PORTFO LIO ARCHITECTURE
ANA MARIA TRABULO
CURRICULUM VITAE
ANA MARIA TRABULO ANAMARIA.TRABULO@GMAIL.COM
PROFESSIONAL EXPERIENCE 2019 - 2020
JANGLED NERVES | STUTTGART, DE ARCHITECT
00351 936231154
• Exhibition and Event Design
0049 15758874140
• Supervision and management during construction phase
2017 - 2019
OCKERTUNDPARTNER | STUTTGART, DE ARCHITECT
• Exhibition and Trade Fair Design • Interior Design and Planning • Signage and Wayfinding • Supervision and management during construction phase
2015 - 2016
MM+ MERZ MERZ GMBH & CO. KG | STUTTGART, DE ARCHITECT | JR. ART DIRECTOR (under the supervision of HG Merz, Prof. Dr.-Ing. h.c.)
• Exhibition design • Interior design • Concept design and visualization
Ana Maria Trabulo (1988, Porto - Portugal) has completed the Master of Architecture
• Competition design
at the School of Architecture of the University of Porto, in 2012. Since finishing her studies, she has been exploring ways to communicate directly with the public through
2014 - 2015
COSTA LIMA ARQUITECTOS | PORTO, PT
architecture. This led to an interest in temporary forms of architecture: installations,
ARCHITECT
exhibitions, signage and wayfinding among others. These explorations have been
• Urban strategy and Interior design • Construction project design
consistent through her personal work as well as while working in architectural offices
• Supervision and management during construction phase
both in Portugal and in Germany. Apart from working in architecture she has also an interest in photography, having already participated in several photographic exhibitions. And a fellowship at the University of Porto allowed her to explore the world of video and cinema-making.
2012
EDIVISA, VISABEIRA GLOBAL - CONSTRUCTION ENTERPRISE | VISEU, PT INTERN ARCHITECT
• Retail Stores and Fair Trade Planning • Vista Alegre Atlantis Stores and Stands, concept design and visualization
EDUCATION AND TRAINING 2013
FCT RESEARCH FELLOWSHIP AT THE RESEARCH PROJECT SILENT RUPTURE.
INTERSECTIONS BETWEEN ARCHITECTURE CINEMA. PORTUGAL 1964-1970
School of Architecture of the University of Porto | Porto, Portugal
PERSONAL SKILLS AND COMPETENCES • Multidisciplinary curriculum and work experience in several architectural fields, ranging from brand/retail architecture, exhibition design, signage and wayfinding, public art design and construction, urban design and the design of small temporary structures. • Experienced in built and concept design as well as in construction site supervision and in
2009 - 2012
Master of Architecture [M. ARCH]
implementing designs in public settings.
School of Architecture of the University of Porto | Porto, Portugal
• Professional experience in the field of cinematographic production as well as in the curatorship
Erasmus Exchange Program
• Team and project management skills.
École Nationale Supérieure d’Architecture Paris-Val De Seine | Paris, France
• Experienced in managing work in different areas and contexts.
and organization of architecture events and exhibitions.
2010 - 2011
• Great ability in teamwork collaboration and work organization.
2006 - 2009
Bachelor of Architecture [B.ARCH]
School of Architecture of the University of Porto | Porto, Portugal
TECHNICAL SKILLS AND COMPETENCES • Proficient in model making, both physical and virtual.
CULTURAL PROJECTS 2014
2013
Enredo. Urbano Plot. Urban | Participative Installation
• Proficient with both IOS and WINDOWS operating systems • Proficient with the following software: VECTORWORKS ™| GRAPHISOFT ARCHICAD™ | AUTODESK AUTOCAD™ | ADOBE PHOTOSHOP™
PUTRICA Public Art Festival 2014 | Freamunde, Portugal
ADOBE INDESIGN™ | ADOBE ILLUSTRATOR™ | ADOBE MUSE™ | MICROSOFT OFFICE™ | iWORK
Enredo. Urbano Plot. Urban | Participative Installation
LANGUAGE SKILLS
Public Art Festival Walk&Talk Azores 2013 | Ponta Delgada, Azores, Portugal Portuguese
2012
Collective Exhibition Dédalo #10 “Who Lives Next Door?” | Porto, Portugal
English ESOL - First Certificate in English - FCE [2004]
2012
First language
Enredo. Plot. | Participative Installation
Exhibition of the Photographic Project “Situações Construídas” Built Situations
Level C2 Fluent
ESOL - Certificate in Advanced English - CAE [2005]
Collective Exhibition GARAGEM 6 | Porto, Portugal German
2012
Organization of the Collective Exhibition GARAGEM 6 | Porto, Portugal
TELC Prüfung DTZ B1
2012
Organization of the Collective Exhibition Memória&Destruição | Porto, Portugal
French
Level B2 Good knowledge
Level B1 Good knowledge
EXHIBITION DESIGN
TRADE FAIR STAND FOR NIMBUS
+
LIGHT+BUILDING 2018 FRANKFURT, GERMANY CONCEPT AND PROJECT DEVELOPMENT DEVELOPED WHILE WORKING AS AN ARCHITECT AT OCKERTUNDPARTNER PHOTOGRAPHY BY FRANK OCKERT BUILT IN 2018 Nimbus
is
a
company
that
brands
The scaffolding structure was used as
itself through its irreverence. For the
support for the wood planks, that configured
Light+Building 2018, we decided to take
several exhibition and conversation spaces.
this aspect of the brand to the Fair. The
A second floor, where all the available
use of scaffolding is, quite common in
products were displayed in a more intimate
temporary architecture; the fact that it is
environment was also built. Its floor served
cheap, reusable and – to a certain point
as the ceiling for the light-fixtures products.
– quite flexible makes it a very attractive mean of construction. Given this, one can
The roughness of the scaffolding allied with
no longer call it irreverent by itself, but in
the almost decorative image of the wood
the context of the Light+Building Fair, the
planks served, through its simplicity, as the
rawness of this Stand stood out among
perfect setting to highlight the complex and
other more polished constructions.
colorful Nimbus products.
+
EXHIBITION DESIGN
START TO DRIVE ELECTRIC EXHIBITION FOR VOLKSWAGEN EXHIBITION DESIGN FOR VOLKSWAGEN BERLIN, GERMANY CONCEPT AND PROJECT DEVELOPMENT DEVELOPED WHILE WORKING AS A SENIOR ARCHITECT AT JANGLED NERVES PHOTOGRAPHY BY JANGLED NERVES BUILT IN 2020 This was an exhibition commissioned for the
cinema, presenting visual worlds that
Volkswagen Group Forum in Berlin-Mitte.
incorporate all areas of e-mobility: from the
The focus of the exhibition was to explore
environment, to technology, to people and
new possibilities in automotive design, as
nature. Visitors are »beamed« into another
well as the opportunities and limitations of
world, creating an immersive experience
employing sustainable materials. Topics
of a very special kind: visually powerful,
such as driving experience, design and
emotive access to e-mobility. The islands on
and
the other hand have a more straightforward
presented in a playful and explorative way.
individual
mobility
are
discussed
appeal: designed to maximize the flexibility
The exhibition was divided in two main
of the exhibition and the space, in order to
parts: the Accelerator and the islands. The
accommodate several different events at the
so called Accelerator, the main piece of the
VW Forum, these islands are built with raw
exhibition is a walk-in, interactive 360-degree
and recyclable materials
EXHIBITION SHOWCASE SYSTEM
EXHIBITION DESIGN
BLECHEXPO '17
BATIBOUW '17
BAU '19
BAU '17
BOUWBEURS '19
BOUWBEURS '17
HARDWARE '19
BATIMAT '17
BYGGERIE '18
WIN '17
TRADE FAIR STAND FOR METABO MODULAR TRADE FAIR SYSTEM FOR METABO STUTTGART | PARIS | COPENHAGEN | UTRECHT | LUCERNE | BRUSSELS CONCEPT AND PROJECT DEVELOPMENT AS WELL AS CONSTRUCTION SUPERVISION DEVELOPED WHILE WORKING AS AN ARCHITECT AT OCKERTUNDPARTNER PHOTOGRAPHY BY FRANK OCKERT AND TEAM HOSPES BUILT IN 2017 | 2018 | 2019 For its cordless power-tools line, the
both in size and functionality. For the sake
German brand Metabo wanted to streamline
of cost management the design concept for
its Trade-Fair Stands. The stand concept,
this Stand went through an evolution that
also developed by OCKERTUNDPARTNER,
preferred modularity and reusable solutions
picked up on the colours of the Brand,
to ones that were single and unique. In
green and red as the main colours for the
this sense with each new project we were
temporary construction and, within a flexible
trying to come up with elements that could
spiral-like shape, it fitted the required
be taken onto to the next project, such as:
functions – exhibition area (vertical and
exhibition wall boards, exhibition plinth
horizontal), testing area in open-room and
supports (as seen in the picture), window
in a closed cabin, reception, and meeting
panes, angled wall structure and boards,
area. The design of each structure was
furniture and a LED-support that doubled
adapted to the requirements of each fair,
as reception counter and stage.
EVENT AND INTERIOR DESIGN
ID.3 START OF PRODUCTION EVENT FOR VOLKSWAGEN LAUNCH EVENT FOR VOLKSWAGEN’S ID.3 ZWICKAU, GERMANY PROJECT DEVELOPMENT AND CONSTRUCTION SUPERVISION DEVELOPED WHILE WORKING AS A SENIOR ARCHITECT AT JANGLED NERVES PHOTOGRAPHY BY JANGLED NERVES BUILT IN 2019 Volkswagen wanted to celebrate the
the needs of such a high stakes event,
star-of-production of the first car of its
in just five weeks time. The design
ID. Family, the ID.3. The one-hour launch
concept based itself very closely on the
event, attended by several hundred guests
theme of event - the start of production
from politics, industry, media and VW
of an automobile. Thus, aside from the
employees, focussed on the change to
essential accreditation and amphitheatre
e-mobility. The German Chanceller Angela
areas, a very stylized line of production
Merkel was attending the event and was
was built and used as the setting for the
also to give a speech. A good part of
presentation of the car.
the challenge of this project consisted in converting one the bare fabrication halls of VW’s Zwickau production plant into a space capable of responding to
WAYFINDING AND ENVIRONMENTAL GRAPHICS
ARENA SIGNAGE FOR ADIDAS WAYFINDING AND ENVIRONMENTAL GRAPHICS FOR ADIDAS ADIDAS WORLD OF SPORTS, HERZOGENAUCHACH, GERMANY CONCEPT, PROJECT DEVELOPMENT AND APPLICATION SUPERVISION DEVELOPED WHILE WORKING AS AN ARCHITECT AT OCKERTUNDPARTNER ARCHITECTURE PROJECT: BEHNISCH ARCHITEKTEN PHOTOGRAPHY BY FRANK OCKERT APPLIED IN 2019 For its new headquarters, named Arena, in
adds a three-digit city code and a decimal
Herzogenauchach, Adidas desired a bold
system for generating unique addresses
new orientation system and Environmental
throughout the open floor plan. The
Graphics that fit the image of the brand as
imagery of vintage stadium cricket boards
well as the theme of the building. Given the
was the reference for the graphic image of
large-scaled building, six key cities were
the orientation system.
defined by the architects and the client to
For the environmental graphics a more
be used as role model for 6 different spatial
poetic approach was used, top views of
identities per floor to be stacked on the 3
the major Stadiums of the chosen key
upper levels of the building. Together they
cities were enlarged and applied with spy
chose colors that meant to represent these
film, hence contributing to a diffuse and
cities the best. The orientation system
fragmented visual play that blends in the
developed uses bolder color shades and
foreground and background.
DOOR, PILLAR, AND DIRECTIONAL SIGNAGE, INSERTED IN A GRID THAT ALLOWS FOR THE DIFFERENT SIZES, EACH SITUATION DEMANDS
KEY CITIES
ADRESSES
NYC LND LAX SHA TYO PAR NYC 110NYC 260
LND110LND160
PANTONE YELLOW 012 C
PANTONE 199C
LAX110LAX160
SHA110SHA260
TYO210TYO260
PAR210PAR260
FLOORPLAN
ASSIGNED COLOR
PANTONE PROCESS BLUE C
PANTONE ORANGE 021 C
PANTONE RHODAMINE RED C
PANTONE GREEN C
REFURBISHMENT AND INTERIOR DESIGN
ARCHITECTURE STUDIO REFURBISHMENT OF A STORAGE ROOM INTO AN ARCHITECTURE STUDIO PORTO, PORTUGAL CONSTRUCTION PROJECT DESIGN AND SUPERVISION AND OVERVIEW DURING CONSTRUCTION PHASE AS AN ARCHITECT AT CLA - COSTA LIMA ARQUITECTOS, PORTO, PORTUGAL PHOTOGRAPHY BY COSTA LIMA ARQUITECTOS BUILT 2015 This project was designed and built
not challenging enough, most of the space
during my internship in the architecture
did not have sufficient ceiling height; with
office Costa Lima Arquitectos, in Porto. I
all these constraints, the main goal was
was mainly in charge of the construction
to allocate the parts of the program that
project design as well as assisting in
needed only the minimum ceiling height on
overseeing the actual construction phase.
the edges of the room with the help of four
The main concept for this project wanted
windows that were opened on the ceiling
to tie together the particular shape of this
to illuminate this poorly lit storage space
small storage room with the demands of
but also to help heighten the ceiling. The
a small architecture office. The program
woodwork and carpentries were essential
(entrance, one copy room, one toilet, library
for the development of this project, since
and office space for 10+ people) was quite
both the walls and furniture are designed as
demanding for those 52 sqm. As if that was
one single feature in dry eucalyptus wood.
PUBLIC ART AND TEMPORARY INSTALLATIONS
1.PERCEPTION
2. POTENTIAL
3. CREATIVE ACTION
4. LET GO AND GIVE PLACE TO THE UNPREDICTABLE
ENREDO. FOR ALL
+
PERFORMATIVE INSTALLATION - PLATFORM FOR THE COLLECTIVE CREATION PORTO | AZORES | FREAMUNDE, PORTUGAL 700 METERS OF NYLON THREAD (1,4 MM); 2500 METERS OF SYNTHETIC RED THREAD OVER 300 PARTICIPANTS IN COLLABORATION WITH: SOFIA TRAVASSOS (PT) AND CAMERON NORTHROP (USA) EXHIBITED AT DÉDALO #10 | WALK&TALK AZORES 2013 | PUTRICA 2014, PUBLIC ART FESTIVAL BUILT IN 2011 | 2013 | 2014 Enredo is an architectural exploration
plot, mapping movement through space,
of movement, collaboration, and spatial
while simultaneously transforming the
mapping. The installation relies on a
fabric that creates it. The user is then
simple structure, exploring the notions of
given a choice to either follow the paths
perception, potential and creative action
of others or to construct another. As
in a public space. Enredo presents itself
new paths are created, destroyed, and
as something out of the ordinary, both
rebuilt, the physical and social fabric of
augmenting and highlighting how people
the space changes, the installation not
perceive a given space and how they
only becomes a place of movement, but
occupy or move through it; a creative
a place of creative freedom; a point of
prosthetic. In retrofitting the existing
conversation and spectacle as new paths
space with a set of connections, or grips,
begin to alter the space and transform
the installation becomes a type of spatial
how people move and interact.
STRUCTURAL-SYSTEM DETAIL
ACADEMIC RESEARCH
ARCHITECTURE AS A FIELD OF POSSIBILITIES THE OPEN-ENDED IN THE WORK OF CONSTANT NIEUWENHUYS, BERNARD TSCHUMI, ALDO VAN EYCK AND MIES VAN DER ROHE MASTER’S THESIS (M.ARCH.) SCHOOL OF ARCHITECTURE OF THE UNIVERSITY OF PORTO, PORTO, PORTUGAL TUTOR: PROFESSOR MARIA TERESA PIRES DA FONSECA, PH.D. PRESENTED ON 2012 This thesis is part of a personal exploration
definition, it is intended the investigation
when Modernist apologists were being
the field of the arts and architecture. Even
on
and
of means that allow and promote, in
highly criticized for their extreme approach.
though there is a common ideology behind
architectural
an intentional way, the unobstructed
In the beginning of the second half of the
all of the studied examples, they do not
participation
opening
the
in
means
architecture, of
definition to the inhabitant and the
intervention of individuals in the creation
twentieth century, the humanist ideology
share the same practical nor conceptual
community in general. This exploration
and definition of their own space. As an
in architecture bounced off on the attempt
approach. By analysing and comparing
began during my year in Paris, and is now
initial approach to this question, several
to open its conception to the users.
the concepts developed by each architect,
taking shape by the means of several
architectural examples were used as
This open-ended ideology didn’t have a
as well as the buildings designed in
installations done during the past three
a study case. These buildings and/or
specific or a defined approach; it could
their scope, we intended to explore their
years. This thesis approaches the question
conceptualizations were based on the
take on many shapes. Thus, we intended
relevance in contemporary architecture.
of architecture as an open ground for
same founding premise, the development
to study some key architects that tried to
undetermined possibilities. Through the
of a democratic process in the definition of
potentiate an open and ambiguous nature
analysis of open-ended approaches to the
the architectural object. The study cases,
in architecture, as well as the reasons that
question of architectural conception and
presented, are a repercussion of an epoch
led to the proliferation of this ideology in
CINEMA PRODUCTION
RUPTURA SILENCIOSA SILENT RUPTURE PHD RESEARCH FELLOWSHIP SCHOOL OF ARCHITECTURE OF THE UNIVERSITY OF PORTO, PORTUGAL PRODUCTION OF THE SHORT FILMS: PANORAMA // 29-A // A LIMPEZA UNDER THE COORDINATION OF PROFESSOR JUBILEE ALEXANDRE ALVES COSTA AND ARCH. LUÍS URBANO
PANORAMA
Cast: Sofia Duarte Si
Written and Directed
WWW.JACKBACKPACK.ORG
Production: Ruptura
2013
Production Director
Assistant Producer: The Research Project Silent Rupture
social and political revolution of 1974 that
Assistant Director: L
studied the proximity of the renewal
brought down the dictatorship.
Cinematography: Br
Edition: Francisco Fe
movements in film and architecture that embodied a new vision of space and the
Three different teams worked on the
Sound: Rui Manuel V
city, marked by the social, cultural and
project during its 4 year-lifetime (2009-
Post-Production Vid
political events of the 1960’s and early
2013). By the end, 10 short films were
Post-Production Au
1970’s in Portugal as well as internationally
concluded along with several international
Original Soundtrack
2013 | 21'08'' | cor | 2
(Pop
Nouvelle
conferences and workshops. Some of
Vague, Neo-realism, etc). Research was
Art,
Post-modernism,
these short films are being recognized
undertaken on how cinematographic and
worldwide, receiving important national
architectonic objects were a sign that times
and international awards.
were changing in Portuguese society, the silent rupture that ultimately leads to the
29-A
A LIMPEZA
ilva
Cast: Sofia Dinger, Carlos Azevedo, João Crisóstomo, Maria Manuel
Cast: Joana Manaças, Teresa Gafeira, Egas José Vieira, Manuel
d by: Francisco Ferreira with João Rosmaninho
Barreiros, Guida Marques, Pedro Crisóstomo, Carlos M. Guimarães
Teles Grilo, Gonçalo Foro, Tiago Pereira, Nuno Ferreira, Iroa Borges
a Silenciosa
Written and Directed by: Circo de Ideias - Gonçalo Azevedo,
Written and Directed by: Manuel Graça Dias
r: Luís Urbano
Joana Couceiro, Magda Seifert, Pedro Baía
Production: Ruptura Silenciosa
: Ana Maria Trabulo, Marta Alves
Production: Ruptura Silenciosa
Assistant Producer: Ana Maria Trabulo, Marta Alves
Luís Urbano, Bruno Nacarato
Production Director: Luís Urbano
Assistente de Realização: Luís Urbano
runo Nacarato
Assistant Producer: Ana Maria Trabulo, Marta Alves
Cinematography: Rui Manuel Vieira
erreira, Bruno Nacarato
Cinematography: Rui Manuel Vieira
Edition: Rui Manuel Vieira
Vieira
Edition: Rui Manuel Vieira
Sound: Bruno Nacarato
deo: Joana Deusdado
Sound: Bruno Nacarato
Post-Production Video: Joana Deusdado
udio: Armando Ramos
Post-Production Video: Joana Deusdado
Post-Production Audio: Armando Ramos
k: The Beautiful Schizophonic
Post-Production Audio: Armando Ramos
Post-Production Audio Assistant: Tiago Cardoso
2,39:1
Original Soundtrack: Birds Are Indie
2013 | 19'31'' | cor | 16:9
2013 | 14'10'' | cor | 16:9
EVENT PLANNING AND COMMUNICATION
INTER[SECTIONS] A CONFERENCE ON ARCHITECTURE, CITY AND CINEMA INTERNATIONAL ACADEMIC EVENT WITHIN THE SCOPE OF THE PROJECT RUPTURA SILENCIOSA SCHOOL OF ARCHITECTURE OF THE UNIVERSITY OF PORTO, PORTO, PORTUGAL PLANNING AND COORDINATION OF THE EVENT AND DESIGN OF BRAND AND IDENTITY IMAGE UNDER THE COORDINATION OF PROFESSOR JUBILEE ALEXANDRE ALVES COSTA AND ARCH. LUÍS URBANO WWW.JACKBACKPACK.ORG 2013 INTER[SECTIONS]
A
Conference
on
The main location for this conference was
Architecture, City and Cinema was an
the School of Architecture of the University
international academic event, that took place
of Porto, which also became the central
in several locations throughout Porto, in
piece for the overall image of the event. The
Portugal. INTER[SECTIONS] was comprised
iconic building became the new setting for
of day and night events – conferences and
relevant films in the fields of Architecture and
presentations during the day, and film
Cinema: “Blade Runner”, “Rear Window”,
premiers and book launches in the evening.
“Le Mépris” and “The Shinning”. Posters,
Over 200 participants from all over the
flyers, postcards, a book, pin-back buttons,
world attended this event, organized within
t-shirts, bags and a small video advertising
the Scope of the Research Project “Silent
series were designed and produced for the
Rupture. Intersections between Architecture
identity and image of this event.
and Cinema. Portugal 1960-74.”
ARQUITECTURvv
P ORT FO LIO ARCHITECTURE
ANA MARIA TRABULO