advisors(s) named by the donor, to recommend grants to specific agencies and institutions or to specific program fields.The donor may consult with the Foundation's experienced program

• You make a gift to your community foundation ~ you can give cash, appreciated stocks, real estate, or other assets.

• We set up a special fund in your name, in the name of your family or business, or in honor of any person or organization you choose.

• You receive tax benefits in the year your gift is made.

• You recommend uses for the fund ~ working with our professional program staff to support the causes and organizations you care about most.

• Your recommendations are presented to our community foundation board for approval.

• We handle all the administrative details and issue grants to charities in the name of the fund you establish (if you prefer, grants can be made anonymously).

• Your gift can be placed into an endowment that is invested over time. Earnings from your fund are used to make grants addressing community needs.Your gift ~ and all future earnings from your gift ~ is a permanent source of community capital, helping to do good work forever.

WAYS TO GIVE...

If you have questions regarding donations or funds, please call the Community Foundation of Southern Wisconsin 608-758-0883 or out of Rock Co.,WI 1-800-9952379 A large part of the CFSW’s activities includes education promotion. A scholarship fund gives out scholarships each year to locals High School graduates.

What are Education Funds? Education funds serve as a vehicle to solicit,receive,coordinate and distribute funds in order to encourage creative and innovative educational programs; recognize and reward outstanding achievement of school district students and staff;and encourage and increase local business, civic and community involvement in schools.

Scholarships vs. Education Funds Scholarships are still a popular choice to further educational opportunities, but Education Funds address imw w w. a m e r i c a n a g a z e t t e . n e t

mediate and changing needs, and serve a larger population of students as well as staff.

Giving the Gift of Education Gifts to Education Funds are an investment toward quality education for today's students and for future generaPrivate resources allow for educational tions. programming and extended opportunities not typically funded by tax dollars. Your gift can be a lasting and meaningful way of recognizing a special person or event in the life of your family, organization or business.

Education Funds Monroe Excellence in Education of the Monroe Fund Darlington Excellence in Education Argyle Excellence in Education Evansville Excellence in Education New Glarus Excellence in Education Highland Excellence in Education Black Hawk Excellence in Education St.Victor Premiere School Fund Rebecca Lewis Endowment for Musical Arts Stephen and Ardis Zwicky Charitable Fund Pamela Lynn Gensler Hopes and Dreams for Children Fund Alfred P. Diotte Education Fund Tim Cullen Government Intern Fund Project Lead the Way Fund Monticello Excellence in Education Fund Iowa Grant Education Fund

THIS AND THAT AH THE JOYS OF JELLO

By: Andy Ziehli

3-1ArtsBuild

ArtsBuild is a regional program for all types of creative entrepreneurs. The organization includes visual artists, composers, musicians, writers, actors, dancers, and choreographers. The focus of the organization is to connect artists and arts leaders throughout southwest Wisconsin.

Advocation for the arts, deliver technical assistance, provide exhibition opportunities, and promote networking is Artsbuild main focus.

ArtsBuild works very hard within the community to produce quality programs that include; Advocacy:We strive to keep political, business, and community leaders aware of the importance of the arts industry and its positive impacts on the economic,cultural, and community well-being. A robust creative economy and blossoming cultural environment make the region more desirable.

Technical Assistance:We deliver workshops and educational offerings on professional and entrepreneurial skills that artists need. We provide access to local, national, and global resources through our partnerships.

Exhibition Opportunities:We provide a number of programs for visual artists to show and sell their work.We have an annual ArtsBuild member’s exhibition - as well as additional thematic shows - at the Nohr Gallery on the UW-Platteville campus. We also produce rotating shows at the Capitol offices of our legislators and in local health care facilities.

Networking:We foster communication among artists and arts groups throughout the 7-county region via in-person gatherings.We send email updates with information about grants, workshops, and many other opportunities. continued on page 30

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On Sunday morning, as I was mixing up some apricot Jell-O for lunch,I thought of how versatile and easy JellO is to make for dessert. One cup of hot water, stir to dissolve,one cup of cold water,stir some more,and then place in fridge to set. How could anyone fail at this?

Then I remembered. One time when I was in the hospital to have a baby, someone (whom shall be nameless) in our household decided to make some Jell-O. Instead of one cup of hot water, one cup of cold, the person (who shall be nameless) decided it would be easier and faster just to mix all the water together (making it luke warm) and add the Jell-O. Thus doing this the Jell-O did not jell. So that is one who can mess up a simple recipe and that is why (the one who shall be nameless does not cook). He can’t follow directions.

I remember as a kid that Jell-O was always around. It was with us for every holiday. Sundays and even in between. We were reminded of it on the radio if we listened to Jack Benny or HenryAldrich. At that time there were six delicious flavors,strawberry, raspberry, cherry, orange, lemon and lime. Jell-O itself is over 100 years old. It has quite a history. In 1845 the industrialist, inventor, and philanthropist, Peter Cooper of Tom Thumb Engines and Cooper Union, obtained the first patent for a gelatin dessert. He packaged it in neat little boxes with directions on how to use it. Home cooks stayed away from it. Perhaps because it was too easy. They purchased sheets of prepared gelatin. They clarified it by combining it with boiling water, egg white and oyster shells. This they dripped through a jelly bag.

In 1987 a carpenter and cough medicine manufacturer,by the name of Pearle Waite from Leroy,NewYork developed a fruit flavor version of Cooper’s gelatin. His wife,Mary DavisWaite named it Jell-O. The first flavors were strawberry,raspberry,orange, and lemon. In 1989Waite sold the business to a neighbor for $450. This was the Genesee Pure Food Company. In 1925, the Geneese Food Company,now the Jell-O Company was sold to Postum (which later became General Foods.)

In the 1930’s gelatin salads were very popular. It was then that lime Jell-O was introduced.

During the 1940’s because of the scarcity of shortening,once crust pies became popular and the filling of some were made with Jell-O. By the 1960”s there were nineteen flavors of Jell-O. Some didn’t sell well and were discontinued. Some have been brought back since then.

In 1997 Jell-O became 100 years old. There is a museum in Leroy,NewYork dedicated entirely to Jell-O. It features Jell-O memorabilia and artwork of Maxwell Parish and Norman Rockwell. They encourage making reservations if you want to tour it.

Today Jell-O comes in many forms. Jell-O snacks in cool cups, Jell-O wigglers, and in 1984 sugar free Jell-O was introduced.

There are 300 million boxes of Jell-O sold in the United Sates a year. Astronauts have eaten it in outer space visits. In the year 2000 it became the official snack of the state of Utah and is America’s most famous dessert.

There is always room for Jell-O. J-E-L-L-O Story by:Rosemary Ziehli

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WHAT’S SCORCHING HOT?

LET’S MEET THE MEMBERS OF JASON & THE SCORCHERS Jason Ringenberg Vocals,acoustic guitar,harmonica Born November 22, 1958, Jason came from a place lost in time, a small hog farm near Sheffield,Illinois.The Ringenberg farm bordered the Rock Island Line railroad track.The farm was built by his grandpa Emmerson, and until the current generation,all of Jason’s relatives farmed in Bureau County. His maternal great-grandfather, Peter VanDeKeere,s was known as “The King of the Belgians”because he would help the Belgian immigrants get started in the Sheffield area by giving them food,a place to stay,or a job on his farm. His father’s Ringenberg ancestors were German Mennonites,a sect related to the Amish.Jason enjoyed a very idyllic,if hard working, childhood on the farm.

With an upbringing like that, one has to wonder how and why he became“one of the most dynamic performers of his generation” (THE LONDON TIMES) or“the king and god of all rock’n’roll frontmen”(THE TENNESSEAN). It must have been the noise of those hog feeders clanging at sunset,because without a doubt Jason did help create the modern genres of Americana/alt-country music, both with the Scorchers and as a hard-edged solo performer.His five solo CDs have consistently raised the bar in the Americana world. In fact, Jason hosted the first Americana Music Association Awards show in 2002.

These days,when not Scorching,he is head-over-heels involved in his children’s music character, Farmer Jason. He won an Emmy for the“It’s a Farmer Jason!”video program running on PBS stations around the country. The past 10 years he has done close to 2,000 shows as Farmer Jason and Jason Ringenberg solo,touring extensively in the United States,Europe,and Australia.

He now lives near Bon Aqua,Tennessee, with his wife Suzy; daughters Kelsey,Addie, and Camille;and a barnyard full of animals.

For more information go to: www.farmerjason.com www.jasonringenberg.com www.myspace.com/farmerjason

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Warner E.Hodges Lead guitar Warner E. Hodges was born in Wurtzberg, Germany, on June 4, 1959 to Ed and Blanche Hodges.Warner's father was a career military man,stationed in Germany at the time.Ed and Blanche also moonlighted at night playing country & western music at USO clubs all over Germany. One night when his parents’ drummer could not show up,Warner was told,"Load your drums,you're playing with us tonight.”When Mr. Hodges spoke, you jumped, and Warner surely did.From thereWarner started playing with the various instruments around the house,gravitating to guitar. With an older brother bringing home rock ‘n’ roll records by the Beatles, the Rolling Stones, Jimi Hendrix, Led Zeppelin, Black Sabbath, and Creedence Clearwater Revival, Warner found himself absorbing all of it, as well as the traditional country music of Merle Haggard, Hank Williams, and George Jones that he was playing with his parents.

"At the time I didn’t realize I would develop a mixed style on the guitar,” he said.“Those influences shaped my ability to move in and out of different genres of music in an effortless manor.

Hell,I thought all kids played in their parents’band.”Those years of playing four to five sets a night as a kid were the best school of music that Warner could ever attend.

After his father retired, the family moved to Nashville, the "Mecca Jerusalem" of country music.Warner's mother,Blanche Hodges,was as gifted as Loretta Lynn andTammyWynette, so it made sense to move there and give it a shot.Though Blanche never managed to grab the golden ring, the move was amazing for Warner. He was now exposed to the cream of the crop when it came to players.He made some music friends at high school,one of them being Perry Baggs. Another Nashville street rocker,Jeff Johnson,came into his orbit,and they all became friends, playing in several bands together until Jason Ringenberg came to town in 1981.

Throughout his years with Jason and the Scorchers,Warner continued to do sessions and play on other people’s records.When the Scorchers went into hiatus in the early 2000s, Hodges put together a rock band called Disciples of Loud and released LETTHE BEATINGS BEGIN in 2005. Hodges then hooked up with Stacie and Al Collins about 2006 and started doing various shows with he Stacie Collins Band because of a mutual love of the same types w w w. a m e r i c a n a g a z e t t e . n e t

of music. Once again Warner found himself playing guitar at every free moment with a renewed love for the instrument. Playing at the top of his game,Warner released CENTERLINE in 2008 and then joined the band Homemade Sin.With fellow band mates Dan Baird, Keith Christopher,and Mauro Magellan,Homemade Sin has become one of the most exciting live bands on the planet,and yet another format to showcase Hodges’enormous talent.

AsVINTAGE GUITAR’sWard Meeker said,“Warner’s guitar style has always been the perfect mix of soul and grit, class and kick. Pretty much beyond stylistic categorization, there's no denying it comes from all the right places – he's part Don Rich through a Marshall, part AngusYoung on aTele.”

Warner continues his "frenzied battle" with the guitar.These days it is a matter of principle to play from his heart, not his head.“When I am on, I can go to a place where it just flows, free form.That is where real music is for me:where I am a conduit for a free flowing stream of musical ideas.”

For more information about Dan Baird & Homemade Sin go to: www.danbairdandhomemadesin.com To find out more aboutWarner E.Hodges go to: www.warnerhodges.com www.myspace/warnerehodges Al Collins Bass Al Collins was born and raised in Cleveland, Ohio,that mythical rock’n’roll capital not always kind to its own progeny.Performing on a circuit that rewarded slavish copying and punished originality,Al stuck to his vision of playing original music, no matter what the cost.Although a bass player at heart, he also wrote songs and played guitar.After high school,Al skipped college and went on to play in several bands before deciding to leave Cleveland.He set out wandering, eventually winding up in Hollywood, California, where he met his future wife and songwriting partner, Stacie.They clicked musically and otherwise,formed a raucous little blues-rock outfit and together embarked on a musical journey that ultimately led them to Nashville,Tennessee.

can handle anything you throw at him. In no particular order he sings,plays guitar,writes songs,plays drums, produces records, makes solo Americana CDs, and fronts a brilliant blues-rock band called Bonafide.He is a musician’s musician and already is gaining worldwide respect for his many talents, quite impressive for a man still in his 30s.

Charlie Musselwhite (Tom Waits, INXS, solo artist) recorded one of Pontus’s songs,"WalkingAlone," on his Grammy-nominated album "One Night inAmerica." His duet with Jason on his 2007 song, "So the Story Goes," off his“Admiral Street Recordings”CD, was the most downloaded song in the world for one day on EMusic. Pontus’rock band,Bonafide,has a new album out and is gaining new fans all the time.To quote Dan Baird,"Bonafide sounds like a million Euros.”

Like all true Southern musicians (Pontus is from southern Sweden), Pontus comes from a musical family:his father,Håkan Nyberg,is a well-known drummer in the Swedish rock and blues circuit.Pontus has always played music and probably always will.It is a true testament to his playing that the Scorchers have brought him on board,rather than use someone closer to Nashville. As Jason said,“Yes, we could have gotten someone in the United States to replace Perry,but we feel Pontus has such monstrous talent,he is uniquely able to fill Perry’s shoes.He is that good.”

With Jason and the Scorchers, Pontus brings a youthful energy to the rhythm section, but with a seasoned groove that belies his age. He also sings many harmony parts and even will come out from behind the drums and pick up the acoustic when needed.As veteran producer Brad Jones says:“He may be the best rock drummer I have ever worked with.”

For more information about Pontus go to: www.myspace.com/pontussnibb To find out more about Bonafide go to: www.myspace.com/bonafiderocks (This information was taken from the Jason & The Scorchers Website – www.jasonandthescorchers.com) Submitted by: Joyce Ziehli

One night in the fall of 2006,Al and Stacie were playing a gig with then-guitarist Ken McMahan. They’d worked up a version of“Dim Lights,Thick Smoke & Loud, Loud Music”with a level of fervor and energy to rival Jason and the Scorchers.Tearing into it with his back turned to Ken,Al didn’t notice when the Telecaster was handed to somebody in the front row. Suddenly there was a ripping solo like he'd never heard before.Al looked over to see Warner Hodges playing the hell out of Ken’s Tele.The chemistry was immediate. Hodges and the Collinses became fast friends,withWarner eventually playing in their band.So when Kenny Ames left JATS in 2008,Al was the perfect and obvious choice to replace him.

Check out their TOUR DATES: Oct 10 Jason &The Scorchers Drive Invasion Starlight Drive In 2000 Moreland Avenue SE Atlanta,GA 30316 www.starlightdrivein.com

Oct 16 Jason &The Scorchers featuring special guest Stacie Collins Old Rock House 1200 S.7th Blvd St.Louis,MO 63104 www.oldrockhouse.com

As Collins himself says,“When playing with the Scorchers,I always have original JATS bassist Jeff Johnson in mind, to stay true to the band’s sound. If you try to play too many notes in this band,it all falls apart.You’ve got to keep it simple,at least on the fretting hand.The picking hand however, is working overtime! All downstrokes!” In fact when Jason and the Scorchers were inducted into theAmericana MusicAssociation’s Hall of Fame in September of 2008,Jeff was on hand at the after party and witnessedAl playing with the band.The two finally got the chance to meet,with Jeff giving the nod of approval to the new guy.

Oct 9 Jason &The Scorchers featuring special guest Stacie Collins Zydeco 2001 15th Avenue S. Birmingham,AL 35205 www.zydecobirmingham.com

Showtime:9pm / 21+

Al has found the success and contentment in original music that had eluded him in his youth.When he’s not playing with the Scorchers,you can find him touring the world with Stacie Collins,blowing minds wherever they play with their take-no-prisoners live shows and Southern rockin' twang bangin' blues rock.

For more info on their music and tour dates,go to: www.staciecollins.com www.myspace.com/staciecollins Pontus Snibb Drums,harmony vocals,acoustic guitar Pontus Snibb officially joined Jason & the Scorchers in 2008, although he has been associated with the band for several years. In 2002 he played guitar with Jason on the “Swedish Mad Cow”tour,then bailed out JATS in 2003 for a Norwegian festival when they had no drummer. He played that show without a rehearsal – and absolutely nailed the parts.

Pontus is one of those rare gifted players that w w w. a m e r i c a n a g a z e t t e . n e t

Oct 8 Jason &The Scorchers with special guest Stacie Collins The Mercy Lounge One Cannery Row Nashville,TN 37203 www.mercylounge.com Oct 7 Jason &The Scorchers featuring special guest Stacie Collins Phoenix Hill 644 Baxter Avenue Louisville,KY 40204 www.phoenixhill.com

Oct 15 Jason &The Scorchers featuring special guest Stacie Collins The CastleTheatre 209 E.Washington Street Bloomington,IL 61701 www.thecastletheatre.com Showtime:TBA/ All ages Oct 14 Jason &The Scorchers featuring special guest Stacie Collins Lee’s Liquor Lounge 101 N.Greenwood Avenue Minneapolis,MN 55403 www.leesliquorlounge.com Showtime:9pm / 21+ Oct 13 Jason &The Scorchers featuring special guest Stacie Collins Double Door 1573 N.Milwaukee #425 Chicago,IL 60622 www.doubledoor.com Showtime:9pm / 21+

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Clouds, Corn and Cows

Going for a run in Green County WI

“Be back in an hour”I shouted to Bob as I finished up my leg stretches and headed out the kitchen door. Today’s weather is perfect as it’s sunny with a nice breeze, no humidity and temps in the upper 60’s.

I have been a runner for almost 30 years. I go in streaks where I will run daily for weeks on end then all of a sudden I have had enough of that so I will then head out only a day or two a week for awhile.

I am not really sure how or why I started running. I was born and raised in Green Bay, and I know your assuming that I am a Packer fan but I am not. I am not a football fan.

I prefer the real sport of NASCAR to any little game where the players get a long break after running for only 10 seconds. My crew drives for hours on end often near 200 mph. Them there are real athletes!

As I search my memory I recall that I ran a little track in my grade school days. I even did hurdles! I can remember not being overly thrilled by the competition of it so I completed that year and then let it go.

After graduating from High School and moving out on my own I had very little extra spending money. I found that I enjoyed walking in the evenings during all kinds of weather as simply something to do.

The summer of my 20th year I remember the evening when my walk transformed itself into a gentle jog. I remembered thinking that I saw more things on the jog than on the walk, and I could even consider it a workout! My eating habits then were not like they are now. I pretty much kept Frito Lay in business and was the reason the frozen pizza cooler was never full.

As I dabbled with the experience of running rather than walking, I found my body enjoyed the rhythm of my footfalls. Being a drummer there was something natural in the steady beat of rubber hitting pavement. It made sense to me.

I also discovered that while I was breathing heavily and needing to watch where I was going, the chatter in my head began to quiet itself a bit. There was a lot going on in that head of mine at the time, and I was very happy to find that my running provided me a block of time to put some of that aside and just move.

I would sometimes drive the few miles needed to get out of the city and park my car in the Brown County park parking lot and run from there. My first outing of this sort was on a crisp fall day with the sky impossibly blue and the maple leaves a brilliant red and yellow. It was quiet too! Running in town had its own set of pleasures for me. I would often run in the evening after returning home from work. I would head out after sunset and enjoy the cool of the evening and the fun of getting glimpses into the homes as I ran by the rooms illuminated from within via lamps and overhead lights. I often found wall colors and decorating styles that would either make me sigh as they were perfectly matched or laugh as I was thinking.. really… really? It’s pretty amazing what some folks prefer for their internal spaces let me tell ya. But that was part of the fun.

I often would go the few blocks toward the Fox River and run along the homes that lined that north flowing waterway. I would dream of one day owning a home on the water that would have a view of the city out one set of windows and a view of the water out of another.

As I grew older and my running became part of my life and routine, I discovered something that continues to this day. When I travel away from home the first thing I want to do upon arrival at our destination is go for a run. It did not really dawn on me that this was a pattern until we began vacationing every year in Bayfield . We would arrive at our hotel or condo and unpack, and before I knew it I was putting on my running shoes venturing out for a run. I find that this small routine grounds me in the place of our travel destination. My familiar pattern even followed me on our first visit to South Beach Miami. We unpacked and I did not even know where to go but found the boardwalk that lines the mighty Atlantic along the beach and off I went. Perhaps it’s a carryover of my Native American ancestry. Getting the lay of new land by roaming and running may have helped my Great and Great Great parents feel more comfortable standing still. I know it helps me.

completely different than my home by the bay. We have ridge tops and valleys that will take your breath away.

When I run from our home I find myself with choices that allow me to support my mood. I can drive the short distance and run on the Sugar River bike trail, a pressed gravel trail that leads through lots of wetlands and wooded areas and always has within it at some point sand hill cranes, blue herring, a hawk or two and rabbits everywhere.

Or, I can leave the car at home and run the short downhill slope of Highway CC soon turning left on a small country road that goes up and up and up. When I catch my breath at the crown of the hill I am rewarded with a stunning view.As far as my eyes can see are fields of corn, black and white spotted cows and clouds that I can almost touch.

If my choice for my run is the non bike trail option, that experience will look completely different depending on the time of day. If my mood has me running just after sunrise, I am often greeted with fields of dew covered greenery all looking like little diamonds in the light of the just risen sun that has pulled itself up over the hill. After I round the bend of the hilltop corner, the view to the west is one of rolling hills and valleys. The fog is almost always in place in the valleys below. Sometimes if I am lucky it will be widespread enough that I can run in and out of the wisps and have the glorious experience of the changing color of the sunlight pouring through the mist. Yesterday it actually stopped me for a moment. I just had to quiet my feet and allow my breath to settle and just take it all in. I was surrounded by white dampness all lit up like a rock show stage only there was not a sound to be heard. Then the bellow of mother cow to her calf cut through the air, and I was brought back to being in my running shoes with sweat dripping off my body and soon I was on my way again.

I get to see the earth change clothes all year long. What I miss when being in a car driving down the same roads, I get to experience while under the power of my feet. I see the small wild flowers forming before they bloom knowing before anyone else what is about to happen. The smells of earth and, well, cows, will fill the air and sometimes be so overpowering that I wonder how I will take my next breath.

I also have come to appreciate the physical effort needed to get from start to finish when I run. No jab to my bike riding friends but when they are moving and they stop pedaling, they keep moving! When I am running and I stop running I stop moving.

There is no coasting for runners. If I want to get home, I know that every step of the way will be my effort. I like that.

I also never enjoyed the competition that some find appealing with running. Not since my 8th grade track experiences have I ever timed myself while on a run. I know that some find a thrill of shaving off seconds from the same distance run day after day. Not me. I never found any satisfaction knowing that I can move my body faster than I did yesterday. I would sometimes run a longer distance but the only real reason I would do that is I just wanted to keep the rhythm going for a bit more time.

For me running is a chance to check in with my physical body and just as importantly with my thoughts. I am always amazed what random thoughts will come to me while I am running. Rarely am I thinking about things that are negative. I will often laugh out loud at the crazy chain of thoughts that will unfold. It’s an unwinding of my mind as I wind up my muscles.

So, think you want to give it a try? Good! Please just make sure that you start slowly.

Also make sure that the most important goal you set for yourself is to enjoy the experience. You may be moving your body in a way you have yet to do. You will be introduced to feelings and sensations that will be new to you. Enjoy them! Think of them as eating a food you have never tried. If something about your new running adventure does not appeal to you try a different approach. Be sure to stretch before you start and after you finish. Be gentle with yourself. Be easy about it. Before you know it you may find yourself heading out just to see what nature has to offer you today, and while that is all happening, you will be moving and enjoying your body in a brand new way.

I’ll meet you at the spot where the road turns east.

Written by: Jim Smith

We live on the northern tip of Green County in southern Wisconsin. Growing up in Green Bay I never realized that Wisconsin had this many hills! The topography here is

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w w w. a m e r i c a n a g a z e t t e . n e t

What Family Is That?

If you happened to be at a certain Madison restaurant on a specific Friday of each month, you might spot a group of anywhere from fourteen to twenty-four very happy people having breakfast. You will see them arrive with hurried steps, you will see lots of hugs, you will hear tons of laughter, you will see pictures passed around the table, and unfortunately you will hear rather loud talking going on within this group. You might wonder who are they? What is the connection among all of them? Are they family?

Well, it depends on what you think the definition of family is. The first definition given refers to a man and woman and offspring. Well, this can’t be this group, for they are basically of the same age range. Another definition of family is a group of like things or a group of individuals derived from common stock. Is that the definition for this gathering?

From time-to-time as I leave this breakfast gathering,someone will stop me as I pass their table. They will want to know the connection. Well, I won’t make you guess. We are a group of retired Oregon school teachers. Basically we had a connection to the old Oregon Junior High School. In the last years of our teaching there,a new building was built, and we got a new name Oregon Middle School. However, this group likes to remember our junior high teaching days. For the most time our principal and leader was a man named Karl Ahrens. He was a fair man, he was consistent in his dealings with students and staff alike, and he was the head of our family. We considered ourselves a family. We all had our “birth” family, but we spent eight to ten hours a day together and shared our lives with each other just as a family does. Our family had weddings, births, deaths, illnesses, accidents, and many happy times and happy events in our shared lives. Two of us were there when Karl arrived, and we were there with him throughout his reign as our principal. When he retired from his position and we feted him with celebrations and parties, the common theme was that he was a father figure to us. Even today we are his other family even though he now lives away in Indiana. Thus the definition of family takes on a new meaning: we have our work family,our neighborhood family,our church family,and the list can go on. All of us actually have more than one family unit if you look at family in this way.

Upon the gradual retirement of various members of Karl’s family, it soon became apparent that this family would need to keep in touch. Thus we created our monthly breakfasts, and as many of those available appear each month for about 90 minutes of a most joyous reunion. A few years ago three of us organized a real reunion. We had folks attend from Maryland, Colorado, Indiana, Kansas, Illinois, California,Virginia, and many of us were still here in Wisconsin. It was the most unbelievable gathering. Just like all the years we worked together this day seems to fly by much too fast.

During our reign at Oregon Junior High/Middle School we were involved two different times in teaching by teams. The core of a team was a math teacher, science teacher, social studies teacher, English teacher, special education teacher, and a rotating special subject teacher (art, music, home ec, health, I Tech, etc.). The school day was divided into two sections for the students. One half was spent with the core mentioned above, and the other half with physical education, band/chorus,foreign language,and study hall.

The core teachers were available for individual help or conferences during a student’s study hall time. One hour of the non teaching half was for team meetings where special projects and units were planned. We could schedule meetings with parents and child during this time, too. We were pioneers in this concept of team teaching, and for a time we had visitors from all over come to observe our format in action. There was a break in the two occasions of this format because of a drop in enrollment,for the team concept was more expensive to operate than the usual junior high/middle school pattern. When enrollment increased again, we went back to a modified version of our old system. I suspect this teaming made us closer than might have been otherwise. Even today we attend special events with these family members.

Within our core group we have at least two married couples, and while the spouse may not have taught in“our building”they are a now a member of our family. We have picked up a couple of teachers from other buildings because they are friends of ours, and they are from the Oregon family which is more than the junior high/middle school family. w w w. a m e r i c a n a g a z e t t e . n e t

An outsider might feel a bit uncomfortable sitting with us, our talk eventually gets to remembering the past and if you weren’t part of that past, you feel left out and are really left out! If school was not a favorite part of your life, you don’t want to join us either. It is obvious we were teachers, and we always end up acting like teachers at these gatherings.

As it is in all families, we have lost to death some wonderful friends, and we often speak of them and share a happy story about them. Whenever it is possible, a core group appears at a memorial or funeral for our lost comrade.

Of course, we have some funny memories of things that occurred during our teaching days: a teacher coming to school in her slip not realizing she did not put on her skirt, a substitute that agreed with every student request and soon had an empty room as each kid was excused no matter the story they had concocted, the teacher that fell asleep and all the kids jumped out the window,ran back into the hall and knocked on the classroom door thus awaking the teacher who could not figure out how they got there, and there are always memories of practical jokes we pulled on each other. A favorite memory is about a lady who was always asked on Monday morning what she did over the week end. Her answers were always about the same, but one Monday she had a surprise answer,“I got married.” She had pulled off the marriage without our knowing it was to happen. No doubt she did not think she could trust us at her wedding.

We as a family dealt with assassinations, space accidents, war protests, and a day with no water thus no bathroom breaks for anyone.

One year when the supplies were counted it was discovered the day before school was to begin that no toilet paper had been ordered, so at teacher in-service before school was officially to begin, the administration had to beg for donations from the staff to tide things over.

So if you do stumble upon us one of these Fridays, seated around the long table you would find a teacher of music, of art, of math, of science, of language arts, of reading, of home ec, of industrial arts, of physical education and health, the IMC director, a school psychologist, a few teacher aides, a band teacher, a foreign language teacher, special education teacher,and a school secretary and a janitor or two. Everyone was part of our family, and everyone in the building was our friend. If you are brave enough,pull up a chair and join the table. We would welcome you, but we would probably talk too much for your tastes.

Story by: Bob Hoffman Photos supplied.

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Rosanne Cash, Composed throughout this book and how each member influenced, supported,and guided her through her life. Her husband John Leventhal and her children make her whole,and she is not afraid to say so.

I supremely enjoyed this book! As a songwriter and performer it was easy to trade places with Cash playing for small crowds,doubting your abilities as a writer,and being awed by famous performers who turned out to be just as nervous as you are when it comes to performing or presenting a new song to peers. The book is an easy read. What I mean by that is it does not drag or make you wish any chapter would end on the next page. Rosanne is a fantastic writer who keeps you interested throughout the reading experience.

What I got the most of from reading Composed was the fact that we as artists tend to see ourselves not as suffering as the cliché goes, but more as timid in our abilities to share what we have created. Even the “super”famous such as George Harrison as Cash relates got nervous in performing. Cash’s insightfulness and courage stands out throughout the book. The devastating losses of her step-mother,father,mother,and stepsister all in a short period of time,her brain surgery,and recovery are all documented in Composed, but not in a “woe is me” whine. These losses and troubles are dealt with in an adult manner and faced with the tenacity that Cash herself is surprised that she has.

I felt comfortable reading Cash’s story because it did not make me feel a as a voyeur watching someone’s life turn into a train wreck. Quite the opposite! It helped me understand that the path of an artist is the same for most everyone, including the daughter of someone famous. Self doubt and insecurities are universal to all who dare show or share their artistic side to the world. Cash’s journey as an artist was and is the same as mine or yours.

Rosanne Cash is an artist amongst artists. She is a songwriter, singer, painter, and author.

Composed is a memoir, but not the kind of memoir you would expect from a child of the 60’s,or an accomplished artist as she is. Composed to me is more of a book of self reflection meant to help both Cash and readers understand what it means to me an artist.

This is not a book of sex,drugs,or rock & roll.

It is a superbly written account of Rosanne Cash’s journey to be the artist she is today.

There’s no daddy or mommy bashing. No jabs at ex-husband Rodney Crowell, in fact she credits him for helping her really begin her journey as a songwriter and performer. There is also no blaming anyone on her early life or missteps in her early adult life.This book is a wonderful, wonderful story of making ones life fulfilled. It is filled with solid recollections of and reflections of her life and how she as an artist and person dealt with the ups and downs of her career to date. Family is important to her. She gives credit to her family

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I recommend this book to all songwriter’s, soon to be songwriters and artists. It is a true testament to a wonderfully gifted artist who did not waste her talent, life, family, friendships,or career on self pity or chemical dependency. It is a story of courage. It is the story of the journey, and what the journey is all about.

Hats of to Rosanne Cash for writing one of the best memoirs I have ever read! I am inspired to work harder on my own songs,and I am inspired to encourage other writer’s more after reading Composed! This book is a treasure.

It is a book that is meant to be shared. It is a book that proudly sits in my library;it should be in yours too!

Book review by:Andy Ziehli Rosanne Cash book signing at The Americana Music Conference

w w w. a m e r i c a n a g a z e t t e . n e t

eral years of events in Word,Wisconsin, a made up community in the midst of that DRIFTLESS region. We first meet July Montgomery who at the point when we meet him is drifting through his life and soon events take him toWord,Wisconsin,and he quickly is part of that community. Two sisters, Olivia andViolet,are major characters.

They are as different in appearance as one could imagine. Violet is big with big bones but still containing an air of femininity. She feels,and for the most rightfully so,that her role in life is to be Olivia’s caretaker.Olivia is small almost tiny and your first impression of her is that she is childlike. She can not take care of herself having been diagnosed as an invalid at a young age. Violet worries that the day will come when she can no longer care for Olivia,and then what will become of her?

DRIFTLESS

by DAVID RHODES What do you think of when you hear the word DRIFTLESS? I suspect that most of us born and raised in this part of Wisconsin will immediately associate the word with a region of southwestern Wisconsin. It is an area approximately 160 miles long and about 70 miles wide. The rugged landscape differs from the rest of the state’s land. Glaciers did not cover this region. Thus glacial deposits of rock, clay, and silt called drift are missing in that region thus called the Driftless Area. This review is about a book entitled DRIFTLESS written by author David Rhodes.

The book is set in this area of Wisconsin, and it follows the people and their daily lives in this rural setting of southwestern Wisconsin. At first glance you might feel these people are DRIFTLESS in their lives, but I beg to differ. Events may drift in and out of their lives, but these people live with a definite purpose only they have nature to face on a daily basis.

Grahm Shotwell is making a bomb is his barn, and his wife Cora is concerned that farming is a financial disaster. Then she gets a job at the Milk Cooperative and soon learns how the Cooperative is stealing from all the farmers. She gathers proof of their fraud,but then what can she do with that evidence--boxes of it. Jacob Helm,another neighbor, is a lonely widower repairman. Wade Armbuster is really drifting in his life until circumstances lead to his meeting tiny Olivia. Rusty and Maxine are trying to ready their farm house for a visit from Maxine’s sister and mother. Rusty is forced to make a decision on how to get the repairs done that shock the entire community and thus opening the community’s eyes to another way of life that is not a DRIFTLESS life as most longtime residents thought it was. And throw into this mix is Winifred Smith the first female minister in the area’s history. She had graduated from college with her pastoral degree in Ohio and was seemingly drifting in her new profession until one day while getting her hair cut in Cincinnati she finds a connection to get her toWord,Wisconsin. Once thereWinifred has her own personal epiphany.

The book is a series of chapters usually dealing with the events in one of the character’s lives and then chapters join them together sharing the events of a rural community. Some will be happy events,some humorous,some sad,some teeter on the edge of tragedy,and some simply take us through the basic events of a daily life. Throw in cougar sightings, snowstorms, a budding rock star living in the community,the misplaced ashes and urn at the first funeral the lady minister has inWord,Wisconsin,and a whole community full of dreams and hopes and aspirations are the basis of a solid plot for one of the year’s best reads. You will recognize a bit of your own life in the daily events that David Rhodes uses to tell his story a Milkweed Editions publication.

DRIFTLESS is one of the best books that I have read this year. The author born in Iowa and now aWisconsin resident understands Midwestern people. He creates very real characters and uses daily events to form an excellent plot for this 429 page novel.The novel covers sev-

Book review by: Bob Hoffman

ce review... continued from page 10

life.They clearly put plenty of thought into their sound by using multiple drummers such as Ken Coomer, Chip Vayenas, and Rick Richards. Next they pull out all the stops by getting a real veteran talent like Earl “Poole” Ball on the piano. The production of this album by Stonehoney and Fred Remmert was top notch for a four-day live recording performance.

I had read that Shawn Davis had commented “For four front men to come together and shed as much ego as possible to be part of something”, well that is clearly what they all have done so perfectly. No one person shines or is less present than anyone else in this band and they most definitely capture that in their variety of genres that are all incorporated on this album.With that wide array comes the difficult task of finding a certain demographic for this group.

Like Phil Hurley said,“There’s something for everyone.”

Review by:Andrew Pulver

Marshall Chapman ♪♪♪♪ Big Lonesome Style: Country, Americana, Blues Big Lonesome.what do you think about when you see this title? I told myself to prepare for some sad times ahead. Get out the tissues and shut the door. An album named “Big Lonesome” couldn’t offer anything, but sadness right? I’m sorry class I think the answer we w w w. a m e r i c a n a g a z e t t e . n e t

were looking for was“WRONG”! Marshall Chapman shows us that immediately out of the gate, with the misleading title song. Big Lonesome has an old school country feel to it with its shimmering slide guitar and freight train bass line.

Now just south of that first track is another stand out track to me, Down to Mexico.

This track makes me feel like I’m beneath the big skies watching the vultures soar on thermals above the sun scorched mesas as my horse slowly moves beneath the sun.

Don’t worry though, also contained in this song is the cool wind to release and blow you away. This is my first time listening to Chapman, and after some research I come to find that she has been chasing the musical muse for some time now. She has also worked in theatre (Good Ol’ Girls), has been published (Goodbye, Little Rock and Roller), and is even appearing in an upcoming movie. She seems to be trying a little bit of everything as she moves through the world and it seems as though it reflects in her music. I’ve heard country, blues, jazz, swing and many other small glimmers of different genres that make up this tapestry. I think that Chapman’s song Tim Revisited, written about her late friend and co-songwriter Tim Krekel was awesome, and not like “Awesome dude!,” but dictionary awesome;“so impressive or overwhelming as to inspire a strong feeling of admiration”.

Marshall also does a wonderful job covering Hank Williams’ I’m So Lonesome I Could Cry. I thought that her performance on this cover was tremendous, and I found myself lost in the music just drifting along with it. Riding the waves of the electric slide and reverb you find an island of peace or calm in this song. There are a handful of songs on this album that emit that peaceful calm,that give you those good feelings. The album leaves you with a song titled, I Love Everybody.

So, let’s recap. I went from getting ready to cry to this album to feelin’ good and lovin’ everybody by the end of it.This was a fabulous and solid album,and I recommend it to anybody who likes feelin’ good.

Rob Kosmeder

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Dan Baird and Homemade Sin Live in Wisconsin

It’s hard to match the intensity of a Homemade Sin Show! The closest thing I can come up with is lassoing a tornado! These guys can rock! Saturday August 28th Dan Baird and the boys rolled into Orfordville and took no prisoners in their all out assault at Knute’s.

The show opened with a fine performance by local SouthernWisconsin boys Fedora. These four young musicians are incredible. Their original songs rock and also have soul. Look for these guys to be making a lot of rock & roll music in big places soon.

After a short break Dan Baird and Homemade Sin took the stage and lit it on fire!!! Baird, lead guitar playerWarner Hodges,drummer Mauro Magellan,and bassist Keith Christopher rocked, rolled, and smoked the stage with their foot stompin brand of Rock music! Baird the eternal rock showman never stopped moving. His stage presence and in your face vocals fueled the band to the best rock & roll show I have ever seen. Hodges is pure dynamite in his playing and stage showmanship! His lightning fast fingers and power chords lifted the audience to a new level of enjoyment. Hodges is by far one of the top guitar players in the world! I can’t think of anyone who can do what he can do with a guitar. Baird’s and Hodges dual guitar work is unreal to behold. The tight harmonies and interplay between the two masters is a dream to behold. Their ability to play for the song and not try to one up the other makes for the best two guitar show in music. Drummer Magellan is the hardest hitting drummer I have ever witnessed. His powerful beats drove the songs to stellar heights for the audience. To play at the level and constancy that Magellan plays is incredible. Bassist Christopher is the anchor of the band. His laid back style and stage presence keeps the band in the groove,and what a funky tight groove it is.

Playing cuts from all his CD’s along with covers from Sam Cooke and the Beatles, Baird knows how to entertain a crowd. He played his hits including I love you period,and Keep your Hands to yourself which brought instant cheers from the crowd. The highlight for me was when Baird and the Boys played L’il Bit from his Buffalo Nickel CD,Just Can’tWait from his Dan Baird and Homemade Sin CD, and Sheila from his days in The Georgia Satellites.

These four Rockers played with the drive and power of a Shelby Cobra 429 for two hours straight! It was a lesson in how a Rock & Roll Show should be.

It’s not very often we here inWisconsin get to see artists like Dan Baird and Homemade Sin. With luck next summer we’ll bring them north again for more great Rock & Roll. Younger musicians should especially check theses guys out. You could have no better teachers on how to make three chords and dreams become reality! No fuss,no makeup,no computers, no bull shit. Just honest to God good ole American Rock & Roll like it was meant to be played and heard. These guys are the real deal! So roll over Beethoven and tell Johnny B. Goode to look out! Dan Baird and Homemade Sin are driving the train and it’s a high speed rail rockin and rollin machine!!!

Story by: Andy Ziehli

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Mumford and Sons ♪♪♪♪♪ Sign No More Style: Rock/Indie They hail from the land of Shakespeare, and offer the same grace of words and of emotion.

They are Mumford and Sons and this is one amazing album.There is no need for comment beyond that. This album speaks its own greatness with never a dull moment and songs that a listener can relate to.

The album opens with what I think is the band’s strongest weapon,their entrancing and moving vocals. Rugged while pure the four members of this band come together to produce a sound that is full and natural. The jagged stone cuts as deep. The song that first really caught my attention, and by that I mean made me stop in my tracks and really listen. Winter Winds, in my eyes is attainable poetry in motion. The words that are spun through this song are not made of silk, they are made of real life moments, moments that you don’t think of often but when you do you know they are special times.“As the winter winds litter London with lonely hearts. Oh the warmth in your eyes swept me into your arms.Was it love or fear of the cold that led us through the night? For every kiss your beauty trumped my doubt” After listening to this album countless times, I would have to say that Winter Winds is the jewel of this collection, but picking one diamond out of the heist bag is difficult.

Just about halfway through the album comes the song White Blank Page, and being the first thing I had ever heard from this band of course I love it. I continue to find things I like about every song. I hear things that I didn’t catch before or a lyric means something a bit different the second or third time round. It never gets stale.

As the album moves on it becomes a bit darker, maybe a bit moodier, but nothing short of excellent and in the oncoming darkness there are still bright stars floating about. Little Lion Man is most definitely a stand out song with a sing along chorus that just feels good to belt out in the car.Watch out the guy driving the Focus in the next lane is looking at you funny… In a few weeks I will be attending a Mumford and Sons’ show and from what I’ve heard around the water cooler is that they are just as great live as they are in the studio, so keep your eyes open for a show review coming up. Mumford and Sons’ album Sign No More is a triumph of an album and there is no need for comment beyond that.

Eric Brace & Peter Cooper to Release New Album, "Master Sessions," on September 20!

This beautiful new album was built around and features two of Eric & Peter's instrumental heroes, master dobro player Mike Auldridge and legendary pedal steel guitarist Lloyd Green. Eric and his band Last Train Home had recorded with Mike Auldridge previously on a CD called continued on page 31

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EnjoyA Variety In Your Music

Mike Farris

IS BLESSED WITH TEX-MEX RHYTHMS

Acclaimed Americana/Gospel artist Mike Farris consistently delivers exciting and riveting performances. On October 26th, the 2008 Americana Music Association's New & Emerging Artist of the Year winner will be releasing an EP for flood relief,The Night The Cumberland Came Alive. Hot off the heels of Farris' recent GMA Dove Award for Best Traditional Gospel album of the year for 2009's SHOUT! Live, this new 6-song EP commemorates and celebrates the rebirth of Nashville, a city and its surrounding communities devastated by a "1,000 year" flood when the rains came on May 1, 2010.

Recorded just weeks after the flood,The Night The Cumberland Came Alive features an all-star cast of musicians including: Sam Bush, Kenny Vaughan (Marty Stuart), Ketch Secor and Gill Landry from Old Crow Medicine Show, Byron House (Robert Plant), as well as Ann, Regina and Alfreda McCrary (The McCrary Sisters), Derrek Phillips and Eric Holt from Farris' own Roseland Rhythm Revue.

Information supplied by: Kissy Black Elaine Erteschik Erica Erwin Lotos Nile Media Nashville,TN 37209 kissyblack@lotosnile.com elaine@lotosnile.com

AND LATIN SOUL On October 5th self-produced in his home studio, Sinners & Saints is scheduled to be released on Fantasy Records/Concord Music Group. Sinners & Saints follows 2009’s critically acclaimed album Lucky One, Malo’s Fantasy debut.This is the most intimate, honest and complex album Raul Malo has made in an already distinguished career. One hears in it a lifetime’s journey, from the singer-songwriter’s youth in Cuban neighborhoods of Miami through his years as one of the most intriguing talents in the Americana scene.

Raul Malo has seen and done a great deal in his career but Sinners & Saints demonstrates there is much more inside him.“This is the hardest I’ve ever worked on an album,” he says with a mixture of relief and pride.That includes the physical labor of confronting the studio alone day after day as well as the emotional courage to challenge his listeners and speak his mind.“This really is about me and my point of view. I realized that after I’d done it. It reflects really how I feel about a lot of things.That’s why this is as much of me as I’ve ever put on a record.

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Tom Mason, Actor, Musician, Friend Tom Mason is an amazing musician, song-writer, and actor. Growing up in the Twin Cities Mason found an early love for music and theater. Watching his brothers and grandfather play guitar lit the flame early for Mason. He received a banjo at age seven,but by age eleven he was playing guitar in open tunings with a wine bottle neck. He practiced everyday and decided early in life that he wanted to be a performer. At this time the acting bug bit Mason and he started taking acting classes. He has continued to act in plays throughout the country. Vaudeville and old Marx Brothers movies made a huge impression on Mason and he has continued to play the crafts and antics of these performers in his own shows and music.

At age 20 Mason joined an Elvis Impersonator and hit the road in the“tundra”of Minnesota, the Dakota’s,Wisconsin, and Iowa playing guitar and keyboards. He had numerous bands in Jr.and Sr.high,including one with PaulWessterman of the Replacements. For a while he had a”real”job and then about 30 years ago was able to support himself as an actor and musician fulltime. Mason told me that“he has never once thought about quitting being a musician and actor.” He loves the life and travel.

Mason arrived in Nashville in 1993. Mason soon established himself as a favorite in nightclubs and studios,he’s also become a sought after actor in theater and film.With his new CD Alchemy,Tom Mason draws on all his talents to create a work filled with magic. Alchemy (see review this issue) is a wonderful collection of songs done in different styles than most Americana CD’s. The music on this CD is a taste of the world that Tom Mason lives. There are blues,gypsy,Cuban,andAmericana songs here. My favorites are Chano Pozo’s Shoes,The World is Drunk,The Pirate Song,and Ramblin. All different,allTom Mason.

Mason is an electrifying performer who never disappoints the crowd. His song renditions and stage theatrics brings the audience to life. Mason is very animated when he performs bringing the audience into the song. His time spent on the theater stages of the world shows through in his music especially in The Pirate Song. Many times a year Mason tours with Phil Lee where the pair of them has the best comedy act going today. Their teamwork in bringing the audience to its knees is legendary. Mason’s sideman work includes playing lead guitar for Eric Brace & Last Train Home, Supe Granda (of The Ozark Mountain Daredevils), and his wife,Australian Pru Clearwater.

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A fiery guitar picker Mason can chicken pick with the best of them. His hands make the guitar an extension where his music can flow through the strings. His slide playing is incredible, as I dare say one of the best slide players playing today.

As a solo artist, Mason has released three CD’s “Where Shadows Fall”, the instrumental “A Slide Guitar Christmas”, and the brand new "Alchemy". He has also released numerous collaborative CD’s, including two by the Big Happy on Western Beat Records and one with Swampgrass,and has been featured on such compilations as“For Kate’s Sake:An Americana Christmas”,“The Other Side: Music of East Nashville”, and “Yuletide from the Other Side.

Supe Granda (ofThe Ozark Mountain Daredevils),and his wife,Australian Pru Clearwater.

Mason is already planning his next artistic endeavor. He is currently working on a couple of theater shows that include a stage show for Alchemy,a musical,and recording the songs for the musical. He plans to keep touring with Phil Lee and LastTrain Home (must see shows).

He also plans to tour in the spring supporting his own music and CD’s. Mason is still very involved with acting. He was in the stage presentation of “Ring of Fire” in Los Angeles this past summer and plans to continue that and other plays soon.

Tom Mason is a true renaissance man. He sings, he acts, he writes, and he plays guitar like no other. He is one of the kindest friendliest people you will ever meet. His laughter is infectious as is his smile. Whether on stage acting or performing musicTom Mason is one performer you do not want to miss! Tom Mason is also a great friend! Joyce and I are very fortunate to call Tom our friend. He makes us laugh and forget our troubles whenever we see him perform or just hang out. Please check out Tom’s website at www.tommason.net and his myspace page at www.myspace.com/tommasonmusic where you can check out his music. Watch for him coming to your town with his magical display of talent and wonderment!

Story by: Andy Ziehli Photos by: Joyce Ziehli

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Performing Songwriter Returns with New Projects Lydia Hutchinson announced on September 23, 2010 that “Performing Songwriter Enterprises is re-establishing itself through music-focused media initiatives to continue the mission of“celebrating music and those who create it.” This is wonderful news for songwriters and people who love original music. Lydia was instrumental in helping Joyce and I launch the Americana Gazette two years ago. Without her knowledge and encouragement we would have never had the“guts”to give it a try.

Lydia has always been one of the most respected people in music journalism. The 16 years she operated Performing Songwriter Magazine she helped the world discover hundred’s of indie and major label talents. Her reviews and columans inspired many a young and old writers (myself included) to follow our dreams of writing about music. Lydia’s understanding of the songwriters soul always made reading Performing Songwriter a pleasure!

After taking a year to rest and recharge Lydia is off and running with new projects all under the Performing Songwriter umbrella. Lydia took the time to explain what the future holds for her and the Performing Songwriter franchise:“Under the Performing Songwriter umbrella I’m launching Be Heard Music Media, a home for songwriters, musicians and journalists to tell their stories in print, video, audio and digital formats—separately and as multimedia projects.And 2011 will see the “Be Heard Songwriter Series” of books written by songwriters, available in multi-formats and with digital enhancements.It’s all very exciting!

The first offering of Be Heard Music Media is“Letters From Lydia,” a collection of almost two dozen“Notes from the Editor” that appeared in the magazine, plus photos, an introduction that looks back over the past year and an afterward detailing the process of letting go after closing the magazine.It’s available at PerformingSongwriter.com in hardback gift-sized book,audio CD and MP3 download,hi-res pdf and digital edition for iPad,Kindle and other e-readers.Also available in the online store are digital editions of the last five years of the magazine and over 500 articles, all in hi-res pdf format so the beautiful designs and photos are preserved in high quality.

Lydia immersed herself in not only learning to create different forms of digital media,but has also built a website and online store. One of her favorite things about the site is the“Be Heard Jukebox.” She always regretted that artists would work so hard on creating a CD,and then had to succumb to the music business model that allowed for a few weeks of promotion, a tour,and then have to start work on the next album,convinced the life-span of that release was over.But music lovers don’t care about release dates—new music is simply something we haven’t heard before,and music has no expiration date!

So Lydia made a list of CDs she might have missed if she hadn’t published a music magazine,or didn’t live in a town with a great non-community radio station,or didn’t go to music festivals.And each week a fave of hers (or of a special guest’s)— regardless of when the CD was released—will be available on the home page of PerformingSongwriter.com for visitors to listen to in its entirety.All the links go directly to the artist’s site so visitors can buy the CD and directly support songwriters who create the music we love.”

We here at theAmericana Gazette wish Lydia luck and prosperity with theses new endeavors. Please take the time to check out her website,music,and books she will be offering. I know I will!

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FOUR NEVER-BEFORE-RELEASED LIVE ALBUMS

BY JEFFERSON AIRPLANE TO BE RELEASED OCTOBER 26 ON COLLECTORS’ CHOICE MUSIC LIVE The argument rages on, but for many music fans in the ’60s, the best live band from the Bay Area was Jefferson Airplane. Formed during the summer of 1965 in San Francisco, the group triumphed in 1967 with Surrealistic Pillow, one of the key recordings of the Summer of Love, containing the hits “Somebody to Love,”“White Rabbit” and “Today.”The Airplane featured three master instrumentalists (Jorma Kaukonen, Jack Casady and Spencer Dryden) and three vocalists: Grace Slick (replacing original singer Signe Anderson in 1966), Marty Balin and Paul Kantner.The Rock ’n’ Roll Hall of Fame inductees made a total of eight studio albums and released a smattering of live albums including 1969’s Bless Its Pointed Little Head.

But what most fans don’t know is that there are vast reserves of never-released live material by Jefferson Airplane capturing key moments in their history. On October 26, 2010, Collectors’ Choice Music Live will release four previously unreleased live albums: Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell, Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut, Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition, and Return to the Matrix 2/1/68.

Information supplied by: Cary Baker • conqueroo 11271 Ventura Blvd. #522 Studio City, CA 91604 cary@conqueroo.com

Stephanie Bettman & Luke Halpin It All Comes Back To Love On their first collaborative effort, It All Comes Back To Love, the duo has created a fully acoustic, delightfully eclectic sound that is far greater than the sum of it's parts.The album is produced with delicate perfection

by Ed Tree (Spencer Davis Band, Rita Coolidge) and together they weave a spell that takes the listener from the up tempo down home fiddlin' of "Fiddler's Bend", to the soulful sorrowful ballads like the transcendent "The Darker Side Of Happy" and the heartbreaking "The Sound Of Time", to the super hooky folk/pop of the title track: "It All Comes Back To Love".The hooks and lyrics will stick with you long after the album is over.

Brenn Hill Faces Life’s Trials and Tribulations on New Equine With his latest release, Equine, Brenn Hill is no longer the youthful rising star who caught the attention of the Western World when he broke out at 20.At 34, time and experience have honed a finer voice and a keener eye.

Additionally, the struggle for the health and safety of his young son Briggs has added a new edge to his music, a sharper sword with which to face the battle. Many of Hill’s fans know about Briggs’ fight with spinal and brain stem cancer.It’s been all-consuming for the family and although Briggs is finally home and out of imminent danger, a long and difficult road still lies ahead. Hill’s ongoing commitment to his music throughout the ordeal has been one way to find meaning in the battle.

“My son Briggs, who has been like my shadow since birth, was diagnosed with brain and spinal cancer. As he clung to life during treatment, I turned again to my

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Our on-line directory increases not only the visibility of the participating artist, but also their income and sales.

notepad and guitar for solace and comfort,” said Hill. “I learned that I could write from the depths of my soul.

Another half of Equine came along.When I think back on it, the unique partnership that’s created by way of the relationship with a horse is what moved me the most. Standing in a pasture, horses are vulnerable, just as I am. But united with a good horse, I can get to far-flung places I wouldn’t otherwise see. And sitting tall in the saddle, descending down an Aspen-covered draw, together, we become larger than life. At the flanks of a bunch of slow-moving cows, it takes the nudge of a spur and a “Hoooraw” to get a good cow horse to pin its ears back and bare its teeth. We both feel invincible.”

Mission and Purpose Our Mission:To use the arts as a means of economic development for rural Southwest Wisconsin.

Our Purpose: Improve the economy of the region by expanding existing and developing new art-related businesses and partnerships.

ArtsBuild: In 2004, the Office of Continuing Education (OCE) at UW-Platteville undertook a bold and innovative venture in support of rural artists in Southwest Wisconsin. Realizing that the arts are an untapped resource in the local economy, the OCE launched ArtsBuild to assist area artists in acquiring the skills they need to become entrepreneurs, thus helping to drive economic development in their communities. Initially supported through funding from a University of Wisconsin-Extension Continuing EDvantage grant, the program currently moves forward with financial support from the University of Wisconsin - Platteville and the Wisconsin Arts Board.The long-term funding goal for ArtsBuild is to transition from the grant funds that launched it to becoming a self-sustaining program.

Our Focus Networking: Since its inception,ArtsBuild's efforts have focused on assisting artists and creative entrepreneurs in southwest Wisconsin. Initially holding grassroots, informational visits in 8 local communities (in 7 counties - Crawford,Grant,Green,Iowa,Lafayette,Richland, Sauk), with over 200 area artists attending.The database created through the programs efforts to identify artists throughout the region has grown to include over 350 area artists and creative entrepreneurs.

Education: In response to survey feedback from participants, ArtsBuild has sponsored workshops, training, topical conversations, mentoring and networking opportunities. As of fall 2006, over 38 educational and other activities have been offered with over 340 registrations. In addition, a mentoring project was piloted in February, 2005 - 19 interested participants were paired with 11 participating mentors.

Marketing: Increasing visibility and connecting artists with each other and with local, regional and statewide arts,business and economic development resources was strengthened with the publication of the first ever, printed 2005 Directory of Artists in Southwest Wisconsin.The directory was a direct result of funding from the Trelay Company of Livingston, WI and was distributed throughout the region.An online version can be viewed on the ArtsBuild website www.uwplatt.edu/cont_ed/artsbuild.

Partnerships: Strong working partnerships were developed with area arts organizations, Main Street programs, Chambers of Commerce, county UW-Extension offices, regional economic development organizations and statewide arts agencies like the Wisconsin Arts Board and Arts Wisconsin.These partnerships contribute to the scope and the success of the project, connecting area arts organizations and creative entrepreneurs with expanded resources.

You can contact Artsbuild at ArtsBuild c/o Office of Continuing Education University of Wisconsin-Platteville 2117 Ullsvik Hall 1 University Plaza Platteville,WI 53818 http://www.uwplatt.edu/cont_ed/artsbuild/ Carole Spelic' ArtsBuild Program Coordinator spelicc@uwplatt.edu 608.342.1314 or 888.281.9472 By: Andy Ziehli

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Staying invincible is the underlying message of“Equine.”

Hill’s poetic lyrics revolve around recurring themes of hope, change, understanding and acceptance. As a son, husband and a father, he’s no stranger to life’s most meaningful rites and passages, and as a cowboy and horse rancher,albeit part-time,he knows what it takes to get the job done.

ALBUM REVIEW: Marc Black’s songs make compelling ‘Pictures’

By David Malachowski -Reviewer ARTIST: Marc Black ALBUM:“Pictures of the Highway” (Summa Records) Folk pop artist Marc Black is a well known, well loved, longtime Hudson Valley area singer-songwriter and producer who has a lot to say, and does it eloquently in this new release,“Pictures Of The Highway.”

The best musicians around always surround him, and this is not exception — famed pianist Warren Bernhardt, keyboard wizard Pete Levin, renowned singers Sloan Wainwright and Ellie Brown, drum legend Steve Gadd, as well as Woodstock’s own, bass ace Mike Esposito, and Jennifer Condo (who also produced with Black) who all obviously up the ante. It was recorded in North Hollywood, Oakland and here in Rhinebeck at the Clubhouse.

But it’s Black’s songs which make this collection so compelling, like the opener “Red Lite” and it’s dark, dreamy and mysterious vibe that recalls old Lowell George-era Little Feet in its other-worldliness.At the same time, it invokes a front porch hoedown, like the celebratory “My Live it Up Baby,” the nostalgic “Every Map,” charming “Scott’s Bungalo,”wistful title track“Pictures of the Highway” to the peppy country infused “Moment After Dawn,” where he sings “the highway was our church.”

Information supplied by: Lance Cowan LC Media lcmedia@comcast.net

Bellamy Brothers Strike Gold at Upcoming Classic Gold Music Awards August 13, 2010 - The Bellamy Brothers are being recognized for their 35 years of musical contributions at the upcoming inaugural Classic Gold Music Awards, taking place August 27-30, 2010, at the Hard Rock Live in Hollywood, Florida. Nominated for the Legends and Pioneers Award, the Bellamy Brothers will be honored for their impressive career and role in pioneering multiple platinum hits that crossed over between country and pop genres. "We're very honored to be on the receiving end of this award... it's going to be a great night," says David Bellamy. "Now, if we can just snag a photo opp with Connie Francis, we'll be all set!"

This award is another notch in the belt of recent success for the Bellamy Brothers. The duo’s new album, titled The Anthology Vol. 1, surpassed The Rolling Stones, Lady Gaga, AC/DC and others as a chart topper in Europe. Their music video for the single “Jalapenos,” is al-

ready nearing one million views on YouTube since its release in June 2010.

The Inaugural Classic Gold Music Awards honors legends from the golden era of the 60’s and 70’s who have paved the way for current new artists. Other legendary artists to be recognized include Connie Francis,the original 5th Dimension,Little Anthony & the Imperials, Isaac Hayes and Ronnie James Dio. The live ceremony will be open to the public and will be televised at a later date on network television.

Information provided by: Don Murry Grubbs Absolute Publicity don@absolutepublicity.com

FRONTIER RUCKUS The world portrayed in Deadmalls and Nightfalls is a land purely of frontman/multi-instrumentalist Matthew Milia’s creation: a landscape populated with the memories of the strip mall stretches and Michigan roadways of his youth, aided by the instrumentation of David Winston Jones, Zachary Nichols, and Ryan Etzcorn.The former college friends use traditional instrumentals – banjo, pedal steel, harmonium, bellows, a saw, mandolin and guitars - as well as the occasional horn flourishes and Hammond organ, to adorn these stark travelogues and twilit tales. Milia’s vocals are unadorned and honest, the songs evocative and spare,with an eye for detail and place that’s uncanny and vivid. Music and more at www.frontierruckus.com and www.myspace.com/frontierruckus .

Praise for Deadmalls & Nightfalls: “The literate angst and spare, elegant sound of 2010's Deadmalls & Nightfalls, powered by a handful of acoustic instruments… and some tactfully applied horns… suggests a middle ground between the Palace Brothers and Sufjan Stevens.” – All Music Guide “the haunting voice of frontman Matthew Milia, who conjures what might happen had Neutral Milk Hotel's Jeff Mangum been raised in a log cabin.Their songs are full of rich,rural details:frozen lakes,swaying trees,highway lights glowing in the deep night. Add to the mix baleful brass and trembling percussion, and you've got the perfect recipe for Gothic Americana.” – RollingStone.com “… a sublimely melancholy catalog of ruminations on the city where he [Milia] grew up… The songs evoke not just the shadow-slatted memories of a still-recent adolescence but also the ineffable sadness and beauty of time’s effect on a place.” – Paste “This is a great summer record,one with equal parts sun and rainclouds, and one not to miss.” – Muzzle of Bees “The lead singer of this Michigan-based band of singing saws and old, abandoned tin shack aesthetics skillfully plots his storylines and still finds it possible to heap in all of the most minute details - colors, settings, scents, sighs and nibbles.” – Daytrotter Information provided by: Angie Carlson PRESS HERE PUBLICITY NY, NY 10001 angie@pressherepublicity.com

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enemy? He was right though. I took a long hard look at them and saw what he was talking about and it helped me become a better writer.

Grothues: It never gets easy taking rejection, but it is part of the process. Songwriting is not for the faint of heart.

AG: In your songwriting NSAI sessions have you ever run across someone who really really wants to be a songwriter but just does not have it in them to be one?

Grothues: Oh yea!

AG: What do you do when that happens? Do you tell them that they would be better off working on the banjo?

are then more involved with the song and the label ends up getting more money. It’s really hard for writers who are not in that inner circle to get cuts. It used to be that 20% of the songs cut were written by the artists now it is 60% or more. It’s not hard to see why the labels push this. There are just less cuts available for the songwriters. It went from 1000’s of “outside” cuts to just a few hundred cuts each year.

AG: How do you determine if you want to cowrite with somebody?

Grothues: With today’s technology you can go to a person’s MySpace or website and hear what they have done. It makes it less awkward and easier to determine ahead of time if it is a good fit. It’s weird. Co-writing is like dating. You really don’t know until you get there what will hap-

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"The Skylighters." Peter had an ongoing collaboration with Lloyd Green. This was their bright idea:invite these two giants of their instruments into a Nashville studio to have a musical conversation with each other, using some songs Eric and Peter wrote and some they chose as conversation-starters. They surrounded Mike and Lloyd with the most talented and sympathetic musicians they know: Richard Bennett on guitar, Jen Gunderman on keyboards and accordion, Pat McInerney on drums and Dave Roe on Bass. The first track is a beautiful, harmony-driven cover of an old Seldom Scene favorite, "Wait A Minute." The low harmony part is by Kenny Chesney. Yep, that one...he's a big Seldom Scene fan too and this is one of his favorite songs. Turns out he's not a bad Americana sideman! And you'll also hear vocals

by Julie Lee and Jon Randall

Peter Cooper NEW CD "The Lloyd Green Album" to be Releasled September 20!

pen.

Grothues: When you come across someone who really has the passion to do this but does not have the skill set to do so, you tell them to read books, listen to their favorite writers and find collaborators to work with them. Look for people that have strengths that they do not have.

There is always a way to steer them in the proper direction and get them the help they need if they really have the passion to do so.

AG: Let’s talk about your music and what’s going on with it now. You just won a big contest at CMT.

Gerry recently moved to the Milwaukee area to take a new “day” job. He will continue to host the Madison NSAI sessions. He is also continuing to write and co-write new songs. Since he won the CMT contest his calendar is filling up with co-writers, especially pro-level writers. We here at the Americana Gazette wish Gerry the best of luck with his new job and his continued success with songwriting.

After Peter Cooper's debut "Mission Door," he wanted to make a duo recording -- with voice and pedal steel.

This unique project was inspired by the instrumental artistry of Lloyd Green, who has recorded with country greats for five decades (not to mention some non-country greats like Paul McCartney and the Byrds) and who is the most graceful and elegant player you'll ever hear.

The songs are beautiful and spare (there's bass on only one of these tracks and very little drumming), and include ones written by Peter as well as others by Tom T. Hall, Emmylou Harris, Rodney Crowell, and Kris Kristofferson. Musicians on the record include Richard Bennett (guitars), Jen Gunderman (keyboards, accordion), and Pat McInerney (drums, percussion). Harmony vocals by Kim Carnes,Rodney Crowell,Pam Rose,Fayssoux Starling McLean, Julie Lee and Eric Brace.

Story by: Andy Ziehli Photos supplied.

Grothues: Yes I did. I won the Listeners Choice Award with a song I co-wrote with Tanya Poe. If I had not won, it would have been great just to know that my song was listened to by people in Nashville. A lot of people have contacted me to co-write with them so it has been very cool.

AG: Have you had any cuts in Nashville yet?

Grothues: Not in Nashville, but I have had two independent cuts so far.

AG: Is Nashville open to new writers or are they pretty much a “good ole boys” club? Take Jeffery Steele who is a songwriting machine. Are folks like that open to helping younger writers gain a step on the ladder? In the “old” days they wrote in buildings and the older writers helped the younger writers, is that so today? Is there mentorship?

Grothues: Most of the writers I talk to say it has really changed. It used to be that you could get a publishing deal and your publisher would set up co-writes with experienced writers. That does not happen so much today. Now because of the shrinking of the pie, the labels are contacting the top writers to write with their artists so that the label gets a bigger piece of the pie. The artists w w w. a m e r i c a n a g a z e t t e . n e t

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