Moments of Silence

AN CE

BE

US

ED

FO

RP

ER

FO

An Elegy for Wind Ensemble

RM

Moments of Silence

2016

US AL -

NO

TT

O

ANDREW BOSS

PE R

Dedicated to the inflicted victims and families of the San Bernardino mass shooting In loving memory for the 14 souls who perished that day

Instrumentation

AN CE

Flute 1, 2 (parts doubled) Oboe 1, 2 Bassoon 1, 2 Contrabassoon ** Clarinet in Bb 1, 2, 3 (parts doubled)

RM

Bass Clarinet Contrabass Clarinet **

FO

Alto Saxophone 1, 2 Tenor Saxophone Baritone Saxophone

ER

Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Euphonium Tuba

RP

String Bass

FO

Percussion 1 – timpani, bass drum 2, crotales, water gong Percussion 2 – marimba, bass drum, chimes Percussion 3 – vibraphone Percussion 4 – anvil/break drum, small tam-tam, medium & large suspended cymbal Percussion 5 – glockenspiel, tam-tam (small and regular), medium suspended cymbal (share with perc.4), wind chimes

ED

Piano **denotes optional but preferred instruments

US

… about the piece

BE

It was December 2, 2015. Fourteen innocent souls perished on this day in San Bernardino, a day now remembered as one of the worst mass shootings of its time. Roughly twenty-two individuals were fortunate enough to recover from their physical wounds, but never forgetting what will perhaps have been their darkest hours. This incident marked the 352nd shooting of the 371 total US shootings that took place in 2015.

NO

TT

O

The nature of this work taps into the traumatized minds of those individuals who live to tell of their survival from that day, and for those families who continue to weep over the loss of ones they adored. The work relives and embraces the realities of the agonizing grief and horror experienced during these incidents through sonic images carried out throughout the piece. A piercing and recurring blow by the percussion shatters our hopes of breaking away from this grim reality while the lurking oboe melody mourns the current state of affairs. The ensemble quietly enters with a heavy-hearted theme that is later interrupted by a fragmented and promising chant. As quickly as it entered, the chant disintegrates as the initial heavy theme returns in an overpowering statement. As these two main themes further develop along with the recurring percussion blows, we are met with a nostalgic, “tear drop” motive outlined in the piano, and the piece begins to build momentum. The chant breaks free with a powerful statement and the piece deceptively builds itself to a horrifying climax. From the wash of sound, the lurking oboe melody reemerges. The return of all the previous motives signal the piece’s conclusion. It is not until the very last pitch where a thread of “light” finally arises, signifying hope. This is significant, as one thread of hope is all it takes to make an significant and positive change.

US AL -

Moments of Silence hauntingly voices the amassed concerns over violence with firearms, among other types of violence. It serves as a reminder to our entrusted lawmakers that doing nothing more than reflecting on each passing homicidal incident is not a viable solution. It serves as an in memoriam to the tens of thousands of American lives lost over related incidents each year. Finally, it serves as a vessel of hope to those inflicted families. To those who must wake up every day to the dark reality of losing someone they truly loved, this work is a statement that we are with you… that we will always be there for you – to mourn with you, to pick you up, and to stand tall as a community against those who mean to do us harm. For the collective voices and actions of many will always outshine the evildoing of the few. Thus, this is our response to violence: to “make music more intensely, more beautifully, more devotedly than ever before,” using its raw emotional power to heal broken communities and restore faith in our seeking of a better future.

PE R

-quoted text by Leonard Bernstein-

List of Consortium Members

Alta Loma High School, Brian McNair; Ayala High School, Mark Stone; Beattie Middle School, Curtiss Allen; Cajon High School, Nathan Phung; Citrus Valley High School, Austin Meiners; Cope Middle School, Susie Chaplo; Eddie and Elizabeth Smith; Kaiser High School, Anthony Allmond; Los Osos High School, Samuel Andress; Redlands East Valley High School, Brian Hollett; Redlands High School, James Benanti; Riverside Poly High School, Oscar Mooring; Robert Presler and Family; San Gorgonio High School, Cameron Nabhan; San Bernardino County Music Educators Association, Jennifer Belsey, President; Upland High School, Ernest Miranda; University of Redlands School of Music; Vista Murrieta High School, Brent Levine; Mesa View Middle School, Paul Kane; Yucaipa High School, Robert Presler

Dedicated to the inflicted victims and families of the San Bernardino mass shooting In loving memory for the 14 souls who perished that day

Moments of Silence ANDREW BOSS

     

    1. Clarinet in Bb 1    Contrabassoon

Clarinet in Bb 2

Clarinet in Bb 3

     

    Contrabass Clarinet in Bb   



pp

Trumpet in Bb 3

Trombone 1+2

Trombone 3



 

  

n

    n







breath only - no pitch



breath only - no pitch





f

  

1.



   

n



  

mp

n



f



breath only - no pitch





f

  





 

  





  









  

   

straight mute



breath only - no pitch

Euphonium

  

Tuba

   



breath only - no pitch

f



  Percussion 1   





f



 

L-

   

chimes - hard mallets

sf

              

SA

vibraphone - medium mallets

Percussion 3

sf

n

  sf

mf

anvil or break drum (preferably both)

PE RU

Percussion 4

  Percussion 5   



bowed cymbal (medium)

           

Piano

sf     



NO

  String Bass  

Percussion 2





 

mf

   

TT



  

dampen

 

 









  

     



 



 

 





 



mf

   

mf

n

     















  



  











mf

pp

  

 



n

          n

mf





f



1.

pp





 





 















  

mf sim

    







 





  









sf

sf

sf    

 





               

  

     



 



     sim

 





 





 



 

 





 



 

 

 





  

tam-tam - bowed

     

 

    

  

 

    

f

 

 





    

n

 

f

sf



Copyright © 2016 by Andrew Boss. All Rights Reserved

mp

breath only - no pitch

  

n

      

breath only - no pitch

 

n

     

breath only - no pitch



 

sf

        



  

pp



      

 





crotales - with bow

 

sf

 

 







n

n



sf

 

    

f



 

    

f



 





 



breath only - no pitch

open

 

n

breath only - no pitch

 



sf  





 

 







p



   



n



 



   





 

n straight mute

pp

 

 







n mf straight mute



 

n





 

p

3

   







       

 



straight mute

n



   

   





 

    





 

poco rit.

f        



  pp 













   

 

f





 



n



     

 

pp





   

   



    

n 3



 



 



   



   

  

 



pp

  

 

n



pp

 

 



  Horn in F 1+2   

   





  Baritone Saxophone   

Trumpet in Bb 1+2



pp 1.

  

Horn in F 3+4

f



    

Tenor Saxophone 1

n

pp 1.

Bass Clarinet in Bb

Alto Saxophone 1+2

 



  



  

RM AN

Bassoon 1+2

   

solo

 



     



n

pp

BE

Oboe 1+2

n

 

 

FO

pp

 



ER



   

O

Flute 2

n

   

ED

pp 1.

 

FO RP

  

US

1.        Flute 1  

q=50

CE

An Elegy for Wind Ensemble

mp

 



A

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

A. Sax. 1+2



pp

Bari. Sax.

Hn. 1+2

Hn. 3+4

Tpt. 1+2

Tpt. 3

  







    

       

 

 pp

   a2   



     pp



            



pp 2.



pp

     

 

  



 

 

        

 

pp

     

  

SA



L-



pp



pp

   

   



   



     





    



  



  

 



  











       









   





  



n

 



       

NO









    

       







pp







   





  



      



Tbn. 3



n





   

n (2.)





Cb.

    



  

Tba.



  

Tbn. 1+2

Euph.



  





pp



  

pp





pp

  



  

  

  

 a2     pp





         pp       



 





  

      

 





















pp



 



     



n



       







CE

    



 a2     

n



   a2     pp

pp

T. Sax.



     



    

   

RM AN

Cl. 1



   



       

n (2.)



    

 



     



 

 

 

 

     





 

FO

Cbsn.

      pp   

   



ER

Bsn. 1+2



FO RP

Ob. 1+2



  

ED

a2      pp        

Fl. 2



BE

Fl. 1

Molto Legato, with a slight swell q=50

O

9

US

   a2     pp

  

n



                 

 



    



    





   





    

















 

 



































































TT

2



        





      

 

 

     





  

 

   





   





    

 

 

    

   



























Perc. 2

 



























Perc. 3

  



























































 



 









 



PE RU

Perc. 1

Perc. 4

 

 Perc. 5    p 

tam-tam - modo ord

sim

Cl. 3



  sim          

  sim     pp sim

  

B. Cl.



Cb. Cl.





sim





 



  



Bari. Sax.



sim   



Tpt. 1+2



Tpt. 3

Tbn. 1+2

Tbn. 3

Euph.

Tba.

 

 

Hn. 3+4



      



sim





    







        



 







 







 



        sim

sim



 



Perc. 3



Perc. 4



  

 



   

  

 



    

 

 













      

a2











 







 



  

     

   

     

  

    



 





   





 





 



 



p

 



   

 



    

  

         

  

  







p

























 

        







  



 



 



 



  



 





n

n

n



    

   pp cup mute          

1. open p

 

 





      

2. open

 

    

   

     





  



  



     

 



   

p

   



p

 

  

        

 

    

  



  

 

p

            

mp

p

   



 

 

      



tam-tam - superball

 

 



  

still legato

  

      



  p

     



 

p still legato

    p









       









   





 

still legato

           

         

 





   



 



p



      



  



 







     





      

 





       



 











1. still legato

p

 

 



p

   





     



tam-tam - superball



  

     



 

      



            







SA

  

Perc. 2

Perc. 5





PE RU

Perc. 1

                     



sim

Cb.



  











   

     

  





  

 



pp

      



      



           

   

 

p still legato

p

     

  





n





     p still legato                                      

           

     

       





          

 









  



  

     

pp



sim

sim



L-

Hn. 1+2



n (2.)



 

sim          A. Sax. 1+2   

T. Sax.

                   



   



 



ED

Cl. 2



 



      

US

Cl. 1

   

sim



BE

Cbsn.

pp

 

    

pp

O

Bsn. 1+2







CE

          









3



RM AN



     

TT

Ob. 1+2

 

           

      

still legato

FO

 

pp



   

B

ER

        sim

Fl. 2



NO

Fl. 1

sim

FO RP

           19

    

     

    

C



1.

p



 

Tpt. 1+2



Tpt. 3

Tbn. 1+2



Tbn. 3





   





 











     



Perc. 2



PE RU



Perc. 3



Perc. 4

Pno.

n

mp



    







 



 

   

  

     

               p 3.



   

p

   









 

p

  

mf

       p

      p

3

  



mf

   

mf

3

     



                    

       open          











  

open





a2

  

 

  

  

        











































 

  





  

 

large suspended cymbal



f

 

 

  

f

   









  

CE

    

         

          f sfp      



       

   

    

          sfp

    

       

f

sfp

f

sfp

sfp

         sfp                      sfp          sfp

sfp

sfp timpani - harder mallets



  

  

   

f

 





   



sfp

chimes

 















 







sfp

    







sfp           

  

   

 

         

     

f



sfp

       

f



       

sfp with emphasis

   



    

with emphasis





    

      f

 

       



f

          sfp      

 

with emphasis

   



sfp

         f   sfp         f sfp           f open sfp        



 

with emphasis

f

 

    

         

sfp

sfp

f



pp



    

 

 

 

with emphasis

f

f

    

with emphasis

   



 

with emphasis

f

 

 

   



RM AN sfp

f

 

      





f

 

FO

   

p

      sfp

  

ER

  



with emphasis



 

  



     

f

  





f

 

 



n

 

   

n



f

      p

     with emphasis       with emphasis      

  



     sim.   3            

n

    

Maestoso q=55 with   emphasis

  



   

    p        p  p           









  

 





3



 

SA

 Perc. 1  

Perc. 5

mf

mf

  



      p

n

  



p



  

 

      



                

Euph.

Cb.

  



  

p

      

mf

  

 3         

      

mf

 

Hn. 3+4

Tba.



  

n

  



1. bring out mf

      

   

 



p



 

     

p

FO RP



    

T. Sax.

Hn. 1+2





  

     

TT





mf

Bari. Sax.

    





  

still legato               

B. Cl.

A. Sax. 1+2

    

a2             

Cl. 3

 



  

   a2      

    p    p      p

   

  

ED





  



   

      

US

   

Cl. 2

Cb. Cl.



   

BE







  



                 

Bsn. 1+2

       p

         

Ob. 1+2

Cl. 1



   a2         

Fl. 2

Cbsn.

     

NO

Fl. 1

  

O

    33

L-

4

 



t-tam



mp

 

   

3

  

Bsn. 1+2

   

3

3

 3   3        







                      Cl. 1   Cl. 2

 

3     



       sfp  





        3

      1.

    



  



                               3      B. Cl.                        sfp      Cb. Cl.            

    

T. Sax.

3

Bari. Sax.



     

     

             Hn. 1+2              

Tbn. 1+2

Tbn. 3

Euph.

Tba.

Cb.

Perc. 1

Perc. 3

     

   

      

    

   



          

  

    Perc. 5   Perc. 4

Pno.

     

     





     

     

  

    



n

           

 

 

sfp

sfp



sfp



sfp





p

 



 

  

 

 1.    

 



    

 



 



    

 



   



    

mf

 

   

 

  

p

   



a2

 

                







 



  









 

  















    

   

    

    





 

 



















 







p





 



  





 

  

 



p





 





    





1.









mf



1.



 

 









    





n





mf





 



        





n

    

 

f

p



 



BE sfp

    











5

 

a2

   

  

       

    

      3

        sfp             

   



3

O

      

PE RU

Perc. 2

     

   



n



sfp

3



     

        

  

p

 

   

3.

NO

Tpt. 3

  



1.

   

L-

Tpt. 1+2

                     

SA

Hn. 3+4

3

n

sfp

TT

3 3



        

3



bring out







  1.

    



FO RP

            



p

ED

3

3



               

sfp

US

3



  

Cl. 3





p

1.

              A. Sax. 1+2   



               

    

molto rit.

p

 

  

p

 

3

3 3

     

    

sfp

3

3 3

       

    

3

                        3

3

3

        

    

 

         

     

CE

    

3    

 

RM AN

Ob. 1+2

       

  

                       3

Cbsn.

     

FO

Fl. 2

      3      

ER

Fl. 1

    40         3           





p

 p

1.



p

n

  

  



 p

   











































      



      

p



 





    

 

  





              

 



   





ff

      



ff

        

  a2  

         ff

  a2   

      Cb. Cl.    



    

 



NO



  

L-

 

SA

PE RU

 

 

small t-tam

   Perc. 5      





 

 

   f    





f

f





     



 





    

     



   

mf



mf

      

mf

     

 

       

  

           

mf

      

mp

          



mf



    

   

  p

 

    



        





     

 

           

 

 

p

mp



           



mp



  



 

   

 

  

mp

mp

  

p

   

 

  

 

  

 



   

 

   

 

  

 

 

    p

  

 

  





 







    

  

 

CE

 

     



 

p

   



 



   



  

  





 

  

 







  

  

 





  



  

 

          





p

1.      





p

  

 

  

 



  

 

  

  

 



  



      





  

 



 

     

 



 

    

  









  









 

 





  

 









 

  











 















ff

  



 

mf

  



      



 

       

 

n

 



ff



t-tam





ff

 

   

   

 

       

B.D.

Pno.



ff

ff

    

  



ff



 

p 1.



p

  

      

 

1.

  

    

f

     

  

        



   

mp

 

rit.

     





mp

 

      



f

 

        ff        

     

Perc. 4

  

O



timpani - medium mallets

Perc. 3



ff

 ff   

   

  



 

Tbn. 3

Perc. 2

 



   

Perc. 1

    

 

Tbn. 1+2

Cb.

 

  

 

           

ff

   

 ff           ff    a2      

   

 

 

   

Tba.



       

 

Euph.



ff

   

Tpt. 3



               ff    

    Hn. 1+2      Hn. 3+4    Tpt. 1+2

  

TT

Bari. Sax.

 

         ff

   

     

        ff

    A. Sax. 1+2   

 

 

ff

B. Cl.

T. Sax.

 

     

    

 

 a2          Cl. 1     ff

Cl. 3

   

ff

      p

Cl. 2

   

         

    

Bsn. 1+2

 

  

 

 

RM AN

ff





FO

Ob. 1+2

Cbsn.

          

    

 

     

ER

    



 

FO RP

      

ff

a2

Fl. 2

      



US

Fl. 1

q=55

      48

BE

6

ED

D



   

 















  













  











  

 

  

      



 

  

          



p

pp

     

  

pp

B. Cl.



n 1.

   

    

n 1.

   

n







pp

Tpt. 1+2

Tpt. 3

Tbn. 1+2

Tbn. 3

Euph.

Tba.

Cb.

 

    



        



        pp

   













 

mf



pp





       



 

SA sf

           vibraphone

Perc. 3

PE RU

sf

anvil or brake drum (preferably both)



Perc. 4

Perc. 5

Pno.



  



sf

             



     

 

           sf

 





n





mp



 



pp



n

p



pp



pp

  













    



    











 









sf



  sf



sf

sf

 









sf

       sf



    







    

   









  

   

pp





    mp

  













 

n

mp

n

mp

mp

             

  

pp

  

pp

n

    













      

 



   

 

mp

 







 



  





 





n





mp

            







       

   



pp



       

 







      











     







3

 





            p pp    



   





 





          





sf







  



pp



  













pp



 

sf







    

 



sf

  









 

  

 







sf







 









p

  

 



   



  

 

  





  



 

  

pp







L-

   

    

     





   

pp

 

n

sf





     

                p      (a2 trill)          





chimes



pp



3                                 p p pp

sim





pp

              p      (a2 trill)          



n mf straight mute

crotales

Perc. 2

        p





pp

Perc. 1



2. straight mute

    

   

  

p



  

    



           

sim



7

3                          p p

sim

soli, bring out, freely

Bari. Sax.   

Hn. 3+4

 

p

        pp (a2 trill)     A. Sax. 1+2     

Hn. 1+2

              p

soli, bring out, freely

Cb. Cl.

T. Sax.

             p

rit.

3                           p p pp

p

soli, bring out, freely

n

  

             

      

       

pp

sim

p





US

Cl. 3

1.

    

  

               soli, bring out, freely

BE

Cl. 2

     



pp



         

    

    

  

O

Cl. 1

    

pp

    p  

         

TT

Cbsn.



NO

Bsn. 1+2

         

    p  

  

FO RP

          (1.)



   

CE

Fl. 1

  

RM AN

    

ED

a2

FO

  

      mp      Fl. 2            p 1.       Ob. 1+2    56

ER

E Freely q=50

pp

mp





pp



mp

  



pp

mp











     

 







  





  

sf

sf

sf



sf



            sf

   



 

  

t-tam :superball

pp

mp

 

  

B. Cl.

Cb. Cl.

 







   



 













   



  

T. Sax.

Bari. Sax.

Hn. 1+2

Hn. 3+4

Tpt. 1+2

Tpt. 3

Tbn. 1+2

Tbn. 3

Euph.

Tba.

Cb.

  

          

  



  

   



       

 









   

 

 



 







pp



 





pp



pp

pp

 

     















 

pp





       



pp



pp



pp

 

 

marimba - soft mallets

pp





        

  

p

  p





 

  



  









  



 





  

p







 















  





1.



p



1. (open)

pp







  



mp















 

 





 



mp

 



  









  



n









  

 



                    



 

 





    



    



  



p

 

 

    



 

















           



  

    



        



   



solo

n      n mp      n mp     



 











bowed













p



 

  

a2















p



 



p

p







 









 



       















  









        

pp

scrape cymbal





p



  

















   p









p

 





 



pp





 

    

 

 







pp

  



 

SA

    



 

L-



  

 

 

 



     



 

 



   

 

 



  

   

Pno.

 

     

Perc. 4 Perc. 5

 

    

 

  

 



PE RU

Perc. 3

 

   

    



  

   





     

  

a2

a2



  



   



  Perc. 1     Perc. 2



 

 

p 1.



  

CE



 

p a2



RM AN

    

    A. Sax. 1+2



 





a2

FO RP

Cl. 3





  Cl. 1    Cl. 2



   

ED

Cbsn.



US

Bsn. 1+2



BE

Ob. 1+2



O

Fl. 2



Nostalgic q=65

 

TT

Fl. 1

F

FO

64

ER

    

NO

8



  

      

   



 





   







  





Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

     







 





  









 



 



  





   





 

 

 Hn. 1+2 

Tpt. 1+2

  

 



Hn. 3+4





A. Sax. 1+2

Bari. Sax.



 

 

T. Sax.





 





   

mp



f

  



n



n

 



  



  







 

Perc. 3

Perc. 4 Perc. 5

Pno.









  

p





p

  p

   



  



     









 

 

 



p



p

 



    

   



    



    

p





  



  







  

p



      mp       mp      

  

n

 

n

 

mp



p

 







  





    a2

 





n 3.



 

  

















  











  









 



 





 











 





 



p



     

        p



    





   















 



   

           



         

 

  

n

   

pp

              

                





                           

            



pp

  

n



                     

  



NO   





L-

SA

    

 

    





PE RU

Perc. 2



p







   

  





 



p









    



 

  Perc. 1   











Tbn. 3

    



  a2           





Cb.







       







 

   



 

  







Tbn. 1+2

Tba.



p

    





  





  





 

Euph.



  

p





 



Tpt. 3





n







  

p





p 1.

      

 

 

ED

Cbsn.





 

p

US

Bsn. 1+2



BE

Ob. 1+2

  

O

Fl. 2





CE



RM AN



FO

 

ER



TT

Fl. 1

FO RP

     72

  













 

      cresc.

cresc.



  



 

cresc.                 

9

 



 

Cl. 3

B. Cl.

Cb. Cl.

   



 

 



  









Tpt. 1+2



Tbn. 1+2

Tbn. 3

Euph.

Cb.

Perc. 1

Perc. 3

Perc. 4 Perc. 5



Pno.



7



 p

7

 

  

 

f

 

    pp  



   

 

   



 med susp cym 

pp

    

 

 





  





  











     





   

   



   

 

mf

mf

   

 

  



  



 



   













  



 









 







 

    

 

  



 



  



   

  







   

 





    

 





        

mf

f

   mf   

 

    

     



mf

               f



 

  



   





         

   









   

  







 





 



 



       







    







   



   



   



   



   







 



 



 







   

      

 

 



 

 



   

 



 



  







  

   

 

 



     





   



 

   

mf     

  

  

f

    



f

 



 



   



  

 

 







   

 

   



  

    

f



  





 





  

  



f

 

  



   

 





f







 









timp - medium mallets





mf

  





f



   

  



   

f

 



  *         



 



 *        f



  

  

f

7









f

7



pp





f





  

  

 *         

    







       

  



mp



    

  







f

 



  

f f

  



    







   

  





  

       





   

        

f

mp

  

   





PE RU

Perc. 2







p



 Tba.   





           f   *           

 

 



p





  

  





Hn. 3+4







 Hn. 1+2 

Tpt. 3

  



f



 

SA

Bari. Sax.

    

a2

f

 

     



A. Sax. 1+2

T. Sax.

    

 





FO RP

   



 

f

   

ED

   

    Cl. 1  Cl. 2

    

    



f

  

CE





FO





ER



   

US

Cbsn.

  



BE

Bsn. 1+2





O

Ob. 1+2

  



NO

Fl. 2

  

L-

Fl. 1



TT

    80



RM AN

G Moving forward q=70

* does not have to be together 10

 

    

 

      

     

   

   







Cl. 3





B. Cl.





Bari. Sax.

Hn. 1+2

 





Tpt. 1+2



Tbn. 1+2

Tbn. 3

Euph.

Perc.1

Perc. 2

 

            

      

           

    

         

        



   

 

  

          mf   

   

Perc.4

Perc. 5

Pno.





     



 





 



     

pp





   









 

       

      

    



 

 



 



 



 







   

f

 

 



   f    



 



  f 



       

     

    f 

 sfz

 

f



 

sfz anvil



ff





glockenspiel

 



 



   

 





 

  

   

         

 





 

    

 

   





 

     









 

























sfz

 



ff



  

     



 

 

       



           



     



mp



mp

       







mp

    

   



      



             

 

mf

sfp



  

       

p







 

p

 

med susp cym





pp

 

small tam-tam









  pp

 

11

    

sfz



  

  



              

    





                                





    

                    

 

f





             

      

  

CE

  

       

         

f



        

f

  

      

  

f

 

 





   



      

 

   





             

   

   





   





             

  

           mf     

  

 

                     



 

    





                                

  



 



      

        mf     

  





          

  

     

 

mf

  

  



 









      

   





 

  





   





                  



 



                                     

      





pp open









   



   



  



          

  



   

PE RU

Perc. 3



      





 Tba.    Cb.

           

    

Hn. 3+4

Tpt. 3

 

L-

T. Sax.

 

   

SA

A. Sax. 1+2

 

    





    



 

RM AN



Cl. 2

Cb. Cl.

           



 



molto rit.

FO





   

ER

 Cl. 1  









            

FO RP

  





 

   

               





ED

Cbsn.

 



 

US

Bsn. 1+2

  



  

BE

Ob. 1+2

  



O

Fl. 2

   





TT

Fl. 1

   

NO

    87







 







Cb. Cl.

A. Sax. 1+2

T. Sax.

Bari. Sax.



 



          

 

 Hn. 1+2 





   

 

Tpt. 1+2

 

Tpt. 3



Tbn. 1+2

ff



ff

   



 

  

f

         

ff

Perc.4

Pno.





 







ff sempre marc

           



ff

      ff



ff







  

      ff



        ff

 

f



 

ff

 



 

  



     

     



     

 











(a2)

    

  



  



   





  



     

    



   

    a2

ff

                           

  

 

1.

 

f

f

  

3

 

3

    



  

        

 

  

      





3

 







 



 

  

    



  

          













           

   

 



 

      

 

  

    





     

 ff    

 

ff

   



  

 



chimes

3

 



 

















 

large susp cym





























 

   

   



 



     

  



CE

       



      

    







    





 



    

   



 





  









  







  





L-





NO



  





1.

            

1.

ff





ff sempre marc

  







ff



Perc.4



sempre marc

SA





           

PE RU





    



ff

Tba.

Perc. 3



   

  

      



  

   

   



ff

f





f

 







              







ff



Perc. 2





sempre marc





 













ff 3.



Perc.1







  









  

ff

 



  



     

     



Euph.

Cb.



a2  

  

     

 









    

    

  

f

f Tbn. 3

 



f

  



Hn. 3+4



ff

         

B. Cl.



      

     Cl. 1         Cl. 2  Cl. 3

     

ff

    



 

RM AN

Cbsn.



 

  



   

FO

Bsn. 1+2





    ff



poco rit.

ER



  



    

FO RP



Ob. 1+2





  

ED



Fl. 2

 

 

  

BE

Fl. 1

Luminous q=60



O

   95

 

TT

12

US

H





  











ff



ff

   Cl. 1 

      

ff

Cb. Cl.



T. Sax.



   

ff



ff

Bari. Sax.





 Hn. 1+2 

ff

  

ossia  - tpt 1



   

Tpt. 1+2

Tpt. 3



Tbn. 1+2



Tbn. 3







Tba.





Perc.1

   



ff

 

ff

 

PE RU 

Perc. 3

Perc.4

Pno.





Perc. 4











  

ff



        





Perc. 2



ff



 





      





 



  

 

ff







 

ff

 

   



   



 

             

       

                 

         

     

    

 

    





ff









 

 

mf

f





 3            









 



ff

CE

         

 



ff



ff



ff

       a2 bells up



 













 

ff a2 bells up

           

  

4. 8vb only if necessary

ff





    

mf

  

3

ff

                    

      

 



 

ff



ff









ff



  



p

 



   

  









 

  









  ff        ff          

mf



       

    

I



     



ff

  

3

 



ff

       

 







     



f

3

    





(blend)



       

 

   3         

  

 

 

 

   





3

     a2      

  

chimes

f





3



3



    





 

f

  

  





 13





ff

       









ff

        

   











ff



 

ff

    



t-tam

ff



 

mf







mf



  



    

  

f



 ff

ff

3



 

a2

ff

 

f

  

 

            



3                

 



   

ff

   

3 ff 3                       f ff 3  a2  3                     ff

  

 

ff

3

a2

  





ff

 

SA

Cb.

       

                  

 

Euph.





           

   

ff

 

ff

             

  



Hn. 3+4



ff



a2





 

  

ff



ff

 







 



  









 

ff

   

ff

  A. Sax. 1+2 

       

   

  

     



L-

B. Cl.

ff



               



 

ff

Cl. 3

  



  

   

  

 





  



ff

Cl. 2



  

ff

   

a2



RM AN



a2



 



FO

ff

  





    

ER



  

  

I Letting go q=52

molto rit.

FO RP

 







ED

ff



Bsn. 1+2

Cbsn.



 

ff

   

US



Ob. 1+2

 



  

BE



Fl. 2

ff

 

TT

  

   

NO

Fl. 1

 



O

 

101

q=60

 

p

  p





  





 

 t-tam 

ff



    

med susp cym

p

ff

  

ff

  

ff



 

med susp cym



p

 







     

 

    Cl. 1 

Cb. Cl.



 

   



 

    



  

 





             

Tpt. 3



 

Tbn. 3



 

Euph.





Tba.



Perc.1

Perc. 2

   



Perc.4

Pno.





  

f





       





Perc. 4



  

f

 



PE RU

Perc. 3

 



                                                                                     

   

 



L-

Cb.





SA

Tbn. 1+2

             

                                     

                



Tpt. 1+2





   

 



                             

 

       

     



      

      



   

       

 



   

             

        

  

































  

 



ff

 

  

   





  



 

ff

 

                        

 





trem. modo ord



... etc

Trumpet 3: 2/2-3. Kickout 3rd valve slide (to play C half step lower)

ff

ff



Trumpets should not play this harmonic series passage together. 1st tpt should start and 2nd tpt should wait c.a. 1 second after 1st tpt plays





    

 







 

play any cluster chord at random; do not play in time use full register of instrument

   

   large susp cym

ff

         





ff

 





   







 

      

f



   



sfp



  



   





           sfp      sfp





               sfp

  





 

B.D. - soft mallet





            

                 

       





 





      

                   

                   







           

    



      T. Sax.     Bari. Sax.    

Hn. 3+4



    

    A. Sax. 1+2 

Hn. 1+2

    

         

B. Cl.





           

BE

Cl. 3

    

O

Cl. 2



                                                                           

          

       



CE

 

TT



  



RM AN



Bsn. 1+2

Cbsn.



 

rit.           

FO



Ob. 1+2





                   Heavy

ER



Fl. 2

 

NO

Fl. 1

 

FO RP

109

 

ED

  

 

US

14

8 people are instructed to scream at this passage. Screams should resemble shrieks of horror and rage and last short to medium length with small pauses. It is prefered to have a mix of both men and women, so conductor may make changes to voice assignments as necessary. Flutes, remaining clarinets, and saxophones are to play scales very fast in upper registers. 1st horn should use harmonic series to create glissandos (like a roar).

  

  t-tam 

  

pp

pp

fff



          ... etc  



 

slow crescendo; very gradual

slow crescendo; very gradual

play any cluster chord at random; a ferocious and terrifying sound use full register of keyboard



J

 





Bsn. 1+2



 

Cbsn.



 

  

 

 

 

 

Cb. Cl.

A. Sax. 1+2

  

 



 

T. Sax.

Bari. Sax.

 



 

 

Tpt. 1+2

 



Euph.



Tba.



 

   



 

Perc. 3



 



 

PE RU

Perc. 2



Perc. 4

Perc.4







Pno.

   



ff

    B.D.

L.V.

fff L.V.

 

fff

ff

 

mf

    p



   

 

   



   

   

 

     





 pp

p

  

pp







2.



pp

     n









   p

         n (2.)

 



   



  

  



  

  





   





   





  







    







 



     





 

   



n

 

 



    





n



  

  







  











  











 











  











  

   

 

pp



pp

 

 

mf

   



     pp     

   

   

B.D. 2

SA

Perc. 1



O

Tbn. 3

 

TT



NO

Tbn. 1+2

 

L-

Tpt. 3

Cb.

 

    

pp

 

 Hn. 1+2  Hn. 3+4

  a2  

 

  



pp

  a2    pp   a2    pp   a2    pp      pp  

    

ER

 

B. Cl.

      pp   

 

 

Cl. 3

mp

n

  

 

 

 

Cl. 2



 

FO RP

Cl. 1



pp







CE

solo: freely, with expression at first, as if playing a tuning "A" for the orchestra

  



a2    

ED



Ob. 1+2

 



US



Fl. 2

    pp

15

RM AN

 

BE

Fl. 1

As before q=50

a2

FO

   115



pp





pp





pp

  



   

 





      

  

   

 







































































 

 

 p 

tam-tam - modo ord

 

  







    pp

 

 

      pp

  

      Cl. 2    pp  Cl. 3     B. Cl.   

    

Cl. 1

A. Sax. 1+2

   

T. Sax.



Bari. Sax.



Hn. 1+2



 

Hn. 3+4



Tpt. 1+2



Tpt. 3



 

   

n



             



    













 





















 



 

Perc. 4



Perc.4



Pno.









 



superball



 

NO

B.D.

PE RU



 

   

 

     



 

  

 

  



 

   









   



 

dim. dim.



      dim. 









 







  

  

   



  

   

 







  

 

  



      

 













 





 

 

dim.

   

  















 





 

























































      

  

 





             

  







 



 





    

 



dim.





      



  

dim.



   

 



  





   







      

bowed crotale; modo ord.















  



  





f





 

mp

















 

medium susp cym



  



f

  



mp

































 











    

f     

mp

 

 







  





 



 

     mp



 













 

f

anvil or break drum (preferably both)





mallets medium        

p

 

dim.







 

dim.

dim.

  







 

 







   







p

 







  

L-





SA



  



    

Perc. 2

Perc. 3

    

   

 

 



TT





  









 Perc. 1





Tbn. 3

Cb.







  





   

                   





 

 

  







 1. (open)       







   



  



 





      





  

     



Tba.





Tbn. 1+2

Euph.

pp

          





  

1.













pp



         



   

 



1.

   

 

 









      

     

    







dim.



    

  





  

    

 

 









    

 

p

1.        

 



dim.

dim.

US

Cb. Cl.

  

      

     



 

pp

 

CE

  

n

     

RM AN

Cbsn.



     

   

 

FO

Bsn. 1+2

pp

    

   



ER

Ob. 1+2



FO RP

Fl. 2

   

BE

Fl. 1

K

     

            1.              1.

ED

     121

O

16

    mp



     

     mp



 

    

 

pp

Cbsn.

Cl. 1

Cl. 2

Cl. 3

     pp





     pp

 

 

  

 

  

    pp  Cb. Cl.     pp

      

Bari. Sax.

Hn. 1+2

Hn. 3+4

Tpt. 1+2

Tpt. 3

pp

 

   

 

  

 

 

Tbn. 3

  

 

    

 

 

pp

Cb.



TT

      pp



       pp    

NO

Tba.

Place E crotale on edge of timpani. Bow crotale and move timpani pedal up and down until sound dies away





marimba

   

  



     

Pno.

  

  

 

pp

 

Perc. 4

Perc.4

5

soft mallets

PE RU

Perc. 3

p

5

mf

   

SA

Perc. 2

  

mp 5

 

L-

Perc. 1

 

O

Euph.















 

 





 



mp

            

  

 



 



 













 











    











 



  







 







   



 



 

  

 

















































    

















  

p straight mute

 







  

     

  





























































3

  



  

    

3

p

 







     

  

 

 

    

straight mute

 

        

  

































 





5



mp

 

 

  

    



 

    



solo







     



  

 



 



 

  



   



 

  

 







 

 

  





 

  

Tbn. 1+2



 

 

 

 



 

 

 

 



 

 

    

 

 

BE

T. Sax.

  

 

 

1.



 

 

   

B. Cl.

A. Sax. 1+2

 



CE

Bsn. 1+2

 

 

RM AN

Ob. 1+2

  

 



ER

  

 

ED

Fl. 2

 

FO

 

US

Fl. 1

17

rit.

FO RP

    133

3

3

           

 

3

3



 

 





Cbsn.

 

Cl. 1

 

Cl. 2



Cl. 3



B. Cl.



Cb. Cl.



A. Sax. 1+2

    

T. Sax.



Bari. Sax.



Hn. 1+2

Hn. 3+4

 

   

p

   ah ___   

Tpt. 3

Tbn. 1+2

freely, with espression

 

  

solo

3

   ah ___   

 

 



  

ah __

 

ah __

Perc. 1

     

Perc.4







Pno.



O TT

ah ___

  

ah ___



   

  

B.D.

n

pp

   

  

bowed cynbal - no pitch

PE RU

Perc. 4

NO

  

Perc. 2

Perc. 3



   ah ___    ah ___   

L-

Cb.

p

p

mp

   

pp

    L.V.  

wind chimes - brush the large quarter of bottom tip very lightly

n

pp

 

   



  

  

SA

 

 

  

   

 

Euph.

 

  

  

 



 

   



Tbn. 3

 

  

   ah ___   



 

  

ah ___



 

  

ah ___



 

ah ___

ah ___

   ah ___    ah ___    ah ___    ah ___   

     

ah ___

Tba.

 

   

ah ___ Tpt. 1+2



  

n

   

 

  p

 

     

water gong perc.2 or 4 player encouraged to help



freely, approximate rhythm

 

3

mf

  

 









 

  





 

   

 



 

  







 

  

 

 

 

  

 

 

 

  

  

CE

Bsn. 1+2



 

RM AN



ah ___

  

FO

Ob. 1+2



 

ER

Fl. 2

q=50

   

FO RP

Fl. 1

   ah ___   

ED

139

US

  

** players sing "ah" on either pitch staggerbreathe when necessary. Dynamics not indicated, but the singing should be rather soft with warm tone.

BE

18

L



gliss.



 



















 

    

  mp





3



 

    

gliss.

Cbsn.       Cl. 1

 

Cl. 2



Cl. 3



B. Cl.

Cb. Cl.

 

         

         

Bari. Sax.



Tpt. 1+2

Tpt. 3

Tbn. 1+2

Tbn. 3

Euph.

  

           

           

Tba.      

 Perc. 1   

Perc. 2



PE RU

Perc. 3

 

Perc.4







Pno.

p

  











   

 



                            







 









Perc. 4





      

   

L-

 

SA

Cb.

 













 

 

  3



 



    3

   

    





 

 



  

 

 



 

 

with bow



 scrape cymbal

  mp





 

 

 

 

n



     

  







pp

     

 

 

(m)

 

 

  (m)  

 

(m)

 

 

 

   

(m)

 

(m)

 

(m)

 

   

 

 

   

  (m)  

 

   

  (m)  

 

(m)

 

        

(m)

   (m)   (m)   (m)  

 

 

    

  

(m)

 

       

(m)

   

 

(m)

  L.V.  

mf

 

(m)

 



 



 

(m)

 





 







 







 

 

 





 

  (m)    (m)    (m)  





O

Hn. 3+4

 





TT

Hn. 1+2



 

BE

T. Sax.



NO

A. Sax. 1+2

  

 

         

RM AN

   

 

FO

Bsn. 1+2

   

 

ER

Ob. 1+2

   



FO RP

Fl. 2



G.P. in memoriam 19

CE

                                     

US

Fl. 1

ED

     142

   

             

 

 