1. PERSONAL INFO _ FULL NAME _ NATIONALITY _ DATE OF BIRTH _ E-MAIL
ANA-MIRUNA RADUCU ROMANIAN 01. 01. 1988 anamiruna.raducu@gmail.com
2. EDUCATION
3. WORK EXPERIENCE
4. TRAINING ACTIVITIES / ACHIEVEMENTS
2012
_ MASTER OF ARCHITECTURE FROM BUCHAREST UNIVERSITY OF ARCHITECURE & LANDSCAPE “ION MINCU”
2012 _ DIPLOMA PROJECT : VOLCANO MUSEUM AND INVESIGATION CENTER IN REYKJAVIK, ICELAND _ DISSERTATION THESIS : “ SENSORY EXPERIENCE IN UNDERGROUND ARCHITECTURE PERCEPTION” _ SHORTLISTED FOR THE COMPETITION “INNATUR” / CENTER FOR THE INTERPRETATION OF NATURE
2011
_ ERASMUS SCHOLARSHIP BARCELONA - ETSAB (ESCOLA TECNICA SUPERIOR D’ARQUITECTURA BARCELONA)
_ NOV. 2012 - OCT.2013 ARH_CASA4R - BUCHAREST, ROMANIA > WORKING ON RESIDENTIAL & PUBLIC PROJECTS ( gas stations FOR ROMPETROL S.A., ARTOIL S.A.) > AUTOCAD DRAFTING & DETAILS , 3D MODELING. > AUTHORISATION & CERTIFICATE WORK.
2010
2006
_ BACHELOR OF ARCHITECTURE FROM BUCHAREST UNIVERSITY OF ARCHITECURE & LANDSCAPE “ION MINCU” _ BUCHAREST “TUDOR VIANU” COLLEGE OF INFORMATICS MATHEMATICS & IT SECTION
_ MARCH. 2013 - PRESENT > FREELANCE GRAPHIC DESIGNER (id kits, logos, cards, presentations, website design.) > COLLABORATING WITH WINNING DESIGNS L.A. _ JAN. 2013 - PRESENT STORYTELLERS STUDIO - LONDON, UK > LASER-CUT JEWELLERY AND LAMP DESIGN _ SEPT.2011- JAN.2012 BATTERIID ARKITEKTAR -REYKJAVIK, ICELAND > 3D MODELING, 2D DRAFTING & DETAILS. > COMPETITION PROJECTS IN NORWAY AND ICELAND.
2011 _ WORKING ON 1ST PLACE WINNIG DESIGN COMPETITION FOR THRIHNUKAGIGUR VOLCANO (DEC. 2011) _ WORKING ON 1ST PLACE WON COMPETITION FOR NORWAY RESIDENCIAL (OCT- NOV. 2011) _ CATALAN CERTIFICATE ( A2 - ELEMENTARY LEVEL ) 2010 _ SHORTLISTED FOR THE COMPETITION “UPGRADE. CONTINUITY&CHANGE” / TOURISTIC SEAPORT _ SPANISH CERTIFICATE ( B2 - INTERMEDIATE LEVEL ) _ VICE-PRESIDENT ASAUIM ( ARCHITECTURE SCHOOL STUDENT ASSOCIATION) 2009 _ FOUNDING MEMBER OF ASAUIM (ION MINCU ARCHITECTURE SCHOOL STUDENT ASSOCIATION) _ BULLATS ENGLISH CERTIFICATE ( ALTE level 5 ) _ DRIVING LICENCE - B CATEGORY 2008 _ YEARLY ARCHITECTURE EXPOSITION - TUB (Transcentral Urban Bucharest) -Urban Space 2006 _IT CERTIFICATE (C++, FOX PRO)
5. COMPUTER SKILLS
6. LANGUAGES
7. SKILLS
PROFICIENT
MOTHER TONGUE ROMANIAN
ARTISTIC
GOOD
AUTOCAD (2D) SKETCHUP (3D) ILLUSTRATOR , PHOTOSHOP, INDESIGN AUTOCAD (3D) REVIT (2D, 3D) 3DS MAX (3D)
INTERMEDIATE ARCHICAD (2D, 3D) RHINO (3D) COREL DRAW, AFTER EFFECTS
PROFICIENT
ENGLISH SPANISH
INTERMEDIATE
FRENCH
8. OTHER INTERESTS SKETCHING GRAPHIC DESIGN PAINTING MODEL MAKING
_ FASHION & JEWELLERY DESIGN _ GRAPHIC DESIGN _ INDUSTRIAL DESIGN
NOVICE
CATALAN ITALIAN
TECHNICAL 2D, 3D DESIGN VECTORS LAYOUTS
_ PHOTOGRAPHY _ SCENOGRAPHY
SOCIAL
TEAMWORK ADAPTABILITY
_ MOVIE MAKING
PROJECT INDEX COMPETITIONS
INNATUR 2 - DESIGNING A CENTER FOR THE INTERPRETATION OF NATURE / SHORTLISTED RESIDENTIAL - RESIDENTIAL BLOCKS IN BOGAFJELL AREA, NORWAY / 1ST PLACE UPGRADE. CONTINUITY AND CHANGE - CONSTANTA TOURISTIC SEAPORT / SHORTLISTED
OFFICE WORK
GAS STATIONS - ROMPETROL (Romania) GAS STATION - ARTOIL (Russia)- BUCHAREST, ROMANIA. BET CAFE ARENA INTERIOR DESIGN & IMAGE - ROMANIA CONVERSION OFFICE BUILDING TO HOTEL - TJARNAVELLIR, ICELAND BATHROOM DESIGN- REYKJAVIK, ICELAND AUVA INSURANCE COMPANY’S LOBBY - LINZ FACADE DESIGN FOR CORRUGATED METAL PANELS FACTORY - BORGARNES, ICELAND
DIPLOMA PROJECT UNIVERSITY PROJECTS
VOLCANO MUSEUM AND RESEARCH CENTER - THRIKNUKAGIGUR, ICELAND
DOCUMENTATION CENTER FOR ISTANBUL MODERN - ISTANBUL, TURKEY INTERPRETATION CENTER FOR THE QUATERNARIUM - VILLADECANS, BARCELONA CABIN - BREAZA, ROMANIA RESIDENTIAL - ONE-FAMILY HOUSE - BUCHAREST, ROMANIA RESIDENTIAL ANSAMBLE - BUCHAREST, ROMANIA BUCHAREST MUSEUM - OLD CENTER BUCHAREST, ROMANIA
COMPETITIONS
INNATUR 2 - DESIGNING A CENTER FOR THE INTERPRETATION OF NATURE / SHORTLISTED RESIDENTIAL - RESIDENTIAL BLOCKS
IN BOGAFJELL AREA, NORWAY / 1ST PLACE
UPGRADE. CONTINUITY AND CHANGE - CONSTANTA TOURISTIC SEAPORT / SHORTLISTED
INNATUR 2 - CENTER FOR THE INTERPRETATION OF NATURE / SHORTLISTED
Vacaresti urban wetland - Bucharest Competition - dec. 2012 - shortlisted TEAM : Irina Dumitrescu, Dragos Mila, Miruna Raducu
RESIDENTIAL BLOCKS IN BOGAFJELL AREA, NORWAY / 1ST PLACE
bogafjell
INNATUR 2 - CENTER FOR THE INTERPRETATION OF NATURE / SHORTLISTED
PROJECT DETAILS
Two residential blocks are located in the Bogafjell area in Sandnes, Norway. Fourty-five flats in various sizes where the goal is to bring together different groups of residents - young couples, singles, families as well as senior citizens. All flats are designed as to fulfil the requirements of universal design. The site of a total area of 9.380 m2 is situated on a slope with a good view of the hilly landscape. The large slope and the long and narrow plot was a great challenge for the housing design and outdoor areas. The houses are quite large in relation to the environment , characterized by smaller apartment blocks and numerous houses.
To make the houses impact on the landscape less visual and more in line with the environment, the design was created in several staged heights. Wood was used mostly for the facades , especially considering that it is the dominant construction material in the area. The public space between the 2 residential blocks consists in a balanced blend of low vegetation and playgrounds, helping achieve a good connection between the 2 buildings.
Bogafjell area, Norway Competition - nov. 2011 - 1st place BATTERIID ARKITEKTUR - Iceland (internship)
UPGRADE. CONTINUITY AND CHANGE - INTERNATIONAL STUDENT COMPETITION CONSTANTA TOURISTIC SEAPORT / SHORTLISTED
CONSTANTA SEACOAST CONSTANTA TOURISTIC SEAPORT
Project details The character of this area is mostly affected by the lack of continuity between the old urban tissue and the sea. The space is limited to a traffic line, placed in the back of the dock area. The only remains of a lost continuity is an unused pedestrial bridge and stairs that used to connect Ovidiu Square with the seaport. The continuity can be achieved by reconsidering this old link. The bridge - a symbol of continuity and connection. A bridge isn’t just a structure built to ensure a physical connection between two parts. A bridge is a place of interraction and imaginary voyage.
THE BRIDGE _ maintaing the old symbols and giving them new meaning _ PHYSICAL CONNECTION between the two elements that define the public space. The platform at the end of the pedestrial bridge can be used as a deck. _ PLACE OF INTERRACTION and culture, with the interior space being used for temporary exhibitions. _ SYMBOL - the seaport needs a visual architectural element associated not only with the city, but also with the sea.
Constanta touristic seaport, Romania Competition - may 2011 - shortlisted included in the UAUIM’s yearly best project exhibition
OFFICE WORK
GAS STATIONS - ROMPETROL “hei” GAS STATION & STORE - ROMANIA - ARTOIL GAS STATION & STORE - ROMANIA - ROMPETROL STATION REDESIGN
CONVERSION - OFFICE BUILDING TO HOTEL - TJARNAVELLIR, ICELAND INTERIOR DESIGN - BET CAFE ARENA INTERIOR DESIGN & IMAGE -
ROMANIA
- BATHROOM DESIGN- REYKJAVIK, ICELAND - AUVA INSURANCE COMPANY’S LOBBY - LINZ
FACADE - CORRUGATED METAL PANELS FACTORY - BORGARNES, ICELAND
ROMPETROL GAS STATION + STORE CONCEPT
The Rompetrol Group is one of the strongest companies in Romania and a stategic player in the Black Sea and the Mediterranean regions. At European level, Rompetrol Group has over 1000 stations in six countries (Romania, Moldova, Bulgaria, France, Spain and Georgia), which operate under the brands Rompetrol, Dyneff and Litro. The “Hei” filling stations and stores projects are part of the rebranding of the Rompetrol gas comapny, based in Romania. During my time at ARHCASA4R, I worked in developing the new image and in the actual implementation of the concept. This project has 3 double gas pumps and a 190sqm urban store surface. The store has 2main areas : fast food area + bar, and a shopping area. Other functions include a small office and storage area for the staff, and two bathrooms for the store clients. The store has a glass main facade, that allows the customers to feel safer and more engaged with the surroundings. The gas station’s canopy connects with the store through a glazed element, that has, besides of the functional feature (rain protection, extra sun shield) , a visual effect.
Rompetrol gas station - Romania ARHCASA4R ( july 2012-oct. 2013) Gas station + store projects throughout the country
hei
ARTOIL GAS STATION + STORE CONCEPT
main facade view
artoil
lateral facade view
plan view
This small filling station, situated in the center of Bucharest was the first prototype built by the russian company Artoil in Romania. Building the station and store on a limited plot, in an intersection where various rules of traffic had to be taken in consideration, was a real challenge. The station consists in 2 fuel pumps and a small store with a bathroom. The design was based on the original russian gas station concept, with adjustments based on plot area and local regulations. The apparent steel structure and vibrant colors transformed the small gas station in an architectural appearance that is difficult to miss.
building site photos
Artoil gas station - Bucharest, RO ARHCASA4R ( june-july 2013) Gas station + small store projects in Bucharest
CONVERSION - OFFICE BUILDING TO HOTEL - TJARNAVELLIR, ICELAND
The interior design proposal is for the hotel lobby and 2 types of apartment of a 3 floors building located close to the main airport in Iceland. The idea of converting the unused office building into a hotel came after the 2008 financial clash that affected most types of businesses. The owner wanted to use the space for a new hotel, as the building is located on the main street towards KeflavĂk airport and thusfore, many tourists, especially younger ones, that have an early flight, can spend the night there istead of the capital, situated 50km away. The proposal is influenced a lot by icelandic architecture, where materials and their chromatic are always related to the impressive landscape.
hotel
RECEPTION AND DINING AREA
view from entrance
LONGITUDINAL SECTION through lobby and dinning area
lobby lounge area
In the lobby area we used dark materials, with splashes of colors as a contrast. The owner wanted the design to have some Mondrian elements, therefore we tried to keep the design very clean and minimalistic, with the use of the clear shapes and lines. On the upper levels, the rooms are grouped in three types, 16.7sqm, 21sqm and 27sqm for disabled. The essential here was to create a comfy, young atmosphere. 2nd +3rd FLOOR hotel rooms
Grunnmynd 3. og 4. hæð 1:200
1st FLOOR hotel rooms
Grunnmynd 2. hæð 1:200
TRÖNUHRAUN 1 220 HAFNARFJÖRÐUR 354 5454700 WWW.ARKITEKT.IS
GROUND FLOOR reception, lobby area, dining area+bar Grunnmynd 1. hæð 1:100
TRÖNUHRAUN 1 220 HAFNARFJÖRÐUR 354 5454700 WWW.ARKITEKT.IS
Tjarnavellir, Iceland BATTERIID internship ( nov. 2011) Interior design proposal for a hotel (conversion from office building)
Bet Cafe Arena is a new Romanian company organizing sport bets which aims to become a referance name on the Romanian market. The idea was to offer the customers a new concept of agency, a sports bar as an entertainment center. Therefore, the clients can bet on diverse sporting events or play electronic machinery, while enjoying a coffee shop quality service. The bar furniture and wall elements were custom made, while the bet area chairs and bar stools were carefully chosen to fit the desired atmosphere. The logo colors are used as the main interior design pallete. Texture was also an important feature which has been taken into account - the bumpy green floor, shinny metal chairs and orange leather are elements inspired by sports and so far, have appealed to the agency’s customers.
FACADE IDENTITY
SLOTS AREA BET AREA MINIMAL AGENCY PLAN STUDY - 65sqm
bet cafe arena
INTERIOR DESIGN - SPORTS BAR “BET CAFE ARENA” DESIGN
_ DECOMMISSIONING PLAN
_ RESTORATION PLAN A typical Bet Cafe Arena project contains plans for elements (partition walls, ceiling, bathrooms) that will be removed, plans for new elements, and furnishing. The ceiling plan and facade view with the logo are also part of the necessary documents of a normal project. The majority of the agencies are located in Bucharest, but during my time at Arhcasa4R, I worked in 27 agencies througout the contry.
TYPICAL “BET CAFE ARENA” AGENCY LAYOUT Unirii Blvd., Craiova, Romania
_ FURNISHING PLAN
_ CEILING PLAN
_ FACADE VIEW
BET CAFE ARENA - Romania ARHCASA 4R ( sept.-dec. 2012) Interior design concept for sports bar in major cities in Romania
INTERIOR - BATHROOM DESIGN in REYKJAVIK, ICELAND
+2.10
+1.20
+1.20
20
1900
1345
900
915
50
+2.20
1100
100
400
400
950
400
1020
80
+0.80
0.00
0.00 80
240
410
610
410
610
410
410
410
160
+0.30
410
_ SECTION A-A
_ SECTION B-B
_ SECTION C-C
C 800 500
400
900
A B
A B
900
750
1100
800
100
200
950
_ PLAN VIEW C
PROJECT DETAILS The location of this project is a one-family house in central Reykjavik, Iceland. The clients wanted a new design for their main bathroom., in a clean yet modern look. The requirements were having two sinks and a large mirror area, and also having just a shower, and plenty of storage room. The main concept was to create a frame around the widest wall, that would contain the mirror and sink area and also incorporate the storage space. The mirror is an extension of the only window in this small space, making a stronger connection with the exterior garden. The shower is very modern, almost invisible, having the custom-made linear radiator as a light visual screen.
LIGHTING // GENERAL - indirect lighting ceiling // TASK LIGHTING (shower, sinks) - direct light // ACCENT LIGHTING (decorative) - mirror
Reykjavik 101, Iceland BATTERIID internship ( nov. 2011) Custom-made design for a bathroom in a one-family house in center Reykjavik
INTERIOR - “AUVA” (Social Insurance) LOBBY PROPOSAL - AUSTRIA
PROJECT DETAILS Fluidity of space was the main feature of the arhiectural concept that was developed in this project. We transformed the traditional lobby format by combining the front desk, lobby, bar, lounge area into one open, cohesive space, while refreshing the design to give it a more contemporary feel. Warm colors and clean design are a visual suggestion of the insurance company’s intentions. People relate to the curved lines of the boxes that contain the main functions, while helping direct the circulation towards the entrance and elevator areas.
auva Linz, Austria BATTERIID internship ( nov. 2011) Lobby design for the AUVA insurance company in Austria
FACADE DESIGN FOR CORRUGATED METAL PANELS FACTORY - BORGARNES, ICELAND
PROJECT DETAILS The use of corrugated panels in Icelandic residencial and commercial buildings facades is very wide-spread. The Limtre Virnet company is the most well known in the country for its products, and therefore, wanted a special design for it’s company’s factory, to display the endless possibilities of design with corrugated metal panels. The design aims to use all the different types of corrugated panels available and combine them in a way, so that the facade itself becomes an advertisement for the company. Therefore, the background consists in corrugated sinusoidal panels, in metallic color, with the orange panels overlay that surrounds 2 facades of the factory.
Borgarnes, Iceland BATTERIID internship ( nov-dec. 2011) facade concept for the corrugated metal factory
DIPLOMA PROJECT
VOLCANO MUSEUM AND RESEARCH CENTER - TRIHNUKAGIGUR VOLCANO, ICELAND
The 120m depth, bottle shaped volcano-cave is situated in Iceland. From the -120m level, one can advance on a narrow area, through the south-west, reaching a total of 200m depth from the mouth of the cave. This unique natural chamber was formed 3.000-4.000 years ago, when the volcano interior became empty. The formation itself is one of the most interesting and extensive in the world. The walls show fine formations of lava that remained intact since its initial formation.
“three peeks volcano”
The existence of the museum has been known since the beggining of the last century, but it is believed that speleologist B. Stefansson was the first person sunken into its interior in 1974. Since then, a relatively large number of researchers went inside the crater and revealed it’s secrets. In 1991, the interior and exterior of Thrihnukagigur volcano was measured and mapped out, to fully understand the geological context. After these researches, the local authorities came to the conclusion that they want to pursue the possibility of access from the public and tourists.
VOLCANO MUSEUM AND RESEARCH CENTER - THRIHNUKAGIGUR VOLCANO, ICELAND MASTER DIPLOMA PROJECT - JULY 2012
Thrihnukagigur, Iceland UAUIM MASTER ( july 2012) prof. arch. Dan Corneliu Serban
UNIVERSITY PROJECTS
RESEARCH CENTER
FOR ISTANBUL MODERN MUSEUM - ISTANBUL, TURKEY _ 2011
HOLIDAY CABIN - BREAZA, ROMANIA _ 2008 RESIDENTIAL -ONE-FAMILY HOUSE- BUCHARST, ROMANIA _ 2008 RESIDENTIAL ANSAMBLE - BUCHAREST, ROMANIA _ 2009 BUCHAREST MUSEUM - OLD CENTER BUCHAREST, ROMANIA _ 2010
RESEARCH CENTER FOR ISTANBUL MODERN MUSEUM - ISTANBUL, TURKEY
URBAN PUBLIC SPACE SCENE The need for prayer in the Islamic community is what causes the onset of the mosques. They can be of different sizes - small or large call Jami Masjid-they all have a role in the social life of Istanbul. The name itself will help us better understand the building: Jami, "meeting place" and masjid, "surface, place or area where people can worship God." Taking on the concept of atrio-"sahn"-meeting place, the generating idea of the project is a reinterpretation of the concept of public space, passing from being a introverted to opening to the outside, an area associated with the city, an invitation for every citizen to be part of the show. Visitors pass being the "urban actors" in the new scene created for them, against the background of the same Istanbul Modern.
ACCESSIBILITY Closed buildings are drilled from the strong Islamic heritage, but the thoughts of modern Istanbul citizens require a new vision of architecture. The people of Istanbul are not characterized by words like "closed", "shy" or "introverted" but for "business", "communicator" and "extroverted." The city does not need public spaces open only to a group of people, but accessible public spaces, especially when it comes to the waterfront, which has this problem. THE SENSE OF IDENTITY The project seeks to resolve an appealing blend given in sense of identity, Arab culture, the premises viewed from a contemporary perspective, rethinking a local value, the "pattern" as a concept, with its design and function working around the public and private sense. This presence is considered a value itself, but reconsidered and resolved with contemporary, universal, but with strong roots.
LATTICE DECORATION The decoration contributes to the creation of a continuos sense of space, which is the distinctive sign of the islamic architecture. In the islamic architecture, the space is defined by surface and from the surface it’s articulated by decoration, so there is a close connection betwen space and decoration. It is the variaety and richness of decoration, with it’s endless permutations, that defines the buildings, insted of the structural elements, that normally aren’t apparent. Using materials that reflect light and through the repetition of designs, the contrast of textures and the plans manipulation, the istalmic decoration becomes lush and complex. Water and light are both very important elements of the decoration, generating aditional layers which transform the space.
Istanbul, Turkey ETSAB Barcelona ( march -june 2011) arch. Jordi Ross GROUP - Erasmus year
RESEARCH CENTER FOR ISTANBUL MODERN MUSEUM - ISTANBUL, TURKEY
Istanbul, Turkey ETSAB Barcelona ( march -june 2011) arch. Jordi Ross GROUP - Erasmus year
HOLIDAY CABIN - BREAZA, ROMANIA
The program called for a 10 room cabin with a public area that includes a lounge, a restaurant and small office. The solution consists in five two-storey modules and a one-storey lounge area. The separation between the private and the public is best seen from an exterior view. The five modules emerge from the ground as the public platform in partially covered by land, remainding of the importance of reconnecting with the landscape. The way you enter this building was a very important aspect of the project, and a major reason for burring it and is preservation of the surroundings. The spectacular view over the mountains was my first reaction to seeing the site. The platform from the entrance level and the opened volumes reinforces this gesture.
cabin
FACADE SOUTH
SECTION A-A LEGEND 1. Reception 2. Lobby 3. Admin. 4. Living 5. Dining room 6. Kitchen 7. Storage 8. Room 9. Admin. room 10. Locker room 11. Heating room
Breaza, Romania GROUND FLOOR PLAN
UAUIM (fall 2008) prof. Silvia Costescu
HOLIDAY CABIN - BREAZA, ROMANIA
WEST FACADE
TRANSVERSAL SECTION
Breaza, Romania UAUIM (fall 2008) prof. Silvia Costescu
2V PROJECT DETAILS TWO VOLUMES, ONE HOUSE. Each of the volumes represents the personality of it’s owners: the opened, clean, concrete box is inspired by the feminine figure, while the introverted, bold colored volume connects with it’s masculine owner. The light, glazed bond between the volumes makes them a unit, without interfearing with each of their special atributes.
ONE FAMILY HOUSE- BUCHAREST, ROMANIA UAUIM project ( spring 2008) prof. Mario Kuibus
RESIDENTIAL ANSAMBLE - DRUMUL TABEREI, BUCHAREST
The project’s concept was creating a residential area that offers a large range of apartment types. As a visual and auditive barrier, a 7 storey two-sided building block is situated paralel to the main street. The remaining large open space is transformed in a semi-burried platform that contains the parking space for both apartments and commercial space. The service platform is perforated by large patios. Five volumes - containing different types of apartments - are rising from the platform at different levels. As a vertical mirrored interpretation of the patios, the linear apartment block has “perforations” used as semi-public spaces - neighbourhood social area.
Bucuresti , Romania UAUIM (spring 2009) prof. Silvia Costescu TEAM: Daniela Ulea, Miruna Raducu
BUCHAREST MUSEUM - HYSTORICAL CENTER, BUCHAREST PROJECT DETAILS The site is situated between the Lipscani Street and the Gabroveni Street, in a protected historical area. CONCEPT crush = atraction.collaps.chaos. The concept comes fromthe idea of making the past collaps into a present that tries to make room for an interesting path throughout the museum. The explosion that takes place in the interior of the plot stays still, like stoping time into a certain moment. Following the path, the visitors sensations are getting stronger, amplified by the iminent sensation of collaps.
POLIGONAL NETWORK
The atraction is given by the people’s natural curiosity for unknown and danger.
FACADE - LIPSCANI STREET
INTERIOR FACADES// SECTIONS
FACADE -GABROVENI STREET
FLOOR PLANS
From an architectural point of view, the proposed building distinguishes itself from the liniar path of the historical comercial zone of the old Bucharest and tries to virtualy support, to lateraly push the 2 side buildings , producing a space dilatation necesary for the path between the 2 streets. On this exterior museum pathway, the historical foundations, important for the entire area, are being saved. The materials used are neutral, amplifing the “crush�. In opposition with the static volumetriy in daytime, at night, the entire musem comes to life, using light and color.
B’arh
Bucuresti , Romania UAUIM (spring 2011) prof. Dan Corneliu Serban