Feel the existence

by Ye Min Tun

Physical of Belief : We sometimes the relationship between hu mans and other living being forgotten we are focused to the very existence of mankind.

Artist are create the existence of human and existence of other living organisms are correlated in the same disposed. Its existence and the existence of other organisms that seeking mutual beings.

Artist was shown on the TV screen to create a family trust, searching from traditional, psychological and science laboratory. Result of physical representa tion was also searched living organisms like looking outside himself from the relationship. Human organisms and plants are very existence of life of humans and other liv ing materials relations. Also display this on the television.

Despite different languages for plants that vary according to the respective language names, but their live stand diversity are the same. artist's existence for ex change Name Card to communicate with the other's existence with a question. Artist who has been happen ing there with his clone (pomegranate) tree is a living material, inanimate objects as changed. And (how) the history of the survival of its existence, in one way or an other went about this is part of its history. Humans take care of your living rather are discretionary in nature care about living or inanimate objects on need.

Self-portraits ID: Your record is well-known mark for your life. The manual is going to be his best photographs on dis play. The maker of this photo well noticed beyond can be learned. His emotions, and life has been created in connection with also show that some part of him. There, visitors can also recorded your ID photo. It is between the artist and audience recorded the memories. When artist recalls the past with an ordinary life. The past is real ly suffering, changes to a photo's image recalls.

This project makes several years ago as a studio work. This is a self-research. Others like you, what is your record of what had feelings back to what happened was questioned from the life. To review your past, need to feel the existence of the artist seems to want.

Portraits Nun: The artist make a question, can find herself as a religious atmosphere. Whether it is to find yourself as a religious teaching survival and between community are different, but it's herself. Many of the lives by the various understanding I think. Artist's give a sense and feel this kind. What is between the religious identity and ordinary lives which we wanted like models?

Beginning and Ending: The artist has also been questioned, and where the end and the where the start?. A 3-minute video presentation look without starting and ending. A larger than average size of Chinlone hang on the space across viewing the video screen. A compromise traditions Chin lone games, gives an organization more or less common, and different situations with different shapes lives struggling like each other a struggle supportive.

A smiling picture see on the T-shirt of playing Chinlone women with the background of daily life in Yangon street. Movement of the contact between peo ple who move to backward and player is forward. The artist created Chinlone to focus more on the nature of the adjustments to play each other and the need to adjust each society. This is a social community around setting a full and equal regarding of gender responsive ness and anxiety. The supportive measures od balance as needed rather artist seems to want. Dynamic survives, meeting each other in the same of the causes and sup port to be able to make a exchange of each other.

Artists and the Curatorial Team at the Working (Right to left- Amon, Mayco Naing, Kriz Chan Nyein, Napat, Aung Myat Htay, Ye Min Tun)

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