Selected Works 2017 by Andra Padilla

ANDRA PADILLA SELECTED WORKS | 2013 - 2017

ANDRA PADILLA andra.padilla@utexas.edu | 903.340.0588 | 2400 NUECES ST. AUSTIN, TX

education University of Texas at Austin School of Architecture Bachelor of Science in Interior Design Graduated May 2017 GPA 3.66

EMPLOYMENT Hulburd Design | Design Intern May - August 2016 Assisted with architectural drafting, furniture selection, order placement, and invoicing - organized and assisted client move-ins at finish of project Rachel Horn Interiors | Assistant Designer and Intern May - December 2015 Assisted with interior design renovations and design of architectural new-builds - drafted construction documents for architectural work UTSOA Undergraduate Advising Office | Student assistant August 2014 - August 2015 Assisted with prospective student visits, tours, and student panels - designed digital media for UTSOA events UT Jester Area Office | Jester Special Projects Assistant August 2014 - May 2016 Planned and implemented multiple organization and beautification projects for the area manager and hall coordinators

Ecole Nationale Superieure dâ&#x20AC;&#x2122;Architecture de Paris-Belleville Advanced Architecture Design Studio Fall 2016 semester GPA 3.72

involvement Deanâ&#x20AC;&#x2122;s Ambassador | UT School of Architecture Student representative for prospective students February 2014 - May 2017 Interior Design Representative | UT School of Architecture Undergraduate Curriculum Committee Student representative in regards to curriculum changes August 2014 - May 2017 University Leadership Network | University of Texas ULN Program member and community service participant August 2013 - May 2017 UTSOA Mentor | UT School of Architecture mentor to two underclassman August 2014 - May 2016 Ampersand | UT School of Architecture interior design undergraduate member August 2015 - May 2016

I am a recent graduate from the University of Texas at Austin School of Architecture with a Bachelor of Science in Interior Design. My interests in architecture and interior design have led me through internships and design studios in both the commercial and residential realms. After a study abroad program and a semester in a public interest design studio, I hope to obtain a position within an international firm with a focus on community outreach and engagement.

HONORS American Society of Interior Designers Certificate of Merit for placing second in my graduating class May 2017 Recognized with University Honors May 2016, May 2017 Awarded Design Excellence by UTSOA faculty November 2016 Nominated to the Donghia Foundation Scholarship as one of two nominees from each school May 2016 Nominated Deanâ&#x20AC;&#x2122;s Ambassador by UTSOA faculty February 2014

SKILLS DIGITAL: Photoshop Illustrator InDesign Rhinoceros Revit 3DS Max AutoCad Grasshopper Microsoft Office ANALOGUE: model building hand drafting sketching wood working welding

Awarded the University Leadership Network Scholarship August 2013

REFERENCES Holly Hulburd Hulburd Design h2@hulburddesign.com 415.440.0801

Justin Kreizel Rachel Horn Interiors jkreizel@me.com 310.295.0100

contents

ACADEMIC

Ascent City Frame

professional

1164 Fulton 402 Crockett

MIXED MEDIA Hand Drafting Metal Work Lighting Design Tile Fabrication Parametrics Practice

ACADEMIC

ASCENT CITY FALL 2016 | ADVANCED DESIGN | PARIS-BELLEVILLE | PROFESSORS IGOR SIDDIQUI, GAĂ&#x2039;LLE BRETON, JEAN-FRANĂ&#x2021;OIS RENAUD

With a site that rests on the outskirts of Paris between the 19th arrondissement and Pantin, our project needed to adapt to the surrounding community.

Our inclination to create a visual

landmark comparable to those well-known of Paris promoted the design of a tower in the north-east corner of our site standing at 160 meters tall and mixes both public and private program within. Designing for an area that already retained great artistic influence, our tower provides housing for the artistic community, young professionals, and small families. To further facilitate artistic growth in the area, we also chose to provide numerous studio, exhibition, event and gallery spaces. These public spaces throughout our tower, along with community necessities such as recreational and health facilities, market spaces, and terraced gardens, are accessible through both the primary and secondary tower circulation; the primary circulation available to residents only, while the secondary circulation wraps up the tower and allows for ascension through one public space after the other. Group Members: Andrew Tamez, Renica Navea, Elena Tejero, and Giulia Milanesi

SITE MAP Depicting project site in relation to Paris proper, as well as highlighting comparable landmarks, their heights, and their views of Ascent City. ARC DE TRIOMPHE 11.1 KM

TOUR EIFFEL 13.9 KM

17e

PHILHARMONIE 1.9 M

NOTRE DAME 6.8 KM

1e PARC DES BUTTES-CHAUMONT 2.5 KM

16e

15e

14e 1H 56MIN_9.2KM

1H 44MIN_8.1KM

Eiffel Tower_300M Arc de Triomphe_50M

1H 52MIN_8.7KM

1H 10MIN_5.5KM

1H 17MIN_

Tour Montparnasse_209M Galeries Lafayette_43M Louvre_21

_6.2KM

11 PANTIN

PARIS NORD-EST

18e

19e

10e 9e

20e 2e

11e

12e

13e 59MIN_4.5KM

1H 19MIN_6.3KM

1H 8MIN_5.4KM

Sacre Coeur_83M Notre Dame_96M Centre Pompidou_46M

6MIN_500M

Philharmonie_22M

SURROUNDING DENSITY

dense

AVERAGE COMPONENTS OF A FAMILY (n) 2.21

LEVEL DENSITIES db NOISENOISE LEVEL DENSITIES db >75

NOISE LEVEL DENSITIES 60 db

>75

60 CONCENTRATION OF HOUSING MASSES

2.10 2.05

dense dense

sparse CONCENTRATION OF HOUSINGMASSES MASSES CONCENTRATION OF HOUSING sparse

2.03

AVERAGE AGE (years) 36.57 36.59 PERSONS/SQ.KM PERSONS/SQ. KM 30,000+ PERSONS/SQ.KM

30,000+ 30,000+

7,000 7,000 7,000 5,200 5,200 5,200 3,330 3,330 3,330 1,500 1,500 1,500 1,500 1,500 1,500

The population density of northeast Paris is Around 7,000 person per concentrated center.Paris Around The populationtowards densitytheof city northeast is 7,000 persons per square kilometer in square kilometer the concentrated towards the citylive center.inlive Around the areapersons surrounding La Halle aux cuirs, 7,000 per square kilometer live in area surrounding La Halle making site a place human the areathesurrounding La for Hallegreater aux cuirs, interaction social scale. Aux Cuirs, making thehuman site making theonsiteana intimate place forandgreater fafa an intimate and social scale. a interaction place onfor greater human fafa interaction on an intimate and social scale.

37.22 37.40

The population density of northeast Paris is concentrated towards the city center. The gradient of blue depicts the concentration of housing masses and their location within the block. Most concentrations are located outside of the higher noise levels from the highway Boulevard Peripherique. Residential blocks are desired in the more quiet areas.

SURROUNDING HOUSING TYPOLOGIES

P A N T I N

P A NT I N P A R I S N O R D-E S T

PAR IS

N O R D -ES T

P A N T I N

P A R I S N O R D-E S T

P A N T I N P A R I S N O R D-E S T

P A R I S N O R D-E S

N O R D-E S T RETIREMENT HOUSING REGULAR HOUSING PARK SPACE

RETIREMENT HOUSING

N T I N

1:4000m

250 m

student housing

co-operative housing, dormitories

sm lo so

500 mHOUSING RETIREMENT

REGULAR HOUSING

PARK SPACE PARK SPACE

1000 m

REGULAR HOUSING

RETIREMENT HOUSING

PARK SPACE

REGULAR HOUSING

RETIREMENT HOUSING

PARK SPACE

250 m

1:4000m

student housing co-operative housing, dormitories

250 m

500 m

STUDENT HOUSING Dormitories, school-year apartments, cooperative housing

500 m

1000 m

th permanent housing best fits the site due to its existing culturetem 1:4000m 250 m 500 m families w de la hot Vill small scale residential, 1:4000m 250 m and studi long-term apartment rentals, apa adults an social housing smaller fa 1000 m

PERMANENT HOUSING is most appropriate given the existing culture of artists and families that live in close proximity to the Parc de la Villette Small scale residential, long-term apartment rentals, social housing

TEMPORARY HOUSING Hotels, hostels, short-term apartment rentals

BUILDING TYPOLOGY POSSIBILITIES

BLOCK

TOWER

PROGRAMMATIC SITE AXON

2 3

ENTRY

DIAGRAMMATIC UNIT LAYOUTS

SINGLE ADULT

MARRIED ADULT

ADULT(S) W/ KIDS

SINGLE ARTIST

KITCHEN

MARRIED ARTIST

LIVING AREA

ARTIST(S) W/ KIDS lofted studio

PUBLIC/COMMERCIAL SPACES COMMUNITY/STUDIO SPACE PRIVATE/RESIDENCES GREEN SPACES VIEWS LA GEODE CINEMA

PARC DE LA VILLETTE

PHILHARMONIE

SITE ARRIVALS

ACCESS

CIRCULATION

PUBLIC SPACE

BEDROOM

SINGLE ARTIST(S) shared studio - double story

BATHROOM

SINGLE ARTIST(S) shared studio - single story

STUDIO

SINGLE/FAMILY ARTIST(S) shared studio - single story

PROGRAM: STUDIO FACILITIES ART SCHOOL EXHIBIT SPACES

175m

Tower Rooftop garden

Housing unit

Residential areas

150m

Exhibition space

Restaurant and market 125m

Public ground floor

Recreation and health

100m

Housing unit

Public spaces Terrace garden

75m

Coworking Housing unit Circulation through public spaces

50m

Art gallery

Residential terrace Housing unit 25m

Event space

SECTION | EAST/WEST

175m

Central core

Transfer plans

Pillars

Floor plates

Public spaces

Residential spaces

Tower

150m

125m

Circulation diagram 100m

75m

50m

25m

SECTION | NORTH/SOUTH

FRAME SPRING 2017 | ADVANCED DESIGN | GALVESTON, TX | PROFESSOR COLEMAN COKER

As part of a design-build studio, this project is a collaboration with Artist Boat for their 600-acre Coastal Heritage Preserve on the West Galveston Bay.

This nonprofit organization provides environmen-

tal education opportunities for middle and high school students who typically come from economically-disadvantaged public schools in the region. Paddling the wetlands, the students participate in arts and sciences exercises as a way to develop a greater appreciation of coastal habitats. Providing new structures to facilitate this educational program, FRAME incorporates an open, secured kayak storage facility, an enclosure for art supplies and environmental educational materials, an environmental education shade structure, and a viewing platform. Combined into one, this structure frames the delicate interaction between the coastal prairies, the wetlands, and the canal. Capturing the sunset in the evenings, FRAME highlights the beauty of the preserve while also blending into itâ&#x20AC;&#x2122;s surroundings in a way that allows the largely uninterrupted vastness to be appreciated. Group Members: Clayton Cain, Ryan Carlisle, Emily Chaney, Sam Gutteridge, Haylee Lovelady, Chloe Malek, Sadie Martin, Marsden Merkle, Renica Navea, Marriene Ondo, Anju Palta, Julia Patterson, Ian Randall, and Yee Sang Wong

SITE MAP Depicting project site in relation to Houston and the surrounding bodies of water, Galveston Bay and the Gulf of Mexico.

HOUSTON, TX

GALVESTON BAY

WALKING PATH

COASTAL HERITAGE PRESERVE

The Sch Sp

Cla Ry Em Sa Sa Ha Ch Ma Re Ma An An Ju Ian Yee

Co Luk

GULF OF MEXICO

PARKING LOT

Co Ga

FIN 05

KAYAK LAUNCH

ARTIST BOAT PARKING LOT

plan & section | EAST/WEST

ENCLOSED STORAGE

5’ 7”

KAYAK STORAGE

16’ 2”

57’ 5”

SHADED STRUCTURE

20’ 2”

VIEWING PLATFORM

17’ 9”

12’ 2”

9’ 8”

I GIAGR N LA D IAGRAMS C OG AU SL T FDCE O SA I GSNT LDAEBS D AB MS

AY K AY A K T R A N S PKO RA TK T R A N SPO R T

Kayak Transport

K AYA KAYA K C L EA N IN G K C L EA N IN G

Kayak Cleaning

S EATI N

RA M S

K AY A K C L E A NI NG

S EATIN G OP TI ON S

S E AT I N G O P TI KOAY N SA K C L E A NI NG

S EATIN G OP TI ON S

Seating Options | Rows

Seating Options | Semi-circle

CONSTRUCTION DRAWINGS

GULF COAST DESIG

The University of Texas at A School of Architecture Spring 2017

DESIGN TEAM Clayton Cain Ryan Carlisle Emily Chaney Sam Gutteridge Haylee Lovelady Chloe Malek Sadie Martin Marsden Merkle Renica Navea Marriene Ondo Andra Padilla Anju Palta Julia Patterson Ian Randall Yee Sang Wong

Coleman Coker, Architect Luke Pronker, Structural Eng

Floor plan 1

FLOOR PLAN SCALE: 3/8” = 1’-0”

FRAME Coastal Heritage Preserve Galveston, Texas WORKING DOCUMENTS 03/04/2017 SCALE 3/8” = 1’-0”

GULF COAST DESI

A-111

The University of Texas at A School of Architecture Spring 2017

Coleman Coker, Architect Luke Pronker, Structural En

reflected ceiling plan 1

REFLECTED CEILING PLAN SCALE: 3/8” = 1’-0”

FRAME

Coastal Heritage Preserve Galveston, Texas WORKING DOCUMENTS 03/04/2017 SCALE 3/8” = 1’-0”

A-112

GULF COAST DES The University of Texas at School of Architecture Spring 2017

Coleman Coker, Architect Luke Pronker, Structural En

FLOOR FRAMING PLAN 1

FLOOR FRAMING PLAN SCALE: 3/8” = 1’-0”

FRAME

Coastal Heritage Preserve Galveston, Texas

GULF COAST DE

The Universi School of Architecture Spring 2017

DESIGN TEAM

Clayton Cain Ryan Carlisle Emily Chane Sam Gutteridge Haylee Lovelady Chloe Malek Sadie Martin Marsden Merkle Renica Navea Marriene Ondo Andra Padilla Anju Palta Julia Patterson Ian Randall Yee Sang Wong

NORTH ELEVATION SCALE: 3/8” = 1’-0”

Coleman Coker, Archite Luke Pronker, Structura

17'-9" 3

17'-8"

ROOF HGT: 10'-0"

ROOF HGT: 10'-0" "

FRAME

SOFFIT HGT: 8'-8"

SOFFIT HGT: 9'-0"

1'-4"

2'-3

Coastal Heritage Prese Galveston, Texas

1'-0"

A-401

10'-0"

" 2 1

2'-3

9'-0"

8'-8"

2'-3

WORKING DOCUMENTS 03/08/2017

SOUTH ELEVATION SCALE: 3/8” = 1’-0”

T/ GRADE: 0'-0"

2'-4

T/ GRADE: 0'-0" 4'-10"

south elevation

4'-0"

T/ GRADE: 0'-0"

A-20

4'-10"

17'-8"

17'-0"

GULF C

EAST ELEVATION

SCALE: 3/8” = 1’-0”

The Univer School of A Spring 2017

STORAGE DOOR ELEVATION SCALE: 3/8” = 1’-0”

DESIGN T

Clayton Ca Ryan Carlis Emily Chan Sam Gutte Haylee Lov Chloe Male Sadie Mart Marsden M Renica Nav Marriene O Andra Pad Anju Palta Julia Patte Ian Randal Yee Sang W

16'-0"

4" 4"

A 17'-8" 16'-8"

1'-0"

" 2

ROOF HGT: 9'-8"

ROOF HGT: 10'-0"

SOFFIT HGT: 8'-8"

Coleman C Luke Pronk

8'-8"

5'-0"

10'-0"

8'-8"

2'-3

17'-9"

10'-0"

8'-8"

6'-8"

2'-3

1'-3

2'-3

1'-4"

1'-0"

ROOF HGT: 10'-0"

1'-4"

ROOF HGT: 10'-0" SOFFIT HGT: 8'-8"

17'-8"

4'-2"

17'-8"

" 2 1

WORKING 03/04/201

8'-8"

The University of Texas at Austin School of Architecture Spring 2017

2'-3

9'-0"

Coastal He Galveston,

2'-3

GULF COAST DESIGNLAB

SCALE 3/8” = 1’-0”

FRAME

16'-8"

STORAGE DOOR ELEVATION

4'-2"

SCALE: 3/8” = 1’-0”

WEST ELEVATION

T/ GRADE: 0'-0"

storage door elevation SCALE: 3/8” = 1’-0”

EAST ELEVATION SCALE: 3/8” = 1’-0” B

KAYAK DOOR ELEVATION

16'-8"

ROOF HGT: 10'-0"

SOFFIT HGT: 8'-8"

4'-0"

A-

4'-10"

17'-8"

GULF COAST DESIGNLAB The University of Texas at Austin School of Architecture Spring 2017

Coleman Coker, Architect Luke Pronker, Structural Engineer

1'-3

1'-4"

ROOF HGT: 10'-0"

T/ GRADE: 0'-0"

kayak door elevation

SCALE: 3/8” = 1’-0” Clayton Cain 4'-10" Ryan Carlisle Emily Chaney Sam Gutteridge Haylee Lovelady Chloe Malek Sadie Martin Marsden Merkle Renica Navea STORAGE DOOR ELEVATION Marriene Ondo 3 Andra Padilla SCALE: 3/8” = 1’-0” Anju Palta Julia Patterson Ian Randall Yee Sang Wong

17'-0"

DESIGN TEAM T/ GRADE: 0'-0"

2'-4

17'-9"

WORKING DOCUMENTS 03/04/2017

8'-8"

6'-8"

1'-0"

1'-4"

ROOF HGT: 10'-0"

ROOF HGT:

Coleman Coker, Architect Luke Pronker, Structural Engineer SOFFIT HGT

SOFFIT HGT: 9'-0"

SOFFIT HGT: 8'-8"

Coastal Heritage Preserve Galveston, Texas

16'-8"

ROOF HGT: 10'-0"

5'-0"

4'-2"

ROOF HGT: 10'-0"

FRAME

10'-0"

4'-2"

A-401

1'-3

2'-0"

1'-0"

ROOF HGT: 9'-8" T/ GRADE: 0'-0" SOFFIT HGT: 8'-8"

16'-8"

9'-0"

4" 4"

8'-8"

16'-0"

5'-0"

8'-8"

10'-0"

T/ GRADE: 0'-0"

2'-0"

" 2

4'-10"

16'-8"

T/ GRADE: 0'-0"

SOFFIT HGT: 8'-8"

ROOF HGT: 10'-0"

T/ GRADE: 0'-0" 2'-3

4'-0"

ROOF HGT: 10'-0" T/ GRADE: 0'-0"

10'-0"

4'-0"

ROOF HGT: 10'-0" T/ GRADE: 0'-0" SOFFIT HGT: 9'-0"

1'-4"

1'-0"

T/ GRADE: 0'-0" 4'-10"

2'-4

2'-0"

A-401

KAYAK DOOR ELEVATION

T/ GRADE: 0'-0"

2'-0"

SCALE 3/8” = 1’-0” T/ GRADE: 0'-0"

T/ GRADE: 0'-0"

A-202

SCALE: 3/8” = 1’-0”

WEST ELEVATION SCALE: 3/8” = 1’-0”

WEST elevation

4'-2"

WORKING DOCUMENTS 03/04/2017 SCALE 3/8” = 1’-0”

EAST ELEVATION SCALE: 3/8” = 1’-0”

KAYAK DOOR ELEVATION

A-202

SCALE: 3/8” = 1’-0”

EAST elevation A

T/ GRADE:

Coastal Heritage Preserve Galveston, Texas 17'-0" B

T/ GRADE: 0'-0"

FRAME

16'-8"

4'-2"

SECTION PERSPECTIVE | EAST/WEST

construction photographs Photographs throughout all phases of on-campus and on-site fabrication and construction.

CONTSTRUCTION PROCESS 2

Welding instructions

Setting framework for concrete footings

4 3

Setting footings for four main frames

Unloading 20â&#x20AC;&#x2122; angle irons

Cutting angle iron to length

Setting framework for enclosed storage

Angle irons welded to main frames

Setting framework for raised platform

Welding kayak door screens

Almost finished family photo

professional

1164 fulton SUMMER 2016 | HULBURD DESIGN | SAN FRANCISCO, CA

Designed and remodeled by Jensen Architects, this San Francisco traditional three story Victorian-era home overlooks Alamo Square Park, a historical landmark that provides stunning views.

A house with two faces, the original 1889 street

facade was faithfully restored and appears to have been dipped in a modern bath of silver paint, hinting at the transformation within. The rear facade reveals the buildingâ&#x20AC;&#x2122;s new identity in a multi-layered composition of sliding aluminum screens and glass. Hulburd Design wanted to embrace the new modernity of the home by choosing sophisticated, modern furniture with a cool palette in order to compliment the spacious and serene architecture. The house has been punctured with light from above and is organized around a sculptural staircase. Furnishings were custom-made to capture the lightness and unique quality of the home. Hulburd Design provided all furnishings for this three bedroom home with two living areas, an additional lower level apartment/playroom, and a third-floor outdoor balcony.

402 crockett SUMMER 2015 | RACHEL HORN INTERIORS | AUSTIN, TX

Designed by architect Greg Lowenstein, this home was developed and built by Hudson Design Development in Austinâ&#x20AC;&#x2122;s Boulding Creek neighborhood. Hudson Design Development is owned and operated by Justin Kreizel, husband to Rachel Horn. Conceived as a spec house, this project offers a blank canvas for a wide variety of personal style and creativity to each home-owner. With a combination of white walls, sealed concrete floors on the first level, and wide plank white oak flooring on the second, this housesâ&#x20AC;&#x2122; finishes remain light and airy. The large sliding doors from the main living space, the dining room, and the kitchen open the house to the patios and private yard out front. Rachel Horn Design chose all hard finishes for this modern farmhouse, as well as the final decorating.

MIXED MEDIA

hand drafting FALL 2013 | VISUAL COMMUNICATIONS I | PROFESSORS JOYCE ROSNER & NICHOLE WIEDEMANN

Drawn alongside a design studio focused on the conservation of the Mexican free-tailed bats of Austin, TX, this drawing is derived from personal research into the physique and structure of these bats, with findings containing both photographic references as well as written descriptions.

This drawing incorporates the

use of hand-drafting techniques, as well as an exercise in tone and shading.

metal work SPRING 2017 | ADVANCED DESIGN | PROFESSOR COLEMAN COKER

As a member of the four person welding team for FRAME, my responsibilities involved designing, fabricating, and installing all metal components in the design-build project. Our teamâ&#x20AC;&#x2122;s work included 5 weeks of on-campus fabrication of the rebar screens and both sets of the enclosed storage and kayak storage doors. On-site, I became the primary welder for the install of the prefabricated elements, as well as finishings such as door handles, door stops, and sliding door tracks. Group members: Ian Randall, Renica Navea, and Clayton Cain

METAL FABRICATION & WELDING

Kayak storage doors

Kayak storage door handle

Enclosed storage door handle

Rebar screen against frame

Rebar screen gradation

Rebar screen attachment

Kayak storage door stop

STORAGE DOOR HANDLE

KAYAK RACK

Kayak storage door stop attachment

luminaire FALL 2015 | ENVIRONMENTAL CONTROLS I | PROFESSORS KEITH SIMON & MATTHEW TANTERI

Tasked with creating a luminaire for one chosen setting and purpose, the ONE Night Stand offers a lighting system that can be altered by the user. The luminaireâ&#x20AC;&#x2122;s light intensity can be controlled by rotating each section of the housing around the central lighting tube, as well as restacking the sections to create various forms. This luminaire also doubles as a night stand with storage, and therefore is dimensioned to function alongside a bed frame.

Group Members: Marsden Merkle, Anna Perez, and Mackenzie Wilt

PRODUCT SPECIFICATIONS

PLAN & SECTION 17.5”

5”

15.5”

2.5”

13.5”

.75”

11.5”

2”

12” 17.5”

5” 87

1. 52”

5”

8. 18”

TECHNICAL DATA

ACOUSTICS & LIGHTING TOTAL ABSORPTIVITY

A = S1a1 + S2a2 + S3a3 + etc S1a1 = Surface Area of carpet (240) x Absorptivity of carpet with foam underneath (.55) = 132 S2a2 = Surface Area of glass (80) x Absorptivity of ordinary window glass (.15) = 12 S3a3 = Surface Area of gypsum (375 + 185) x Absorptivity of gypsum (.05) = 28 S4a4 = Surface Area of bed (44) x Absorptivity of cloth upholstered seats (.8) = 35 A = 132 + 12 + 28 + 35 A = 207 sabins

PHOTOMETRIC DISTRIBUTION CURVE

5’

TOTAL REVERBERATION TIME BED

12’

10’

TR = (.05 x V) / A TR = (.05) (20 x 12 x 10) / 207 TR = .579 seconds

STACKS ALIGNED

20’

5’

10’

5’

10’ BED

5.5’ STACKS ROTATED

TILE fabrication SPRING 2015 | CONSTRUCTION II | PROFESSOR TAMIE GLASS

As a continuation of a design project for fashion designer Titania Ingles, I incorporated the interior pattern of my retail kiosk, which was derived from Inglesâ&#x20AC;&#x2122; own work, into the fabrication of eight ceramic tiles. Each tile is hand molded, cast, pressed, fired, and glazed allowing for a unique individuality between each.

HANDMADE CERAMIC TILES

tile fabrication process 1

Pattern is designed and printed to use as a template for the original tile.

Clay is built up or carved out to create variations in height and pattern for the original tile..

Tile is coated and casted to create a plaster mold for replicating each tile.

Mold is taken out of the frame and the clay is cleaned out.

TILE LAYOUT

TILE TYPE 1

Tiles are hand-pressed into the casted mold and left to dry lightly covered in plastic.

Tiles are outsourced to a kiln to be fired.

TILE TYPE 2

Glazing is hand-painted onto each tile to create two different tile types.

Tiles are then outsourced again to be fired and set the glazing.

parametrics practice FALL 2014 | VISUAL COMMUNICATIONS III | PROFESSORS KORY BIEG & MARLA SMITH

As the first application of Grasshopper parametrics, this practice studied the effects of changing one parameter to differentiate both the length and number of projections on a design, and the vast impacts those parameters can have on both spatial and scalar qualities.

MORE PROJECTIONS | HIGHER AMPLITUDE

GRASSHOPPER PARAMETERS

ELEVATIONS

LESS PROJECTIONS | LOWER AMPLITUDE

GRASSHOPPER PARAMETERS

ELEVATIONS