March-April 2016 DEPARTMENTS
5 President’s Message
26 Socially Yours
6 Milestones
30 USA Dance 2016-2017
Peter Pover, President of USA Dance Action Report from USA Dance National
By Jean Krupa, Social Dance VP DanceSport Calendar
22 Grassroots
Chapter Highlights & Achievements
FEATURES
12 Cover Story
USA DANCE 2016 NATIONALS 36th Annual Showcase of America’s Top DanceSport Athletes Vying for National Titles, USA World Teams By Angela Prince
Mark Scardina
Thriller! Now MorePlanning Halloween mischief at 2016. the Chicago Chapters Olympic Day DanceSportduring Challenge NQE, an(CA) annual costume Performing the Nor-Cal Chapter’s Olympic Day 2015for celebration at acompetitors. local mall are contest tradition DanceSport DanceSport competitors Tyler Li & Anjelica Lowe. Story pp. 34-35.
10 Invigilation: Big Word With A Purpose By Sandra Fortuna
Magic Carpet In My Life 11
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34 USA Junior II Latin World Team
I n the Spirit of Olympism.Olympic Day Celebrations Planned in America By Lydia Scardina
36 Dancing From Within
Rumba: Lost in Translation By Forrest Outman
21 Royal Palm Chapter Hosts
Winter Frolic in Southern Florida
Lisa Dubinsky Road Trip Columbus. The annual National Collegiate DanceSport Championships, hosted The 26th Annual MAC (Manhattan Amateur Classic by USA Dance inmove partnership with City Sam Hyatt Sodano, NQE) celebrates to the Jersey brought 920 collegiate 42 schools to Regency. Competing indancers Senior IIfrom Championship the dance floor for the largest“Eddie” dance “pep rally” Latin are Finalists Cayetano Farcon & in America! Story(NJ). pp. 24-27. Armie Farcon
March-April 2016
– Colin L. Powell
AMATEUR DANCESPORT IN AMERICA
The JOURNEY in NOBLE
PURSUIT of EXCELLENCE ADM March-April 16 16-1.indd 1
28 USA World Team in Lithuania
Reflects on Competing WDSF
31 Senior, Junior Team Matches
Spark New Energy at Islanders
32 From A Champion’s Perspective
Treks 4,200 Miles to Riga, Latvia By Percell St. Thomass
38 26th Annual Manhattan Amateur Classic Rides New Momentum in Jersey City
41 ‘Lucky 13’ for Hacke & Hermanova WDSF Youth 10-Dance World
42 In the Heart of
Old World Vienna WDSF Adult Latin World Championship
44 USA Senior I Latin World Team Proves Strong Contenders in Spain
46 Ovations - Inspirations To Dance
Irsan Tisnabudi & Cami Tisnabudi
FRONT COVER: Competing at the Manhattan Amateur Classic NQE, Donovan Kirrane & Zhanna Sheyner (MA) won Youth Pre-Championship and Championship Smooth, placing 4th in Adult Pre-Championship Smooth. Photo Credit: Lisa Dubinsky.
“EXCELLENCE IS NOT AN EXCEPTION. IT IS A PREVAILING ATTITUDE.”
Countdown to Nationals 2016
USA Dance 2016 Nationals in Baltimore, April 1-3. Three days and nights, round-the-clock competitions, Pre-Teen I to Senior III, and attracting global competitors for four WDSF World Ranking Tournaments.
By Kristie Stovash
18 Ask The Dance Historian
Kevin Ladd
Lisa Dubinsky
BACK COVER: Final Countdown to the 36th annual USA Dance National DanceSport Championships in Baltimore, MD, April 1-3. Hosting four World DanceSport Federation Open World Ranking Tournaments – Adult Latin & Standard and Senior I Latin & Standard. In the Spotlight: Justin Lin & Sasha Dubinsky (MA), National Vice Champions Under-21 Standard, USA World Team members. Photo Credit: Lisa Dubinsky. CORRECTION: In the January-February issue: Katelyn Photopoulos, who performed at the Snowflake Ball, is from Pennsylvania, rather than Massachusetts. Missing caption for Page 47 NQE ad: American Smooth couple James Herbert & Sharon Jones (MA), Senior II, III ChampionshipSmooth, at the 2015 New England DanceSport Championship NQE. Photo by Ryan Kenner Photography.
March - April 2016
Official publication of USA Dance Inc. 2/23/16 9:29 AM
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regular contributors ANGELA PRINCE Public Relations Director
March-April 2016
Official Publication of USA Dance, Inc.
Angela Prince is the publisher/editor in chief of American Dancer Magazine. She has served as National Public Relations Director for USA Dance, Inc. since 2007. Her responsibilities include integrated communications, publicity, social media relations, sponsorship development, promotional support and brand management.
2016/Issue 59
Executive Committee: President – Peter Pover, FL Vice President – Ken Richards, DE Secretary – Marta Pascale, FL Treasurer – Scott Coates, FL VP, DanceSport – Stan Andrews, IL VP, Social Dance – Jean Krupa, FL DanceSport Rep – Inna Brayer, NY DanceSport Rep – Roger Greenawalt, IN
JEAN KRUPA
Social Dance Vice President Jean Krupa is the Social Vice President for USA Dance, Inc., and is serving her second three-year term of office. She is responsible for the programs, communications and a 11-district representation for 156 local chapters and its members.
Editorial Staff: Publisher/Editor In Chief Angela F. Prince Design and Production SPARK Publications sparkpublications.com Photography Advisor Carson Zullinger
KEN RICHARDS Senior Vice President
Advertising Angela F. Prince
Ken Richards is the newly appointed Senior Vice President of USA Dance. He has served as DanceSport Vice President since 2006, completing approximately four elected terms of office. As Senior Vice President, Ken assists the President and Governing Council on all priority areas of the national organization. Ken is also a twice-elected member of the Presidium of the World DanceSport Federation (WDSF) and a Licensed WDSF Examiner.
Printing Publishers Press, Inc. Subscription: American Dancer, the official publication of USA Dance, Inc., is published six times a year for the membership and is included in annual membership dues. Subscription cost to non-members within the USA: $25/year Submissions: American Dancer welcomes submissions of unsolicited articles, photos and other graphics. All submissions become the property of American Dancer magazine and are not returned to the sender. American Dancer reserves the right to edit all materials for space, content, grammatical and preferential reasons. Preferred method of editorial submissions is by written proposal to the editor who will initially review the story ideas and materials and make a final decision whether to request more information and/or publish. Submissions should be sent to americandancer@usadance.org with AMERICAN DANCER submission/name of sender/story header on the email subject line. Photo submissions must be high-resolution jpegs (minimum 300-600 dpi and preferably 2400 x 3600 pixels) and American Dancer retains all first-usage rights to submitted copy and photographs/digital images. PUBLISHER’S OFFICE: AF Prince Associates 704-888-3073 Email: AmericanDancer@usadance.org
CENTRAL OFFICE: USA Dance, Inc. 800-447-9047 Fax 239-573-0946 Email: central-office@usadance.org
MEMBERSHIP: Online registration or renewals at www.usadance.org WEBSITE: www.USADANCE.org NATIONAL SOCIAL MEDIA: Facebook: USA Dance, Inc. American Dancer Magazine Social Dancers USA Dance
Twitter: @usadanceinc LinkedIn: USA Dance Inc. YouTube: usadanceinc
USA Dance Chapter websites and Facebook pages are listed at www.usadance.org. © 2016 USA Dance Inc. All Rights Reserved.
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American Dancer | www.americandancer.org
USA DANCE, Inc. is the National Governing Body for DanceSport in the United States as recognized by the United States Olympic Committee, the International Olympic Committee and the World DanceSport Federation. With nearly 160 local chapters, soon to reach 17,000+ national members, from pre-teen to collegiate to seniors and an estimated outreach of more than 200,000, USA Dance is also the representative association for all social and recreational dancers in the country. Membership includes both social and DanceSport, pre-teen through senior, amateur and professional classifications.
MISSION STATEMENT:
To improve the quality and quantity of ballroom dancing in America.
American Dancer Magazine Wins Coveted 2014 MARCOM Gold Award for magazine excellence, one of the marketing communication industry’s most prestigious achievement awards.
P
resident’s Message
A
s I write, snow is falling in the North East, and four teams are fighting for a place in the Superbowl. Six weeks back in harness following a six-year retirement and being put out to pasture, and already the pieces are coming back together. I have found a great team in place, and I feel a great sense of pride to have the opportunity to work with these fine people. By the time you read this, our National Championships will be upon us. This will be an exciting weekend in a magnificent venue. Dancers will be competing not only for a National Championship, but also for the right to represent the USA in World Championships all over the world. But, in addition to seeing our national couples performing, you will also have the opportunity to watch international couples taking part in the World DanceSport Federation (WDSF) World Ranking Tournaments. Two age groups, Adult and Senior 1, will compete in Standard and Latin events. It will be a weekend to remember! This weekend, I will be asking the Executive Committee to offer Honorary Life Memberships to several long-term volunteers, who have given not years, but decades of their lives to this organization. These awards will be presented during the Championships. I will also ask the Governing Council to ratify my nominations of Ken Richards to fill the vacant Senior Vice President position, and Stan Andrews to replace Ken as DanceSport VP. Both of these gentlemen have given many years of service to USA Dance, and will provide the experience and knowledge to take us through to the elections at the end of this year. During the next few months, we will be looking at several opportunities to extend our activities on the West Coast, to bring World Championship programming to national television channels, and to improve, in real terms, the level of transparency, often promised yet seldom fulfilled. I have just attended a one-day competition run by a local chapter. As I watched – enjoying the dancing of these young people – I looked down at the program and saw that they were all Senior III couples! This was a reminder that ballroom dancing is a major contributor to physical and mental fitness, but also a painful reminder that I am now probably a senior six! I look forward to seeing many of you in Baltimore, and I will be available to anyone who wants to chat.
Peter Pover
National President USA Dance, Inc.
March - April 2016
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“The noblest search is the search for excellence.” — Lyndon B. Johnson
Milestones
USA DANCE RATIFIES APPOINTMENTS OF TWO GOVERNING COUNCIL POSITIONS Following the periodic resignations of four elected officers of the Executive Committee, the Governing Council of USA Dance moved to appoint the highest experienced candidates for the open positions to serve on behalf of the membership for the remainder of the third-year term of office, ending Dec. 31, 2016. In December, Senior Vice President Peter Pover succeeded to the position of National President of USA Dance, following the resignation of former President Yang Chen. While the Governing Council was assisting with the independent annual audits and other financial reports, and in consideration of the priority schedules and mission ahead for the organization and in full compliance with the USA Dance Bylaws Article IV.B, President Pover in early February recommended to the Governing Council two appointees who had extensive national-level experience to serve on the Governing Council -- Ken Richards as the new Senior Vice President and Stan Andrews as DanceSport Vice President. On Feb. 2 by an official email vote, the Governing Council members unanimously ratified both appointees to serve for the remainder of the election term of office, ending Dec. 31, 2016.
About Ken Richards, Senior Vice President: Ken Richards is a professional ballroom and latin dance instructor and studio owner in Delaware with a previous career in advertising and marketing. He served as the USA Dance National Director of Publicity prior to being elected DanceSport Vice President, a position he has held for nearly four terms since 2007. Ken is also an elected member of the WDSF Presidium and was recently certified as one of North America’s first two WDSF Technical Examiners. About Stan Andrews, DanceSport Vice President: Professionally, Stan Andrews is a chemist for Archer Daniels, Midland, IL. He has served two terms as USA Dance National Secretary and Senior Vice President, as well as serving in Chair positions for the DanceSport Council. He was a Chapter President and Vice President for the Louisiana Gumbo Chapter and served as Regional Vice President for the South Central Region. Stan is a DanceSport competitor.
USA DANCE UNIVERSITY
FIRST ATHLETE TRAINING CAMP Nationals 2016 Preparation Weekend
All Photos By Lisa Dubinsky. Nationals 2015.
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The concept for USA Dance University has been in the works for several years, the brainchild of Ken Richards and the DanceSport Council. With the USA Dance National DanceSport Championships in Baltimore fast approaching, April 1-3, the timing proved ideal to organize the first trial training camp of the new educational arm of the USA Dance organization. Announcing USA Dance University’s Nationals Preparation Weekend, an inaugural two-day training camp intensive, to be held the weekend before Nationals, March 26-27, at Todos Dance & Fitness Studio in Natick, MA. At press time for American Dancer,
American Dancer | www.americandancer.org
the registrations had already exceeded 100 athletes and were still coming in. USA Dance seeks to bring affordable training to its members. Cost of the Training Camp is only $25 per participant; $20 if Collegiate with a valid school ID. Website: www.usadancecamp.com. Although competitors qualified to dance at Nationals are expected to be the large participant group, the training camp is not restricted to just athletes who qualified in the top 65% to dance at Nationals. It can be social or competitive dancers of any level who’d like to receive training and advice from the top DanceSport educators and trainers. Nationals Preparation Weekend is bringing to the “bootcamp floor” 15 world-class instructors offering focused classes in all four styles of DanceSport – American Smooth & Rhythm and International Standard & Latin. In addition, there will be seminars, fitness and endurance training, simulations and
World DanceSport Federation Announces Certification of Ken Richards, Viktoriya Drubetskaya as WDSF TECHNICAL Examiners
Ken Richards (DE)
Viktoriya Drubetskaya (NY)
In November 2015, the World DanceSport Federation’s DanceSport Academy welcomed 10 candidates to Ljubjana, Slovenia for the first-ever WDSF Technical Examiner’s Course and Exam. Seven countries were represented -- Russia, the Netherlands, Finland, Lithuania, Latvia, Serbia and the United States. The WDSF proudly announces that two participants from the United States passed the three-day course and examination and are now officially certified as WDSF Examiners -- Ken Richards of Delaware and Viktoriya Drubetskaya of New York. As a result, Mr. Richards and Ms. Drubetskaya have become the first WDSF Technical Examiners in the Americas. For three elected terms. Mr. Richards served as DanceSport vice president for USA Dance, a professional dance instructor and studio owner. Ms. Drubetskaya is well-respected adjudicator and dance professional in the USA. The primary purpose of the WDSF Technical Examiners Course is to upgrade the technical entry standard for all future WDSF trainers and new applicants for WDSF Adjudicator’s License, as well as offer a structured certification system through WDSF for all member bodies. (There are currently 92 countries around the world designated as WDSF member bodies to govern DanceSport in their countries.) WDSF Certified examiners can officially conduct WDSF Technical examinations in Standard and Latin for candidates from any WDSF member body. Mr. Richards further recognized that Universal Ballroom Dance Center in New Jersey, studio owned by Adjudicator/ Instructor/Invigilator Sandra Fortuna, has become the first dance studio in America to adopt exclusively the new WDSF syllabus for all instruction and programs.
competitions; and opportunities for elective private training and coaching. The professional dance instructor line-up on the schedule includes: Glenn Weiss, Russ Wilder & Katusha Wilder, Randy Dias, Steven Mesh, Viktoriya Drubetskaya (also WDSF Technical Examiner), Renata Shvarts, Vladimir Karpov, Genadi Kijnyer, Lev Vesnovskiy & Yelena Vesnovskiy, Jackie Becker, Perry Herman. Additional professionals in fitness training include Genny Favero, Dirk Heidemann and Catia Vanone.
“Being an athlete, you know how to train and prepare your body for a performance and you’re able to do it under pressure.” — Kristi Yamaguchi, Olympic 5-Time Gold Medalist
WDSF EXAMINER’S CERTIFICATION PROGRAM IN SLOVENIA The World DanceSport Federation Technical Examiner’s Course content is based on the WDSF Technique Books, one each for the Standard and Latin dances. Each book contains general and specific principles unique to each dance. The final examination consists of three modules -- a written technical exam, and practical exams in both Standard and Latin. In Slovenia, the WDSF Technical Examiner’s Course occurred over a three-day period. During the first two days, the participants were instructed on all the new nuances of the WDSF Technique Books and how they were developed. In Slovenia, the Latin section was led by Natasha Ambroz of Slovenia and Standard by Fabio Bosco of Italy. On the third day, the exams were taken. During the Course lectures, the participants danced with other participants, while exploring the new updated steps of the WDSF Syllabus. They also learned about the scientific studies conducted in the course of writing the Technical Manuals, along with the history and objectives behind the books. As Viktoriya Drubetskaya explained, “The lecturers were deeply knowledgeable not only in the new WDSF books, but also in history of what came before such as ISTD and Walter Laird technique books. In fact, the books themselves were written with a great respect of what came before, but also with the new influences included.” For dancers interested in learning more about the differences, the new WDSF Standard books include new sections describing in detail Rotation, Extension, Sway, Rise and Fall; while Latin includes innovations in describing Couple Position, Hip Design and Actions and Upper Body Actions. USA Dance acknowledges that both of its candidates participated at their own expense to bring this new knowledge back to the USA and become the genesis of a new examination system inside of the proposed new USA Dance University.
March - April 2016
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Milestones
Thursday, March 31
WDSF ADJUDICATOR’S CONGRESS IN BALTIMORE
Continuing Commitment in USA to Education, Certification
In Baltimore, one day prior to the USA Dance 2016 National DanceSport Championships, USA Dance, will host the World DanceSport Federation’s annual Adjudicator’s Congress. This important 10th annual WDSF Congress will be held at the Marriott Renaissance HarborPlace Hotel on Thurs., Mar. 31 and is part of the WDSF’s continuing commitment to both education and the official certification of adjudicators within the United States. Guest lecturers will be WDSF Adjudicators Marina Ferrari (Italy) and Glenn Weiss (USA). WDSF-licensed adjudicators and new applicants may attend the seven-hour Congress and will be required to take a General Knowledge (GK) Test and an English Comprehension Test at the end of the session, both required for adjudication in the United States. New adjudicator applicants must pass these tests in order
to apply for the official WDSF license. Existing license holders must pass the test once every two years. For the first time, the WDSF Congress will be open to observers, who may attend if nominated in advance by a WDSF member. Observers will essentially audit the seven-hour session without participating in discussions or taking the GK or English Comprehension Tests required of official participants. The WDSF Adjudicator’s Congress traditionally covers the requirements of the WDSF Judging System 2.1 and the Performance Assessment Standard (PAS), which defines the standards of judging and provides a guide to the scoring method. Other essential topics will include the Code of Conduct and the Criteria of Judging based on the key four components – Technical Qualities, Movement to Music, Partnering Skill and Choreography and Presentation.
WDSF CONGRESS AGENDA – March 31, 2016 10:00 am: Registration 10:30 am: Development of WDSF Judging System and Judging Components - Marina Ferrari 11:40 am: Updates on adjudicator’s Code of Conduct Marina Ferrari 12:30 pm: Mini-break 12:45 pm: Analysis of Performances of Standard Dances Glenn Weiss 2:15 pm: Lunch Break 3:00 pm: Analysis of Performances of Latin Dances Marina Ferrari 4:45 pm: Mini-break 5:00 pm: WDSF GK Test - Ken Richards 5:50 pm: English Comprehension Test (new applicants) Ken Richards 6:15 pm: End of Congress Participant entries submitted by WDSF Member Bodies by email to office@worlddancesport.org at least 14 days prior to the Congress. General Inquiries To: Ken Richards, USA Dance Senior VP: senior-vp@usadance.org Adjudicator’s Congress 2015
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Carson Zullinger
American Dancer | www.americandancer.org
WDSF-Licensed USA Adjudicator Judging Opportunities
USA Dance National Qualifying Events, WDSF World Ranking Tournaments from Manhattan Amateur Classic, Jersey City
Ryan Kenner Photography
Lisa Dubinsky
WDSF Open Championships, Grand Slams from German Open Championships, Stuttgart
Lisa Dubinsky
USA Dance National DanceSport Championships from Senior II Championship Latin Finals, Baltimore
Carson Zullinger
VOLUNTEERS NEEDED for 2016 USA DANCE NATIONAL DANCESPORT CHAMPIONSHIPS April 1-3, 2016 Marriott Renaissance Harborplace Hotel 202 East Pratt St., Baltimore, MD 21202 We need volunteers to help with the Registration Desk, Ticket Sales, Deck Area, Door Monitoring, Judges Room, VIP Service Area and to work as Ballroom Floor Monitors and Anti-Doping Walkers for this event. Volunteers will receive a Day Session ticket for each 4 hours worked, an Evening Session ticket for each 8 hours worked, or a Competitor Entry for each 12 hours worked If you would like to volunteer, please contact our volunteer coordinator at volunteer@usadancenationals.org
WDSF World Championships & Cups from Senior I Standard World Championship, Prague
Jonathan Medlin
Please volunteer and help us host the most successful National DanceSport Championships ever!
March - April 2016
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INVIGILATION Big Word With
Ryan Kenner Photography
A Purpose.
ENFORCING THE RULES FOR FAIR PLAY IN THE MEDAL – LEVEL COMPETITIONS By Sandra Fortuna, Adjudicator/Invigilator Invigilation – a big word with an important meaning and important purpose. Invigilation is intended to prevent cheating. It is intended to encourage dancers to keep moving up the grades, having learned the basics and foundation figures, elements, and strategies that apply to competitive dancing. By now, with recent efforts of USA Dance, competitors and their teachers know Invigilators will likely spot medal-level dancers who choose to use brilliant interpretations of figures, clever rhythmic applications, fun and tricky combinations of parts of figures and call those dancers on infractions. Think of the Invigilator as the umpire or referee, enforcing the rules for fair play in the medal level competition events. What are the rules? There are three restricted levels in our competitions: bronze, silver, gold. There are three more non-restricted levels: novice, prechamp, championship. We are supposed to dance only approved syllabus figures in medal-level competition. All the tricky stuff belongs in the unrestricted levels. There is much resistance and misunderstanding about the “basics”, the “step list’’, the “allowables.” The Invigilator is supposed to be sure that dancers don’t cheat by dancing above their entered medal level, by using figures that are more fun, more difficult, more eye-catching. How does that support the evolution and development of ballroom dancing competition? Invigilation and the requirement for medal-level dancers to learn and use the foundation material for their particular dance discipline, promotes progression. In an activity that already is susceptible to fads and extremes, consistency and a clearly defined progressive foundation is paramount to authenticity, public appeal and constant development. Appreciate the intent and benefits of learning the material Invigilators approve at USA Dance events: 1. I t pushes the better and more able dancers up to the next medal level more quickly. 2. I t keeps the lowest grade open and inviting to real beginners. 3. I t keeps the language of dancing clear; in language, the words should have a consistent meaning. 10
American Dancer | www.americandancer.org
Lisa Dubinsky Ryan Kenner Photography
Manhattan Amateur Classic 2016
4. I t gives lower level dancers a tangible goal. 5. I t encourages teachers to all know the same basics. 6. I t makes mixing and matching new partnerships easier and more successful. 7. I t gives dancers a foundation to use when they are ready to share their skills and expertise by becoming teachers. 8. I t’s the first step to becoming a certified judge. When a teacher gives his medal-level dance students material that is compliant with the rules of USA Dance, he demonstrates a level of caring and respect for the student and for the organization. Sandra Fortuna is a former professional ballet dancer, has a BA in Dance, and a wealth of experience and success as a performer, competitor and trainer. Along with Dan Calloway, she is Co-Chair of USA Dance’s Invigilation Committee and will be working to clarify the do and don’ts for medal-level competition.
“When I step onto the dance floor, I do not become someone else. I do not seek to escape who I am or the world around me.”
MAGIC CARPET IN MY LIFE By Kristie Stovash
“L
et’s give a round of applause for our next performers, Kristie and Daniel!” We lock eyes for a short moment before making our way arm in arm onto the dance floor. The stage lights beam down on my bright red Latin dress and each crystal that I hand-glued onto it reflects the light even more vibrantly with each turn as I spin into place. The next 10 seconds before the music begins feels like a lifetime. The only sound I can hear is my heart pounding in my chest, the sound of adrenaline building up inside of me. Peering out into the darkness that covers the large audience, my nerves begin to take over, forcing me to glance down at the floor uneasily. My eyes focus in on the way the wooden planks of different shades come together to create the perfectly golden color of the floor. An overwhelming sense of peace overcomes me as the awareness of where I stand returns. I am on the dance floor; I am home. The music begins and instantly every muscle in my body surrenders to the song. The dance floor functions like a magic carpet in my life in the sense that the exhilaration and learning experiences I encounter there are not limited to a specific geographic location. I can be anywhere in the world and still experience the magic it gives as long as I am purely on a dance floor. Whether I am training on my studio’s dance floor or dancing on a performing arts center stage – physically being on the dance floor enables me to enter my most content state of being. When an audience watches me dance, they are given glimpses of my heart and soul with each dance step I perform. Behind each spin and dip they see lies countless hours of practice on the dance floor where I learned vital life lessons as the steps were perfected. Without teamwork, ballroom dancing is nearly impossible. Both partners must work together to maintain the correct body frame and move as one. Through the process of working with my partner to match stride lengths and body styling for each step, I have learned that compromise and communication are essential to attain shared goals. The dance floor is the place where I developed perseverance because I have come to understand that I cannot always do a step correctly within one practice. It often entails many hours of hard work to make a movement look effortless to the music, but it is within those hours on the dance floor that I find myself fulfilled. My desire to be challenged is quenched as I learn new dances that require athletic ambition and mental tenacity. I can never be bored while on the dance floor because I know that there is always room to improve. As a dancer, I strive for perfection but have grown to appreciate mistakes as a part of a never-ending learning process. The mistakes I make while training on the dance studio floor mark my growth
Daniel Longacre & Kristie Stovash at Ballroom Blitz DanceSport, 2014
Decadance/Tony Eng
as a dancer and a person and help influence my next performance on the stage floor to be even better than the last. Many performers describe what they do as an escape from reality in which they become an alter-ego when they walk onto a stage. When I step onto the dance floor, I do not become someone else. I do not seek to escape who I am or the world around me. Each stair step leading up to the stage brings me closer to entering my truest and most authentic being, where I am inhibited by nothing. A performing member of the USA Dance Orlando Chapter 6002, Kristie Stovash has been ballroom dancing for 8 years and trained at the John Parnell Dance Studio. Now attending the University of North Carolina at Chapel Hill, she is a member of the collegiate ballroom dance team.
March - April 2016
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C
over Story
SPORTofDANCE
the IN
AMERICA
IN PURSUIT OF EXCELLENCE & THE FREEDOM TO PARTICIPATE
D
Lisa Dubinsky
ance as Sport was officially recognized in 1997 by the International Olympic Committee in its 106th session. This historic moment for the dance and sports industries was just the beginning of what has become an inspiring personal journey of opportunity for athletes around the world. The athlete’s DanceSport journey is guided foremost by the fundamental ideals of Olympism – fair play, perseverance, respect and sportsmanship. And the global pursuit of the Olympics has gained strong support and momentum, but unfortunately, not without opposition, as there are some organizations and individuals, more politically motivated, who have sought to diminish the value of the pursuit, rather than recognizing that whether the Olympic dream becomes a reality or not, the DanceSport athlete’s pursuit of excellence and enrichment through dance is the worthy journey in itself. Global acceptance for DanceSport resulted from collaborative efforts of the World DanceSport Federation (formerly
the IDSF) and leaders of its member countries, which today numbers 92. It was August of 1994, when USA Dance President Peter Pover, in company with then IDSF Treasurer Rudi Baumann met in Lausanne with Gilbert Felli, the IOC Sport Director. This meeting resulted in the 1995 provisional recognition of DanceSport as a sport, leading to the milestone IOC recognition in 1997. Hence, the IOC designated the WDSF the Global Governing Body for DanceSport. And in the United States, the U.S. Olympic Committee recognized USA Dance, as the National Governing Body for DanceSport. When USA Dance was first formed in 1965 as the U.S. Amateur Ballroom Dancers Association (USABDA), its leaders at that time actually had a single mission – to bring competitive ballroom dancing to the Olympics. From that point forward, the USABDA founders realized the opportunity to unify amateur and social dancers throughout the U.S. and create chapters and events to expand worthy programs and opportunities.
Milestones for DanceSport: Let The Games Begin! DanceSport as Medal Sport at 11th Annual World Games 2021. Just six years away, under the patronage of the IOC and organized by the IWGA, the multi-sport World Games 2021 will be held in Birmingham, AL. More than 25 sports – including DanceSport – will be official Medal Sports. There will be approximately 100 countries and 4,500 athletes in attendance, and USA Dance will select the athletes for the USA World Games Team and USA Adjudicators.
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DanceSport was also a Medal Sport at The World Games 2013 (Cali, Colombia), The World DanceSport Games 2013 (Taiwan), the Asian Games 2010. DanceSport was an exhibition sport in the Olympics in Sochi Games 2014 and Sydney 2000.
American Dancer | www.americandancer.org
The Tokyo Games 2020 decision to create a Young Athlete’s Project is an inspiring step taken by the Olympic Games Athletes’ Commission, as these efforts serve as a model for all sports organizations and leaders who want to connect with, inspire and empower young athletes for positive change in the world. “The goal of the Olympic Movement is to contribute to building a peaceful and better world by educating youth through sport practiced in accordance with Olympism and its values.” Resource: www.TeamUSA.org
COUNTDOWN BALTIMORE - APRIL 1-3, 2016
USA DANCE NATIONAL DANCESPORT CHAMPIONSHIPS A year in the making and celebrating its 36th year, the USA Dance 2016 National DanceSport Championships will proudly present America’s top 65% DanceSport athletes on the floor, round the clock for three consecutive days, April 1-3, at the Marriott Renaissance HarborPlace Hotel. Approximately 1,200 athletes are expected to compete in six styles of DanceSport – International Latin, Standard and 10-Dance and American Style Rhythm, Smooth and 9-Dance – for age groups Pre-Teen to Senior III, and in all proficiency levels. Competitors, ranging from age 5 (the youngest yet) to dancers in their 70s, will showcase their finest athletic and artistic talents, vye for National titles in their divisions, and, for some, a place on the USA World Teams that compete at the upcoming. WDSF World Championships and World Cups. The USA Dance Senior IV National Championships were held Feb. 20-21 in Bethesda, MD at the Mid-Atlantic Championships, NQE. The Senior IV Championship division results will be featured in the May-June issue of American Dancer, along with the Championship results from Baltimore. Special highlights of Nationals this year will be the four WDSF World Ranking Tournaments scheduled during the evening sessions – Adult and Senior I Latin on Friday, Adult Standard on Saturday and Senior I Standard on Sunday. These global tournaments will be judged by the WDSF-licensed adjudicators from the USA, Canada, Chile, Finland, Italy and Ukraine. Many of the world’s top DanceSport couples in Latin and Standard International Style have been invited to compete, which, as Ken Richards, USA Dance Senior Vice President, explained, will prove some of the most dynamic to watch. USA Dance is pleased to announce that the 2016 Nationals judging panel is comprised of the USA’s top certified adjudicators (see list p.15), all with priority consideration for fair play and sporting principles. Invigilation for syllabus events, anti-doping rules and costume rules will be strictly regulated at Nationals. (See pp. 14-15 costuming, anti-doping and adjudication). More information regarding tickets, registrations, accommodations or sponsorships, please visit www.usadancenationals.org.
Carson Zullinger
AMERICA’S TOP 65% at Nationals
DanceSport couples on the floor at USA Dance Nationals have placed in the Top 65% of their Division at one or more USA Dance National Qualifying Events during the 12 months prior. Exceptions are automatic qualification for couples who compete at an NQE in a division not offered at all seven NQEs.
Carson Zullinger
Future of DanceSport in America
THE FREEDOM TO PARTICIPATE
As event organizers, coaches, teachers, parents and supporters of DanceSport athletes of all ages, our messages focus less and less on the singular goals of winning and more on the athlete’s total experience – the potential journey of a lifetime. We encourage athletes of all ages and ability levels to pursue attainable ideals and priorities -- fair play, good sportsmanship, perseverance, the pursuit of excellence, character building, the value of strong minds and bodies, teamwork, charity to community. . . and more. We believe that the Freedom to Participate in dance or DanceSport in America is an inalienable right that must be instilled and protected – no different from the basic freedoms upon which our democratic country was founded. As dancers, teachers, adjudicators, officials and patrons, we individually have the freedom to choose the journey.
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C
over Story
ASK THE COSTUME GUY COSTUMING RULES & REGULATIONS IN THE BEST INTEREST OF DANCERS By Todd Kirrane, DanceSport Observer, aka “The Costume Guy” While volunteering in the on-deck area two year’s ago at the National DanceSport Championships, a pre-teen competitor asked my son if he was Todd Kirrane’s son. A second pre-teen dancer asked the first one “Who is Todd Kirrane?” To which the first dancer replied, ‘He’s the destroyer of children’s dreams everywhere.” Yup, that was me. And I’m still the costume guy. Now, I get a chuckle out of that every time, especially since I know so many of the dancers and parents, but sadly this is how the on-site DanceSport Officials (commonly known as ‘The Observers’) are often looked at by parents, dancers, coaches, organizers, and even some judges, when we enforce the dress code and other rules at competitions. But what I know, and hope they someday realize, is that by enforcing the DanceSport rules at competitions, we are not only protecting the athletes, but we are also playing an integral part of bringing DanceSport to the Olympics. The United States Olympic Committee has embraced a holistic set of principles that allow American youth to utilize sport as a path toward an active and healthy lifestyle, and create opportunities for athletes to maximize their full potential. Costuming regulations, although seemingly restrictive, are created to preserve and foster the healthy development, well being and reputation of the children who choose to dance competitively. USA Dance executive leadership and the DanceSport Council, all who have been dancers or have parented children who dance, believe it is not a responsible practice to put young children into high heels while their feet are still developing, nor do they believe heavy adult-like make-up and costumes that mimic adult costuming (especially those for latin/rhythm dancing) is a healthy practice. Sequins, rhinestones, elaborate mesh and cutaway panels and
Observers Myra Coffield and Todd Kirrane “The Costume Guy”, at the Manhattan Amateur Classic, National Qualifying Event for USA Dance Nationals. Lisa Dubinsky
other adornments, no matter how attention getting on the floor, make children appear more like pageant contestants than developing athletes participating in the sport of competitive dance. Such practice can cause event organizers, coaches, instructors and parents to be misunderstood as to their purpose and pursuits. So, it is the job of “The Observers” to make sure that the emphasis is placed on the holistic development of the athletes and their skills as dancers…and not on their costumes.
There are important costume changes/allowances for 2016. See USA Dance Rulebook: http://usadanceorg/dancesport/ Any Further Questions? Don’t Risk Waiting Until Nationals. Ask The Costume Guy: Todd Kirrane at toddmkirrane@gmail.com
‘PLAYING TRUE’
SUPPORTING ‘THE PURSUIT OF ATHLETIC EXCELLENCE THROUGH NATURAL TALENT’ In strict compliance with the World Anti-Doping Agency (WADA) vision of a world where all athletes compete in a doping-free sporting environment, USA Dance, member organization of the U.S. Olympic Committee and the World DanceSport Federation, strives to establish a level playing field in the sport of ballroom and latin dancing in America. At the USA Dance 2016 National DanceSport Championships in Baltimore, April 1-3, as in years prior, USA Dance will randomly test DanceSport couples upon 14
completion of their final rounds to ensure that they, as athletes, are, in the words of WADA, concentrating “on the pursuit of athletic excellence through their natural talent” – in other words, “playing true.” Chair of the USA Dance Anti-Doping Committee is Amy MacDougall. She is a helpful resource to USA Dance athletes and encourages all athletes, adjudicators, coaches, officials and even social dancers to explore the www.usada.org resources online to understand the importance of athletes “playing true.”
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USA Dance 2015 Nationals Lisa Dubinsky
IMPORTANT NOTE TO ALL ATHLETES: Athletes, parents, coaches and others should review the substances banned on the WADA Prohibited List and should consult the AntiDoping section of the USA Dance DanceSport Rulebook 4.4, Section 4.42, available online at www.usadance.org. If any athlete, for medical reasons, is using a substance on the WADA Prohibited List, he/she must complete a Therapeutic Use Exemption (TUE) form and acquire final approval 30 days in advance of Nationals. This procedure is further detailed on the National Anti-Doping Agency’s website at www.USADA.org under the Athlete Tab.
THE CHAIR OF JUDGES:
BEHIND THE SCENES PROBLEM SOLVER, SO COMPETITIONS RUN ‘WITHOUT A GLITCH’ By Renata Shvarts, Chair of Judges, USA Dance 2016 Nationals
E Carson Zullinger
Crowning Champions – Adult Smooth Champions
USA DANCE NATIONAL CHAMPIONSHIPS
PROUDLY ANNOUNCES THE OFFICIALS LINE-UP 2016 Daniel Calloway, Nationals Co-Chair, MD Renata Shvarts, Nationals Co-Chair & WDSF Chair, NJ Inna Brayer (A+B+C+D+ & WDSF) NY Joan Cayuela (A+B+ & WDSF Chile) CHILE Daniel Dilley (A+B+C+D+) IN Sergey Dorogovtsev (A+B+ & WDSF Ukraine) UKRAINE Viktoriya Drubetskaya (A+B+C+D+ & WDSF) NY Dana Edwards (A+B+C+D+) OH Marina Ferrari (A+B+ & WDSF Italy) ITALY Sandra Fortuna (A+B+C+D+ & WDSF) NJ Stephan Hadley (A+B+C+D+ & WDSF) AL Vladimir Karpov (A+B+C+D+) NY Anya Klimova-Preston (A+B+) OR Trevor Luff (A+B+C+D+ & WDSF) CA Elena Nikon (A+B+ & WDSF Canada) ON Kimberly Smith (A+B+C+D+ & WDSF) AL Philip Stevens (A+B+C+D+) TX Irina Trebunskaya (A+B+C+D+) CA Glenn Weiss (A+B+C+D+ & WDSF) CA Ekatrina (Katusha) Wilder (A+B+C+D+) NJ Yuehwern Yih (A+B+C+D+) IN Karita Yli-Piipari (A+B+ & WDSF Finland) FINLAND Ronen Zinshtein (A+B+C+D+ & WDSF) MA Scrutineer
Music Director
Mark Tabor, TX
MB Music Services, NJ
Emcee Brad Morrison, MA, Diane Samuelson, VA DanceSport Official Team: Pamela Leitch, OR Myra Coffield, MD
Daphna Locker, NY
Todd Kirrane, MA
Tom Osterland, MA
very DanceSport competition around the world needs the same handful of specialists to be successful -- a Scrutineer to calculate scores, a Registration team to register and check in competitors, a Music Director to play beautiful music that is correct and inspires the dancers, a Master of Ceremonies to emcee, qualified Judges that work all day comparing couples and choosing winners …and a Chair of Judges, whose role is less understood. The Chair of Judges is probably the most mysterious person at the competition, working behind the scenes, but there is an important reason why every competition needs a great one. It might sound shocking, but the chair thinks of their job more like a sheriff or a king or queen reigning over the competition: the Chair becomes the most important authority who answers only to the organization that he or she represents. Once the Chair is hired by the organizer, he or she then assumes all the responsibility and final authority, relieving the organizer from those roles, even though the organizer hired the Chair. Before the start of the competition, it is the responsibility of the Chair to make the schedules for all the judges. That’s actually not an easy task, when you have 10 to 30 judges. A Chair has to ensure a fair schedule so all judges have sufficient breaks through the day, sufficient time to eat, and more or less an equal amount of working hours. Throughout the competition, the Chair needs to make sure everything runs on time, and that all the organization’s rules are followed by both competitors and judges. If there is any problem, it is up to the Chair to find solutions. And the word of the Chair is the final word. The Chair can never judge the competition while chairing. In the USA Dance organization, the only authority over the Chair is the competition’s designated Observer, who is present at every National Qualifying Event and at the National Championships. Within the WDSF organization, the Chair there performs like the Observer and upholds the Laws of the WDSF. After the competition is over, the Chair prepares a final report to the organi-
zation, noting all the pros and cons of the competition, any incidents, all broken rules if there were any, and then makes constructive suggestions for improvements. Renata Shvarts Interestingly, when a competition appears to be running smoothly, that means that Chair is able to handle problems in a very fast, effective way, because, in reality, all competitions have problems or “glitches”. In the past year alone, when I was chairing some of the largest events in the country, unexpected problems included a complete loss of internet connection that created problems with registration, on-deck and scrutineering. This is what I call “the world is about to end” problem, because it puts a complete halt on the entire competition – most challenging, when the competition rules requires the events not to be off schedule by more than 30 minutes. Smaller problems can arise when the scrutineering system stops working because of a computer problem and all judges must stop using their hand- held device and go to pen and paper. A few times, I even had to help calculate scores by hand while the Scrutineer was fixing the computer. Other unexpected situations were when two false fire alarms caused evacuations of the ballroom and an easy 30 minutes of lost schedule. The more minor problems are responding to complaints, judges late to their session or when couples are disqualified for a reason. In the USA Dance organization, there are three certified Chair of Judges – Dan Calloway, Sami Yli-Plipari and myself. We are the three “tough guys” whose reward is solving the problems and knowing the competition has the outward appearance of running “without a glitch.” Renata Shvarts is a WDSF World Class Adjudicator, WDSF Chair of Judges, President of the Junior Athletes Dancesport Association (JADA) and member of PAN AM, USA Dance and the NDCA. She owns Basic Ballroom Dance Studios and is organizer of the Islanders Dancesport Challenge (Staten Island, NY) and the Liberty Ball (Philadelphia).
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ADJUDICATION AT THE TOP LEVEL ‘Freedom To Participate’ Policy Defines, Inspires Leadership Role for USA Dance, Adjudicators Around the World
The USA Dance Freedom To Participate Policy: “USA Dance, as the National Governing Body for DanceSport in the United States, in accordance with the Amateur Sports Act and the rules and regulations of the U.S. Olympic Committee, believes that all athletes should have the opportunity to participate in DanceSport competitions of their choosing, and, contrary to any misinformation, USA Dance has never in the past, nor has any intention in the future, of limiting or restricting its member athletes from participating in any DanceSport competition held in the United States, the Americas or any other country abroad. “Furthermore, USA Dance extends the same ‘freedom to participate’ policy to any and all persons employed or volunteering to work as a DanceSport official. This includes, but is not limited to, all emcees, music directors, scrutineers, invigilators and certified adjudicators in the dance industry. “And in accordance with the laws of the United States, USA Dance, adhering to its mission and leadership role in the industry, will not restrict the flow-of-trade nor the right-to-work of any individual within or in conjunction with any dance organization, dance event or related activity, of his or her choosing.”
current and former USA Dance National Champions and World Team Members. Outside of competitive dance, he has been a guest choreographer for “So You Think You Can Dance” and is described as “one of the best teachers in the world” by Mary Murphy, a ballroom champion and former judge on the show.
SANDRA FORTUNA (NJ)
National Certified Adjudicator A+B+C+D+E+ USA Dance Invigilator WDSF “B” Class Adjudicator
USA DANCE WHO’S WHO Photos by Lisa Dubinsky, Manhattan Amateur Classic 2016 Copy by Todd Kirrane
GLENN WEISS (CA)
National Certified Adjudicator A+B+C+D+E+ WDSF-PD Adjudicator WDSF “A” Class Adjudicator
Weiss
Glenn Weiss, native of Denmark, is a National Certified Adjudicator with USA Dance, a WDSF “A” Class Adjudicator, and a WDSF Professional Division Adjudicator, who has been invited to judge at the most prestigious National, International and World 16
Championships. When not judging, he travels throughout the world as one of the most highly sought after Standard coaches within the DanceSport industry today. As a competitor, Glenn is still regarded as one of the top DanceSport athletes to ever come out of Demark winning his first National title at the age of 8, Nordic Champion every second year since age 8, and crowned European Champion at age 16. As an adult, his competitive achievements include World Amateur Modern Champion, World Professional Modern Finalist, two-time World Champion, Blackpool Champion, International Champion, European Champion and UK Champion. As a coach, Glenn has raised some of the world’s top DanceSport athletes including
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also participated as a coach and choreographer for several major television productions including “Dancing with the Stars,” “Strictly Come Dancing,” BBC’s “Dancing on Wheels,” and TLC’s “Dancer With the Tiny Legs.” As a coach, her students have achieved high placements in many national and international competitions, and she is a pioneer in the Wheel Chair Division, coaching the first wheel chair couple to represent the United States at the European IPC Championships. Off the competitive dance floor, she is actively involved in promoting dance as a healthy activity in the Haddonfield School District. She holds a B.A. degree in dance from the Butler University Jordan College of Music.
DANIEL CALLOWAY (MD) Fortuna
Sandra Fortuna is a National Certified and WDSF Adjudicator holding fellowship level accreditation from the NADTA, United States Terpsichore Association, and the United States Imperial Society of Teachers of Dancing. She is highly regarded as one of the most knowledgeable coaches in the United States, when it comes to syllabus technique and has recently accepted a position as the Co-Chair of the USA Dance Invigilation Committee. As a professional dancer, Sandra holds numerous titles and was not only a finalist in most major competitions in the Latin and Theatre Arts Division, but also danced professionally with the Philadelphia Opera Ballet and Jordan Ballet. She has
National Certified Adjudicator A+B+C+D+E+ USA Dance Chairman of Judges, Invigilator WDSF-PD Adjudicator WDSF “A” Class Adjudicator
Calloway
In 1985, Daniel Calloway became the youngest dual fellow in the world with highly commended fellowships from the Imperial Society of Teachers of Dancing. Today, he is a National Certified Adjudicator and
Certified Invigilator with USISTD fellowship-level certifications in all styles of dance. His knowledge and charisma has made him one of the most popular trainers for professional and amateur dancers seeking their national certifications from the ISTD, and he has recently accepted the position as Co-Chair of the USA Dance Invigilation Committee. Before his successful career as a coach and adjudicator, Dan and his wife Silke (Nowak) Calloway enjoyed great success on the competitive dance floor as amateurs and professionals in the Latin, Standard and TenDance divisions. Titles and achievements include North American Rising Star Latin, Yuletide Ball Professional Latin Champions, Eastern United States Rising Star Latin Champions, Virginia State Rising Star Standard Champion, two-time United States Professional 10-dance Grand Finalists, and Asian-Pacific Professional 10-dance Grand Finalist. Dan is currently the coach for the Georgetown University and the University of Maryland collegiate DanceSport teams and regularly travels the country as a guest coach and lecturer. Off of the competitive dance floor, he has over 20 appearances on television as both a performer and expert commentator and performed at the White House for President and Mrs. Obama. He has a B.A. degree in Philosophy and Religion from Bridgewater College and a M.A degree in English Literature from Washington College.
Judi Chapman
Olympic Day – Orlando (FL) Chapter 6002 Giving Dance Inc. Swing Team performing at a local mall in Orlando.
OLYMPIC DAY CELEBRATION USA DANCE CHAPTERS PROMOTE PHYSICAL FITNESS THROUGH LIFE By Lydia Scardina, National Past President, USA Dance
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t is time for USA Dance Chapters to start planning an Olympic Day celebration, which helps solidify DanceSport’s inclusion as part of the Olympic Movement and encourages the concept of physical fitness through life. Olympic Day is a world-wide celebration that takes place from May 21 to June 30 of each year. The USOC provides informational materials and a template to all who sign up to host an Olympic Day celebration. USA Dance chapters have organized successful Olympic Day events at shopping malls that have included presentations by Olympians and dance demonstrations by chapter members. Chapters have also held Olympic-themed social dances. Over the years. Olympians from a variety of sports have made presentations at USA Dance Olympic Day events, including figure skaters, track and field athletes, rowers, swimmers and a number of Paralympians. All have unique stories to tell about their struggles as they worked their way to the top echelons of their sport, and they are happy to share their inspirational stories with an appreciative audience.
Mark Scardina
Olympic Day - Nor-Cal (CA) Chapter 4004 Tyler Li & Anjelica Lowe performing at a local mall in East Bay area near San Francisco.
OLYMPIC DAY HOTLINE: 1-719-866-4535 or olympicday@usoc.org OLYMPIC DAY WEBSITE: http://www.teamusa.org/About-the-USOC/In-the-Community/Olympic-Day.aspx March - April 2016
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By Forrest Outman
ASK THE HISTORIAN
RUMBA: LOST IN TRANSLATION
R U M B A
Origins and Divergence in Latin American Dance
L
atin dance is now a global phenomenon with roots that equally span the globe. Latin dances of today are a thing of beauty and exceptional skill and, while rooted in traditional ethnic forms, are highly evolved to the point of only vaguely resembling their rustic roots. History, however, unites these divided dances and through it we can grow and better appreciate the dances we love. Together let us explore the complex and compelling story of one of ballroom’s most beloved dances, the Rumba, and better understand how some things have been lost in translation.
Evolutions of Rumba: The Timeline To begin, let us consider the timeline of the respective evolutions of the Rumba and its related forms –Son, International Rumba, Bolero and Mambo.
1800’s Spanish Contradanza evolves from English/French Contredanse and spreads abroad. In Cuba, it blends with African tresillo or triplet and double syncopated cinquillo to create the first Cuban dance music and craze “Habanera” or Havana dance. Contradanza remains the dominant music and dance till near the turn of the century.
1879 Danzon, a set (i.e. group) dance based upon Contradanza done by Afro-Cubans in the Matanzas province, is introduced by Miguel Failde. Danzon continued to be the dominant form of popular music and dance until the rise of Son.
1885 Pepe Sánchez writes the first Cuban Bolero “Tristezas” (“Sadness”).
1886 Cuba abolishes slavery and workers migrate to the capital, Havana, hoping to improve their fortunes and bringing with them their rumbita and montuno music.
Rumba dancers Gustava Ramirez & Miss Sarita: “one of the most distinctive, of all modern dance creations” (1938)
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Yoel Marrero is a Cuban-born dance historian in Miami, who actively teaches authentic Cuba dance forms.
Courtesy of Yoel Marrero
1917-1930 In 1917, the first Son recording is made, and by the late 1920’s Son music begins gaining popular acceptance in Cuban culture. The dance forms Son and “Salon Rumba” evolve. Americans begin to vacation in Cuba as a welcome escape from the austerity of prohibition, leading to a boom in cultural exchange as American and Cuban musicians share billing in Havana’s Casinos and American dance teachers are first exposed to the music and dance.
1930’s “El Manisero” (“The Peanut Vendor”) performed by Don Azpiazú and His Havana Casino Orchestra is released on Victor Records in New York. The recording becomes a sensation, selling over one million copies. “Rumba” mania hits America. The song is actually a Son piece, mislabeled Rhumba-Fox Trot, possibly to avoid confusion as the meaning of “Son” could be missed by some audiences, or possibly to give the music a more exotic appeal. Ironically, virtually all U.S. and English dance literature from the period makes note of this misnomer. Dance instructors of the period in the U.S. and Europe were aware of the misnomer of the musical and dance forms as Rumba: the actual Cuban Rumba is a highly African-influenced style of music played fast and danced primarily solo in what is something of a courting dance. They were not, however, aware of the Son’s common Open Box form. It was during the 1930’s that American style Rumba took form. The American Style closed box basic is based upon the Rumba Salon, a Son interpretation enjoyed by the upper class of Havana and unique to the city. This interpretation was considered by Cubans to be a white man’s dance, not reflective of the populist layman or rural forms of dance. It was this proper style done by high society at the Havana hotels and Casinos tourists frequented, and as such, this “socially acceptable” white washed form was often the American and European social dancers exposure to “authentic” Cuban dance.
“It’s amazing how so many dances have evolved from a common root and how generation upon generation of artists from around the globe has contributed to developing their unique styles and interpretations.”
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ASK THE HISTORIAN
1940’s As the years pass, Latin American music grows substantially in popularity in both America and Europe. The demand brings to light a diverse range of dances and music from the Caribbean, Central, and South American traditions. In addition to “Rumba,” i.e. Son music, we listen to Bolero-Son (slower) and Guaracha (faster) Cuban music. As Cuban musicians begin to travel more and Cuba becomes a travel mecca, our exposure to, palate, and appetite for Afro-Cuban rhythms steadily increases. This paves the way for the emergence of Mambo. Mambo utilized a layer of Montuno rhythm and boldly reintroduced what had been deemed too “primitive” an instrument for proper society, the Bongo. Mambo’s brash new fusion utilized the bongo, clave, and cencerro (cowbell), with Montuno rhythms. The dance Mambo was essentially the Son diamond basic or open
box danced in contra-tiempo, i.e. off time. This off-time Son was also the basis of International Rumba. The timing became more common as the Son clave became more prominent in the newer Mambo-style arrangements. It should be noted that on and off tempo basics co-existed. What is commonly known today as “Modern on 2” is actually the on-beat timing Americans have been using since the 1930’s. In closing, I would like to point out a truth we can all learn from our Cuban forbearers. While Americans associated dance with a particular music style, this was not the mentality of Cubans. If they did a Danzon movement to Son it was a Son, if they danced to a Bolero, it was a Bolero. The music changed, but the dance changed only in energy. In essence, it’s all the same dance evolved to a variety of music. It’s amazing how so many dances have evolved from a common root and how generation upon
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generation of artists from around the globe has contributed to developing their unique styles and interpretations. Hopefully, through knowing this shared history, we can appreciate how interconnected we truly are and yet also celebrate each style’s unique contributions. Noted historian, educator, and preservationist, Forrest Outman specializes in social dances from the late 19th Century and later. Current projects include documenting and recreating Peabody, Collegiates, Shags, The Jeep, pre-WWII Fox Trots and Hustle. He recently completed a project spanning more than four years, which tackled the origins of Fox Trot. For more information, visit Forrest Outman on Facebook or DanceHistorian.com or write to ForrestOutman@Gmail.com.
ROYAL PALM CHAPTER 6016
WINTER FROLIC IN SOUTHERN FLORIDA DAZZLES SPECTATORS Resource: Patti MacDonald, Chapter President • All Photos by Christiane Gosselin.
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he 13th annual Royal Palm Chapter’s Winter Frolic DanceSport Competition brought together many competitors throughout Florida, as well as Georgia, Massachusetts, Ohio, Texas, and as far as Quebec, Canada, to the renowned festively bedecked Goldcoast Ballroom in Coconut Creek, the artistic handiwork of Jeff Sandler and his music guru partner Vinny Munno. Excitement and anticipation permeated the day for the 46 couples participating in competition, as well as for the crowd that gathered to watch and root for them. The one-day competition on Saturday, Jan. 30 started at 9 am for the morning session of the International Latin heats followed by the American Smooth heats and awards. The afternoon continued with American Rhythm, International Standard and awards. Two very talented young couples dazzled the spectators – 13-year-old Marko Namen & 11-year-old Bella Burchianti and 13-year-old Alexei Kiyan & his 14-year old sister Olga Kiyan, who energized the day’s performances and gave impetus to the rest of the competitors. The ladies were stylishly gorgeous in their sparkling beaded gowns and matching accoutrements, which added glamour to their dance movements. It was also refreshing to see the gentlemen in their dance-appropriate outfits and manner. The passions discernible on the faces of the dancers – as they glided smoothly in a Fox Trot or Waltz, moved to the mysterious staccato of the Tango or Paso Doble or the exciting, fast-stepping Quick Step and Samba -- roused one to cheer them on and share in their emotions. The subtle movements of the dancers in Bolero, Rumba and West Coast Swing, the sensual, hypnotic beat of the Cha Cha and the rhythmic beat of Mambo, conveyed emotions that a spectator could appreciate. And how fascinating it was to watch dancers performing the lively Jive and East Coast Swing.
Marko Namen & Bella Burchianti American Smooth
Chair of Judges Lee Fox Emcee Karen Pritchard Scrutineer Alan Norsworthy Judges Olga Bogdanov, Alex Foroponov,
Henrio Labrie, Kathryn Schaefer, Chris Skates, Brian Smith
One of the competition’s highlights was the Tribute to Veterans by the Florida Atlantic University Dance Club Special Formation, directed by Tommy Engler. “The beauty of the ballroom competition, besides being a great excuse for the dance enthusiast to get together, is in the camaraderie that competitors and spectators discover, share and develop among each other. Meeting and mingling with so many talented dance personalities make the day an enjoyably thrilling and a very special experience,” said Patti MacDonald.
Ken McCleary & Pam Weaver International Standard
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Grassroots
Chapter leaders encouraged inmates to join in the dancing.
HEARTLAND (IN) CHAPTER 2022
BALLROOM DANCING VENTURES BEHIND
WOMEN’S PRISON WALLS IN INDIANA
About the IWP. The Indiana Women’s Prison, approximately 1.6 miles from downtown Indianapolis, is America’s oldest women’s correctional institution (founded in 1872) and is also the country’s first maximum security facility for women. The IWP operated for 136 years in its original facility, but in 2009 moved to new facilities. On the average, there are more than 600 inmates incarcerated at the IWP. (Website: www.in.gov)
During the group dances held in the IWP Chapel, the inmates partnered enthusi astically with Chapter members.
The USA Dance Story. By Anna Kovalyova (National Volunteer of the Year 2014)
All Photos Taken by IWP Security Staff.
Chapter IWP Program Dancers: Dennis Summers, Roger Greenawalt, Amy Clark, Ben Davis, Alexis McCall, Barbara Cameron, Roland Hodges, Lauren Shaffer and Suresh Nair. Not Pictured: Monica Lung, Bill Culley, Larry Gogel, Candi Perry, Chase Thompson, Ashley Piper, Guna Rogers, David Rogers and Christine Walter.
In celebration of National Ballroom Dance Week, the Heartland (IN) Chapter 2022 literally ventured into new territory as our performers danced for more than 100 of the maximum-security inmates incarcerated at the Indiana Women’s Prison (IWP) -- an undertaking for the Chapter that was more than a year in the making. How did this pioneering program start? Several Heartland members knew volunteers involved in ICAN (Indiana Canine Assistant, Inc.), a rehabilitation program in which the inmates train dogs for the handicapped. We 22
asked ourselves: why not give the inmates a taste of ballroom? We reached out to the IWP Program Coordinator and eventually found ourselves working on a proposed dance program for inmates. But before we started, detailed and stringent “ground rules” had to be communicated to all of our performers: • Dancers’ names and dates of birth had to be submitted for security checking at least 10 days prior to our event (making last-minute dancer substitutes an impossibility).
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• Dancers had to arrive one hour before “showtime” for activities such as the onsite security check, including pat-down. •W e had to obtain permission to bring in any equipment. •V irtually, the only items allowed for each dancer were a picture ID, car keys, dance shoes (one pair), one outfit, and one CD with the dancer’s music. Shoe brushes were not allowed as they fell under the “sharp objects” heading and had to be left behind. The prison did allow jewelry, hats and suspenders if they were part of the “costume.” However, sleeveless dresses, low cuts and open backs were not allowed. Our female dancers were advised to wear modest dresses or blouses and skirts or slacks. So, dressing the part became a challenge. We also learned a quick lesson about parking at the prison: license plates must be visible to security. Indiana plates are on back bumpers only, which meant “reparking” our cars and then a second security check-patdown. Despite the many restrictions (and costume quandaries), Chapter dancers found the IWP project among their most rewarding community experiences. Dancing with inmates during our group
MAY 13 – 14
NEW ENGLAND DANCESPORT CHAMPIONSHIPS MOVES TO MAY, NOW 1ST NQE FOR 2017 NATIONALS cers Barb Cameron, age Stars of the Show were dan ing East Coast Swing. form per el, Gog ry 87, and Lar
numbers was unforgettable. The women there were highly enthusiastic participants. One highlight was Barb Cameron, our 87-year-old dancer, who danced East Coast Swing with Larry Gogel and became an instant star. The audience also quickly took to Dennis Summers, who sang during our group dance performances. The inmates said his voice reminded them of Frank Sinatra. And when Roger Greenawalt and Amy Greenawalt, National Amateur Senior Champions, presented their romantic Bolero, there were no dry eyes left. Needless to say, the program was very emotional. Inmates danced, cried, laughed… and called our presentation “the best program ever” at IWP. In turn, the dancers deemed this our most responsive audience ever. The connection between performer and spectator became almost palpable. Some dancers admitted afterward that they initially doubted if this would be a receptive audience, and were proven wrong. So what is Heartland’s next step? Are we going back to prison? Heartland was definitely invited back, and we have decided to plan annual exhibitions there. Some inmates commented that they would love to have ballroom lessons. So we have proposed adding ballroom to the prison’s existing activities curriculum, with Heartland volunteers instructing. Since it’s an all women’s prison, there would be challenges, as most participants would need to learn follower steps. Interestingly, some inmates we danced with wanted to learn how to be the leader. Is the new Heartland program potentially a model for other Chapters? Maybe down the road…we are certainly willing to try.
The 5th annual New England DanceSport Championships has moved its competition weekend to May 13-14, 2016 and now becomes the first National Qualifying Event for the USA Dance 2017 National DanceSport Championships. For this popular NQE event, everything else remains the same. The NEDSC 2016 will host all of the USA Dance divisions from PreTeen to Senior IV. The location is the elegant five-star Westin Waltham Hotel in Waltham, MA (near Boston). And the NEDSC will once again host the World DanceSport Federation (WDSF) World Ranking Tournaments for Under-21 Open Standard and Latin, inviting championship-level couples from the USA and other countries to compete. Last year, the NEDSC successfully qualified more than 200 couples from 12 states and two countries for the USA Dance Nationals. The NEDSC has also proven the go-to event for area social dancers and fans. The competitions begin on Friday through
Saturday evening. There will be special showcase performances, including the Special Olympics Formation Team from Rhode Island. And in the spirit of Olympism, the crowd-favorite International Team Match returns with couples of all ages competing. Last year, the 10-Dance International Team Match between the seven-couple USA and Canadian teams was a consistent tie up until the final dance. Since the USA Team edged the Canadian Team for the trophy, the Canadian Team has already accepted the 2016 trophy challenge and returns to the NEDSC. The first International Team Match in 2014 was another on-the-edge-of-your-seat competition between the USA and Iceland, with Iceland taking the trophy that time. The NEDSC is organized by MASSabda Chapter 3002. Chair of Adjudicators is Renata Shvarts. For general updates: www.nedancesport.org. Competitor online registration: www.o2cm.com. Questions? Write to Registrar Mary Harvey at nedscregistrar@gmail.com.
Ryan Kenner Photography
Showcasing International Standard and American Smooth
Showcasing International Latin and American Rhythm
March - April 2016
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Grassroots In the Mile High City
SPRING & FALLTIME COMPETITIONS A ROCKY MOUNTAIN INSPIRATION All Photos by Margaret Nokes Every year, the Rocky Mountain Chapter 5006 hosts two single-day DanceSport competitions – one in the Spring and one in the Fall – both in one of America’s most historically significant dance and cultural centers, the now 151-year-old Denver Turnverein. The upcoming May 14th Rocky Mountain Spring Competition will celebrate its ninth year; the Oct. 1st Rocky Mountain Fall Competition, following National Ballroom Dance Week, will be a 13th annual event. Social and competitive dancers say being inspired is an important part of their dance experience, their performance. It derives from the partnership, the music, the moment…and from the surrounding space. That’s why social dance and competition event organizers search for the best of venues – especially the vintage ones, when available, that have that architecturally elegant ballroom look and feel. The Denver Turnverein may have begun in the 19th century as a social club in the back of a bakery and later a gymnastics training center, but today social dance has become its strongest attraction, seven days a week for its 1,200 members.
Marilyn Stechert and Peter Quintero
Chapter Priorities for 2016
Opening People’s Eyes to the Benefits SUSAN A. JOHNSON, Director District 10 NC/SC “I believe in our mission statement and the ‘tried and true’ programs that fall under it. USA Dance has been around for 50 years, so we must be doing something right. There are so many benefits to be found in joining with others to dance, giving back to our local and regional communities…it would be easy to go on and on. The Carolinas are full of southern hospitality, and our District is a great example of just that. We have a great mix of social as well as competitor dancers within our chapters.” 24
American Dancer | www.americandancer.org
“We need to look at all the tools we have in place that have worked, train our volunteers with the respect due them and have fun together as we fulfill our mission. We need to reach out to new dancers in our communities, especially the youth, and develop ways to open people’s eyes to all the benefits within the world of ballroom dancing.”
Michael Moore & Defne Dinler, Devin Raymond & ChoCho DeSantis, Stephen Takata & Joanna Mielnick (l to r)
In the Mile High City of Denver, spring and fall seasons in the Rockies are the best of times to put on a DanceSport competition. And at the Denver Turnverein, couples can dance a full day on Saturday on a 5,280 s.f. maple floor, surrounded by elegant chandeliers and grand arched window walls, and then head next day to the panoramic mountains. Both Rocky Mountain Chapter competitions offer International Standard and Latin and American Smooth and Rhythm, including Syllabus levels Bronze and Silver, as well as Novice, Pre-Champ and Championship divisions for Pre-Teen through Senior III. Competitors only pay one entry fee for unlimited dance entries within two consecutive age groups and proficiency levels. And also in the mix are the popular club-style dances, and an open
Spring Competition
May 14, 2016
of Dance DON DAVENPORT, Director District 9 FL/PR “USA Dance in District 9 Florida offers a lifestyle for members and non-members that are in a mature time of their lives. Those chapters in Florida that offer Beginner-Intermediate lessons bring these folks out of the rocking chair syndrome and into the World of Ballroom Dance. Seldom does this group of people exhibit the same loyalty to other venues. In areas where private organizations pattern their programs and fees compatible with USA Dance chapters, there is a challenge; however, the camaraderie of our chapters is seldom matched.”
invitation for dancers and formation teams wanting to perform showcase routines. For the Spring Competition to date, up to $2,400 scholarships will be available for Bronze, Silver, Novice, Pre-Championship and Championship-level dancers competing in the advanced American Rhythm and International Standard categories, and for Junior and Youth divisions (ages 12-18) and Adult divisions (18+). At the Rocky Mountain Spring Competition, Chair of Judges will be Jennifer Corey, Music Director Carolyn Cattani and Emcee David Tippett. For Competition Information: www.usadancedenver.org Denver Turnverein Information: www.denverturnverein.org
Fall Competition
Oct. 1, 2016
“I would like to see Chapters review ‘Priorities For Chapters’ in the documents library and implement First Priority/ Section Two ‘Ballroom Dance Lessons for Beginners.’ I realize this is a challenge for many chapters and other industry members, but the program has the wherewithal to unify our dancers and make USA Dance a true representative of ballroom dance in the various local communities – a true ‘Best Practice’.” March - April 2016
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S
ocially Yours
By Jean Krupa, Social Dance VP
YOU’VE BEEN ELECTED! Taking Those First ‘Dance Steps’
As Chapter Officers & Board
U
SA Dance is a charitable, allvolunteer organization and depends on the willingness of dance enthusiasts to carry on its mission of promoting ballroom dancing and providing opportunities to dance. So, thank you for assuming a leadership role in your chapter. For the past 50 years, the dedication and enthusiasm of volunteers like you have enabled USA Dance to grow from a few hundred members and a handful of chapters to a
leading national organization, recognized by the World DanceSport Federation and the United States Olympic Committee, with more than 15,000 members and 156 Chapters. The best way to get your new year off to a positive start is to hold a meeting with the former and new Board members. Make sure you have provided a list of the new officers to the USA Dance Central Office. Because communication is handled primarily by email, it is crucial that email addresses are
current and USA Dance is added to address books to avoid spam folders. It’s also important to update USA Dance on all designated signers on the Chapter banking accounts. If a new bank account will be established, please review USA Dance guidelines on how to establish an official checking account – these are found in the document library accessed through the USA Dance website www.usadance.org or the Central Office can answer questions by email or telephone.
Understanding Key Chapter Roles The Chapter President shall:
•P reside at all membership or board meetings. •S erve as Chapter contact for USA Dance national organization, and the
public; sometimes designating another Board member to assist with this responsibility. •B e an ex-officio member of all committees. •P repare, with assistance of outgoing board and/or other Board members, the Chapter’s Annual Report for National USA Dance, per guidelines. •E nsure that information from USA Dance National is disseminated to Board members and the full membership as appropriate, designating another Board member to assist as needed.
The Chapter Vice President shall:
•A ct in place of President in his/her absence. • I n event of a Chapter president vacancy or absence, assume the responsibilities and/or office.
•H ave additional duties designated by the Chapter President or Board. The Chapter Secretary shall:
•K eep minutes of all membership and Board meetings. •R ecord all votes and all actions taken by the Board, at meetings as well as via email or phone conferences and without meetings.
•D istribute minutes of meetings to Board members within a reasonable time following meetings.
•N otify USA Dance Central Office of any changes in officers, policies and other key activities.
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American Dancer | www.americandancer.org
Brian Bateman
Orlando (FL) Chapter Wild, Wild West Dance
Zaya Star Alex Rowan
USA DanceSport Kidz at Nickelodeon World Wide Day of Play - Brooklyn, NY
The Chapter Treasurer shall:
•C ollect all dues and money due the Chapter. And is the Trustee of
all monies. •M aintain accurate and complete financial records including all deposits, expenditures; signs all checks. •P resent to Chapter board a financial summary at each meeting. •P repare annual financial report for the National Treasurer no later than March 31st of each year, in accordance with provided guidelines.
My Dance Hub at Chicago DanceSport Challenge
The Social Dance Committee/Chair shall:
•C oordinate volunteers to set up/clean up at dances/events. •D ecorations. •R efreshments. •G reeters/front door ticket sales. •D ance Hosts. • I nformation table for membership applications, suggestion box, questions and promotional flyers.
Other Board Members can assume support roles and duties as follows:
Chapters should strive to host regular social dances open to the general public, providing a discount on admission to all USA Dance members.
monthly dances and activities; annual celebrations; National Ballroom Dance Week; charity activities; public dance demonstrations, et al. • F acilities/venue selection and arrangements.
Remember that no two Chapters are alike, but know that veteran Chapter leaders who report the most success, are usually accomplishing the following tasks and habits: •S cheduling a group lesson at each social dance and also sponsor beginner lesson programs and workshops at other times. •M aking communications a priority and regularly send out chapter information via newsletters, email and on the Chapter Facebook page. Keeping local media informed about activities. •S erving as an informed resource about all local dance opportunities available in the community. •D eveloping youth programs for K-12 and support local college dance programs. •S triving to be neutral and foster positive relationships with the entire local dance community – studios, clubs, instructors and educators. •S eeking to educate the public about the mental, physical and social benefits of ballroom dance. •P romoting USA Dance as a 501c3 charitable organization, not a club or private entity. •S upporting the USA Dance mission, both social and DanceSport activities and other dance-related programs. •R emembering that USA Dance is measured by the contributions of its volunteers and the differences we make individually and collectively for others.
•E vent planning, promotions and communications, including weekly or
•E ngaging dance instructors for dance lessons. •P reparing music playlists. •A rranging refreshments for events. •E diting the newsletter and other publicity. •W orking as “reporter” for American Dancer magazine. •H andling Chapter social media and website. •D eveloping sponsors and fundraising. •E mailing members and the community. •H andling publicity photography (chapter and for American Dancer Magazine stories).
The Membership Committee/Chair shall:
•N otify National Membership Director of changes at membership-dir@ UsaDance.org.
•P rovide membership applications at chapter events and communicate with non-members in attendance to make them aware of benefits of membership. •D evelop promotions to increase membership and attendance.
Thank you for becoming a valuable leader in our organization! Just don’t forget to have fun and dance – it’s the reason we all started this partnership together. March - April 2016
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WDSF WORLD CHAMPIONSHIP ADULT STANDARD DECEMBER 5, 2015
Vilnius, Lithuania
I
WDSF WORLD CHAMPIONSHIP ADULT STANDARD
Earle Williamson & Charlotte Christiansen
Tied 26-27 out of 73
Florin Vlad & Natalia Linda O’Connor
60 out of 73
All Photos By Dr. Helmut Roland
AMERICAN
AD: What is the main
DANCER
misconception about the WDSF that needs to be corrected? C: That WDSF judges are not qualified. E: In the WDSF, they are committed to furthering education of judges constantly requiring them to update their knowledge to continue judging. And through the new judging system 2.1, which is used for major events, it creates the opportunity for true fair judging based on an absolute scale instead of couple comparison. C: This is only found inside the WDSF.
nterview
EARLE WILLIAMSON & CHARLOTTE CHRISTIANSEN (CA)
Standard Coaches: Bjørn Bitsch, Ashli Williamson, Paolo Bosco, Silvia Pitton, Glenn Weiss USA Dance Placements: USA Dance 2015 National Championships: Adult Championship Standard, 1st; Californian State Championships, 2014 & 2015, 1st; Chicago DanceSport Challenge 2015 - WDSF Open Standard, 1st; Adult Championship Standard, 1; Manhattan Amateur Classic, 2016 – Adult Championship Standard, 1st. WDSF Placements: WDSF World Ranking List Standard, Dec 2014, 24th; World Championship Standard 2015, 26th; World Cup Standard Dec 2015, 9th. AMERICAN DANCER: What distinguishes you as a couple on the floor? Earle: We hope to show a very elegant classical approach to our dancing, whilst having the energy/excitement of today’s DanceSport athletes. AD: What are your goals now
following this key event? E: Now our next goal is the
World Cup Standard in Bassano del Grappo in Italy at the end of February and making our 28
AD: What does the USA need to do to become more competitive abroad? C: Begin hosting more WDSF Competitions and Congresses so couples from abroad begin coming to the USA instead of USA couples always traveling abroad to compete. E: USA has a huge depth of talent and due to financial issues the majority of these talents never compete internationally.
Earle Williamson & Charlotte Christiansen
10-Dance debut at the USA Dance Nationals. AD: You have more experience
dancing in the WDSF than most other USA Dance couples. What advice could you offer them? E: The WDSF system allows couples to be creative and try new things in their dancing
American Dancer | www.americandancer.org
AD: Your dancing originated
instead of being forced to fit in a mold in order to achieve a result. This creativity allows couples to become unique though sometimes over the top in most cases, generally for the better. C: This is very important for us as it gives us the opportunity to express our personality and individual creativity in a whole new way.
from Europe and you elected to compete for the USA. Can you explain why and what difference it has made for you? E: Having grown up in the USA, I have always loved the country and felt so at home here. Dancing for USA and being able to see the American Flag on top is a huge dream of mine. E&C: The tremendous support for our dancing and acceptance
Opening Ceremonies – USA World Team
of us as a couple from the public, organizers and federation has been overwhelming. We are very happy competing for USA. AD: Do you see yourself as
USA Ambassadors and why or why not? C: Yes we do. E: We want to show everyone in the USA, but especially the younger generation, that it possible to be American and compete on the highest levels inside WDSF DanceSport.
FLORIN VLAD & NATALIA O’CONNOR (VT)
Standard Coaches: Simona Fancello (Italy) USA Dance Placements: USA Dance Nationals: 2014 -Adult Championship Standard Bronze Medalist, Under 21 Standard Champions; 2015 – Adult Standard Vice Champions. AMERICAN DANCER: What is
the history of your partnership that allows you to stand out on the floor? Florin & Natalia: We are dancing now for almost five years. We strongly believe that our ability to overcome all the obstacles that we went through in this time has created an unbreakable chemistry which makes us stand out on the floor, like no other couple does. Together we are a strong and passionate team that will achieve success. AD: What were your thoughts
going into the World Championship in Vilnius? F&N: The World Championship was the conclusion of a very long but successful 2015; and boy, what a conclusion this was -representing your country on the world stage in front of thousands of people. Proudly standing behind the Star Spangled Banner was something one can’t possibly describe. Nonetheless, we enjoyed our dancing to the maximum, even if we feel that our placement did not reflect accurately our expectations.
Florin Vlad & Natalia Linda O’Connor
AD: You have more experience
dancing in the WDSF than most other USA Dance couples. What advice could you offer them? F&N: Competing abroad is always an interesting experience and an amazing learning opportunity. What we have learned is that couples from each country have their own particularities. The competitions also have their own uniqueness, but by far the most beautiful and well-organized events are the ones in Germany.
the rules of dancing/judging, inventing new steps, manipulates and bans its members. In fact, all their actions are justified by the desire to have DanceSport as part of the Olympic Games. We definitely can’t judge them for having such a noble and amazing goal. What the WDSF can do is to be more transparent in the changes they’re making and let athletes have a more proactive role in the direction the organization is going.
misconception about the WDSF that needs to be corrected? F&N: We are and always will be very strong advocates of freedom of participation in any dance competition whichever system dancers may belong to. We feel the biggest misconception people have is that the WDSF is this big bad organization that changes
AD: Do you see yourself as USA
ambassadors? F&N: We definitely see ourselves
AD: Your dancing originated AD: What is the main
Europe. But my dream was always to come back home and represent the country where I was born and where I spent my childhood. F: USA is a land of endless opportunities, a land that supports and respects its athletes. It was the best decision we’ve ever made.
from Europe and you elected to compete for the USA. Can you explain why and what difference it has made? N: Actually, my first dance steps were made at the Universal Dance Center in Collingswood, NJ. I’m very grateful to my first teachers Sandra and Brian Fortuna and Ilya Reyzin. When I was 10 years old, I moved to
as USA ambassadors. We feel it’s our duty to show the world through our dancing that the United States has some amazing dancers that are proudly competing head-to-head against the best in the world. We also feel that, as members of USA Dance, we are pioneers of a new dance world -- a world of peace and fraternity between all dancers. Pioneers of a True World DanceSport Federation. March - April 2016
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DANCESPORT CALENDAR 2016 A/A = Amateur/Amateur
T/S = Teacher/Student
SS = Same Sex Events
March 2016
NJ DanceSport Classic – Spring Fling **(see note) March 13, 2016 Events: A/A, MP, SS, SO Organized by Wendi Davies Rogers Dance Center – Hackensack, NJ Phoenix USA DanceSport Challenge **(see note) March 12, 2016 Events: A/A Hosted by Phoenix Chapter #4033 El Zaribah Shrine Hall - Phoenix, AZ WDSF Adjudicator’s Congress at Nationals March 31, 2016
April 2016 USA DANCE 2016 National DanceSport Championships
April 1 - 3, 2016 Also Hosting WDSF World Ranking Tournaments: Open Adult & Senior 1 Standard Open Adult & Senior 1 Latin Renaissance Harborplace Hotel - Baltimore, MD
May 2016
New England DanceSport Championships – 2017 NQE May 13-14, 2016 Events: A/A, SO Hosted by MASSabda Chapter #3002 Westin Hotel - Waltham, MA WDSF Open Under-21 Standard, 10-Dance & Latin May 13-14, 2016 Events held at New England DanceSport Championships Westin Hotel - Waltham, MA Rocky Mountain Spring Competition **(see note) May 14, 2016 Events: A/A, F Hosted by USA Dance Denver Chapter #5006 Denver Turnverein - Denver, CO Georgia DanceSport Competition **(see note) May 20-22, 2016 Events: A/A, T/S, MP, SS, SO Organized by Georgia DanceSport Westin Perimeter North - Atlanta, GA
June 2016
Nebraska Invitational Dance Festival **(see note) June 3-5, 2016 Events: AA, MP, SS, F Organized by Kristoffer Shaw Ramada Plaza, Omaha, NB NJ DanceSport Classic - Summer Sizzler – 2017 NQE June 11-12, 2016 Events: A/A, MP, SS, SO Organized by Mario Battista & Wendi Davies Rogers DanceSport Center - Hackensack NJ
COMPETITOR ELIGIBILITY: Please refer to USA Dance Rulebook (Eligibility Criteria 4.2 and 4.3) for complete qualification details to participate in the USA Dance National DanceSport Championships. All USA Dance active members are permitted to dance in any and all events listed above. Please note that events above designated ** do not accrue proficiency points and may
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SO = Solo Events
MP = Mixed Proficiency
Gumbo DanceSport Championships – 2017 NQE June 24-26, 2016 Events: A/A, T/S Hosted by Louisiana Gumbo Chapter #5031 Crowne Plaza - Baton Rouge LA WDSF Open Senior II & III Standard June 24-26, 2016 Events held at the Gumbo DanceSport Championships Crowne Plaza - Baton Rouge, LA
August 2016
Fort Wayne DanceSport Special Olympics August 6, 2016 Hosted by USA Dance Fort Wayne Chapter #2046 Walb Student Union, Indiana - Purdue Campus, Fort Wayne, IN
September 2016
Kansas City Dance Classic ** (see note) September 10, 2016 Events: A/A, MP Organized by Matt & Ellen Pansing Camelot Ballroom - Overland Park, KS (Kansas City) Carolina Fall Classic – 2017 NQE September 30-October 2, 2016 Events: A/A, T/S, SO Organized by Wayne & Marie Crowder University Hilton - Charlotte NC WDSF Open Senior I & II Standard WDSF Open Senior I & II Latin September 30-October 2, 2016 University Hilton – Charlotte, NC
October 2016
Rocky Mountain Fall Competition **(see note) October 1, 2016 Events: A/A, F Hosted by USA Dance Denver Chapter #5006 Denver Turnverein - Denver, CO NJ DanceSport Classic – Fall Frolic **(see note) October 2016 Events: A/A, MP, SS, SO Organized by Wendi Davies Rogers Dance Center - Hackensack, NJ (Note: Date to be announced) Chicago DanceSport Challenge – 2017 NQE October 28-30, 2016 Events: A/A, T/S, SS, SO, C, F Hosted by Chicagoland Chapter #2001 Hyatt O’Hare Hotel - Chicago, IL WDSF Open Adult Standard, 10-Dance & Latin October 29-30, 2016 Events held at the Chicago DanceSport Challenge Hyatt O'Hare Hotel - Chicago, IL Quest For The Best **(see note) October 29, 2016 Events: A/A, MP, F Hosted by Seattle Chapter #1004 Kent Commons - Lynnwood, WA
November 2016
Liberty Ball **(see note)
not follow all rules in the Rulebook. http://usadance.org/ dancesport/forms-and-resources/rules-policies-andbylaws/ CALENDAR DISCLAIMER: All USA Dance sanctioned and registered competition events and activities within this calendar are subject to change of date, location and other details without prior notice. Please check with
American Dancer | www.americandancer.org
F = Formation
C = Cabaret
November 5, 2016 Events: A/A, MP, SS Organized by Renata Shvarts & Steve Mesh Klein JCC - Philadelphia, PA California State DanceSport Championships – 2016 NQE November 2016 Events: A/A Hosted by NorCal Chapter #4004 San Jose Civic - San Jose, CA (Note: Date to be announced) National Collegiate DanceSport Championships November 19-20, 2016 Events: A/A Hosted by USA Dance National Columbus Convention Center – Columbus, OH
January 2017
Islanders DanceSport Challenge **(see note) January 7-8, 2017 Events: AA, MP Organized by Renata Shvarts Olympia Recreational Center - Staten Island, NY Manhattan Amateur Classic (The MAC) - 2017 NQE January 14-16, 2017 Events: A/A Hosted by Greater New York Chapter #3004 Hyatt Regency - Jersey City, NJ WDSF Open Junior II Standard & Latin January 14-16, 2017 Events held at Manhattan Amateur Classic. Hyatt Regency - Jersey City, NJ Florida Fun Amateur Mini-Match **(see note) January 16, 2017 Events: A/A, T/S Organized by Mary K. Thomas Circle Square Cultural Center - Ocala, FL Winter Frolic **(see note) January 29, 2017 Events: A/A Hosted by Royal Palm Chapter #6016 Gold Coast Ballroom - Coconut Creek, FL
February 2017
Quest For The Best **(see note) February 2017 Events: A/A, MP, F Hosted by Seattle Chapter #1004 Kent Commons - Lynnwood, WA Mid-Atlantic Championships – 2016 NQE Hosting Senior IV National DanceSport Championships February 18-19, 2017 Events: A/A, SS Hosted by Mid-Eastern Chapter #6001 North Marriott Hotel & Conference Center - Bethesda, MD Senior IV National DanceSport Championships February 18-19, 2017 Hosted by USA Dance Mid-Eastern Chapter #6001 North Marriott Hotel & Conference Center— Bethesda, MD the actual event organizers via the event websites or by personal contact to confirm the accuracy of all event details before making plans as a competitor, spectator or sponsor. ERRORS/CORRECTIONS: For any changes/updates, please contact DanceSport Council Representative Rog Greenawalt directly at ds-competition@usadance.org.
ISLANDERS DANCESPORT CHALLENGE
TEAM MATCHES SPARK NEW ENERGY Photos by Lisa Dubinsky
SENIOR TEAMS: NORTH AMERICAN BATTLE
By Alexander Mirsakov & Inna Mirsakova At the second annual Islanders DanceSport Challenge, Jan. 9-10, in Staten Island, the International-style Senior Team Match between Team USA and Team Canada took place on the first evening of the competition. It was a real highlight of the night for the audiences. Following the National Anthems of the United States and Canada, the teams paraded ceremonially around the dance floor with the national flags carried by young dancers, and took their assigned places in front of the audience. Each senior team consisted of three couples, one dancing Latin and the other two dancing Standard. The match was essentially a one-on-one couple challenge, always accompanied by loud cheers and applauds from the audience and other team members. The team spirit was amazing and all dancers were truly energized by it. Each couple performed two dances, for a total of six dances. Then in the end, all dancers were invited to the floor to partner with an opposing team member for a fun quickstep dance. Team USA was afterwards announced the winner.
Senior Team USA (winner): Vincent Feingold & Irina Feingold (NJ), Pat Salerno & Loren Salerno (CT), Alexander Mirsakov & Inna Mirsakova (NY) Senior Team Canada: Peter Kwok & Sue Kwok, Michael Lai & Margaret Lai and Robert Yee & Lisa Liang (all Ontario).
JUNIOR TEAMS: STAR WARS IN ACTION By Inna Brayer
The Islanders Challenge team match was an incredible event Sunday afternoon with kids from all parts of the United States – from Seattle to Boston and Philadelphia to New York. The “Star Wars” team match, created by the Islanders organizers, inspired some major creativity from the five teams. There was a White Team from New Jersey, a Red Team from Brooklyn, a Black Team from Brooklyn, a Green Team from Staten Island and a Yellow Team from Philadelphia. The best part was seeing the kids instructed to “have fun” and enjoy their dancing. It was an awesome spin off from the typical team match style. Teams were judged on a multitude of aspects. All teams were awarded with some type of award whether it be “best personality,” “most supportive” or even “best costumes.” Needless to say, the team captains helped cheer on their teams and instructed kids to do mini introductions with each dance, adding some extra spunk and humor to their choreography.
ABOVE: Vincent Feingold & Irina Feingold RIGHT: Erik Linder & Rickie Taylor BELOW: Junior Teams: Star Wars or War of the Stars?
March - April 2016
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Irsan Tisnabudi & Cami Tisnabudi
Seven-Time USA Dance National Senior I Latin Champions, 2009-2015 WDSF Senior I Latin World Championship, 37th, 2015
FROM A CHAMPION’S
PERSPECTIVE I
rsan Tisnabudi and Cami Tisnabudi of Houston, TX are the seven-time USA Dance National Senior I Latin Champions, and members of the USA World Team, representing our country at the World DanceSport Federation’s Senior I Latin World Championships, which in 2015 were held in Salou, Spain. Irsan and Cami are crowd favorites wherever they perform, and they were the honorary performers at the USA Dance 50th Anniversary Gala in Dallas, TX, dancing for more than 250 members and their guests. As the longest-reigning Senior National Champions, Irsan and Cami have shared with American Dancer their inspiring devotion and love for Latin dance and the sport that eventually united them as a married couple, while sharing their personal insight into the special journey of the senior athlete.
I
AMERICAN
DANCER
nterview
AMERICAN DANCER: How important has DanceSport become to senior competitors in America? Irsan: Very important, as it has improved the level of dancing in senior levels overall. AD: What changes/evolutions/growth have happened for DanceSport seniors? I: DanceSport provides a healthy environment where seniors can engage in friendly competition which promotes artistic expression, physical fitness and partnership skills. AD: How is it different or same to compete as a Senior versus non-Senior competitors? Cami: Irsan and I have made many friends among the senior dance community. It’s like a second family in many ways, and we support and encourage one another. I never felt that kind of camaraderie dancing in Open Amateur. I think we have a lot of respect for one another. We all have similar challenges trying to balance work, family, daily life. (Do I even need to mention the aches and pains?) And it’s not always easy to stay motivated. But, there is a common passion for dance that we share and a healthy level of competition between us that propels us to work hard and bring our best to the floor. This is really just a very special group of people. I love you guys. AD: What are the “driving forces” for seniors? I: The love and enjoyment of dance are usually the primary forces. Then comes dance as an activity the couple can enjoy
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American Dancer | www.americandancer.org
WDSF Senior I Latin World Championship, 2015 USA World Team Members Lisa Dubinsky
Carson Zullinger
WDSF Senior I Latin World Championship
together, since most senior competitors are life partners as well. The competitive itch is usually what drives competition, and travel to different cities usually is the result of attending different competitions domestically and internationally.
that you can be an athlete at any age. So yes, I think many of my fellow senior dance competitors do feel a great sense of responsibility to work hard and strive to be their best in order to set the bar high. AD: What philosophies guide you as
AD: When you became Senior I Latin Champions, did that change your life? C: Oh yes, in many ways. We worked hard and made a lot of sacrifices in order to train and compete as much as we could. We felt that the torch was being passed to us and with that came the responsibility to represent Senior 1 Latin to the best of our ability, to help continue to grow interest and participation in seniorlevel competition, and lastly, to make an impression on an International level. I really hope we have accomplished this in the seven years we have held our Senior I title. AD: Do senior competitors feel a
different responsibility or obligation in the industry? C: Yes, I believe the strength and quality of senior dancing continues to get better and better both here in the U.S. and Internationally, and we feel a sense of responsibility to continue this trend. I think people are paying more attention to senior dancers and are seeing the potential and talent. People are realizing
senior athletes? I: DanceSport has allow us a healthy and fair competitive arena to keep us motivated to improve our dancing over long periods of time; to build friendly competitive spirit among other competitors; to keep us improving together organically; to express our love of dance and keep it fun. AD: Is there a single situation in DanceSport that has made the most difference to you? C: Absolutely. Two different situations, actually, both different but the same -- an unexpected win and an unexpected loss. I learned that these two things don’t matter in the end. It’s about the journey and doing what you love. It’s about believing in yourself and putting yourself out there and knowing that you did your best. AD: How would you define a true Champion in Amateur DanceSport? C: A true Champion in Amateur DanceSport is someone who continually strives to reach his or her highest
potential, someone who admires and respects his and her fellow competitors, and is someone who inspires others, yet is always humble. AD: When you dance, what do you want people to remember? C: I always hope to inspire others. I want
people to come away feeling touched or moved in some way. For me, this is the ultimate goal in dancing. Technique and choreography and all those things we drill in are necessary, but truly dancing is about expression and this is what I want to share. If I feel that I touched at least one person in the audience, I feel I have met my purpose. AD: What recommendations do you have for Seniors? C: Continue to push yourself to grow
as a dancer, to reach your highest potential. Dancing is an incredible journey, physically, emotionally, and spiritually. There is always something to be discovered, to be learned, to be expressed. Don’t judge yourself harshly or compare yourself to other dancers. We are all on our own separate journey. You are uniquely you and have the ability to express yourself through dance. This is an incredible gift. March - April 2016
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WDSF WORLD CHAMPIONSHIP JUNIOR II LATIN DECEMBER 19, 2015
Riga, Latvia
WDSF WORLD CHAMPIONSHIP JUNIOR II LATIN
Kristers Smits & Sophie Shvartsman
11 out of 66
Yusif Amsatr & Naomi Veronica Spektor
Tied 16-17 out of 66
F
or Kristers Smits, the long 4,200+ mile flight from New York to Riga, Latvia was special enough for him and his partner Sophie Shvartsman and World Team mates Yusif Amsatr & Naomi Spektor. They would be representing the USA at the WDSF Junior II Latin World Championship at the 34th International DanceSport Festival. But the extra bonus for Kristers was finding out his trip would be a homecoming – the capital city of Riga was once his hometown. (Also competing in Riga in the WDSF World Cup were USA Adult Standard couple Earle Williamson & Charlotte Christiansen, who tied 9-10th place out of 23 couples.)
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Championship Placements: 2016 - Open Latin 1st, Standard 1st; 2015 - Open Latin 1st, Open Standard, 2nd
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AMERICAN DANCER: What
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KRISTERS SMITS & SOPHIE SHVARTSMAN (NY)
Dancing Together: 3 years Coaches/Studio: Sasha Nissengolts, Aigars Stolcers, Agita Baranovska; Dance Passion. USA Dance Placements: Nationals 2015: Junior II Latin, 2nd, 2nd J2 Latin, 3rd J2 10-dance WDSF Junior II World 34
was your expectation for the World Championship? Kristers: It was an interesting feeling. I was representing the USA in my home town Riga, Latvia. And, of course, my expectations were really high. I am really pleased with our result. This is our first year dancing the Junior II age category and placing in the top 13 totally matched our goals… after we looked at the results online, it showed that Sophie and I went into the Semi-Finals with the 2nd highest number of recalls from judges. Sophie: To be honest, I was hoping for the final. But, it is our first year in Junior II, and I feel that our result was amazing. And this was the best dancing we have ever done. We poured our hearts out, and gave it all we’ve got.
USA Junior II World Team: Yusif, Naomi, Sophie, Kristers
been dancing together for a pretty long time to know our goals for the future. But our biggest strength is the team that is around us -- parents, coaches, studio owners and friends. They are our biggest supporters, they believe in us, keep us focused and help us succeed in our goals. AD: Did you prepare
AD: What are your strengths
any differently for this competition? S: Since generally in the U.S. we do not get to dance so many heats, it was very important to work on our endurance. Probably the biggest difference from regular training was the number of rounds that we did daily. In the last week, we were doing six full out rounds in a row. No stopping.
as a couple? K: Our strength is that we have
AD: What bits of wisdom
American Dancer | www.americandancer.org
Anita Smite
did you come home with after Riga? K: We came back with a stronger belief in our abilities as a couple than ever before. S: We were honored to dance with the best Junior II Latin dancers in the world. And the realization that we are one of them, is what will push us forward in our training, and towards our goals.
YUSIF AMSATR & NAOMI Veronica SPEKTOR (PA) Dancing Together: 1.5 years Coaches/Studio: Andrei Gavriline, Elena Kryuchkova, Ilya & Amanda Reyzin; Paragon Ballroom. USA Dance Placements: 2015 – Junior II Latin, 10-Dance National Champions; Standard, 2nd WDSF Junior II World
Championship Placements: 10-Dance World, 8th, Standard World, 25th, Latin, 16th AMERICAN DANCER: What were your expectations about this Championship? Yusif & Naomi: Our expectation was a little bit higher than we received, but we are really happy with our dancing. AD: What are your strengths
and challenges as a couple? Y: …our couple is very unique. We both try to show emotions of each particular dance, and we do it in our own ways. And I think that’s our biggest strength. Our main challenge is to constantly improve, but I think we manage to do that and our coaches help us with that a lot.
N: As a couple, our strength is the type of quality we both give as individuals and together. Our different types of style make us stand out. Our challenge is the connection we produce and trying to maintain it toward one direction. AD: Did you prepare
any differently for this competition? Y: We prepared physically for this competition like any other one. But mentally, we prepared differently. We wanted to make sure that we showed the best dancing we possibly could. And we think that in some way it did play a role in Riga. N: We prepared for this competition the same way that we prepare for every other big competition….This time we did try to change our mindset a little bit, and I think
Rom Photography
that seemed to make the most difference. AD: What bits of wisdom did
you come home with? Y: Not always good dancing brings good results, and that’s the thing that majorly showed up in Latvia. But we are going to work, so next [time] the results are as expected. AD: If you were an
adjudicator, how would you critique the last dance of your last round in Riga Y: The things I would be telling myself are technique and speed of movement. These are the major things that I lacked in Riga. N: Jive is my least favorite dance, so I would tell myself that I have to work on it a lot more to improve the overall technique and stamina.
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AMERICAN
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xclusive
By Percell St. Thomass
THE COMPETITIVE EDGE:
DANCING FROM WITHIN Turning Natural Movement into Dance
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ears ago, I addressed a teacher training workshop in California: “Thank you. It’s great to see so many of you here,” I said. “Whether you are beginning, a seasoned teacher, or competition professional, you have made a choice to dance. It is, however, a shame, that 80% of you will do so for the rest of your lives, and never, once, know what it feels like.” The organizer later said that I should retitle my opening, “How to Become Unpopular in 20 Seconds or Less.” I teach dance by natural body movement rather than by dance rule, rote steps, or syllabi. The concept is simple -- Teach someone “a” dance, and they’ll dance for a song; teach someone “to” dance, and they’ll dance for a lifetime. An understanding of kinesiology in dance is essential to good dancing. It is simply the study of natural movement put to a specific rhythm, timing, styling and space. Technique is then applied later in the study in order to maintain and control the characteristics and nuances of each dance. 36
Programs such as The Alexander TechniqueTM, EgosqueTM and FeldenkraisTM teach the body how to create and shape natural movement into dance. DanceKinesisTM, another such program, focuses on The Seven Laws of Natural Movement and the Two Natural Laws of Energy. Not only do these programs change the way we move; they completely change the traditional concepts of music interpretation, and lead and follow in dance. One such concept, for example, is that the man does not lead the lady, nor does she follow the man. In fact, the man ultimately follows. His role is to redirect movement – not by doing something to the lady, but by altering his own body shape and energy. The lady will then, not follow the man (regardless of where he goes), but follow the created movement. The man will then ‘follow’ the lady to the end of that movement, which her new energy had just, in essence, ‘led’. That the dancer must learn to always think in opposites -- push backwards right to step forward left; rise and rotate
American Dancer | www.americandancer.org
rightward in order to achieve a forward and leftward position, etc. -- follows The Natural Law of Opposites, as does, though we say, “push,” knowing that all muscles only pull. The Law of Natural Rhythm causes another controversy in modern day Ballroom and Latin dance. Although it is popular to teach in rhythms, the traditional methods do not adhere to the Law, nor are they musically sound. Traditional teaching often doesn’t consider the differences between foot and body speed, and that based on The Laws of Philosophical and Kinetic Energy, all steps are rhythmically “Slow”. One may see this when dancing the American Social (Bronze) Foxtrot. Typically taught to a Slow-Slow-QuickQuick rhythm, it is easy to realize under natural law that Quick-Quick doesn’t truly exist. Replace the words with
numbers, and say, “One, two, three, four”. You will without doubt notice that the ‘three’ is not quicker than the ‘one’ or ‘two’, making the truer rhythm Slow-Slow - ‘Slow’ - Quick. Understanding better these concepts would help to eliminate much of the unnatural body positions in Smooth/Standard, exaggerated knees in rhythm, gratuitous arm waving and run/snap/frown in Latin that is so popular in contemporary dancing. The body is the most complex, yet most perfect machine ever known. It is designed to perform in a wellbalanced and effortless manner. The more that we allow it to do on its own, the less difficult our movements will be, the greater our achievements will become, and the more joys we will find in the dance.
Percell St Thomass, currently on the Mississippi Gulf Coast, is a Championship-level Ballroom and Latin Dance Coach, Adjudicator and degreed Psychologist. He is studied and/or certified in Alexander TechniqueTM, FeldenkraisTM, and EgosqueTM, and is the creator of DanceKinesisTM.
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MANHATTAN AMATEUR CLASSIC Largest National Qualifying Event Attracts Full Spectrum of Competitors to Jersey City
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raditionally held on Martin Luther King holiday weekend, the Manhattan Amateur Classic (fondly and forever to be called The MAC) is USA Dance’s largest National Qualifying Event for the National DanceSport Championships, this year, April 1-3 in Baltimore. Jersey City was a new location for the MAC, as this threeday NQE event officially made its first departure last year from Manhattan at the time of the event’s 25th anniversary celebration. Ever-increasing expenses and availability of suitable NYC venues eventually prompted the Greater New York Chapter to seek more affordable and better accommodating locations. The Hyatt Regency in Jersey City, just over the Hudson River, fit that bill and was met with overwhelming acceptance by the competitors, families
Murat Mdzhidov & Shayna Shpits (MA) Mixed Ladies Junior I Pre-Championship, Novice Latin
Ryan Kenner Photography
John Carey & Kristin Franceshi (MD), Senior I Novice, Gold Standard Masters of Syllabus, Standard
Lisa Dubinsky
Crystal Miranda & Karen Torres (TX) American Cha-Cha, Seminar (2) Syllabus
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Ryan Kenner Photography
American Dancer | www.americandancer.org
Yusif Amsatr & Naomi Spektor (MA) Youth Championship Standard
Lisa Dubinsky
MARK YOUR CALENDARS. MAC 2017 — MLK Weekend, Jan. 13-15, 2017 and spectators. Jersey City also extended an official mayoral welcome, and MAC’s new location became a win-win for everyone – easy access to public transportation to/from the City, luxurious, but affordable hotel accommodations, and all with incredible views across the riverfront. This year, there were 890 competitors from 35 states and approximately 1,000 spectators at the MAC. Competitors also traveled from Australia, five Canadian provinces, Singapore, Ecuador and Denmark. The full spectrum of DanceSport events started with Pre-Teen pre-bronze and progressed to the top Championship divisions for International Standard, MAC 2016 CHAMPIONSHIP DIVISIONS Latin and 10-Dance and WITH MOST COMPETITIVE COUPLES: American Style Smooth, Top 65% in each division qualify for the USA Rhythm and 9-Dance, Dance National DanceSport Championships, plus the WDSF Junior II April 1-3, in Baltimore. Open Latin and StanYOUTH CHAMPIONSHIP LATIN 20 dard World Ranking YOUTH CHAMPIONSHIP STANDARD 11 Tournaments. Since 1994, when the ADULT CHAMPIONSHIP LATIN 20 Manhattan Amateur ClasADULT CHAMPIONSHIP STANDARD 34 sic was a one-day event SENIOR III CHAMPIONSHIP STANDARD 14 in the basement of St. Paul the Apostle Church south of Lincoln Center, the 26th annual MAC has become the longest consecutively running amateur DanceSport competition in the United States. And judging from the outcome of 2016, the MAC has a sustained future. At the MAC, the fastest growing segment of dancers was definitely collegiate. For years, college dancers have come from NYU, Harvard, Yale, University of Maryland/College Park, Columbia and Carnegie Mellon. Last year, new schools were Ohio State, Purdue University and New Mexico State University. This year, an impressive 32 colleges and universities traveled to the MAC – perhaps a strong indicator of the college ballroom movement across the country. Many of the schools also competed in November at the USA Dance-organized National Collegiate DanceSport Championships in Columbus, OH.
Leonardo Heyman & Elizabeth Yu (NY) Pre-Teen I Pre-Bronze, Bronze Standard/Latin Ryan Kenner Photography
Ryan Kenner Photography
David Spence & Denise Riley-Spence (BC) Senior II, III Championship Standard
Patrick Szorc & Anna Markman (NJ), Junior I Gold Latin
Lisa Dubinsky
March - April 2016
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Latin & Standard
WDSF WORLD RANKING TOURNAMENTS Amazing Performances from Junior II Couples
By Richard Stone
F
or the third consecutive year, USA Dance Greater New York Chapter sponsored two World DanceSport Federation’s World Ranking Tournaments for Junior II Standard and Junior II Latin at the Manhattan Amateur Classic. The finals were held at the Jersey City Hyatt Regency. . .”before an enthusiastic crowd that filled the Hyatt Regency Ballroom to capacity. The brilliance of the young dancers proved a fitting reflection of the sparking Manhattan skyline visible just down the hall. On Friday night, Kristers Smits & Sophie Shvartsman (NY) took top honors in Latin for the third straight year, exhibiting the style and poise that is the hallmark of future stars. They have been a team for three years and that partnership has continued to show solid results. They were challenged by Jonas Terleckas & Ruby Castro (FL), who improved to 2nd place following a 3rd place finish in 2015. This was their second MAC. Newcomers Leon Shvaitser and Alexandra Morozova from Ontario, Canada finished third. The next night, Kristers and Sophie continued their dominance, taking home 1st place in Standard, improving from runner-up last year. Canada’s Leon and Alexandra came in second, pleasing the
Lisa Dubinsky
Kristers Smits & Sophie Shvartsman (NY) - 1st Latin/Standard
audience with their grace and fluency. Jonas and Ruby challenged both other couples, but fell short of the previous night’s performance. All the dancers were amazing and
Ryan Kenner Photography
WDSF Open Junior II Latin Winners: Adjudicators Wayne Crowder and Marie Crowder; 1st - Sophie Shvartsman & Kristers Smits (NY), 2nd - Ruby Castro & Jonas Terleckas (FL) and 3rd - Alexandra Morozova & Leon Shvaitser (ON).
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American Dancer | www.americandancer.org
Jonas Terleckas & Ruby Castro (FL) - 2nd Latin/3rd Standard
prompted onlookers to marvel at their ability to balance the demands of competitive dancing and school studies. As the song writer said, ‘We believe our children, our future!’”
Ryan Kenner Photography
WDSF Open Junior II Standard Winners: Adjudicators Trevor Luff and Igor Nikon; 1st - Sophie Shvartsman & Kristers Smits (NY), 2nd Alexandra Morozova & Leon Shvaitser (ON) and 3rd - Ruby Castro & Jonas Terleckas (FL).
WDSF WORLD CHAMPIONSHIP YOUTH 10-DANCE NOVEMBER 28, 2015
Kiev, Ukraine
WDSF WORLD CHAMPIONSHIP YOUTH 10-DANCE
Samuel Hacke & Katarina Hermanova
13 out of 28
F
or Samuel Hacke & Katarina Hermanova, four-time National Champions at the USA Dance 2015 Nationals, it has been a whirlwind experience representing the USA at the WDSF World Championships in the Under-21 and Youth Divisions for 10-Dance and Standard. In a single year, they officially represented the USA more times than any other DanceSport couple. They also competed in Open World Championships in Canada and abroad. Each time, they improved their overall performance and placements against the world’s top couples. (Frequent flyer points must also be impressive numbers.)
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SAMUEL HACKE & KATARINA HERMANOVA
Competing Together: 2+ years Coaches: Standard: Iveta Hackeova, Katusha Demidova, Mirko Gozzoli, Edita Daniute; Latin: Andrei Gavriline, Elena Kryuchkova Studio Association: Hacke DanceSport, G&J Dance Studio, Paragon Ballroom. Key Titles/Placements (2015): USA Dance 2015 Nationals – WDSF Under 21 Latin, 2nd; Under-21 10-Dance, Under-21 Standard, Youth 10-Dance, Youth Standard, all 1sts; WDSF World Youth Standard, 8th out of 66; WDSF Under-21 World 10-Dance, 16th out of 43; WDSF Under-21 World Standard, 16th out of 27. AMERICAN DANCER:
Looking back, how would you describe this past year representing the USA abroad at World Championships
more times than any other couple? Samuel & Katarina: The experience has been really motivating. After getting good placements, it requires hard work to maintain them. Representing the USA sometimes weeks in a row in different countries, has definitely been both rewarding and challenging. Each time we compete internationally we see some familiar faces, so it increases the competitive tension even more. This is all the more motivating, because we get to see how we line up with these competitors each time we see them. It’s also quite challenging as the competitions are sometimes week after week, and therefore require constant traveling and little time for improvement, but it is definitely worth it. AD: Do you find that others fully appreciate what it takes to do this? S&K: We feel that people are beginning to understand what it takes to be successful in dance. This is thanks to the recent spread of ballroom
Andrej Hacke
dance in media. But at the same time, many people still are not aware of the real world of dance, the one not portrayed by media. Dance takes a lot of hard work and dedication, stress, money, and much more. AD: How do you handle the
pressures of preparing at such a high level? S&K: We don’t let the pressure get to us and just practice hard the way we usually do, as if the big competition we are going to is any other. We do our regular warm up and prepare as would normally would. AD: What was the most memorable WDSF World Championship for you? S&K: Our World Youth Standard Championship in Italy where we finished at an amazing 8th place was the most memorable for us, as it started a new phase of our dancing. It was where we got our best place, and it gave us the confidence to achieve bigger and better things.
AD: What advise do you have for Junior II couples moving into Youth? S&K: Youth is a very hard age division, but if you stick to it, anything is possible. Definitely focus on technique and not just copying amazing couples, because as the great Mirko Gozzoli says, only quality has a future. AD: What recommendations
do you have for DanceSport of the future? S&K: We are very big proponents of change and advancements, as we believe it is an important part of dance… an evolutionary cycle that progresses. We believe that everyone should adapt to these changes, so that the world of dance can produce better quality and art all together. AD: In what divisions will you compete at Nationals 2016? S&K: Under-21 and Adult Latin, Standard, and 10 Dance. March - April 2016
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WDSF WORLD CHAMPIONSHIP ADULT LATIN NOVEMBER 21, 2015
Vienna, Austria
WDSF WORLD CHAMPIONSHIP ADULT LATIN
Kiki Nyemchek & Magdalena Fialek
Tied 51-53 out of 89
Malachi Osai & Annabella Waszkiewicz
Tied 73-75 out of 89
W
hen one thinks of Vienna, the colorful imagery radiates of old world grandeur and formality – horse-drawn carriages, white gloves and tiaras, grand ballrooms and dancing the Viennese Waltz. Yet, Vienna in 2015 was also home to the World DanceSport Federation’s Adult Latin World Championships. And in November, the USA World Team -- Kiki Nyemchek & Magdalena Fialek and Malachi Osai & Annabella Waszkiewicz – were among the world’s top 89 couples at the three-day 22nd annual Austrian Open Championships at the Multiversum Schwechat arena, where more than 3,000 dancers from 50 countries were on the dancefloor. Of course, the Austrian Open hosts a Viennese Waltz Championship, but for the USA, it was all about Latin.
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KIKI NYEMCHEK & MAGDALENA FIALEK (NJ) Competing Together: 6+ years Coaches/Studio Association: Eugene Katsevman/ Brooklyn Dancesport Club, Shirley Ballas WDSF World Placements: Adult Latin 2014, 50th; 2015, 51st. USA Dance Placements: Nationals: 2014, 4th; 2015, 2nd
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Dr. Helmut Roland
AMERICAN DANCER: What
is the history of your partnership, and what distinguishes you on the floor? Kiki & Magdalena: We have been dancing together for six years, so we know each other on and off the dance floor inside out, which means we know what to do or in most cases what not to do to make sure that we are in the right mental space going into a competition. I think what distinguishes us on the dance floor is that although we have a great relationship with each other - our package isn’t all about dancing as one unit, we still allow each other to shine and have our individual moment.
course, both of us had grown up watching our favorite dancers at the Austrian Open. So we were both really excited to go to such an amazing, prestigious, well regarded competition. The energy at a WDSF competition is always fantastic, and this one was no different. It feels
like a sporting event - so much cheering, people holding up signs - really fun to be in such an environment where you can tell the crowd loves dance. K: And Vienna is so beautiful - it was a cool feeling. There were moments of our performance that of course we feel could
AD: What were your thoughts
going into the Adult Latin World Championship in oldworld Vienna? M: Going into the Worlds this year we had a lot of great feedback, nostalgia and amazing hype from dancers that had previously done the Austrian Open…And, of
American Dancer | www.americandancer.org
Dr. Helmut Roland
have gone better, some issues with the dress, things like that but overall we were happy with what we left on the dance floor. AD: What are your goals as a
couple following this World Championship? K&M: I think we are both realizing and truly finding who we are a couple now, getting to really know the product we want to put out and how we’d like to do it. For some couples this is an easy thing, it happens quite quickly, but for us it has definitely been a process. So our goal now short term is to make sure that we get that idea across -- for people to really see a change in our dancing. Of course, we have a number of competitions we would like to excel in - one of them being the USA Dance Nationals this year, and hopefully go on to do the WDSF Worlds again. Also, we have been asked, but are never able to make a World Cup event. So, we would love to be able to do that.
traveling. We would love to be able to do more WDSF events. Unfortunately a majority of them take place internationally. This makes it difficult both financially and timing wise to make those things work. AD: How truly competitive is
Adult Latin globally? K&M: I think the amateur divisions and in that, the Adult Latin are some of the most competitive out there. Everyone is trying to establish themselves for their future pro/teaching career. And imagine, 89 couples at Worlds: think of how many couples there are out there that didn’t get to go to the Worlds. So competitive. Dr. Helmut Roland
career. We met up in New Jersey for a try-out, and our dance styles immediately clicked. AD: What were your thoughts
AD: What is the “distinctive
presentation” you’re trying to achieve on the floor? K: If I could sum it up in a few words it’d be “cool” and easy to watch. What I value in a good dancer is something that leaves you thinking “wow, that was cool” or unique or whatever, but also for the dancing not to be too laborious. I want it to look like it’s a cake walk. M: Agreed. I think our distinctive presentation maybe wasn’t always our strong suit, but I think that this is something we will bring to Nationals this year.
MALACHI OSAI & ANNABELLA WASZKIEWICZ (NJ)
Competing Together: 3 years USA Dance Chapter: 3059 Studio Association: Rogers Dance Center WDSF World Placements: Adult Latin 2015, 73rd USA Dance Placements: Nationals – Adult Latin 2015, 4th; Adult Latin 2014, 8th. AMERICAN DANCER: Tell us
more about your partnership.
going into the WDSF World Championship in such an old-world city? M: Preparing for the WDSF World Championships, I was thrilled to be going to a venue with such historical significance. Being that it was my first time traveling to Europe, I was looking forward to it with much anticipation. The atmosphere of respect to architecture and culture gave the competition a unique vibe. A: Competing in Vienna was an amazing opportunity and a dream-come-true for me. Being able to represent the United States at such a prestigious competition motivated us to perform beyond our best.
AD: What are your greatest
challenges now as a DanceSport couple? M: There are definitely a number of challenges that dancers face. For us personally as a DanceSport couple, it’s the
Malachi & Annabella: We started dancing together in April 2013. Mal was living in Utah at the time, and he was looking to move to the east coast in pursuit of his dance
AD: What are your goals
following this WDSF World Championship? M&A: After this experience, we feel excited and motivated to discover what our future holds.
As a result of our amazing experience in Vienna, we are looking forward to competing internationally and continuing to improve our dancing. AD: How would you describe
the distinctive presentation you’re trying to achieve? M&A: Being able to communicate a strong image is extremely important to us. We especially focus our interpretation of the relationship between man and lady in each dance. People often say that they remember the continuity of movement and our ability to make it look effortless. AD: Anything about the
competition in Vienna that stood out or is a lingering impression? M&A: The competition was well organized and beautifully presented. A unique level of respect was shown for the dancers as well as the sport itself. We felt welcomed and appreciated for the passion and commitment that we dedicate to DanceSport. March - April 2016
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WDSF WORLD CHAMPIONSHIP SENIOR I LATIN DECEMBER 5, 2015
Salou, Spain
WDSF WORLD CHAMPIONSHIP SENIOR I LATIN
Irsan Tisnabudi & Cami Tisnabudi
37 out of 45
Valeriy Ort & Rita Lynn Ort
Tied 39-41 out of 45
Photos by Lisa Dubinsky
T
he 17th annual Spanish Open in Salou, Spain, held Dec. 4-8, 2015, hosted the WDSF Senior I Latin World Championship. USA Dance sent two Senior I World Team couples to this highly competitive Championship. Since one partner of a couple can be as young as 30, athletes recognize this “raises the bar of intensity” of the competition, especially for dancers whose ages can range 40s and up. The USA Team performed strongly in Salou.
stronger and more competitive, and we knew this year would be no exception. But still, we strived to make the quarter finals, because we feel this is achievable for where we are in our dancing.
I
AD: Senior I Latin is a highly competitive division globally. What were your observations about the other competitors? Cami: The level of dancing we have observed in Senior 1 Latin globally has been phenomenal and completely inspiring.
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IRSAN TISNABUDI & CAMI TISNABUDI (TX)
Coaches/Studio Associations: Kevin King USA Dance Titles: Senior I National Latin Champions, 2009-2015 AMERICAN DANCER:
Please describe the history of your partnership. What distinguishes you together on the floor? 44
Cami: Irsan and I met in a competitive latin ballroom class in 2005. I moved from my home town in Austin, Texas to Houston in order to further my ballroom training and Irsan was looking for a competitive partner at the time. He asked me to dance in the class and after asked if we could try-out. What I remember most about that day was his big smile and his joyful spirit and enthusiasm when he danced. We tried out later that week and have been dancing together ever since. We quickly became the best of friends and were pretty much inseparable. Four years later we were married. I think what distinguishes Irsan and I on the floor is our interaction with one another, our playfulness and our joy of dancing. AMERICAN DANCER: There were 45 couples at the Senior I Latin World Championship. What were your expectations? Cami: Because we have been competing in Europe for sometime now, we knew the competition would be tough, especially with the recent changes in our age division (one person in the partnership can be as young as 30). Senior dancing continues to get
American Dancer | www.americandancer.org
AD: What was your most inspiring moment on the floor in Salou? Cami: Without a doubt, the flag ceremony. It is such an incredible experience to be on the floor with dancers from all over the World united by DanceSport. I felt so proud to represent the U.S. and to wave the U.S. Flag. My mother was in the audience which made it even more special. She was all decked out in red, white, and blue and waving little American flags, one in each hand. She has been a huge support for Irsan and I, and we were so thrilled and proud to have her and her husband there, to share that experience with them, and to see them cheer us on. AD: Does anything distinguish USA couples on the floor versus other couples? Cami: I believe U.S. couples have good sportsmanship and are very friendly and respectful
of other the couples. We are always eager to to support and befriend the dancers from other countries. Even though we too are just as competitive, we know how to have fun and still maintain our edge.
VALERIY ORT & RITA LYNN ORT (CT)
Dancing Together: 4 years Coaches/Studio Associations: Sergey Dementyev & Viktoriya Kolbenkova, Vladimir Karpov; Ballroom Elegance, Vitti’s Dance Studio USA Dance/WDSF Latin Titles/Placements: Nationals: 2015 – Senior I Championship, 6th, PreChamp, 3rd; Senior II Championship, 6th, PreChamp, 2nd; Nationals, 2014 – Senior I Pre-Champ, 2nd, Senior I Novice, 3rd. Snowball Classic: Senior I Championship, 1st; WDSF World Championship, 2015, 39th, Open Senior II, 11th. AMERICAN DANCER: You have an active competition schedule, dancing in the U.S., in Canada and now abroad in Salou, Spain at the Latin World Championships. What is your thought about the Senior I divisions? Valeriy & Rita Lynn: We currently find it a thriving and competitive arena, and it is a great venue to encourage seniors to dance their best and
First & Lasting Impressions:
WDSF OPEN YOUTH STANDARD, LATIN CHAMPIONSHIPS IN SPAIN MURAT MEDZHIDOV & VALERIE DUBINSKY (MA) Why did you travel to Spain to enter the WDSF Open Youth Championships? We wanted to compare our skills to those of the international couples and to experience the thrill of a highly attended international event. blow some “senior” stigma out of the water. AD: Tell us more about the challenges of competing. V&R: We continue to dance in three levels of age categories: Adult (often Pre-Champ) Senior 1 and Senior 2 Championship. We find the challenge of dancing Adult extremely stimulating. The energy of Adult dancers brings out the best of a senior couple. To be challenged to keep up with the 20 to 30 year olds has a positive energizing effect. But dancing in the Senior levels is no less exciting. AD: On the competition floor, what changes are happening in your divisions? V&R: It seems there are more and more serious and competitive couples each year. This makes for a more exciting competitive event for the dancers and a greater enjoyment for the audience. It pushes the senior couples to stretch their limits, which is very healthy and inspiring. AD: Did becoming Senior I Latin Pre-Champ and Championship Finalists at Nationals 2015 change your life in any way? V&R: There has been an intensification of everything
since having the opportunity to go to the World’s. Coach’s interest, friends and family interest, a sudden change in perspective on what is possible. It definitely raised the bar. AD: What are your
philosophies (or requirements) as Senior DanceSport athletes? V&R: We do not put limits on ourselves as seniors. When we are coached, we expect to be coached as dancers, not “senior” dancers. AD: What has impacted you
most as Senior dancers? V&R: Being offered the opportunity to go to the World Championship in Salou truly was a surprise and truly a great honor. We continue to feel a responsibility to work hard to represent the USA as Senior dancers. AD: What do you want the
audience to remember when you dance? V&R: Connection, attraction, happiness, passion, energy, smile. AD: What thoughts for
Seniors who compete? V&R: Enjoy every single moment of the process. There is nothing better!
No doubt, Youth Standard and Latin are highly competitive globally. What were your observations? We were very impressed with the skills and the level of other dancers. Also they felt very Murat & Valerie placed 7th out of 30 couples comfortable dancing in in Standard and 13th out of 53 in Latin in the the events, because they Open Youth Championships in Salou, Spain. are able to attend many similar competitions in Europe, while for us, as a couple, it was our first international event. What was your most inspiring moment in Salou? When we noticed how many great partnerships were dancing in our heat and saw the support of the audience. What were your greatest challenges there and what helped you through? The biggest challenge for us was that it was our first time competing in Europe. Yet, we reflected on our excellent training, hours spent at the studio, advice given to us by our coaches and took the floor. Does anything distinguish you as a USA couple on the floor? We believe that the fact that we come from different cultures, Russian and American, makes us unique on the dance floor. We both bring our cultural experiences to our dancing, which gives us an opportunity to display strength and theatrical performance. Despite our differences, we are attuned to each other and understand one another nonverbally through facial expressions and gestures. What lasting impression did you want to leave your audience? We wanted the audience to see the joy and passion that we experience on the dance floor, to feel the emotion that we experience, and of course, to enjoy our performance. March - April 2016
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INSPIRATION TO DANCE . . . THE FREEDOM TO PARTICIPATE
T he M anhattan A mateur C lassic 2 016
“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and will be lost.” – Martha Graham
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American Dancer | www.americandancer.org
Ryan Kenner Photography
National Qualifying Events USA Dance 2017 National DanceSport Championships
FOR 2017 (first six): May 13-14, 2016 NEW ENGLAND DANCESPORT CHAMPIONSHIPS Waltham, MA June 11-12, 2016 NJ DANCESPORT CLASSIC – SUMMER SIZZLER Hackensack, NJ Jun 24-26, 2016 GUMBO DANCESPORT CHAMPIONSHIPS Baton Rouge, LA Sep 30-Oct 2, 2016 CAROLINA FALL CLASSIC Charlotte, NC Oct 28-30, 2016 CHICAGO DANCESPORT CHALLENGE Chicago, IL Nov 2016 CALIFORNIA STATE DANCESPORT CHAMPIONSHIPS San Jose, CA For more information visit: www.usadance.org
James Herbert & Sharon Jones (MA) Senior II, III Championship Smooth New England DanceSport Championships, 2015 Ryan Kenner Photography
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USA DANCE
2016
NATIONAL DANCESPORT CHAMPIONSHIPS Showcasing America’s Top DanceSport Athletes International & American Styles Pre-Teen to Senior III Scholarships & Selection of USA World Teams to WDSF World Championships
Hosting Four WDSF World Ranking Tournaments: ADULT STANDARD & LATIN SENIOR I STANDARD & LATIN
Renaissance Harborplace Hotel Baltimore, MD • APRIL 1, 2, 3, 2016
USA DANCE
NATIONALS www.USADANCENATIONALS.org Justin Lin & Sasha Dubinsky (MA)
National Vice Champions, Under 21 Standard USA Dance 2015 National DanceSport Championships Photo by Lisa Dubinsky, Vancouver