SCI ARC 2018 2020 + WORK SAMPLE
PORTFOLIO
ARCHITECTURE + DESIGN
AMPARITO MARTINEZ
About Amparito Martinez is a graduate from the Southern California Institute of Architecture with a Master of Architecture, and a Bachelor’s of Science in Architecture from University of Illinois at Chicago. There, she served president of her school’s chapter of Arquitectos, a Latinobased non-proďŹ t organization committed to enriching the community by developing young architects. She is now currently serving as a website and media consultant to the Arquitectos Professional chapter. Her journey at SCI-Arc, has thought her a digital medium of the architectural discipline. Her challenge is to re-imagine and re-think the perception of space that transcend into a deep perceptual
narrative,
emotional
and
aesthetic
dimension.
She believes architecture dives into the world of storytelling, emotional illusionism, metaphoric design and poetic forms.
CONTENT
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SOUND MANNER
SUMMER 2020 GRADUTE THESIS
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MIRCO HOUSING
DS 1200 DS 2GAX COMP MORPH
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LA ORN
DS 1200 DS 2GAX COMP MORPH
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TKA
AS 3200 AS ADV MATERIAL / TECTONICS
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SUPERIMPOSED
DS 1201 DS 2GBX GENERATIVE MORPHOLOGIES
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LABRARY
AS 3222 AS DESIGN DOC GR
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LONG DAY’S JOURNEY INTO NIGHT
VS 2702 VR VR FILM SETS II
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CORGAN
DATA CENTERS
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INTERPLAN LLC
MOD PIZZA RESTURANT
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INTERPLAN LLC
BJ’S WHOLESALE CLUB
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CANOPY ARCHITECTURE + DESIGN
4249 PULASKI: OFFICE RETAIL
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JP ARCHITECTS, LTD.
MCLEAN RESIDENTS
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pg. 22
pg. 40
pg. 52
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SOUND MANNER GRADUATE THESIS - VIDEO SOUND| SPACE | MATERIALS
THESIS SCI-Arc - SUMMER
Sound is a spatial event, an auditory experience that unfolds over time. Even though sound does not have a physical form, it can be described using vectors of distance, direction, and location. Every space can modify, position, reect or reverberate the sounds that can occur. Sound can be understood as an architectural process that works in the ďŹ eld of acoustics but also transcends into emotional and aesthetic dimensions. Giving content not just to the acoustical aspect but also designing architecture with sound to tell a story of a space. Sound is considered an invisible layer of architecture, a sonically perceived space that is not necessarily dependent on the visual stimuli. In that sense, sound does not necessarily need to match the supposed acoustic characteristics of a visual space but can be thought about as a way of altering the perceptual narrative and emotional aspects of that space. By altering the sounds in a space our perception of that setting begins to question what the circumstance or event of that space is. This thesis video is an empirical study of sound of the perception of the built environment of downtown Los Angeles, as an architectural design space. By understanding the different layers of sound manners, we begin to dissect the qualities of the built environment. Each sound has their own reaction and behavior towards the environment. In the way of resolving the subjective-objective and diegetic and non-diegetic dynamics. By brining all these auditory experiences into a single setting that allows us to experience the built environment and the public. Giving the individual a perceptual narrative of that space.
Graduate Thesis, Summer 2020 Advisor : Florencia Pita Historial Advisor: Erik Ghenoiu Follow QR Code for Project Details & Video
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Sound Manners
Are 3 types of sounds that have their own reaction and behavior towards the environment. Soft-Mannered Low gentle sounds of the built environment that are not given extremes of emotions. Ill-Mannered THESIS SCI-Arc - SUMMER
Sounds that are considered undesirable to the ear, disruptive and interrupt the built environment sounds. Strong-Mannered Extremely loud sound elements of the built environment.
FOLLOW QR CODE FOR FULL THESIS VIDEIO!
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Anechoic Chamaber
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Reverb Room
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Station
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Sound Room 1
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Sound Room 2
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Sound Room 3
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MIRCOHOUSING WORKSHOP II SCAN | PROCESS | AGGREGATE
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Located in a city that is desperate for housing but have minimal development opportunities, our project proposal examines sites such as parking lots, voids created by different building scales and empty street scape with existing street furniture. The sites are centrally located in Downtown LA on Broadway and 3rd St. These sites have a potential to be infilled with high density housing. This then begins to address the housing crisis in LA. With the three mainsites, we wanted to maximize them to their full potential without implementing a totallyreconfiguration of the exciting, meaning the existing city would stay intact. We begin to address the idea of growth and expansion, through these multiple sites, that infill unused spaces in Downtown LA.
2GAX | DS 1200 - Comp Morph, Fall 2018 Critic : Casey Rehm Partner: Rad Mika Follow QR Code for Project Details
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SITE Three Site Locations
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THE BRADBURY CENTER The Three SItes Will Hold Mirco-Housing in DTLA
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ANTHONY QUINN MURAL Mural From Site
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REPROCESSED IMAGE OF MURAL Texture Map Material for Components
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COMPONENT 1
COMPONENT 2
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COMPONENTS IN SITE
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LA ORN WORKSHOP III SCAN | RE-MESHED | PARTI In our tower were interested in capturing most of ornamented facades of downtown LA into the tower. With the use of photo geometry scanning we samples varies options of ornamented facades. The use of stacking these faรงade pieces we begin to articulate a new type of faรงade. By breaking the faรงade, we begin to outline interior features of the station. The subtracted areas start to reveal a colorful layer that melts into the ground. The melted color merges into the Union Plaza. 2GAX SCI-Arc - FALL
Along with the experimentation of the remeshing and model layering we also begin to look at the resolution of faรงade details. With the use of resin dripping, the most emphasize details are the most prominent ornamental features. If we begin to shift the prominent ornamental features we start to loose the legibility of where one piece begins and one piece ends.
2GAX | DS 1200 - Comp Morph, Fall 2018 Critic : Marcelyn Gow & Florencia Pita Partner: Rad Mika Follow QR Code for Project Details
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COLLECTION OF FACADES IMAGES OF DTLA Collection of Facades Will Be Used to Generate A New Collective Facade
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PHOTOGEOMETRY SCANS OF FACADES Photogeometry Scans Produced a New Translation of Facade Samples That Changes the Read of Facade
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COLLECTION A. OF FORM USED TO SUBTRACT Subtractions Are Used To Create New Facade Sillouettes
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COLLECTION A. OF FORM USED TO SUBTRACT Subtractions Are Used To Create New Facade Sillouettes
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FACADE SUBTRACTION STUDY I Subtractions Create New Facade Sillouettes
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FACADE SUBTRACTION STUDY II Subtractions Create New Facade Sillouettes
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TKA MATERIAL & TECTONICS BUILDING | SYSTEM | CONSTRUCTION
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Herzog and DeMeuron sourced their inspiration for their addition to the Tai Qwun Heritage Center from the granite blocks that compose the original prisonbuildings and revetment walls of the compound. By redesigning the block with cast aluminum, the designers were able to explore the block unit as both a component of a rainscreen and as a set of apertures that control light. The resulting four standardized block shapes created a dynamic aesthetic composition on the buildings facades, elegantly marrying context, function and beauty. Keeping with the layered complexity of the facade, our team has reimagined the standardized unit as laser cut and machine folded sheets of stainless steel. The resulting implications of using flat media instead of cast blocks begged for formal shifts in the buildingʼs mass that would not have been possible with a standardized cast aluminum block. By deforming the exterior trusses of the building, and treating the exterior truss as a cage that supports interior free plans, the layered rainscreen and the buildingʼs program begin to share common themes of layering, variety in type, and functional utility.
2GBX | AS 3200- Adv Materials/Tectonics, Fall 2018 Critic : Maxi Spina & Randy Jefferson Team: Richard Mapes, Rad Mika, Jonathan Warner Follow QR Code for Project Details
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SUPER IMPOSED DESIGN STUDIO PARTI | DISPLACEMENT | TERRIAN Cities appear inside rooms, rooms move through cities, rooms are nested within rooms, here we are not just designing a library but spaces capable of undergoing a transformation of overlaying terrains and becoming mediating space from a city into a totally imaginative environment. The project takes you on a journey to this container from the city in search of knowledge jumping through spaces.
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The proposals expand beyond the typical resources of a library, providing previously inaccessible advanced technology in space desired and designed to tailored experiences. The program is divided into two Virtual and an actual library. The library is an aggregation of 7 sampled mountainous terrains stacked one above the other to form 3 shifting tectonic bodies. These bodies are supported by two towers. The towers include digital media, Mixed reality experiences, a Drone center, offices, and building core; while the stacked terrains organize the print media, reading rooms and stack areas. However, the 7th terrain creates the urban plaza which acts as event spaces for the library and the city. All that is encased within a thin container. The organization of library spaces within the terrains are reflections of the topography. At moments the organization is physically contaminated by high tech computational Rooms. These high tech violent interruptions are the soul of the library. All data processed in the library is distributed through these centers. The Library utilizes drones for circulation of data within the space and also for distribution throughout the city. The Drones are responsible for delivering books to a specific zone/terrain as requested by the user. The projections are a representation of the building interiors projected on to the city reading the building inside out. This proposal is a juxtaposition of actual and virtual, reality and speculative, humans and machines, high resolution and low resolution. However its an ecology of all these juxtapositions coexisting within the container.
2GBX | DS 1201 - Gen. Morphologies, Spring 2019 Critic : Ramiro Diaz-Granado Partner: Yash Mehta Follow QR Code for Project Details
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The terrians collected are sample from different areas of the world. By superimposing abstract mechanical forms to create spaces and book containers, we beginning to reinterpret the design of typical library space. With the use of drones to extract the books from the book containers for easy accessibility. This will also allow for easy distrubution of the book through the city of Atlanta.
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AFRICA TEXTURE
AUSTRALIA TEXTURE
ASIA TEXTURE
TEXTURE MAP COLLECTION I Hybrid Map of Terrians & Digital Library
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LATIN AMERICA TEXTURE
USA TEXTURE
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EUROPE TEXTURE
GROUND TEXTURE
TEXTURE MAP COLLECTION II Hybrid Map of Terrians & Digital Library
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LIBRARY WITH CONTAINER 66
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LIBRARY WITHOUT CONTAINER 67
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2GBX SCI-Arc - SPRING N Scale: 1/16”= 1’-0”
GROUND PLAN OF LIBRARY 68
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N Scale: 1/16”= 1’-0”
PLAN OF SUPERIMPOSED TERRIAN 69
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Drone Center
Holographic Experince room
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Media Librray
Audio Library
Coputer Lab Audio Library
EXPLODED AXON OF PARTI I Top Tower: Drone Center, Media Library & Analog Library 72
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Administrative office
Sever rooms
Computer Lab
Lobby
Server room
EXPLODED AXON OF PARTI II MiddleTower: Servers, Computer Lab & Analog Library 73
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AR Experince rooms
Interactive experience room
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Administrative offices
Lobby
Enternace Lobby
Enterance Lobby Event Space
EXPLODED AXON OF PARTI III Lower Tower: Main Plaza & Lobby Areas 74
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TERRIAN STACK LIBRARY FLOOR Drones Extracting Books From Superimposed Elements 75
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LABRARY DESIGN DEVELOPMENT TECTONTIC| ANIMATION| DEVELOPMENT This Atlanta public library proposal investigates issues related to the implementation of design: technology, the use of materials, systems integration, and the archetypal analytical strategies of force, order and character. In the library called the LABrary design we see a construction methods, analysis of building codes, the design of Structural and Mechanical systems, Environmental systems, Buildings service systems, the development of building materials and the integration of building components and systems.
3GAX SCI-Arc - FALL
LABrary will be shown in-depth with construction photographs, 3D renderings, and technical drawings and details. With a focus on the evolution of building design from concept to build form. Overlaying of digital information onto the built environment to both facilitate the construction and have everything derived from a single database. The primary part of our work will be an animated drawing set in form of a multi segment video. Each chapter will address one of the core topics of the seminar and offer different views, components, sizes, descriptions, energies, systems, vantage points, transparencies, materials, colors, scales, and so on. Please watch video for visual understanding of technicalities of project.
3GBX | AS 3222 - Design Development, Fall 2019 Critic : Herwig Baumgartner Team: Amparito Martinez, Bowen Liu, Gregory Kokkotis, Jonathan Warner, Kaiying Lin, Manying Wang, Phoemphol Phoemphoolsinchai, Yixin Zhang, Zepeng Gao Follow QR Code for Project Details & Video
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Long Day’s Journey Into Night VISUAL STUDIES FILM | STORYTELLING | VIRTUAL REALITY
3GAX SCI-Arc - FALL
The seminar focuses on development of a custom virtual reality atmosphere experience of a recreating of a film scene. The chosen film is Long Day’s Journey Into Night, where it is taken into 3ds Max and Cinema4D to recreate the film set. This film set is then recreated to represent a different aspect of the film. This experience is seen through visuals of the film scene with sound to help recreate the scene but to show another level of detail that is not shown in the film. With VR the user can experience the film at a different level that might not be seen on screen.
3GBX | VS 2702 - VR VR Film Sets II, Fall 2019 Critic : Alexey Marfin Team: Amparito Martinez, Xin Liu, Zihan Gao, Richard Cottrell, Kidus Hailesilassie Follow QR Code for Project Details & Video
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LONG DAY’S JOURNEY INTO NIGHT EXIBITION
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CORGAN DATA CENTER VARIES LOCATIONS While working at Corgan I was assigned to the Data Center sector to help produce CD sets, submittals and renders. All the projects were located in the west coast. Main tasks were to pick-up redlines, draft spatial plans and produce 3D models of the data center units. CD set was coordinated among a team of 9, in the LA, New York and Huston ofďŹ ce. Programs Used - Revit - Lumion - Photoshop
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INTERPLAN LLC. MOD PIZZA: RESTURANT VARIES LOCATIONS While working at Interplan I was assigned to the MOD Pizza team to help produce CD sets. All the projects were interior built-outs at varies locations through the U.S.. My main task was to pick-up redlines, draft spatial plans and produce 3D models of the resturant. As well as complie a full CD set with the team. Programs Used - Auto CAD - SketchUp
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INTERPLAN LLC. BJ’S WHOLESALE CLUB VARIES LOCATIONS WHile on the BJ’s team, I was assigned to complie and organize CD sets. As well as pick up redlines. Programs Used - Auto CAD
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Canopy Architecture + Design 4249 PULASKI: OFFICE RETAIL CHICAGO,IL 4249 Pulaski will serve as a new ofďŹ ce/retail hub for local and regional business. In this project my responsiblities were to draft plans, exterior & interior elevations, and stair details. In this project I was involved in the schematic design and construction development phase. Along with cooridniating with consultants for this project. Programs Used - Auto CAD - SketchUp
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JP ARCHITECTS, LTD. MCLEAN RESIDENTS CHICAGO,IL In the Mclean project my responsibilities were to provide three schematic designs of the floor plan for the basement, first and second floor. As well as to draft construction documents. All including the floor plans, electrical plans, mechanical plans, plumbing diagram and elevations. All while being supervised by the project architect. In additon to drafting the construction documents, I was also assigned to provide renders of the interior. Programs Used - Revit - AutoCAD WORK SAMPLE 154
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