RF OR
and
AN
Alto Saxophone
M
for
CE
Concerto
BE
US ED
FO R
PE
Small Chamber Orchestra
-N
OT
TO
ANDREW BOSS 2015
PE
RU
SA
L
Written for and dedicated to Sean Meyers and the musicians of Symphony Number One for their Fall 2015 season.
CE
Contents p.1 p. 72
AN
Movement 1 – Prologue and Concertante Movement II – Dialogue, Toccata, and Remembrance
Instrumentation
RF OR
M
Flute Oboe Clarinet Horn Bassson
FO R
PE
Percussion 1 – vibraphone, snare drum, 4 tom-toms, bass drum, 2 bongos, medium suspended cymbal, tam-tam, bell tree Percussion 2 – xylophone*, marimba, crotales, triangle, tambourine, water gong*, waterphone*, large suspended cymbal, crash cymbal, sizzle cymbal, vibra-slap, chimes*, anvil, 1 timpani (F-C)*, temple blocks, bass drum (share with 1) Piano Keyboard pad* (a warm “bowed” pad is most desired, or a synthesis of a warm string/choir sound)
US ED
Violin I Violin II Viola I Viola II Cello Contrabass **
* denotes optional yet strongly preferred instruments
TO
BE
** string parts intended to be 1 player-per-part. Maximum allowed doublings (4.3.2.1.2.1). For all other doublings, please talk with the composer.
About the piece…
-N
OT
The Concerto for Alto Saxophone and Chamber Orchestra is a large two-movement work intended to introduce a highly innovative, uniquely challenging, and genuinely musical approach to modern saxophone writing. Written for Sean Meyers and the east coast’s newest ensemble Symphony Number One, it combines the musical virtuosity of the saxophone with a very actively responding orchestra, resulting in an intense musical experience created through the intricate and equally essential dialogue taking place among the players.
PE
RU
SA
L
The 1st movement begins dramatically and sets the pensive and melancholy mood of the opening. The saxophone introduces the main material, which binds the piece and develops through several soloistic cadenzas. The mood from the beginning transforms into an uplifting resolution through a powerful crescendo. A final cadenza segues into the more upbeat Concertante, which further develops the musical material while adding rhythmic complexity and dynamic interest. The movement ends on a cathartic wash of sound by the entire orchestra. The 2nd movement combines elements of musical contrast with instrumental tambours bound by an underline theme first introduced in the clarinet in the Dialogue. This section contains a pastoral undertone which then leads to a highly-energetic Toccata. The unyielding music in the Toccata soon merges with the slower music from the beginning to make a final powerful orchestral climax. The music then settles and resolves into a peaceful and transcendent finale bringing back previously heard material. To learn more about me and my music, please visit my webpage www.andrewboss1.com.
Concerto for Alto Saxophone and Chamber Orchestra I. Prologue and Concertante Molto Rubato q=50
3
f
pp
OT
mf poco sul pont.
-N
SA
L
fp
Viola 1
fp
PE RU
Viola 2
Violoncello
quasi-cadenza: freely, with expression
Violin 2
Contrabass
TO
fp
mp pizz. mf
n
mf
n poco sul pont.
(L.H. included in 8va)
p
n
mp
with bow
mf
6
sim.
3
n
mf
sul pont.
ord.
Copyright © 2015 by Andrew Boss. All Rights Reserved.
n
mp
pp
mp
n
3
medium suspended cymbal: scrape slowly with wire brush
R
BE
f
FO
Percussion 2
Violin 1
mf
Vibraphone: medium mallets
f
Alto Saxophone
mf
Crotales: metallic sound
Pad 5 (Bowed)
RF
5
Piano
Horn in F
Percussion 1
click keys - breath only
Clarinet in Bb
PE
Oboe
Bassoon
OR M AN
ANDREW BOSS
click keys - breath only
US ED
Flute
CE
Written for and dedicated to Sean Meyers and the contemporary ensemble "Symphony Number One" for their Fall 2015 season
n
f
2 click keys - breath only
Ob.
mf
click keys - breath only
3
Vln. 2
Vla. 1
Vc.
5
mp
6
RF
6
mf
PE RU
Vla. 2
Cb.
mp
-N
Vln. 1
Alto Sax.
L
Pad 5
SA
Pno.
f
water gong (if available): soft mallets; slight pitch bends
PE
Tam-tam: bow edge
R
FO
Perc. 2
US ED
Perc. 1
mf
BE
Bsn.
TO
Hn.
OT
Cl.
CE
Fl.
OR M AN
6
sul pont.
n
mp
ord.
n
A
Cl.
Bsn.
Hn.
mf
p
L
PE RU
Vla. 2
Vc.
pp
R
f
3
p
n
ppp
f
mp
pp
3
p
mf
3
poco sul pont.
fp
n poco sul pont.
fp
sul tasto
PE
Crotales: metallic sound
f
OT
-N
Vla. 1
Cb.
Vln. 2
f
n
SA
Vln. 1
Alto Sax.
Pad 5
FO
5
US ED
Pno.
BE
Perc. 2
TO
Perc. 1
multi-phonics
Vibraphone: medium mallets
CE
Ob.
OR M AN
RF
9
Fl.
3 fluttertongue
n poco sul pont.
fp
fp
n
pp
p
mp pizz.
mf
n
4
Ob.
Cl.
Hn.
Alto Sax.
Vln. 1
n
ord. sul pont. n
mp
3 3 3 3
mp
n
RF
PE
5
6
PE RU Cb.
5
mp 3
Vc.
p
Vla. 2
p
Vla. 1
Vln. 2
water gong (if available): soft mallets
BE
f
R
FO
US ED
TO
Pad 5
OT
Pno.
-N
Perc. 2
Tam-tam: bow edge
L
Perc. 1
SA
Bsn.
CE
OR M AN
15
Fl.
Cl.
pp
Hn.
OR M AN
p
CE
Ob.
Bsn.
5
e=e
RF
19
Fl.
poco rit.
beat 3
Vibraphone: soft mallets
Alto Sax.
3
-N
Vc.
Cb.
L
PE
mp
2
pp
con sord.
pp
con sord.
pp
pp
con sord.
pp
PE RU
Vla. 2
pp
SA
Vla. 1
molto rubato
Vln. 1 Vln. 2
R
FO
US ED
Pad 5
p
BE
Pno.
TO
Perc. 2
OT
Perc. 1
con sord.
pp
arco, con sord.
pp
B 6
Perc. 1
f
Perc. 2
6
Crotales: metallic sound
ff
p
p
soft mallets
pp
3
with bow
mf
pp
Pad 5
3
f
Pno.
OR M AN
medium mallets
CE
PE
Bsn.
R
Hn.
FO
Cl.
US ED
Ob.
poco rit.
BE
Fl.
Molto Rubato q=50
RF
24
5 3 3 3 6 3
Alto Sax.
3
pp
f
SA
fp
PE RU
Vla. 2
Vc.
fp pizz.
Cb.
L
pp
Vla. 1
mf
-N
ff
OT
Vln. 1 Vln. 2
TO
molto espress
pp
f
f
n
pizz.
3
pizz.
p
3
mp
n
pp
n
p
7
Cadenza
5
p
5
CE
Alto Sax.
3 accel
dolce
molto rit.
5
OR M AN
29
5
30
3 3 3 3 3 3 3 3
f
RF
Alto Sax.
slowly fade to breath only and key clicks
very fast
accel
espress
f
C
Vln. 2
senza sord. searching
TO
n
OT
Vln. 1
-N
Alto Sax.
PE RU
senza sord.
Vla. 2
p
pp
mp dolce, slow
mp
3
3
3
senza sord. arco
pp
senza sord., arco searching
mp
n
Vc.
echo the saxophone
L
SA mp
p
poco accel.
pp
Vla. 1
BE
Ascending q=70 32
molto rit.
US ED
p
3 modo ord. 3
R
Alto Sax.
slap: standard searching
FO
31
PE
n
ff
p
3
3
3
3
3
8
3 3 5 5
Alto Sax.
5
3
5
5
Vln. 2
Vla. 1
3
3
3
poco a poco cresc.
poco a poco cresc.
3
3
pp
3
3
Vc.
3
Cb.
3
3
3
3
3
Cb.
SA
3
TO
-N
L
6
OT
6
6
3
3
3
3
3
3
3
3
3
3
6
3
6
3
3
7
7
3
7
6
6
poco a poco cresc.
BE
6
PE RU Vc.
3 Vln. 1
Vla. 2
3
3
senza sord. arco pp
6
Vla. 1
poco a poco cresc.
41
Vln. 2
3
3
Alto Sax.
poco a poco cresc.
R
US ED
3
poco a poco cresc.
Vla. 2
RF
PE
FO
Vln. 1
5
OR M AN
poco a poco cresc.
CE
38
3
3
3
D
Alto Sax.
mf
RF
p sub
SA
L
-N
6
3
mf
3
3
3
3
ff
3
6
ff
p sub
f
mf
3
mp 3
crotales - metallic sound
may start before beat 2 if necessary 7 3
PE RU Cb.
f vibraphone - harder mallets
mf
Vc.
mf
R
ff
ff
FO
mf
Vla. 2
mp
pp
ff
ff
Vln. 1
Vla. 1
ff
Vln. 2
OT
Pad 5
p
Pno.
Bsn.
Perc. 2
PE
Perc. 1
p
Hn.
CE
US ED
Cl.
p
BE
Ob.
TO
Fl.
9
fl, ob, cl: play scales around given contourin Eb major: fast
OR M AN
44
q=90
3
f
f
ff
f
f
Perc. 1
Perc. 2
Pno.
slow down
Cb.
-N
3
3
3
dim.
3
dim.
3
3
3
3
3
6
dim.
dim.
3 3 3
3
dim.
3
3
dim.
ff
3
PE RU Vc.
L
SA
OT
TO
ff
Vln. 1
3
f
Vla. 2
f
p
Vla. 1
Pad 5
p
f
Vln. 2
7
Alto Sax.
OR M AN
Bsn.
RF
slow down
PE
Hn.
R
FO
Cl.
US ED
Ob.
slow down
BE
47
Fl.
CE
10
3
11
Ob.
Cl.
Hn.
Bsn.
CE
OR M AN
51
Fl.
mf
PE RU
Vc.
3
3
3
Vla. 2
3
3
3
3
3
3
3
PE
3
3
3
3
3
6
3
3
f
3
mp
SA
Vla. 1
3 Vln. 1
Vln. 2
BE
Alto Sax.
Cb.
R
FO
US ED
3
TO
Pad 5
mp
OT
Pno.
5
-N
Perc. 2
L
Perc. 1
RF
medium mallets
3
3
3
3
3
3 3 3 3 3
3
3
3
3
3
3
3
12
Ob.
Cl.
Hn.
Perc. 2
3
PE RU
p
Cb.
p
L
SA
Vc.
p
3
3
3
3
pp
crotales - with bow
mp
pp
n
mf
pp
pp
pp
3
3
3
mp
pp
pp
n
3
quasi-cadenza: freely, with expression
p
BE
Vla. 2
p
Vla. 1
p
p
Vln. 2
TO
Vln. 1
OT
mp 3
Alto Sax.
RF
-N
Pad 5
soft mallets
3
Pno.
PE
p
R
FO
Perc. 1
US ED
Bsn.
A tempo
CE
poco rit.
OR M AN
55
Fl.
3
13
Cb.
n
n
n
-N L SA PE RU
3
3
3
molto rit.
BE
TO
OT
Vla. 2
n
3
3
Alto Sax.
3
US ED
Vc.
3
Vla. 2
3
n
Vla. 1
PE
Vln. 2
CE
Vln. 1
RF
OR M AN
R
Alto Sax.
FO
62
sub-tones
tambour trill
E With Energy q=95
mf
mp
Cl.
mf
mp
Hn.
mp
sf
mp
Alto Sax.
Vla. 1
pizz.
SA
PE RU
Vla. 2
Vc.
Cb.
p
R
p
sfz
arco
pp
pp
f
pizz. mf
pp
arco
mp
f
p
p
OT
Vln. 2
pizz.
-N
L
Vln. 1
TO
p
FO
BE
Pno.
US ED
Triangle
Perc. 2
mf
pp
Bsn.
Perc. 1
mf
RF
Ob.
OR M AN
f
CE
Fl. 64
PE
14
mp
mp
Pno.
Alto Sax.
Bass Drum - soft mallet
pp
pizz.
pizz.
Vc.
Cb.
pizz.
SA
L
PE RU
Vla. 2
-N
p
pp
p
mp
mp
arco
mp
OT
p
p
Vla. 1
mp
Vln. 1
Vln. 2
FO
Perc. 2
US ED
Perc. 1
p
BE
Bsn.
TO
Hn.
CE
OR M AN
RF
15
PE
Cl.
mp
Ob.
R
68
Fl.
mp arco
arco
mp
p
mp
Pno.
Alto Sax.
Vln. 1
Vln. 2
mf
Cb.
L
SA
4 t-toms
CE
cresc.
mp
p
p sub
pizz. p sub
p sub
mf
pizz.
p
p marimba - harder mallets
RF
p
PE
cresc.
pizz.
PE RU Vc.
mf
Vla. 2
FO
R
p
mp
OR M AN
mf
mf
Vla. 1
US ED
Perc. 2
cresc.
mp
-N
Perc. 1
cresc.
mp
open
Hn.
Cl.
Bsn.
mf
Ob.
BE
Fl.
TO
72
OT
16
cresc. cresc.
cresc.
p sub
arco
cresc.
p sub
p sub
cresc.
cresc.
F
p sub
p sub
Alto Sax.
Vln. 1
Vln. 2
Vc.
Cb.
arco
SA
f
p sub
ff
f
sfp
f
p sub
f
sfp
f
f
sfp
mf
p sub
p sub
arco
f
PE RU
Vla. 2
mf
mf
p sub
L
Vla. 1
Pno.
5
dim.
R
5
FO
f
p sub
5
dim.
f
US ED
BE
Perc. 1
5
p
dim.
f
TO
Perc. 2
OT
Bsn.
-N
Hn.
6
17
CE
6
f
OR M AN
Cl.
5
p sub
RF
Ob.
PE
76 Fl.
Conductor's note: fl, ob, and cl. should play independently; does not need to be exactly together
f
3
5
Pno.
-N
PE RU
SA
R FO
triangle
mf
mf
3 6 sfp
pizz.
L
PE
Vc.
Vla. 2
Vla. 1
p
Vln. 2
pizz.
p
sf pizz.
sf
pizz.
p
sf
3
Vln. 1
Cb.
pp
Alto Sax.
US ED
Perc. 1
BE
Perc. 2
p
TO
Bsn.
5
Hn.
CE
Cl.
OR M AN
5
Ob.
RF
79 Fl.
OT
18
p
snap pizz. sf
19
Ob.
Cl.
Hn.
Pno.
pp
OR M AN
-N
PE RU
Vla. 2
SA
Vc.
arco
pp
p
arco, poco sul pont.
pp
arco
pp
L
Vla. 1
OT
Vln. 1
Vln. 2
TO
mf
p
arco, poco sul pont.
pp
pizz.
p
pp
pp
p
Alto Sax.
Cb.
RF
PE
B.D.
R
Perc. 2
US ED
Perc. 2
BE
Bsn.
FO
83
CE
Fl.
20
Cl.
p
US ED
BE
Vla. 1
TO
SA
PE RU
L
p
Cb.
-N
Vln. 2
Vc.
OT
p
Vla. 2
p
p
p
Vln. 1
p
Perc. 2
Alto Sax.
p
Perc. 1
Pno.
RF
PE
Bsn.
R
Hn.
p
OR M AN
Ob.
CE
FO
87
Fl.
p sub
p
p
p
p
modo ord.
poco sul pont. p pp
modo ord.
p
Cl.
Hn.
p
mp
Bsn.
Alto Sax.
p
OT
-N
L
Vla. 1
SA
Vln. 2
Cb.
PE
tambourine
p
mp
mp
6
mf
p
6
PE RU Vc.
pp
mp
poco sul pont.
Vla. 2
US ED
FO
triangle
p sub
Vln. 1
R
BE
Pno.
TO
Perc. 2
21
mp
p
Perc. 1
mp
p
CE
OR M AN
Ob.
RF
90 Fl.
mp
mf
f
mp
Bsn.
mp
pp
6
PE RU
L
SA
modo ord.
f
arco
f
f
p
arco
p
f
p
mf
p
pizz.
f
pizz.
6
f
6
pp
f
ff
pp
6
-N
f
mf
OT
mf
pp
3
Cb.
f modo ord.
Vc.
Vla. 2
f
pp
3
Vln. 1
Vla. 1
pp
3
ff
Vln. 2
3
Alto Sax.
mf
Pno.
mf
Perc. 2
snare drum - with snares
Perc. 1
3
f
BE
Hn.
3
TO
Cl.
CE
RF
3
PE
3
US ED
Ob.
f
R
Fl.
FO
94
OR M AN
G
22
p
Hn.
Perc. 1
p
mp
4 t-toms 2 bongos
p
3
3
Cb.
p
mp
SA
sfz
col legno
modo ord.
modo ord.
sfz
col legno
col legno
col legno
modo ord.
modo ord.
p
modo ord. p
sfz
p
sf
sf
sfz
3
sf
p
3
modo ord.
sf
23
3
p
col legno
sf
col legno
sfz
sf
p
p
FO
p
PE RU Vc.
n
Vla. 2
L
Vla. 1
mf
Vln. 1 Vln. 2
mp
mp
US ED
BE
TO
Alto Sax.
mp
OT
Pno.
-N
Perc. 2
marimba - harder mallets
mp
yarn mallets
CE
3
Bsn.
mp
OR M AN
Cl.
RF
Ob.
PE
99
R
Fl.
sfz
3
mf
H
ff
f
open
Bsn.
mf
Perc. 2
Pno.
Alto Sax.
p
p
mp
mf
med. susp. cym.
p
mf
f
p
mf
L
SA
mf
mf
mp
mp
arco
7
f
arco
ff
mf
f
ff
ff
ff
ff
ff
ff
mf
ff
mf
OT
PE RU Cb.
mp
Vc.
mf
TO
mp
mp
Vla. 2
mp
Vla. 1
-N
Vln. 2
f
f
Vln. 1
PE
Perc. 1
f
R
Hn.
BE
Cl.
FO
Ob.
f
CE
OR M AN
RF
104 Fl.
US ED
24
ff
arco ff
SA
f
RF
PE
R
FO
PE RU
-N
Vc.
Vla. 2
Vla. 1
US ED
BE
TO
OT
Vln. 2
Cb.
Alto Sax.
Vln. 1
Pno.
L
Perc. 2
Hn.
Perc. 1
25
Cl.
Bsn.
CE
Ob.
OR M AN
107
Fl.
26
Fl. 111
Cl.
ff
mp
ff
mp
Hn. p ff Bsn. mp
Alto Sax.
ff
mp
ff
mf
OT
p
PE RU
Vla. 2
SA
p
p
Vc.
Cb.
p
p
L
Vla. 1
ff
ff
p
-N
Vln. 2
ff
mp
pizz. Vln. 1 p
pizz.
p
ff
mf
arco
pp
arco
pp
mp
p
ff
p
PE
solo
R
cym. - dampen f
FO
US ED
BE
Pno.
TO
Perc. 2
p
Perc. 1
OR M AN
p
RF
Ob.
mp
ff
CE
p
mf
p
mf p ff
mf
p
PE RU
solemn
US ED
p
pp
t-tam
p
p
p
p
solemn
solemn
short
p
pizz.
p
p
OT
BE
TO
R
Vc.
FO
Vla. 2
p
mf
RF
Vla. 1
CE
Vln. 2
Cb.
PE
Alto Sax.
Vln. 1
p
-N
Pno.
L
Perc. 2
SA
Perc. 1
mf
Hn.
Cl.
Bsn.
mf
Ob.
27
I
OR M AN
115
Fl.
solemn
p
p
short
arco, short
p
28
Perc. 2
Vc.
PE RU
Vla. 2
L
BE
Vla. 1
Cb.
Vln. 2
TO
OT
-N
Alto Sax.
Vln. 1
SA
Pno.
US ED
Perc. 1
RF
PE
Bsn.
Hn.
R
Cl.
FO
Ob.
CE
122
OR M AN
Fl.
29
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
R
large susp. cym.
n
PE
pp
FO
PE RU
Vla. 2
SA
Pno.
US ED
OT
Perc. 2
p
-N
Perc. 1
L
Bsn.
BE
Hn.
TO
Cl.
CE
Ob.
OR M AN
RF
128
Fl.
Vc.
Cb.
p
p
mp
Alto Sax.
f
p
L
Vla. 1
SA p
RF p
short
p
short
p
mp
PE RU
p
p
p
Vc.
Vla. 2
OT
Vln. 2
n
Vln. 1
Cb.
p
BE
p
p
TO
-N
Pno.
pp
PE
R
FO
p
vibraphone - soft mallets
Perc. 2
pp
Perc. 1
blend in
Bsn.
pp
Hn.
blend in
Cl.
US ED
Ob.
CE
133 Fl.
OR M AN
J
30
pizz.
p
Bsn.
Perc. 1
crotales - with bow
mf
p
31
CE
short
mf
p
L
-N
3
3
SA
mp
PE RU Cb.
Vc.
Vln. 1
Vla. 2
3
Vla. 1
solemn
mp
Vln. 2
Alto Sax.
BE
Pno.
mp
OT
Perc. 2
OR M AN
RF
solemn
PE
R
Hn.
mp
TO
Cl.
K
FO
Ob.
US ED
137
Fl.
solemn
short
short
arco, short
Pno.
mp
mp
Vln. 2
Vla. 1
Vc.
L
-N
OT
SA
PE RU
Vla. 2
FO
triangle
p
Vln. 1
R
p
p
p
Alto Sax.
Cb.
US ED
Perc. 2
BE
Perc. 1
TO
Bsn.
Hn.
mp
Cl.
CE
Ob.
OR M AN
Fl.
RF
141
PE
32
mp
mf
pp
pp
pp
p
pp
pp
Perc. 1
Perc. 2
Pno.
Alto Sax.
Vla. 2
mp
f
p
pp
p
OT
mp
p
mp
CE
33
OR M AN
pp
mp
p
p
-N
L
PE RU Cb.
pp
Vc.
p
RF
SA
Vla. 1
PE
Vln. 1
Vln. 2
mp
R
Bsn.
FO
Hn.
US ED
Cl.
TO
Ob.
BE
145
Fl.
p
mp
p
mp
mp
mp
Hn.
Bsn.
Perc. 1
mf
p
L
3
3
mf
mp
t-toms (with soft vib. mallet)
vibra-slap
SA
PE RU Vc.
Cb.
L
Vla. 2
blend in
pp
shimmering
mf
vibraphone
mf
BE
Vla. 1
pp
3
Vln. 1
Vln. 2
mf
TO
Alto Sax.
OT
Pno.
FO
US ED
-N
Perc. 2
p
pp
solo
mp
3
mf
p
CE
mf
Cl.
OR M AN
Ob.
RF
Fl.
PE
149
R
34
3
sf
mf
p
p
pp
pp
mf
mf
pp
sf
mf
3
mp
pp
Perc. 1
mf
mp
Pno.
Alto Sax.
Vc.
Cb.
mp
L
SA
3
pp sub
pp sub
p sim.
pp sub
p sim.
pp sub
CE
mp
TO
mp
OT
PE RU
Vla. 2
-N
Vln. 1
Vla. 1
p
3
Vln. 2
sim.
crotales - bowed
Perc. 2
OR M AN
p
Bsn.
PE
35
mp
RF
mp
R
Hn.
FO
Cl.
BE
Ob.
US ED
153 Fl.
3
mf
pp sub
pp sub
pp sub
pp sub
Perc. 1
Perc. 2
Pno.
mp
3
Alto Sax.
Vln. 1
f
L
SA
PE RU
Vla. 2
Vc.
Cb.
f
f
mf
f
t-toms/bongos
CE
mf
marimba - harder mallets
mf
3
Vla. 1
f
B.D. - soft mallets
ff
sfp
-N
Vln. 2
sfp
OR M AN
ff
sfp
ff
OT
Bsn.
RF
p
ff
Hn.
PE
R
sfp
FO
Cl.
Ob.
M
US ED
6
BE
157
Fl.
6
TO
36
sfp
f
f
sfp
sfp
f
sfp
f
sfp
sfp
f
f
Hn.
Bsn.
Perc. 1
Perc. 2
Vc.
Cb.
BE
OT
-N
SA
f
PE RU
Vla. 2
37
3
L
Vla. 1
Vln. 1 Vln. 2
CE
TO
Alto Sax.
Pno.
3
OR M AN
RF
Cl.
PE
R
FO
Ob.
US ED
161
Fl.
Cl.
Hn.
Bsn.
f
Vln. 1
Vln. 2
Vc.
Cb.
R
n
mp
SA
BE
ff
molto espress
ff
ff
molto espress
PE RU
Vla. 2
L
Vla. 1
TO
Alto Sax.
t-tam
OT
Pno.
FO
US ED
-N
Perc. 2
f
ff
Perc. 1
CE
Ob.
OR M AN
Fl.
RF
165
PE
38
molto espress ff
molto espress
ff
molto espress
molto espress
ff
ff
Pno.
Alto Sax.
Vc.
Cb.
CE
ff
OR M AN
mp
S.D.
mf
ff
RF
39
ff
PE
R
PE RU
Vla. 2
f
ff
SA
Vla. 1
5 5
Vln. 1
Vln. 2
f
US ED
Perc. 2
BE
Perc. 1
TO
Bsn.
OT
Hn.
-N
Cl.
5
L
Ob.
N
FO
169
Fl.
ff
Pno.
Alto Sax.
Vc.
Cb.
ff
t-toms (sticks)
chimes (optional, but encouraged)
PE
R
FO
ff
PE RU
Vla. 2
RF
SA
Vla. 1
Vln. 1
Vln. 2
US ED
Perc. 2
BE
Perc. 1
TO
Bsn.
OT
Hn.
-N
Cl.
L
Ob.
CE
Fl. 173
OR M AN
40
Perc. 2
Pno.
Alto Sax.
L
-N
OT
TO
accented, not short
SA
accented, not short
RF
PE
CE
heavy Vln. 1 accented, not short heavy Vln. 2 accented, not short heavy Vla. 1 Vla. 2
R
ff
Bsn.
Perc. 1
sfp
FO
ff
US ED
Hn.
sfp
Cl.
BE
Ob.
41
OR M AN
177 Fl.
mf
p
mp
heavy
heavy
PE RU
accented, not short
Vc.
Cb.
heavy
42 180
Ob.
Cl.
Hn.
Pno.
Alto Sax.
RF
OR M AN
Vln. 2
Vla. 1
TO
L
-N
OT
SA
Vc.
Cb.
pp
p
p
PE RU
Vla. 2
pp
p
pp
Vln. 1
PE R FO
Perc. 2
US ED
Perc. 1
BE
Bsn.
CE
Fl.
O With Feeling q=70
Ob.
Cl.
Hn.
n
mute
pp
mute
pp mute
PE RU
Vc.
pp mute
pp
Cb.
3
mp
3
3
SA
L
f
-N
Vla. 2
dolcissimo
Vla. 1
p
Vln. 2
p
3
FO
pp
Vln. 1
mf
Alto Sax.
crotales - bowed
US ED
Pad 5
BE
Pno.
TO
Perc. 2
pp
OT
Perc. 1
RF
vibraphone - medium mallets
PE
R
Bsn.
OR M AN
Fl.
CE
187
43
44
Cl.
Hn.
Crot.
sim.
Pad 5
ped sim.
Alto Sax.
mp
Vln. 1
pp
p
3
RF
dolce
p
n
mf
3
SA
L
-N
3
pp
3
3 3
large sus. cym.
3
pp
mp
3
p
PE RU Cb.
Vla. 1
mp
3
Vc.
dolce
Vln. 2
3
OT
mute
Vla. 2
TO
Pno.
3
mf
PE
sim. ped sim.
R
FO
US ED
BE
Perc. 1
OR M AN
Bsn.
Ob.
CE
195
Fl.
45
sim.
mp
Cl.
Hn.
p
mp
mp
Pad 5
Alto Sax.
Vla. 1
Vla. 2
3
3
-N
Vln. 2
sim. 5
Vln. 1
3
mp
sim.
3
sneak in sul D
Vc.
Cb.
L
SA
PE RU
3
3
sim.
sim.
n
BE
mp
TO
Pno.
3
OT
US ED
3
p
Perc. 2
PE
R
Perc. 1
FO
Bsn.
sim.
CE
OR M AN
Ob.
RF
201
Fl.
n
46
Ob.
Cl.
Hn.
Vla. 1
Vla. 2
PE RU Vc.
Cb.
-N
OR M AN
p
pp
L
SA
Vln. 2
pp
p
4
Vln. 1
pp
Alto Sax.
RF
PE
R
Pad 5
vibraphone - soft mallets
FO
Pno.
US ED
Perc. 2
BE
Perc. 1
TO
Bsn.
OT
Fl.
P With Energy q=95
CE
209
senza sord.
pizz.
p pizz.
p
47
mp
sfp
6
p
6
FO
sizzle cymbal
RF
PE
pp
6
6
6
p
R
6
mp
sfp
sfp
p
CE
OR M AN
7 6 f
Alto Sax.
BE
Pno.
fluttertongue
US ED
Perc. 2
Vln. 1
TO
Perc. 1
pizz, senza sord.
OT
Bsn.
mp
Hn.
sfp
Cl.
mp
Ob.
219
Fl.
6
p
-N
Vln. 2
Vla. 1
L
pizz, senza sord.
SA
p
pizz, senza sord.
Vla. 2
pizz, senza sord.
p
PE RU
Cb.
arco
sfp
p
Vc.
48
f
Cl.
f
Hn.
mf
Bsn.
Perc. 1
mf
Alto Sax.
arco
OT
mp
Vla. 2
arco
mp
PE RU
p
Vc.
mp
Cb.
mp
mp
p
crotales - with bow
mf
7
7
mf
pizz.
p
7
p
mf
mp
SA
mf
L
Vla. 1
-N
arco
Vln. 1 mp Vln. 2
BE
Pno.
mp
TO
Perc. 2
dampen
CE
OR M AN
RF
Ob.
mp
PE
f
R
FO
222
US ED
Fl.
mf
pizz.
p
mf
mf
mf
mf
p
p
Vln. 1
Vln. 2
Vc.
Cb.
SA
7
CE
OR M AN
mf
mf
p
mf
6
vla solo
mf
mp
mp
PE RU
Vla. 2
6
mf
7
L
Vla. 1
7
7
Alto Sax.
B.D. - soft mallet p
Pno.
BE
Perc. 2
OT
Perc. 1
-N
Bsn.
TO
Hn.
49
RF
Cl.
PE
R
Ob.
FO
225
US ED
Fl.
Q
vla solo
mf
Pno.
Alto Sax.
Vla. 1
Vc.
Cb.
OR M AN
arco
pp
R
FO
arco, poco sul pont.
p
poco sul pont.
p
pp
PE RU
Vla. 2
SA
Vln. 2
mp
Vln. 1
RF
US ED
Perc. 2
BE
Perc. 1
TO
Bsn.
OT
Hn.
-N
Cl.
L
Ob.
PE
228 Fl.
CE
50
mp
mp
mp
p
mp
Ob.
Cl.
Hn.
triangle
Pno.
mf
Alto Sax.
TO
p
PE RU
OT
f
Vc.
f
Cb.
f
p
mf
Vla. 2
L
pp
f
Vla. 1
-N
RF
n mp
mf
Vln. 2
B.D.
SA
modo ord. key-clicking - gradually louder
f
Vln. 1
PE
BE
Perc. 2
R
Perc. 1
US ED
Bsn.
FO
231
OR M AN
Fl.
CE
51
pp
p
pp
p
p
233
Ob.
Cl.
Hn.
Perc. 2
Alto Sax.
Cb.
SA
OT
p
pp
p
pp
pp
mf
pp
PE RU Vc.
p
Vla. 2
L
Vla. 1
-N
TO
p
p
Vln. 2
mf
Vln. 1
US ED
BE
Pno.
RF
PE
Perc. 1
R
FO
Bsn.
OR M AN
Fl.
CE
52
Alto Sax.
p
Vln. 1
SA
PE RU
Vla. 2
Vc.
Cb.
p
p sub
p
p
modo ord.
p
pp
poco sul pont.
p
p
modo ord.
p
p sub
L
Vla. 1
-N
Vln. 2
p
US ED
Pno.
BE
Perc. 2
TO
Perc. 1
OT
Bsn.
R
Hn.
p
FO
p
p
Cl.
CE
OR M AN
Ob.
p
RF
53
PE
236
Fl.
poco sul pont. p
p
Fl.
mp
p
mp
Cl.
p
Ob.
OT
Vc.
Cb.
-N
mp
RF
p
3
mf
6
6
f modo ord.
f
modo ord.
arco
ff
7
mp
snare drum - with snares
mf
mp
mf
tambourine
6
mp
PE RU
Vla. 2
L
Vla. 1
SA
Vln. 2
Vln. 1
BE
Alto Sax.
TO
Pno.
mp
PE
triangle
Perc. 2
3
R
3
open
FO
Perc. 1
3
f
mf
US ED
Bsn.
f
mp
Hn.
CE
239
R
OR M AN
54
f
mf
f
pp
Alto Sax.
Cb.
mf
3
ff
SA
L
pizz. p
pp
FO
f
p3
mf
f
arco
f
2 bongos 4 t-toms
6
6
f
3
PE RU Vc.
pp
Vla. 2
Vln. 1
Vla. 1
pp
3
p3
Vln. 2
Pno.
US ED
Perc. 2
3
f
mp
pp
Perc. 1
BE
Bsn.
pp
3
TO
Hn.
CE
OT
Cl.
3
-N
Ob.
f
OR M AN
pp
RF
55
PE
243
R
Fl.
3
3
3
3
n
p
pizz. p
mp
p
yarn mallets p
3
marimba - harder mallets
Perc. 2
mp
Pno.
Alto Sax.
mp
col legno Vln. 1
p
Vla. 2
PE RU Cb.
sfz
3
mp
3
modo ord. p
p
p
modo ord.
sfz
f
col legno
ff
f
col legno
mp
p
p
col legno
modo ord.
modo ord. modo ord. mp
sfz
sfz
6
mp
arco
mp
f
modo ord.
CE
sfz
p
f
OT
f col legno
sfz
Vc.
SA
Vla. 1
col legno
-N
L
Vln. 2
f
mf
p
OR M AN
3
mp
3
RF
PE
3
R
FO
mp
Hn.
Perc. 1
Cl.
Bsn.
mp
Ob.
BE
Fl.
TO
248
US ED
56
arco
mf
mf
Cl.
f
Hn.
f
Bsn.
Perc. 1
mf
Perc. 2
p
large. susp. cymbal
n
f
f
L
SA
PE RU
solemn
p
f
pizz.
mp
mp
solemn
sim.
p
p solemn open
p
mp
shimmering
pp
6
3
3
p
pp
pp
pp
arco
pp
mp
mf
pp
f
Cb.
pp
p solemn
Vc.
-N
f
Vla. 2
BE
Vla. 1
p
Vln. 1 Vln. 2
US ED
TO
Alto Sax.
f
OT
Pno.
vibraphone - soft mallets
pp
mp
solemn
blend with pizz. strings
f
RF
f
PE
Ob.
p
R
f
CE
FO
252 Fl.
57
OR M AN
S
p sub
p sub
p sub
p sub
p sub
p sub
pizz.
mp
Perc. 2
Pno.
Alto Sax.
pp
p
-N
mp
SA
pp
mf
shimmering
6
3
CE
p
mf
3
mp
pp sub
arco
pp
pp
pp
pp
pp
mf
pp
crotales: bowed
L
PE
PE RU Cb.
Vc.
Vla. 2
Vla. 1
Vln. 1 Vln. 2
R
Perc. 1
FO
Bsn.
p
US ED
Hn.
p
BE
Cl.
TO
Ob.
OT
Fl.
OR M AN
257
RF
58
pp sub
pp sub
pp sub
pp sub
pp sub
Perc. 2
mf
Vln. 1
Vla. 1
PE RU
Vla. 2
Vc.
Cb.
3
3
sfp
B.D.- soft mallet (ossi: yarn mallets)
CE
mf
f
6 7 6
mp
ff
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
SA
Vln. 2
BE
-N
Alto Sax.
6
L
Pno.
sfp
mf
OR M AN
mf
RF
sfp
PE
Perc. 1
R
Bsn.
59
mf
US ED
Hn.
p
TO
Cl.
OT
Ob.
FO
261 Fl.
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfp
sfp
sfp
sfp
sfz
sfz
sfp
265
Fl.
f
mf
Vln. 1
SA
PE RU
ff
ff
Cb.
ff
L
ff
Vc.
f
-N
ff
Vla. 2
ff
ff
OT
ff
Vla. 1
f
chimes (optional but encouraged)
Vln. 2
t-toms; bongos : yarn mallets
Alto Sax.
PE
ff
R
Pno.
US ED
Perc. 2
ff
BE
Perc. 1
TO
Bsn.
ff
RF
OR M AN
ff
f
Hn.
f
Cl.
FO
Ob.
CE
T
60
sfp
pp
marimba - medium mallets
3
3
3
3
3
f
3
mp
3
L
mp p
p
mp
p
3
3
mp
p
p
7
3
6
3
3
6
mp
p
mf
3
mp
CE
mf
3 3 3
3 3
mf
5
61
vibraphone - soft mallets
OR M AN
SA
p
6
p
PE RU Cb.
Vc.
Vla. 2
mf
RF
Vla. 1
PE
Vln. 2
R
Alto Sax.
Vln. 1
p
FO
US ED
BE
Pno.
-N
Perc. 2
Hn.
Perc. 1
Cl.
Bsn.
TO
Ob.
5
Pulsating
OT
269
Fl.
sfp
mf
sfp
3 3
mf
sfp
mf
sfp
mf
3
mf
sfp
sfp
mf
3
3
p
Ob.
mf
Cl.
7
mf
mf
6
Perc. 1
sfp
mf
mf
3
5
Vla. 1
sfp
SA
PE RU
p
sfp
3
3
3
3
3
3
3
3
sfp
sfp
7
3
p
3
mf
mf
sfp
3
mf
p
mf
p
sfp
p
Vc.
p
Vla. 2
6
L
p
6 3 3 5
-N
Vln. 2
mf
BE
3
3
3
TO
3
3
p
Cb.
p
Alto Sax.
Vln. 1
3
p
OT
Pno.
3
3
3
3
3
US ED
Perc. 2
FO
sim.
mf
RF
Bsn.
R
Hn.
mf
PE
CE
Fl. 272
OR M AN
62
3 3
mf
mf
p
mf
p
3
p
p
p
* if saxophonist is unable to perform full or quasi-
Perc. 1
Perc. 2
Alto Sax.
Vc.
Cb.
pp
mf
3
3
3
ff
f
molto vibrato * gliss.
f
f
ff
ff
fff
f
BE
OT
-N
7
3 3 3
CE
mf
large susp. cym.
PE RU
Vla. 2
ff
L
Vla. 1
f
SA
Vln. 2
OR M AN
6
Vln. 1
Pno.
f
TO
Bsn.
open
RF
Hn.
f
FO
Cl.
US ED
Ob.
R
Fl.
PE
275
glissandos, they should play mix of chromatic and diatonic ascending pitches within the glissando indications. 63
U Building up
f
Vc.
Cb.
ff
ff
gliss.
-N
L
molto vibrato
. gliss
ff
molto vibrato
ff
ff
ff
marimba - harder mallets
ff
f ped. sim
ff
PE RU
Vla. 2
SA
Vla. 1
ff
Vln. 1 Vln. 2
ff
OT
Alto Sax.
CE
RF
Pno.
PE
Perc. 2
OR M AN
ff
Bsn.
Perc. 1
R
Hn.
FO
Cl.
US ED
Ob.
BE
Fl. 278
TO
64
ff
ff
ff
Pno.
Pad 5
Alto Sax.
Vln. 1
OT
p sub
SA
L
Vc.
CE
pp
sfp
sfp
p
sfp
p
sfp
p sub
Cb.
-N
PE RU
Vla. 2
p sub
Vla. 1
ff
Vln. 2
mf
p sub
US ED
Perc. 2
BE
Perc. 1
f
TO
Bsn.
Hn.
OR M AN
mp
RF
Cl.
f
Ob.
mf
65
PE
mp
R
FO
282
Fl.
p sub
sfp
66
Pad 5
Alto Sax.
FO
Pno.
US ED
Perc. 2
CE
p
*
BE
Perc. 1
p
Bsn.
OR M AN
Hn.
PE
Cl.
R
Ob.
rit.
RF
285
Fl.
glis
s.
L
Vla. 1
-N
Vln. 2
OT
TO
Vln. 1
SA
PE RU
Vla. 2
Vc.
Cb.
3
f
Perc. 2
t-tam
ff
fff
Pad 5
mf
gliss.
ff
gliss.
-N
PE RU Cb.
t-tam
fff
Vc.
fff
Vla. 2
fff
Vla. 1
fff
Vln. 2
OT
TO
fff
7
L
Vln. 1
SA
Alto Sax.
US ED
BE
Pno.
ff
fff
7
mf
Perc. 1
3
7
7
Bsn.
ff
CE
ff
OR M AN
Hn.
RF
Cl.
67
PE
Ob.
R
287
Fl.
FO
V q=95
fff
fff
Bsn.
Perc. 1
Perc. 2
Pno.
7
7
Vc.
Cb.
-N
L
SA
PE RU
Vla. 2
CE
p sub
BE
Vla. 1
OT
p sub
p
p sub
Vln. 1 Vln. 2
ff
t-tam
Pad 5
Alto Sax.
mp
p sub
mp
OR M AN
3
RF
Hn.
PE
Cl.
US ED
Ob.
TO
Fl.
R
289
FO
68
p sub
p sub
p sub
p sub
p sub
p sub
Ob.
ff
Cl.
Hn.
ff
**
ff
ff
** ff
ff
Vln. 2
SA
L
ff
PE RU
Vla. 2
BE
ff
Cb.
B.D. - soft mallet
p
p
ff
Vc.
ff
p
p
p
p
p
p
fff
fff
ff
f
ff
f
fff
TO
ff
ff
Vla. 1
fff
fff
OT
-N
Vln. 1
US ED
Pad 5
Alto Sax.
ff
ff
**
ff
PE
ff
Pno.
R
Perc. 2
fff
FO
Perc. 1
vibraphone harder mallets
p
p
ff
ff
Bsn.
fff
CE
ff
69
OR M AN
RF
291 Fl.
**
** Winds play scales very fast at random in upper register and staggerbreathe if necessary. Vibraphone plays random pitches very fast with pedal down
ff
fff
ff
ff
ff
ff
ff
fff
fff
fff
fff
fff
CE AN M RF OR
PE
RU
SA
L
-N
OT
TO
BE
US ED
FO R
PE
(This page was intentionally left blank by the composer)
Violin 1
Violin 2
Viola 1
Violoncello
Contrabass
dolce
mp
mp
dolce
dolce
p
mp
US ED
FO
mp
dolce pp
dolce
RF
PE RU
Viola 2
OT
Alto Saxophone
-N
Pad 5 (Bowed)
PE
R
dolce
L
Piano
SA
Percussion 2
mf
mp
Bassoon
Percussion 1
dolce p
mp
Horn in F
BE
Clarinet in Bb
TO
Oboe
OR M AN
Searching q=50 Flute
CE
II. Dialogue, Toccata, and Remembrance
More deliberate q=50
Fl.
p
Ob.
Cl.
p
Hn.
molto rit.
n
PE
RF
pp
Bsn.
CE
poco rit. 8
OR M AN
72
Pad 5
Alto Sax.
L
PE RU
SA
Vla. 2
Vc.
Cb.
FO
p f molto espress
p
3
molto espress
bring out
f
mp
mp
pp
mf
p
mp
p
3
p
p
bring out
molto espress
f
mp
OT
-N
Vla. 1
p f molto espress
Vln. 2
molto espress
Vln. 1
US ED
BE
Pno.
TO
Perc. 2
R
Perc. 1
p
mf
p
p
p
A Brooding q=50
Hn.
Bsn.
pp
mp
3
Vibraphone - soft mallets
sf
Anvil
Crotales
sf
Pno.
n
sf
Pad 5 p
pp
Vln. 2
3
3
3
pp
Vla. 1
Vc.
3
pp
Cb.
pp
3
mp
mp
mp
sf
sf
p
3
3
pp
SA
pp
mp
pp
PE RU
mp
mf 3
pp
Vla. 2
mp
mp
3
pp
3
3
pp
pp
3
3n
mp
f
3
3
mp
mp
mp
pp
mp
3
3 3 3 3
OT
3
-N
L
Vln. 1
Alto Sax.
mp
pp
sf
mp
espress
3
pp
mp
Perc. 1 Perc. 2
CE
pp
mp
OR M AN
RF
3
Cl.
3
pp
PE
R
mp
FO
Ob.
US ED
pp 3
BE
TO
14 Fl.
73
mp
mp
3
Perc. 2
p
3
3
mp
3
3
sim.
dolce
mp
p
US ED
mf
BE
3
3
3
3
3
3
legato
p
3
-N
SA
PE RU
L
pp
pp
pp
Cb.
pp
Vc.
Crotales - with bow
pp
Vla. 2
Vln. 1
Vla. 1
p
Vln. 2
mp
dolce
Alto Sax.
Perc. 1
Pad 5
dolce
mp
Bsn.
Pno.
TO
Hn.
OT
Cl.
RF
3
mp
PE
Ob.
R
FO
Fl.
B
CE
dolce
20
OR M AN
74
pp
Ob.
Cl.
Hn.
mf
3
3
3
3
mf
3
mf
Bsn.
mp
p
3
mf
p
3
f
3
f
mf
Alto Sax.
3
3
mp
3
Vla. 1
Vc.
Cb.
legato
PE RU
Vla. 2
SA
Vln. 2
3
p
3
3
p
mp
R FO
mf
3
3
3
5
7
mp
mp
legato
mf
mp 3
p
p
p
3
mf
chimes - optional but encouraged
6
5
mp
3
3
-N
3
f
L
Vln. 1
US ED
PE
BE
Pad 5
TO
Pno.
OT
Perc. 2
vibraphone - medium mallets
Perc. 1
mp
3
mf
3
mp
CE
75
OR M AN
27
RF
Fl.
3
3
mp
3
3
3 3 3
mp
mp
mp
p
mf
5
mf 5
Cl.
5
mf 5
Ob.
f
6
f
6
3
5 3
f
5
mf 5
5
5
p sub
p sub
Vc.
p
Cb.
mp
5 5 7 ff
mp
mp
f
3
f
5
3
ff
ff
f
6
mp
ff
3
6
3
6
cresc.
3
PE RU
Vla. 2
SA
p sub
-N
L
Vla. 1
OT
Vln. 1
BE
f
6
Vln. 2
TO
Alto Sax.
B.D. - medium mallet
US ED
Pad 5
cresc.
Pno.
Perc. 1 Perc. 2
PE
p
R
Bsn.
FO
Hn.
RF
CE
32 Fl.
poco rit.
OR M AN
76
cresc.
cresc.
3
3
3
* provided tempo indication intended to be the minimum. If capable, ensemble may go up to q=175
C Presto Agitato q=160*
ff
ff
ff
Pad 5
Alto Sax.
Vla. 1
SA
PE RU
ff
pizz.
ff pizz.
ff pizz.
ff
arco
sfp
ff
ff
arco
mf
mp
ff
ff pizz.
ff
pizz.
mp
ff
ff
ff
mp
ff pizz.
ff
Cb.
ff
Vc.
f
detached and percussive
ff
Vla. 2
f
Vln. 1 Vln. 2
R
FO
ff
US ED
BE
CE
ff
ff
Pno.
TO
Perc. 2
OT
Perc. 1
-N
Bsn.
L
Hn.
OR M AN
Cl.
RF
Ob.
77
PE
35
Fl.
mp
pp
Perc. 2 p
triangle
Pad 5
Alto Sax.
mp
CE
OT
-N
mp poco sul pont.
mp
L
SA
PE RU
pp
Cb.
p
Vc.
Vla. 2
Vln. 1
Vla. 1
mp
Vln. 2
mp
US ED
Pno.
BE
Perc. 1
Hn.
Bsn.
RF
PE
Cl.
R
Ob.
FO
OR M AN
43 Fl.
TO
78
Bsn.
mf
Pno.
Pad 5
pp
Vc.
OT
-N
mp
fp
mf
arco, deliberate
p
L
SA
PE RU
Vla. 2
modo ord.
Vla. 1
precise Vln. 1 f p
Vln. 2
f
TO
Alto Sax.
BE
Perc. 2
mf
Perc. 1
mp
CE
OR M AN
RF
Hn.
PE
Cl.
mf
US ED
Ob.
79
R
49
Fl.
D
FO
Cb.
fp
arco
sfp
f
f
Cl.
Hn.
Ob.
mp
p
legato
Vln. 2
p
cresc.
Alto Sax.
Vln. 1
p
PE
R
FO
US ED
Pad 5
mp
BE
Pno.
TO
Perc. 2
OT
Perc. 1
-N
Bsn.
RF
open
CE
54
Fl.
OR M AN
80
Vla. 2
SA
L
Vla. 1
PE RU
Vc.
Cb.
arco legato
p arco legato p
Alto Sax.
Vln. 1
CE
OR M AN
mf
RF
mp
bongos t-toms
mf
pp
p
TO
Pad 5
mf
yarn mallets
f
mf p sub
-N
OT
Pno.
Perc. 1
Perc. 2
mp
PE
mf
mf
R
mp
Hn.
mf
FO
Cl.
Bsn.
81
Ob.
E
US ED
59
Fl.
BE
mf p sub
Vln. 2
Vla. 1
mf p sub
SA
L
p sub
PE RU Vc.
Vla. 2
Cb.
p sub
p sub
82
Ob.
mf
Cl.
p sub
mf
Hn.
Bsn.
Pad 5
-N
mf
OT
Cb.
SA
L
Vc.
p sub
PE RU
Vla. 2
p sub pp sub p sub p sub pp sub
Vla. 1
Vln. 1 p sub Vln. 2
pp sub
RF
R
FO
Alto Sax.
US ED
Pno.
BE
Perc. 2
p sub
TO
Perc. 1
PE
mf
CE
OR M AN
63
Fl.
p sub
pp sub
pp sub
Perc. 1
Perc. 2
p
Pad 5
Alto Sax.
p
pp
mf
poco cresc.
poco cresc.
Vc.
Cb.
CE sfp
sfp
sfp
sfp
sfp
sfp
p poco cresc.
sfp
arco
p poco cresc.
sfp
sfp
p poco cresc.
p poco cresc.
OT
sfp
-N
L
SA
PE RU
Vla. 2
sfp
p poco cresc.
sfp
ff
p poco cresc.
Vla. 1
Vln. 1 Vln. 2
poco cresc.
TO
marimba - semi-hard mallets
p
Pno.
f
poco cresc.
OR M AN
sfp
RF
f
PE
Bsn.
83
R
Hn.
mp poco cresc.
FO
Cl.
US ED
Ob.
BE
68
Fl.
sfp
Pno.
PE
med. susp. cym.
p
3
ff
Vln. 1
f
OT
ff
ff
-N
SA
Vc.
PE RU
Vla. 2
Vla. 1
mf
L
Vln. 2
ff
t-toms
3
f
f
f
CE
OR M AN
ff
Alto Sax.
Cb.
R
Pad 5
ff
RF
ff
TO
Perc. 2
Hn.
FO
Cl.
Perc. 1
Ob.
Bsn.
F
US ED
74
Fl.
BE
84
ff
ff
ff
ff
85
77 Fl.
Bsn.
Perc. 1
ff
p
Pad 5
Alto Sax.
OT
SA
PE RU
sfp
Vc.
sfp
PE
t-toms
ff
mf
3
sfp
Cb.
L
sfp
Vla. 2
3
-N
sfp
sfp
FO
Vln. 1
Vla. 1
f
R
p
ff
Vln. 2
med. susp. cym.
US ED
BE
f
f
TO
Pno.
RF
f
Perc. 2
ff
CE
Hn.
OR M AN
Cl.
ff
Ob.
ff
ff
ff
ff
ff
ff
7
Perc. 1
Bsn.
med. susp. cym.
Alto Sax.
sfp
Vla. 2
sfp
t-toms
ff
mf
ff
ff
ff
PE RU
sfp
sfp
Cb.
sfp
Vc.
-N
sfp
L
Vla. 1
SA
Vln. 2
US ED
OT
f
3 3 3 ff
Vln. 1
p
BE
Pad 5
f
f
TO
Pno.
ff
f
Perc. 2
7
p
ff
PE
Hn.
ff
Cl.
CE
OR M AN
Ob.
RF
Fl.
R
80
FO
86
ff
ff
ff
Bsn.
Perc. 1
p
Alto Sax.
3
Cb.
CE
-N L
SA
sfp
ff
sfp
mf
sfp
Vc.
PE RU
Vla. 2
ff
sfp
3
ff
sfp
Vla. 1
sfp
Vln. 2
f
Vln. 1
US ED
p
BE
f
med. susp. cym.
TO
Pad 5
ff
f
OT
Pno.
f
Perc. 2
ff
7
ff
87
OR M AN
7
PE
Hn.
R
Cl.
FO
Ob.
RF
83 Fl.
ff
ff
ff
ff
ff
ff
ff
ff
Perc. 1 t-toms
Vln. 2
Vla. 1
Vc.
Cb.
ff
p
TO
3
3
3
3
3
3
3
3
3
PE RU
Vla. 2
OT
Vln. 1
-N
Alto Sax.
L
Pad 5
xylophone (optional, but preferred; otherwise, stay on marimba and play 8va)
ff
SA
Pno.
BE
f
play if not using xylophone
f
Bsn.
Perc. 2
CE
OR M AN
Hn.
7
RF
Cl.
PE
Ob.
R
Fl.
FO
86
US ED
88
3
3
3
**
ff
ff
t-tam
B.D.
p
ff
Pno.
f
ff
ff
repeat figure at increasing rate until conductor cues next measure
ff
ff
BE
Pad 5
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
US ED
ff
repeat figure at increasing rate until conductor cues next measure
Perc. 2
ff
ff
ff
CE
89
OR M AN
ff
RF
**
PE
Hn.
Perc. 1
Cl.
Bsn.
**
R
Ob.
G
Hold for 9-11'' **
FO
92
Fl.
**winds play scales very fast at random in various registers (mid-upper register= ob., bsn.; upper register = fl., cl.). They may staggerbreate if necessary
ff
ff
mf
ff
ff
mf
mf
f
Vla. 1
Vc.
Cb.
ff
TO
-N
repeat these pitches; very fast
repeat these pitches; very fast
ff
ff
ff
ff
ff
ff
ff
ff
PE RU
Vla. 2
ff
L
Vln. 2
SA
Vln. 1
OT
Alto Sax.
feroce
ff
ff
ff
ff
ff
ff
ff
ff
ff
pizz. mf
pizz. mf
90
Ob.
CE
99
Fl.
Cl.
Hn.
feroce
Pad 5
Alto Sax.
Pno.
3
Vc.
p
Cb.
OR M AN
mf
p
f
feroce f
fff
OT
-N
PE RU
Vla. 2
L
Vla. 1
SA
Vln. 2
3
Vln. 1
RF
PE
R
FO
BE
Perc. 2
TO
Perc. 1
f`
US ED
Bsn.
feroce arco
f feroce arco f
Ob.
Cl.
Hn.
f
ff
CE
108
Fl.
feroce
91
feroce
mf
OR M AN
H
ff
f mf ff
feroce
p
f
Pad 5
p
f
p
marimba
mp
PE
t-toms
mf
f
mp
R
ff
ff
US ED
Pno.
BE
Perc. 2
FO
Perc. 1
RF
Bsn. mp
p
mp
SA
L
-N
OT
TO
molto vib./quasi trill Alto Sax. feroce Vln. 1 ff mf feroce Vln. 2 f ff feroce mf Vla. 1 feroce
PE RU
Vla. 2
mf
Vc.
f
ff
ff f
ff
Cb. ff
Perc. 1
Perc. 2
Pno.
Pad 5
Vla. 1
f
Vc.
TO
OT
Cb.
CE
f
p
-N
PE RU
Vla. 2
L
Vln. 2
OR M AN
SA
Vln. 1
Alto Sax.
RF
Bsn.
PE
Hn.
FO
Cl.
US ED
Ob.
R
Fl. 115
BE
92
pizz.
Perc. 2
Pad 5
p
t-toms
ff
L
Vc.
Cb.
arco
mf
p
temple blocks
p
mf
p
p ff ff
med. susp. cym. (damped)
p
p
TO
-N
SA
PE RU Vla. 2
p
ff
p
p
ff
OT
ff
mp
ff
play fast around lowest three octaves; keep pedal completely down until end of m.117
mf
Vln. 1
Vla. 1
mf
sizzle cymbal
Vln. 2
p
Alto Sax.
ff
p
Pno.
PE
ff
R
Perc. 1
FO
Bsn.
US ED
Hn.
ff
p
BE
Cl.
p
93
CE
Ob.
I
OR M AN
Introspective
RF
121
Fl.
p
ff
ff
ff
p
Fl.
127
Ob.
CE
94
Cl.
Hn.
bongos - with hands
L
Vla. 1
PE RU
Vla. 2
Vc.
OR M AN
RF
dolce, freely
mp
Vln. 2
Cb.
OT
Vln. 1
Alto Sax.
-N
Pad 5
SA
Pno.
PE
f
R
FO
Perc. 2
US ED
Perc. 1
BE
TO
Bsn.
mp
Hn.
mp
Cl.
p
mp
US ED
f
large suspended cymbal
n
pp cresc.
pp sempre
pp sempre
L
Vln. 2
Vla. 1
pp sempre
pp sempre
Vc.
PE RU
Vla. 2
Cb.
p
OT
Vln. 1
TO
Alto Sax.
BE
-N
Pad 5
SA
Pno.
mp
mp
t-tam
PE
R
FO
Perc. 2
3
p
Perc. 1
2
RF
pp
Bsn.
OR M AN
Ob.
95
CE
133
Fl.
J
legato
p
legato
p
96
mp
mp
p
mp
Perc. 1 mp
Pad 5
2
mp
3
OT
Vla. 1
Vc.
mp
PE RU
Vla. 2
mp
p
p
3
n
Vln. 2
Cb.
mf
Alto Sax.
Vln. 1
mp
SA
Pno.
n
BE
p
bongos - with hands
-N
Perc. 2
mp
TO
L
Bsn.
RF
Hn.
FO
Cl.
PE
mf
US ED
Ob.
R
mf
CE
OR M AN
138 Fl.
n
legato
p
n
Perc. 2
p
pp
mf
mp
OT
Cb.
L
-N
mf
mf
mf
3
CE
3
n
mf
SA
PE RU
Vc.
mp
PE
legato
Vla. 2
mf
p
Vln. 1
Vla. 1
RF
Pad 5
Vln. 2
mf
Alto Sax.
mf
Pno.
OR M AN
mf
R
Perc. 1
2
Bsn.
mf
97
FO
Hn.
2
TO
Cl.
US ED
Ob.
BE
142
Fl.
n
n
Perc. 1
Pno.
mp
p
n
p pp
TO
PE RU p
Vc.
p
p
pp
dim.
dim.
vibraphone - soft mallets
dim.
mp
pp
OT
Vla. 2
-N
L
SA
p
Vla. 1
pp
Vln. 2
CE
pp
p
dim.
pp
Cb.
Pad 5
Vln. 1
pp
4
n
p
Alto Sax.
OR M AN
Bsn.
Perc. 2
dim.
Hn.
mp
Cl.
US ED
Ob.
dim.
RF
2
mp
PE
FO
BE
147
Fl.
R
98
pp
pp
pp
n
K Revisiting
Perc. 1
Perc. 2
Pno.
Pad 5
pizz.
PE RU
Vla. 2
Vc.
Cb.
pizz.
p
TO
OT
-N
L
Vla. 1
SA
Vln. 1
Vln. 2
RF
p slap-tongue pitches with "x"
Alto Sax.
PE
Bsn.
R
Hn.
US ED
Cl.
BE
Ob.
CE
OR M AN
Fl.
FO
153
99
pizz.
pp
pizz.
pp
pizz.
pp
pp
pizz.
pp
100
Cl.
Hn.
p
sfz
sfz
FO
cresc. mf p cresc.
Alto Sax.
Vln. 1
PE RU
Vla. 2
Vc.
sfz
sfz
L
Vla. 1
SA
Vln. 2
Cb.
mp
US ED
Pad 5
BE
Pno.
TO
Perc. 2
OT
Perc. 1
-N
Bsn.
p
CE
OR M AN
Ob.
RF
PE
R
161
Fl.
sfz
mp
mp
mp
sfz
sfz
sfz
mp
sfz
US ED
FO
p
p
mp
sfz
CE
mp
mp
p
p
p
f
-N
Vln. 2
sfz
PE RU
Vla. 2
Vc.
L
SA
Vla. 1
dim.
OT
sfz
Cb.
Alto Sax.
Vln. 1
OR M AN
101
RF
BE
Pad 5
mp
TO
Pno.
Hn.
Perc. 2
PE
Cl.
Perc. 1
Ob.
Bsn.
R
169
Fl.
sfz
arco
sfz
sfz
p
p
sfz
mp
mp
p
Cl.
Hn.
mf
mf
dolce
sf
mf
Alto Sax.
-N
SA
Cb.
f
p
mf
mf
arco, short
pp
pp
mf
mf
mf
marimba
R
mp
FO
PE RU Vc.
L
mf
Vla. 2
ff
mf
Vla. 1
Vln. 1 Vln. 2
US ED
mp
OT
Pad 5
BE
Perc. 2
Pno.
sf
TO
dolce
f
Bsn.
Perc. 1
mp
CE
Ob.
With Direction
OR M AN
Fl.
L
RF
176
PE
102
arco, short
mp
mp
103 180
Fl.
mf
CE dolce
mf
R
FO
US ED
dolce
PE
pp
OR M AN
mp
Vln. 2
L
SA
Vla. 1
PE RU
Vla. 2
Vc.
Cb.
Alto Sax.
Vln. 1
BE
Pad 5
TO
Pno.
pp
OT
Perc. 2
-N
Perc. 1
Hn.
RF
Cl.
pp
Ob.
Bsn.
dolce
p
p
104
3
Pad 5
arco, short
arco, short
SA
p
L
Cb.
-N
pp
p
PE RU Vc.
Vla. 2
p
Vla. 1
vibraphone - soft mallets
Vln. 1 Vln. 2
Alto Sax.
mf
OT
Pno.
Perc. 1 Perc. 2
mf
BE
Bsn.
R
Hn.
FO
US ED
Cl.
3
ff
CE
OR M AN
Ob.
RF
strong breath
TO
Fl.
PE
184
105
3
Alto Sax.
PE
mf
pp
R
BE
FO
TO
Pad 5
3
p
Perc. 2
Pno.
Bsn.
dolce
RF
dolce
Perc. 1
mp
Hn.
mp
f
Cl.
US ED
Ob.
CE
OR M AN
187
Fl.
f
mf
PE RU
Vla. 2
SA
Vla. 1
Vc.
Cb.
-N
L
Vln. 2
OT
Vln. 1
Perc. 2
Pad 5
ff
-N
SA
L
PE RU
Vc.
4
f
Vln. 1
Vla. 2
f
f
pizz.
f pizz.
mf
mf
mf
mf
mf
Vla. 1
ff
PE
Vln. 2
3
ff
4
R
Alto Sax.
Cb.
ff
p
Pno.
3
TO
Perc. 1
3
OT
Bsn.
ff
FO
Hn.
3
3
US ED
Cl.
3
BE
Ob.
OR M AN
190
RF
Fl.
M poco accel.
CE
106
mf
f pizz.
f
pizz.
f
f
f
Bsn.
Vla. 1
Vc.
Cb.
OT
-N
3 3
3 3
4
US ED
p
PE RU
Vla. 2
L
Vln. 2
SA
Vln. 1
Alto Sax.
BE
Pad 5
TO
Pno.
OR M AN
Perc. 2
RF
Perc. 1
PE
Hn.
R
Cl.
FO
Ob.
4
107
CE
194 Fl.
4
4
f
ff
BE
PE RU
Vla. 2
Vc.
L
Vla. 1
SA
Vln. 2
t-tam
ff
1 timpani: pitched F-C (or other low-pitched drum, ex. B.D.)
f
ff
f
3
-N
Vln. 1
6
3
ff
4
Alto Sax.
Cb.
ff
TO
Pad 5
ff
OT
Pno.
4
Perc. 1 Perc. 2
CE
ff
OR M AN
4
R
FO
Hn.
Bsn.
3
Cl.
US ED
Ob.
RF
200 Fl.
With Feeling h=q, q=80
rit.
PE
h=92-95
108
arco molto espress
ff molto espress arco
ff
molto espress arco
ff
molto espress arco
ff
molto espress arco
ff
sul A
3
3
3
3 3 3
3
3
3
3
3
3
3 3 3 3 3 3 ff
arco
109
p
Pno.
p
Vln. 1
5
5
5
3
3
3
PE RU
Vla. 2
Vc.
3
3
5
5
3
sfp
5
f
f
3
3
3
5
5
3 5
f
fp
3
3
f
f
5
fp
3
p
f
5
3
5
p
f
ff
mf
mp
f
legato, but with a pulsating swell
3
p
p 3 3 3
-N
L
SA
Vla. 1
f
legato, but with a pulsating swell
Vln. 2
p
with emphasis 3
vibraphone - medium mallets 3 p 3 3 3
p
Alto Sax.
PE
3
R
Pad 5
Cb.
p
3
3
FO
US ED
Perc. 2
BE
Perc. 1
OT
Bsn.
f
mp
TO
Hn.
mf
pp
pp
Cl.
CE
OR M AN
Ob.
RF
206
Fl.
N
Pad 5
5
Vln. 1
3
3
Vla. 2
fp
PE RU
Vc.
5
ff
fp
3
3
3
3
R
5
5
5
5
5
CE
5
p
legato, but with a pulsating swell
p
3
f
5
6
legato, but with a pulsating swell
3
3
f
f
persisting through
f
p
open
mf
5
5
p
5
3
mp
n
SA
Vla. 1
f
L
Vln. 2
5
f
5
large susp. cym.
sfp
5
Alto Sax.
Cb.
5
TO
Pno.
3
mf
mp
3
mp
3
3
mp
OT
f
3
f
-N
Perc. 2
Perc. 1 3 3
3
3
f
p
Bsn.
3
3 mp
Hn.
Cl.
mf
FO
Ob.
US ED
Slowly build
RF
BE
Fl.
PE
210
OR M AN
110
111
poco a poco cresc
Cl.
Hn.
Pad 5
6
5
5
5
3
OT -N
6
6
6
6
5
6
SA
poco a poco cresc
PE RU
Vla. 2
poco a poco cresc
Vc.
Cb.
L
poco a poco cresc
Vla. 1
poco a poco cresc
3
3
Vln. 1 Vln. 2
6
Alto Sax.
R
FO
US ED
PE
poco a poco cresc
sempre p
Pno.
BE
Perc. 2
p
TO
Perc. 1
poco a poco cresc
Bsn.
Ob.
CE
OR M AN
213
RF
Fl.
6
6
5
SA
PE RU
Vc.
7
7
6
5
molto
p
B.D.
n
3
molto
mp
molto
large susp. cym.
n
molto
molto
R
OT
7
3 3 6 fff 3
-N
L
Vla. 2
Cb.
7
Vln. 1
Vla. 1
Vln. 2
FO
US ED
Alto Sax.
Pad 5
OR M AN
Pno.
RF
Perc. 1 Perc. 2
BE
Hn.
mp
Cl.
Bsn.
TO
Ob.
PE
215
Fl.
molto rit.
CE
112
molto
molto 3
molto
p
p
molto
molto
molto
ff
Bsn.
ff
Perc. 1
Perc. 2
f
f
Vln. 2
SA
PE RU
ff
L
3
3
3
ff crash cymbals
ff
3
CE
blend in
3
3
3
3
2
2
3
3
mf
fff
mp
3
fff
blend in
fff
fff
2
fff
fff
2
fff
6
3
fff
fff
5
p
ff
Cb.
ff
Vc.
ff
Vla. 2
div. (if available)
ff
Vla. 1
ff
-N
Vln. 1
OT
div. (if available)
n
3 ff Pno. 3 Pad 5 f Alto Sax.
fff 5
OR M AN
7
fff
3
ff
Hn.
RF
fff
113
rit.
PE
ff
Cl.
3
R
3
FO
Ob.
ff
US ED
Fl.
BE
219
Allargando q=75
rit.
TO
q=80
3
f
4
2
4
2
2
Pno.
p
Pad 5
Vln. 2
mf
2
SA
mp
PE RU
Vla. 2
Vc.
mp
mp
mp
2
n
2
pp
mp
2
p
quasi-cadenza, with a timeless feel
3 3
mp
3
p
pp
p
large sus. cym.
mf
Vla. 1
L
Vln. 1
Cb.
mp
mp
mp
Alto Sax.
R
OT
Perc. 2
vibraphone - soft mallets
5
4
US ED
Perc. 1
mp
2
BE
4
-N
Bsn.
p
FO
mp
2
TO
Hn.
p
p
7
3 6 3
Cl.
CE
O
OR M AN
2
f
Ob.
poco rit.
RF
With Feeling q=75 224 Fl.
PE
114
p
3
p
p
p
p
p
115
Pno.
Pad 5
3
p
-N
pp
PE RU
Vla. 2
SA
Vla. 1
L
pp
pp
Vc.
pp
Cb.
pp
3
3
3
3
3
3
3
OR M AN
pp
3
pp
pp
Vln. 2
OT
Vln. 1
3
3
n
3
3
3
3
RF
dolce
Alto Sax.
pp blend in pp
Perc. 1 Perc. 2
TO
Bsn.
3
3
Hn.
p
Cl.
PE
R
Ob.
FO
n
n
US ED
Fl.
BE
232
molto rit.
CE
q= c.a.55
3
3
236
Fl.
Pno.
Pad 5
Alto Sax.
7
ppp una corda, pedal accordingly
pp
pp flautando
-N
3 pp flautando
pp
6
3
7
6
3
6
3
3
7
mf
SA
PE RU
pp flautando
Cb.
OT
L
pp flautando
Vc.
7
7
pp flautando
Vla. 2
pp
Vln. 1
Vla. 1
flautando
Vln. 2
OR M AN
RF
PE
Perc. 2
R
Perc. 1
3
FO
Bsn.
mf
US ED
Hn.
3
BE
Cl.
p
TO
Ob.
CE
P Graceful h=45
116
3
3
3
3
Cl.
Hn.
OR M AN
vibraphone - soft mallets
Perc. 1
RF
5
7
Pad 5
Vla. 1
Vc.
Cb.
3
3
R
6
7 7
7
3
3
sim.
TO
OT
PE RU
Vla. 2
-N
Vln. 2
L
Vln. 1
7
7
SA
7
Alto Sax.
pp
US ED
Pno.
BE
FO
p
crotales - soft mallet
Perc. 2
p
Ob.
Bsn.
CE
PE
238
Fl.
117
3
3
3
3
mf
Cl.
Hn.
Perc. 1
Pad 5
Alto Sax.
Vla. 1
Vc.
Cb.
3
3
6
3
3
6
5
pp
6
6
6
6
5
5
3
6
PE RU
Vla. 2
L
SA
Vln. 1
Vln. 2
6
FO
6 6
US ED
BE
Pno.
TO
OT
Perc. 2
-N
Bsn.
3
p
OR M AN
RF
Ob.
CE
PE
240
Fl.
R
118
3
3
3
3
3
3
3
3
119
mp
mp
Cl.
Hn.
Vln. 1
Vln. 2
Vla. 1
Vc.
R 3
3
3
3 3 3 3
3
3
3
3
3
3
3
3
7
7
3
PE RU
Vla. 2
BE
Alto Sax.
Cb.
5
FO
TO
Pad 5
5
OT
Pno.
5
US ED
-N
Perc. 2
L
Perc. 1
SA
Bsn.
PE
Ob.
CE
OR M AN
RF
243
Fl.
7
7
3
3
3
Q Molto Rubato h=q 248
Pno.
Pad 5
5
mp
p
molto espress, legato
p
Vla. 1
SA
p
L
molto espress, legato
molto espress, legato
Vla. 2
PE RU
p molto espress, legato
Vc.
7
Cb.
p
pp
mp
pp
3
3
ff 3
pp
pp
pp
mf
pp
mf
pp
mf
mp
mf
3
mf
solo
3
5
p
molto espress, legato
mp
mf
-N
Vln. 2
mf
OT
espress, legato molto Vln. 1
TO
3
molto espress;arioso timeless, rhythm intended to be more expressive than exact
3
p
Alto Sax.
q=45 solo
CE
BE
Perc. 2
OR M AN
pp
Perc. 1
RF
Bsn.
poco rit.
mf
pp
Hn.
PE
Cl.
R
Ob.
US ED
Fl.
FO
120
mf
pp
255
pp
pp
pp
p
Bsn.
p
Pad 5
Alto Sax.
PE RU Vc.
p
Cb.
p
-N
p
p
mp
mp
mp
pp
f
3
mf
ppp
pp
mp
pp
pp
mp
mp
pp
mp
pp
pp
ppp
ppp
ppp
pp
pp
pp
pp
ppp
pp
mp
pp
ppp
p
mp
pp
pp
pp
mf
p
solo
3 3
pp
p
p
SA
p
L
OT
p
Vla. 2
p
Vla. 1
p
Vln. 2
mf
Vln. 1
mp
US ED
Pno.
pp
BE
Perc. 2
mp
pp
TO
Perc. 1
p
pp
RF
mp
pp
PE
Hn.
R
Cl.
FO
Ob.
mp
121
OR M AN
Fl.
q=45
CE
R Brooding
molto rit.
mp
mp
mp
pp
p
pp
pp
p
mp
mp
122
Ob.
Cl.
Pno.
Pad 5
Alto Sax.
pp
mp
Vln. 2
Vla. 1
L
-N
OT
pp
SA
PE RU Cb.
Vc.
Vla. 2
pp
pp
pp
p
pp
mp
mp
mp
pp
pp
die away
mp
pp
mp
Vln. 1
p
RF
R
pp
PE
FO
Perc. 2
US ED
Perc. 1
p
BE
Bsn.
pp
TO
Hn.
rit.
CE
265
OR M AN
Fl.
p
p
p
ppp
ppp
pp
pp
(q=c.a. 40)
Fl.
Cl.
Hn.
Bsn.
Perc. 1 p
mp
keep pedal down
pp
Alto Sax.
Vln. 1
Vc.
Cb.
p
CE
n
mp
n
3
mp
3 p
sim.
3
3
3
3
p
3
OT
pp
pp
n
R
n
mp
PE RU
Vla. 2
sul pont.
-N
pp
L
Vla. 1
SA
Vln. 2
US ED
strum bass strings (no fingernail)
BE
Pad 5
TO
Pno.
FO
mp
crotales - with bow
Bell Tree - hit infrequently and at random; not too tinny, but resonant
waterphone (if available): with bow; many sounds
Perc. 2
p
t-tam
123
OR M AN
Ob.
PE
274
RF
S Ethereal
modo ord.
ppp
flautando
f
pp
124
Perc. 1
n
mp
Pad 5
mf
3
pp
3
p
mp
3
3
mp
cresc.
3
sim.
mp
mf
3
5 3 6
mf
OT
p
3 p 3
n
mf
L
SA
Vla. 1
PE RU
Vla. 2
Vc.
Cb.
-N
3
3
Vln. 1 Vln. 2
mf
3
p
mp
vibraphone - soft mallets
3
pp
p
p
mp
crotales - with bow
Alto Sax.
TO
Pno.
n
waterphone
Perc. 2
3
CE
3
mp
RF
Bsn.
3
FO
Hn.
3
US ED
Cl.
mp
BE
Ob.
3
3
PE
3
OR M AN
R
278 Fl.
mf
pp
p
n
mp
modo ord. pp
mf
p
Perc. 2
mf
mp 5
Vln. 1
mp
3
mf
f
large susp. cym.
3
5 3
3
mf
3
n
beat 3
n
pp
Vc.
Cb.
L
PE RU
Vla. 2
SA
Vla. 1
-N
pp
TO
3
mp
Vln. 2
OT
Alto Sax.
pp
3
6
Pad 5
R
Perc. 1
Pno.
mf
mp
BE
Bsn.
FO
mp
Hn.
US ED
Cl.
CE
mp
Ob.
OR M AN
RF
283
PE
Fl.
125
rit.
p
Ob.
p
p
PE RU
mp
mp
mp
SA
mp
L
-N
OT
mp
mp
Cb.
Vln. 1
FO
mp
Vc.
Vla. 2
Vla. 1
Vln. 2
Pad 5
Alto Sax.
Pno.
p
Perc. 2
p
Perc. 1
US ED
Bsn.
BE
Hn.
RF
p
PE
R
TO
Cl.
molto rit.
CE
q=40 Fl. 286
OR M AN
126
**
n
Cl.
Hn.
pp
Pad 5
Vln. 2
p
SA
PE RU
Vc.
pp
pp
Cb.
pp
L
pp
Vla. 2
pp
pp
Vla. 1
TO
OT
-N
Vln. 1
pp
7
5
mf
**
**
pp
7
p
("m")
pp
("m")
n
p
n pp p
("m")
p
**
p
p
p
("m")
p
("m")
waterphone
mp
3
mp
p
pp
mf
f
Alto Sax.
crotales
5
f
vibraphone - medium mallets
pp
US ED
Pno.
n
**
BE
Perc. 2
**
pp
n
Perc. 1
n
Bsn.
**
pp
pp
pp
pp
CE
Ob.
n
OR M AN
pp
RF
**
PE
289
FO
Fl.
127
R
q=35
** players sing one of given pitches on "aw." They may staggerbreathe when necessary. Be sure that pitches are divided as evenly as possible among players based on their voice range. Written as concert pitch.
p
("m")
p
("m")
p
("m")
p
("m")
p
("m")
p
("m")