Amy Garlock Architecture Portfolio by Amy Garlock

AMY R. GARLOCK SYSTEMS - PROJECTS - IDEAS - DRAWINGS

SYSTEMS

PROJECTS

Temporary - Permanent: A Thesis 2013

Urban Performing Arts Center 2011

Home-For-All 2012

Lodged Houses 2009

Temporary Shelters 2012

Ladakh Vistitors Center 2010

IDEAS

DRAWINGS

Modular Library Wall 2010

Drawings 2007-10

Mobius House 2009

Small Bookstore 2010

Transit Center 2011

Urban Intensities 2013

SYSTEMS DESIGNS THAT GO FROM

PART TO WHOLE

TEMPORARY-PERMANENT: A THESIS WASHINGTON, DC HARVARD GRADUATE SCHOOL OF DESIGN M. ARCH I THESIS / SPRING 2013 ADVISORS: PETER G. ROWE & BETH WHITTAKER

Vertical Circulation District

A contradiction: there is an innate desire for permanence in our place of dwelling, but a flexible building is more sustainable, more profitable and more capable of producing new social conditions. If we acknowledge that our perceptions of change are only relative and fragmentary, we can more flexibly attribute permanence to an urban artifact, the building. By strategically keeping some parts static relative to the subject, they will be perceived as permanent, and we can introduce true flexibility into the rest of the building, anticipating changing occupation over time.

Void Object Program Public Path

Vertical Circulation Void Public Path Object Program District

Permanence is perceived by connecting memory to place. Spatial characteristics like mass, stability of horizon, symmetry and opacity increase this remembered permanence; fragmentation, instability and lightness suggest the temporary. The temporary-permanent building balances its expression between the two poles, using an understanding of the potential relative time frames of perception to guide which parts might be more or less ﬂexible. Because memory operates as a collection of fragments, the building proposes a series of linked nodes - moments open to the attribution of memory - that are dispersed along a public path. These permanent moments are expressed as massive concrete shells that enclose nothing but air: a void into which the visitor projects his memories.

01 Diagrams / Void in Section / Void in Plan 02 Model Photographs / Node Models 03 Section / Experience of Permanent Void

Down

Within

Through

Into

Around

Up 03

B M

The prototype as formed by nodes was then tested on two adjacent sites. A 75-acre area of Washington DC, immediately south of the US Capitol, has been reconfigured to reconnect a dense residential neighborhood with a blocky, massive office building district. The temporary-permanent building can work at both scales and accommodate both building types. Through reconfigurable units and a common relationship between nodes of program and a public path, the prototype remains intact. The spaces between the nodes are infilled by small units of program either housing or office space.

HOUSING

While the Eastern Building is predominantly housing and hotel units, the Western Building abuts the SW Federal District. A complex multi-use building takes office space as the main program but around each node, connected by public path, are institutional and cultural hubs. In this conﬁguration of the prototype, the Voids are inhabitable as exterior balcony spaces or entry points to the Building.

OFFICE

01 02 03 04

Site Plan / Washington, DC / Before and After Axonometric Diagrams / Two Housing Types Site Photo / Existing Conditions Site Plans / Before and After 04

The structural system of the building is condensed into 9’ x 9’ cores, which support the larger floor slabs and contain “materially permanent” infrastructures: toilets, sinks, cooling and heating elements, elevators, etc. These fixed pieces are consolidated to miniature cores so that the layout can more easily change around these islands of fixed use. The permanent voids and the miniature cores aggregate to produce a node-based structuring system for the building, which can then be configured to accommodate almost any site or program.

8’ - 0” 9’ - 4” Core Configurations

1.5 Bath

Bath / Closet

.5 Bath / WIC

Elevator

Bath / Kitchen

Kitchen / WIC

Hotel Bath / Kitchenette

2x Hotel Bath

Kitchen

01 Rendering / Central Courtyard Looking South 02 Plan / Apartment Building cut at 32â&#x20AC;&#x2122;, showing public path

Retail

Restaurant

Retail

Down to Kitchen

Down to METRO

Retail

Hotel Gym

Hotel

Lockers

Garden Deck

Cafe

Kindergarten

A: PLAN AT PUBLIC PATH

Scale: 1/16” = 1’-0”

Unit Plans / Configurations related to Cores Model Photograph / Housing Building in Site

3 BR

Work - Live

Studio

1 BR

Hotel A

Hotel B

Typical Slab Construction

Typology Modification / Double-Loaded Corridor

Section / Through Apartment Building and Courtyard looking North

Mini-Core Temporary-Permanent Construction

Typology Modification / Single-Loaded Corridor

Typology Modification / Central Core

Rendering / View of Interior Corridor in Apartment Units, Permanent Void in Distance

01 Model Photograph / Office Building in Site 02 Section / Through Building Looking West 03 Detail Plan / Experience of Permanent Void

Into

Within

Through

Around

Into

01 02 03 04 05 06

Plan / 18’ Plan / 6’ Plan / 30’ Plan / 57’ Plan / 89’ Model Photograph / Office Building in Site looking South

Rendering / Western Facade showing Voids

HOME - FOR - ALL

The goal of the Home-for-All is to create an architectural catalyst to revive the urban downtown of Kamaishi. In order to revitalize this city, the downtown needs an inspiring new center from which the community can initiate urban revitalization. Our Home-for-All is located at the intersection of Kamaishi’s two main commercial axes. This enables it to re-center the city and by catalyzing activity, spread regeneration throughout the downtown. The Home-for-All can attract and accommodate a variety of different types of activity. By bringing together a broad collection of Kamaishi’s residents, it can foster new connections and become a starting point for Kamaishi’s regrowth. A ﬂexible architectural system will compose the Home-for-All; through the simple offering of a community space, the people of Kamaishi will be encouraged to leave their temporary homes and come back to the city.

KAMAISHI, JAPAN HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / TOYO ITO W/ FAREEZ GIGA AND ALISON VON GLINOW SPRING 2012 / 12 WEEKS

The basic architectural element - something between a column and wall - acts like a tree, attracting people through simple surface programming. The adjacency of a table, a bench, or a shelf invites people to relax as they lean against the wall, gather around a table and eat, and read while still connected to neighbors. A collection of these forms an open space that is loosely deﬁned by different activities around and between nodes, allowing various activities to occur in the same place, sometimes simultaneously, sometimes at different times. The system is simply composed of a set of minimally designed horizontal surfaces easily put into a vertical wall, inviting the user to create his or her own desired space.

01 Site Plan / Home For all at the Axes 02 Model Photo / Home-for-All as Beacon

The Home-for-All will also provide a space for shop owners and entrepreneurs to establish their businesses. As the Home-for-All aids in the commercial revitalization of the downtown, its progress is tracked on the entrance wall to the shop. The Home-for-All will spread its identity by integrating its basic elements (column-walls and deck) into the urban environment. Over time, the home-for-all transforms from a single beacon and gathering point to an element within the forest of a larger system, a regenerated city.

01 Photographs / Existing Urban Conditions in Kamaishi Empty Lot / Foundation Wall / Open First Floors 02 Model Photograph / Revitalized Urban Condition 03 Photograph / Existing Kamaishi Main Street 03

Column-Wall Trees offer a recognizable landmark to meet a friend, a shaded place to relax, provide a good backrest when reading a book, or be a pleasant space for a picnic. Similarly, the basic architectural element - something between a column and wall - can attract people through simple surface programming. The adjacency of a table, a bench, or a shelf invites people to relax as they lean against the wall, gather around a table and eat, and read while still connected to neighbors. The goal is an open space that is loosely deďŹ ned by different activities around and between nodes. 01 Model Photograph / Home-for All Interior 02 Diagram / Gathering around a Tree or Column-Wall 03 Plan / Ground Floor

01 02 03 04

Column-Wall Assembly The articulation of the column-wall can deďŹ ne space as both a column-like node (unifying) and as a wall, seaming between two separate activities. The goal is to activate space by allowing various activities to occur in the same place, sometimes simultaneously, sometimes at different times. The system is simply composed of a set of minimally designed horizontal surfaces easily put into a vertical wall, inviting the user to create his or her own desired space.

Urban Strategy The Home-for-All will also provide a space for shop owners and entrepreneurs to establish their businesses. As the Home-for-All aids in the commercial revitalization of the downtown, its progress is tracked on the entrance wall to the shop. The Home-for-All will spread its identity by integrating its basic elements (column-walls and deck) into the urban environment, further catalyzing commercial and social revitalization. Over time, the home-for-all transforms from a single beacon and gathering point to an element within the forest of a larger system, a regenerated urban environment.

Diagram / Column-Wall Propagation Diagram / Column Wall Typology Diagram / Column-Wall Assembly Rendering / Flexible Shop Interior

Section Perspective / Interior of Home-for-All with Living Space above and Test Shop below

TEMPORARY HOUSING SYSTEM

This project proposes two systems: First, a minimal concrete foundation that is a landmark to which families can return after ﬂoodwaters recede. This addresses issues of land tenure and ease of rebuilding. Second, a woven system can be used ﬂexibly as furniture, possession transport and protection, temporary shelter or part of a permanent shelter. This woven system can be constructed at different scales for different uses and its technique is grounded in the local Pakistani means of making rope beds, known as “charpoy”.

PUNJAB, PAKISTAN HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / TOSHIKO MORI FALL 2011 / 12 WEEKS

01 Map / Flood Extents 2010, 2011 02 Diagram / Concept Generation 03 View / 2 person Shelter

In 2010, Pakistan was devastated by ﬂooding in its agricultural Indus valley. Nearly 20 million people were affected, and many were displaced from their homes for months at a time. Many of the families affected lost all their accumulated wealth because their homes, possessions and crops were destroyed by the rising waters.

The charpoy rope bed is a piece of furniture that is owned by many families in the parts of Punjab and Sindh provinces. Charpoy are used as a surface for sleeping, eating, and gathering, and are made using few resources. To transform the charpoy into something more broadly functional, I removed the legs, made it square for ease of proliferation in multiple directions, and used the inherent tension in the diagonal weave to give 3d rigidity by introducing a doubly-curved surface. The curvature allows the modules to span longer distances and gives the surface strings more ability to take lateral and gravity loads when connected. The system can function at the scale of a piece of furniture or be used as a building component, enclosure or substrate. The module can be reconﬁgured using simple sticks or short bamboo pieces as attachment.

01 01 02 03 04

Diagrams / Module Configurations View / Drying Rack View / Temporary Shelters View / Possession Transporter

The system can function at the scale of a piece of furniture and be stored or used as a building component, enclosure or substrate during times where there are not floodwaters. When a flood comes, the module can be reconfigured using simple sticks or short bamboo pieces as attachment. It can be waterproofed through secondary and tertiary weavings and used as temporary shelter when configured differently. The System can be deployed at multiple scales and in different numbers to give it a maximum flexibility of configurations and uses. At the small scale it can be used to transport water, filter water and dry clothes. It can also be used as a small bed or to transport smaller posessions. At a larger scale, 2 meters on each side, a module of 3 pieces can be configured as a float, a storage unit, or different one-person shelters. When combined with other modules it can be used to shelter more people, such as a family. The possibilities for aggregation are only limited by the availability of people in the family to carry these light structures.

01 02 03 04

Model Photographs / Cladding Options Model Photographs / Cladding and Structural Reinforcement Diagram / As formwork: Mud or Concrete Supported by Tensile Frame View / Temporary Waterproof Roof on Ruined Foundation

The module, at any scale, can be clad to create temporary shelter and structure. In addition, the clad module or unclad surface can serve as a substrate for other, more permanent, materials such as mud, straw, waterproof fabrics or even concrete. In this way, the system is ďŹ&#x201A;exible in its material identity and its outward expression. It can be personalized so that any settlement built using the system does not appear uniform or generic. 01

PROJECTS BUILDINGS DESIGNED IN RELATION TO THEIR CONTEXT

URBAN PERFORMING ARTS CENTER

BOSTON, MASSACHUSETTS HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / FLORIAN IDENBURG FALL 2010 / 10 WEEKS

The proposed project is a new performing arts center for Dance, Music and Drama in Boston’s North End. I question the need for a traditional performing arts center - the cultural climate in Boston is more dynamic in smaller, dispersed community arts organizations. Therefore, the building was conceived as a collection of smaller, independent entities.

A competing consideration was the waterfront site, which seems to require a more dramatic statement that would add to the skyline. In order to achieve this while maintaining the fractured, individuated community reading from up-close, the building’s organization takes advantage of the idea that we can perceive an organized collection of parts as a whole from afar. The building negotiates this dual identity through structural and material choices that can have different readings at different distances. The collection of different yet speciﬁc facilities for a variety of types of performing arts functions both as a community of individual parts and, at the scale of the city, as a uniﬁed building.

01 02 03 04

Site Photographs / Waterfront Side vs. City Side Site Map / Location in Boston Diagram / Perception of an Implied Whole Night View / Performing Arts Center from Commercial Street

In order to include multiple discrete programmatic entities in a single building, the adjacencies must be carefully calibrated to ensure that the backstage and kitchen have access to the loading dock, the theaters have adequate lobby space and the school has an independent entrance off the street or lobby. The negotiation of the adjacencies and the response to the site’s orientation with respect to the water, street and park fronts drove the placement of the program within the building.

01 02 03 04 05 06

Model Photograph / Model at 1/16” = 1’-0” Diagram / Combined Program Elements Inspiration / Tony Cragg, Untitled, 1985 View from Waterfront / Performing Arts Center Section / Longitudinally Through Concert Hall Section / Longitudinally Through Theater

Circulation Diagram

EMPLOYEE

PERFORMER

STUDENT

PATRON

TOURIST

PLAN: +8' 01 02 03 04 05 06 07 08

MUSIC HALL SCHOOL LOBBY GIFT SHOP CAFE OUTDOOR DINING AREA BOX OFFICE ADMIN OFFICES STAFF BACK OF HOUSE

Plans and Key Sections

PLAN: +24' 02 03 04 05 06

MUSIC HALL SCHOOL LOBBY BELOW GIFT SHOP BELOW ADMIN OFFICES STAFF BACK OF HOUSE CONCESSION / BAR

PLAN: +50'

GREEN ROOMS TERRACE LOBBY TRAP ROOM

PLAN: +64' 01 02 03 04 05

REHEARSAL ROOMS TERRACE DANCE STUDIOS LOBBY THEATER

PLAN +36’ 01 Admin Offices 02 Trap Room 03 Balcony Seating

50 ft

01 02 03 04

Interior View / Concert Hall Interior View / Upper Lobby with Dance Studio and Theater Entrances Beyond Elevation / Along Commercial Street Elevation / Along Waterfront

The interior experience of the Performing Arts Center is dual in nature. The interiors of the program volumes are self-contained and whole. The interstitial spaces, however, are dynamic and expand and contract based on the contingent volumes that create them.

INFILL HOUSES

CLADDING

SOMERVILLE, MASSACHUSETTS HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / ELIZABETH WHITTAKER FALL 2009 / 2 WEEKS The 7’-6”-wide gap between two existing houses in Somerville, MA is the given site for an architectural intervention. The program of an artist’s live-work space and gallery is accommodated in this sliver of space. The traditional relationship of public and private space in the abutting homes is inverted in the intervention. The private space has more interior subdivision and heavier materials, and therefore has greater compressive structural capacity. The public space, normally on the ground ﬂoor, is more open and ﬂuid, and therefore can be hung off a structural frame using lighter tension members.

01 Exploded Axonometric 02 Model Photograph / Detail

STRUCTURAL FRAME

TENSILE

COMPRESSIVE

FOUNDATION

03 Exterior of Building Below Cut

01 02 03 04 05 06

Diagram / Reconfiguration of Typical House Plan / Ground Level Plan / Level 1 Plan / Level 2 Section Perspective / Through Gallery Section Perspective / Through Entry Sequence

LADAKH VISITORS CENTER

SHEY, LADAKH, INDIA BASIC INITIATIVE TEAM PROJECT WITH 35 OTHER STUDENTS SUMMER 2010 / 4 WEEKS In July 2010, I traveled with a group of architecture students to Leh, a city in Northern India (Ladakh region) near the Tibetan border. There, we worked with the students and faculty at the Druk White Lotus School to design a new visitors center for the campus. The campus and its existing buildings were designed by ARUP in 1998-2002 as a triple-net-zero energy project. The school opened in 2002, and since then has educated K-8 students, some of whom live on campus. The Ladakh region is very remote and has limited resources. Additionally, Leh and the school are located at 12,000 feet above sea level and the region’s harsh climate includes winter temperatures of -30˚ F and an average of less than 3 inches of rain annually. These factors inﬂuenced our design, which relied heavily on traditional Ladakhi building techniques and the use of local materials. The visitor’s center is oriented on the existing axis of the campus, which orients heavy walls toward the North to combat the harsh winter climate.

Leh, Ladakh, India

01 Druk White Lotus School / Students at Morning Exercise 02 Druk White Lotus School / Dormitory by ARUP Opposite: Concrete Flooring Application / Photo Credit Laura Dempsey

One of my responsibilities was researching and implementing traditional scaffolding techniques to allow us to continue working on the higher levels of the building.

01 02 03 04 05 06 07

Photograph / Laying Brick on Scaffolding Diagram / Scaffolding Dimensions and Construction Site Plan / Location on DWLS Campus Plan / Proposed Visitor Center for DWLS Photograph / Wash Wall and Window as Constructed (Unfinished) Photograph / Lifting Rebar Cages for Concrete Ring Beam Photograph / Building at top-out of Mud Brick 02

We broke up the massing of the building by introducing a break in the roof height, a design move that necessitated the use of heavy pine timber from Kashmir; most of the locally available timber is smaller poplar and willow. The lack of local wood and the need for greater insulation also prompted our decision to use traditional mud-brick construction, which is then stabilized by a poured-in-place concrete ring beam. The stabilizing reinforced concrete is necessary because Leh is in a Level 5 (highest) seismic risk zone. Ultimately the design was constrained by the availability of local materials, but we were able to most directly control the ways in which light entered the space. By introducing a wash window and wall on the Southwest corner and four skylights in the roof, we achieved a diffuse lighting condition that is ideal for the spaceâ&#x20AC;&#x2122;s gallery function. We also designed and fabricated a wooden built-in shelving unit that serves as storage for employee valuables and for the teaservice equipment integral to the Ladakhi customs of hospitality.

The split in the roof level is enabled by a pine girder that spans the short dimension of the building. I was part of the team that researched traditional Ladakhi carvings and subsequently carved a vernacular design into the pine beam. 01 02 03 04

Photograph / Raising the Pine Beam into Place Section / Lateral Cut Showing multiple Roof Levels Detail Photograph / Carved Pine Beam Detail Photograph / Finished Interior 02

The diffuse interior lighting was primarily achieved through skylights. The skylights had to be fabricated and placed at the level of the insulating mud and grass in the roof. They were then covered with recycled acrylic sheets.

01 01 03 04 05

Wall Section / Typical, Showing Relationship of Ring Beam, Roof Beams Wall Section / Typical, Showing Relationship of Window and Foundation Photograph / Placing the Poplar Beams on the Pine Girder Photograph / Placing the Skylights Photograph / Skylight Effect

IDEAS SHORT PROJECTS AND

DESIGN SKETCHES

MODULAR LIBRARY WALL

BOSTON, MASSACHUSETTS HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / CAMERON WU SPRING 2010 / 2 WEEKS This project was a preparatory exercise for the design of a rare books library. The brief called for the organization, via module, of a system of 11 carrels, 10,000 linear feet of books and systems of circulation. My response was an inversion of the typical relationship between carrel and facade, and an examination of the consequences of this reconﬁguration. The embrasures connecting facade to carrel are for the lighting and privacy of the carrel and are a sign on both interior and exterior of the varying sizes of the carrel spaces. The books are conceived of as a thickened poché.

FACADE

CARRELS

CIRCULATION A

STACKS T

CIRCULATION A

CARRELS

01 Diagram / Inversion of typical arrangement 02 Detail Section / Carrel-Stack-Facade-Circulation relationship

Exploded Axonometric / Sections cut at selected carrel locations

01 Diagram / Recombination of Modular facade into Carrel types 02 Model Photographs / Details of Interior Facade 03 Sample Plans / Levels 3 and 4

01 01 Model Photograph and Key Elevation / Interior Facade Fragment 02 Model Photograph and Key Elevation / Exterior Facade Fragment

MOBIUS HOUSE

HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / ELIZABETH WHITTAKER FALL 2009 / 2 WEEKS

Given the paradigmatic spatial arrangements of the Jordan Curve and the Klein Bottle, I created an abstract space that is deﬁned by a singular, continuous mobius surface. The surface is enclosed at certain points to create a loosely deﬁned interior, and becomes tangent to a designed landscape to enable entry and exit.

01 02 03 04

Model Photograph / Conceptual Sketch Models Model Photograph / Aerial View Model Photograph / Downhill Elevation Model Photograph / Entry

TRANSIT HUB

QUEENS, NEW YORK HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / CARLES MURO SPRING 2011 / 3 WEEKS

Given codes derived from an earlier group design, I propsed this train station as a neighborhood center and a transit hub serving the LIRR and MTA 7 Trains. The Station acts as porous ďŹ lter in the east-west direction, allowing for multiple crossing points and gathering points along its length. It stitches the site together by asserting its presence as a continuous seam between the two neighborhoods.

01 Axonometric Diagram / Unfiltered Public Spaces 02 Rendering / Aerial View looking South 03 Model Photograph / Plan View of Station

At the mezzanine level, the station acts as a bridge, providing multiple continuous paths between Citi Field and USTC/Corona Park. These varying connections allow for flexible crowd accommodation and their different lengths and orientations dictate different speeds of movement. The megastructural form of the station is broken up by its structural system. By using a modular bay to organize space, the station becomes a rule-based system, deforming the structural frames with respect to the desired program (enclosure) and necessary structural support. The frames are thin and closely spaced at 6-foot intervals. Every 18’ there is a primary frame. The close, thin frames are deep to provide extra structural support and to create a visual difference. When viewed across (in the porous filter direction), the station is light and transparent. However, when viewed at an oblique angle, or when moving quickly through the station, the fins appear to merge and the station is read as a single, opaque figure.

01 02 03 04

Rendering / Aerial View of Central Public Space Plan / Fast Path in Red, Slow Path in Blue Plan / Ground Level Showing Building Porosity Rendering / Views from “Slow” Passage onto Central Public Space and Citi Field

DRAWINGS FORMS OF REPRESENTATION

DRAWINGS ROME, 2010 PHILADELPHIA, 2007

BOOKSTORE DETAIL DRAWINGS

CAMBRIDGE, MA HARVARD GRADUATE SCHOOL OF DESIGN CRITIC / JONATHAN LEVI SPRING 2010 / 3 WEEKS The detailing of this small architectural bookstore is expresses the possibilities of custom wood detailing and the reconciliation between interior and exterior details. Each surface of the bookstore is thought of as a framed, two-dimensional surface through which windows are expressed as punched openings. The custom steel angles at the corners and around the window openings are framing devices for the structural plywood (interior) and shiplap siding (exterior). The details were fully worked out through precise 3d modeling to get a better feel for the ďŹ nished expression of a designed detail.

1. DETAIL SECTION THROUGH NORTH WALL

3” = 1’-0”

2" RIGID INSULATION 3/4" PLYWOOD SHEATHING 2x6 RAFTER GALVANIZED STEEL PLATE WITH WEEP HOLE BLOCKING UP TO 3" ABV. SHEATHING

10 MIL MEMBRANE ROOF 3/4" GALVANIZED STEEL PLATE WITH DRIP EDGE

COPPER FLASHING

COPPER FLASHING WITH DRIP EDGE

1/2" PLYWOOD SHEATHING

EL. + 16' - 0"

MOISTURE BARRIER 1 x 4 SHIPLAP WOOD BOARD SIDING

2x6 RAFTER 2x6 TOP PLATES

COPPER FLASHING

BATT INSULATION 2X6 STUD WALL

2x6 RAFTER 2x2 FURRING BLOCKS @ 16" o.c.

1/2" PLYWOOD SHEATHING WEATHER BARRIER

5/8" GWB

END OF CASING BEYOND DOUBLE-GLAZED CUSTOM CLERESTORY WINDOW

3/4" GALVANIZED STEEL CASING

GALVANIZED SCREWS FLUSH VAPOR BARRIER ON WITH FACE OF CASING INSIDE FACE OF GWB

1 x 4 SHIPLAP WOOD BOARD SIDING

2x6 SILL PLATES

ALIGN N

2X6 GLULAM BEAMS 2x10 HEADERS

4x6 FINISH GRADE TIMBER COLUMN BEYOND

2x6 TOP PLATES 1/8" GALVANIZED STEEL T-SHAPE W/NEOPRENE BACKING

5/8" GWB

COPPER FLASHING 3/4" x 18" SHELVING @ 1' INTERVALS

3/4" GALVANIZED STEEL CASING WITH DRIP EDGE

3/16" COUNTERSUNK BOLT DOUBLE GLAZING, TYP. SEE EXTERIOR ELEVS. FOR SILL HEIGHTS

ALIGN 3/4" GALVANIZED STEEL CASING WITH DRIP EDGE

5/8" GWB VAPOR BARRIER ON INSIDE FACE OF GWB

3/16" COUNTERSUNK BOLT 2x6 STUD WALL FRAMING BATT INSULATION 1/2" PLYWOOD SHEATHING WEATHER BARRIER 1 x 4 SHIPLAP SIDING

3 3/4" REVEAL AT BASE 3 3/4" HARDWOOD TREAD 3 3/4" PLYWOOD SUBFLOOR

BATT INSULATION

2x12 STRINGER

WEATHER BARRIER

3/4" PLYWOOD SUBFLOOR

1/2" PLYWOOD SHEATHING 4" SHIPLAP WOOD BOARD SIDING EL. + 3' - 0" ABOVE GRADE

2X12 FLOOR JOISTS 2X12 BLOCKING 2X6 LEVELING PLATE ANCHOR BOLT

3/16" BOLT

5/8" GWB

BATT INSULATION

SILL SEAL

2X6 STUD FRAMING

1" AIR GAP

GALVANIZED 1/2" ANGLE WITH WEEP HOLES AND INSECT SCREEN

BATT INSULATION

GRAVEL

5/8" GWB

6" EL. @ GRADE + 0' - 0"

BATT INSULATION 2x4 STUD WALL FURRING POURED IN PLACE CONCRETE FOUNDATION FIBROUS EXPANSION JOINT 3/4" REVEAL AT BASE

EL. - 9' - 0" BELOW GRADE

4" SEALED CONCRETE SLAB GRAVEL FILL DRAINAGE PIPE AT FOOTINGS

3/4" PLYWOOD SHEATHING COPPER FLASHING 1/8" GALVANIZED STEEL T-SHAPE W/NEOPRENE BACKING

10 MIL MEMBRANE ROOF 3/4" GALVANIZED STEEL PLATE WITH DRIP EDGE COPPER FLASHING WITH DRIP EDGE

2x6 RAFTER 2x6 TOP PLATES BATT INSULATION 2X6 STUD WALL 1/2" PLYWOOD SHEATHING WEATHER BARRIER 1 x 4 SHIPLAP WOOD BOARD SIDING

2x6 RAFTER 2x2 FURRING BLOCKS @ 16" o.c. 5/8" GWB

END DOU C

GALVA VAPOR BARRIER ON W INSIDE FACE OF GWB

3/4" REVEAL AT BASE 3 3 3/4" HARDWOOD TREAD 3 3/4" PLYWOOD SUBFLOOR

BATT INSULATION

2x12 STRINGER

WEATHER BARRIER

3/4" PLYWOOD SUBFLOOR

1/2" PLYWOOD SHEATHING 4" SHIPLAP WOOD BOARD SIDING 2X12 FLOOR JOISTS 2X12 BLOCKING 2X6 LEVELING PLATE ANCHOR BOLT

3/16" BOLT

5/8" GWB

BATT INSULATION

SILL SEAL

2X6 STUD FRAMING

1" AIR GAP

GALVANIZED 1/2" ANGLE WITH WEEP HOLES AND INSECT SCREEN

BATT INSULATION

GRAVEL

5/8" GWB

6" ' - 0"

5/8" GWB 2X4 INTERIOR STUD WALL 5/8" GWB HARDWOOD JAMB

BATT INSULATION

3/4" REVEAL

2X4 INTERIOR STUD WALL

1/2" PLYWOOD FIRRING

5/8" GWB

VAPOR BARRIER ON INSIDE FACE OF GWB

3/4" REVEAL

BATT INSULATION

HARDWOOD JAMB

2X6 STUD WALL

BIFOLD DOOR

1/2" PLYWOOD SHEATHING WEATHER BARRIER

3/4" GLASS DOOR

1 x 4 WESTERN RED CEDAR SHIPLAP SIDING GALVANIZED 1/2" ANGLE WITH WEEP HOLES BELOW

1/2" GALVANIZED STEEL DOOR HANDLE ASSEMBLY 1/8" GALVANIZED STEEL CASING AT GLASS EDGE

DISPLAY CASE 4'-0" X 8'-0"

VESTIBULE 5/8" GWB

5'-0" x 5'-0"

3/4" REVEAL 3/4" HARDWOOD DOOR STOP 3/4" STEEL CASING 1/8" GALVANIZED STEEL T-SHAPE W/NEOPRENE BACKING 3/4" STEEL CASING 3/4" GALVANIZED STEEL CASING BELOW DOUBLE GLAZING 3/4" REVEAL

2" COUNTERSUNK GALVANIZED STEEL SCREW HARDWOOD JAMB 1/8" GALVANIZED STEEL ANGLE WITH NEOPRENE BACKING 1/2" GALVANIZED STEEL ANGLE

1 1/2" REVEAL, CLAD W/ 1/16" GALVANIZED STEEL BAR 1/2" DIAM. PIVOT

3/4" GALVANIZED STEEL JAMB DOUBLE GLAZING, TYP. GALVANIZED STEEL SILL BELOW WESTERN RED CEDAR CLADDING BELOW BENCH BELOW LINE OF WALL ABOVE

1 x 4 WESTERN RED CEDAR SHIPLAP SIDING 1/4" COUNTERSUNK BOLT 3/4" PLYWOOD CORE 3/4" GALVANIZED STEEL HANDLE ASSEMBLY

10 MIL MEMBRANE ROOF 2" RIGID INSULATION 3/4" PLYWOOD SHEATHING COPPER FLASHING 1/2" PLYWOOD SHEATHING 3/4" GALVANIZED STEEL PLATE WITH WEEP HOLES EL. + 10' - 0"

1 x 4 WESTERN RED CEDAR SHIPLAP SIDING CONTINUOUSLY WELDED BENT COPPER GUTTER: SEALED AT ROOF SEAM LAMINATED 2X6 RAFTERS 1 x 4 WESTERN RED CEDAR SHIPLAP SIDING ON SOFFIT

5/8" GWB BLOCKING BETWEEN RAFTERS AT TOP PLATE 2x6 TOP PLATES 5/8" GWB VAPOR BARRIER ON INSIDE OF GWB

SOFFIT VENT WITH INSECT SCREEN

BATT INSULATION

2X6 RAFTER 1 x 4 WESTERN RED CEDAR SHIPLAP SIDING WEATHER BARRIER 1/2" PLYWOOD SHEATHING

2x6 TOP PLATES

2X6 STUD WALL

2x10 HEADERS

BATT INSULATION WALL BEYOND

COPPER FLASHING 3/4" GALVANIZED STEEL CASING WITH DRIP EDGE

STEEL CORNER ANGLE BEYOND

5/8" GWB 3/4" REVEAL 3/4" HARDWOOD DOOR STOP NEOPRENE WEATHER STRIP

1/8" GALVANIZED STEEL T-SHAPE WITH NEOPRENE BACKING DOUBLE GLAZING 3/4" GALVANIZED STEEL CASING BEYOND 1/2" GALVANIZED STEEL CASING WITH DRIP EDGE 1/2" GALVANIZED STEEL DOOR HANDLE BEYOND

1 x 4 WESTERN RED CEDAR SHIPLAP SIDING 3/4" PLYWOOD CORE 3/4" STEEL CASING NEOPRENE THRESHOLD STRIP FIBROUS EXPANSION JOINT SLAB ON GRADE FOUNDATION GRAVEL BASE

FOUNDATION WALL BEYOND FIBROUS EXPANSION JOINT EL. @ GRADE + 0' - 0"

URBAN INTENSITIES

DRAWINGS FOR PUBLICATION AUTHOR / PETER G. ROWE SUMMER 2013 / 6 WEEKS

Research and Illustration for this publication began in Peter Rowe’s Urban Housing class, and continued as research toward the publication of a reference book, “Urban Intensities”, upcoming from Birkhauser.

50 m

Bedroom/Living Kitchen Bathroom

40.5 m

Site Plan 1:5000

10.5 m

9.9 m

Plan 1:1000

100 m

Unit Types 1:500

9.7 m

1BR 53 sq m 8 units

10 m

1BR 66 sq m 3 units

10.5 m 0

20 m

40 m

16.5 m

Section 1:1000

Key

1BR 56 sq m 3 units

20 m

2 BR 106 sq m 19 units

Housing Units Laundry Lobby Community Space Parking

Maisonette 138 sq m 15 units

Sectional Variation (Other Uses)

10 m

Unit Type Locations

Critical Dimensions

105 m

235 m 4m 7.6 m 1.7 m

13.8 m

Site Plan 1:10000

100

Section A-Aâ&#x20AC;&#x2122; 1:2000

200 m

Unit Types 1:500

12.8m A

15.8m

14.2m 15.6m 14.5m

15.4m A' 15.9m

Plan - Level 2 1:3000

60 m

2 ROOMS / 1 BR 58 -112 sq m 112 units

4.8 m 12 m 12 m

3 ROOMS 68 -138 sq m 125 units

Plan - Level 6 1:3000

60 m

4 ROOMS 99 -146 sq m 152 units

5 ROOMS 120 - 174 sq m 26 units 37.5m

Key Penthouse Units Apartment Units Townhouse Units Retail / Office Space Sectional Variation (Other Uses)

6+ ROOMS 127 - 176 sq m 39 units

Unit Type Locations

40 m

Selected 5 Room Units 1:500

5 ROOM TH / 2 BR 120 sq m 1 units

Bedroom/Living Room Kitchen Bathroom

5 ROOM TH / 2 BR 121 sq m 1 units

5 ROOM TH / 2 BR 145 sq m 1 units

5 ROOM / 4 BR 158 sq m 1 units

5 ROOM / 3 BR 165 sq m 1 units

5 ROOM / 3 BR 155 sq m 1 units

5 ROOM PH/ 2 BR 133 sq m 2 units

5 ROOM PH/ 2 BR 167 sq m 1 units

5 ROOM PH/ 3 BR 174 sq m 1 units

Critical Dimensions

75 m 23 m

10.6 m 10.4 m

30 m

50 m

21 m 10.1 m 23 m

69.4 m

50 m 10.9 m

23 m

Site Plan 1:2000

40 m

Plans 1:2000

Household Types Unit Types 1:500 0

10 m

52 m

Studio - 11 types 70 sq m units 52 m

52 m

52 m 52 m

Section 1:5000

Studio - 11 types 70 sq m units

Sectional Variation (Other Uses) Key Residential School Offices Game Room Pool/Fitness Library/Playroom Mechanical

1 BR - 24 Types 120 sq m 24 units

40 m

Bedroom/Living Kitchen Bathroom

Unit Locations

2 BR 165 sq m 24 units

AMY R. GARLOCK 301.602.5325 amygarlock@gmail.com www.amygarlock.com