P O R T F O L I O
A N A P A U L A
Y A N E Z
G O N Z A L E Z
ARCHITECTURE
A CO L L E C T I O N O F D E S I G N S A N D C R E AT I V E W O R K S
TA B L E O F CO N T E N T S
01
C U R R I C U LU M V I TA E
02
REMEMBERING OSTER ASSELS
03
TO C H I M I LCO R E S I L I E N T L A N D S C A P E
04
R E - F AV E L A P R O J E C T
05
T H E M E E T I N G P O I N T P R OJ E C T
06
T R AV E L P H O T O G R A P H Y
AN
A final y Puebla august
I have a
travellin
all the s
career p
EDUCATION
EX
2010-2011 Le Châtelard Academy,
2016 G
Montreaux, Suiza
2017 A
2011-2014 Colegio Americano Gipsy,
2018-2
Campeche,México
2019 C
2014-2019 Bachelor Universidad De Las Américas
WO
Puebla, México otoño 2015 Alliance Francaise Paris, Francia primavera 2018 Exchange Program, Københavns Universitet, Copenhagen, Dinamarca
PERSONAL SKILLS team work patience
03/20
05/20
plants.
09/20
Más Al
03/20
CO
03/201
overthink
CO
creativity
2016 A
photography
2017 M
LANGUAGES Spanish English French
CONTACT tel+52 938 10 604 10 e-mail anapaulayg@hotmail.com address Retorno Oro #29 Cluster 555 Lomas de Angelópolis, San Andrés Cholula, Puebla, México
SO
CURRICULUM VITAE
ANA PAULA YÁÑEZ A final year Architecture student, currently in an exchange program from Universidad de las Américas Puebla in the University of Copenhaguen, Denmark. I was born in Acapulco, México, on the 28th of august 1996. I have an endless desire to learn every aspect of architecture which I have gratefully developed from travelling. One of my short-term-goals is to inmerse myself in the real architecture life in order to enhace all the skills I have acquired throughout architecture school and also to experience my future chosen career path.
N
EXPERIENCE
emy,
2016 Grupo VEGOGU, Community Manager/Photography
uiza
2017 APY Energy - clean energy systems
psy,
2018-2019 Social Housing Chietla, Proyect Design/Construction
xico
2019 Co-founder Eva Luna clothing
icas
WORKSHOPS
xico
aise
ncia
am,
itet,
arca
LS
work
ence
03/2018 Københavns Universitet. Unfold Mørs Landscape Futures. 05/2018 Københavns Universitet. Climate change impacts on the distributions of cold-adapted plants. 09/2018 UDLAP-Technischen Universität München. REKMA. I Encuentro Internacional Resiliencia Más Allá De La Emergencia. 03/2019 UDLAP - University of Texas. Hacienda San Miguel Acocotla.
CONTESTS 03/2019 ArquiHackers
hink
CONFERENCES
tivity
2016 ARQ Festival
aphy
2017 Mextrópoli
ES
SOFTWARES
nish
Microsoft Word
glish
Microsoft Excel
nch
CT
4 10
com
s de
ula,
xico
Microsoft Power Point AutoCAD Sketch Up Revit 3ds Max Adobe Illustrator Adobe PhotoShop Adobe InDesign Project Synchro Pro
I n N o rt h - W e s t J u t l a n d , i n t h e c e n t e r o f S o u t h - M o r s , s u r r o u n d e d by w e t l a n d s a n d a g r i c u lt u r a l f i e l d s , l i e s t h e v i l l a g e o f Øster Assels.
REMEMBERING OSTER ASSELS
T h e d e m o l i t i o n p r o j e c t o f t h e m u n i c i pa l i t y s ta r t e d to e r a s e t h e a b a n d o n e d b u i l d ings and clean up Øster Assels from the d e c ay i n g h o u s e s . P r e s e n t d ay t h e v i l l a g e c a l l s i t s e l f a n e l d e r ly v i l l a g e . T o d ay Ø s t e r A s s e l s ’ p o p u l at i o n i s b e lo w 2 0 0 , w h i c h m e a n s t h at i t i s n o lo n g e r c o n s i d e r e d a s a to w n a n d t h e r e i s n o s tat i s t i c a l d ata k e p t a b o u t i t s p o p u l at i o n a n y m o r e . Rural decline is a phenomenon affecting r u r a l t e r r i to r i e s a r o u n d t h e g lo b e , i n c lu d i n g t h e i s l a n d o f M o r s . T h i s p r oj e c t a d d r e s s e s t h e i s s u e o f r u r a l d e p o p u l at i o n and decline within Mors, focusing specifi c a l ly o n t h e v i l l a g e o f Ø s t e r A s s e l s . T h e
02
q u e s t i o n i s n o t h o w t o “ s av e ” d e c l i n i n g c o m m u n i t i e s . R at h e r , i t i s h o w to a p p r o p r i a t e ly d e s i g n f o r t h e u n i q u e c o n d i t i o n o f d e c l i n e . F i n d i n g a d i g n i f i e d way f o r t h e unbuilding of shrinking villages for the p e o p l e w h o l i v e t h e r e a n d f w h o h av e h a d t h e i r h o m e t h e r e i s a n i m p o r ta n t s o c i e ta l a n d s pat i a l d e v e l o p m e n t ta s k . T h e p r oj e c t p r o p o s e s to co n t i n u e t h e r e - e s ta b l i s h m e n t o f t h e G a p by u n b u i l d i n g
IN C O L L A B O R AT I O N WITH: ALEXA HARAGA, A M A L I E E L L E H O G A N D DA N I E L JA KO B S S O N
t h e va c a n t h o u s e s w i t h i n t h e G a b e n a n d c r e at e b o t h a c o m m o n s pa c e f o r t h e l o c a l s a n d a s p e c i a l s pat i a l i d e n t i t y, w h e r e the Gap can be perceived again as a cent r a l o p e n s pa c e . T h e r u i n s c a p e s a r e g o i n g to b e s e e n a s o b j e c t s o f b e a u t y, n o s ta l g i a a n d m e l a n c h o ly , r e p r e s e n t i n g a c o n n e c t i o n b e t w e e n t h e pa s t a n d t h e f u t u r e . I n a l a t e r p e r s p e c t i v e , t h e p a r t i a l ly u n b u i lt v i l l a g e c a n at t r a c t to u r i s t s , w h o w i l l g e t to k n o w a o n c e p r o s p e r i n g v i l l a g e . T h e s t r at e gy i s o p e n - e n d e d a n d f l e x i b l e t h e p o s s i b i l i t y f o r t h e v i l l a g e to b e r e v i v e d i s m a i n t a i n e d b y l e av i n g t h e b u i l d i n g s o u t s i d e t h e g a p, t h e s o u t h e r n pa r t o f t h e v i l l a g e o u t o f t h e t r a n s f o r m at i o n .
1860
1899
1850
356
THE COMMON
MATERIAL FLOW
The unbuilding, should happen slowly, viewed from the exterior, the buildings simply shrink in the landscape. The demolition is then less sudden and as a mourning process, there is time to reveal narratives of what is lost.
The project proposes to continue the re-establishment of the Gap , both as a common space within the heart of the village and as a perceiveable open space around the Chuch.
1955
573 Øster Assels started to become a small ”merchant city”.
1801
1466
407 Most of the inhabitants are engaded in agriculture.
UNBUILDING
mentioned as Atzels.
1780
176 The vil-
As a result of the fertile farmlands and prospering agriculture, the population was growing strongly.
The carefully disassembled recycled, which is a main priority of the project. The materials from the unbuilt houses are going to be reused within the village,
NATURE ACCESSIBILITY A path , already proposed in the Renewal plan of Øster Assels, is going to be realized, connecting the village with the surrounding wetland.
as well as the future visitors’.
PHASE 1 - RECLAIMING THE COMMON
BEFORE
ARCHEALOGICAL PARK - THE GAP The project is proposing to continue the The materials from the unbuilt houses are going re-establishment of the Gap by unbuilding the vacant houses within and create both a common strong community as well as the future visitors’. space for the locals and a special spatial identity, where the Gap can be perceived again as a The area of the gap should be cleared from vegetation central open space. ARCHEALOGICAL PARK - THE GAP to ensure the perception of the open and thefrom open should The Theunbuilding, project is instead proposingof tocrushing continuethe the space The materials theedges unbuilt housesbe areplanted going structures with loud machinery, should happen re-establishment of the Gap by unbuilding the with threes to close the gap. These ruinscapes are tocommunity be seen asas objects beauty, nostalgia slowly, one houses level atwithin a time.and create both a common going vacant strong well asof the future visitors’ . Viewed tallspatial buildings spacefrom for the the locals exterior, and a special identity, and melancholy, representing a connection future. appear to the simply shrink the landscape. where Gap can be in perceived again as a between The areathe ofpast the and gap the should be cleared from central open space. The unbuilding, instead of crushing the structures with loud machinery, should happen slowly, one level at a time. Viewed from the exterior, tall buildings appear to simply shrink in the landscape.
On the eastern side of the gap, many buildings have already been demolished. Already today, a small common space has started to take form in Vintage the area, market where a few goats have been placed Antiques and vintage items from empty homes inside a fence for entertainment purpose. With the common garden & farm, we propose to bring agriculture back into the village and at the same time strengthen and expanding the Vintage market common place.
vegetation to ensure the perception of the open space and the open edges should be planted with threes to close the gap. These ruinscapes are going to be seen as objects of beauty, nostalgia and melancholy, representing a connection between the past and the future.
The park is divided into three parts. In the full functioning goat farm, the visitors can walk among the goats and get educated on the Ruinscape within the Gap daily and seasonal farming process as well as simply watching goats climb on bricks from demolished houses.
Antiques and vintage items from empty homes
Tree border
Tree border
AA
Ruinscape within the Gap
AA
The Gap
Garden
As an alternative to demolition, the partial unbuilding lets the private past becoming the public future, which will arouse an exchange of memories of the building. The demolition is then less sudden and as a mourning process, there is time to reveal or preserve narratives of what is Aslost. an alternative to demolition, the partial Some buildings goingpast to be preserved, unbuilding lets theare private becoming thesuch as thefuture, Strømpehuset, the Assembly House public which will arouse an exchange of and the Community house,The some of them with a memories of the building. demolition is then
less sudden and as a mourning process, there is time to reveal or preserve narratives of what is lost. Some buildings are going to be preserved, such as the Strømpehuset, the Assembly House and the Community house, some of them with a
The vegetable gardens will serve as a communal farming for locals and in the fruit plantation locals will have an easy access Strømpehuset to fruits. Furthermore, the fruitB&B plantage + Museum is at the border of the gap, creating the perception of its border. Strømpehuset B&B + Museum
ARCHEALOGICAL PARK - THE GAP The project is proposing to continue the re-establishment of the Gap by unbuilding the vacant houses within and create both a common space for the locals and a special spatial identity, where the Gap can be perceived again as a central open space. The unbuilding, instead of crushing the structures with loud machinery, should happen slowly, one level at a time. Viewed from the exterior, tall buildings appear to simply shrink in the landscape.
The materials from the unbuilt houses are going strong community as well as the future visitors’. The area of the gap should be cleared from vegetation to ensure the perception of the open space and the open edges should be planted with threes to close the gap. These ruinscapes are going to be seen as objects of beauty, nostalgia and melancholy, representing a connection between the past and the future.
As an alternative to demolition, the partial unbuilding lets the private past becoming the public future, which will arouse an exchange of memories of the building. The demolition is then less sudden and as a mourning process, there is time to reveal or preserve narratives of what is lost. Some buildings are going to be preserved, such as the Strømpehuset, the Assembly House and the Community house, some of them with a
a r c h a e o lo g i c a l pa r k - t h e g a p T h e p r o j e c t i s p r o p o s i n g t o c o n t i n u e t h e r e e s t a b l i s h m e n t o f t h e G a p b y u n b u i l d i n g t h e va c a n t h o u s e s w i t h i n t h e G a b e n a n d c r e at e b o t h a c o m m o n s pa c e f o r t h e l o c a l s a n d a s p e c i a l s pat i a l i d e n t i t y, w h e r e t h e G a p c a n b e p e r c e i v e d a g a i n a s a c e n t r a l o p e n s pa c e . T h e u n b u i l d i n g , i n s t e a d o f c r u s h i n g t h e s t r u c t u r e s w i t h lo u d m a c h i n e r y, s h o u l d h a p p e n s l o w ly , o n e l e v e l a t a t i m e . V i e w e d f r o m t h e e x t e r i o r , t a l l b u i l d i n g s a p p e a r t o s i m p ly s h r i n k in the landscape.
Strømpehuset
Ruinscape within the Gap
Vintage market
Antiques and vintage items from empty homes
B&B + Museum
AA
Tree border
The Gap
Garden Wetland Path
Memorial Square Archealogical Park
1. Vintage market (Assembly House) 2. Øster Assels Kirke 3. Strømpehuset 4. MinKøbmand 5. Visitor centre (Borgerhuset)
100m
AA
Tree row
Ruins
Memorial square
Graveyard
2. Øster Assels Kirke
Tree row
1. The Assembly House
10m
phASE 1 - RECLAIMING THE COMMON
W i t h t h e c o m m o n g a r d e n & fa r m , w e p r o p o s e t o b r i n g a g r i c u l t u r e b a c k i n t o t h e v i l l a g e a n d at t h e s a m e t i m e s t r e n gt h e n a n d e x pa n d i n g t h e c o m m o n p l a c e .
built 1842-1899
From the 1860s the small farming village started to become a merchant city, reaching its peak at the end of the 19th century with shops. From the 1950s the mechanization of agriculture eliminated the need for human labour, thus people started to lose their main source of employment and move to cities.
By 1955, the population decreased to 356 inhabitants. As a result of this decline, many empty buildings were left behind within Ă˜ster Assels.
Assels from the decaying houses. In 2012 the Renewal Plan of Ă˜ster Assels was made by the Municipality, including the locals in the planning process.
In 2005 the village was nominated as the ugliest city of Denmark. Soon after, the demolition project of the municipality started to erase the abandoned buildings and clean up Ă˜ster
Today the population is below 200, which means that it is no longer considered as a town and there is no statistical data kept about its population anymore.
Fruit Plantage Cemetery
Vegetable garden
Hill
Brick Structure
Goat Shed
Goat Farm
Goat Farm Goat Shed
Farm Shed
phASE 2 - UNBUILD AND REMEMBER T h e p r oj e c t i s p r o p o s i n g to c o n t i n u e t h e r e e s ta b l i s h m e n t o f t h e G a p by u n b u i l d i n g t h e va c a n t h o u s e s . T h e u n b u i l d i n g , i n s t e a d o f c r u s h i n g t h e s t r u c t u r e s w i t h l o u d m a c h i n e r y , s h o u l d h a p p e n s l o w ly , o n e l e v e l a t a t i m e .
REKMA-RESILIENT LANDSCAPE TO C H I M I LCO
D U R I N G A W E E K LO N G W O R K S H O P I I N C O L L A B O R AT I O N W I T H T H E U N I V E R S I T Y O F M U N I C H , W E D E V E L O P E D A S T R AT E GY TO R E - A C T I V E T H E TO W N W I T H A R O U T E T H AT E N G LO B E S T H E T H R E E M O S T I M P O R TA N T FA C T O R S IN OUR INITIAL A N A LY S I S . T H E F I R S T O N E B E I N G A P A T H T H A T E N H A C E T H E WA T E R P O N D S G I V I N G T H E TO W N B A C K A S E N S E O F W H AT I T U S E D T O B E I N T H E PA S T, T H E N O N S E C O N D P L A C E W E P R O P O S E D A M U LT I F U N C T I O N A L S P A C E T H A T E V O LV E S I N T O A M A R K E T AT T H E C E N T E R O F TO C H I M I LCO , A N D O N T H I R D P L AC E W E T E N D TO A L S O G I V E T H E H A B I TA N T S A N O P P O R T U N I T Y T O H AV E T H E I R O W N S M A L L FA R M A N D T O H AV E A L I T T L E S P A C E O F T H E TO W N A S T H E I R P R O P E R T Y.
03
I N C O L L A B O R A T I O N W I T H : VA L E R I A C E D I L L O S , D A N I E L A A B R I L G U T I E R R E Z , PA O L A AV E N D A N O Y A N G E L I C A V E L A
D I A G R A M O F A C T I V I T I E S I N R E L AT I O N TO TO C H I M I LCO
AXONOMETRIC OF THE
D O W N TO W N A N D M A R K E T
V I S U A L I Z AT I O N A
V I S U A L I Z AT I O N B
V I S U A L I Z AT I O N C
A XO N O M E T R I C O F T H E W H O L E TO W N
R E - F AV E L A
A P R OJ E C T I N T E N D E D TO G I V E T H E P E O P L E F R O M J A C A R E Z I N H O , A FAV E L A I N R I O D E J A N E I R O , T H E O P P O R T I N U T Y T O H AV E A M E E T I N G P L A C E T O R E A L I Z E VA R I O U S A C T I V I T I E S . C R E AT I N G T H I S E N V I R O N M E N T S F R E E O F I N S E C U T I R Y A N D S A F E F O R FA M I L I E S T O S P E N D T H E I R D AY S . A L S O W I T H T H I S P R OJ E C T I I N T E N D E D TO P R O M OT E T H E P U B L I C A R E A S A R O U N D T H E FAV E L A A N D H E L P C H I L D R E N H AV E A S P A C E W H E R E T H E Y C A N G O O U T A N D P L AY B Y R E C R E A T I N G T H E Z O N I N G A N D I M A G E O F A T Y P I C A L FAV E L A , W I T H O U T T R Y I N G T O I M P L E M E N T A N E W WAY O F L I F E F O R T H E R O R P E N E T R A T E T H E FAV E L A B Y D E S T R U C T I N G I T S O W N I M A G E .
04
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Rio de Janeiro Facts
Favela Jacarezinho Facts
Geography
Geography
Country
Brazil
Country
Brazil
Region
Southeast
Region
North Zone
State
Rio de Janeiro
State
Rio de Janeiro
Coordinates
22°54’30”S 43°11’47”W
Coordinates
22°53ʼ13”S 43°15ʼ37”W
Elevation
1,020 m (3,349 ft)
Topography
7m-56m
Government Type
Mayor-Council
Population
Government Municipal Subdistrict
Population
(2010)
(2015)
Urban
37,839
12,280,702 (2nd)
Males
18,236
City
1,221 km²
Area
Metro
4,539.8 km²
Urban
11,616,000
Metro
Area
Females
19,603 0.990km² (2010)
Density
Climate
Issues
History
History
average annual temperature is: 27.0 average rainfall 168mm *portuguese rulers landed on Guanabara Bay on the 1st January 1502 *brazil achieved independence in 1889, Rio was named the capital *after World War II, Rio shifted from an agricultural economy to an industrial economy *in the 1960ʼs the capital of Brazil was moved from Rio to Brasilia and later to Sao Paolo
Economy
2nd largest in Brazil ranked 12th among the most expensive cities in the world
A P P R O A C H A N A LY S I S
38,221 km²
concentration of homes, precarious road conditions, untreated sewage, and irregular water and energy supplies, in addition to questions of health, education, poverty, and violence
*founded during the industrialization boom of the 1920s *due to the oil crisis (1970-1990), many factories left the area *factories became residences *became the biggest favela by the mid-20th century *2017 third largest favela
s u r r o u n d i n g a n a ly s i s
E A S T E L E VA T I O N
W E S T E L E VA T I O N
S O U T H E L E VA T I O N
N O R T H E L E VA T I O N
f i r s t f lo o r
s e co n d f lo o r
t h i r d f lo o r
fo u rt h f lo o r
The p r oj e c t is destined f o r a l l a g e s . P e o p l e b ot h f r o m L o m a s d e A n g e lรณ p o l i s a n d O coy u c a n , i t i s d e s t i n e d t o h av e a p l a c e where b ot h pa r t i e s can s o c i a l i z e , r e l a x , s h o p, at tend some services, and a l s o w e lco m e v i s i to r s i n t h e h ot e l . The p r oj e c t itself its t h o u g h t a s a f lu i d c o m p l e x w h e r e y o u wa l k b y and can feel the transit i o n t h r o u g h o u t t h e s pa c e s b u t a l s o a p p r e c i at e i t.
THE MEETING POINT
i t c a n b e e n j o ya b l e f o r a l l ages, from small children w i t h t h e d e s i r e t o p l ay , a l l t h e way t o o l d p e o p l e lo o k i n g f o r a p l a c e to r e l a x , e n oj oy a n i c e p r o m e n a d e o r a l s o at t e n d s h o w s i n t h e a u d i to r i u m .
05
co n c e pt ua l TREE
reversed tree
RENDERS
TREE
hanging tree
co n c e pt ua l p r oj e c t
Right
Left
Front
Back
S E C T I O N A'A
F I R S T f lo o r CO M M E R C I A L A R E A
SECTION B'B
F I R S T f lo o r H O S P I TA L
F I R S T f lo o r H OT E L
S E CO N D f lo o r H OT E L
F I R S T f lo o r AU D I TO R I U M
T R AV E L P H O T O G R A P H Y
CATHEDRAL-S.M.ALLENDE-2017
MOSQUE-ABU DHABI-2016
ROMAN FORUM-ROME-2017
SKYLINE-DUBAI-2016
VERSAILLES-PARIS-2018
STA.MARIA DE FIORE-FLORENCE-2018
DUBAI-2016
ST.CHAPELLE-PARIS-2018
ROOFTOPS-PORTUGAL-2018
Berliner Fernsehturm-BERLIN-2018
06
CATHEDRAL-MALLORCA-2018
FRENCH WINDOW-TOULOUSE-2018
FROZEN RIVER-HELSINKI-2018
LOUVRE-PARIS-2017
ROOF-FLORENCE-2016
COLUMNS PANTHEON-ROMA-2018
ST. CHAPELLE-PARIS-2017
MEMORIAL OF THE JEWS-BERLIN-2015
CLOUDY EIFFEL TOWER-PARIS-2018
FACADE-MILANO-2018
INTERIORISM-MILANO-2018
WATER CONTRAST-VENICE-2018
ARABIC CONSTRUCTION-DUBAI-2016
COFFEE SYMMETRY-PARIS-2017
LAPLAND-FINLAND-2018
for
extra
d e ta i l s
about
my
works,
MODELS
or
ot h e r
p r oj e c t s , p l e a s e co n ta c t m e v i a m y co n ta c t d e ta i l s .
t h a n k yo u .
tel+52 938 10 604 10 e - m a i l a n a pa u l ay g @ h o t m a i l . c o m a n a . ya n e z g z @ u d l a p . m x