The Skin, The Cut, and the Bandage
experiential coliving for continuous growth
fifth year studio instructed by Juan Medina: group
group members
The proposal is based on a competition brief for a coliving community in Seville, Spain and was com pleted in five weeks. The goal of the design is to bond residents through cooking and dining with community spaces that vary in privacy type. Three solid volumes composed of the interior residential spaces spatially open toward the site block, and are wrapped in a semi-transparent mesh skin that is fully occupiable for community intent. A public central courtyard is created that connects to the continuing proposed park on the surrounding site.
16.5 m m 20 m 10.5 m 15m 12m 54m 12m 15m CIRCULATION AND ENTRY POINTS central entry bring visitors in from the streets, circulation moves them vertically HEIGHT AND PROPORTION CONTINUITY WITH SITE the proposal acts as the intermediary gradient of the heights of nearby site buildings SECOND SKIN AND PRIVATE VOLUMES demonstrating the conversation the second skin is the light intermediary of the semi public realm
Alyssa Barber
Tess Temple
Andreea Dan 21 Volumes within the Public Section of Varying Privacy 6 1:150 0 SEMI-PRIVATE, & THE SEMI-PUBLIC 12 9 3 SOCIAL COURTYARD PUBLIC GARDENS
3 6
VOLUMES WRAPPING THE SOCIAL PLAZA
22 The
Skin, The Cut, and The Bandage
Timeline of Possible Familial Growth
Transparent Cloud and Solid Interior
Andreea Dan 23
Ground Floor and Extension
Street View Collage
24 The
Skin, The Cut, and The Bandage
Standard Resident Floor Plan
Social Courtyard
Andreea Dan 25
Exploded Axon and Correlating Moments
Proportional Equilibrium
fouth year abroad studio at Institute of Advanced Architecture of Catalonia (IAAC): group
group members
Alyssa Barber
Tess Temple
computational and scale exploration in Mondrian form
Posed with creating a computational ruleset through Grasshopper based off of a precedent, the proposal creates a masterplan scale of architecture based entirely on Piet Mondrian’s compositions. Moving from the scale of a facade, to a building, to a block, and to an overall masterplan, the project computes the same ruleset of space division with optimized iterations accounting for certain optimal features, computing an overall score to determine the best solution.
Andreea Dan 27
Project Axon Model, Diagrams
28 Proportional Equilibrium Masterplan Exploration Iteration Investigation
Programmatic Correlations
Andreea Dan 29
Between the Lines
fifth year studio instructed by Juan Medina: partnered
interstitial circulation for community experience
partner
Alyssa Barber
The proposal investigates interstitial spaces through the implementation of exterior-interior spaces in the exploration of a community library space in Nerja, Spain. The space progresses through stepping public spaces Circulation creates a continual experience for the user as slow and fast movement are divided into ramps and stairs, intentionally creating connections between different programmatic spaces.
Andreea Dan 31
Open Oblique
Volumes | Backyard View
Model
Interior Facade Terrace
Floor Plans
Long Section Short Sections | Elevations Model
1794 CARONDELET ANNOUNCED PLANS FOR A CANAL TO BE EXCAVATED TO BAYOU ST. JOHN
1794 IMPRISONED AND ENSLAVED LABORERS DIG A CANAL ON THIS SITE
1797 CARONDELET CANAL FALLS INTO DISREPAIR
1810 TREMÉ, THE OLDEST BLACK NEIGHBORHOOD IN AMERICA, IS LAID OUT AND IS WELL UNDERWAY
1817 CANAL RESTORATION COMPLETE AND REOPENED
1892 HOMER PLESSY’S CIVIL DISOBEDIENCE FOR EQUAL RIGHTS IN NEW ORLEANS.
Public Space and Monuments
1896 PLESSY V. FERGUSON “SEPARATE BUT EQUAL” COURT RULING AFFIRMS RACIAL SEGREGATION. WITHIN A FEW YEARS EVERYTHING THAT CAN BE SEGREGATED IN LOUISIANA IS.
1925 CITY OF NEW ORLEANS BEGINS FILLING CANAL/BASIN INTO GREENWAY 1934 THE PARENTS OF RICHARD BERTHELOT LEMANN, WHO DIED IN A CAR ACCIDENT, DONATE MONEY FOR TWO NEW PLAYGROUNDS – ONE FOR WHITE, ONE FOR BLACK CHILDREN
1935 OPENING OF LEMANN PLAYGROUNDS. THE CITY USED FUNDING TO INSTALL EQUIPMENT AT LEMANN #1, BLACK RESIDENTS HAD TO SUPPLY EQUIPMENT FOR THEIR SIDE.
1935 THE BLACK-LED LEMANN PLAYGROUND ASSOCIATION FORMS, CONTRIBUTING $82.75 FOR PLAY EQUIPMENT
1960 NEW ORLEANS PUBLIC SCHOOLS BEGIN RACIAL INTEGRATION
1956 INTEGRATED ATHLETIC AND SOCIAL EVENTS BANNED IN LOUISIANA
1963 LOCAL CIVIL RIGHTS LEADERS MARCH ON CITY HALL, 10,000 PROTESTERS IN ATTENDANCE
1963 A FEDERAL COURT ORDERS PARKS AND RECREATION FACILITIES OPERATED BY NORD TO BE DESEGREGATED
1966 CLAIBORNE EXPRESSWAY DISRUPTS COMMUNITY LIFE AND BLACK BUSINESSES
2005 HURRICANE KATRINA
2008 LAFITTE HOUSING PROJECT DEMOLISHED, REDEVELOPED
2009 THE PUBLIC POOL LOCATED ON LEMANN #2 REOPENS
2011 THE LAND SURROUNDING THE POOL IS CLEARED OF DEBRIS
2015 LAFITTE GREENWAY OPENS FOR RECREATION
2017 A COMMUNITY PLAY SPACE AT THE FORMER SITE OF LEMANN #2 IS COMPLETED BY THE NATIONAL RECREATION AND PARK ASSOCIATION (NRPA) AND NORD
fourth year research studio instructed by Emilie Taylor Welty/Tiffany Lin: group
group members
Leah Bohatch
Tiger Thepkanjana
Hayley Burroughs
Seth Laskin
Laura Gonzalez
Vivien Hartin
Talazia Manuel
Alex Disimone
Camille Kreisel
Andres Perez
investigation of historical monuments in America’s history of racial injustice
The question of “How do we remember?”, in relation to historical racial injustices, is analyzed through looking at monuments in America’s public spaces. The course of the semester was spent engaging with the community of a previously segregated New Orleans park, proposing a hypothetical monument on the space that acknowledges this history, and finally holding an exhibition to showcase the findings.
61 MESSAGE bench
Andreea Dan 35 52 EXHIBITION FOR THE PAST FOUR WEEKS, WE HAVE WORKED WITH THE Proposal View
Exhibit Setup, Photos
36 Public Space and Monuments Proposal Approach Community Engagement Photos
Proposal Plan
Proposal Modules
Andreea Dan 37
Final Exhibitition,
Photos
DETAILS COME TOGETHER
A new point of interest is created within the overall city, with two different approaches to night and day.
In the day, the pavilion is a white abstract beacon to the plaza. In the night, it stands as two linear strips of light, bringing attraction to the square and marking its entry.
CHANGING THE NARRATIVE OF THE PLAZA
All elements join in union to create both porousity and solidity at different moments, with the lightness of the column balancing an opaque space that one can occupy above.
Filter
The material palette consists only of provided wood and thin metal as structural stair support. The delicacy of materials is paired with a boldness of stark white color contrast in the urban setting.
A GEOMETRIC COMPLETION
All elements join in union to create both porousity and solidity at different moments, with the lightness of the column balancing an opaque space that one can occupy above.
The material palette consists only of provided wood and thin metal as structural stair support. The delicacy of materials is paired with a boldness of stark white color contrast in the urban setting.
fifth year studio instructed by Juan Medina: individual
hypothetical entry for the recurring Concentrico festival competition
The Concentrico festival explores the possibilities of a temporary pavilion installation that reimagines a public square in Spain. The design proposes to filter the space of the square, creating an interstitial entry space within the from the street, as well as a second experience where the city is meant to be percieved only through the intentional viewing of the sky and building roofs nearby,
6 5 7 3 4 2 1 2. METAL CABLE CM 1. STRUCTURAL METAL FRAME 4. WOOD STAIR TREAD, 4 CM 7. LED LIGHT STRIP, 8 CM 3. METAL BOLT, 2 CM 6. WOOD WALL, 4 CM 5. WOOD COLUMN, CM approaches to night and day. In the day, the pavilion is a white abstract beacon to the plaza. In the night, it stands as two linear strips of light, bringing attraction to the square and marking its entry. All elements join in union to create both porousity and solidity at different moments, with the lightness of the column balancing an opaque space that one can occupy above. The material palette consists only of provided wood and thin metal as structural stair support. The delicacy of materials is paired with a boldness of stark white color contrast in the urban setting. COME TOGETHER CHANGING THE NARRATIVE OF THE PLAZA A GEOMETRIC COMPLETION 2 6 5 7 3 4 2 1 1 2 2. METAL CABLE CM 1. STRUCTURAL METAL L FRAME 4. WOOD STAIR TREAD, 4 CM 7. LED LIGHT STRIP, 8 CM 3. METAL BOLT, 2 CM 6. WOOD WALL, 4 CM 5. WOOD COLUMN, 8 CM 3.0 m
2 DOUBLE WALL, GIVEN PLYWOOD 4 CM THICK GIVEN PLYWOOD, 4 CM THICK GIVEN PLYWOOD, STACKED 8 X CM METAL FRAME RISER AND WOODEN TREAD SYSTEM GIVEN PLYWOOD, STACKED 8 X CM LED LINEAR LIGHT STRIP, FULL PERIMETER LIGHT ENCLOSURE PLATFORM STRUCTURE STRUCTURE ACCESS 6 5 7 3 4 2 1 1 2 2. METAL CABLE CM STRUCTURAL METAL FRAME 4. WOOD STAIR TREAD, CM 7. LED LIGHT STRIP, CM 3. METAL BOLT, 2 CM 6. WOOD WALL, 4 CM 5. WOOD COLUMN, 8 CM 3.0 m 18.0 m
new point of interest is created within the overall city, with two different approaches to night and day.
the day, the pavilion is a white abstract beacon to the plaza. In the night,
stands as two linear strips of light, bringing attraction to the square and
its entry.
A
In
it
marking
COME TOGETHER RELATIONSHIPS: PLAZA AND ELEVATED PARTS TO A WHOLE A NEW LANDMARK TO THE CITY
THE NARRATIVE OF THE PLAZA
DETAILS
CHANGING
A GEOMETRIC COMPLETION
RELATIONSHIPS:
Andreea Dan 39 URBAN FABRIC LIGHT 1 2. METAL CABLE CM 1. STRUCTURAL METAL L FRAME 3.0 m 18.0 m
to night In the day, the pavilion
stands as two linear
its entry. DETAILS COME TOGETHER
A new point of interest approaches
it
marking
PARTS TO A WHOLE A NEW LANDMARK CHANGING THE NARRATIVE
PLAZA AND ELEVATED
Approach, Plaza
Top Down Oblique
The pavilion proposes an of abstract space that both perspective to the site around In the urban metropolitan fines what being within an created; one below that partially and one above that forces
The pavilion proposes an of abstract space that both perspective to the site around In the urban metropolitan fines what being within an created; one below that partially and one above that forces
TWO
TWO
TWO EXPERIENCES, TWO LEVELS
1:150
URBAN FABRIC
4.87 m 0.00 m 2.44 m 4.87 m 0 m.5 m1 m m 1:150 1:150
ABSTRACT FILTER
COMPLETION
ABSTRACT FILTER A
THRESHOLD
EXPERIENCES, TWO LEVELS URBAN FABRIC
AND INTERJECTION
NEW
PROPORTIONAL BALANCE 2.44 m 0.00 m 4.87 m 0.00 m 2.44 m 4.87 m 0 m.5 m1 m m 0.00 m 2.44 m 4.87 m m.5 m1 m m 1:150 1:150
ABSTRACT
A NEW THRESHOLD
EXPERIENCES, TWO LEVELS URBAN FABRIC COMPLETION AND INTERJECTION
FILTER
PROPORTIONAL BALANCE 2.44 m 0.00 m 4.87 m 0.00 m 2.44 m 4.87 m 0 m.5 m1 m m 0.00 m 2.44 m 4.87 m m.5 m1 m m Oblique View
and Elevation
Section
RELATIONSHIPS:
AND
PROPORTIONAL BALANCE
DETAILS COME TOGETHER
The pavilion proposes an interjection to the plaza through the creation of abstract space that both defines the plaza boundary, and lends a new perspective to the site around it.
The pavilion proposes an interjection to the plaza through the creation of abstract space that both defines the plaza boundary, and lends a new perspective to the site around it.
A new point of interest is created within the overall city, with two different approaches to night and day.
In the urban metropolitan area, simplicity is inserted in a way that redefines what being within an urban context means. Two new spaces are created; one below that partially restricts users from the rest of the plaza, and one above that forces all users to turn to the sky of the city.
In the day, the pavilion is a white abstract beacon to the plaza. In the night, it stands as two linear strips of light, bringing attraction to the square and marking its entry.
In the urban metropolitan area, simplicity is inserted in a way that redefines what being within an urban context means. Two new spaces are created; one below that partially restricts users from the rest of the plaza, and one above that forces all users to turn to the sky of the city.
CHANGING THE NARRATIVE OF THE PLAZA
COMPLETION AND
All elements join in union to create both porousity and solidity at different moments, with the lightness of the column balancing an opaque space that one can occupy above.
The material palette consists only of provided wood and thin metal as structural stair support. The delicacy of materials is paired with a boldness of stark white color contrast in the urban setting.
41
2.44 m 0.00 m 4.87 m 2 DOUBLE WALL, GIVEN PLYWOOD 4 CM THICK GIVEN PLYWOOD, CM THICK GIVEN PLYWOOD, STACKED 8 8 CM METAL FRAME RISER AND WOODEN TREAD SYSTEM GIVEN PLYWOOD, STACKED 8 8 CM LED LINEAR LIGHT STRIP, FULL PERIMETER LIGHT ENCLOSURE PLATFORM STRUCTURE STRUCTURE ACCESS 6 5 7 3 4 2 1 1 2 2. METAL CABLE CM STRUCTURAL METAL FRAME 4. WOOD STAIR TREAD, CM 7. LED LIGHT STRIP, 8 CM 3. METAL BOLT, 2 CM 6. WOOD WALL, 4 CM 5. WOOD COLUMN, 8 CM 3.0 m 18.0 m
NEW LANDMARK TO THE CITY
PLAZA
ELEVATED PARTS TO A WHOLE A
A GEOMETRIC COMPLETION 1:150 1:300 1:150 1:300
FABRIC
TWO EXPERIENCES, TWO LEVELS URBAN
INTERJECTION ABSTRACT FILTER
NEW THRESHOLD
A
2.44 m 0.00 4.87 m 0.00 m 2.44 m 4.87 m 0 m.5 m1 m m 1:100 0.00 m 2.44 m 4.87 m m.5 m1 m 1:150 1:300 1:150 1:300 EXPERIENCES, TWO LEVELS FABRIC COMPLETION AND INTERJECTION ABSTRACT FILTER A NEW THRESHOLD
PROPORTIONAL BALANCE 2.44 m 0.00 m 4.87 m 0.00 m 2.44 m 4.87 m 1:100 0.00 m 2.44 m 4.87 m m.5 m1 m Corner Approach Assembly Plan, First and Second
Material Process Research
RIOS summer internship research project: group
group members
Hope Codiga
Morgan Lomax
Sen Du
Jordan Zauel
investigation of local material extraction, usage, and reusage
The research focuses on the ever-relevant topics of design for dissassembly, material extraction, lumber offcut usage, and assisted migration; and how these processes can contribute to sustainable construction. The knowledge gathered culminates into a hypothetical reimagination of the RIOS building facade and courtyard in Los Angeles, implementing all the processes into one synthesized design.
04 03 02 01
Andreea Dan 43 DESIGN FOR DISASSEMBLY 5.5 FT FT 01 - Stair/Platform Extraction & Reuse 02 - Material Diagram Scheme stacking steps are introduced to the new structure as well as a second level platform; both supported by recycled materials: stone, brick, wood, tile and concrete. intended to be extracted, reused and rennovated extracting various materials from existing building structure (RIOS). 3101 Exposition BLVD. Los Angeles, Ca 03 04 05 06 07 08 09 MATERIALS LIBRARY/ WAREHOUSE KITCHEN LOADING DOCK FAB LAB NOT NEUTRAL LOADING DOCK COURTYARD MATERIALS LIBRARY/ WAREHOUSE KITCHEN LOADING DOCK FAB LAB NOT NEUTRAL LOADING DOCK COURTYARD Project Axon Elevation | Plan
44 Material Process Research 60FT 20 FT 8 FT ~4000 SF REUSABLE LUMBER DEMO 3101 W EXPOSITION BLVD 120 FT 30 FT 150FT 28 FT NEW SCREEN NEWSCREEN 04 03 02 01 Proposal Material Use Proposal Assembly
Andreea Dan 45 ? ! # $ % 01 02 03 04 05 01 02 03 04 05 global warming move species to new climate care for relocated species assimilate to native species species thrives & spreads 02 03 04 05 06 06 05 04 03 02 01 demolition & material waste pollution choose durable material palette draw detailed construction plan assembly of building disassembly of building 01 reuse & repurposing of disassembled material 01 02 03 04 05 01 02 03 04 05 raw material extraction manufacturing/ industrial distribution/ transportation utilisation of product end of life/ dispose 01 02 03 04 05 06 A tree fall down Lose of money and memory Reuse by local log company Serve the community after death Serve and educate local schools 01 02 03 04 05 06 Assisted Migration Design for Disassembly Material Extraction Lumber Offcuts
through 3dsMax. The material of an everyday object is challenged, a skewed perception of fruit through glass is displayed, a physical animation of digitalized sea creatures takes life, and a modern day still life questions gravity.
Andreea Dan 47 Still Life, A Still Life, B
48 Digital Media Explorations
Still Life
Capture and Escape, Physics Simulation Scenes
Andreea Dan 49
A Still Life Animates
Andreea Dan 51 Environmental Learning Center, Plan Environmental Learning Center, Section Environmental Learning Center, Model | View
52 Early Design Work
Bagel Shop, Plan
Bagel Shop, Model
Bagel Shop, View
Andreea Dan 53
Sectional Hoiuse
Horizontal House
partner Alyssa Barber
Andreea Dan 55
Proposal Axon
Water Armature
56 The Masterplan Ground Floor Plan Average Block Condition
Andreea Dan 57 Plaza View Park View Section
As urban environments face increasing housing shortages, the concept of a cohousing community with sharable amenities is posed; the proposal offers a community centered around sustainable agriculture cultivation and culinary practices. Community farms varying in privacy form the basis of the proposal and emerge an environmentally conscious lifestyle in the residential New Orleans community.
Andreea Dan 59
Site Axon | Plan
Project Axon
60 Cultivating Cohousing Front Elevation
Exploded Axon, Correlating Views
Andreea Dan 61 Corner Approach Typical Units