MUNCH MUSEUM Awards: XI BEAU 2011, Mention
Estudio Herreros Under construction (2009-2019) Oslo, Norway
My work: Collaboration in the last phase of construction and implementation of the project. CD. BIM (Revit) Working drawings. Interior modeling. External and internal coordination of architecture and quality control.
The future Munch Museum is not only an instrument for the safeguard and proliferation of a fundamentalo heritage of the history and character of Norwegian culture. We find ourselves faced with a unique opportunity to develop a contemporary museum concept drawn from a transcendental urban role and historical responsibility as a cohesive element for the community not only of Oslo but of the entire nation. The covered public space of the lobby contains cultural ,commercial and leisure facilities and gastronomy.
It connects with the rooftop via rising circuit that lets the visitor discover the work of Edvard Munch and the different layers of Oslo´s history at the same time. The rooftop contains terraces, a viewing platform and the members club. The facades consist of a reflecting undulated material with different grades of treansparency and offer an enigmatic and evanescent perception of the building that reacts to the light stimulations of Oslo’s climate, offering very different images in every moment.
The building responds to the strict energetic challenges and enviromental sensibility already offered in the competition stage.
Estudio Herreros COMPETITION / Shortlisted July 2018
EXPO DUBAI 2020 SPANISH PAVILLION
“Fulgor” is a place of encounter and exchange of knowledge committed to the concerns that cross the present (sustainability, technology, social progress, innovation) that explores and highlights the connections between East and West, and more specifically between Spain and the Islamic world . With whom 13 centuries of history unite us. Architecture is the vehicle to make visible this shared journey through two essential components of both constructive traditions. The first refers to the contrast between the apparent secret of its cities and historical buildings, the result of the negotiation of extreme weather conditions and the poetic condition of its interiors that show a delicate treatment of natural and artificial light and a series of courtyards and gardens that function as interior rooms bounded, green and bright. The second refers to the activation of a materiality associated with nature and its two worlds: the plant, represented by wood, a natural material manufactured with advanced technologies, and the mineral, represented in its original state, the silica of the sand, and in its most advanced versions - recycled polycarbonates and high density methacrylates. With these principles the Pavilion is built, and from them emanates its singular character and its beauty that associates the experience of cities and the natural environment of Spain that is manifested in architecture, with the construction of a technologically advanced advanced society.
VIENTOS
CONTINUACIÓN DEL TIRO DE AIRE EN
CORRIENTES ASCENDENTES QUE SUCCIONAN EL AIRE DE LOS LOCALES
REFLEXIÓN Y ABSORCIÓN DE
CIRCULACIÓN
Tubos de metacrilato rellenos de diversos materiales granulares CIRCULACIÓN
Pergola
Facade system
Structural system
CIrculations
Outside, the Spanish pavilion will offer a very characteristic image of a series of enigmatic volumes wrapped in a skin of vertical methacrylate tubes filled with different materials and sheets of cellular polycarbonate that combine transparency and color in the function of the conditions (solar radiation ) and interior programs As when walking through a historic center, these will be protected between the exterior of the squares, the courtyards and the roofs that enrich the Pavilion and the divination of some functions such as the Tapas Bar, the Main Exhibition, the Restaurant and the Chill-Out, And, of course, easily discover the main access. The Pavilion incorporates a series of passive conditioning strategies, based on prior knowledge of the environment and the climatic factors that determine it. Refrigerate the pavilion through a solar cooling system. Passive cooling strategies and measures for night cooling provide real bioclimatic behavior.
ALBUROUJ CULTURE HUB
S-MAO (Sancho-Madridejos) Competition:1st Prize. Under construction El Cairo, Egipto
My work: Collaboration in Schematic Design, Design Development and Construction Documents phases. Coordination and management of landscape project. Document preparation for publications. The Alburouj culture hub is one of the singular pieces of architecture that are part of the urban plan of Alburouj, New Cairo. The bulding extends a red granite tongue that crosses the main acces square and invites you to enter building through a sequence of spaces of transition between the exterior and the interior. Transitions are accompanied by elements of shade and sheets of water, which generate a suitable microclimate for the stay and the enjoyment of the outdoor areas. This sequence of spaces of quality power the representativeness of the building, which manifests behind this broad open space of the square, giving order to the entire site. On the opposite facade, the roof of it building becomes a bleacher that looks towards the outdoor stage and connects with landscape.
The building is organized as a volume unit, made up of different orders, adjusted to the city and the public scale: The first order is constituted by a base stony, which is carved to form the bleachers outside theater. This plinth will house events and outdoor activities. The second order contains the spaces public annexes to three independent rooms. Its treatment is lighter, with light tones and reflexes that are achieved through a material like onyx The third order is constituted by the volume that contains the main theater, coated with ceramic pieces, by way of Iridescent scales with golden reflections.
CAT Centre for the Arts and Technology
S-MAO (Sancho-Madridejos) Under construction Segovia,Spain
My work: Collaboration in Design Development and Construction Document phases. Last stage of executive project, preparing constructive drawings and details. Adaptation of the project to a new program and redesign of spaces such as the theatrical space. The CAT Centre for the Arts and Technology in Segovia, part of a public initiative aimed at changing Spain´s desired market model, includes a new business development area related to new technology industries, their cultural expression and their connection to society. The buildings we will develop are part of a masterplan by David Chipperfield Architects for the entire CAT. The organization of this plan defines pure volumes with a fixed geometry as the starting point for the architectural projects.
The Entrepreneur Centre will be the first building erected on the CAT site. The project is generated from an exterior spatial concavity running the full height along the edge of the initial block, in the manner of a spatial void. This concavity (a biconical dome) decides the building´s spatial scale, its language and the standard longitudinal organization. We propose this architectural standard as a functional and spatial strategy that we will use in all three buildings, on the basics of which we develop a juxtaposition of more personal micro-themes that ultimately define and shape each project. The building develops from different scales and spatial qualities based on the program. A double conical vault runs along the length of the building for the living-lab area, set on the entrance floor as a continuation from the plaza. The projection rooms are set on the two lower floors, while the work zones are in the top part of the building with a double height typology.
GREENPEACE NEW OFFICES
Restringed Competition Award: 2nd Prize September 2018
Renovation of the old Bimbo bread factory in Madrid to convert it into the new Greenpeace offices.
Actual state
Structural wood element
Simple construction system based on the repetition of the same structural element. This structural element is formed from rectangular pieces of standardized wooden dimensions. This system is combined with different enclosures.
New installations
Recycle of luminaires
Green corridor Air purification
H2O
H2O
2-4 Km/h
H2O
90-120 Km/h
2-4 Km/h
Actions: -Elimination of existing partitions to free space and allow the passage of light. -Dismantling of existing facilities. -Reuse of luminaires. -New air-conditioning system -Renovation of exterior area creating a new public green space. -Renovation of the facade. -Add Solar panels.
WE WANT PEACE, AND WE WANT IT GREEN
STOA
CULTURE HUB for Los Molinos, Madrid.
Competition COAM Eduardo Castillo+Ana Torrecilla February, 2018
Rehabilitation of the old school of Los Molinos and its transformation in a Cultural Hub for the municipality.
Los Molinos Urban strategy A limit is not a barrier. A limit is a point of inflection, the border of union between two differentiated territories. A limit does not separate, a limit is the door of union and connection between spaces in relation. A limit is not a line, a limit is a functional power able to host a program and qualify the spaces it delimits. The first strategy is to draw a limit. A limit that gives value to the new House of Culture in relation to the set of Los Molinos. Creating a focus of interest that links the town hall square with the main commercial street of the city.
1_Elimination of a rchhitectural barriers
2_Construction of the Stoa .
3_Threshold between interior-exterior
4_ Plaza, New public space connected to the village
Culture Hub Building renovation strategy Inside, the building is resolved in two bands that respect the structure of original load-bearing walls: A later band agglutinates the server spaces and the vertical communication cores, responding to a rigid and highly compartmentalized spatial distribution. On the contrary, the front band, directly linked to the exterior and the loggia, is a diaphanous, polyvalent and neutral space, which allows its continuous reprogramming and the organization of different events and uses. And it is characterized by a large central vacuum, which as an atrium, it links the two levels of the building. This active vacuum is delimited by two pieces of furniture that, as a device, are capable of generating different spatial and programmatic configurations.
1
Inverted axonometry
10
2
Low level
4
Perspective section
The central atrium of the building is in turn an auditorium. Through the deployment of telescopic grandstands, which remain hidden in the two adjacent furniture, different configurations can be generated. This configuration also takes advantage of the double height of the central space to convert the upper gallery into a perimeter box on the stage. On the back of the telescopic grandstands, a series of mobile partitions are stored, which can be deployed to compartmentalize, the multipurpose side rooms.
17
3
First level
1 Dressing room F
14 Multipurpose space 2
2 Dressing room M
15 Stoa
3 Offices
16 Music school
4 Elevator/ forklift
17 Soundproofed area
5 Reception / Officice
18 Private Office
6 Main stair
19 Installations room
7 Installations room
20 Toilets M +PMR
8 Toilets M +PMR
21 Toilets F + PMR
9 Toilets F + PMR
22 Archive extension
10 Archive
23 Ballroom
11 Multipurpose space 1
24 Atrium/Multipurpose teathre
12 Telescopic grandstands/Partitions
25 Gallery / Palco
13 Atrium/Multipurpose teathre
26 Multipurpose space 3/Talleres
SAO PAULO INSTITUTO CERVANTES
Academic project Award: With Honors Sao Paulo,Brasil
Relearning from the park
ETSAM / Academic project. Award: With Honors Madrid RĂo, Spain
The park becomes a school and the school becomes a park, the boundary between both becomes diffuse. People learn when our curiosity is motivated. The design of a new school leads us to reconsider what we mean by this. The typology of long corridor along which the classes are distributed in the shape of a shoebox, is exploited to generate a continuous, collective space, in which circulations and work spaces are flexible and diffuse, establishing new relationships between its occupants.Its program is organized by affinities which will allow new opportunities to emerge from the meeting of the different activities. There are no classes, if not areas of experience, areas with different degrees of privacy, more open or more limited. Only the glass elements and the curtains will establish the most specific areas of learning
What do young people of the future need? What will be the fundamental thing that we must learn for the world of the future? Hans Scharoun, in 1960, with his school, proposed the idea of integrating children into the society of their own spatial community in which they learned to socialize with their peers. In this project, it is about recovering the values: Feeling of own and moral identity, empathy, emotional intelligence, equality, respect for diversity, the experience of the natural environment and sustainable development. We propose an extracurricular school whose spatial design allows the learning of emotional, verbal, mathematical and plastic languages. In order to fulfill the objective of people growing up with new values adapted to the future reality, we need new spaces where it can occur.
MAIN IDEAS Create the space from the folds of a single plane on itself. Interior-exterior spatial continuity Materiality: concrete plane.
Actions: CUTTING AND FOLDING A PLANE. Project in Mechanical, Spatial, Perceptual equilibrium. The inclined plane implies the movement, transit space and the horizontal plane will give rise to the program spaces.
INNER ENVELOPING SPACES THAT MANIFEST THE CONTINUITY WITH THE OUTER SPACE. The folds respond to the spatial needs of each function and to the structural configuration of the set. The very condition of the fold, structures the spatiality of the building as such.
DEGREES OF PRIVACY
SPACE ACTION AND RELATIONSHIP WITH THE NEW SCHOOL. In the spatial development of the project, the importance of social interaction in learning prevails. The space to be achieved is a single, continuous, flexible space.
THE WICKER BASKET STRUCTURAL ANALY-
ETSAM / Academic project Award: With Honors Research
Each student is assigned an object whose properties we must study and analyze in order to subsequently generate architecture.
STRUCTURAL BEHAVIOR
STABILITY-TENSION
MATERIALITY
It is made up of a main structure of firmer materials and a secondary one of more flexible material that serves to unite them, these would not make sense by themselves, but they acquire it by interlacing. the secondary structure stabilizes the main one. This structure is not completely closed but leaves gaps between its parts allowing the passage of light, which will vary depending on the position of this. In turn, the degree of opacity / transparency will change.
It consists of two unstable elements by themselves that acquire stability by entwining and sewing. gives rise to a kind of structurally stable tissue.
The material used to make baskets is the WICKER. WICKER is a vegetable fiber that is obtained from a shrub of the willow family.
The elements tied together produce greater rigidity and structural strength. The mesh structure absorbs external forces by absorbing them and distributing them inside. Being compensated by the internal forces of the structure.
ARCHITECTURAL APPLICATION OF PREVIOUS RESEARCH WORKS
In this third phase we search. Architectural properties we try that habitability is optimal, introducing the human scale ... The structure evolves giving rise to a new structural system much more flexible and variable.
Longitudinal elevation We see how the articulation of the vertical elements allows the structure to vary in height according to the program
Transverse Elevation In plan the structure allows to fold accompanying the previous movements. As it closes completely and remains unused and opens according to needs. The structure will allow movements and changes to adapt to the program. Given that the program consist of a process of different activities that is evolving, we need a structure that changes with it.
SECTION OF MOVEMENT DIAGRAMS
LONGITUDINAL SECTION PHASE 1 Each of the project’s plants will house one of the phases of the silk production process. therefore, the plants will open, close or vary in height to adapt to the use according to the moment of production. Thanks to the movement allowed by the joints of the structure, this can be adapted to the stadium. In this way, the only plant that will remain constant with a minimum height of 4.5 m will be the first to house the looms and the machinery necessary for production.will vary depending on the position of this. In turn, the degree of opacity / transparency will change.
CROSS SECTION
LONGITUDINAL SECTION PHASE 2
LEVEL 0
LEVEL 2
LEVEL1
LEVEL 3 - 4
VALDEVAQUEROS TEMPORARY HOUSING
The beach of Valdevaqueros in Tarifa is a wonderful natural landscape. This beach is full of surfers throughout the year, especially in summer when there is an excess of affluence and a housing problem, as there is not enough space for caravans or other optional means. The project proposes to create some adaptations for this time to solve the problem. Areas of permanent common use and elements that meet the needs of surfers will be projected next to the houses. The current situation of the place will be analyzed to adapt as far as possible to the existing without this being an aggressive action, potenziando the virtues that the environment offers. The existing vegetation is a fundamental element since it will protect us from the wind and the sand provides shade.
ETSAM / Academic project Award: With Honors Tarifa, Spain
HEARING In the Valdevaqueros you can feel the force of the wind and the waves breaking. The sound of the sea, of the air, the vegetation that moves with it, the sand that rises, the birds.
TOUCH The sand on the feet and the thermal sensation that will change throughout the day depending on the sun that will warm it. The wood and the humidity.
SIGHT The beach is full of kites, boards, candles, all in vivid colors that give the place the impression of great activity, movement, fun ...
STRUCTURAL MODULE Generative structural form. Space is created from the addiction of a singular structure element.
TYPE 1. LINEAR SPACE GENERATION
TYPE 2. CIRCULAR SPACE GENERATION
ARCHITECTURAL CONCEPTS IN THE WORK OF YVES KLEIN
Academic Project Reserch & Reflection work
THE VACUUM ARCHITECTURE OF THE AIR Immateriality as an architectural event Yves Klein conceives architecture immaterially, based on the space created through perceptions and speaks of the replacement of walls by air currents. This model will propose a space built from one’s own perception. The model is built with metallic mesh and vacuum, which manages to endow it with an immaterial sensation since the spatial limits that this generates are not real. The superposition of metal meshes is what allows the architectural element to materialize depending on our situation with respect to it. The perception that we will obtain of the object does not exist as reality, since its materiality is a sensation produced by the sum of elements. The light produces reflections in the metal that will generate changes throughout the day.