amy's portfolio+thesis by Amy Pan

> A M Y K U A N - Y I N G PA N

foreword

portfolio

A M Y K UA N - Y I N G PA N

FOR E WOR D

A ll r i g ht s re s e r ve d . N o p a r t of t hi s p u b li c at i o n c a n b e re p ro d u c e d w i t h o u t ex p re s s p e r mi s si o n f ro m A my Ku a n - Y i n g P a n . C o py r i g ht @ 2 010 A my Ku a n - Y in g P a n

e m a i l > a my p a n12 0 9 @ g m a il .c o m phon e > 415 . 519 . 3 5 9 3 w e b > w w w. a my k p a n .c o m ac a de m y of a rt u n i v e r si t y mfa school of gr a ph ic de sign cl a ss > S e ni o r P o r t fo li o / S p r i n g S e m e s te r i ns t ruc tor > M a r y S c ot t di m e nsions > 9 x 12 I n c h e s t y pe face s > A d o b e G a r a m o n d P ro, U ni ve r s e sof t wa r e > A d o b e I n D e si g n , I llu s t r ato r, P h oto s h o p, B r i d g e camer a > Canon EOS Rebel XSI sc a n n e r > E p s o n 3 4 9 0 P H OTO cov e r stock > C M A r re s tox B L / G u nny S aks t e x t s tock > W au s au 8 0 L B tex t / W hi te pr i n t e r > H H I m a g in g , S a n Fr a n c i s c o, C a li fo r ni a bi n de ry > H e r r in g & R o b ins o n B o o k b i n d e r s , B r i s b a n e, C a li fo r ni a

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COLOPHON

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FOR E WOR D

A M Y K UA N - Y I N G PA N

C ON T E N TS >

PROJ E C T 03 > S P E A K W H AT YO U E AT

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PROJ E C T 01 >

PROJ E C T 0 4 >

MEMO

DRIVE ’TIL SUNRISE

PROJ E C T 02 >

PROJ E C T 05 >

AU R A L

B I G E L OW

TA B L E O F C O N T E N T S

PROJ E C T 0 6 > BUILD GREEN

PROJ E C T 0 7 >

PROJ E C T 08 >

D E TA I L S

MIU MIU LIGHT BULBS

M FA T H E S I S >

S PE C I A L T H A N K S TO >

5 POINTS

special thanks to

...

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

design is a form of storytelling; my life experiences create my stories. i deliver these stories through my design.

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

> by Tate Linden

design is an opportunity to continue telling the story, not just to sum everything up.

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f o r ew o r d

A M Y K UA N - Y I N G PA N

pr oj e c t 01 >

MEMO : MEMORY SHARING

c ou r s e

t y pe fa c e s

PRINT 03

OCR A, FR ANKLIN GOTHIC

i n s t ruc t or

c a t e g or y

TOM SIEU

p ho t o g r a p h y

da t e

A M Y K . PA N

SPRING 2009

o bj e c t i v e >

concept >

solu t ion >

T h e R 3 P ro j e c t : R et h i n k , R e i m a g i n e a n d R e u s e,

A traveling journal. People use dif ferent ways to

I named this redesigned c amera â&#x20AC;&#x201D; Memo. It's

was to id entif y an ex isting p ro du c t and d evelo p

document their lives; some people write a journal

a n e w, e nv i r o n m e n t a l l y f r i e n d l y d i g i t a l c a m e r a

a s u s t a i n a b l e r e d e i g n c o n c e p t i n t h e fo r m o f a

or blog, some use photography and others collect

featuring fast wireless technology and solar

momentos. I chose the digital camera to develop

charged bat teries; it redefines what a digital

a sust ainable and fun redesign.

c amera c an do. T he b o ok st ar ts out with photos

b o ok and p ackaging.

di m e n s ion s

5.375"

of popular cities printed on transparent film. When people flip through the pages they can see dif ferent images overlapping each other and discover brand new cities b eing b orn b efore their ver y eyes. I also applied this idea to the packaging; the camera is wrapped in multi colored transp arent film so people c an play with the p a ck a g in g an d use it as a filter w hil e t ak in g pictures. T he packaging isnâ&#x20AC;&#x2122;t wasted and c an b e u s e d r e p e a t e d l y, f u r t h e r s t r e n g t h e n i n g t h e concept of the R3 Project. It is my hope that people will not only be more environmentally conscious, but have fun w hile d oing it.

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SELECTED WORK

S U S TA I N A B L E D E S I G N

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

MEMO: MEMORY SHARING

> L AY O U T S

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

MEMO: MEMORY SHARING

> L AYO U T S

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

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SELECTED WORK

MEMO: MEMORY SHARING

> L AY O U T S

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

> by Chris Pullman

design is not the narrow application of formal skills, it is a way of thinking.

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f o r ew o r d

A M Y K UA N - Y I N G PA N

pr oj e c t 0 2 >

AUR AL

c ou r s e

t y pe fa c e

E X P E R I M E N TA L T Y P O G R A P H Y

H E LV E T I C A N E U E

i n s t ruc t or

c a t e g or y

S TA N Z I E N K A

p ho t o g r a p h y

da t e

A M Y K . PA N / VA R I O U S

SPRING 2008

o bj e c t i v e >

concept >

solu t ion >

To o b s e r ve a n d d o c u m e nt a d u r a t i o n o f t i m e i n

S o un d . S o un d is inv isi b l e an d int an g i b l e. L i v in g

T he final result is a v isu al ac c ount of the noises

my life then present it in the form of a b o ok .

in a big cit y, I chose to document the sounds that

t h a t s u r r o u n d e d m y d a i l y l i fe . I to o k n o te s a n d

surround me ever y d ay while I go ab out my d aily

tried to experience the tempo of the sounds

di m e n s ion s

8.375"

routine. The book shows the passing of time

a s t i m e p a s s e d b y. I a l s o m a d e n o t e s o f m y

in a compelling way by utilizing experimental

surroundings accompanied with pictures in order

t y p o g r a p h y, i m a g e s , a n d l a y o u t . I p u t a l l m y

to give a more complete auditor y ex p erience.

effor ts into focusing on the sounds I heard ever yday such as tex t messages, t yping, the printer, the cof fee makerâ&#x20AC;Śetc. W hether outdoors or indoors, either natural or ar tificial, I wanted to transform the sounds that I encounter on a d aily b asis into a visible and t angible objec t.

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SELECTED WORK

D A I LY J O U R N A L

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A M Y K UA N - Y I N G PA N

SELECTED WORK

AUR AL

> L AY O U T S

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A M Y K UA N - Y I N G PA N

SELECTED WORK

AUR AL

> COVER

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

AUR AL

> L AY O U T S

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

AUR AL

> L AY O U T S

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

> by Wouter Stokkel

it’s art if can’t be explained. it’s fashion if no one asks for an explanation. it’s design if it doesn’t need explanation.

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A M Y K UA N - Y I N G PA N

pr oj e c t 03 >

MULTILINGUAL CANDY : SPE AK WHAT YOU E AT

c ou r s e

t y pe fa c e

ELEMENTS OF TYPOGRAPHY

TR ADE GOTHIC

i n s t ruc t or s

c a t e g or y

B R I A N S I N G E R / A R V I R AQ U E L - S A N T O S

i l l u s t r a t ion

da t e

A M Y K . PA N

FA L L 2 0 0 7

o bj e c t i v e >

concept >

solu t ion >

To su s p e n d re a li t y, l et o ur im a g in ati o n r un w il d ,

N ovelt y c and y. Ever yone loves to eat c and y and

I formated this invention book as a brochure

and pro duce a pro duc t for consumers d aily lives.

m o s t a re i nte re s te d i n ex p l o r i n g ot h e r c u l t u re s

selling Multilingual C and y and packed it in a

A s a result , M ultilingual C and y was b orn.

and le ar ning new l angu a g es. C and y is a novelt y

plastic wrapper ver y similar to popular candy

7. 2 5 "

5.25"

i n i t s e l f, a n d to b l e n d i t w i t h c u l t u r e p r o d u c e s

brands. I developed an assor tment of flavors and

a product that will capture the imagination

eve n a l i m i te d e d i t i o n s e r i e s i n o rd e r to s a t i s f y

of consumers. Eating this candy will give

connoisseurs.

the consumer the abilit y to speak different languages. Each dif ferent flavor represents a d i f fe re nt l a n g u a g e . O f c o u r s e , t h e ef fe c t s o n l y last 24 hours, so the c and y will st ay in demand.

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di m e n s ion s

SELECTED WORK

INVENTION BOOK

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

SELECTED WORK

S P E A K W H AT Y O U E AT

> L AYO U T S

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BONJOUR!

HOLA!

KONICHIWA!

How eating a piece of candy can change your world.

EAK WHAT YOU EAT

INTRODUCING: MULTILINGUAL CANDY Whether you travel abroad as a student, on business, or vacation, one thing remains true: the more languages you can speak, the more convenient it will be. But who has the time and money to enroll in a language school? Fortunately, Multilingual Candy will satisfy your desire to learn languages faster than ever.

T FLAVOR SPEAKS TO YOU?

SOMETHING ABOUT TASTE...

Millions of people are unable to connect with the world around them because they cannot speak particular languages. Even completing day-to-day activities can be very challenging when you don’t know the local language. At the same time, those who succeed in learning a new language find that their possibilities are transformed: they are able to gain new insights, engage with new cultures, and make new friends. Learning a new language is life-changing.

NI HAO!

ITALIAN

FRENCH

HOW DOES IT WORK?

Our mission is to deliver the sweetest solutions for learning languages. We seek to make the languagelearning experience fun, easy, and most importantly, FAST. Our goal is to make users have no trouble to communicate in the world.

SPANISH

MANDARIN

kiwi

watermelon

peach

watermelon

strawberry

lime

watermelon

strawberry

mango

peach

lime

peach

strawberry

mango

watermelon

strawberry

pineapple

strawberry

mango

pineapple

banana

lemon

kiwi

banana watermelon

peach

strawberry

mango

kiwi

watermelon

strawberry

lemon

kiwi

mango

lemon

peach

banana

strawberry

peach

pineapple

watermelon

pineapple

banana

kiwi

peach

pineapple

waterlemon

lime

mango

watermelon

lemon

watermelon

kiwi

banana

lime

pineapple

strawberry

mango

banana

pineapple

Multilingual Candy has nine official flavors that are made all year long. We search the world to find fruits and natural foods of the finest quality. We bring these ingredients together in unique and delicious way; allowing you not only to speak a foreign language fluently, but also providing you with recommended daily essential nutrients.

lemon

peach

strawberry

watermelon

peach

mango

peach

lemon

mango

banana

watermelon

Additionally, Multilingual Candy produces “limited edition flavors” that are added for some specific languages. Seasonal flavors such as cinnamon or pumpkin are only produced at specific times of the year.

lemon

watermelon

mango

lime

kiwi

pineapple

peach

kiwi

banana

lemon

banana

kiwi

mango

banana

lime

mango

waterlemon

pineapple

lime

pineapple

kiwi

lime

Holiday Season

Cinnamon

Champagne

Multilingual Candy also offers products that are featured in specific cultures and on holidays. For specific cultures, it is produced in many special flavors, such as green tea, tiramisu and red wine. In addition, Multilingual Candy produces occasional prototype flavors that are seasonally limited. The three newest flavors are pumpkin, cinnamon and turkey.

Pumpkin Ginseng Football Season

Hot Dog Dr.Pepper

Dill Pickle

strawberry

kiwi

lime

peach

mango

lime

peach

watermelon

pineapple

watermelon

peach

lemon

banana

lemon

pineapple

banana

lime

peach

lime

pineapple

strawberry

Red Wine

CASE STUDIES We conduct yearly research to understand and improve our products. Here are some user experiences showing how amazing our product is.

ITALIAN

SPANISH

MANDARIN

JAPANESE

ENGLISH

PHOTOGRAPHER name: Robert age: 45 years old location: Chicago, IL candy: French, Italian, Spanish, Chinese, Japanese usage: 10 years

s so much work to do at art school. How am I supposed time to learn English? This amazing candy is the and simplest language method to learn a language… L!”

“Due to my job, I have to travel around the world. This astonishing invention makes it much easier to speak a foreign language, especially at my age!”

my KuanYing Pan by Amy KuanYing Pan on R1800

Seasonal Flavors

Turkey

For specific cultures and holidays only...

WHAT IS SPECIAL ABOUT OUR CANDY?

UDENT hiharu years old : San Francisco, CA English 2 years

Art University ng Pan

Green Tea

FRENCH

n Pasley, ESL support of Academy of Art University

EAK WHAT YOU EAT

Limited Edition Flavors

Tiramisu

we spoke a different guage, we would perceive omewhat different world.”

en studying in trhe United States for two years and try so hard my Japanese accent. I hate English’s twister pronunciation. asses me when I am making presentation. If I can’t communicate well to my clients, it is useless with my good design skills.

kiwi

mango

watermelon

THE MOST EFFICIENT SWEETNESS Take a bite and you can start tasting our juicy and delicious products in your mouth. Once you are eating, our patented Language Crystals will stimulate the brain cells and the effect will last for 24 hours. It is the easiest, the most convenient, but most importantly, the most delicious way ever to speak a foreign language fluently.

JAPANESE

ENGLISH

Squeezed on the spot to provide 100% pure and sweet refreshment… compliments of Mother Nature.

CIAO!

“Language is not a genetic gift, it is a social gift. Learning a new language is becoming a member of the club—the community of speakers of that language.”

WHAT LANGUAGE DO YOU WANT TO EAT?

1 800 335 4269 or 1 646 09-CANDY

ONLINE

speakwhatyoueat.com

FAX

1 800 335 4265 Fax completed order with credit card number and expiration date. Receipt of faxed orders cannot be confirmed. Fax only once! If an error occurs, please mark the second fax as a duplicate.

— Matt Servitto, Manager of Ogilvy Public Relations Worldwide

MAIL

I work with National Geographic Magazine. I travel overseas longer than I stay in my country. For me, to communicate with natives is an important way to understand and explore different cultures, so that I can make people see the world through my lenses. Multilingual Candy helps me capture moments and memories, for me, for you, and for the world.

GOODBYE!

ORDER ANYTIME! CALL

SPEAK WHAT YOU EAT P.O. BOX 6143 New York, New York 10015 Mail complete with payment or credit card number and expiration date. Please allow time for your order to reach us!

SAYONARA!

ZAI JIAN!

SALUT!

ARRIVEDERCI!

HELLO!

“When you know another language, you suddenly realize there is a multitude of worlds. You can become a member of EVERY club.”

Just one serving and the effect lasts 24 hours.

— Frank Smith, Linguistics Professer of Stanford University

SAME TASTE, LESS GUILT.

Seeking lower calorie candy?

Multilingual Candy also produces sugar-free candy that come in all flavors. How do we make candy with fewer calories and sugar than our regular ones, for those seeking a lighter taste? Does it still have the same effect? Is it still a fruity candy? Does it still contain fewer calories? Is it still the delicious candy that sugar followers from far and wide have come to love? Actually, it’s all of the above!

EVENT COORDINATOR name: Miranda age: 35 years old location: New York, NY candy: French, Italian, Spanish usage: 3 years

Along with all-natural fruit and 100 percent fruit flavors, our sugar-free candy are made with SPLENDA ® . It is a no-calorie sweetener that is made from real sugar, but your body doesn’t metabolize it as a carbohydrate.

COLLEGE STUDENT name: Andrew age: 21 years old location: Austin, TX candy: French usage: 3 months

“Speak French while traveling, German while jogging, Spanish while cooking. It makes my life easier!” I work in New York’s top PR company and need to deal with celebrities with different nationalities. With Multilingual Candy, I can speak any language I want… Oh! I am so glad they make sugarless candy. I don’t have to worry about calories and still keep fit. I love my job!

We ship overseas!

“Ok….I can date any girl who comes from any country! There is a French exchange student in my class. She is so cute and sweet. However, I don’t know French at all. I am so happy this incredible candy allows me have no trouble chatting with her!

Give the Perfect Gift!

Gift Cards are available in denominations from $25-$100. They arrive in our signature gift folder along with your personalized message and our latest catalog. There is no shipping charge. Gift cards can be redeemed online, by phone, or in stores. To order, call 1-800-335-4269 or visit speakwhatyoueat.com

FRENCH

ENGLISH

MANDARIN

Get It Fast! Express Delivery Can’t wait? Express orders must be received before 1pm EST to be shipped the same day. Contiguous US: 3–5 Business Days: add $6 2nd Business Day: add $10 Next Business Day: add $15 Saturday Delivery: add $25

ITALIAN

SPANISH

JAPANESE

Alaska, Hawaii, and Puerto Rico: 3–5 Business Days: add $10 2nd Business Day; Next Business Day and Saturday Delivery not available. *Express delivery is not available for back-ordered candy. Saturday delivery is not available for all areas. In some cases delivery may take 4 business days. Please call for details.

ADIOS!

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A M Y K UA N - Y I N G PA N

SELECTED WORK

> Eliel Saarinen

always design by considering a thing in its next larger context â&#x20AC;&#x201D; a chair in a room, a room in a house, a house in an environment, an environment in a city plan.

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pr oj e c t 05 >

BUILD GREEN

c ou r s e

t y pe fa c e s

CONNECTING THE DOTS

EUROSTILE, TR ADE GOTHIC, CAECILIA

i n s t ruc t or

c a t e g or y

MICHAEL KILGORE

P R I N T / M AG A Z I N E

p ho t o g r a p h y

da t e

VA R I O U S

FA L L 2 0 0 8

o bj e c t i v e >

concept >

solu t ion >

To c r e a t e a m a g a z i n e t h a t f o c u s e s o n G r e e n

Build Green. Due to my interest in design

I d e c i d e d to fo c u s t h e c r u x of B u i l d G re e nâ&#x20AC;&#x2122;s

Energ y related to pic s.

i n n ov a t i o n s t h a t e n h a n c e s su s t a i n a b i l i t y,

attention on objects and spaces that are

ef ficiency, and interactivit y in the home, I sought

e c o - f r i e n d l y, m u l t i - p u r p o s e , m o d u l a r, a n d / o r

10 "

to create a magazine that showcased these

i n te r a c t i v e . T h e p h i l o s o p h y o f t h e m a g a z i n e i s

at tributes. T he first issue will examine the many

that a good design balances substance with

famous pieces of sustainable architecture around

st yle and that form and func tion are inter t wined

the world. This publication is devoted to the

in d esig n. St y le and su bst an c e are not mu tu all y

f u t u re o f d e s i g n , t h e t r a c k i n g o f i n n o v a t i o n s i n

exclusive, and Build Green is here to prove it.

technolo g y, and prac tices and materials that are p u s h i n g a rc h i te c t u re a n d h o m e d e s i g n tow a r d s a smar ter and more sustainable future. Build G r e e n i s n' t m e a n t t o j u s t s h o w c a s e t h e g r e e n architecture that currently exist, but to also i n s p i re , e d u c a te , a n d e m p o w e r p e o p l e to w o r k towards more sust ainable prac tices.

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di m e n s ion s

SELECTED WORK

MAGA ZINE DESIGN

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A M Y K UA N - Y I N G PA N

SELECTED WORK

> L AY O U T S

BUILD GREEN

Net

The

Zero

Rolls-Royce of Concrete When the Paris firm Emmanuel Combarel Dom i n ique Marrec Architects won a competition to design a bus depot in Thiais, on the outskirts of the city, it wasn’t exactly getting a prestige project. The pro gram was strictly pragmatic– Paris’s transport agency needed the center to accommodate 300 buses, plus administrative offices–and the setting far from glamorous. “We could sum up this area by saying it’s a pretty shitty suburb,” Dominique Marrec says. “It’s very lousy all around.” Still, the architects wanted to create something tied to the site’s specific context, even if that was little more than vast expanses of concrete. Emman uel Com barel and Marrec eventually conceived of a two-story building that would rise out of the parking lot, a sort of “deformation of the soil.” For the cladding, they chose Ductal, a highperformance concrete invented in the 1990s by the French building-materials company Lafarge. “We liked the idea of using this very high-quality concrete –in a way the RollsRoyce of concrete –in an area that’s mostly poor-quality asphalt,” Marrec says. “The opposition of these two aspects was very inter esting to us.” Besides possessing the strength and moldability necessary to form precast slabs for the roof and walls, Ductal allowed the architects to design a raised-dot texture that resembles Lego blocks. The material was tinted black to match the surrounding asphalt and given a layer of varnish for an even tone. If the result looks a little sinister, Combarel and Marrec don’t mind. “We wanted something pretty rough and virile – not feminine at all,” Mar rec says. “We wanted it to look mean.”

Composition Polycrystalline: Build _ Green / 05

Photovoltaic cells laminated within a glass curtain wall.

Properties: The photovoltaic cells block solar heat gain where needed and generate enough electri c ity to power an LED display.

Materials

Applications: Strategically embedding photovoltaics in glass allows buildings to squeeze extra electricity out of daylight. www.schueco.com www.sunways.de

One of the most impor tant strategies – minimizing energ y use – was accomplished largely by harnessing the daylight that floods the space through

they set tled on a space nex t to the Georgia Tech campus, in Midtown. Right away Inter face could

a wall of east-facing floor-to - ceiling windows. The showroom’s fluorescent lanterns, which use far less electricit y than incandescents, automatically dim

check off a slew of points: one for siting in a rapidly growing infill neighborhood; one for accessibilit y to MARTA, Atlanta’s public-transpor tation system; and

and a hundred computers, then it’s all for naught sometimes,” she says. Wherever possible, T VS chose high- efficiency Energ y Star appliances, and it convinced the landlord to submeter Inter face’s bills rather than charge a flat monthly fee, so that it

The clever siting had provided enough padding to insulate against setbacks. But with unfa miliar guidelines and an ambitious goal, the team

would be responsible for actual energ y use. But even with the best practices and a Platinum rating, the showroom’s footprint is too

needed to determine what points were possible under a limited budget— and to hedge its bets. Bullock-Jones gathered the project’s main players for

product of a 1999 competition won by a pair of young Australian architects (Now Choi Rophia), the project finally opened earlier this month, af ter overcoming a series of obstacles: the economic

www.lafargenorthamerica.com www.imagineductal.com

downturn following 9/11, budget shor tfalls, budget overruns, a bankrupt contractor, and the bureaucratic hassles t ypical of building in the public realm. But the booth was also the captive of its own grand ambition. It is a first, according to its engineer: an ‘’all- glass load-bearing structure.’’

canopy and also ventilate the building, creating a comfor table microclimate. And firms like Arup and Skidmore, Owings & Merrill are par tner ing with manufacturers and suppliers to develop new

The building is a kind of a public amphitheater, with a series of 27 red steps (also made of glass) rising as a single piece of architecture over a fiberglass shell at the nor th end, which houses

technologies and applications such as microturbines, prefabricated flooring systems, and the nex t generation of photovoltaics. We asked 11 lead ers in sustainable building to identif y an inno

the ticket booths. ‘’ We’ve never really done a structure as large as this, all in glass, without any structural load-bearing metal to help suppor t it,’’ says Radhi Majmudar, a principal at Dewhurst

vative building product, technolog y, or application that they used in a recent project. We think their responses – which range from an office space en-tirely lit by LEDs to a “green screen” that helps

Macfarlane and Par tners, the engineering firm that helped Perkins Eastman realize the design. The load-bearing walls are t wo -inch-thick glass, laminated with Sentr yGals Plus, a super

reduce temperatures by as much as 20° F– will inspire anyone to see the long-term benefits of innovative building.

small to have much of an impact on the environment. Where the project could have a lasting effect is in passing along what was learned in building it. To

a planning session, called an eco - charret te, where they methodically ran through the LEED checklist to assess the feasibilit y of each point and to de -

The price of innovation is of ten measured in years. Case in point: the TKTS ticket booth in Time Square. Originally the

Code), a new gen eration of innovative building products and technologies has emerged. Today’s green architecture must address increasingly complex systems in a sustainable and socially

chitecture’s design for Mas dar Headquar ters, in the United Arab Emirates, for example, has wind towers that suppor t a large roof

weights more heavily than its other cer tification programs. “You can build the most energ y- efficient building, but if the client plugs in ten coffeemakers

el covers the needed showers and changing rooms for bicyclists and pedestrian commuters.

A s the LEED ratings system grows and more stringent codes are implemented (such as the Cal i fornia Green Building Standards

responsible fashion. With energ y costs rising, developers and architects need to maximize a building’s potential in ways that call for even smar ter solutions. Adrian Smith + Gordon Gill Ar-

when sunlight suffices. Once the basics for energ y savings were in place, Bullock-Jones looked to how the space would be used, a concern that LEED - CI

another for adding car-pool spots in the preexisting garage. Other credits built into the site quickly became apparent. A s a new construction, the building has an HVAC system that meets LEED’s prohibition of chlorofluorocarbons, chemical compounds that damage the ozone layer. And a g ym on the lower lev-

Bridges, walkways, building envelopes, acoustic sound panels, flooring.

FRIM: Perkins Eastman and Dewhurst Macfarlan and Partners LOCATION: New York INNOVATION: Load-bearing glass

as it is to real estate, so T VS joined Inter face in its search. The interior- design firm employs a LEED specialist, Carlie Bullock-Jones, to shepherd projects through cer tifica-tion, and she helped to find a building that would grease the path. Af ter a store front on high-profile Peachtree Street fell through,

Applications:

TKTS BOOTH

Archirecture

Observed

The first step was finding the right site. Location is just as crucial to LEED – even for interiors –

Properties:

B uil d _ G r e e n / 19

B uil d _ G r e e n / 15

“you can build the most energy-efficient building, but if the client plugs in a hundred computers, then it’s all for naught,” Bullock-Jones says.

Composition Polycrystalline: Ductal is a cement-based composite material with metallic or organic fibers. It has exceptional strength, moldability, durability, and ductility (the ability to deform while continuing to carry loads). Surface textures and colors will not deteriorate, even in harsh conditions.

Materials

A high-end version of the common building material elevates a bus depot in the Paris suburbs to a piece of social commentary.

Digital media displays are all about spectacle, and the new GreenPix wall, in Beijing, is no excep tion. Indeed, it is the largest color LED display in the world, with 2,292 of the energy-efficient lights spanning a 24,000-square-foot glass surface. In the evening, as traffic throngs the busy road it faces, the wall plays massive low-resolution video installa tions by Chinese, Japanese, European, and American artists. GreenPix is also a fairly radical example of sustainable technology. Simone Giostra and Part ners, working with Arup and German manufacturers Schüco and Sunways, laminated photovoltaic (PV) cells inside the glass curtain wall. In itself this is not new, but the level of integration and the scale of GreenPix are unique. The 6,000 square feet of PV cells are arranged with varying density: where nat ural light is needed inside the building, there are few or no cells; in other places, dense as sort ments of cells block the sunlight, reducing interior heat gain while generating enough electricity each day to power the display at night. “It’s more symbolic than pragmatic,” Giostra says. “Of course, we could use the energy for more useful systems of the building. But we decided that perhaps it is more important to give an ethical sense to the project– that it is truly independent and self-supporting.” This also means that the system is vulnerable to outside conditions. If there is not enough sunlight during the day, evening performances will be shorter or the lights dimmer. That may cut back on the spectacle, but it does nothing to diminish the symbolism.

Build _ Green / 07

The world’s largest color LED display gets its power—and symbolism—from photovoltaic cells embedded in a glass curtain wall.

strong interlayer that DuPont claims is up to 100 times stiffer than conventional laminates. ‘’Glass has ver y strong compressive proper ties,’’ Majmudar says. ‘’The challenge was not whether the glass could carr y the load but whether it could be transferred.’’

meet the requirements of LEED - CI, T VS had to educate itself as well as other team members about novel products and processes. Bullock-Jones put

velop a strateg y to achieve enough of them for Platinum. Rather than reach for ever y credit, the team would focus on what Bullock-Jones calls the “low-

together mock-ups of unfamiliar materials such as wheatboard (a rapidly renewable resource used in

hanging fruit.” That meant, for example, offset ting two years’ wor th of the showroom’s energ y use with wind credits, but not hiring a commissioning agent

the cabinetr y and flooring ) so that subcontractors could become comfor table with them, and she emphasized their own health stake in following

af ter the project was complete to recheck that the building systems were operating correctly; because

sustainable practices. She has also been able to bring her research to new projects, most recently a pair of showrooms for Kimball. She says, “I can

building systems were operating correctly; because the showroom is only 7,000 square feet, the possible gains were too modest to justif y the cost. “We

tell the owner, ‘We feel confident. We’ve used this before. This is the path that we chose for this credit compliance, and I know the USGBC has already

tried to go af ter almost ever y point,” she says, “but strategically there were some that we knew from the beginning we wouldn’t be able to do.”

accepted that.’” And what could be more sustainable than recycling knowledge?

Build _ G r e e n / 21

Build _ Green / 28

Architecture

Museum

HAUS IM HAUS FRIM: Behnisch Architekten and Nimbus LOCATION: Hamburg, Germany INNOVATION: Lighting Behnisch’s expansion of th’s historica stocl exchange Hanburg Chamber of Commerce is a five-level insertion into the city’s historic stock exchange. It is lit by about 160,000 LEDs.

This layered and translucent interio r addition to Hambur g’s Chamber of Commerce, known as the “House in a House” [Haus im Haus], claims to be the first structure in the world to be entirely lit by LED lamps. The design adds five new levels to the Borsenhalle, a neoclassical building on Hamburg’s Adolphsplatz, providing space for a business-start-up center, consultation rooms, a club, exhibitions, and meeting rooms. The top floor has views of the cit y through the building’s clerestor y windows. To maintain the architecture’s transparency, Behnisch and its collaborator, Nimbus, developed an energ y– efficient and low maintenance lighting system using approximately 160,000 LEDs. The building’s wide overhangs, at heights of up to 52.5 feet, mean that scaffolding is necessar y to change lightbulbs, but a vault beneath the ground floor rules out the heav y loads of conventional scaffolding solutions. LEDs use around 4 times less energ y than incandescent lights and have a much longer lifespan. Arrayed in 387 modules, they cast a uniform life that can be controlled so that corridor and meeting areas are illuminated with different intensities. Programmed sequences are able to move the light across the ceiling like clouds in the sk y.

A series of translucent glass pavilions cascades down a hillside in the Countr y Club Plaza district of Kansas City, brightening the evening landscape with the pale blue glow of refracted fluorescent light. From the outside they appear to be separate buildings, minimalist ice blocks popping up out of the Kansas City Sculpture Park with no purpose except to stand there and look pretty. It’s not until you get inside, especially during the day, that you understand their real magic: ever y thing that happens on the outside for the sake of spectacle has a functional equivalent in the daylight pouring through the subterranean galleries, bringing the interior spaces to life and producing as many different experiences for viewing ar t as there are qualities of natural light. The interplay between the interior and exterior—the blocks rising above the surface are fundamentally vehicles for light, and the landscape flows into and on top of the exhibition spaces — makes this one of the most cap tivating contemporar y museum experiences since the opening of the Tate Modern. Designed by Steven Holl Architects (SHA) as a contemporar y addition to the bulky 1933 neoclassical Nelson-Atkins Museum, the Bloch Building’s elegance and apparent simplicity disguise the enor mous technical complexity and careful material com position required to produce its light- and land-ar t effects. With exterior surfaces composed almost entirely of translucent glass, the addition required some major thinking to calibrate the sunlight pouring into the galleries; and because the amount of light varies from season to season and during the course of the day, it had to be balanced with electric light that would consistently display the ar t to its greatest advantage. The museum hired Richard Renfro, of Renfro Design Group, to do the mock-ups and calculations, and to work with SHA senior par tner Chris McVoy and museum staff to find arch itectural and technical solutions for controlling daylight on the interior. Holl and McVoy describe the addition as “built of volumes of light,” and with Renfro’s help, the building is a rare instance when the hyperbole of architectural rhetoric is actually surpassed by the reality of the experience.

Five glass boxes rise from grass roof tops above the museum’s galleries and cascade down the hillside, merging with the Kansas Cit y Sculpture Park.

Metropolis

WA L L WA S HER

STITCH TRACK

Build _ Green / 38

Build _ Green / 32

T UN G S T EN - HL O G EN F L U O R E S C EN T C O V E

A view of one of the Modern- and contemporar y-ar t galleries during the af ternoon, when exposure to sunlight from the west is limited.

March 2007

Doggy Dome Traffic Works Traffic Works’ light weight, modular, Buck y Fuller-inspired Dog g y Dome, released this month, is assembled from ten recycled-kraf tboard panels that pack flat and fit insode a atandard cardboard por tfoilo box. Designed by Greg g Fleisman Studio, in Los Angeles, the 26 -sodes pet abode comes in t wo sizes and in recycledable polypropylene.

Products

Museum

In the morning, daylight pours through the windows on the east side and filters down the cur ving T-wall.

Charlybox Design Within Reach DWR sourced this combination jerr y can and food dish from a German hunting-supply distributor. While Charlybox’s por ta bilit y and subdued color make it per fect for a traipse through the woods with your trust y hound, it works just as well for a Sunday af ternoon in the park.

Pet Project Pet products are a natural lure for designers —judging from the Best in Show – style theatrics at August’s Pet Fashion Week NY, people are happy to dig deep in their wallets for Fluff y’s Swarovskistudded throne. For tunately, industrial- design preoccupations such as simple forms, eco -friendly materials, and social responsibility also seem to be coming to a dog dish near you. Here are a few examples of what we hope is a new trend in pet products: good design that’s refreshingly modest. S H A D ED W IND O W S W I T H L AY ER S O F

F L U T T ERIN G T-WA L L

D IF F U S ED G L A S S

Operetta Pet Lounge Kenneth Cobonque Cobonque named his new air y pet bed Operetta because the frame’s cur ved slats reminded him of theater architecture. Along with polyethylene and recycled steel, the Philippineborn designer used local materials such as rattan and abaca. If you tr y to relate the exterior form to the experience of moving through the interior, however, it’s a profoundly mysterious building. “There’s a continual shifting of the ground plane relative to the interior,” McVoy says. “The building cascades down into the landscape, and the landscape grade moves up and down, so that you think you’re going down into the ground but then you find yourself above the ground.” A pedestrian entr y way near the front of the first “lens”– one of the five translucent glass pavilions rising above the landscape – offers the closest thing to a transparent progression through the

lookout points belie the fact that the galleries are mostly submerged below the sur face. But the most delicate and entrancing aspect of the building is the way it pushes the current ideal of drawing natural light into exhibition spaces to its limit. “We looked at this as a possible new way to bring light into galler y environments,” McVoy says, referring to the glazed pavilions. “When you illuminate the ar t with natural light, you have to even it out to such an ex tent that it loses a lot of its inherent variation. We bring it in a way that’s ver y high up in these zones, above the ar t, where the

space. From there the building begins its gentle roll down the hillside and through the galleries, with sloping pathways and light guiding you so intuitively

dynamics of natural light can play with the architecture and give you a vibrant environment. The light shapes the volume of the spaces as it moves across

that signage would be redundant. It’s not until you look at the building again from the outside that you realize the tricker y: inter med iate “lenses” poking

the lenses.”

Leash

Letter Swetter

Found My Animal

Style Hounds

These leashes are hand-spliced from hardy dock line by New England rope -makers and feature marine - grade hardware. Sales of the leads, which can be worn rather than held, ben-

Most pets don’t need clothes, but if your pup cant go outside without erupting in shivers, tr y St yle Hounds’ merino sweaters. The New York company offers a ready-to -wear line (made by

efit a nonprofit that provides mobile animals care in rural communities.

a Bolivian women’s co - op through Aid to Ar tisans) and an organic-wool DIY kit.

Tux Treat Toy West Paw Design West Paw’s new treat-packing dog toy was designed to minimize waste during its manufacture. It’s made of Zogoflex, a durable nontoxic material. When Rex has had send it back to West Paw to be recycled into a new Tux.

through the grass rooftops and strategically placed

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BUILD GREEN

> L AY O U T S

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> by Erik Adigard

design is in everything we make, but it’s also between those things. it’s a mix of craft, science, storytelling, propaganda, & philosophy.

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pr oj e c t 05 >

DRIVE ’ TIL SUNRISE

c ou r s e

t y pe fa c e s

I N T E G R AT E D C O M M U N I C AT I O N

CL ARDENDON, LET TER GOTHIC

di m e n s ion s

i n s t ruc t or

c a t e g or y

HUNTER WIMMER

P R I N T / I D E N T I T Y / PAC K AG I N G

p ho t o g r a p h y

da t e

A M Y K . PA N

FA L L 2 0 0 7

o bj e c t i v e >

concept >

solu t ion >

To e x p l o r e t h e n e c e s s i t y o f d e v e l o p i n g f u l l y

R o a d Tr i p . H o m e , t h e s e a r c h , t h e p a t h a n d t h e

T he final result of the projec t was a c ompilation

inte g r ate d mes s a g es a c ros s d if ferent me d iums .

answer are all central ideas behind Gus Van

of communic ations materials that c ould b e used

T he venue for this exploration was a film festival

S a n t ’s f i l m s . W e f o l l o w Va n S a n t ’s p o e t i c , b u t

while promoting and facilitating the film festival;

i n h o n o r o f d i r e c t o r, G u s V a n S a n t ( M y O w n

c le ar- eye d excursions through A meric a's se amy

all of w hic h are re p resent ati ve of s o m e b ro a d er

P r i vate I d ah o, D r u g s to re C ow b oy, Ele p h ant an d

und er b ell y. H e gives us clues and we shap e the

t h e m e t h e d ire c to r h a s wove n into hi s p rev i o u s

L ast D ays, etc .)

film ourselves. Whether you are on your way

movies. The final solution is a melding of the

51 5 2 5 3

home or still looking for a way back , the premise

poetic and humanistic themes present in Van

of the film festi val is summe d up in it s mission:

S a n t ’s f i l m s a n d t u r n i n g t h e m i n to a c o l l e c t i o n

D rive ’til sunrise. Discovering drama, realit y and

of festival pieces that are not only approachable,

hope, until we arrive at our destination, as seen

but also celebrate our never ending quest to

in the films of Van S ant.

answer the questions of life.

SELECTED WORK

F I L M F E S T I VA L

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> IDENTIT Y

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DRIVE â&#x20AC;&#x2122;TIL SUNRISE

> LO G O

Finding a way home with Van Sant's films

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DRIVE ’TIL SUNRISE

> L AY O U T S

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DRIVE ’TIL SUNRISE

> PA C K A G I N G

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DRIVE ’TIL SUNRISE

> PA C K A G I N G

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DRIVE ’TIL SUNRISE

> L AY O U T S

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DRIVE ’TIL SUNRISE

> POSTER

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> by Ivan Chermayef f

design is directed toward human beings. to design is to solve human problems by identifying them and executing the best solution.

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BIGELOW

c ou r s e

t y pe fa c e s

N AT U R E O F I D E N T I T Y

AV E N I R , D I N 14 51

i n s t ruc t or

c a t e g or y

HUNTER WIMMER

P R I N T / I D E N T I T Y / PAC K AG I N G

p ho t o g r a p h y

da t e

VA R I O U S

SPRING 2008

O BJ E C T I V E >

CONCEPT >

SOLU T ION >

To re - brand and give new life to a d ying pro duc t.

Te a b r e a k . T h e n e w b r a n d i n g s t r a t e g y i s fo c u s

A s a te a l over, I c hose Big el ow, a famil y ow ne d

not only on the s atisf ying and appealing t aste of

te a c o m p any fo r over 5 0 ye ar s . B i g el ow w as an

di m e n s ion s

8.5"

6 .12 5 "

tea but also the relaxing and therapeutic ef fects.

influential force that c aused major changes in

“ T h e t e a b r e a k ” i s a n e c e s s a r y p a r t o f t o d a y ’s

t h e U n i t e d S t a t e s t e a i n d u s t r y. M y o b j e c t i v e

healthy life st yle. A nd the project's aim is to incor p orate into the d aily lives of cinsumers.

is to move Bigelow away from the traditional “homecoming” comfor t image and make the brand an integral par t of our daily lives. I divided t h i s b o o k i n to t h re e s e c t i o n s: (1) A g o l d e n moment; ( 2) Put the ket tle on; ( 3) A per fect cup of tea. The first section talks about the background of the brand and it's new target audience. The second section focuses on developing the new packaging and the expansion of the brand. Finally, the third section deals with Bigelow ’s new identit y.

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THE BR AND EXPRESSION

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BIGELOW

> L AY O U T S

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BIGELOW

> IDENTIT Y

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BIGELOW

> L AY O U T S

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f o r ew o r d

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BIGELOW

> L AY O U T S

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BIGELOW

> PA C K A G I N G

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BIGELOW

> L AY O U T S

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f o r ew o r d

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> by Robert Bringhurst

typography at its best is a visual form of language linking timelessness and time.

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DETAILS

c ou r s e

t y pe fa c e

ELEMENTS OF TYPOGRAPHY

AVA N T G A R D E G O T H I C

i n s t ruc t or s

c a t e g or y

B R I A N S I N G E R / A R V I R AQ U E L - S A N T O S

P R I N T / PAC K AG I N G

di m e n s ion s

5.5"

10 .7 5 "

i l l u s t r a t ion

da t e

A M Y K . PA N

FA L L 2 0 0 7

o bj e c t i v e >

concept >

solu t ion >

To redesign the C D packaging for an album using

The whole packaging is minimalistic black and

I c h o s e B r i t i s h e l e c t ro n i c m u s i c d u o , F o r u Fro u

white in order to fit with the band's st yle of

to ex p l o re a n d te s t m y t y p o g r a p h y s k i l l s . T h e y

onl y t y p o graphy.

elec tronic music.

released their only album, Details, in 20 02. They write, produce and play instruments on the tracks. The lyrics are visibly printed on transparent film to focus at tention on the details and make it desirable. Once the P VC c ase is removed , the viewer is lef t w ith t wo 2 C Ds that resemble a turntable and lyrics sheets. W hen the l y r i c s s h e e t s a r e s t a c ke d u p , t h e a l b u m’s t i t l e “D et ails” is revealed.

SELECTED WORK

C D PA C K A G I N G

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D E TA I L S

> PA C K A G I N G

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D E TA I L S

> L AY O U T S

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D E TA I L S

> L AY O U T S

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> by Duane Michals

it’s not in the vulgar, it’s not in the shock that one finds art. and it’s not in the excessively beautiful. it’s in between; it’s in nuance.

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MIU MIU LIGHT BULBS

c ou r s e

t y pe fa c e

ELEMENTS OF TYPOGRAPHY

H E LV E T I C A N E U E

di m e n s ion s

i n s t ruc t or

c a t e g or y

JENNIFER STERLING

p ho t o g r a p h e r

da t e

JUERGEN TELLER

SUMMER 2007

o bj e c t i v e >

concept >

solu t ion >

To d e v e l o p a n i r r e l e v a n t p r o d u c t , a l i g h t b u l b ,

Precocious. miu miu has always believed that

A n p a r a l l e l i n g m i u m i u' s o n g o i n g c o m m i t m e n t

f o r t h e b r a n d m i u m i u , a n d a p p l y t h e b r a n d â&#x20AC;&#x2122;s

f a s h i o n i s f i r s t a n d fo r e m o s t a w a y t o ex p r e s s

to reflec t fashion's ver y p ersonal vision of st yle,

essence to it.

one's individualit y. W hile Prada, miu miuâ&#x20AC;&#x2122;s parent

b e a u t y, a n d re p re s e n t a t i o n , I m a d e a b r o c h u re

c o m p a n y, i s d e s i g n e d fo r s o p h i s t i c a te d a d u l t s ,

to p ro m ote t h i s n o r m a l l y o r d i n a r y p ro d u c t . T h e

4.5"

m iu m iu i s fo r t h e n au g ht y li t t l e si s te r w h o h a s

resulting images were instinctive moments

a s a u c y a c t a l l h e r ow n . B y s te p p i n g b a c k f ro m

of uninhibited style that vividly por tray an

normal light bulbs, the miu miu light bulb creates

e x t r a o r d i n a r y y o u n g w o m a n' s s i n g u l a r b e a u t y,

an exciting and dramatic lighting experience

self- confidence, and charac ter. T his unex p ec ted

which will help illuminate the transformative

combination will allow miu miu and its light bulb

moments in life.

to inspire a dif ferent approach to the thinking behind design.

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PROMOTIONAL BROCHURE

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A M Y K UA N - Y I N G PA N

f o r ew o r d

U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N A , T O K Y O 8 1 4 5 7 7 0 5 3 6 5 S I N G A P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S UINCIA TS E D7 8S7TAT HD i lA l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R 7 5E 1 S7 5C1A 6B5r4e3v eCrAl yN A VE R IAN E M, APA L LI S3 0353 913 6 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A NFCLE AM AN DT EU LE 4 39 2 1 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 L DO-A RN E ERTO3A1D2, 7H8O7N7G3 9K5O M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F OI R CKA NSTTO NG LL A 89 17 24 5 7 2767 0 0 252376 T 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N G A ,A T OEKRYIO 5 XS H I NOGUAS T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A RU SAY T. S CIAT HA EN RD I NAER, U MTA O NMTAR, E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 936709 8 MEA L A B 5 59 2 1 G4O 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 60 5 S 2 9T.9 H7 I7N3O 9 RCEH, IPA L E RSI S A N3T3I A K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 5C 2 2G1E1O8 R3G4E2T8 OSW ONG O O3H A U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 8D 2 0Y2O K 33 2 2D 2E 4 PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N A , T O K Y O 8 1 4 5 7 7 0 5 3 6 5 S I N G A RA G IPA N , RSKI N7G7A3P2O4R4E 36778 03 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8P IOLRLEI NPA CO LE 2 7D6A9L6L7A ISS T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A LKAUDADL IAN L7U0M 2 P7U 3R 5 26 90 43 77 T7 X UINCIAT S E D7 8S7TAT HD i lA l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R 75E 1 S7 5C1A 6B5 r4e3v eCrAl yN A VE R IAN E M, APA L LI S3 0353 913 6 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A NFCLE AM AN DT EU LE 4 39 2 1 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 L DO-A RN E ERTO3A1D2, 7H8O7N7G3 9K5O M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F OI R CKA NSTTO NG LL A 89 17 24 5 7 2767 0 0 252376 T 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N G A ,A T OEKRYIO 5 XS H I NOGUAS T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A RU SAY T. S CIAT HA EN RD I NAER, U MTA O NMTAR, E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 936709 8 MEA L A B 5 59 2 1 G4O 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 60 5 S 2 9T.9 H7 I7N3O 9 RCEH, IPA L E RSI S A N3T3I A K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 5C 2 2G1E1O8 R3G4E2T8 OSW ONG O O3H A U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 8D 2 0Y2O K 33 2 2D 2E 4 PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N A , T O K Y O 8 1 4 5 7 7 0 5 3 6 5 S I N G A RA G IPA N , RSKI N7G7A3P2O4R4E 36778 03 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8P IOLRLEI NPA CO LE 2 7D6A9L6L7A ISS T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A LKAUDADL IAN L7U0M 2 P7U 3R 5 26 90 43 77 T7 X UINCIAT S E D7 8S7TAT HD i lA l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R 75E 1 S7 5C1A 6B5 r4e3v eCrAl yN A VE R IAN E M, APA L LI S3 0353 913 6 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A NFCLE AM AN DT EU LE 4 39 2 1 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 L DO-A RN E ERTO3A1D2, 7H8O7N7G3 9K5O M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F OI R CKA NSTTO NG LL A 89 17 24 5 7 2767 0 0 252376 T 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N G A ,A T OEKRYIO 5 XS H I NOGUAS T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A SAY T. S CIAT HA EN RD I NAER, U MTA O NMTAR, E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 MEA L A B P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 936709 8R U 5 59 2 1 G4O 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 60 5 S 2 9T.9 H7 I7N3O 9 RCEH, IPA L E RSI S A N3T3I A K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 5C 2 2G1E1O8 R3G4E2T8 OSW ONG O O3H A U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 8D 2 0Y2O K 33 2 2D 2E 4 PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N A , T O K Y O 8 1 4 5 7 7 0 5 3 6 5 S I N G A RA G IPA N , RSKI N7G7A3P2O4R4E 36778 03 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8P IOLRLEI NPA CO LE 2 7D6A9L6L7A ISS T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A LKAUDADL IAN L7U0M 2 P7U 3R 5 26 90 43 77 T7 X UINCIAT S E D7 8S7TAT HD i lA l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R 75E 1 S7 5C1A 6B5 r4e3v eCrAl yN A VE R IAN E M, APA L LI S3 0353 913 6 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A NFCLE AM AN DT EU LE 4 39 2 1 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 L DO-A RN E ERTO3A1D2, 7H8O7N7G3 9K5O M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F OI R CKA NSTTO NG LL A 89 17 24 5 7 2767 0 0 252376 T 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N G A ,A T OEKRYIO 5 XS H I NOGUAS T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A RU SAY T. S CIAT HA EN RD I NAER, U MTA O NMTAR, E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 936709 8 MEA L A B 5 59 2 1 G4O 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 60 5 S 2 9T.9 H7 I7N3O 9 RCEH, IPA L E RSI S A N3T3I A K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 5C 2 2G1E1O8 R3G4E2T8 OSW ONG O O3H A U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 8D 2 0Y2O K 33 2 2D 2E 4 PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N A , T O K Y O 8 1 4 5 7 7 0 5 3 6 5 S I N G A RA G IPA N , RSKI N7G7A3P2O4R4E 36778 03 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8P IOLRLEI NPA CO LE 2 7D6A9L6L7A ISS T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A LKAUDADL IAN L7U0M 2 P7U 3R 5 26 90 43 77 T7 X UINCIAT S E D7 8S7TAT HD i lA l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R 75E 1 S7 5C1A 6B5 r4e3v eCrAl yN A VE R IAN E M, APA L LI S3 0353 913 6 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A NFCLE AM AN DT EU LE 4 39 2 1 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 L DO-A RN E ERTO3A1D2, 7H8O7N7G3 9K5O M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F OI R CKA NSTTO NG LL A 89 17 24 5 7 2767 0 0 252376 T 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N G A ,A T OEKRYIO 5 XS H I NOGUAS T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A RU SAY T. S CIAT HA EN RD I NAER, U MTA O NMTAR, E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 936709 8 MEA L A B 5 59 2 1 G4O 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 60 5 S 2 9T.9 H7 I7N3O 9 RCEH, IPA L E RSI S A N3T3I A K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 5C 2 2G1E1O8 R3G4E2T8 OSW ONG O O3H A U N I T E D S TAT E S C A B r e v e r l y H i l l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 8D 2 0Y2O K 33 2 2D 2E 4 PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N A , T O K Y O 8 1 4 5 7 7 0 5 3 6 5 S I N G A RA G IPA N , RSKI N7G7A3P2O4R4E 36778 03 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8P IOLRLEI NPA CO LE 2 7D6A9L6L7A ISS T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O I L O A K S T R E E T 3 1 2 7 8 7 7 3 9 5 M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A LKAUDADL IAN L7U0M 2 P7U 3R 5 26 90 43 77 T7 X UINCIAT S E D7 8S7TAT HD i lA l 3 1 0 2 7 5 3 0 2 4 C A F A S H I O N I S L A N D 9 4 9 6 4 4 4 7 9 8 C A S A N F R A N C I S C O C E N T R E 4 1 5 2 8 4 9 3 7 3 C A S A N TA R O W 4 0 8 2 4 4 1 3 3 9 C A S A N TA M O N I C A P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 G A L L E R I A 9 7 2 7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R 75E 1 S7 5C1A 6B5 r4e3v eCrAl yN A VE R IAN E M, APA L LI S3 0353 913 6 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A NFCLE AM AN DT EU LE 4 39 2 1 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6 1 2 6 6 G A L E N O X S Q U A R E 4 0 4 8 4 8 0 8 0 2 G A P E R M I E T E R M A L L 7 7 0 6 9 8 0 4 8 8 I L L I N C O L E PA R K 7 7 3 2 4 4 3 7 8 0 L DO-A RN E ERTO3A1D2, 7H8O7N7G3 9K5O M A N E W B U R Y S T R E E T 6 1 7 5 3 6 7 1 8 2 N Y M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F OI R CKA NSTTO NG LL A 89 17 24 5 7 2767 0 0 252376 T 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A D E PA R T M E N T S O R E , H O N G K O N G 8 5 2 2 8 3 1 4 6 2 6 J A PA N G I N Z A , T O K Y O 8 1 3 3 5 6 2 8 2 8 6 T O H O H I B I YA C H A N T E R , T O K Y O 8 1 3 5 5 1 1 8 6 2 3 Y O K O H A M A B AT S I D E M A R I N G A ,A T OEKRYIO 5 XS H I NOGUAS T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A RU SAY T. S CIAT HA EN RD I NAER, U MTA O NMTAR, E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L Q U E B E C 4 5 0 9 0 2 0 1 5 8 V A N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5 5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 936709 8 MEA L A B 5 59 2 1 G4O 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0 7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 60 5 S 2 9T.9 H7 I7N3O 9 RCEH, IPA L E RSI S A N3T3I A K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y

It is no secret that great beauty is about more than great looks. Mere aesthetics are infinitely enhanced by charisma, individual style, and an alluring dose of poise.

miu miu light bulb has these intangibles qualities in spades.

[ charming glamorous adorable engaging luminous captivating ]

Fa s h i o n i s r e d e f i n i t i o n b y nature; it is what constructs personal identity at a specific moment in time.

miu miu light bulb is rooted in reality and fantasy a singular and unique moment captured i n t i m a t e l y a n d i n t u i t i ve l y.

[ The light bulb creates an amazing lighting experience in a truly transformative

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establishment headon.

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setting that allows the

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We str ive to provide a

progressive ideas

for creative encounters.

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6 0 3 2 3 8 2 0 3 8 7 B H A R A I N S E E F M A L L , M A N A M A 9 7 3 5 8 7 8 7 5 K U W A I T A R R AYA C E N T R E , K U W A I T C I T Y 9 6 5 2 9 9 7 7 3 9 C H I L E S A N T I A G O 5 6 2 2 6 3 1 8 1 7 R U S S I A C R O C U S , M O S C O W

5 5 6 4 PA C I F I C N E W S O G O , TA I P E I 8 8 6 2 7 7 7 3 3 7 9 8 M A L AY S I A B A N D A R U TA M A , K U A L A L U M P U R 6 0 3 7 7 2 7 6 9 6 7 I S T E N K L C C , K U L A L U M P U R 6 0 3 2 3 8 2 0 2 8 9 K L C C , K U L A L U M P U R

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In order to fullycelebrate M A D I S O N 2 1 2 7 1 7 4 2 2 5 N Y PA L I S A D E C E N T R E 8 4 5 3 5 3 2 2 2 4 N Y S O H O 2 1 2 6 2 5 2 7 2 3 N Y T H E W E S T C H E S T E R 9 1 4 9 9 3 0 3 5 3 N V A L A D D I N 7 0 2 7 3 5 2 9 4 7 T X D A L L A S G A L L E R I A 9 7 2

P L A C E 3 1 0 6 5 6 8 1 3 0 D C G E O R G E T O W N 2 0 2 3 3 3 2 2 2 4 F L A V E N T U R A M A L L 3 0 5 9 3 6 9 2 2 7 F L H Y D E PA R K 8 1 3 2 5 1 1 8 0 4 F L T H E F A L L S 3 0 5 2 5 9 8 4 8 9 F L W O R T H A V E N U E 5 6 1 3 6 6

Q U E B E C 4 5 0 9 0 2 0 1 5 8 VA N C O U V E R , B C 6 0 4 6 8 1 3 7 3 3 F R A N C E M A D E L E I N E , PA I S 3 3 1 4 3 1 2 5 5 2 0 S T. H I N O R E , PA R I S 3 3 1 4 0 2 0 1 6 5 0 G R E E C E K O L O N A K I S Q U A R E , AT H E N S 0 1 0

A M E R I C A S 7 8 7 7 5 1 7 5 1 6 5 4 3 C A N A D A 9 6 0 R U E S T. C AT H E R I N E , M O N T R E A L , Q U E B E C 5 1 4 8 6 8 9 5 6 1 R O C K L A N D , M O N T R E A L , Q U E B E C 5 1 4 3 4 4 9 4 4 4 C A R R E F O U R L A V A L , L A V A L

7 2 9 8 6 0 6 A PA PA N D R E O U 1 9 , X A L A N D R I 2 1 0 6 8 9 8 4 4 0 C H I N A P L A Z A 6 6 , S H A N G H A I 8 6 6 2 8 8 0 1 7 6 L A N E C R A W F O R D - C A N T O N R O A D , H O N G K O N G 8 5 2 2 1 1 8 3 4 2 8 S O G O Y O K O H A

7 2 6 0 2 2 7 T X H O U S T O N G A L L E R I A 7 1 3 3 5 5 2 2 2 4 T X N O R T H PA R K 2 1 4 3 6 3 9 2 9 2 W A B E L L E V U E S Q U A R E 4 2 5 4 5 4 7 6 9 1 W A PA C I F I C P L A C E 2 0 6 4 4 7 3 4 0 0 P U E R T O R I C O PA L Z E A L A S

productive dialogue with brand

campaign continues our

and creative talents, and more

process, miu miu has

always sought to turn its

8 1 4 5 7 7 0 5 3 6 5 S I N G A P O R E PA R A G I N , S I N G A P O R E 6 7 3 8 1 0 6 3 TA I W A N B R E E Z E C E N T R E , TA I P E I 8 8 6 2 8 7 7 2 3 3 2 1 M I T S U K O S H I S H I N Y I D E PA R T M E N T S T O R E , TA I P E I 8 8 6 2 2 7 2 5

advertising into a platform

s p e c i f i c a l l y, a n e w p ro d u c t .

97 98 99

The New Spring/Summer 2007

Fa s c i n a t e d w i t h t h e

dynamics of the interactive

moment in our lives. ]

SELECTED WORK

MIU MIU LIGHT BULB

> L AY O U T S

9 8 9 9 10 0

9 9 10 0 10 1

10 0 101 10 2

f o r ew o r d

10 2 10 3 10 4

A M Y K UA N - Y I N G PA N

M FA T HESIS

a thesis addresses a specific and unique topic and ultimately provides an end solution that will be a catalyst for change.

10 2 10 3 10 4

f o r ew o r d

10 4 10 5 10 6

A M Y K UA N - Y I N G PA N

M FA T HESIS

> by Steve Jobs

design is not just what it looks like and feels like. design is how it works.

10 4 10 5 10 6

f o r ew o r d

A M Y K UA N - Y I N G PA N

pr oj e c t 0 9 >

5 POINTS

c ou r s e

t y pe fa c e

M FA T H E S I S

WHITNEY

di m e n s ion s

i n s t ruc t or s

c a t e g or y

PHIL HAMLET T / MICHAEL MCQUEEN /

PRINT / IDENTITY /

D O YO U N G A H N / C A R O L I N A D E B A R T O L O

PAC K AG I N G / I N T E R AC T I V E

i l l u s t r a t ion / p ho t o g r a p h y

da t e

A M Y K . PA N

S P R I N G 2 010

o bj e c t i v e >

concept >

solu t ion >

The MFA thesis in graphic design is a self-

The primar y purpose of my thesis, 5 Points, is

By understanding tourist patterns and their

directed project driven by research, critical

to allow tourist to get around San Francisco

destination points, I use S an Francisco as a c ase

thinking, and innovation. It allows a designer

more quickly and ef fec tively. T he projec t is built

s t u d y to d e v e l o p a c o m p r e h e n s i v e i n fo r m a t i o n

to address a specific and unique topic and

around providing a sav v y navigational helper that

system including por table maps, directional

ultim atel y prov id e an end solution that w ill b e a

will provide information and direc tions in a clear

signage, interactive website and application.

c at al yst for change.

an d user- fr ien d l y fashi o n w hil e to ur ist s ex p l o re

T hese additions will not only make S an Francisco

t h e c i t y. B y p r o v i d i n g a n e f f e c t i v e n a v i g a t i o n

easier to explore, but the designs behind the

11"

8.5"

system , it w ill a d d a d if ferent d imension to S an

information system will beautif y the cit y. It is my

Francisco's tourist industr y.

h o p e t h a t t h e p ro j e c t w i l l p ro v i d e v i s i to r s w i t h a b et te r u n d e r s t a n d in g of t h e c i t y 's a t t r a c t i o n s and relieve the anxieties of ex ploring a new cit y.

10 5 10 6 10 7

M FA T HESIS

5 POINTS

10 6 10 7 10 8

f o r ew o r d

10 9 110 111

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> SKETCHES

10 9 111 110

f o r ew o r d

111 112 113

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> SKETCHES

112 113 114

f o r ew o r d

A M Y K UA N - Y I N G PA N

A CITY IS A LARGE AND DIVERSE ENVIRONMENT FULL OF PEOPLE GOING ABOUT THEIR DAILY ROUTINE, INTERACTING WITH OTHERS, AND MAKING THEIR MARK ON ALL THOSE AROUND THEM.

10 7 10 8 10 9

M FA T HESIS

5 POINTS

A VISITOR'S FIRST IMPRESSION OF A NEW CITY WILL STAY WITH THEM LONG AFTER THEY LEAVE. THIS IMPRESSION WILL DETERMINE IF THEY WILL RETURN OR IF THE CITY BECOMES ANOTHER ITEM CHECKED OFF OF THE TO-DO LIST.

10 8 10 9 110

f o r ew o r d

113 114 115

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> IDENTIT Y SYSTEM

iden t it y system > T h e c o n c e p t s b e h i n d 5 P o i nt 's l o g o a re s i m p l e: o p e n (o p e n h e a r te d ), e a s y (e a s y to g et a ro u n d ), and c onnec ted (c onnec ted to each other). T he 5 c o l o r s re p re s e nt 5 d i f fe re nt l o c a t i o n s t h a t h e l p visitors to easily traverse the cit y.

114 115 116

f o r ew o r d

A M Y K UA N - Y I N G PA N

AN EFFECTIVE NAVIGATION SYSTEM SHOULD BE DESIGNED TO BE A SAVVY HELPER. IT SHOULD PROVIDE INFORMATION TO PEOPLE IN A CLEAR AND USER FRIENDLY MANNER WHILE ASSISTING THEM DURING THEIR TRAVELS.

115 116 117

M FA T HESIS

5 POINTS

TO MAKE A CITY MORE NAVIGABLE FOR TOURISTS, THERE NEEDS TO BE A METHOD OF COMMUNICATION WHICH ALLOWS THEM TO ALL SPEAK THE SAME LANGUAGE. TOURISTS FROM ALL COUNTRIES SHOULD FEEL AT HOME, EVEN WHEN ABROAD.

116 117 118

f o r ew o r d

117 118 119

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> SIGNAGE

str eet signage > S t re et s i g n a g e i s p l a c e d s t r a te g i c a l l y i n to u r i s t hotsp ots. T he information on the street signage corresponds with the por table maps and each d i s t r i c t h a s a u n i q u e a n d h i g h l y v i s i b l e m a r ke r. The unified information system helps guide people quickly determine their current lo c ation.

118 119 12 0

f o r ew o r d

119 12 0 12 1

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> PROCESS

12 0 121 12 2

f o r ew o r d

A M Y K UA N - Y I N G PA N

or ien tat ion signage > Orientation signage offers tourists an over view of their surroundings in the form of comprehensive site maps and directions. They are placed at the b ound aries or entr y ways of e ach resp ec tive distric t and allows a stranger in the cit y to have a bird's eye view of the area.

San Francisco

5 POINTS

DOWNTOWN GUIDE MAP

G R A NT

P OW E L L

MASON

TAY LO R

STOCKTON

L ET

TH IR

C C

B B

A A

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A EN BU S A ON RBIS SI EN YEMRD GA

MUNI MUNI F-FLINE LINE

CABLE CAR CABLE CAR LINELINE

12 1

12 2 12 3

J 1

M O N T G O M E RY

KEARNY

G R A NT

S 3

S 4

PORTSMOUTH SQUARE

S PORTSMOUTH SQUARE

1 4

California Cable 2 S Car

ST. MARY SQUARE

ER N I A C APLIIN FO

California Cable Car

STA R T

Powell-Mason Cable Car Powell-Mason 3 Cable Car2

SUTTER

ST. MARY S SQUARE 1

BUSH

PINE

STA R T

H I

LEGEND

LEGEND 22

1 1

C A LI FO R N I A SAC R A M E NT O

G CO

C L AY

SAC R A M E NTO Powell- Hyde Cable Car

3A EN BU A S RB EN YE RD GA

F F

Powell- Hyde CableJAC Car KSON

WA PAC I F ISCH I N GTO N

END

WA S H I N GT O N

1 4

Powell-Mason Cable Car 27 Powell-Mason Cable Car 27

F CO

JAC K S O N

Powell-Mason Cable Car B ROA DWAY

PAC I F I C VA L L E J O

E L LI S

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L K J

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K MA

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END

MAIDEN

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384

VA L L E J O

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G E A RY

Saks Fi f t h Ave n u e

Neiman Marcus 2

P O ST

UNION SQUARE

M O N T G O M E RY

4 I

KEARNY

S T O C K TO N

S a k s 9x Fi f t h Ave n u e

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P OW E L L

MASON

2 2

CHINATOWN GUIDE MAP

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4 D

P O ST SUTTER

MASON

P OW E L L

TAY LO R

KEARNY

S T O C K TO N

SUTTER

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Welcome to the San Francisco! Let 5 POINTS be your guide to San Francisco 5 POINTS this characterized metropolis beside the Pacific.

F 9x 30 45

MASON

P OW E L L

M O N T G O M E RY

G R A NT

KEARNY

Welcome to the San Francisco! Let 5 POINTS be your guide to this characterized metropolis beside the Pacific.

M O N T G O M E RY

DOWNTOWN GUIDE MAP

5 POINTS

CHINATOWN GUIDE MAP

Welcome to the San Francisco! Let 5 POINTS be5 Pyour San Francisco O I N T S guide to this characterized metropolis beside the Pacific.

LEGEND

VISITORVISITOR INFOR MATION INFOR MATION PARK

PARK

SHOPPING

GALLERY

DINING

DINING 2

J -5

PARKING

3 PARKING

J -5

SF MOMA

J -5

MUSEUM OF THE J -5 A 4 AFRICAN DIASPOR

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J -5

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HISTORICAL SOCIE T Y

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CALIFORNIA HISTORICAL SOCIE T Y

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CENTER FOR THE ART

MUNI MUNI CABLE CAR CABLE CAR LINELINE PEDE STR AINAIN PEDE STR ROUTE

ROUTE

VISITORVISITOR INFOR MATION INFOR MATION PARKING PARKING DINING

DINING

CHINATOWN GATE 5 SAL E- 4 BUDDHA’S UNIVER SAL E- 4 BUDDHA’S UNIVER 5 CHURCH CHURCH ST MARY’S CHURCH G - 4 OLD CHINESE 6 G - 4 OLD CHINESE 6 CHOW TEMPLE TELEPHONE E XCHANGE TELEPHONE E XCHANGE C- 6 FORTUNE COOKIE

TEMPLE

G-6 1 GATE G - 6 CHINATOWN

SQUARE

SQUARE 2

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GIF T SHOP

3 GIF T SHOP

H -3 KONG CHOW TEMPLE H -3 KONG

F- 4 FIR ST CHINESE F- 4 4 BAPTIST CHURCH

7 C- 6 FORTUNE COOKIE FIR ST CHINESE 7 BAPTIST CHURCH FACTORY

FACTORY

5 POINTS

M FA T HESIS

> SIGNAGE

1. 8 x

San Francisco

5 POINTS

DOWNTOWN GUIDE MAP Welcome to the San Francisco! Let 5 POINTS be5 Pyour San Francisco O I N T S guide to this characterized metropolis beside the Pacific.

DOWNTOWN GUIDE MAP C

S a k s 9x Fi f t h Ave n u e 30

P OW E L L

MASON

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G R A NT

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30 45

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27 Powell-Mason Cable Car 27

E D DY

7 6

7 5

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F F

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Powell-Mason Cable Car

K J

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5 O ’ FA R R E L L

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384

UNION SQUARE

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M O N T G O M E RY

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N 2

S T O C K TO N

MASON

TAY LO R

9x 30

KEARNY

G R A NT

S T O C K TO N

SUTTER

KEARNY

Welcome to the San Francisco! Let 5 POINTS be your guide to this characterized metropolis beside the Pacific.

M O N T G O M E RY

LEGEND LEGEND 22

MUNI MUNI

F-FLINE LINE

VISITORVISITOR INFOR MATION INFOR MATION

CABLE CAR CABLE CAR LINELINE

PARK

SHOPPING

GALLERY

DINING

DINING 2

J -5

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I-5 J-6

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1.75x

0 . 25x

PIER 39

44 H

LE AVE NWO RTH

C C

P OWE LL

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N O R T H P O I NT

Powell-Mason BAY Cable Car Powell-Mason Cable Car E

D D

MASON

TAYLO R

N O R T H P O I NT

MASON

HYDE

TAYLO R

B E AC H

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L AR K I N

LE AVE NWO RTH

POLK NESS

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L AR K I N

POLK

BAY

- LINE NN - LINE

REST ROOM REST ROOM

MUNI MUNI

PARKING PARKING

L AK E

1 CHALE TA-5 A-5 BE ACH B -5 GOLF 2 COURSE

MUSEUM3

C-5 BUFFALO PADDOCK C-5

SPORTING FACILIT Y

D - 6 FORT DOG RUN

BE ACH CHALE T 5

B -5 GOLF COURSE 6

PICNIC ARE A PICNIC ARE 2 A MUSEUM

5 A GARDEN H -5 JAPANESE TE

H -5 JAPANESE TE A GARDEN

G - 6 STR AWBERRY 6 HILL

G - 6 STR AWBERRY HILL

G - 6 BOTANICAL GARDEN BUFFALO7 PADDOCK 7

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7 69

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18 18

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7 T H AV E

9 T H AV E

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2 3 T H AV E

1 9 T H AV E

2 2 T H AV E

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S 4

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LYO N

Welcome to the San Francisco! Let 5 POINTS be your guide to 8 this characterized metropolis beside 1 the Pacific.

JEFFERSON

Academy of Sciences

J E F F E R S O NB E AC H

SAN FRANCISCO BAY 3

SAN FRANCISCO BAY

PRESIDIO GUIDE MAP

LYO N

8T H AV E

Welcome to the San Francisco! Let 5 POINTS be your guide to this characterized metropolis beside the Pacific.

Academy of Sciences4

De Young Museum

29 28

De Young Museum

29 28 5

2 2

44 F U LT O N

A R G U E L LO

1 0T H AV E

P R E S I D O B LV D

3 0 T H AV E

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Welcome to San Francisco! Let 5 POINTS be your guide to this 1 charming metropolis beside the Pacific.

STA N YA N

Welcome to the San Francisco! Let 5 POINTS be5 your guide to San Francisco POINTS this characterized metropolis beside the Pacific.

Welcome to the San Francisco! Let 5 POINTS be San Francisco 5 P Oyour I N T S guide to this characterized metropolis beside the Pacific.

5 POINTS

San Francisco

5 POINTS

PRESIDIO GUIDE MAP

25TH

Welcome to San Francisco! Let 5 POINTS be your guide to this charming metropolis beside the Pacific.

GOLDEN GATE PARK MAP

San Francisco

5 POINTS

FISHERMAN'S WHARF GUIDE MAP

GOLDEN GATE PARK MAP

L I N CO

San Francisco

5 POINTS

San Francisco

LEGEND

VISITORVISITOR INFOR MATION INFOR MATION D STAN D CR AB SCR AB STAN G IF T SH O P

G IF T SH O P

DINING

E-3

SAN E-3 SAN1FR ANCISCO CUISES

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65 65

MUNI MUNI BIKE ROUTE BIKE ROUTE PEDESTR AIN AIN PEDESTR ROUTE

ROUTE

VISITOR

VISITOR L AKE INFORMATION INFORMATION PICNIC ARE A RESTROOM RESTROOM PARKING

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SPORT FACILIT Y

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E-2

FORT POINT

E-2

FORT POINT

12 2 12 3 12 4

f o r ew o r d

12 3 12 4 12 5

A M Y K UA N - Y I N G PA N

> SIGNAGE

CHINATOWN B

G CO

VA L L E J O

Powell-Mason Cable Car

J 1

END

S G R A NT

STOCKTON

PAC I F I C

M O N T G O M E RY

B ROA DWAY

KEARNY

A 1

P OW E L L

5 POINTS

MASON

M FA T HESIS

JAC K S O N

WA S H I N GT O N

Powell- Hyde Cable Car

C L AY

3 SAC R A M E NT O

PORTSMOUTH SQUARE

California Cable Car

C A L I FO R N I A ST. MARY SQUARE

PINE

STA R T

BUSH

Powell-Mason Cable Car SUTTER

7 A

2 C

45 H

LEGEND 2

MUNI CABLE CAR LINE PEDE STR AIN ROUTE

VISITOR INFOR MATION PARKING DINING

TEMPLE SQUARE

GIF T SHOP

G - 6 CHINATOWN GATE

G -5 OLD ST MARY’S CHURCH

H -3 KONG CHOW TEMPLE

F- 4 FIR ST CHINESE BAPTIST CHURCH

E- 4 BUDDHA’S UNIVER SAL CHURCH

G - 4 OLD CHINESE TELEPHONE E XCHANGE C- 6 FORTUNE COOKIE

FACTORY

12 4 12 5 12 6

12 5 12 6 12 7

12 6 12 7 12 8

f o r ew o r d

A M Y K UA N - Y I N G PA N

P PRESIDIO A

SAN FRANCISCO BAY

1 2

DOWNTOWN

2 4 3

MASON

Exploratorium

PACIFIC OCEAN

5 SCO FRANCI

3 5

LI N CO

LYO N

7 IC PAC I F

7 B

75 LAKE

10 C

I N GTO

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10 F

LEGEND 65

MUNI B I K E ROUTE PEDE STR AIN ROUTE

VISITOR INFOR MATION REST ROOM PARKING DINING

12 7 12 8 12 9

WA S H

2 AM - 6 AM

25TH

NO PARKING

L AK E

D -1

GOLDEN GATE BRIDGE

E-3

E AST BE ACH

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C-5 BAKER BE ACH

F- 6

PRESIDEO GOLF COURSE

SPORT FACILIT Y

G -3 CRISSY FIELD

E-2

FORT POINT

PICNIC ARE A

5 6

J -3 F-7

PAL ACE OF FINE ART MOUNTAIN L AKE PARK

5 POINTS

M FA T HESIS

> SIGNAGE

5 POINTS

San Francisco

GOLDEN GATE PARK MAP Welcome to San Francisco! Let 5 POINTS be your guide to this charming metropolis beside the Pacific. 5 POINTS

San Francisco

GOLDEN GATE PARK MAP

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A R G U E L LO

P R E S I D O B LV D

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D E

71 F

7 71

44 H

7 I

MUNI MUNI

PARKING PARKING

1 CHALE TA-5 A-5 BE ACH B -5 GOLF 2 COURSE

MUSEUM3

C-5 BUFFALO PADDOCK C-5

SPORTING FACILIT Y

D - 6 FORT DOG RUN

B -5 GOLF COURSE 6

PICNIC ARE A PICNIC ARE 2 A MUSEUM

BE ACH CHALE T

5 A GARDEN H -5 JAPANESE TE

G - 6 STR AWBERRY 6 HILL

G - 6 BOTANICAL GARDEN BUFFALO7 PADDOCK 7

8 RUN D - 6 FORT DOG

D - 6 SHAKESPE ARE GARDEN

H -5 JAPANESE TE A GARDEN G - 6 STR AWBERRY HILL

PIER 39

G - 6 BOTANICAL GARDEN D - 6 SHAKESPE ARE GARDEN

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8 8

3 JEFFERSON

Powell- Hyde Cable Car

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5 8

B E AC H

N O R T H P O I NT

CO LU M BU

5 E

4 ER

BAY

G R A NT

18 18

L AK E

KEARNY

G - 6 STR AWBERRY HILL

L AK E

P OWE LL

REST ROOM REST ROOM

INFOR MATION

STOCKTON

- LINE NN - LINE VISITOR VISITOR INFOR MATION

SAN FRANCISCO BAY

MASON

D - 6 SHAKESPE ARE GARDEN

H -5 JAPANESE TE A GARDEN G - 6 BOTANICAL GARDEN

TAY LO R

JONES

D - 6 SHAKESPE ARE GARDEN

LE AVE NWO RTH

G - 6 STR AWBERRY 6 HILL

G - 6 BOTANICAL GARDEN BUFFALO7 PADDOCK 7

8 RUN D - 6 FORT DOG

L AR K I N

B -5 GOLF COURSE 6

PADDOCK C-5

G RUN

5 A GARDEN H -5 JAPANESE TE

HYDE

LEGEND

BE ACH CHALE T

AQUARIUM OF THE BAY

LEGEND

HALE TA-5

2 AM - 6 AM

Welcome to the San Francisco! Let 5 POINTS be your guide to this characterized metropolis beside the Pacific.

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J U DA H

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I RV I N G J U DA H

NO PARKING

5 POINTS

GHIRARDELLI SQUARE

FISHERMAN'S WHARF WAX MUSEUM GUIDE MAP

871

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I RV I N G

LI N CO L N

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C C

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S U N S E T B LV D

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Academy of Sciences

L I N CO L N

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4 S U N S E T B LV D

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STA N YA N

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PIER 39 San Francisco

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Academy of Sciences4

De Young Museum

DOWNTOWN

De Young Museum

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P R E S I D O B LV D

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POLK

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871

7 T H AV E

VA N N E S S

Academy of Sciences4

URSE

44 F U LTO N

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2 5 T H AV E

3 6T H AV E F U LTO N

De Young Museum

Academy of Sciences

3 0 T H AV E

7 T H AV E

2 5 T H AV E

STA N YA N

47 T H AV E

4 3 R D AV E

A R G U E L LO

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STA N YA N

1 0T H AV E

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A R G U E L LO

8T H AV E

P R E S I D O B LV D

N I

STA N YA N

Welcome to San Francisco! Let 5 POINTS be your guide to this charming metropolis beside the Pacific.

G R E AT H I G HWAY

47 T H AV E

4 3 R D AV E

G R E AT H I G HWAY

Powell-Mason Cable Car

7 A

7 G

LEGEND B I K E ROUTE F

VISITOR INFOR MATION

F- LINE CABLE CAR LINE

CR AB STAND GIF T SHOP

DINING

E-3

SAN FR ANCISCO CUISES

C- 6 GO CAR

REST ROOM

F-5

WA X MUSEUM

C- 6 SEGWAY TOUR

H - 4 AQUARIUM OF THE BAY

D -5 DUCK TOUR

J-6

ALCATR A Z (FERRY BUILDING)

C- 6 BIKE THE BRIDGE D -5

PARKING

12 8 12 9 13 0

f o r ew o r d

12 9 13 0 13 1

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> PA C K A G I N G

13 3 131 13 2

f o r ew o r d

13 1 13 2 13 3

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> PA C K A G I N G

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f o r ew o r d

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A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> PA C K A G I N G

13 4 13 5 13 6

f o r ew o r d

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A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> PRINT

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f o r ew o r d

13 7 13 8 13 9

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

> P H O N E A P P L I C AT I O N

13 8 13 9 14 0

f o r ew o r d

13 9 14 0 141

A M Y K UA N - Y I N G PA N

M FA T HESIS

5 POINTS

GOOD INFORMATION NEEDS TO BE IN THE RIGHT PLACE AT THE RIGHT TIME. THIS ALLOWS PEOPLE TO UTILIZE IT MORE EFFECTIVELY AND PROVIDES SOLACE FOR TOURIST AS THEY EXPLORE A NEW CITY.

14 0 141 14 2

FOR E WOR D

A M Y K UA N - Y I N G PA N

spe c i a l t h a n k s t o >

The people who have continuously pushed me to work harder and polish my design skills. The people who have encouraged me; because of your support, I became stronger. m y bl ood > my p a re nt s a n d my fa mil y

m y i nspi r i ng i nst ruc tor s > M a r y S c ot t , P hil H a m l et t , H u nte r W i m m e r, M i c h a e l M c Q u e e n , D o Yo u n g A hn , C a ro lin a d e B a r to l o, M i c h a e l K il g o re, B r i a n S i n g e r, A r v i R a q u e l - S a nto s , S t a n Z i e nk a , To m S i eu , a n d a ll E S L su p p o r te r s .

m y i nspi r i ng pe opl e > S h aw n H su , C hih a r u Ta n ak a , L a n g L e e, T hu i M o n c h ay a , R o b b i e Ts a i , V in c e nt L o, B lu e C h a n g , K at y L i a o, K a m il a h D ove, S hi hwe n W a n g , L o u i s C h e n

m y su nsh i n e > C h a r l e n e J a n , M a r v in S te e l e, J u li e H u a n g , O l g a L iu , S h a n Wu , M ik i L iu , R i t a H su , Z a c h a r y H su , A n g e l a Ts a i , D e e K a n , Er i c S u a n d my l ove l y R e d - Z e ro fe ll ow s in Ta i w a n .

T H A NK YOU N OT E

M ANY M ANY THANKS.