DESIGN PORTFOLIO
DESIGN COMPETITION
2012 - 2020
ANDI SETYAWAN When i was on my college (2012-2016), I joined lot of design competition. Design competition taught us more about Architecture in a various way of tipology, from small scale such as pavilion until large scale such as masterplan. In most of design competition I did collaboration with other students and also Lectures to give us their point of view.
DESIGNCOMPETITION 2012 - 2016
POST-DISASTER SHELTER
PUBLIC READING SPACE
MID-RISE HOUSE DESIGN
MOSQUE at MUARAGEMBONG
PETRA UNIVERSITY
UKDW UNIVERSITY
PROVIDENT DEVELOPER
IAI
TOURISM VILLAGE, at TURI, NIAS
MIXED USE DESIGN, at TANGERANG
WATER FRONT CITY DEVELOPMENT, at CIBINONG, BOGOR
WATER THEME PARK, at BANDUNG
PROPAN & IAI
SINARMAS LAND
BOGOR GOVERNMENT & IAI
PARAHYANGAN UNIVERSITY
DESIGNCOMPETITION
POST-DISASTER SHELTER PETRA UNIVERSITY
the benefits
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CONSTRUCTION DETAILS
AIR OPENINGS Openings between the frame structure will allow the air circulation happen inside the shelter. It was the common problem in a
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disaster shelter. NATURAL LIGHTING Adding some diagonal windows will allow the sunlight through the shelter. AIR HUMIDITY By a good air circulation inside the shelter, air humidity on the shelter will be reduced. It gives a direct impact on the comfort value on the inside. THERMAL COMFORT Cross Ventilation became one of the most cues in approching thermal comfort. Structures is designed by inmassive form are able to allow air and light through the shelter. At the upper part, roof, it is gaps between the roof structure will be used to swept out the hot air. LIGHT AND EASY TO MOVE Another requirement for the disaster shelter is easy to move and easy to construct by every person without any special skill required. Using light material and foldable membran as shelter’s skin and structure are the way to approach that.
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MODULE + FRAME SYSTEM X frame structure system is combined by tent module system to design the adjustable system which is based on the needs. Wall frame is designed by coloumns which is able to hold its fourth side. It system makes the shelter expandable by connecting new structure on the coloumn and so on. In spite of flexible structure, the ideal size of this shelter is5x5 by 1 meter module. There is one coloumn with the different size, taller than the other, which will incline the upper platform as a roof.
DESIGNCOMPETITION
PUBLIC READING SPACE UKDW UNIVERSITY
Public reading space design competition was arranged by Universitas Kristen Duta Wacana Yogyakarta. Main topic of this competition is how to solve the interest people who is basically student to reading a book that had decreased and the unappropriate reading facility that should be improved to encourage people reading a book
SECTION PLAN VISUALITATION
3D
In Collaboration with :
Muhammad Syaiful Raif Andita Dyah Sawitri Rifka Annisa Ulfah
DESIGNCOMPETITION
MID-RISE HOUSE DESIGN PROVIDENT DEVELOPER
LUMBUNG UPPER FLOOR USED TO BE A STORAGE FOR PADI WHICH IS THE MOST VALUABLE T H I N G
LOWER FLOOR USED TO BE A PUBLIC SPACE, MULTI P U R P O S E S P A C E
PADI
F L Y I N G B O X FLYING BOX AS A PRIVATE SPACE Private activity such as sleeping, relaxing, is located in the upper floor. Main Bedroom and Children Bedroom was in this floor. Isolate the owner private activity and giving a relax ambience is the main goal of this flying box.
MAXIMIZE THE MULTI PURPOSE SPACE A B O V E
MID-RISE HOUSE PROVIDENT DEVELOPER
B
B’
A
BLACK BITUMEN ROOF
10mm WINDOW WITH VERTICAL SHADING 10mm WINDOW WITH WOOD FRAME AND VERTICAL SHADING BRICK WALL LAMINATED BY JOTUN
WOOD FLOOR, PARQUET ALUMUNIUM CONTINUING WIRE DOUBLE SIDE WOOD DOOR
ALUMUNIUM CONTINUING WIRE
MARMER 50X50 cm TILE FLOOR, DARREL 30X60 cm GRASS BLOCK VERTICAL GARDEN
BRICK WALL
BRICK WALL FINISHING CAT JOTUN
A’
DESIGNCOMPETITION
MOSQUE at MUARAGEMBONG IAI, DMI (DEWAN MASJID INDONESIA)
In Collaboration with :
Taufiq Ihsan Ismail Khairina Hardini Muhammad Syaiful Raif Nina Novita W. Located in the Northern Bekasi, Muara Gembong,the competition was about propose a new concept of praying space, mosque. Muara Gembong has different characteristic with the other district in Bekasi which has been developed enough by the government. Padi field, traditional wooden house, and the challenging acces have been the identity of this site. Design must be reinterpreted the local value by respecting social context and the local culture. Everything in the design must be integrated and inherent to present an ideal praying space
4
Stabilizer
Frame 1
1 2 Frame 2
Komponen Struktur
3
Truss
DESIGNCOMPETITION
MIXED USE DESIGN, at TANGERANG SINARMAS LAND
nu cle us point TRADE CENTER APARTMENT 1
Re-BORNtheSpace
2
MASSIVE BORING HUGE MASS HIGH ENERGY CONSUMPTION
PROBLEM OLD TYPOLOGY
theJUNCTION
3
Site is located in the crossing area between the public facilities which has been planned near it. Its condition, an an junction and a connection between the public facilities, gives an oppotunity on developing the commercial area there
DIALOGUE’sSpace PROVIDE VARIOUS ACTIVITY
HOW?
HOW? Connecting the facilities
OUTOOR
INDOOR
OUTOOR
AXIS CREATED byMOVEMENT
POINT OF the DIRECTION
FLEXIBLE SPACE
eating
inspired by
merchant
POINT
Shopping
HOW?
BREAK THE MASS
relaxing
Facilities Node
Shopping
eating
eating student
INDOOR
INNEROUTDOOR
hangout
Re-BORN
OUTDOOR
family
informal meeting study
uniting community
playing
relaxing waiting
stimulating interaction
P NUCLEUS point of activity-point of interest COMMERCIAL INDOOR COMMERCIAL OUTDOOR INNER-OUTDOOR
LIGHT MASS WALL-LESS SPACE’S AMBIENCE SPACE between SPACES LOW ENERGY CONSUMPTION
In Collaboration with : TAUFIQ IHSAN ISMAIL KHAIRINA HARDINI RIFKA ANNISA ULFAH GHINA NABILAH MUHAMMAD ARIEF ICHWANI
DESIGNTRANSFORMATION AKSES
INTERMODA-INTERSECTION AREA
ATTRACK PEOPLE TO POINT
NUCLEO-point
POINT
EDGE-LESS
DESIGNCOMPETITION
WATER FRONT CITY DEVELOPMENT, at CIBINONG, BOGOR BOGOR GOVERNMENT & IAI
In Collaboration with :
Taufiq Ihsan Ismail Khairina Hardini Adita Febaranti S. Muhammad Arief Ichwani Ghina Nabilah
HELARAN
is translated as WATER CARNIVAL, has a meaning to focus on water as a part of nature mean which the point of interest. Waterfront development, water such as river or lake is the development orienta on, on that city become the main point on its development.
TIRTA
Interpreta ng the past through its nature which reflec ng the previous culture, people, and live. Situ or lake istakes a big part on people’s live in sundanese culture
vegetation
commercial
HELARAN TIRTA Water carnival transforms the water element as an orienta on of ac vity which mixing up all of the element and the en re area into one, WATERFRONT CITY Turn into a an area which developing its live through the nature and the culture. Become a learning space interpreta ng the previous live
SPACE the PAST NATURE-CULTURE
ORIENTASI PERKEMBANGAN
situ/ lake
AIR
the
HELARAN
TIRTA
river stream area
NATURE ZONE
settlement
TIRTA
acces
HUMAN ZONE the
SPACE the PRESENT HUMAN-SHELTER
CARNIVAL INTERAKSI LAMPAU-KINI
gardening
traditional dance
working the
the
PRESENT
PAST farming
plant
Shopping
hasil bumi
musical instrument
playing
hangout
eating
relaxing
Nature was se led as an important thing in the previous’s live in sundanese. Every things to do had a meaning in it, deep and strong.Now, architecture provides the daily ac vity instantly without the deep and strong meaning on its space. People do their ac vi es spontaniously to fulfill their needs.
PRESENT
Become the area which focus on developing its area with economic and community approach by transforming the space into a dynamic space, provides the needs
HELARAN
example of carnival in Sundanese culture
PAST
LINKAGE/ ACCES
GRID Pattern of area
Connecting the point of activities in each zone by creating the main point
As a guideline on the development.
ZONING NODES/ CIVIC CENTER Conservation and Park Lake’s side back Public Facilities Settlement Commercial area Lakes NODES
WETLAND ZONE HELARAN-ECOLOGY-TIRTA RECOVERING the SIDE BACK AREA into the wetland zone which reviving the area into the green zone and water filtra on zone. Re-naturize the waterfront zone in order to taking back the ecosystem and the memory about the PAST which blending the PAST and the PRESENT as the part of human living and the space to do an interac on. SERANGGA
MEETING P O I
LAYER 3
NA Flamboyan
NT
Teratai Air
RE U T
OR T R SP E AT W
HEWAN
Bamboo
VEGETATION’S ORDER AND ITS PURPOSE
main road huge tree sight seeing
plaza
lakes side back
pollution reductor
wide tree beautifully leaves tree sight seeing
huge tree beautifully leaves tree pollution reductor
kupu kupu
flamboyant
trembesi Samanea saman
road
pollution reductor director
regular tree
Delonix regia
Bauhinia purpurea
damar Agathis alba
PLANT PALETTE Uban farming, yang didoinasi tanaman makanan sehari hari, memberikan rasa Sebagai area eksis ng tanaman bambu, bambu dijaga dan ditata sesuai kombinasi warna dan ke nggiannya. kebersamaan terhadap sesama penghuni dan rasa kepemilikan terhadap lahan hijau.
bayam
kol
cabe
bambu jepang
bambu wulung
DESIGNCOMPETITION
WATER THEME PARK, at BANDUNG PARAHYANGAN UNIVERSITY
NEEDS
TAMAN PARK
FUNCTIONALITY
FACILITY ACTIVITY
Peraturan Mendagri No.1 tahun 2007 tentang penataan ruang terbuka hijau kawasan perkotaan dengan definisi Ruang Terbuka Hijau Kawasan Perkotaan (RTHKP) adalah bagian dari ruang terbuka suatu kawasan perkotaan yang diisi oleh tumbuhan dan tanaman guna mendukung manfaat ekologi, sosial, budaya, ekonomi dan estetika.
PUBLIC SPACE The settlement arround its site needs a public space, a transition space, a social space, and a play space to balance their lives
WATER CONSERVATION
RECREATION
Hampir sembilan dari sepuluh anak-anak (89 %) berkomunikasi secara online dengan temanteman sementara kelompokkelompok yang lebih kecil juga berinteraksi dengan keluarga mereka (56 %) atau guru mereka (35%) melalui internet, dan topik yang paling dibicarakan harus dilakukan dengan kegiatan sekolah. s u m b e r : http://www.unicef.org/indonesia /id/media_22169.html
IDEA POINT
SURFACES
POINT is the destination for the user which amusing and attracting people on it. POINT is an important thing in the park and include the important meaning
PERABA TOUCH
LIGHT
EXPERIENCE
PENGLIHATAN SIGHT
COLOR
ACTIVE
JOGGING-RUNNING
Path is an important aspect which takes a main role to bring the user feels the spaces and its strories. Path trasforming into something which able to make the user feels active and not feels bored.
PERASA TASTE
HUMAN SENSE
AMBIENCE
Human has a special system which able to detect surrounding condition, it’s called HUMAN SENSES. Commonly, human has 5 kind of senses each which have special purpose. Human senses take the important role on their activities by detecting something from outside of human body.
PATH
GOING WET
TEXTURE
REFLECTION
GO OUTSIDE!!
RELAX The existance of retention area is SITTING ON THE GRASS PASSIVE a primary needs in this area to FEEL THE BREEZE lock out the rain water as a PLAYING WITH WATER water resources
MATERIAL
WATERFALL
PENDENGARAN SOUND
PENCIUMAN SMELL
WATERSTREAM
WATER FRAGRANT WATERDROP
FLOWER FRAGRANT
WATER RETENTION Redesign water retention facility Redesigning the retention park by adding the new steps which has different level about 1 meter for each step to maximize its function as a retention area. The steps is designed to the center pool. The center is a WETLAND zone which planted by fragrance plants
entrance area
ACTIVE the most attractive point At the beginning, the nearest place with the entrance, placed something which able to stimulate people do something or feel something, stimulating the human senses.
entrance area
CONNECTING Giving an acces through the park
POINT A
8200
4700
POINT B
18000
16700
POINT D
3000
9350
POINT C
13500
POINT E
14000
3000
9000
8700
5600
15880
SECTION A-B
entrance
entrance
Designing the sky bridge, a connector, as an acces through the park from one to the other side. From this bridge people can enjoy the entire park.
DESIGNCOMPETITION 2016 - 2020
PRINGGUNG
SHELTER DESIGN (TOURISM)
BAMBOO BIENNALE, SOLO
KEMENTRIAN PARIWISATA INDONESIA
COMPACT HOUSE 4,5 X 12,5
COMPACT HOUSE 6 X 10
AGUNG SEDAYU GROUP
AGUNG SEDAYU GROUP
PRINGGUNG VASTENBURG, SOLO Sebuah INSTALASI SENI yang merupakan hasil transformasi dari explorasi bambu yang merupakan material alami dan serbaguna dengan unsur budaya Solo yang kuat dan identik sehingga menghasilkan sebuah instalasi seni yang memiliki makna “HARAPAN/HOPE” secara tersirat darinya. HARAPAN untuk melihat bambu tidak sebelah mata, melihat bambu sebagai bagian dari budaya yang juga perlu dilestarikan. Memunculkan kembali unsur-unsur budaya yg telah ada dengan
I N S T A L A S I
Tempat Bermain Bersantai
Seni dan Budaya
BAMBU
FUNGSI
BENTUK ORNAMEN BATIK
MATERIAL
Panggung Sangga Buwana
Motif Batik Parang
explorasi bambu unik & beda
DESIGNCOMPETITION
SHELTER DESIGN (TOURISM) at Magelang KEMENTRIAN PARIWISATA, 2018
AERIAL VIEW
TITIK AWAL
TITIK AWAL & AKHIR
EBOK SHELTER @Sungai ELO
WHAT? Arung Jeram Sungai Elo adalah kegiatan menyusuri sungai Elo grade II+, kategori pemula, sepanjang 11 Km menggunakan perahu arung jeram, dengan didampingi pemandu profesional pada setiap perahunya. Start dari Jembatan Blondo, nish di jembatan mungkid kabupaten Magelang, dengan lama kegiatan 2.5 jam
Arung jeram sungai elo t e r d a p a t 3 t i t i k pemberhentian. titik awal, titik tengah, dan titik akhir. pembagian ini didasarkan pada jarak tempuh yang cukup jauh dan dibutuhkan pemberhentian di titik tengah untuk beristirahat
PLATFORM sebagai tempat istirahat dengan view berbeda
TITIK AWAL BRIEFING/ PENGARAHAN PEMBAGIAN TIM INFORMASI ATURAN BERMAIN PERAGAAN BEBERAPA HAL PENTING PERSIAPAN PERALATAN
BATOK KELAPA sebagai media tanam dan pelingkup shelter
TITIK TENGAH ISTIRAHAT
MAKAN-MINUM RINGAN PENGECEKAN PERALATAN DAN KONDISI TIM Lokasi sungai Elo terletak di desa Pare, Blondo Mungkid, Magelang. Sungai Elo, merupakan anak sungai progo yang berkarakter penampang sungai sempit dengan debit air cukup stabil sepanjang tahun. Sepanjang jalur sungai pada trip ini didominasi air tenang. Beberapa jeram c u k u p m a m p u TITIK AKHIR menggoncang perahu, ISTIRAHAT namun keindahan panorama MENUNGGU KENDARAAN sepanjang sungai adalah TRANSIT pepohonan rimbun yang d i a n t a r a n y a m e r u p a k a n MENUNGGU SELURUH TIM BERKUMPUL rimbunnya tanaman bambu
WHERE?
PENGUMPULAN PERALATAN
TITIK TENGAH BATOK KELAPA sebagai media tanam dan pelingkup shelter
Santai INDOOR, tempat istirahat indoor, R. KESEHATAN, apabila diperlukan
PLATFORM sebagai tempat istirahat dengan view berbeda
TANGGA sebagai akses menuju platform atas dan sebagai tempat duduk - santai
GUDANG penyimpanan alat2
MODEL SHELTER UNTUK : MODEL SHELTER UNTUK :
TITIK AWAL TITIK AKHIR
TITIK TENGAH
Model untuk TITIK AWAL & AKHIR membutuhkan ruang yang lebih banyak untuk gudang & r. petugas, sehingga ruang-ruang dalam dibuat lebih besar
Model untuk TITIK TENGAH dibedakan karena kebutuhan ruang untuk duduk dan istirahat lebih banyak. Sehingga desain dibuat dengan lebih banyak space untuk istirahat
AERIAL VIEW
TITIK TENGAH
DESIGNCOMPETITION
COMPACT HOUSE 4,5X12,5, at Jakarta
CONCEPT
PEACEFUL
MODERN
REJUVENATE
Memberikan kesan nuansa yang menenangkan bagi para penghuni. Kami usulkan dengan penggunaan material yang bertemakan earth tone dan ruangruang yang tanpa banyak dekorasi
Desain ruang-ruang yang sesuai kebutuhan dan memaksimalkan ruang yang ada. Modern kami terjemahkan ke dalam ruang-ruang yang fungsional namun tetap estetik tanpa banyak dekorasi. Seperti adanya VOID pada tepi ruangan sebagai masuknya cahaya sekaligus sebagai dekorasi ruangan berupa pencahayaan
Rumah sebagai tempat untuk kembali dan tempat untuk memperbaiki dan membenahi diri. Untuk memaksimalkan hal tersebut, kami memilih material yang terkesan lembut dengan warna yang tidak mencolok
SKEMA WARNA
AGUNG SEDAYU GROUP, 2020
MATERIAL BOARD Material yang dipilih untuk memunculkan nuansa yang menunjukkan kesan modern minimalis namun tetap menenangkan para penghuni yang tinggal di dalamnya
MOOD BOARD image reference untuk nuansa ruangan yang diusulkan. Tujuannya adalah memberikan visual yang menenangkan
RUANG MAKAN DAPUR
TANGGA View dari lantai 1 menuju lantai 2
Ruang makan diletakkan dekat dengan taman belakang. Keberadaan taman juga untuk memaksimalkan sirkulasi udara
Posisi dapur diletakkan dibawah tangga sebagai upaya memaksimalkan ruang yang ada. Dengan demikian, ruang makan akan menjadi lebih luas
RUANG KELUARGA Terdapat jendela besar di dekat ruang keluarga yang diharapkan membuat ruangan terasa lebih luas. Pemilihan material lantai yang monolith (seamless) juga salah satu upaya untuk membuat ruangan terasa lebih besar. Tangga dengan material kayu dijadikan sebagai elemen yang memberikan kesan hangat. Hal ini untuk mengimbangi hampir mayoritas warna yang cenderung putih
DESIGNCOMPETITION
COMPACT HOUSE 6X10 at Jakarta AGUNG SEDAYU GROUP, 2020
CONCEPT
SERENITY
Rumah sebagai tempat menenangkan dan istirahat jiwa dan pikiran setelah seharian beraktivitas. Rumah bukan hanya sekedar tempat berteduh tapi juga sebagai obat dari lelah dan ketidaktenangan
ROSTER BETON
KERAMIK MOTIF KAYU
LIGHT
LIGHT kami artikan sebagai dua hal, pertama CAHAYA. Memaksimalkan unsur cahaya yang masuk ke bagian dalam rumah kedua RINGAN. Unsurunsur desain dimaksimalkan dengan bentukan yang sederhana dan ringkas, sehingga tidak terkesan bulky dan penuh
ANYAMAN RATTAN
TEXTURED PAINT KERAMIK MOTIF TERAZZO
KERAMIK BERPOLA
FAUX LEATHER
SKEMA WARNA
CALM
Permainan warna dan material yang kami pilih adalah earth-tone dengan dominasi gradasi warna putihabu. Tujuannya adalah memberikan kesan tenang agar tidak terkesan busy dan meniadakan dekorasi yang tidak diperlukan
PEBBLE STONE
MATERIAL BOARD
MOOD BOARD
Material material yang digunakan cenderung ke arah monoton dan memiliki tekstur. Anyaman rattan dan keramik berpola dijadikan aksen yang memperkuat ambience ruangan
Nuansa ruang yang ingin dihadirkan adalah ketenangan dan kenyamanan yang diwujudkan dalam tone warna yang lembut dan tidak mencolok. Pemilihan tersebut juga bertujuan memberikan kesan ruang yang nyaman dan indah tanpa perlu banyak dekorasi
PANEL KAYU
Kursi makan disimpan dibawah tangga
TRANPARENT ROOF Atap transparan sebagai masuknya cahaya matahari. Selain sebagai pencahayaan alami, cahaya matahari juga mendukung keberadaan green wall
FOLDING TABLE Meja maan dibuat bisa dilipat, sehingga bisa memberikan ruang yang lebih luas. Ketika dilipat, kursi makan bisa disimpan di bawah ruang tangga
RUANG MAKAN berada berdekatan dengan pantry dan di dekat void untuk memberikan kesan lebih luas
GREEN WALL diletakkan pada sisi tangga yang berhimpitan dengan dinding belakang
DRAWER TANGGA 7 anak tangga pertama terdapat drawer sebagai tempat penyimpanan barang-barang berukuran kecil
DAPUR RUANG MAKAN
THANK YOU Feel free to reach me, if you want to know more about my works phone
+6287712355547
email andi.setyawan030@gmail.com LINKEDIN SKYPE
ANDI SETYAWAN andi.setyawan13