CONCRETE CANVAS: ARCHITECTURAL PORTFOLIO BY AMIRUL SHAH MUMFAHIR by Amirul Shah Mumfahir

Concrete Canvas. This is Amirul Shah Mumfahir’s architectural portfolio comprising some of his projects from 2018 to date. The word ‘Concrete’ is defined by form into a mass; solidify, while ‘Canvas’ represents the background, setting, or scope of a historical or fictional account and narrative. These terms illustrate the visual representation of both building and creative elements, amalgamated together.

Concrete Canvas.

Concrete Canvas. Concrete Canvas By : Amirul Shah Mumfahir 2020 Printed in Malaysia Editor & Art Direction Amirul Shah Mumfahir Advertising & Distribution amirulshahmumfahir@gmail.com English Correction & Proofreading Wan Ahmad Faiz Mohd Zaki Cover Art Concrete Canvas by: Amirul Shah Mumfahir Special Thanks To : Dr. Esmawee Endut Pn. Sharifah Asmah Tuan Mat Dr. Abu Bakar Abd. Raub Ar. Khairul Munauwir bin Montana Colors Malaysia District Shop & Gallery Ar. Embong Mohamed En. Fairus Reza Disclaimer Any reproduction/reprinting in any part of the book are strictly prohibited. Kindly get the approval from the Editor.

Dedicated to my parents.

Concrete Canvas.

Contents. First act.

Second act.

Third act.

Introduction

Work Compilation

Competitions

Acknowldegement

M.Arch 03 & 04 Concrete Canvas 3.0 - Matters Arising & Issue - Conceptual Studies - Site Analysis & Synthesis - Final Drawings

Sunway Catalytic Design Challenge 2018 - Matters Arising & Issue - Conceptual Studies - Site Analysis & Synthesis - Final Drawings

Profile & Curricular Vitae - Education - Working Experiences - Achievements - Extra Curricular Activities - Language - Software Proficiency - Personal Strength & Interest

M.Arch 02 Concrete Canvas 2.0- High Rise - Matters Arising & Issue - Conceptual Studies - Site Analysis & Synthesis - Final Drawings M.Arch 01 Concrete Canvas 1.0- Urban - Matters Arising & Issue - Urban Intervention - Conceptual Studies - Site Analysis & Synthesis - Final Drawings

Arch Out Loud â&#x20AC;&#x153;Waste: Multi-Purpose Stadium in Lagos Nigeria - Conceptual Studies - Site Analysis & Synthesis - Final Drawings Metals Construction Magazine 2019 Design Challange - Conceptual Studies - Site Analysis & Synthesis - Final Drawings Professional Projects KPJ Titiwangsa - Headquarters Office KPJ Taiping - Taiping Medical Centre KPJ Sri Manjung - Sri Manjung Specialist Centre Personal Works

â&#x20AC;&#x153;Practice and Theory are its parents. Practice is the frequent and continued contemplation of the mode of executing any given work, or of the mere operation of the hands, for the conversion of the material in the best and readiest way. Theory is the result of that reasoning which demonstrates and explains that the material wrought has been so converted to answer the end proposed.â&#x20AC;? - Marcus Vitruvius Pollio (ca.90-20 BCE) : De Architectura

Praise to the Almighty for His blessings, The Most Loving, The Most Merciful. This book goes out to every single person who directly & inderectly helping me through my journey to date. To those who endlessly offers me support and supervision, eventhough they were struggling with their own packed daily schedule. This book goes to those who inspired me, by exemplifiying love through their selfiness, generousity and endless service to others. Finally, this book goes to the one who loved me by believing in me, especially during my prime time. Thank you to my parents, lecturers, superiors & mentors, and my lovely friends. May God will always bless you.

Concrete Canvas.

First Act.

Profile & Curricular Vitae

“Listen to your heart, wherever your heart is, that is where you’ll find your treasure.“

- The Alchemist Paulo Coelho

Concrete Concrete Canvas. Canvas.

First Act. Profile. Amirul Shah Mumfahir. Graduate Architect LAM Part II A well-composed, creative and committed person, with 3 years of working experience. Able to adapt to any given task quickly and represent the establishment with a friendly, professional demeanor at all times. Always hunger for knowledge with a highly driven sense of sharing with others. Able to deliver any presentation and communicate well in English. Enjoy social interactions among large groups and can function well in a team.

Personal Details Name Date of Birth Nationality Race Religion Marital Status

: Amirul Shah Mumfahir : 8th November 1993 : Malaysian : Malay : Islam : Single

Education Background 1999 - 2005 SK Taman Rasah Jaya, Seremban, Negeri Sembilan (Primary)

Education Awards Dean List Awards (For academic excellence) Bachelor of Science (Arch.) (Hons.) LAM Part 1

2006 - 2009 MRSM Kuala Klawang, Jelebu, Negeri Sembilan (Lower Secondary)

- Semester 1 - GPA 3.53 - Semester 2 - GPA 3.65 - Semester 3 - GPA 3.53 - Semester 6 - GPA 3.89 - Semester 8 - GPA 3.53

2010 - 2011 MRSM Tun Ghafar Baba Jasin, Melaka (Upper Secondary)

Dean List Awards (For academic excellence) Master of Architecture LAM Part 2

2012 - 2016 Universiti Teknologi MARA Shah Alam, Selangor Bachelor of Science (Arch.) (Hons.) LAM Part I

- Semester 1 - GPA 3.79 - Semester 2 - GPA 3.64 - Semester 3 - GPA 3.92 - Semester 4 - GPA 4.00

2012 - 2016 Universiti Teknologi MARA Puncak Alam, Selangor Master of Architecture LAM Part II

Working Experience Industrial Training KACA Architects Kamal Abdullah Chartered Architect Shah Alam, Selangor

8-months internship with KACA Archiects, an architectural firm in Shah Alam which provided tons of opportunities to work on various project. Working along with the lead architects in preparing submission & construction drawings for MAINS project in Seremban, Negeri Sembilan and housing project in Bandar Tasik Puteri, Rawang, Selangor.

Skills

Assistant Architect

Involved in 3 on-going projects Kumpulan Perubatan Johor. (KPJ Healthcare Berhad) Involved during construction progress for KPJ Sri Manjung Specialist, KPJ Taiping & KPJ Headquarters Titiwangsa. Participated in meetings with the various parties in construction industries. Assisted the lead architect in handling multiple submission drawings, interaction with the respective authorities and handling client consultant meeting / site meeting.

Software

OYA Architects Ou Yang Archictects Sdn. Bhd SS7/9, Kelana Jaya, Petaling Jaya, Selangor

Achievements & Extra Curricular Activities

Communication Creativity Teamwork Leadership Teamplayer Punctuality Commitment

Microsift Word Microsoft Excel Power Point Microsoft Office Autocad Sketchup Revit Adobe Photoshop Adobe Illustrator Adobe Indesign Vray Lumion

Analog

Sunway Catalytic Development Design Challenge 2018 - 1st Prize. The assignment was to propose a catalytic idea of an alternative to a theme park that is exempted from entertainment tax. The project is for a 77.8-acre plot of land located in Sunway Iskandar at the Gulf of Sungai Pendas and along the straits of Johore.

Arch Presentation Arch Sketching Arch Diagram Arch Drafting

Language Capabilities

UiTM MASMED 1000 Pitching Competition 2015 - Second Prize (National Level) - Third Prize (State Level)

Bahasa Melayu English

Best Presentation Board for Ilham Review - Second Prize (National Level) - Third Prize (State Level)

Referee

Participant for ARCH OUT LOUD “Waste: Multi-Purpose Stadium in Lagos Nigeria

Ar. Khairul Munauwir KACA Architects Sdn. Bhd. Director +60 16-261 2002

- Group Participation under UiTM Puncak Alam

Participant for METALS CONSTRUCTION Magazine 2019 Design Challange - Group Participation under UiTM Puncak Alam

Creative Field Interest

Mr. Ou Yang Yu Jin OYA Architect Sdn. Bhd. Project Architect +603-7876 1899 Pn Sharifah Asmah Che Mat UiTM Puncak Alam Senior Lecturer +60 16-623 6164

Graffiti & Street Art Involvement - Invited artist for Caps Attack Festival 2019, Paris, France - Invited guest judge to Golden Flow Art Festival, Ningbo, China, 2018 - Invited to Step In The Arena Art Festival, Eindhovem, Netherlands, 2018 - Group Exhibition at Balai Seni Negara/National Art Gallery 2019 - First prize for Artscience Museum Street Art Competition, Singapore 2018 - Guest Artist for Meeting Of Styles Belgium 2017, - Involved in paint session with SBB Crew in Berlin, Germany 2017, - Guest Artist for Yardfest, Surabaya Indonesia 2017 - Guest Artist for Pressure Drops 2017, Bandung, Indonesia - Involved in paint session with AllCaps Store, Bali, Indonesia 2017, - Involved in collaboration with VICE South East Asia for UBER & CANON “Hidden Cities” Campaign

amirulshahmumfahir@gmail.com +6019-3679180 103-2, Jalan Setia Gemilang BG, Setia Alam, Section U13, 40170 Shah Alam, Selangor Darul Ehsan 103-2, Jalan Setia Gemilang BG,

Concrete Canvas.

Second Act. Work Compilation.

“There’s a beauty in the struggle & ugliness in the success.“

- Jermaine Cole

Concrete Concrete Canvas. Canvas.

Second Act. Work Compilation. Concrete Canvas 3.0 Proposed Graffiti & Street Art Creative Hub Montana Colors Worldwide Studio Master Supervisor Panels

: Dr. Esmawee Endut : Puan Sharifah Asmah Tuan Mat : Dr. Abu Bakar bin Abd. Raub : Ar. Khairul Munauwir

Project Brief. Concrete Canvas is a building which serves Montana Colors Worldwide, which will gather all the selected graffiti & street artist from all over the world as a central hub for street art culture in Malaysia. Reflecting the Malaysiaâ&#x20AC;&#x2122;s Graffiti scene since the 90â&#x20AC;&#x2122;s, the potential have shown a significant improvement in maturity & quality in delivering burner pieces. A perfect piece is not the sole responsibility of one artist, but also requires powerful teamwork and mutual understanding between the team. Therefore, Concrete Canvas is the perfect place where real graffiti were showcased and displayed for current & future youth generation.

Concrete Canvas.

Overall Form Derivatives Graffiti fonts are taking over the world of typography because of their unique and urban vibe. With their usually vivid and embellished colors and outlines, they’re perfect for catching the attention of viewers, readers, and spectators. Because ofthese design traits, graffiti fonts have also become more legitimate in implementing the concept into the building form treatment.

Graffiti Form Outlines

Overall outline from the front elevation

Perspective view from jalan ampang

Thesis Statement To enhance the potential of all street artist in Malaysia globally by creating a well designed creative spatial planning for artist’s workspace requirement, thus engaging with the public to generate more income and positive results towards local artist community and tourism expansion. montana colors distribution

Aim of Project

1. ASIA & OCENIA : 41% of distributors 2. AFRICA : 10% of distributors 3. EUROPE : 82% of distributors 4. CENTRAL AMERICA : 86% of distributors 5. SOUTH AMERICA : 58% of distributors

This project aimed to be the catalyst in the global future of street art scene and development by focusing territory in Jelatek, Kuala Lumpur as to create a new landmarks that will initiate an intergration activities among artist and various depth of community. This building also is to enable artist individually expose the ability in arts and culture, thus enhancing the profit and act as an income generator for the nation.

Source : montanacolors.com

Objectives source : oxford dictionary

The primary targeted area of objectives in this development are ; (i) to identify the various typologies of artist workspace that will suit the most with the local street artist in Kuala Lumpur (ii) to examine the anticipated impact of the integration of graffiti and street art with the urban context of Kuala Lumpur. (iii) to investigate the potential of the aesthetic values of graffiti and street art in the local and international market, entrepenuership & economy development.

“The built fabric of cities and towns provides the canvas on which street artists exhibit their creations, inextricably linking it to its environment. The relationship between the work and the physicality of its condition brings it into a unique artistic realm, where it is visible in the public space as opposed to the walls of a gallery, and as such, is unequivocally affected by the architecture that acts as its backdrop.”

Thesis Statement By inventing a new system through the “Concrete Canvas” it is believed that the issue of vandalism can be prevented. This premise is more likely serve as a club member organization that connects local artist and abroad under one roof. By offering skill based program such as graffiti class on techniques, sculpture class, animation, airbrush, workshops, & graphic printings, youth generation will be able to express themselves in a positive energy. Public perception towards graffiti will be shifted thus enhancing the potential of the artwork’s value. Communication & Storytelling

Vandlisme & Criminals

STONE AGE ( Ended 8700BCE-2000 BCE )

ROMAN EMPIRE ( 78 BC )

WORLD WAR II ( 1940s -20th Century )

Graffiti can be traced back to the Stone Age. Abstract shapes and animals were painted on stone and caves as a mark of expression

Graffiti found in early Roman empire cities like Pompeii with popular themes of sex, wine, money and politics

‘Kilroy was here’ became a symbol of the the US Super-GI during WWII and the Korean War. It showed up everywhere, worldwide

FIRST SPRAY CANS ( 1949 ) Edward Seymour invents the first aerosol spray can paint

Expressionism & Lifestyle

EARLY GRAFFITI WRITERS ( 1967 ) Early writers to emerge in Philadelphia include CORNBREAD and COOL EARL. He was a world’s first modern graffiti artist, was a 12-year-old troublemaker.

TRAIN & SUBWAY ( 1970 ) Tags start to appear outside trains, trains railway & subway. Styles become more unique

UNITED GRAFFITI WRITERS ( 1972 ) Hugo Martinez starts UNITED GRAFFITI ARTISTS, a collective that displays graffiti in galleries for the first time

HIP HOP & PUNK ( 1980s ) Graffiti shows close links with the Hip-Hop and Punk movement. Graffiti becomes a global form of expression across Europe cities taking on their own style & identity

Commercial & Fame

INTERNET ARRIVAL ( 1998 ) The popularity of the internet allows artists to share their work to a wider audience

PRESENT DAY ( 2019 ) Influenced by the Internet and Western tourists, graffiti becomes popular in smaller Asian cities. Graffiti is celebrated around the world in various festivals.

Perspective view towards f&b communal area

City’s Backdrop. The built fabric of cities and towns provides the canvas on which street artists exhibit their creations, inextricably linking it to its environment. The relationship between the work and the physicality of its condition brings it into a unique artistic realm, where it is visible in the public space as opposed to the walls of a gallery, and as such, is unequivocally affected by the architecture that acts as its backdrop.

issues and dilemmas Illegal Perception Unemployment

Illegal Perception Unemployment

Graffiti & Street Art is one of the biggest art’s movement that received tons of critics and resistance from the government & authority. This condition has raised so many views & various perception towards graffiti itself. To break the walls in between, multiple efforts & initiative need to be taken. The main issues can be divided into 3 parts. Illegal, perception & unemployement.

“ For habitual offenders (more than three times), those found guilty shall be liable upon conviction to imprisonment for a term not exceeding two years and shall also, subject to the Criminal Proce-dure Code, Tan Sri Lee Lam Thye be punished with caning.”

Vice President of Malaysian Crime Prevention Foundation

potentials & opportunities Enteprenuership International Recognition High Commercial Value

Source : afterschool.com, 2017

Graffiti & Street Art is one of the biggest art’s movement that received tons of

Source : (Izana, 2017) American Scientific Publisher

Enteprenuership International Recognition High Commercial Value

Source : (Izana, 2017) American Scientific Publisher

Enteprenuership International Recognition High Commercial Value

“The report reveals that unemployed young people in the country under 25 years old are Source : Faizal Sidik 273,400 in total“

National Art Gallery Curator

Enteprenuership International Recognition High Commercial Value

Despite having various type of negatives perceptions and critics from the public, graffiti & street art has proven that graffiti can be one of the powerful weapon in conveying message in creative manner. With the arrival of social media and internet technology, graffiti has become a global phenomena with various international connections and transactions.

“instead of being engaged in landscaping, graffiti should be encouraged in town areas. I have nothing against my picture which is drawn on a building in Alor Setar. That’s is great” Tun Dr Mahathir Muhammad Prime Minister of Malaysia

Growth of SMEs has consistently outperformed the overall economy with the average annual growth rate of SMEs at 6.6% compared to 5.2% for the overall GDP in the growth period of 2011 - 2017. This has resulted in the contribution of SMEs to overall GDP increased from 32.2% in 2010 to 37.1% in 2017. “Meanwhile, the advance of Internet economy and digital transition have the potential to unlock finance for SME, such as financial technology (Fintech) and alternative financing”

Global Connections Various events all across the world has brought the street art’s scene into the next level, with multiple collaborations with other artists abroad. Thus, giving a great impact towards the whole scene.

Break the barriers Throughout the years, some of the high profile companies started to realize the potential of street hustle brought by the culture itself. Therefore, multiple connections and collaborations has been initiated, in a series of commercial works that elevate the graffiti and street art game.

Concrete Canvas.

Image showing grafftiti artist in action. kinetic mechanical equipment will become part of the building. The elevator and skylift will be able to slide to the side in assiting the artist during painting session.

Enhancing the Coverage Multiple planes in horizantal and vertical manner has been design to act as an advertisement and exhibition wall for the artist to express themselves.

Train of Thoughts Graffiti can be hit in various type of places, as long as they can be seen by the public. The higher the pieces are being made, the level of the respect will be bigger. Graffiti is all about marking your territory therefore it is important to go paint every single day. This is the main purpose of the Train Installation.

View from jalan jelatek

SIEK

AKID ONE

37, Ampang, Malaysia

KATUN

31, Kelantan, Malaysia

31, Kajang, Malaysia

ASMOE

26, Seremban, Malaysia

KNOWLEDGE

DISCIPLINE

SKILLS

RESPECT

“ Interest in street art and graffiti is growing among all the young kids, and in my opinion, we just need more structure and support. There are so many amazing street artists in Malaysia, but what they need is a supportive environment to bring them to the next level. ” photo : @katun_

“ I hope one day we will be on the same level with graffiti artist from the rest of the world. It will be nice to be one of the contender and be able to challenge them in every way. It all depends on our attitude, determination and knowledge ”

“Sejujurnya ramai yang masih menganggap lukisan mural ini lebih bersifat vandalisme, namun sebenarnya ia adalah satu cabang seni yang cukup indah dan dapat menjadi daya tarikan. Negara- negara luar misalnya di Eropah sudah lama mengiktiraf lukisan mural sebagai seni unik untuk tatapan pelancong.”

“ For me Graffiti is a game. It is a game that requires you to craft and embellish your own character, styles and skills. An interactive game that connects players from all over the world using their own languages. A game that demands perseverance & determination throughout the journey. ”

photo : @siek27

photo : @akid_one

photo : @asmoeroc

Graffiti & Street Art by definition. There is a distinctive thin line between the definition of Graffiti and Street Art. Street art is an art form with contemporary graffiti inheritance (Najjar 2015). The origin definition of graffiti is a form of expression and free activities that has been dominated by the youth community that against the conventional culture (Westendorf 2010). Graffiti has become one of the key element and form of intersection value of the urban space’s aesthetic value (Libo Yana 2015). Eventually, street art became a highly legit form of art expression, after graffiti first established its appearance, where graffiti targeted its own community, while street art focus on the public (Westendorf 2010). Graffiti is likely to connect more significantly towards the reaction of contemporary culture and may be artful in its visual representation (Specker 2018) whereas the purpose of street art as stated by (Rodrigues 2018) is to offers openings into discussion of current issues, social justice, gender, poverty, sexuality and politics through its public critique of societal norms.

Katun

Kenji Chai

Phobia.

Katun name stems from his love of reinterpreting cartoon characters into physical form, a passion that grew with him throughout childhood and has found its way into the passion of what he does now. Emblazing walls and book with his tactics yet refined the form of paintings. Ofthen using brighter tones to bring life into creations. Katun isnt shy away from more aggressive works to make a point or two, often slipping statements into his more cheery pieces.

While some may already be familiar with him, the creative mind behind these artworks is the 37-year-old Sabah-born Kenji Chai. His artwork not only colours up parts of Malaysia, but he also has work featured in other countries. Born and raised in the city of Sandakan, Chai spent most of his childhood combing through comics, cartoons and storybooks.

Having started in 1999, Dmojo, or Phobia, is a veteran to the graffiti art scene. Based in Kuala Lumpur, his work, which involves vivid colours, animal skeletons and mixed direction, is whimsical and ominous. He is the space’s founder and one of Malaysia’s first writers. He started in his early 20s in 1999 by plastering quick tags and throwies his hometown of Batu Pahat, another state.

Source - Malaysian Graffiti Artist Database MAGAD, Balai Seni

Integration of Graffiti & Street Art in Public Spaces within Urban Context.

Rapid urbanization and increased competition between cities from all over the world has promote art and culture to be one of the key elements used by cities world-wide as tools to enhance the image of the city while improving the attractiveness of the urban spaces (Pauline Guinard 2018). Due to this current scenario, place marketing has turn into a vital priority of urban planners who needs to enhance the identity and image of the city to attract tourist, investors, students and workers from creative industry (Pauline Guinard 2018). Therefore, graffiti or any art especially installed in public spaces has been utilized and gain a greater role to promote the city (Pauline Guinard 2018).

Development of Graffiti & Street Art Graffiti and street art has evolved from an illegal-basis activity defacement of public or private property to an exclusive and highly legitimate artwork. It has undergoes a tremendous positive development that defies easy definition and often placed in public spaces within urban context and attracted by an unauthorized spectators (Riggle 2010). According to (Berleant 1997), public tend to easily engage in their environment since a constant observation and interpretation of the symbolical values of each places they visited. Therefore, by having graffiti and street art implemented in public spaces, it can transform the aesthetical value of the urban spaces, and will be able to establish a new singular or collective experience towards the public in the city (Pauline Guinard 2018).

montana sustainable approach

clients & collaborations 7% of the total budget goes to R&D

About

Sustainable & Green Approach

Research & Development

Job Opportunities

Montana Colors is one of the leading company in art supply in the world, where it all began 25 years ago in Barcelona. From that moment until today, the Montana Colors brand has experienced an expansion that has led it to be present in more than 80 countries around the world and have 21 official Montana Shop & Gallery outlets distributed throughout the world.

The have maintained their commitment to guarantee the highest standards with regards to environmental preservation and user health in all of their products.

Currently, over 200-300 people work for Montana Colors, from all over the world. This will enhance the job opportunities in Kuala Lumpur

This includes Amsterdam, Barcelona, Brussels, Cape Town, Istanbul, Kuala Lumpur, Lisbon, Lima, Madrid, Mexico, Montpellier, Montreal, Nottingham, Rio de Janeiro, Santiago de Chile, Sao Paulo, Seville, Sydney & Tokyo.

SDG

5 Research & Developments Centre

PRODUCTS

6 Production Centre > 20 Logistic Centre

1994 the start of an adventure Mission and philosophy Becoming a key role in urban contemporary art especially its commitment to graffiti. The core values is always in the dedication towards customers and respect for the environment.

SUSTAINABLE

logistic

2017

online sales and new subsidiary

creation of the donut system

-Jordi Robio CEO & Founder of Montana Colors

INNOVATION

300 - 400 employees 250 Male 150 Female

1997

“Montana Colors always think in innovation, quality, and respect to the environment. It is very important that sustainable become a priority in our company. Montana Colors always think about our employees, clients, and the future generations who will live in this small planet.”

QUALITY

BARCELONA

rnd

2016

2000

Strengthening of the r&d center

launch of the montana shop & gallery

shop

gallery

2013

2004

grand opening of montana colors labrotary

montana 94 released

2011

involvement in industrial paint

Concrete Canvas.

DATUM Jelatek

Jelatek Graffiti Wal 5 6

Great Eastern Mall

1. PETRONAS Twin Tower

2. National Art Gallery

3. Kampung Datoâ&#x20AC;&#x2122; Keramat

4. Great Eastern Mall

5. Jelatek Legal Graffti Wall

Site Synthesis Site Details No. Lot : 76 Plot Ratio : 1 : 6 Location : Kuala Lumpur, Malaysia Road : Jalan Ampang, Kuala Lumpur Landuse Type : Commercial Land Owner : Dewan Bandaraya Kuala Lumpur Landuse Type : 3.82 acres ( 15458.99 sqm )

Demographic Kuala Lumpur

6. LRT - Terminal Putra - K

“A city without Graffiti is a city without a soul”

Thesis Statement - Jaba, UB, JNC

15458.99 sqm

Green House Commercial

Low rise apartment Night Cultural Market

Suria Jelatek Residence

Jalan Ampang

Sg. Klang

Jalan Jelatek

Great Eastern Mall Balai Bomba Jelatek

2 minutes walking towards the Sg Klang famous graffiti wall

Abandoned Building

Commercial Area

Jalan Ampang

Night Cultural Market

Kelana Jaya Line

3.82 Acres

Elevated Highway AKLEH Jelatek Night Market

Commercial Area

KUL

Great Eastern Mall

3.82 Acres 15458.99 sqm

Commercial Area

Abandoned Building

Commercial Area Suria Jelatek Residence

Jalan Jelatek

Sg. Klang

2 minutes walking towards the Sg Klang famous graffiti wall

Balai Bomba Jelatek

Elevated Highway AKLEH

Pedestrian Connectivity

Elevated Plaza

Pedestrian will rather walk in a shortcut way rather than Despite congested traffic across the site, the floor level 90 degree. Therefore, a series of pedestrian pavement of the ground floor will be elevated, to increase the have been cut across the site to ensure the flexibility of privacy of the building. the design while enhancing the commercial value.

500m

7. Ampang Point Shopping Centre

8. Jalan Ampang

1000m

Building Orientation

The idea of having an Artist Walkway is to highlight the primary axis, that consist of beautiful view of the junction facing the commercial area.

The building will be oriented in according to the sun orientation to avoid any excessive sun penetration towards the building. A proper shading device will be installed to minimize the glare effect.

5. Jalan Jelatek

LRT Train Line

Bus Stop Station

Outdoor Voids

Existing Green Area

Potential Entrance

LRT Train Line is available to be used by the visitors and tourist as well. It will provide a convenient experience, and accessibility towards the proposed site.

Sufficient bus stop from RAPID KL is spotted around the proposed site. Tourist and visitors will be able to reach the graffiti cultural area through this affordable mode of transportation yet convenient & comfortable.

There are several pocket space that can be intergrated to enhance the activity around the site. Some of the legal graffiti walls can be introduced near Kg Dato’ Keramat for cultural intergration in between.

To enhance the social transaction, available pocket green can be utilized. Additional landscape will be designed along the road, river approaching the site to soften the congested area of the intersection between Jln Ampang & Jln Jelatek.

Proposed site can be approached from the main roads which are from Jalan Jelatek & Jalan Ampang. Both share almost the same advantages, with entrance from Jalan Ampang possesed higher potential due to the strategic location. ( Facing the primary denser road.)

Concrete Canvas.

From Jalan Tun Razak This is one of the most congested road in Kuala Lumpur. It would be most crowded during peak hour. However, by taking this route will not require visitors to pay for road toll.

LRT Train Line

From National Art Gallery

LRT Train Line is available to be used by the visitors and tourist as well. It will provide a convenient experience, and accessibility towards the proposed site.

Proposed Site Sungai Klang Jelatek is well known as one of the main attraction for Graffiti & Street Artist from all over the world, as it possesed a huge and long horizantal concrete canvas along the Klang River.

Elevated Highway AKLEH The circulation fabrics consist of primary road and internal secondary road. Main expressway (AKLEH) is also one of the primary vessel that connects the site towards the city in order to avoid any trafffic congestion during peak hour

Kampung Datoâ&#x20AC;&#x2122; Keramat From Jalan Ampang This route is normally utilized by people from Ampang, Kajang & Cheras. It is also congested during peak hour.

From Ampang Point

location plan scale 1 : 5000

Proposed Site.

Great Eastern Mall

LRT Train Line

Elevated Highway AKLEH

Suria Jelatek Residence

From Jalan Ampang

Neu Suites

From Jalan Tun Razak

M Commercial

Great Eastern Mall From Jalan Ampang

aerial perspective view

The Advantages Legitimate and high quality graffiti and street art can deliver many beneficial factors for an urban environment such as community togetherness and improved public spaces. The existence of graffiti and street art has surfaced in most of the urban areas in all over the world. Inevitably, it has become one of the biggest art movement of late twentieth century as it pose a great efficiency of conveying political, economic messages with many architectural aspect integrated with the art form (Najjar 2015).

This a DREAMER’S COLONY Within the annual International Meeting of Styles Malaysia area

High value of intersection commercial area at Jalan Jelatek & Jalan Ampang

International Meeting of Styles Malaysia is one of the most prestigious Graffiti & Street Art Festival in Malaysia, by Montana Colors Kuala Lumpur. Held every year in Jelatek Wall, it is located just 3 minute walk from the site.

The intersecting point is relatively cramp and pack, thus increase the commercial value towards the building. The site location also has a high potential for any product’s advertisement, as it is located near the traffic light junction.

The main core of this building is entitled for Graffiti & Street Artist, as it will be fullfilled with a series of studio, for them to work. Therefore, the site location will be perfectly suit the purpose, which are full with hidden values & intergrated local culture. While the proposed site is located approximately 10 minutes from Kuala Lumpur cultural’s trail, the location is easy to access with the aid of public transport

Traffic congested at the intersection between Jalan Ampang & Jalan Jelatek During peak hour, the proposed site is covered with an overflow of vehicular movement from 3 directions that will caused noise and air pollutions towards the site.

Out of the Kuala Lumpur’s arts & cultural belt & core

The proposed site is located approximately 10 minutes from Kuala Lumpur cultural’s trail. However, the location is still relevant as the level of porousity is high and ease of access with the aid of public transport

Cramped with multiple construction sites around the proposed site. Currently, the proposed site is surrounded by various long term development that will impact the ambience and the site condition itself.

Case Study : By Your Run Camp (Kota Kebayoran Lama, jakarta)

Cultural intergration and blending with the relevant context

Public Transport Area - Convenient for youth community and tourist In macro level, the site is highly permeable, as it is close to the nearest LRT Station. This is one of the main crucial element, as it will increase the accessibility towards the proposed site., It also will be convenient for the youth community and tourist during their visit.

Mutualism-Intergration between Kg Keramat and Street Art Culture The proposed site possesed a high potential in culminating with the nearest neighbour, (e.g: Kg.Dato’ Keramat). To inject various activities involving the existing community.

Street Art Dealin X is one of the subculture which is street art in Indonesia while embodies all creative paintings or installations that use public spaces as the medium of creativity. The event also boasted interesting contents for visitors which was painting on neighborhood in By Your Run Camp Project. BYR Camp Project is an initiative by the local artist to intergrate the street art into local culture with using art as a tools to beautify the village alley & empty walls.

The proposed site possesed a high potential in culminating with the nearest neighbour, (e.g: Kg.Dato’ Keramat). To inject various activities involving the existing community.

In response with River of Life project 2024 (ROL 2024) Since the location of the site is just 2 min walking with Sg Klang location, proposed Concrete Canvas Center would incorporate with the Government efforts in beautify the river with various Street Arts & Graffiti along the riverside.

To establish new Street Art’s landmark With the new Montana Colors’s nest in the map, the graffiti & street art scene will be enhanced, while promoting the culture by projecting various activities to encourage vibrant energy while engaging with potential clients & external body.

Compact site area The intersecting point is relatively cramp and pack, thus require extra attention during the construction period.

Located near various embassy in Taman U-Thant While having strategic commercial value, which located just along Jalan Ampang, the proposed site is basically surrounded with embassy from various country. This constraint can be turn into opportunity, as the new landmark will highlight the beautiful side of graffiti & street art among foreigners & visitors.

The environment control from spray paint’s hazardous To overcome this constraint, a well designed landscape elements (trees & shrubs) will be utilized to absorb the dust while reducing the smell of the spray cans. Proper ventilation is crucial during the design stage.

Concrete Canvas.

Roles of Street Art in Urban Context. Sun Shading

With the emerging scene of graffiti and street art in this century, it serves a multiple purpose towards its surrounding, especially public arts that has been implemented within urban context. It provides rationale towards in enhancing the quality of living environment, and at the same time reflecting while expressing cityâ&#x20AC;&#x2122;s identity (Council. 2010). Furthermore, graffiti and street art also highlights the celebration of significant people, places and act as a storyteller of a cityâ&#x20AC;&#x2122;s history. Thus, contributing to a sense of belonging and pride towards the citizen and public community (Muhammad Falihin Jasmi 2016).

To intergrate with the building orientation strategy to obtain maximum energy efficiency,

Oxygen Membrance Facade Oxygen Membrane facade that can absorb the hazardous materials of the spray cans

Green Approach

Co- Working Space

Co Working Space To promote the interaction between artist that will increase the level of social skills while creating new ideas.

Duplication of Modular System

Artist Working Space

To enhance the ability in being flexible to generate more creativity among the artist.

Concrete Canvas.

overall program distribution

Scaffholding Structure

Staggered pavillion

54%

Multiple levels outdoor gallery

Artist Workspace

Art Exhibition Area

Commercial Area

Artist workspace is the heart of this building,. To design a well condusive spaces for artist to work on while promoting the underground culture of street art towards the public

To celebrate the artist’s works and achievement by having a multiple scale & materials of surface that will engage the investor or buyers , thus increasing the value of the artwork itself

An exhibition of Motana Colors products such as spray paint, art tools, merchandise and various scale of art collections that will be up for sale. To design a space that are transparent for an ease visual transaction from the external and internal environment.

Communal Area

Display + Commercial

Outdoor & Indoor Workshop

Artist Installation Area

To engage with various layers of community, an outdoor and indoor classroom will be included. The programs will allow students directly interact with all the artist involved, and programs to be scheduled as an day time activities.

To include a surprise element that will enhance the strong & raw characteristic of the spaces. This area can be utilized for a working canvas and exhibition area at the same time on multiple occassions.

To celebrate the artist’s works and achievement by having a multiple scale & materials of surface that will engage the investor or buyers , thus increasing the value of the artwork itself

12%

GRAFFITI + ARCHITECTURE

Open Garden Green element has been precisely design to avoidthe excessive hazardous materials produced by the spray cans materials. It will soften the area by generatinf more oxygen and enhance the cooling effect of the building.

19% Commercial + Display An exhibition of Motana Colors products such as spray paint, art tools, merchandise and various scale of art collections that will be up for sale. To design a space that are transparent for an ease visual transaction from the external and internal environment.

street artist

fine artist resident artist

art collector investor

Shipping Container Exhibits

Formal Gallery

Student

youth

curator / operator

art collector investor

Student

Kinetic Wall Surface

Sculpture Exhibits

Urban Space & Place In a context of urban, how do we recognize a successful space? According to (Cullen 1961), a great space is where the designer place the strongest emphasis on physical urban aspects – ornamentation, design styles and urban intervention approach, the way building welcoming out into spaces, gateways, vistas and landmarks. He mentioned that this is the most rational objective classical perspective view of an urban design. A psychology of place plays a vital role in enhancing the essence of urban context. According to (Alexander 1979) or (Lynch 1960), psychology of place, will wrapped up in the idea of ‘mental maps’ which people utilize it as an internal guidance towards urban places. Public will tend to rely on their basic senses to communicate with them whether a place feels secured, comfortable, threatening, vibrant or dangerous.

Conceptual Ideas & Development

FLEXIBLE STUDIO

BRAINSTORMING POD

The idea of having flexible spaces is to avoiid any stagnant condition among artist that will lead to undevelop creative thinking.

Personal space for artist to brainstorm and revive. It is very crucial for the creative process to be enhanced and developed

OUTDOOR GALLERY

INDOOR EDU

PLAYFUL ENV.

Specific for outdoor painter, street artist & graffiti artist, outdoor walls will be their ultimate canvas for an expression.

Formal galleries will be studied to examine the proper specs for viewing area measurment and circulation

Play and paint will be intergrated in the lcreative learning process to enhance more ideas and thoughts.

Multi-Levels Interaction To promote the interaction between artist that will increase the level of social skills while creating new ideas.

Artistâ&#x20AC;&#x2122;s working space Perspective view

Personal Art Collections Work Station Painting Station

Spray Cans & Art Tools

Books & References

Netflix & Chill

Artist Workspace Artist workspace is the heart of this building,. This is the place where artist isolate themselves, grinding under a semi enclosed cubicle, producing tons of masterpieces. This compact space compromises several artistsâ&#x20AC;&#x2122;s essential, with a paintable walls that can be dismentled for commercial purposes.

Music & Entertainment

MULTILAYERED

FORMAL STUDIO

The idea of having an Artist Walkway is to highlight the primary axis, that consist of commercial & exhibition area

Conventional internal gallery will be used to exhibit any artworks, but will involved a high tech approach by the curator towards the spaces.

CLEAN STUDIO

Depends on the required SOA, the size & design of the working studios wil varies.

CENTRALIZED

MULTILEVEL WORKING AREA

To promote more social transaction among artist and workers during working hour.

2 way or 3 dimensional communication is essential in developing a good creative mind & healthy environment among artist.

Concrete Canvas.

Celebration of the street culture

Subject matter & realism Realism, sometimes called naturalism, in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, or implausible, exotic, and supernatural elements. Raw concrete will enhanced the quality and appereance of

Vertical movement When an elevator car moves, the forces of gravity, weight, and relative motion help to keep its artists at a stable rate. Sprecialist will install a pulley system that is designed to lift the elevator car up and down the shaft safely.

artistâ&#x20AC;&#x2122;s work in progress 26

Visual Stimulation, Symbols & Footprints Graffiti and street art can be perceived by individuals whether residence or tourists who are interested in appreciating visual stimulation (Bowen 2013). Graffiti and street art also signiﬁcant and remarkable sources for postmodern tourists who wish to experience a city through reading its signs and symbols. Furthermore, to have a bigger impact towards the experience, tourists may want to leave a mark or footprint on the landscape, that will establish a significance memory and this behavioural intention demonstrates that tourist’s desire to interact with their destinations (Thirumaran 2013)

commercial value

services

Montana Shop & Gallery will be one of the main highlight of the building, to enhance the commercial value of client. It is placed closer to the pedestrian walkway to attract the walking people towards the site.

Services area is located at the site cover the unpleasent view of the services. The same entrance provided higher efficiency.

vehicular circulation The vehicular circulation has been limited to 25 % of the site to maximise the floor efficiency

x’ latek n Je Jala social transaction This area is designed specifically to enhance the social transaction among artist’s community and public visitors.

kinetic architecture The structure of the roof will be able to move to serve multiple purpose and ocassion of the programs.

primary axis

The idea of having an Artist Walkway is to highlight the primary axis, that consist of beautiful view of the junction facing the commercial area.

f&b & pedestrian footprints Food & Beverage area is designed at the front portion of the building, to attract the public visitors from the main road.

ng Ampa Jalan

SECTION Y-Y’ - SCALE 1:300

Commercial Area

Individual Working Space + Open Park

Play + Food & Beverage Area

Main Indoor Gallery + Administration

Main Working Space + Large-scale Installation Area

Roof Top Level artist’s workspace

music station &

artist’s workspace

Level 3 artist’s workspace

artist’s workspace

Level 2

painting workshop

sculpture workshop

artist’s workspace

Indoor gallery Outdoor gallery Open Cafe

Level 1 Montana Shop & Gallery Pedestrian Entrance

artist’s workspace

outdoor plaza

loading unloading for installation

Control Room

main lobby Pedestrian Entrance

Ground Floor

Basement Carpark

Basement Carpark Level

Concrete Canvas.

SECTION x-xâ&#x20AC;&#x2122; - SCALE 1:150

Main Lobby - Penetrating To include a surprise element that will enhance the strong & raw characteristic of the spaces. This area can be utilized as the lobby & and exhibition area at the same time on multiple occassions.

Waiting Room

Office

Storage

Main Gallery Communal Gallery

Security Room

Commercial Area

Main Lobby

Drop Off

Services Drop-Off

Lift Core

Parking Management

Basement Parking

Services Room M&E

Formal Gallery Conventional internal gallery will be used to exhibit artistâ&#x20AC;&#x2122;s artworks through appointed curator. The 2 level gallery circulating the perimeter surrounding the void, penetrating through the main lobby.

Personal Working Space - Concentrated workspace - Required focus & deep work - Self reflection & deep thinking - Less distraction towards external environment - Reduced external stimulation

north elevation scale 1:300

Presentation & Exhibition Space - Requires a certain point of attraction - Highlight and emphasize on the subject matter - Generate radial interaction between reference point - Sharing ideas spaces, presentation, pitiching, spreading knowledge. - 1 or 2 way communication

west elevation scale 1:300

Creative, Play & Production Space - Building and product-making spaces - Allow experimentation & large-scaled buildable items. - Exchange of ideas, play, noise, certain types of dirt, messy are allowed in this space.

east elevation scale 1:300

Collaboration Working Space - Group work that required social interaction - Discussion, 2-way communication - Consultations between artist & clients - Any artwork/grouping exchange - Brainstorming session

south elevation scale 1:300

Multi-Levels

Food & Beverages Area

To promote the interaction between artist that will increase the level of social skills while creating new ideas. Thus, the he connection the lower level & upper level is emphasized

Food & Beverage area is designed at the front portion of the building, to attract the public visitors from the main road.

Design Strategies

Pedestrian Catchment Two joining axis has been established across the site to allow the pedestrians from Jalan Ampang and Jalan Jelatek to walk through the building while enjoying the exhibition that the premise has to offer.

Building as an advertisement Multiple planes in horizantal and vertical manner has been design to act as an advertisement and exhibition wall for the artist to express themselves.

Program Formulation The program has been derived from the site strength and the amount of suitability of each spaces that has been involved, Working space is the most dominant space followed by exhibition and commercial area.

Building Orientation The building will be oriented in according to the sun orientation to avoid any excessive sun penetration towards the building. A proper shading device will be installed to minimize the glare effect.

Building Orientation With an advantage of being at the primary corner of the whole stretch, the builiding viewâ&#x20AC;&#x2122;s potential can be enhanced through 45â&#x20AC;&#x2122; rotation that capture the road junction which depicting the vibrant motion of vehicular movement that will increase the energy/ambiance of the space.

Concrete Canvas.

Global Catalyst

Centralized Energy

Celebration of the Street Culture

Paint With Pride

Social Transaction

Spaces that influence the idea of social interaction between artist and encourage multiple meetings & personal exchange between the end user of the spaces.

Social transaction. A transition space act as a link between private and public areas; serves as a delicate transformation between the public and private domains. Source of Stimulation Spaces that requires a certain type of stimuli or elements that will trigger the reaction & performance of an artist. (Views, sounds, smells, textures, materials, touch, taste & colours.)

LEVEL 1 PLAN scale 1:300 Informalism learning.

Breathable space story-telling.

When beauty meets efficiency.

According to Thoring.K (2018), 5 design aspects need to be considered and she for aligned them for designer to design a creative spaces in any type of buildings that requires such a vas amount of creative energy. These are : Personal space, Collaborative space, Exhibition space, Play-space, Transition space.

In Architecture, is defined as a link or a connecting space between two enclosed spaces. It is a space of experience between the inner and the outer worlds; an intermediate or a third space. It is understood as a ‘buffer zone’ or a passage from inside to outside. They act as both a buffer space and a physical link.

Modular architecture or “modularity in design” is a design approach that subdivides a system into smaller parts called modules or skids that can be independently created and then used in different systems. A modular system is characterized by functional partitioning into discrete scalable and reusable modules, rigorous use of well-defined modular interfaces and making use of industry standards for interfaces.

Space Typology

Story Telling & Narrative Approach - Facilititate knowledge during the journey from one space to another - Display the knowledge of general interest for overall target user

Collaborative space - An increased amount of stimuli from the external environment to encourage social connection between building occupants and public or among themselves.

Private Space

Collective Space

- Interior Env

Spatial Quality

A transition space act as a link between private and public areas; serves as a delicate transformation between the public and private domains.

Modular components that will be transferred to serve a different purpose of the space.

Y Y’

- Haworth Researchers, 2017 - Dezeen.com

Public Space Ambigous Zone

- Interior Env

-Transition Space Rashmi Singh (2018) - Understanding Transition Space

“The presented design principles constitute a novel method for designing creative spaces. They provide the users not only with inspirations for their own spatial designs but also references to related studies with empirical data to substantiate any design decision.”

Building form Rashmi Singh (2018) - Understanding Transition Space

Specific Tools & Items The space that requires a certain type of tools, structure or technical items that will enable the creative process to take place. For example : Furniture, screen, paintings, art tools, display platform and dry wall partition.

Endless possibilities. The implementation of the modular architecture will give the endless possibilities towards the form of the building, thus enhancing the potential of the form exploration.

Resources & Knowledge The space provided must be able to store, display and allow the transfer of resources & knowledge. Through various types of medium, books, infograohics, internets,

Characteristic & Behavior The idea & characteristic that suggest a specific type of behaviour, towards the allocated spaces. Mostly through common sense, written, subliminal rules, culture, labels, ritual & signs.

Level 3 floor plan scale 1:600 leVEL 2 PLAN SCALE 1:300

basement car park scale 1:600

Bookstores + Art Cafe

Food Preparation

Cafe Food Storage

Art Cafe Food Serving

Level 3 plan scale 1:600

Smoking Area

Food Serving Area Eating Area + Art Installation

Food & Beverages Area Food & Beverage area is designed at the front portion of the building, to attract the public visitors from the main road.

Multi-Levels To promote the interaction between artist that will increase the level of social skills while creating new ideas. Thus, the he connection the lower level & upper level is emphasized

Concrete Canvas.

Food & Beverage area is designed at the front portion of the building, to attract the public visitors from the main road.

Commercial Value Montana Shop & Gallery will be one of the main highlight of the building, to enhance the commercial value of client. It is placed closer to the pedestrian walkway to attract the walking people towards the site.

General Overview - Structural System

Portal Frame The building is able to expand and contract by rolling the telescoping shells on rail. Through the use of conventional building systems for the fixed structure which is Portal Frame, the adapting gantry crane technology will activate the outer shell, thus able to accommodate large scale indoor & open air programming on demand.

Cubicle System Made by sustainable material such as perforated fibre steel, the build-in cubicle will be the main feature for this building, for more flexibility and exploration.

S ll

ra ve

em st Sy l a ur

Post & Beam A pier and beam (sometimes called post or concrete piers set into the ground. Bearing the weight of the building on foundation beams.

While easier to build and less costly that the more common periemeter concrete foundation. It is best for somaller building sites with a low likelihood of earthquake or hurricane.

Pile Foundation Pile foundation is a common type of deep foundation. They are mainly used to reduce cost and when as per soil condition consideration, it is most favourable to transmit loads to soil strata which are beyond the the reach of shallow foundations. Pile is a slender member with a small crosssectional area compared to its length, it is used to a deeper soil or rock strata when the bearing capapacity of soil is relatively low. Pile transmits load either by skin friction or bearing. Piles are also being utilized against uplift and provide structures stability against lateral and overturning forces.

t ea en

ou Gr

Graffiti Form Outlines

Overall outline from the front elevation

Overall Form Derrivatives

m or lF

Graffiti fonts are taking over the world of typography because of their unique and urban vibe. With their usually vivid and embellished colors and outlines, theyâ&#x20AC;&#x2122;re perfect for catching the attention of viewers, readers, and spectators. Because of these design traits, graffiti fonts have also become more legitimate with their use in advertising campaigns.

l ra ve

Concrete Canvas.

Overall structural system

A long horizontal looking outwards structure has been implemented. The whole structure has been supported by a single huge column, to transmit the load downwards.

This huge area is served for the artist to exhibit their works in the informal gallery. Large scale of column is being used to support the structure, projected out towards the main entrance

Inspired from The Shed in New York, this structure will be able to be move forward and backwards, depends on the purpose of the program. Portal frame had been utilized to whole the lightweight steel structure.

Graffiti can be hit in various type of places, as long as they can be seen by the public. The higher the pieces are being made, the level of the respect will be bigger. This is the main purpose of the Train Installation.

modular + Flexibility approach

Flexible & Modular Concept

1. CUBICLE SYSTEM Made by sustainable material such as perforated fibre steel, the build-in cubicle will be the main feature for this building, for more flexibility and exploration.

2. RIGID FRAME STRUCTURE The load will be accumulated by the vertical steel column, and transferred towards the ground. Steel structure frame will be utilized to withstand the modular cubical

3. SMART VERTICAL CRANE

Vertical crane will be placed at the interval of each breakfloor to mobilized the modular cubicle around the building. Anticipated will be controlled by using advanced smart technology.

4. RAILING SYSTEM

Underneath the cubicle, there will be a railing installed on the floor, to transfer the the cubicle outwards. the crane the then attached the cable by magnetic field force for further action.

5. SOUND & GLARE PROOF SMART DEVICE

The window panels and shading device will be highly proficient in blocking any excessive sun penetration & unnecessary noise

Derived from the word Metamorphosis & Pixellated, Morphixellated is a type of concept that has been applied to depict the overall concept for the Concrete Canvas. This concept articulates the ideology behind the Metabolist movement of the 1960s and 1970s, which envisioned cities formed of modular components led by Japanese Architects. The main highlight of this concept is to envision the application of scalable and stackable modular architectural strategies thus enhancing the flexibilty, and creativity of the artists.

ETFE Skin Facade

Kinetic Module

Ethylene tetrafluoroethylene (ETFE) is a fluorine-based plastic. It was designed to have high corrosion resistance and strength over a wide temperature range. ETFE has a relatively high melting temperature, excellent chemical, electrical and high-energy radiation resistance properties.

Drive system at the fixed building roof. Levelness of the rails and the freedom that those bearings offer for movement that allow kinetic system on top of the building to drive 8mil pound shed with 180hp. Each sled is powered by six electric motors of 15hp each driving the pinions through a planetary gear reducer.The extending shell will move at approximately 7.5 meters/min.

Lightweight Skin Materials

Integration of service

Ethylene tetrafluoroethylene (ETFE) is a lightweight skin facade system which will be appropriate for the kinetic elements and ease the movement of the building enveloped.

Some of the service including the power generator, electrical and mechanical are placed on top of the roof, thus reducing the amount spaces consumed.

Forged Steel Roof Truss Aluminium steel roof truss to with stand the load of the kinetic structure. Lightweight steel structure is being implemented for appropriate and ease movement.

Space Truss System Space truss is the most ideal method of construction, enable to achieve longer span and providing space for maintanence Protuding slots are provided for ETFE pillows air pump pipe Diagrid Steel Frame (Forged Hardened Steel) Diagrid Steel Frame

Movable Lightweight Precast Concrete Wall Panel Multiple planes in horizantal and vertical manner has been design to act as an advertisement and exhibition wall for the artist to express themselves. Some of the walls are movable to accommodate artist need. The hollow core partition wall panel is a quick-to-install non-load bearing precast element that can be used

Pulley System & Kinetic Mechanism When an elevator car moves, the forces of gravity, weight, and relative motion help to keep its artists at a stable rate. Sprecialist will install a pulley system that is designed to lift the elevator car up and down the shaft safely. Kinetic mechanical equipment will become part of the building. The elevator and skylift will be able to slide to the side in assiting the artist during painting session

Raw Concrete Wall The material preference for this Concrete Canvas Building is raw concrete (natural). The element of underground and raw by the street culture has been the main inspiration for the selected facade materials.

Post & Beam System + Pre Cast A pier and beam (sometimes called post or concrete piers set into the ground. Bearing the weight of the building on foundation beams.

Ability to be Cast into Shape

While easier to build and less costly that the more common periemeter concrete foundation. It is best for somaller building sites with a low likelihood of earthquake or hurricane.

Fresh concrete is flowable and is in liquid state. Concrete can be hence poured into various formworks or shuttering configurations to form desired shapes and sizes at construction site. Concrete can be cast into complex shapes and configurations by adjusting the mix.

WORKING SPACE

Simple and direct individual working space that will be directed to the communal space.

LIGHT WEIGHT CUBICLE SYSTEM Materials used for the cubicle is highly flexible, and can be fixed vertically & horizantally. It can be attached easily by using slot-in jointings typology.

Pile Foundation

EXPANSION GAP

Some tolerance gap will be highly considered to allow any expansion or contraction during uncertain temperature

The material preference for this Concrete Canvas Building is raw concrete (natural). The element of underground and raw by the street culture has been the main inspiration for the selected facade materials.

MOVABLE WALL SYSTEM

Wall can be replaced from time to time after painting session , thus enhancing the flexibility. These art walls can be sell for art commercial purpose, easily moved and transferred to various places

Excavation & Retaining Wall

Core Steel Column

Post, Beam & Fire Staircase Placement

Post & Beam X Space Truss

Post & Beam

Movable Steel Structure Installation

Excavation of the site and the projection of the retaining wall for the basement parking

Piling works and formation in vertical holes at critical structural point as main support for the building

RC Post & Beam are casted in various angle according to the allocated gridline. The liftcore & fire staircase were constructed.

RC column are constructed after the ground floor is completed. The streel permanent structural for the main arena are being erected concurrently.

The structural components for gallery is being fully erected to the roof structure. Brick wall, roofing, glazing, window & facade components are then installed after all the structural component were constructed.

At this stage, The movable structure is being constructed. The steel structure will be assembled in modular components, thus increasing the efficieny of the construction progress. The motorized element will be installed at the top of the roof to energize the envelope.

Concrete Canvas.

Modular cubicle workspace 1. CUBICLE SYSTEM Made by sustainable material such as perforated fibre steel, the build-in cubicle will be the main feature for this building, for more flexibility and exploration.

Flexible

PAINTING PANELS Multiple painting panels are provided for artist to work indoor and outdoor.

The function of the spaces can be switch as per artist’s desire, leaving them to become more creative in arranging their personal space

Lightweight Materials used for the cubicle is highly flexible, and can be fixed vertically & horizantally. It can be attached easily by using slot-in jointings typology.

Detail “B”

CASTELLATED STEEL FRAME to withstand gravitational,lateral and internal load from kinetic movement of the structure.

Workspace & typologies

LIVING + WORKING

A combination of living with working activities that allow the artist to be part of the space, treat it as their own home

TYPICAL ENCLOSED SPACE

Enhancing the privacy of the artist in producing their artworks, increasing the productivity as there’s limited distraction

MULTIPLE LEVELS

The ability of the artist to think creatively will be enhanced by having a split level inside the space.

Wheel railing system

SOUND & GLARE PROOF SMART DEVICE

The window panels and shading device will be highly proficient in blocking any excessive sun penetration & unnecessary noise

Underneath the cubicle, there will be a railing installed on the floor, to transfer the the cubicle outwards. the crane the then attached the cable by magnetic field force for further action.

Covered area

Open Space

Moving Forward

Alternate Activities

Services.

The main space will be covered at the central area. The space underneath will be the main workspace for the artist and the plaza exhibits.

The surrounding open space can be utilized as an outdoor painting area with additional of external galleries and installation. Various activities can be conducted in the main Plaza Exhibits.

As the structure moving forwards, 1/3 of the roof area will be covered. With the help of motor that has been placed at the allocated roof area, the roof can be controlled from the control room at the ground floor

Multiple activities can be conducted with presence of the roof such as external exclusive exhibitions, indoor concerts and art festival.

The services trucks will be allowed to pass through the building from the back and penetrate into the central of the plaza exhibits for loading unloading for any event’s equipments,

Work Visibility Work by the artist can be visible from the main road and main communal area, located at the centre of the building, and become part of the main facade.

Structural Clarity To enhance the element of rough and strong, steel structure has been implemented. The modular concept will be achieved by utilizing flexible framing structure to withstand the cubicle load in between the floor structure.

Concrete Canvas.

Special Study - Kinetic Architecture

Some of the mechanism for the whole structure, showing the transportation of the flexible artist studio.

THE SHED - New York

The staggered organisation will allow a higher visual ability for the artist and the visitors as well.

The building’s roof features a 8,000,000-pound (3,600,000 kg) retractable shell, made of an exposed steel diagram frame, clad in a Teflon-like material called ethylene tetrafluoroethylene (ETFE). This material has the thermal properties of insulating glass at a fraction of the weight. The shell can close and open within 5 minutes and when the shell is retracted, the open-air plaza becomes a publicly accessible outdoor space. The shell retracts on eight bogie wheels, each 6 feet (1.8 m) in diameter, powered by a total of six 15-horsepower motors.

Source : Architectural Digest (2019)

Initial Conceptual Sketch

Looking Through the Section Structural Study

NATURAL SUNLIGHT PENETRATION Open facade to allow sun penetration towards the building, thus reducing energy level in the building.

The diagrid frame component are designed to withstand gravitational,lateral and internal load from kinetic movement of the structure. The structures are joined together at the lamella part resulting in seamless continuous frame and ease in erection of the structure.

INJECTED STAGGERED GREEN BALCONY There are few intervals open area that allow the vegetation to helps in reducing the heat gain from conduction while providing a relaxing area for the community to enjoy

permeability The open concept with various exciting elements will ease permeability of an area, and therefore its potential ‘footfall’, and in turn increases the number social transaction between artist and visitors. Promoting a healthy physical and mental health among them.

shared workspace

artist open garden

vertical garden shared workspace artist corridor

section detail a

double volume

art storage

pantry

art storage sculptural workshop

computer lab

train sculpture

Cross Section - Working Spaces

loading area

exhibition area

lift core

Section C-C’

Motorized Vertical Transporter A powerful motorized vertical transporter will allow kinetic system on top of the building to drive 8mil pound shed with 180hp.

Integration of service Some of the servise including the power generator, electrical and mechanical are placed on top of the roof, thus reducing the amount spaces consumed.

Exploded Diagram

ETFE Cushion

Air inlet for ETFE air supply. Aluminium extrusion & bracket for ETFE assembly

Blow Up Detail A

Welded Plate Structural Steel Member. Space for Electrical conduits serving device below

Source : Architectural Digest 2019

Line of glazing operable door

Drive system at the Roof

Acoustic Blackout Shade

Reference : Detail Magazine Sept 2019

ETFE Cushion for facade. Ethylene tetrafluoroethylene (ETFE) is a fluorine-based plastic. It was designed to have high corrosion resistance and strength over a wide temperature range.

Each sled is powered by six electric motors of 15hp each driving the pinions through a planetary gear reducer.The extending shell will moveat approximately 7.5 meters/min.

ETFE has a relatively high melting temperature, excellent chemical, electrical and high-energy radiation resistance properties.

Castilated Frame

B Source : https://www.c-beams.com/

Space Truss Protuding slots are provided for ETFE pillows air pump pipe

Blow Up Detail C

C Boogie Wheels Source : Architectural Digest 2019

A rack-and-pinion drive moves the shell forward and back on four single-axle and two double-axle bogie wheels that measure six feet in diameter; the deployment of the shell takes approximately five minutes.

Diagrid Steel Frame (Forged Hardened Steel) Space truss is the most ideal method of construction, enable to achieve longer span and providing space for maintanence

Detail B

Concrete Canvas.

Sewerage & Greywater Diagram

Water Capacity Calculation Ground Floor - 3rd Floor

Introduction For this building, the water supply system that has been implemented is Gravitational Downfeed Distribution System. The source of the water supply provided by the authority, Syarikat Bekalan Air Selangor Sdn Bhd (SYABAS) through typical trenching. Direct Connection Subsequently, the spaces that requires clean water such as kitchen, food preparation area and cafes will be directly connected to the main pipe. This is due to hygenic matters, for the purpose of preparing food and beverages. Indirect Connection For sanitary purposes, such as toilet, sink, toilet pump & cleaning etc, the water is supplied directly from the suction tank to the domestic tank. From the domestic tank, (located on the higher level) the water will be then distibuted by gravitational force. Some of the water also will be directly connected from the suction tank to the sprinkler tank for active provision. The volume of the suction tank is 1/3 of total supply needed for the domestic tank

Advantages

Area

Tap

Basin

Urinal

Male Toilet

Female Toilet

OKU Toilet

Cafe 1 & 2

Food Kiosk 1 2 & 3

Office Pantry

Surau (Ablution)

Total

Total Sanitary Fittings

Traffic Flow Water is not affected by peak load hour Consistency Water supply will not be affected by any power interception Ideal for Maintanence Any maintanence carried out will directly affect the water supply to the building

Fittings

Tap

Basin

Urinal

Total

Fittings

Total No. of Units

Standard Capacity

Calculation

Total

40 Gallon / unit

40x40 Gallon / unit

1600

Tap

20 Gallon / unit

65x40 Gallon / unit

2600

Basin

20 Gallon / unit

50x40 Gallon / unit

2000

Urinal

40 Gallon / unit

15x40 Gallon / unit

600

Grand Total

155

40 Gallon / unit

41x40 Gallon / unit

6800 Gallon

Total Capacity

Water Reticulation Overview In-Direct

Drinking

Reticulation System

Landscape Direct

Domestic Use Drinking

Cleaning

Landscape

Fittings

Water Distribution Overview Tapped Water Supply

Main Meter

Indirect Supply

Suction Tank

Cold Water

Domestic Tank

Pengurusan Air Selangor Sdn Bhd

Direct Supply Food & Beverages

Traffic Flow Warer Closet : 40 gallon/unit Urinal unit Tap : 20 gallon/unit

Landscape Irrigation

gallon/

Basin

Rainwater Harvesting System

Allocation of Tank & Calculations Domestic Tank Calculation

Water Supply System.

Fixtures

Collection & Storing System

Rule of Thumb : 1 tank module (1.2 x 1.2 x 1.2) = Gallon

Rain Water Harvesting Collector

i) Total Domestic Water Capacity = 6800 gallon

RWHS Gutter

Therefor ii) No of tanks = 6800 gallon / 400 = 17 = 17 tanks

RWHS Downpipe

RWHS Tank ( 2nd Floor) sTORA

RWHS Tank Basement Treatment & Filtration

Landscape & Irrigation, Cleaning Landscape

Cleaning

1.2

RWHS Collection : Estimated Calculations 1.2

1.2

Catchment Area (m²)

Annual Rainfall in KL (mm)

Filter Efficiecy (%)

Run-Off Coefficient (%)

Average Daily Rainwater Collection (m3)

Total amount of water that can be replaced with RWH

Proposed RWH Tank Capacity (m3)

Net Harvested Rain Water (m3)

Total water consumption required (M3/Day)

Estimated Water Savings (%)

2161.00

999

Total

0.90

1750.23

93.55

93.35

34145.00

5.13

The desired RWH tank capacity (m3) = 17 No of RWH tanks required = 10 Units No of RWH tanks provided = 10 Units

Sprinkler Tank Calculations (i)

Conceptual Rainwater Harvesting System Rainwater is collected from large roof surface through allocated gutter as a cumulative collecter. Rainwater is then discharged to the RWH downpipe to be stored in the Rainwater collection tank. The rainwater collection system will then carry out the first flushing downpipe to improve the water quality.

The calculation for the sprinkler system LEVEL

TOTAL AREA (m²)

No. of Heads (1 Head/10 m²)

Basement

8476.72

848

3155.51

316

Level 1

3042.98

304

Level 2

2760.10

276

Level 3

135.13

Total no. of Heads : 1757 heads Every 1000 heads require 3000 gallon water (with complete system) Therefore : ( 1757/1000 ) x 3000 = 5271 gallon = 5271 x 0.0045461 = 23.96 cu.m

Dedicated Roof Catchment

Tank size = std. tank (1.2 x 2 x 1.2m ) = 1.728 cu.m

First Flush

Therefore, no. of tank required = 23.96 / 1.728 = 13 = 13 tanks

First flush will be allow all the roof containments from entering the following tank. The water is then will be utilized for irrigation landscaping activities

No. of system required = 1757 / 1000 = 1.8 = 2 set

Gravitational Downfeed Distribution System

2 1

5 10

4 8 6

LEGEND 1 2 3 4 5 6 7 8 9 10 11

Main Water Supply Tapped Water Supply Water Meter Suction Water Tank Rainwater Harvesting Tank Fittings (WC & Basin) Direct Kitchen Supply Domestic Tank Rainwater Harvesting Landscape Irrigation Water Pump

Horizontal Distribution System

Indirect Connection For sanitary purposes, such as toilet, sink, toilet pump & cleaning etc, the water is supplied directly from the suction tank to the domestic tank. From the domestic tank, (located on the higher level) the water will be then distibuted by gravitational force. Some of the water also will be directly connected from the suction tank to the sprinkler tank for active provision. The volume of the suction tank is 1/3 of total supply needed for the domestic tank

Harvesting Gutter

Male Toilet

Female Toilet

DOMESTIC TANK (GRAVITY)

WATER HARVESTING TANK

FLUSHING PIPE

WC FLUSHING

Surau

Pantry

Cafe LANDSCAPE IRRIGATION

WATER METER

Male Toilet

Female Toilet

Kitchen + Kiosk MAIN WATER SUPPLY

SUCTION TANK

TAPPED WATER SUPPLY

WATER HARVESTING TANK

40 50 15 65 40 50 56

30 30 -

5.5

30 30

1.6 0.25

30 30

5.5 10

1.0 -

105

5.5 5.5 5.5 Per Flush

10147.50 12825.00 7680.00 112.50

1.5

10147.50

5 5

85500.00 2250.00

15.00

128677.50 128.68

Direct Connection Subsequently, the spaces that requires clean water such as kitchen, food preparation area and cafes will be directly connected to the main pipe. This is due to hygenic matters, for the purpose of preparing food and beverages.

87.88

15100.00 0.00 4536.00 5674.00 5.67 5.67

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Sewerage & Management System

Refuse System

Agency Involved

The premiseâ&#x20AC;&#x2122;s sewerage system is practically connected to a public sewerage treatment plant that is operated and maintainde by Indah Water Konsortium Sdn. Bhd. (IWK) The particular diagram shows the basic flow of the sewerage and waste water from premiseâ&#x20AC;&#x2122;s toilets, bathroom and kitchen to the public sewerage treatment plant in daily basis. The sewerage will goes into internal (private sewerage) pipelines into the underground public sewerage pipeling, then the effluent will be released back into the waterways.

The traditional bucket collector system for waste collection involved plenty of vehicles and labors which involving a lots of unpleasent, unsightly, unhealty inconveninent and difficult to be intergrated in a building automation system. A central vacuum system is a new trend to build ip an Automated Wasted Collect System intergrated with concealed pipes around the buildings. This system offers an efficient and perpetually quality of waste distribution.

Refuse System CALCULATION MH2 MH2 MH2

MH1

MH2

Sewerage & Management System

MH2

Types of Establishment Places of Assembly, Offices & Commercial Area.

Manhole

The manhole will generally aids in inspection, cleaning and POPULATION EQUIVALENT = 3 per 100 sqm per Gross Area maintanence of the sewerage line. Therefore The last manhole will discharge to = (17,435sqm/100) x 3 the public sewerage treatment plant. (STP) Upon any blockage, the checking and clearing of the = 523 PE blockage will be carried out via the inspection chamber. Manhole 1 to Manhole 2 Population Equivalent = 523 PE Peak Flow Factor = 4.7 x (PE/1000) Manhole Distance = < 30m from each manhole = 2.458/s

MH2

Sewerage production at average daily flow = (Peak Flow x PE X 360) / (24 X 60 X 60) = 462792.24/86400 = 5.356/s Checking Pipe sizing for full capacity a) Diameter of pipe, d :

Total no. of manhole provided : 6 nos

Sewerage & Greywater Diagram

MH8

3 4

MH7

MH6

9 MH1

MH5 MH2 MH4

MH3

Disposal System LEGEND 1 2 3 4 5 6 7 8 9 10 11

CALCULATION

Loading Bay Refuse Chamber Toilet Kitchen Grease Trap Sewerage Manhole Sewerage Pipeline Treated Greywater Tank Greywater Pipeline Discharge to Main Sewarage Ablution Area

Rule of Thumb 1 cubic meter for 110 sqm of nett building area Gross floor area = 17,435 sqm Nett floor area = 17,435 - 30% = 12114.2 sqm Therefore, Size of refuse chamber = 12114.2/110 =110.13 / cubic meter Standard size of refuse chamber = 4m x 8m or 105.6 cubic meter Therefore, No. of refuse chamber required

Horizontal Distribution System Horizontal Distribution Horizontal cut section showing all the spaces that involving sanitary and sewerage piping. All sewerage will be discharged at the nearest mainhole before going to Sewerage Treatment Plant (STP)

V e ntila tio n pipe

Female Toilet

OKU Toilet

Male Toilet V e ntila tio n pipe

Female Toilet

OKU Toilet

Male Toilet

Surau

Office Pantry

Open Cafe

Kitchen + Kiosk

Grease Trap

MH 1

MH 2

MH 3

MH 4

MH 5

MH 6

MH 7

MH 8

MAIN MANHOLE

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Electrical & Telecommunication System Introduction - Electrical System

Electrical Distribution Sequence

Electrical Room Provision The sizes of rooms dedicated to electrical equipments are frequently proportional to buildings size. For this Graffiri & Street Art Creative Hub, these rooms are configured around a single core, as part of the services wing.

Tap from Main TNB electrical line

Meter Room

Electrical Fittings

System Components

TNB Sub Station

Genset (for backup power)

Final Distribution

MSB Room + Distribuation Board

TNB Substation Meter Room GENSET Room MSB Room + SDB Risers Distribution Board

Introduction - Telephone System

Telecommunication System Sequence

In-Direct line PABX Room

Electrical & Telecommunication System

Telephone system will be topped from the main Telekom lines into building’s MDF Room. Each floor will contains at least one telecommunication room depending on the floor area served. Each Tll may serve up to 1000 sqm (10000 sq ft) of floor space. Each is dedicated to the telecommunications functions.

Tap from Main Telekom line (TM)

Telecommunication rooms are intended to distribute all the signals ( eg. Voice, data, image) to the intended served area.

MDF Room Direct line

Telephone Devices

Intermidiate Distribution Frame

Reception Operator

Tel. Riser

Provided at Every Floor

Telephone system distribution system consist of : 1. Main distribution Frame (MDF Room) 2. Private Automatic Brance (PABX) 3. Distribution Telephone Closet 4. Local Distribution System

Building Automated System ( BAS ) Centralized networks of hardware and software, to monitor and control the environment in facilities. Ensures the operational performance of the facility as well as the comfort and safety of building occupants. Control & Monitor; • Air Handling Units (AHUs) • Power monitoring • Security • Close circuit video (CCTV) • Card and keypad access • Fire alarm system • Elevators/escalators • Plumbing and water monitoring

Control Room

BAS Riser

Automated Devices

Electrical & Telecommunication System

LEGEND 1 2 3 4 5 6 7 8 9

TNB Sub Station Transformer Room Meter Room MDF Room PABX Room Electrical Riser Switchroom Loading Area (TNB) Tapping from Main Supply

Electrical Distribution Sequence Tap from Main TNB electrical line

Meter Room

Electrical Fittings

TNB Sub Station

Genset (for backup power)

Final Distribution

MSB Room + Distribuation Board

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Air Conditioning System Introduction Centralize Sustem Refrigerant is cooled in the plant room and distributed to the air handling unit (AHU) located in different room(s) at different level(s)/zone(s). Treated & cooled air is supplied from the AHU to the rooms in the same level/zone via the ducts. The system is choosed because it will operate during operational hour. The main components of this system are the refrigeration plant, AHU and cooling tower Split System The most popular type of AC nowadays: silent operation, elegant looks, & no need to make a hole in the wall. Consist of two components â&#x20AC;&#x201C; an outdoor unit (condenser) and one or several indoor units (evaporator/AHU) connected by copper tubing. For multi split system, the outdoor unit can support several indoor unit. The zone will be operate for 24 hours.

Automated System With technology intelligently match energy generation , energy distribution, air conditioning, and heat recovery to ensure that energy is used in a manner that saves resources and costs. The measurements are supplied by a large number of sensors for temperature, air humidity, pressure, and air flow in decentralized systems, machines, and rooms. With the help of this data, the automation system monitors, controls and regulates the technical systems. At a higher management level of building autmation, all information is compiled and evaluated and the economical operation of the entire building is optimized

Advantages of Split System

Air Conditioning System

- Low initial cost, less noise and ease of installation - Good alternative to ducted systems - Each system is totally independent and has its own control - Suitable for small areas/ rooms - Installation is less disruptive to other unrelated areas - This system does not contribute much to distribution of smoke in occurrence of fire

Air Conditioning System

3 4 4 2 1 1

5 6

LEGEND 1 2 3 4 5 6 7 8 9

Air Handling Unit AHU Cassette Unit Copper Tubing Seperation Tube Wall Mounted Indoor Unit Outdoor Unit Water Tank Chiller Plant Room Cooling Tower

Air Conditioning System

CENTRALIZED SYSTEM

AHU

SPLIT SYSTEM AHU

AHU

Water Tank

Cooling Tower

Chiller

Cooling Tower

Chiller

AHU

Centralized System Lots of heat is generated inside the compressor and the condenser, hence there should be sufficient flow of the air around it. Contains the important parts of the split AC like compressor, condenser, expansion valve etc.The size of the compressor varies depending on the desired air conditioning load

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Motorized Galvanized Steel Hook to Manuf’s detail

Driving System Drive system at the fixed building roof. Levelness of the rails and the freedom that those bearings offer for movement that allow kinetic system on top of the building to drive 8mil pound shed with 180hp. Each sled is powered by six electric motors of 15hp each driving the pinions through a planetary gear reducer.The extending shell will moveat approximately 7.5 meters/min.

Artisan Open Garden Green element has been precisely design to avoidthe excessive hazardous materials produced by the spray cans materials. It will soften the area by generatinf more oxygen and enhance the cooling effect of the building.

Railing system 7700

Underneath the cubicle, there will be a railing installed on the floor, to transfer the the cubicle outwards. the crane the then attached the cable by magnetic field force for further action.

2000

artist open garden

1200

5000

shared workspace

Detail 3 artist corridor

5000

shared workspace

Detail Section ‘A’ Scale 1 : 75

Detail 1 Artist Workspace Artist workspace is the heart of this building,. To design a well condusive spaces for artist to work on while promoting the underground culture of street art towards the public. spaces for artist to work on while promoting the underground culture of street art towards the public

Adjustable Window

Locking Mechanism

Lightweight Aluminium Composite Panel

Reference : https://architizer. com/projects/peckham-hospicecare-home/

Detail 2: Close-up

Detail 1 Plantation

Wooden floor boards for floor finishes,, to manufacturer detail

Portable Barrier

Reference : https://architizer. com/projects/peckham-hospicecare-home/

Streel beam with metal screws fittings to specialist det Steel frame to withhold moving modular. Wheel Railing System comes with railing track bolted to steel beam to specialist det.

Detail 3

Drainage Pipe to exterior building

Timber Flooring

Moisture Portal

Connecting Shaft General Motor

Motorized gear to manufacturer detail

Green Air Portal

Spur Gear

The plants are contained within the panter box & air flows through the moisture pottal while the clean the air through photosysynthesis

Combined Roller Bearing

Metal Cap Stopper

Double Glaze Glass Panel Railing Window Blinds

Concrete

Reference : https:// architizer.com/projects/ peckham-hospicecare-home/

Reference : https://architizer. com/projects/peckham-hospicecare-home/

Adjustable Window

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Model Making.

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Final Boards Presentation.

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Second Act. Work Compilation. Concrete Canvas 2.0 High Rise - Proposed Vertical Modern Art Vertical Hub for Montana Colors Worldwide Unlocking the Default IV - Kelantan 2050 Studio Master Panels

: Ar. Embong Mohamad : Prof. Josmin Yahya : Ar. Abdullah : Ar. Harizan Khamis

Although the cultural city of Kota Bharu is about 70 % redefined, its focus on tourism has not been fully emphasised in the total planning doctrine embedded in the referred outlines. The strategies to achieve tourismfriendly city based on the tourism city concept are more inclined toward projecting mnemonic capitalism and private residential urban form rather than in the production of public activities that fulfill the requirements of a vibrant lived-in City. The desired physical and spatial form and structure of the completed buildings of the various areas have not achieved the expected image of an Eco-Tourism city mainly due to the over emphasis in the extensive network of traffic roads and also partly due to the lack of connecting pockets of open spaces in the restoration areas. Furthermore, in the absence of elements that indicate successful place making, Kota Bharu can lose the urbanity qualities and eventually becomes dull in character like any other ordinary Malaysian cities built form. As most of the existing shop houses have been transformed into other public oriented programmes, the surrounding vicinity are not being re-established properly. These buildings have much potential as the main design catalyst for its neighborhood. We believe urban design re-intervention based on successful models and innovative strategies, can support the development of a tourism-friendly environment, which then can revitalize the â&#x20AC;&#x2DC;weak partâ&#x20AC;&#x2122; of the city.

Project Statement To enhance the potential of Kota Bharu as one of the leading state in arts & culture, thus, generate more income and positive results towards local community and tourism expansion. henceforth, the approach for the maximum intergration of the cultural and art centre in Kota Bharu turn out to be a booster that will create a strong community development towards positive change This project aimed to be the catalyst in the future of art scene and development by focusing territory in Kelantan region as to create a new landmarks that will initiate the tourism development and attraction. this project also to help kelantan to be one of the leading state in arts and culture, thus enhancing the profit and act as an income generator for the nation.

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Bird eye view towards the dreamer’s colony

local issues

TOURIST’S ORIGIN LOCATION 1. ASIA tors 2. OTHERS 3. EUROPE 4. North America 5. Ocenia

: 96.9% of tourist & visi: 1.7% of tourist & visitors : 1.1% of tourist & visitors : 0.2% of tourist & visitors : 0.1% of tourist & visitors Source : UTHM/ANALYSIS/OF/ INITERNATIONAL/TOURIST

“ The conservative city of Kota Bharu is the capital of the state of Kelantan. Kelantan is part of a federation where an Islamic majority party is in power for many years. These Islamic influences are still clearly visible in the daily street life. The city is situated in the north of the Peninsular Malaysia, close to the southern Thai border. The cities at the east side of the peninsula show a different aspect of Malaysia. In this area the Muslim culture influences daily life in every level. “ - Wonderful Malaysia, 2017

urban challanges

issue 1

UNSUBSCRIBED ACTIVITIES

issue 2

EMPTY VESSEL

POTENTIAL 1

TARGET

POTENTIAL 2

MOTIVES

“The report reveals that unemployed young people in the country under 25 years old are 273,400 in total“ Source : Faizal Sidik National Art Gallery Curator

global issue- invasion 2050

prediction & future anticipation

“The first is jobs that involve genuine creativity, such as being an artist, being a scientist, developing a new business strategy”. Martin Ford - Futurist, Author

The first is jobs that involve “genuine creativity, such as being an artist, being a scientist, developing a new business strategy”. Ford notes: “For now, humans are still best at creativity but there’s a caveat there. I can’t guarantee you that in 20 years a computer won’t be the most creative entity on the planet. There are already computers that can paint original works of art. So, in 20 years who knows how far it’s going to go?” The second area is occupations that involve building complex relationships with people: nurses, for example, or a business role that requires you to build close relationships with clients. The third area is jobs that are highly unpredictable – for example, if you’re a plumber who is called out to emergencies in different locations.

site analysis - kelantan 2050

potential area The combination of active & passive recreational & leisure is crucial in daily lifestyle. This area is the highest potential to inject activities that promotes vital energy towards recreational activities.

tourism - economy The main focal point ( Bazar Tengku Anis ) is surrounded by several cultural & heritage attraction. This is one of the area that possessed the highest density of tourist and outsider, thus enhancing cultural and social transaction .

REVITALIZE THE BEAUTY Eventhough some of the residential building in this area is abandoned, conservation should be injected to create a new potential to this area. Tourism trail that promotes the appreciation towards Kelantan traditional architecture will help to generate more business opportunities. and demand, thus creating vital energy towards the city

comfort transaction To accommodate every visitors with sufficient comfort and thermal control by promoting shading devise and pollution reducer along the trail that leads to the public spac with an easy travelling distance. Thus enhancing the sustainability environment within locals and tourist.

reclaiming the river Multiple activities can be carried out in the series of rivers. By promoting the culture & heritage of Kelantan, the rivers will be able to interact with the tourist and visitors.

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client - montana colors worldwide

Client / Stakeholders - Montana Colors Worldwide Montana Colors is one of the leading company in art supply in the world, where it all began 25 years ago in Barcelona. From that moment until today, the Montana Colors brand has experienced an expansion that has led it to be present in more than 80 countries around the world and have 21 official Montana Shop & Gallery outlets distributed throughout the world.

BANGKOK BARCELONA - BORN BARCELONA - GRÀCIA BRUSSELS

CIUDAD DE MÉXICO CIUDAD DEL CABO ISTAMBUL KUALA LUMPUR

The ability of Montana Colors to innovate, concern for work well done, full commitment to their customers and commitment to graffiti and the environment, are their main values as a brand, what sets them apart from the rest and has been recorded not only in the chronological axis of history, but in the collective memory of all their clients.

LIMA LISBOA LOS ANGELES MADRID MARSELLA MONTPELLIER

Job opportunities

Research & development

Currently, over 200-300 people work for Montana Colors, from all over the world. This will enhance the job opportunities in Kota Bharu.

Flagship / distribution

Sustainable & green approach

Expansion that has led it to be present in more than 80 countries around the world and have 21 official Montana Shop & Gallery outlets distributed throughout the world.

The have maintained their commitment to guarantee the highest standards with regards to environmental preservation and user health in all of their products.

Research & development

Since 2013, Montana Colors has had a Research, Development and Innovation Centre equipped with first class technology, as well as an expert team of Chemical Scientists, Chemical Engineers and Color Chemists. Our goal is to continue innovating and developing top quality products. The products that Montana Colors has launched into the market throughout its 25 year history are proof of our innovative spirit. The Classic was the first specifically designed product for street art that we introduced to the market in 1994. The legendary Hardcore, launched in 1996, as well as the MTN 94, the first low-pressure spray paint designed in 2008, are just a few examples of Montana Colors’ capacity for innovation and development. The development of the Donut in 1997 wasn’t any less important either; the color ring that revolutionized the way to identify colors on spray cans. We recently introduced Montana Colors Water Based, a water-based product that has been a true breakthrough in the world of spray painting.

Sustainable development & green approach Since the creation of Montana Colors in 1994 and in following the philosophy of its founders, we have maintained our commitment to guarantee the highest standards with regards to environmental preservation and user health in all of our products. We have exemplarily demonstrated our ability to manufacture, transport and sell products while minimizing environmental impact and fulfilling our commitment to leaving behind a better world for future generations. The “Keep The Planet Clean” icon represents our worldwide pioneering involvement in empty spray can recovery, as well as our efforts in training and bringing recycling awareness to our customers, as all our products are produced with fully reusable components. Since 2016, Montana Colors has also demonstrated its support for the use of clean energies by opting for a biomass combustion energy system at the Barcelona factory.

â&#x20AC;&#x153;Prefabrication of a modular building kit shortens the time for construction and its affect on the surrounding. The hands-on approach of the DIY movement played a big role in the design. This method allows owners to self-construct their tiny houses based on their chosen layout. - Chris Precht

Award Winning (Architzer A+Award)

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Bird eye view towards the dreamerâ&#x20AC;&#x2122;s colony

concept - tetriception - Tetris gameplay is about identifying the correct orientation & arrangement of the blocks. - Tetris consist of multiple possibilities, complete & imcompleteness & the ability of making decision. - The idea of this game is to clear as many rows as possible, given the generated of random forms, while avoiding to run out of space vertically. - Once it fits, the whole modular/ form will disappear & row will be cleared out, creating more possibilities.

TETRISM significance & representation

solid Representation of the urban intervention, to occupy problemmatic void/dead spaces in Kota Bharu

un-fit

Representation of unecassary and failed urban intervention.

occupied

Representation of a successful intervention. The area will be repaired and create more possibilities & job opportunities in KB, thus generating vital economic growth

void

Abandoned and dead space of the area. The right shape & correct orientation will determine the enhancement of the places

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OVERALL SPATIAL PLANNING

basement car park scale 1 : nts

first floor plan scale 1 : nts

second floor plan scale 1 : nts

third floor plan scale 1 : nts

Common area Spatial spaces are inter-connected with a common area where this area will allows social and cultural transaction between people. Activities can be mixed, and must not be concentrated into particular tome of the day

permeability

condusive & comfort The idea of this theory is to provide sufficient hospitality in urban design and any tourist or outsiders should be assisted and protected while traveling. - Vulnerable & More Public Area - Multiple shading device - Designated pathway.

Street patterns will includes alleys, ginnells and courtyards. All of these to increase permeability of an area, and therefore its potential ‘footfall’, and in turn increases the number of viable points for economical and social trading.

hybrid The utilization of mixed and hybrid programs that will enhance & fullfill the necessities of the citizen of Kota Bharu. It will provide more job opportunities and increase the economic growth of the places

interactive activity injections

in-between

Creative field activities will be injected into the program, to enhance the vitality of the places. The idea of having these injections is to encourage open-mindedness and imagination implying a dramatic impact on organizational culture.

The between can be defined as an intermediate point to two other points in time and space or indicating a linking relation or comparison. The in-between can be defined as “being in a space that is between one specified thing and another”

macro views

spaces typologies study

bulk & exposed the form of the building is intentionally designed to be bulky as to maximised the activities efficiency internally & externally. OUTDOOR EDU

FLEXIBLE SPACES

THE POD

Other than internal room, utilizing oudoor spaces are also crucial for a creative develepment among artist. Exploration matters.

The idea of having flexible spaces is to avoiid any stagnant condition among artist that will lead to undevelop creative thinking.

The idea of having an Artist Walkway is to highlight the primary axis, that consist of beautiful view of the riverside, facing the other future development

Design process & development

BOULEVARD

INTERNAL GALLERY

PUBLIC CENTRALIZATION

The idea of having an Artist Walkway is to highlight the primary axis, that consist of commercial & exhibition area

Conventional internal gallery will be used to exhibit any artworks, but will involved a high tech approach by the curator towards the spaces.

The idea of having an Artist Walkway is to highlight the primary axis, that consist of beautiful view of the riverside, facing the other future development

OUTDOOR GALLERY

INDOOR EDU

PLAYFUL ENV.

Specific for outdoor painter, street artist & graffiti artist, outdoor walls will be their ultimate canvas for an expression.

The idea of having an Artist Walkway is to highlight the primary axis, that consist of beautiful view of the riverside, facing the other future development

Play and paint will be intergrated in the lcreative learning process to enhance more ideas and thoughts.

WORKING STUDIO

Depends on the required SOA, the size & design of the working studios wil varies.

GENERAL ADMINISTRATION LEVEL 4 - LEVEL 6 scale 1 : nts

TYPICAL WORKING STUDIO - SCULPTURE ARTIST typical floor 16th -18th scale 1 : nts

ART-TECH WORKING STUDIO OFFICE LEVEL 7 - LEVEL 10 scale 1 : nts

CENTRALIZED

DISCUSSION

To promote more social transaction among artist and workers during working hour.

2 way or 3 way communication is essential in developing a good creative mind & healthy environment among artist.

ART-TECH SHARED LEISURE & PLAY AREA LEVEL 8 scale 1 : nts

SHARED LEISURE & PLAY AREA typical floor intervals scale 1 : nts

OUTDOOR CREATIVE AREA - BREAKFLOOR (FLEXIBLE) typical break floor scale 1 : nts

TYPICAL WORKING STUDIO - GRAFFITI & STREET ART LEVEL scale 1 : nts

WORKING STUDIO - FINE ARTIST typical floor scale 1 : nts

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building elevations - Scale 1:750

facade - modern art The essance of the facade design is an extraction from islamic modern calligraphy art which is kufi, to reflect Kelantan as an Islamic City.

right elevation - Scale 1:750

rear elevation - Scale 1:750

montana colors montana colors worldwide will be targetting local and international market throughout the world, in enhancing the art scene in Kelantan.

rainwater harvesting the exposed facade will be utilized as a water transfer from the top towards the bottom of the building for further usage.

perspective view from jalan sultanah zainab INTERGRATION OF ARCHITECTURAL CONSTRUCTION TECHNOLOGY

SPECIAL STUDY : TOWARDS KINETIC MODULAR ( KELANTAN 2050 )

HIGHLY TECH SMART DRONE Strong magnetic field force will be utilized by the dron to lift the lightweight cubicle, for any alteration, renovation or modification of the spaces.

5 LIGHT WEIGHT CUBICLE SYSTEM Materials used for the cubicle is highly flexible, and can be fixed vertically & horizantally. It can be attached easily by using slot-in jointings typology.

EXPANSION GAP Some tolerance gap will be highly considered to allow any expansion or contraction during uncertain temperature

SOUND & GLARE PROOF SMART DEVICE

The window panels and shading device will be highly proficient in blocking any excessive sun penetration & unnecessary noise

1. CUBICLE SYSTEM Made by sustainable material such as perforated fibre steel, the build-in cubicle will be the main feature for this building, for more flexibility and exploration.

2. RIGID FRAME STRUCTURE The load will be accumulated by the vertical steel column, and transferred towards the ground. Steel structure frame will be utilized to withstand the modular cubical

3. SMART VERTICAL CRANE

Vertical crane will be placed at the interval of each breakfloor to mobilized the modular cubicle around the building. Anticipated will be controlled by using advanced smart technology.

4. RAILING SYSTEM

Underneath the cubicle, there will be a railing installed on the floor, to transfer the the cubicle outwards. the crane the then attached the cable by magnetic field force for further action.

5. SOUND & GLARE PROOF SMART DEVICE

The window panels and shading device will be highly proficient in blocking any excessive sun penetration & unnecessary noise

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building section - scale 1: nts Common area R&D MONTANA R&D MONTANA

automatic sun shading To reduce the heat gain from the sunlight, hence the energy needed to cool the building. To reduce glare

CREATIVE OUTDOOR AREA FINE ART STUDIO FINE ART STUDIO LEISURE & PLAY AREA SCULPTURAL ART STUDIO SCULPTURAL ART STUDIO

RAINWATER HARVESTING

CREATIVE OUTDOOR AREA

LEISURE & PLAY AREA

LIFT CORE

condusive & comfort

CREATIVE OUTDOOR AREA ART-TECH DESIGN STUDIO ART-TECH DESIGN STUDIO LEISURE & PLAY AREA ART-TECH DESIGN STUDIO ART-TECH DESIGN STUDIO

intermidiate open garden There are few intervals open area that allow the vegetation to helps in reducing the heat gain from conduction while providing a relaxing area for the community to enjoy

GRAFFITI & STREET ART STUDIO

AHU ROOM

SERVICES COMPARTMENT, TOILET

SECONDARY CORE

GRAFFITI & STREET ART STUDIO

Continuous zones of of vegetation connect plants from the boulevard to the roof of the tower. It rises along the wing walls, intergrated greenery further enhance the cooling effect of the sky terraces.

permeability Street patterns will includes alleys, ginnells and courtyards. All of these to increase permeability of an area, and therefore its potential ‘footfall’, and in turn increases the number of viable points for economical and social trading.

interactive activity injections

The building is designed to be as self sufficient as possible in terms of water used. The facade will chanel the water for other usage such as landscape for terrace and grey water.

THE VERTICAL BOULEVARD

Spatial spaces are inter-connected with a common area where this area will allows social and cultural transaction between people. Activities can be mixed, and must not be concentrated into particular tome of the day

The idea of this theory is to provide sufficient hospitality in urban design and any tourist or outsiders should be assisted and protected while traveling. - Vulnerable & More Public Area - Multiple shading device - Designated pathway.

CREATIVE OUTDOOR AREA GENERAL ADMINISTRATION GENERAL ADMINISTRATION

GALLERY & COMMERCIAL COMMERCIAL ZONE

in-between The between can be defined as an intermediate point to two other points in time and space or indicating a linking relation or comparison. The in-between can be defined as “being in a space that is between one specified thing and another”

BASEMENT CARPARK

BASEMENT CARPARK BASEMENT CARPARK

perspective view from Sungai kelantan

Model Making.

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Images.

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Final boards presentation.

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Final boards presentation.

Narrative & Conceptual Drawing.

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Second Act. Work Compilation. Concrete Canvas 1.0 Urban : Tetriception Urban Intervention - Kelantan 2050 Studio Master Panels

: Fairuz Reza Razali : PM Syed Sobri Zubir : Jamsyid Idrus : AR Fariez Helmi

Project Brief. The main focus of this exercise is to catalogue ideas and generate urban design proposals that meet the prescribed themes outlined for a Eco - Toursm City. As for the city of KB, to project an identifiable urban form that recalls mnemonic meanings of a tourism-based city that encapsulate the idea of regionalism is warranted. From this exercise new urban design ideas can be generated as alternative solutions in modeling walkable and livable communities for KB in the near future. The urban design process for this intervention exercise is based on a synoptic method so as rational strategies could be realised and transformed into a reflexive program. As this research and design project makes use of multiple sources of evidence, a mixed-methodology model is adopted. It is a combination of historical interpretative strategy as well as qualitative and quantitative strategies. Participants will look for the existing built forms and existing scenario and programs; and its impact to the surrounding neighborhood when the prediction of new programs re-emerged. The observation and analysis must be recorded precisely to show the existing urban physical and cultural context, geometries, programmes, users and etc.

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wasl connectivity

wasl relationship

definition

HABLUM MINALLAH HABLUM MINAnnas HABLUM MINAn’alam design principles of the islamic cities

“Wasl is an Arabic word that represent “attachment”, “connection”, “juncture”, “linkage”

islamic city basic principles

‘Hablun’ means ROPE - there are some opinions about its meaning. Among them is the meaning refers to:

Shaping an Islamic City involving multiple factors compromises all kind of aspects. In general, it involved the following :

- Quranic Names

Natural Laws - Adaptation of the built form and plan of the city to natural circumstances expressed through natural elements. - Utilizing adoption of concepts such as Courtyard , Terrace, Narrow Covered Streets & Gardens

Authentic Islamic Names

linkage

HABLUM MINALLAH

from one hotspot/landmarks/nodes to another

social

transaction between human, connection with another human being

wasl

connectivity

HABLUM MINAn’alam

Religious & Cultural Beliefs - Cultural life will affects the spatial, order & hierarchy of the institutional organisation - Seperating the public & private lives regulated - Segregation of genders among community

HABLUM MINAnnas Hablumminallah, Hablumminannas & Hablumminan’alam. Man’s relationship with Allah (hablumminallah), human relationships with other humans (hablumminannas) & human relationships with world. (hablumminan’alam)

Sharia Law - Public & Private Realms - Neighbours & Social Groups - Property Rights - Economy Transaction System

economy

transaction in between supplier, seller & buyers (Supply & Demand) Thus, Enhancing the economic growth of KB .

vitality

the amount of human, vehicular traffic that circulate the area that will promote high vitality of Kota Bharu

Translation “Worship Allah and do not associate anything with Him, and do good to two mothers, relatives, orphans, poor people, close neighbors and far neighbors, and their companions, Ibn sabil and your slave, for Allah loveth not those who are proud and boast “

symbolism

the connection that represent the sense of belongings between a person and Kota Bharu. Physically, Mentally & Spiritually

FORM

relationship with activities

place

IMAGE

ACTIVITY

“Since 2005, Kota Bharu was declared as an “Islamic City”,thus the urban environment is settowards creating a city linked to Islamic identity“ - Hasnina Hassan MPKB-BRI PHD Candidate Universiti Malaysia Kelantan

theory 1

PERSONAL - Praying & Worshipping - Ablution - Relieving & Relaxing - Contemplating - Segregation of Gender - Covering of Aurat

COMMUNITY

GLOBAL

- Receiving Guest - Aesthatic & Beauty Quality - Respect for Neighbours - Celebrating Guest - Implementing funeral recitals

- Islamic identity - Paradise Description - Respect towards natural environment - Green Development - Response to Climate

theory 2

the transition

“While cities must be efficient and fair, a creative city must also be one that is committed to fostering creativity among its citizens and to providing emotionally satisfying places and experiences for them.”

- Donald Winnicott

- David Yencken

Architect, Urban Planner

- Urban Theory & Terminologies

supporting data

typologies

In ancient cultures, hospitality involved welcoming the stranger at the host location and offering him food, shelter, and safety. This meaning of hospitality centers on the belief that strangers should be assisted and protected while traveling.

“Transistional space is the space of play and creativity - where our culture is created, where love can grow, where teaching and learning take place, where art is made, and where culture is created.” English Psycoanalyst

Traditional building patterns in the old city of Kuwait. Source: Beaumont et al. 1988,

mahalla

Socio-spatial form of historic Algiers (Casbah) showing its general responsiveness to the needs of the community. Source: Saoud 1997

theory 3

creative city

Social Principles - Grouping - same blood, ethnic origin, cultural perspectives. - Kindship solidarity, defence, social order & religious practices.

An-Nisa, Verse 36

typologies

interactive activity injections

condusive & comfort

anatomy

neighbourhood

There will be a design hierarchy in being creative field as an anatomy for the city. Underground : individual creative people (artists, writers, or innovator)that produce creative products. Middleground : serves as a space for the upperground and the underground to come into contact. Upperground : firms and businesses engaged in creative industries that trigger the economic growth, supply & demands.

By intergrating design or program injections that will encourage local to ‘settle’ or to ‘occupy’ in Kota Bharu thus enhancing the potential of the city. Places to promote more local transaction will be emphasized.

in-between

symbolism

hybrid

Cultural Resources : symbols, activities and the repertoire of local products in crafts, manufacturing and services. They also include local and indigenous traditions of public life, festivals, rituals or stories as well as hobbies and enthusiasms. Language, food and cooking, leisure activities, fashion are all part of a city’s cultural resources.

The utilization of mixed and hybrid programs that will enhance & fullfill the necessities of the citizen of Kota Bharu. It will provide more job opportunities and increase the economic growth of the places

Old city of Dubai (the Bastakia) Source: UNESCO 1981

And it is He who stretched out the earth and made the rivers and rivers in it. And to him all the fruit of pairs, Allah closeth the night to day. Verily in these are Signs for people who reflect.

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MASJID MUHAMMADI MEDAN SELERA KUBANG PASU

SMK MAAHAD MUHAMMADI LIB

THIS IS KOTA BHARU

DATARAN MUHAMMADI

SMK MAAHAD MUHAMMADI LIBANAT (P)

KHALIFA SUITE

SMK MAAHAD MUHAMM

RESTORAN NASI ULAM CIKGU

BAZAAR TENGKU ANIS

KAMPUNG KRAFTANGAN

PASAR SRI KHADIJAH

general overview project setting

25 acre Tanah Jajahan Kota Bharu is one of the high potential city, rich with various authenthic culture & biodiversity. The islamic culture is strongly highlighted throughout the design of the city, as the main pillars that carry the whole population of Kota Bharu.

The city is now inhabited Malays as the leading g by Chinese and Indian. Malays group were drive Islamic way of life & cult their daily activities.

“ Since 2005, Kota Bharu was declared as an “Islamic City”,thus the urban environment is settowards creating a city linked to Islamic identity. “ - Hasnina Hassan MPKB-BRI PHD Candidate Universiti Malaysia Kelantan

issues & general strategies

Medan Selera b.t.a

- Unable to sell multiple units - No proper parking area - Unhygenic environment - Orientation stagnant

dataran mahamadi

- Meant for parking, waste of space - Lack sense of togetherness - Insufficient green element - Dust from Bus parking area

bazar tengku anis

- Abandoned on level 2 &3, level 1 partially occupied - Basement carpark, abandoned - Introvert arrangements

Low-cost housing

- Incondusive environment - No natural barrier for seggregation - Insufficient public realms

island circulation

Housing & Commer

- Low intensity of visitors in various hotspot - Lack of proper ped due to constant traffic. - Insufficient green el - Double parking building frontage. - Abandoned house

BANAT (L)

REVITALIZE THE BEAUTY Eventhough some of the residential building in this area is abandoned, conservation should be injected to create a new potential to this area. Tourism trail that promotes the appreciation towards Kelantan traditional architecture will help to generate more business opportunities.and demand, thus creating vital energy towards the city

MADI LIBANAT (P)

tourism x economy

TETRISM definition TETRIS is a tile-matching puzzle video game, originally designed and programmed by Russian game designer Alexey Pajitnov.

TETRISM gameplay potential area The combination of active & passive recreational & leisure is crucial in daily lifestyle. This area is the highest potential to inject activities that promotes vital energy towards recreational activities.

d by mostly group, followed Most of the en by a strong ture in carrying

rcial area

destrian walkway system lements es & buildings

- Tetris gameplay is about identifying the correct orientation & arrangement of the blocks. - Tetris consist of multiple possibilities, complete & imcompleteness & the ability of making decision. - The idea of this game is to clear as many rows as possible, given the generated of random forms, while avoiding to run out of space vertically. - Once it fits, the whole modular/form will disappear & row will be cleared out, creating more possibilities.

TETRISM ideology solid

Representation of the urban intervention, to occupy problemmatic void/dead spaces in Kota Bharu

comfort social transaction To accommodate every visitors with sufficient comfort and thermal control by promoting shading devise and pollution reducer along the trail that leads to the public spac with an easy travelling distance. Thus enhancing the sustainability environment within locals and tourist.

un-fit

Representation of unecassary and failed urban intervention.

occupied

Representation of a successful intervention. The area will be repaired and create more possibilities & job opportunities in KB, thus generating vital economic growth

reclaiming backlane

void

Multiple activities can be carried out in the series of backlanes. By promoting the culture & heritage of Kelantan, the backlane will be able to interact with the tourist and visitors.

Abandoned and dead space of the area. The right shape & correct orientation will determine the enhancement of the places

void

Abandoned and dead space of the area. The right shape & correct orientation will determine the enhancement of the places

Urban Acupuncture & Interven-

The main focal point ( Bazar Tengku Anis ) is surrounded by several cultural & heritage attraction. This is one of the area that possessed the highest density of tourist and outsider, thus enhancing cultural and social transaction .

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spatial arrangements - EXISTING BAZAR TENGKU ANIS

Most of the items will be sold in the cubicle, and displayed at from the inside. While the interaction between buyers & sellers is enhanced, the small corridor unable to provide sufficient breathing space and comfort towards the visitors.

GRID SYSTEM

The arrangement of Bazaar Tengku Anis is based on the grid typology where there are no visual connection from one space/ section to another. The orientation did not allow visitors to identify the hierachy of the spaces resulting confusion and cramped spaces.

CIRCULATION There are 2 lifts and 2 staircases provided for the user, act as the vertical circulation. From the core, the flow will be dispersed into a series of cubicle shops that facing the corridor & walkway.

STAGGARD SYSTEM

Inspired by pyramid system, the idea of staggard orientation will maximize the potential in various elements, views, spaces, image, forms etc.

VISUAL STIMULATION

By implementing vertical elements, public will be able to perceive the iconic landmarks from distance. This will be a memorable image to the tourist or visitors.

design strategies

DESIGN STRATEGIES & INTERVENTION

existing backlane

BAZAR TENGKU ANIS

Abandoned Bazar Tengku Anis is connected with another unoccupied building that was used to be the building frontage.

ENHANCING CORNERS

Potential alternative entrance are located at the corner (intersection), which consist of few vital elements of high transaction of human and vehicular.

CARVE

Enhancing the potential of the building by carving the diagonal volume at the top to form a staggered form. This will allow a new vision from the bottom and top. New possibilities occur and the flow is much more friendly with the ground level.

INJECTED PROGRAMS

MEDAN SELERA B.T.ANIS

LOW COST-HOUSING

The injected programs will be then segregated on top of the buildings, allowing maximum usage from in & out of the building, thus re-ignite the essence of the abandoned building.

medan selera b.t.a

8 unit of food retailing space located in front of the building. Currently, the condition of the retail is a displeasing to the eyes of the visitors, due to hyginic issue, improper management, & inefficient location of the allocated design.

3 blocks of low cost housing are located at the back of Bazar Tengku Anis. Improper zoning occurred, causing lack of privacy among the residence.

OMIT

By omitting the existing hoarding, the spaces will be merged together and form a new spaces.

SECURE

Due to the privacy, natural barrier will be utilized to draw a line between the 2 spaces. The existence of the utilized natural elements will help to soften the image of the area.

RECLAIMED

The backlane is now filled with beautiful garden, possible artworks & potential sculpture.

dataran mahamadi

INSERTION

Due to unoccupied building, the potential is then enhanced by inserting all the food & beverages area to be part of the Bazar Tengku Anis.

VOID

There will be an ample & clearer spaces located at the building frontage, creating new void with multiple possibilities.

CUBICLE SYSTEM

HARMONY

OMIT

The void is then filled with a beautiful open space & garden, to allow social transaction between the community.

Currently, Dataran Mahamadi is just a transition place for the tourist, and car park. The area of the place is huge but unfortunately, unutilzed efficiently.

UNDERGROUND

By excavate the underground, the upperground can be maximized and utilized, creating great potential for public realm.

AXIS

Creating an significant axis, as a definite direction for the visitors, bring the strong image for the area.

OUTDOOR EXHIBITION

Creating an significant axis, as a definite direction for the visitors, bring the strong image for the area.

public park

ELEVATED PARK

Elevated park to maximise the circulation potential.

GAZEBO & GARDEN

Gazebo promotes social transaction in a public park.

PAVILLION

PLAYGROUND

Staggered seating area that allows people to undergo various activities.

Playground as a catalyst for children and kids to develop their self confidence.

ZONE

STREET-AEON

WATER FEATURE

Coolent the hot area, and provide calmness and serenity.

HIGHLIGHTS

Nodes that will offer various activities under the man-made shaded area.

commercial area

MAZE - IKEA

To ensure people experience the whole area with maze spatial arrangement

OPEN PLAN - TESCO

To ease the flow of the customer in identifiying items & groceries needed.

Divided according to the zone to initiate the fix image towards the mall.

The idea of boulevard applies in each corridor, exhibiting the item through see-through glass

RADIAL - PASAR SITI KHADIJAH

Central core, and divided into few segments, & levels as per categories

MARKET - OPEN MARKET

Maximum permeability and flexible circulation of user.

food & beverages

URBAN FOOD DWELLINGS

Seating area spread and exposed to the road causing congestion.

EXPOSED

Eating area is visible from the main road, act as visual attraction.

BOULEVARD

Surrounded by food stall, creating privacy to the customers.

MARKET

Maximum permeability and flexible circulation of user.

STREET FOOD

Alligned parallel with road to attract the people from the road, often causing congestion due to double park

CORNERS

Intersection point which possesed the most powerful attraction towards public. Wider view with bigger spaces.

art & gallery

GRAFFITI & STREET ART

Located along the highway, for public visual acknowledgement

OUTDOOR GALLERY

To enhance the visual appreciation towards higher amount of crowd.

CONTAINER

Unique arrangement of container modular, offering new wave of experiences towards visitors.

INDOOR

Typical arrangement of gallery, with precise measurement and distance

GUGGENHEIM

Rotating upwards. To enhance the experience and journey of the visitors.

URBAN-INFILL

Interaction with the urban street fabric

housing

SINGLE HOUSE

Sufficient amount of privacy, less interaction with neighbours.

‘RUMAH MELAYU’

Elevated house to response to nature’s law & surrounding environment.

BUNGALOW WITH GARDEN

Sufficient amount of privacy, less interaction with neighbours, usually maximum securit.y

TERRACE

Shared parti-wall , closed to the neighbour. Promotes informal converstation between residence.

APARTMENT

Share the same common area, spaces & public facilities. Less privacy but more interaction.

CONDO

Living in a vertical form, high level of privacy, active activities happening at the common area.

Art class & creative hub

TYPICAL CUBICLE

Well organized, high amount of privacy and personal space, less interaction.

MOVABLE

Movable furniture, allows people to response to condition and activities. Generate more creativity.

POD

Discussion pod, in a small space. Space saving, great amount of privacy and ergonomics.

COMPUTER LAB

Less interaction, highlighting 2 way communication with the speaker/tutor

LECTURE HALL

Great angle & acoustics value. Highlighting 2 way communication with the speaker/tutor

STUDIO

Allow free physical & communication between participants.

monument & sculpture

EYE LEVEL

Friendly interaction & closer to the eye of the receiver.

MULTIPLE

Enhancing the dynamics of the elements, extending the visual communication to create image.

EXTRUSION

The level of visual catchment were elevated to increase the value and strength of the landmark & image of a place.

WATER

Water as a coolent agent and act as an additional elements of reflection towards the sculpture.

PROTECTION

Addressing the monument by partially covering the physical, creating a sense of respect & exclusive towards the subject

AXIS

Using an axis and frame element to highlight the value of the sculpture.

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DATARAN MAHAMADI

EXISTING LINK BRIDGE

MEDAN SELERA B.T.A

BAZAR TENGKU ANIS 83

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Third Act. Competitions.

“Progression, not perfection.“

- Denzel Washington

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Third Act. Competitions. Sunway Odyssey Sunway Catalytic Development Design Challenge - Sunway Iskandar, Johor Studio Master Panels

: Fairuz Reza Razali : PM Syed Sobri Zubir : Jamsyid Idrus : AR Fariez Helmi

Project Brief. The assignment was to propose a catalytic idea of an alternative to a theme park that is exempted from entertainment tax. The project is for a 77.8-acre plot of land located in Sunway Iskandar at the Gulf of Sungai Pendas and along the straits of Johore. Sunway Iskandar has open this project for us to further explore the potentialities of Iskandar Johor and its potential market with Sunway Odyssey (our proposal) that will be further elaborated on within this report. With the future in mind, and education and innovation of STEM (Science, Technology, Engineering & Mathematics) at the forefront, this report showcases an intensive portfolio of programmes that can both boost tourism and Sunwayâ&#x20AC;&#x2122;s market revenue, at the same time, instilling wonder and curiosity among the citizens and all visitors on the wonder of the future. Sunway prides itself as an acting launching pad in education and Sunway Odyssey acts as a socially responsible branch of Sunway in spreading curiosity in STEM and thus encouraging education. Allowing education and entertainment to merge and fun for people of all ages. At the same time encouraging and providing a platform for innovative creators and scientist in showcasing their research and inventions. This report is to showcase our proposal on Sunway Odyssey to the best of our capabilities in hopes the proposal to be accepted. We hope this proposal to exhibit the message and potential of Sunway Iskandar and how it can contribute to Sunway as a brand. This proposal reflects the expressive and dynamic imaginations of all the members of the team and all other contributors.

Sunway Odyssey, a brand. This futuristic development provides a platform for scholars, scientists and all other professions with future in mind, to explore and express their expertise. However, people of all aspects of life, young and old, are still to be able to enjoy and learn from the experience. With the futuristic theme park built around the existing nature blanket of the site, the development transcends both the concept of nature and the futuristic aspects of ‘tomorrow’. This further puts Kota Iskandar and Sunway as a launching pad for education. Sunway Odyssey is a wholly owned subsidiary of SUNWAY that acts as a not-for-profit set up extending SUNWAY’s commitment as a socially responsible corporate body in providing a rich and stimulating environment aimed to enhance science literacy and passion for acquiring knowledge for the betterment of our future. This further puts Kota Iskandar and Sunway as a launching pad for education.

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The Future is Now. - 1st Prize The proposed edutainment park shall be allowed entertainment tax exemption through education in entertainment. Our proposal is an interactive integration between education and entertainment in rediscovering the future of science and technology. Engaging people young and old through sight, sound, touch, and fun, helping spread its â&#x20AC;&#x2DC;Creating Wonderâ&#x20AC;&#x2122; essence into the nation.

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Third Act. Competitions. The Transition Arch-Out Loud Design Challange Waste: Multi-Purpose Stadium in Lagos Nigeria Studio Master Team Members

: Ar. Hajah Puteri Mayang Bahjah : Amirul Shah Mumfahir : Haikal Yunus bin Al Rasheed : Che Muhammad Harith Che Harun

Project Brief. Arch-Out Loud asks participants to design a new multi-purpose stadium at the former Olusosun Landfill. How could this massive structure, known to be wasteful in its resources, limited lifespan, and inconsistent usage, confront critical issues of waste in Lagos while sited on a former landfill? Designers are encouraged to consider how the stadium might act as a porous entity, serving as both a world-class sporting facility and local commodity. Participants should consider how the stadium could serve as an anchor for the rehabilitated site and function during times when sporting events are not in session. In order for the new proposal to avoid becoming another wasteful stadium, what local benefits could the stadium offer to a city burdened by issues such as lack of electricity, poor educational facilities, insufficient housing, regular flooding, and lack of drinkable water?

Stadium, the multiple typologies. Stadiums are both an icon for a community and business enterprise. Generally, they are used for a couple of hours a day, for a few events a year, which can be economically straining for developing countries, such as Lagos, by wasting plots of development. Instead of depriving citizens the opportunity to attend sporting and arena events by banning stadiums, the stadium typology for Lagos should be rethought to be both accommodating and sensitive to such places. By combining the traditional stadium program with another supplementary permanent program, the structure could accommodate events year round. This potential typology could meet the needs of the entire community by creating a mini city center within their neighborhood and a more sustainable approach to stadium design.

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Lagos National Stadium Futbol (soccer) remains the No. 1 sport in the world, with the largest international fan base. Attending futbol matches instills a sense of pride for local populations. The stadiums that house these spectacles become a symbol of national pride and togetherness. Despite such opportunity, stadiums fall under major scrutiny due to their limited shelf-life, sparse usage, and disruptive size; making them almost impossible for reuse. Moreover, often within 10-20 years, stadium infrastructure can degenerate. If not well maintained, they become seldomly used, unsafe for events, and ultimately abandoned. At its peak, Lagos National Stadium was one of the best in Africa, until it fell victim to neglect. It last hosted a major football match in 2002, and for the past 15 years, it has been abandoned without proper maintenance or events. It is now mostly occupied by squatters.With a lack of state-of-the-art stadiums, Lagos is losing athletes to other countries. Resulting in government plans to build five new stadia to promote sports excellence and tourism.

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Third Act. Competitions. Beyond Rigid - New York Skywalker Metals Construction Magazine Design Challenge Studio Master Team Members

: Fairuz Reza Razali : Amirul Shah Mumfahir : Haikal Yunus bin Al Rasheed : Che Muhammad Harith Che Harun

Project Brief The master plan for New York City formulated in the Commissionersâ&#x20AC;&#x2122; Plan of 1811, a proposal by the state legislature of New York for the development of most of Manhattan above Houston Street, well known and became an icon to the whole world. The design must reward foot travel by providing a distinctive experience that transports the user into a different place, encouraging its use as the desired mode of daily travel. It also demonstrates the potential such projects have to revolutionize urban landscapes by serving not just as places for public recreation, but also, when properly designed, as preferred modes of travel for commuters to use on a daily basis.

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attached parasitism modular steel system

This portion will enhance the the aesthatic quality of the spaces, together with the dynamic forms and permeable openings that allow natural light effects and multiple views of the street to draw into the space.

ring frame

supportive elements Internal ring frame will act as a vertebra of the whole structure, supported by a series of steel rings and has been divided into a certain modular system as per details & specifications.

external skin

organic

Parametric skin design has been implemented and will enhance the potential of the bridge and create a ‘sexy’ and ‘sleek’ form. Each hollow frame will allow the natural light and sound of the busyness of New York City.

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Third Act.

Professional Works

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â&#x20AC;&#x153;The darkest hour of the night came just before the dawn â&#x20AC;&#x153;

- Old proverb

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Third Act.

Professional Works

KPJ Titiwangsa Headquarters PROJECT TITLE CADANGAN MEMBINA 1 BLOK PEJABAT KORPORAT 6 TINGKAT DENGAN 1 ARAS BASEMENT TEMPAT LETAK KERETA DI ATAS LOT 21 DAN LOT 22, SEKSYEN 86A, JALAN PERSIARAN TITIWANGSA 3, MUKIM BANDAR KUALA LUMPUR, WILAYAH PERSEKUTUAN UNTUK: TETUAN KUMPULAN PERUBATAN (JOHOR) SDN. BHD. Principle Project Architect Assist. Arch

: Ar. Ou Yang Chow Min : Mr. Ou Yang Yu Jin : Amirul Shah Mumfahir

Project Brief.

Kumpulan Perubatan Johor (KPJ) Headquaters is one of the project by KPJ Healthcare Berhad, that consist of 6 storeys with 1 basement car park that will be occupied by KPJâ&#x20AC;&#x2122;s boards of directors and staff members. Located at Persiaran Titiwangsa 3, the land area for this project is 1,832.40 sqm along the commercial and residential area of Persiaran Titiwangsa.

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PROJECT BRIEF CADANGAN MEMBINA 1 BLOK PEJABAT KORPORAT 6 TINGKAT DENGAN 1 ARAS BASEMENT TEMPAT LETAK KERETA DI ATAS LOT 21 DAN LOT 22, SEKSYEN 86A, JALAN PERSIARAN TITIWANGSA 3, MUKIM BANDAR KUALA LUMPUR, WILAYAH PERSEKUTUAN UNTUK: TETUAN KUMPULAN PERUBATAN (JOHOR) SDN. BHD. Kumpulan Perubatan Johor (KPJ) Headquaters is one of the project by KPJ Healthcare Berhad, that consist of 6 storeys with 1 basement car park that will be occupied by KPJâ&#x20AC;&#x2122;s boards of directors and staff members. Located at Persiaran Titiwangsa 3, the land area for this project is 1,832.40 sqm along the commercial and residential area of Persiaran Titiwangsa. PROJECT INFORMATION Location : Client :

Persiaran Titiwangsa 3, Wilayah Persekutuan Kuala Lumpur

Objective :

Proposed 6 storey corporate office with 1 basement car park as KPJHB future expansion office/ IT centre.

Built-up Area (BUA) & Parking

GFA : 7,223 sqm NFA : 3,306 sqm Car park : 57 nos Motor : 30 nos

Appointed Contractor :

SS Builders Sdn. Bhd.

Architect Consultant :

OYA Architect Sdn. Bhd.

C&S Consultant :

Pakatan Cergas Sdn. Bhd.

M&E Consultant :

Perunding Timur Sdn. Bhd.

QS Consultant :

HYL QS Consult Sdn. Bhd.

Kumpulan Perubatan Johor Healthcare Berhad (KPJHB)

Contract Sum : Revised Contract Sum (After VO) : Project Duration :

12 months

Site Posession :

18th November 2015

Original Completion Date :

17th November 2016

Revised Completion Date : Total EOT : LAD / Day : Procurement Method : Form of Contract :

P.W.D Form 203 (Rev.1/2010)

Status :

Completed - 31st March 2017

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Third Act.

Professional Works

KPJ Taiping Medical Center PROJECT BRIEF CADANGAN PINDAAN KEPADA PELAN LULUS BANGUNAN (NO.RUJUKAN G4/C/6/2015) BERTARIKH 30HB NOVEMBER 2015 BAGI SEBUAH PUSAT PERUBATAN SWASTA SETINGGI 4 TINGKAT DI ATAS LOT 3140, BANDAR TAIPING, MUKIM BANDAR TAIPING, DAERAH LARUT DAN MATANG, PERAK DAUL RIDZUAN. UNTUK TETUAN: TAIPING MEDICAL CENTRE SDN.BHD. Principle Project Architect Assist. Arch

: Ar. Ou Yang Chow Min : Mr. Ou Yang Yu Jin : Amirul Shah Mumfahir

Project Brief. The management of Taiping Medical centre planned to construct new hospital block namely New Physician Consulting Block (PCB). This Project is to construct and complete a new four (4) storey which situated at the existing car park, PT 1106, Taiping with the land size approximate 0.878 acres. The new PCB will consist of: a. Level 1 b. Level 2 c. Level 3 d. Level 4

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PROJECT TITLE CADANGAN PINDAAN KEPADA PELAN LULUS BANGUNAN (NO.RUJUKAN G4/C/6/2015) BERTARIKH 30HB NOVEMBER 2015 BAGI SEBUAH PUSAT PERUBATAN SWASTA SETINGGI 4 TINGKAT DI ATAS LOT 3140, BANDAR TAIPING, MUKIM BANDAR TAIPING, DAERAH LARUT DAN MATANG, PERAK DAUL RIDZUAN. UNTUK TETUAN: TAIPING MEDICAL CENTRE SDN.BHD. The management of Taiping Medical centre planned to construct new hospital block namely New Physician Consulting Block (PCB). This Project is to construct and complete a new four (4) storey which situated at the existing car park, PT 1106, Taiping with the land size approximate 0.878 acres. The new PCB will consist of: a. Level 1 b. Level 2 c. Level 3 d. Level 4

PROJECT INFORMATION General Information Location

Taiping, Perak Darul Ridzuan

Land Area

0.878 acres

Objective

Proposed 4 storey of medical centre which consist of consultant clinics, medical room and daywards

Built-up Area (BUA) / Parking Area

a. Level 1 b. Level 2 c. Level 3 d. Level 4 e. Roof area

Construction period

12 months

Appointed Architect

Ou Yang Architect

Client

Taiping Medical Centre

Status

Completed ( 21st October 2017)

= 6050 sqf = 7455 sqf = 7455 sqf = 7455 sqf = 7455 sqf

During my involvement of this project, various authority approvals have been obtained. Authority Approval Development Order (KM) MPT

Pindaan - Approved

Building Plan Approval (BP) MPT

Pindaan - Approved

Bomba Approval (JBPM Ipoh)

Pindaan - Approved

SWCORP/PPSPPA

Approved - Allocation of the refuse chamber

Certificate of Practical Completion

Received from client, for contract termination Inspection was carried out by the team of consultants

Certificate of Completion & Compliance

Submission of G-Forms to the respective authorities

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Third Act.

Professional Works

KPJ Sri Manjung Specialist Centre PROJECT TITLE CADANGAN TAMBAHAN PELAN PINDAAN KEPADA KELULUSAN PELAN BANGUNAN (RUJUKAN NO : BIL (19) dlm MPM PELAN 12/04/03/19/2012, BERTARIKH 2014) BAGI CADANGAN MEMBINA SEBUAH BANGUNAN HOSPITAL SWASTA DARIPADA 6 TINGKAT KEPADA 4 TINGKAT DI ATAS LOT 43186 (LOT ASAL 14777) & LOT 70883 (LOT ASAL 14778) MUKIM SITIAWAN, DAERAH MANJUNG, PERAK DARUL RIDZUAN. UNTUK TETUAN: SRI MANJUNG SPECIALIST CENTRE SDN. BHD. Principle Project Architect Assist. Arch

: Ar. Ou Yang Chow Min : Mr. Ou Yang Yu Jin : Amirul Shah Mumfahir

Project Brief. Sri Manjung Specialist Centre planned to construct new hospital block next to current Sri Manjung Specialist Centre. This Project is to construct and complete a new four (4) storey building with the land size approximate 6038.00m2. The new KPJ SMSC will consist of: a. Level 1 b. Level 2 c. Level 3 d. Level 4

= CafÃ©, Lab, Imaging Area, A&E areas = Physiotheraphy, Endoscopy, Dayward = 13 nos of consultant clinic = 17 nos of wards

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PROJECT TITLE CADANGAN TAMBAHAN PELAN PINDAAN KEPADA KELULUSAN PELAN BANGUNAN (RUJUKAN NO : BIL (19) dlm MPM PELAN 12/04/03/19/2012, BERTARIKH 2014) BAGI CADANGAN MEMBINA SEBUAH BANGUNAN HOSPITAL SWASTA DARIPADA 6 TINGKAT KEPADA 4 TINGKAT DI ATAS LOT 43186 (LOT ASAL 14777) & LOT 70883 (LOT ASAL 14778) MUKIM SITIAWAN, DAERAH MANJUNG, PERAK DARUL RIDZUAN. UNTUK TETUAN: SRI MANJUNG SPECIALIST CENTRE SDN. BHD. Sri Manjung Specialist Centre planned to construct new hospital block next to current Sri Manjung Specialist Centre. This Project is to construct and complete a new four (4) storey building with the land size approximate 6038.00m2. The new KPJ SMSC will consist of: a. Level 1 b. Level 2 c. Level 3 d. Level 4

= CafÃ©, Lab, Imaging Area, A&E areas = Physiotheraphy, Endoscopy, Dayward = 13 nos of consultant clinic = 17 nos of wards

General Information Location

Sri Manjung, Sitiawan, Lumut, Perak.

Land Area

6038.00 m2

Objective

Proposed 4 storey of hospital & specialist centre which consist of consultant clinics, medical room and wards

Built-up Area (BUA) / Parking Area

-5396.6m2

Committed Cost Construction period

9 months

Appointed Architect

Ou Yang Architect

Client

Sri Manjung Specialist Centre

Status

In progress

During my involvement of this project, various authority approvals have been obtained. Authority Approval Development Order (KM)

Pindaan - Approved

Building Plan Approval (BP)

Pindaan - Approved

Bomba Approval

Pindaan - Approved

Certificate of Practical Completion

Still in progress

MOH Approval

In progress ( Submit by Hospital Planner )

Certificate of Completion & Compliance

Yet to submit G Forms to respective authorities

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Third Act.

Personal Works & Misc.

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“To see beauty, in the ordinary.“

- Borneo Narrative

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Concrete Concrete Canvas. Canvas.

Third Act.

Personal Works & Misc

Other Creative Works Professional Graffiti & Street Artist Asmoe. A young Graffiti Writer who defines his own identity by utilizing graffiti letters as the daredevil weaponry on the scene. Born in Malacca & raised in Seremban, Negeri Sembilan, he started to splash the walls with colors since 2011. Ever since then, Asmoe has been exploring and experimenting with multiple styles and elements which are handsomely infused into his pieces. It is an attempt to exquisitely discover his perspective & individual personality in the game. Shouldering an Architect job at a local firm on one hand while dedicatedly dazzling others with his graffiti strokes on the other, Asmoeâ&#x20AC;&#x2122;s art form and letter flow are mainly inspired by architectural vocabulary & terminologies. With regards to Semi-Wildstyle, he is meticulous in minimizing unnecessary elements from his piece. To him, great letters come with solid understanding of the basic foundations and styles. Over the years, Asmoeâ&#x20AC;&#x2122;s evolved pieces & sketches have been featured in numerous blogs, media pages and interviews. In fact, sketching is part of his daily life & gradually, his blackbooks have helped him to identify his own graffiti style. Graffiti for him is much more than painting pretty things on the walls or getting paid & famous. It is about passion, powerful bond between the communities who share the mutual interest to augment respective self-potential, globally.

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Achievements & Professional Accomplishment 2019 - Collaboration with Oppo Malaysia - Invited as a guest artist to Caps Attack Festival 2019, Paris, France - Invited as a guest judge to Golden Flow Art Festival, Ningbo, China - Collaboration with Tower Box Malaysia in Sneakerlah 2019 - Collaboration artist for Run With Belang 2019 - Group exhibition (Variation of Style) in South Australia - Guest Artist for Meeting of Styles Malaysia - Involved in THE WALL group exhibition in National Art Gallery 2019 - Collboration limited edition apparels with Montana Colors Malaysia - Collboration with Drips n Drops Bandung, Indonesia - Limited Apparels 2018 - Invited to Step In The Arena Art Festival, Eindhoven, Netherlands - Invited as a guest artist to Meeting of Styles Italy 2018 - Invited as a guest artist to Meeting of Styles Vietnam 2018 - Champion in Artscience Museum Graffiti Competition, Singapore 2018 - Main Organizer for Temple of Styles Graffiti Jam 2018, Shah Alam 2018 - Involved in a collaboration with Akudesign Malaysia - Involved in collaboration with Qarma Music Malaysia - Involved in collaboration with VICE South East Asia for UBER & CANON “Hidden Cities” Campaign - Collaboration with Hush Puppies Malaysia 2018 2017 - Guest Artist for Meeting Of Styles Belgium 2017, - Involved in paint session with SBB Crew in Berlin, Germany 2017, - Guest Artist for Yardfest, Surabaya Indonesia 2017 - Guest Artist for Pressure Drops 2017, Bandung, Indonesia - Involved in paint session with AllCaps Store, Bali, Indonesia 2017, - MTN World Spain featured Artist 2017, - Featured Artist in Bombing Science Worldwide, - Montana Original Blog Instagram Reccommendation 2017 - Editor of Strictly Burners Graffiti Magazine 2016 - Guest artist for Street Dealin 10, 2016, Jakarta, Indonesia, - Featured Artist in Elrincondelasboquilas Blog Spain, - Selected artist for Malaysia Graffiti Exhibition 2016, - Listed as Top 10 Graffiti Artist in Malaysia by TallyPress - Guest Artist for MTN Malaysia Launch 2016 2015 - MTN Australia Featured Artist 2015, - Participant for Street Dealin 9, 2015, Jakarta Indonesia, - First-Runner Up for Nando’s Graffiti Competition 2015

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caps attack festival 2019 paris, france

bonjour !

international art festival in paris

singapore 2018

Being invited to paint in Paris is definitely one of the main highlight this year. Together with various artists from all over the world.

artscience museum

First Place - aRT IN THE STREET 2018 GRAFFITI BATTLE ART Science Museum is one of the iconic place in the world and it was such an honor to paint here. Won first place in the Graffiti & Street Art Competition.

london 2018

london, united kingdom

good day mate !

with gent48, ziner & friends ! It was a short trip to London, about 5-6 days trip. And it was awesome. Weâ&#x20AC;&#x2122;d fun painting with Gent, Ziner & friends in Birmingham. T

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step in the arena 2018 eindhoven, netherlands

Third Act. Personal Works

Goedemorgen meneer !

artist invitation to sita 2018 Step In The Arena 2018 is one of the best thing that ever happened to my career. Full of energy, meeting new people from all over the world. It was an eye opener for me & my partner Nestwo. Shoutout to Chas Love Letters for your kind invitation to this great event. Looking forward to paint in Europe again.

golden flow, china 2018

meeting of styles belgium 2017

ningbo, china

antwerp, belgium

mos belgium

artist invitation to antwerp Meeting of Styles Belgium is one of the prestigious Graffiti Event in Europe. MOS Belgium aims to celebrate culture and art by uniting local talents with international artists in one huge wall. The mission is to embrace the element of graffiti as a positive medium, uniting the community from all over the world, and bring graffiti to the next level.

ni hao ma !

judge for golden flow graffiti battle To be invited as a guest was a great honor. Never been to China before. Thanks a lot to MTS Crew, Senk, Semik Kish and many more for the great event & the hospitality as well.

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vice x asmoe

hush puppies x asmoe

kuala lumpur, malaysia

Third Act. Personal Works

hush puppies collaboration 80â&#x20AC;&#x2122;s retro funk

hidden cities

vice-uber-canon

Celebrating 80â&#x20AC;&#x2122;s Retro Funk My recent collaboration with Hush Puppies Malaysia

VICE X Asmoe | Hidden City In collaboration with Canon and Uber, checkout the new video by VICE showing various graffiti spots in Malaysia

Hush Puppies Exhibition & Art Festival Thru The Decades & The Launch of the Decades Collection

national art gallery exhibition balai seni negara, kuala lumpur

the wall exhibition The Wall Exhibition is an exhibition of documentation to exhibit archival materials from the urban art genre which is Graffiti. The main obejective of this exhibition is to evaluate the local style development of the urban art and as an exposure towards the public.

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kru x mediumtouch kuala lumpur, malaysia

kru studio - jovie mandagie Collboration with Jovie Mandagie & KRU Studio for their last concert, KONSERT GERGASI KRU in Istana Budaya, Kuala Lumpur.

melbourne-homeword found

dripsndrops x asmoe

melbourne, australia

bandung, indonesia

nigra pencils set Given a chance to give a full run on the first pencils by Drips n Drops is such a big thing this year.

homeword found exhibition

The pencils are perfectly designed in a way that reflects the identity of the Drips n Drops brand itself. The idea of integrating black as the prime colour of the pencils suits well with the current trends, thus enhancing the essence of the designâ&#x20AC;&#x2122;s image.

south east asia emerging scene

In collaboration with VS Gallery, Ive been invited to exhibit my work in Melbourne, Australia for Homeword Found Exhibition.

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Thank you.

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