BINE COM Design&ArtinDiplomaGraduate ZhanDayunWu,YouRattanamaneewong,OraneeBin,Jung: Pre-master’sDesign&Art KikkawaAyaGalimberti,Andrea: 2021-22 Cambridge School of Visulal and Performing Arts
The contributors to this publication all studied on either the Graduate Diploma in Art & Design or the Pre-Master’s course at CSVPA, during the academic year 2020-21. All developed their creative ambitions, acquired new skills, experimented imaginatively, deepened critical understanding of their practice and collaborated with one another to forge the kind of interdisciplinary and inter-medial approaches that are so vital for contemporary artists and designers. The pages of this publication evidence just some of the ingenious and imaginative ways these students made the best use of their time at CSVPA, refining and considering their own priorities as creative practitioners. This has been a dynamic and ambitious year group; they have displayed passion, curiosity and engagement. We appreciate the variety, invention and example of their developing practices. They can feel justifiably proud of themselves, and of their accomplishments, sustained over the past months. May they each continue to determine their own individual priorities, in all the rich, insightful, humorous and profound ways evidenced in these pages, and may their artistic and design practices ever continue to serve to dis close the unconcealed priorities of the times in which they are produced.
CSVPA Graduate School Staff Team, 2021-22
ConsiderINTRODUCTIONthatevery page of this publication (let alone the overall design) has emerged from an individual sorting of priorities, as each instance represents the creative culmination of an individual decision-making process. There is no classificatory system that could ever do the slightest justice to such involvedness. Think of the innumerable experiences - lives, loves, losses, desires, hopes, fears, anxieties, memories, thoughts, and anticipationsthat artworks and designs contrive to collapse into a single form, image or moment; and then, recognise what kind of knowledge a creative artefact can provide access to. Bringing complexity into more apprehensible shapes of ‘knowledge’ is a human necessity; making sense fundamentally requires the linking together of otherwise disparate elements and bringing them into appreciation; and designs and artworks – considered as models of experience – provide us with privileged access to what we fundamentally need to know. Artworks and designs help us to re-negotiate and renew our own priorities - all we need to do is pay sufficient attention to them.
Congratulations to all of them, from all of us, for having achieved what they have achieved, in spite of the challenging, unprecedented, circumstances. We wish them the very best of luck for the next stage of the development of their own creative futures.
365421 Mycelium Pavilion Noise of Voice New ways of seeingTrypophobiaRevolutionBoundary Andrea Galimberti - Art & Design Pre-master’s - Interior and Spatial Design Aya Kikkawa - Art & Design Pre-master’s - Visual Communication - Print Making Oranee Rattanamaneewog - Graduate Diploma in Art & Design - Illustration You Wu - Graduate Diploma in Art & Design - Visual Communication - Moving Image Dayun Zhang - Graduate Diploma in Art & Design - Fashion Branding Jung Bin Hwang - Graduate Diploma in Art & Design - Graphic Design
SUSTAINABILITY2022FESTIVALCAMBRIDGEMATERIALBIOBASED Photography by You MyceliumWu Pavilion
Pavilion
Mycelium
The Mycelium Pavilion is made in two parts: the vertical timber structure resembles the idea of the forest and provides support to a cascade of mycelium rings, linked to form an interconncted veil.
Collaboration whit: Rain Wu - Andrea Galimberti - Aleksandra Kim - Mikhail Nikolaev isthatbiomaterialfast-growingAlow-high-strength,lightweight,allgrowingalreadyandcarbonfeet.ourbeneathandaround
GalimbertiAndrea@andreaproject_designsa.galimbe@gamil.com Today, the developement for a more biobased and circular economy is becoming more and more necessary, which is why we wanted to experiment with forms. On the creation of a form as a starting point different ‘works’ can be created with the material in its rawness. The Mycelium Pavilion Art & Design Pre-master’s - Interior and Spatial Design.
Noise of the Voice
Art & Design Pre-master’s - Visual Communication - Print Making KikkawaAya A relationship between the visible and invisible world. The Lip series is inspired by the Asian god, Kala. It’s big mouth and tongue symbolises the journey towards heaven. Using my own lips in my work is important as it implies a self-meditation process. @airescape.imgayatora69@gmail.com PRINTINGSCREENCOMMUNICATION
Un-fearing Holes TRYPOPHOBIA TRYPOPHOBIA TRYPOPHOBIA TRYPOPHOBIA
Trypophobia is a type of phobia that refers to a strong fear or disgust of closely packed
holes.
HOLESUN-FEARING TRYPOPHOBIA SPACESEMPTY
Jung Bin HwangandmeaningtheintrigueholesofethnographyandholesofanatomyThe wheremediumaorworldanothertoportalabecanItholes.ofprocess connectionscreatesholesofideaThespace.certainaseecanpeople meanings.differentthroughpeopleamong ofanatomytheonresearchandcreated,areholeshowofprogressThe toentrancesorholesblacktorefermayitmeaning,bringholes, world.thebeyondseecanImedia,throughthatmeansItworld.newa graphicaFromholes.throughdetailsmanynoticeandseemightPeople gathered.wheninterestingverybecomeholesperspective, diggingofpurposetheondependholesofdepthandsizeandsizeThe untilit,beyondorholeainwhat’stellcanNobodyout.themgougingor resonateHolesattention.closewithitobservetobeginsone theinabsorbingandbreakingofnaturethehavetheypeople;with time.same jungbinhwang1212@gmail.com Graduate Diploma in Art & Design - Graphic Design
DECONSTRUCTION SEEINGOFWAYSNEW ABSTRACTION
BEAR ON THE LOG PINK IN BLUE
@gdiariezartoranee.rat@yahoo.com RattanamaneewongOraneeWhat is Art? What is the definition of Art? everyone has their own styecriticismaboutworrynotDo There are conventionalno standards Yourworkmightinspire someoneyoudon’tknow.artworknewcreatingkeeptoforgetdon’t Be Believeyourselfinyourself Graduate Diploma in Art & Design - Illustration
BOUNDARYBOUNDARY
Keep yourself in check and do what you want to do. Whatever the academic mission, leave it alone, no more mission stop the cycle of repetitive work that young people who don’t explore are no different from old people don’t be stuck in form, be brave enough to try new styles change every day expresses through color, light, shadow, movement.
Location: Tibet (Daocheng County) - 2021 ‘BOUNDARY’FROMSTILLSFILM
- Visual Communication
Moving Image
You Wu wuyou6697@gmail.com Graduate Diploma in
Art is multifaceted. There are different approaches, different styles. We should do what comes naturally to us, without trying to impress anyone or to get in line with an “approved” style in order to be accepted by the majority. never try to be someone else. It’s dangerous because you can lose your style by following other’s.
Some artists think that today they can do what will be accepted by the majority, and tomorrow they can be doing what they like. You open one door and you close another. There is no way around. Art Design -
&
REVOLUTION
ZhangDayun @zhangdayun_2627633256@qq.com BrandingFashion-Design&ArtinDiplomaGraduate It can be a fairy tale, full of pink bubbles that can be broken at any time, a romantic and fragile atmosphere. It can be a romantic film, the mutual pulling and torture of human emotions, or a sentimental poem. . . But what is the story truly about? It’s telling the crowd I need nothing but a REVOLUTION. Rebellion, breakthrough, silent revolution, that’s it, the only thing we really care about. Express what I want to express, you understand what you want to understand. Who cares how people are going to react. Full of beautiful riots. NO
2021-22 Art direction and design: Andrea Galimberti Andrea Galimberti, Aya DayunJungKikkawa,BinHwang,OraneeRattanamaneewong,YouWu,Zhan,