Norfolk Suite A Sonata for Small Chamber Orchestra
ANDREW BOSS
Instrumentation Flute Oboe (double Cor Anglais) Clarinet Bassoon Horn in F Percussion 1- snare drum*, 4 tom-toms, 2 bongos, bass drum, triangle, medium suspended cymbal, large suspended cymbal** (share with 2), tam-tam (share with 2) Percussion 2- marimba, vibraphone, tam-tam (share with 1), chimes***, large suspended cymbal** (share with 1) Piano Violin I Violin II Viola Cello Contrabass**** *snares must always be on when used; when not in use, turn snares off as quickly and efficiently as possible, if possible. **the composer prefers rolled cymbals to always use soft mallets if possible. ***the use of chimes is optional; however, the composer strongly prefers its use. ****notation is written in order to accommodate to contrabasses without C-extensions, though the composer originally intended for the use of a C-extension.
About the Piece This work was originally written as a sextet (clarinet, trombone, piano, percussion, violin, contrabass) for the 2013 Norfolk New Music Festival and dedicated to their ensemble. After hearing a wonderful performance by the sextet that summer, I came to the realization that I was not pleased with the way I orchestrated the work. There was a strong need for a larger and more balanced sound than what my orchestration for the sextet provided. Therefore, I started from scratch and re-orchestrated the work from the piano reduction for a small chamber orchestra. The grouping divisions I was working with while re-orchestrating the work were woodwind quintet, string quintet, and percussion trio; therefore, the antiphonal writing that is seen quite frequently between the two quintets is intended and should be brought out musically and acoustically in performance. The percussion trio, though occasionally used as a separate group, is more often divided, merging with one of the quintets (or both, in the sporadic case of completely blended passages or, more frequently, full tutti sections). The form of the work is a one-movement sonata with, roughly, a fast-slow-fast division within itself. All of the melodic and harmonic material in this piece are the product of the linear fourth and the vertical minor 2nd/major 7th that begin the piece, which develop organically in time. The 7th also represents two contrasting key centers- often ‘black’ vs. ‘white’ [piano] key- that provide strong impulses of forward motion throughout the piece. In terms of ‘black’ vs. ‘white’ keys, the slow section is a harmonic inversion of the outer fast sections and provides an apparent colour contrast in the piece, despite the same harmonic procedures is being used, now flipped.
Original instrumentation for sextet (2013) dedicated to the Norfolk Music Festival New Music Ensemble. Revision for small chamber orchestra (2014) dedicated to the University of Texas New Music Ensemble.
Norfolk Suite
Transposed Score
A Sonata for Small Chamber Orchestra
Flute
ANDREW BOSS
Allegro Vivace q=130
f
Cor Anglais
f
Clarinet in Bb
Horn in F
p
f
f
Percussion 2
bass drum
ff
marimba- regular mallets
f
f
f f
triangle
p
p
Violin 1 f
f Contrabass f
Violoncello
mf
f
Viola
Violin 2
4 tom-toms
Piano
Percussion 1
f
Bassoon
ff
f pizz. p f pizz. p f pizz.
Copyright © 2013 by Andrew Boss. All Rights Reserved
p
mf
f
2 5
Fl.
C. A.
Cl.
Bsn.
Hn.
mp f
mp
Perc. 2
Pno.
Vln.
Vln.
Vla.
Vc.
Cb.
5
arco
f
arco f
arco f
mp
mp
mp
pizz. p
mp
mp
sub p
mf
p
p
mp
mp
sub p
sub p
mf
p
mf
p
pizz.
sub p mf
sim.
pizz.
mf
mp
sub p
p
mp
mf
p
mp
f
f
f
p
mp
Perc. 1
mf
p
p mf mf
p
A
9
Fl.
Cl.
Bsn.
Hn.
Perc. 1
C. A.
sf
Perc. 2
f
sf
sf
f
4 t-toms
mf
Cb.
p
sf
sfp
f
9
sf sf sfp
sul pont.
arco
sf
f arco
sul pont.
arco
f
sf
sfp
sfp
Vc.
sul pont. Vln. sf sf sfp
Vla.
Vln.
f sfp mf
2 bongos
sfp
sfp
sf
Pno.
sf
3
mf
f
f
modo ord.
f
modo ord.
modo ord. f
arco mf
4 14
Fl.
sf
C. A.
sf
to oboe
sf
sfp
mf
f
Cb.
14
f
sim.
sim.
sfp
sul pont.
sf
sfp
modo ord.
mf
mf
sf
arco
Vc.
sim.
sf
sul pont.
Vla.
mp
sul pont.
sf
Vln. sfp sf sf Vln.
p
sfp
sf
Pno.
sfp
sfp
Perc. 2
Bsn.
Perc. 1
mf
sf
sfp
Cl.
Hn.
sf
mf
18
Fl.
5
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Perc. 2
mf
n
modo ord.
modo ord.
Vc.
Cb.
Vln.
Vla.
Vln.
18
pp
V.S.
B
6 21
Fl.
p
Ob.
p
Bsn.
ff
p
Hn.
p
Perc. 1
Perc. 2
Pno.
Vln.
p
ff
ff
ff
p
ff
ff
21
f
f
p
Cb.
ff
ff
mp
p
Vc.
p
Vla.
p
Vln.
ff
p
Cl.
ff
ff
24
Fl.
Ob.
Cl.
Bsn.
ff
ff
ff
ff
Hn.
Perc. 1
ff
7
ff
ff
ff
ff
ff
f
medium susp. cymbal
Perc. 2
Pno.
Vln.
mp
Vln.
Vla.
Vc.
Cb.
mp mp 24
mp
ff
ff
ff
ff ff ff
f
ff
mp
mp
mp
mp
ff
V.S.
C
8 28
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
bongos Perc. 2
Pno.
Vln.
ff
Vln.
Vla.
Vc.
ff
ff
28
ff
Cb.
f
f
2
32 Fl. Ob.
Bsn.
Perc. 1
Perc. 2
2
Vln.
Vln.
Vla.
Vc.
Cb.
32
p
Pno.
Cl.
Hn.
f
ff
mf
mf
t-tam mp
ff
sfz
sfz
sfz
9
10
35
Fl.
p
p f p f
Ob.
Cl.
Bsn.
p
pp
Perc. 1
Pno.
Vln. p sfz Vln.
Vla.
Vc.
Cb.
35
p
p
p
p
mf
sfz
mf
mf
mf
t-tam mp
f
mp
sfz
mf
p
f
Perc. 2
f
pp
Hn.
sfz
38
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Vln.
n
Pno.
med. sus. cym.
Perc. 2
11
D
p
mp
Vla.
38
p
mp
marimba
mp
mp
mp
p
mp
sfz
Vc.
Cb.
mp
mp
p
Vln.
p
mp
mp
mp
12
Fl.
42
Ob.
Cl.
Bsn.
Hn.
Perc. 1
sub p
sub p
sub p
Pno.
Vla.
Vc.
Cb.
sub p
sub p
p
pizz.
f
ff ff
ff
f
f
mf
ff
f
f
t-toms
sub p
pizz.
f
f
ff
f
ff
arco ff
ff
arco
ff modo ord. sul tasto sub p
ff
sub p
ff
pizz.
42
Vln.
Vln.
sub p
sub p
bongos
Perc. 2
sub p
sub p
pizz.
ff
ff
arco
ff
arco
ff
ff
E
46
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Pno.
13
med. sus. cym.
Vln.
Vln.
Vla.
Vc.
Cb.
46
14
51 Fl. sfz Ob. sfz Cl. sfz
Bsn.
Hn.
Perc. 1
sfz
sfz
bongos
f
Pno.
f
f p
mp
mp f
Vln. Vla. Vln.
Cb. Vc.
f
Perc. 2
51
sfz
pizz. sfz
f
sfz sfz
mp
f
pizz.
f
55
Fl.
F
f
Ob.
Cl.
Bsn.
Hn.
mf
mf
mf
Perc.1
mp
mp
p
triangle
Pno.
Vla.
Vln. Vln.
Vc.
Cb.
55
mp
p
p
t-toms
p
mf
pp
barbaro
mf
mf
pp
p
mp
mp
mp
bongos
Perc. 2
mp
15
barbaro
mf
arco barbaro
pp
mf
mp
mp
barbaro
mf
arco barbaro mf
16 59
Fl.
mf
mf
Vla.
Vc.
mf
mf mf
59
p
Vln.
Perc. 1
Cb.
Vln.
Bsn.
Perc. 2
Cl.
Ob.
Hn.
63
Fl.
Ob.
Cl.
Bsn.
Hn.
17
f
f f f
f
Perc. 1
Perc. 2
Pno.
Vla.
Vc.
Cb.
63
mp
mf
mf
mf
Vln.
t-toms
bongos
Vln.
B.D.
mf
f f
f
f f
18
Fl. sub p f Ob. 67
Cl.
Hn.
Bsn.
Perc. 2
Vln. Vln.
Vla.
Vc.
Cb. 67
f
p mf
p
f
f
sub p
f
f
sub p
sub p
Perc. 1
Pno.
sub p
sub p
pizz.
sub p
pizz.
sub p
f
arco
ff
arco ff
sul tasto modo ord. sub p
pizz.
sub p
pizz.
sub p
ff
arco
ff
arco
ff
71
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
ff
mp
mp
ff mp ff ff mp mp
f
Vln.
Vln.
Vla.
ff
Pno.
G
med. sus. cym.
19
Cb.
71
ff ff ff ff
Vc.
ff ff
20
Fl.
77
sfz sfz
sfz
Ob.
Cl.
Bsn.
sfz
Hn.
Perc. 1
t-toms
bongos
Pno.
f
Cb.
77
f
mp
p
p f
sfz Vln. pizz. sfz Vla.
Vln.
Vc.
sfz
f
Perc. 2
sfz
f
sfz
sfz
p
f
f
81
Fl.
Ob.
Cl.
Perc. 1
Perc. 2
Pno.
Vln.
Vln.
Vla.
Vc.
Cb.
mp
pp
pp
81
Sul D
pp
sul pont.
arco
p
mp
mp
pp
f
mf
f
mf
pp
pp
p
5
mp
triangle
mp
mp 5
mf
mf
Hn.
Bsn.
21
22
85
Fl.
Cl.
Hn.
Perc. 1
Bsn.
p
Ob.
H
mp
mp
p
Pno.
Vln.
Vla.
Vc.
Cb.
p
85
p
p
pp
t-toms
p
Vln.
p
bongos
Perc. 2
n
p p
23 89
Fl.
Adagio
to Cor Anglais
rit.
Ob.
Cl.
con sord.
con sord.
Bsn.
Hn.
Perc. 1
Perc. 2
Vln.
pp
pizz.
B.D.
p
mp
Vln.
p
arco
p
modo ord.
p
Vla.
pizz.
Cb.
89
pizz.
mp
pizz.
p
arco
p
p
arco
p
p
mp
Vc.
arco
p
con sord.
con sord.
con sord.
I 24
Lento q=40
95
Fl.
p
C. A.
p
Cl.
Bsn.
solo mp
p
p
Hn.
pp
n
Pno.
3
3
pp
Vla.
Vc.
pp
95
p
mp
pp
pp
3
pp
pp
p
p
scrape with wire brush tam-tam
3
pp
p
3
strum bass strings
3
p
p
p
pp
p
3
mf
p
p
p
Cb.
p
Vln.
pp
Vln.
pp
n
Vibraphone- soft mallets
Perc. 2
p
large susp. cym.
Perc. 1
p
p
98
Fl.
Bsn.
Perc. 1
Perc. 2
Pno.
Vln.
sim.
pp
Vla.
sim.
Vc.
Cb.
98
n
3
pp
pp
3
3
3
pp
sim.
sim.
3
3
pp
pp
3
n
sim.
sim.
ped. sim.
3
3
3
pp
sim. Vln.
n
sim.
ped. sim.
sim.
large susp. cym.
sim.
3
25
sim.
3
Cl.
Lento q=40
3
C. A.
Hn.
poco rit.
pp
pp
pp
26 102
Fl.
C. A.
mf
mf
3
mf
Bsn.
mf
3
Perc. 1
Perc. 2
mp
p
p
p
pp
t-tam.
pp
Vln.
B.D.
3
3
3
3
3
3
pp
pp
p
poco rit.
p
pp
mp
Pno.
3
Cl.
Hn.
3
3
3
med. susp. cym.
n
3
3 3
3
mp
Vln.
mp
Vla.
mp
Vc.
Cb.
102
mp
p
p
J 106
Fl.
27
Lento q=40
3
n
Cl.
3
n
Bsn.
to oboe
7
mp
3
p
5
mp
mp
Perc. 1
Perc. 2
Pno.
p
senza sord.
Vln. senza sord.
p
3
senza sord.
p
Vc.
Cb.
106
3
senza sord.
senza sord.
p
3
p
p
Vla.
mp
7
mp
Vln.
3
3
B.D.
chimes (optional but encouraged)
7
3
7
p
mp
pp
Hn.
5
p
3
p
C. A.
3
3
3
3
3
3
rit.
28
109
Fl.
mf
Ob.
7
mf
Cl.
mf
Bsn.
mf
Hn. mf Perc. 1
mp
7
3 3
3
Perc. 2 t-tam.
p
Pno.
Vln.
mf
3
Vc.
mf
Cb. 109
mf
3
3
3
3
large. sus. cym.
pp
6
6
3
f
f
3
3
f
cresc.
f
3
3
f
start here if possible
3
pp
f
mf
mf
Vla.
mf
3
3
legato
mf
Vln.
mp
f
3
3
Lento Maestoso q=40
111
Fl.
6
ff
Ob.
Cl.
Bsn.
Hn.
ff molto espress
ff
6
6
Perc. 2
Vln.
Vln.
Vla.
Vc.
Cb.
111
6
3
6
f
mp
pp
f
pp
3
6
3
3
ff
Pno.
f
Perc. 1
6
6
29
mf
p ff molto espress
3
3
ff molto espress
ff molto espress 3
ff
ff
3
6
ff molto espress
3
3
6
5
3
30
113
Fl.
p
Ob.
Cl.
Bsn.
mp 3
Perc. 1
Perc. 2
mf
Vla.
3
Vc.
3
mf
Cb.
113
mp
pp
pp mp
3
pp
mf
to Cor Anglais
bring out
5
Vln.
mp
Vln.
pp
Pno.
mp
mp
Hn.
p
p
p
p
**vibraphone's last rolled (highest) note should sound on the beat
K 116
pp
B.D.
ppp
Perc. 2
pp
Perc. 1
solo
large. sus. cym.
**
n
vibraphone
Cb.
116
con sord.
ppp
ppp
pp
pp
3
p
p
pp
con sord.
p
con sord
p
p
con sord
p
pp
n
pp
3 3 pp 3
3
p
con sord.
pp
p
p
3
pp
Vln.
Vc.
pp
Vla.
p
p
Vln.
mp
mp
mp
Pno.
p
p
pp
Hn.
p
Bsn.
Cl.
Lento q=40
p
C. A.
rit.
Fl.
31
p
p
p
p
p
32 121
Fl.
3
p3
C. A.
Bsn.
3
p
Cl.
poco rit.
3
Lento q=40
sim. 3
sim.
3
sim.
sim.
Perc. 1
Perc. 2
Vln.
3
Vc.
Cb.
121
mp
3
sim. 3
3
p
pp
pp
3
strum bass strings
Vla.
n
sim.
large. sus. cym.
p
Vln.
scrape with wire brush tam-tam
Pno.
p
Hn.
3
p
p
p
p
sim.
sim.
sim.
sim.
sim.
123
Fl.
C. A.
Cl.
Bsn.
Hn.
Perc. 1
Perc. 2
Vln.
Vla.
Vc.
123
3
3
3
3
Vln.
Cb.
3
Pno.
pp
3
3
pp
3
3
pp
3
3
3
pp
n
33
3
p
3
n
34 126
Fl.
C. A.
Cl.
Bsn.
3
3
3
3
3
p
3
f
p
p
mf
3
pp
pp
p
f
Hn.
3
f
f
3
pp
pp
p
pp
Vln.
sfz
ff
n
mf
Perc. 2
med. sus. cym.
Perc. 1
mf
3
3
Vln.
3
Vla.
Vc.
3
sfz
126
ff
mf
sfz
ff
sfz
Cb.
p
ff
L
35
Fl.
3
p
poco cresc.
p
poco cresc.
p
3
3
poco cresc.
p
p
senza sord.
Cb.
129
p
ff
poco cresc.
poco cresc.
3
3
mf
3
ff
ff
3
ff
3
to oboe
poco cresc.
senza sord.
Vc.
3
senza sord.
p
3
poco cresc.
senza sord.
senza sord. Vln.
Vla.
mp
Vln.
7
poco cresc.
3
7
Pno.
3
poco cresc.
poco rit.
p
Bsn.
Perc. 1
Cl.
Hn.
p
Ob.
129
B.D.
3
3
ff
ff 3
3
mf
3
ff
3
3
ff
ff
ff
Presto q=160
36 132
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Vla.
Vc.
f
f
f
Vln.
marimb- hard mallets
f
Vln.
Cb.
t-tam sub. p
Pno.
132
37
Fl.
Ob.
Cl.
Bsn.
134
mp
mp
f
Hn.
Perc. 2
mp
Pno.
Vln.
Vln.
Vla.
Vc.
mp
Cb. 134
f
pizz.
f
38
M
137
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Perc. 2
Pno.
Vln.
sf
sf
sf
sf
sf
sim.
sim.
mfz snare drum
rim shot
mfz
mf
pizz.
pizz.
Cb. Vc.
137
pizz.
sim.
mfz
sf
sf sf sf
sf
sf
sim.
sim.
sf
sf
Vla.
sf
sf
Vln.
sim.
140
Ob.
Cl.
Fl.
Perc. 1
Perc. 2
Pno.
Vc.
Cb.
Vln.
Vln.
Vla.
140
Hn.
Bsn.
modo ord.
39
40
Fl. f Ob. 143
f
Cl.
f
Bsn.
ff
Hn.
Perc. 1
Perc. 2
Pno.
f
Vln.
f
t-toms
f
mf
barbaric
ff
barbaric
ff
f
barbaric ff
arco
arco
barbaric
ff
barbaric
f
Vc.
ff
Cb.
143
ff
ff
f
Vla.
f
Vln.
barbaric
ff
f
f
arco
mp
arco
barbaric
barbaric
barbaric
ff
ff
ff
N 147
Fl.
f
Ob.
5
5
bongos
Perc. 2 f
Vln. Vln.
Vla.
Vc.
Cb.
Bsn.
Pno.
f
Perc. 1
Cl.
Hn.
41
147
42 149
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Pno. Vln.
Vla.
Vc.
Cb. 149
8
8
8 8
Perc. 2
Vln.
151
Fl.
Ob.
Cl.
Bsn.
Perc. 2
8
Vla.
151
sf
sf
sf
sf
sf
sfp
sf
sfp
sf
sfp
sf
sfp
43
sf
Cb. Vc.
Pno. Vln. Vln.
8
Hn.
Perc. 1
O
sf
sfp
sf
sf
sfp
sf sf sfp
sf
sf
sfp
44
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
sf
sf
sf
sf
sf
155
sf
sfp
sfp
ff
sf sf sfp ff
mf
sfp
ff
bongos
Perc. 2
Pno.
sf
Vln.
Vla.
Vc.
Vln.
sf
sfp
f
ff
ff
sf sf sfp ff sfp sf sf ff sf
Cb.
sf
sfp
155
ff
ff
160
Fl.
Ob.
Cl.
Hn.
Perc. 1
Perc. 2 med. sus cymb.
Pno.
Cb. 160
p
p p p
p
p
p
snare drum
Vc.
Vla.
Vln. Vln.
Bsn.
45
p
p sub. sub. p p sub. sub. p p sub. sub. p
sub. p
sub. p
ff
ff
46 164
Fl.
Ob.
Cl.
Hn.
Perc. 1
Perc. 2
Pno.
Cb. 164
ff
ff
ff
ff
f
3
ff
ff
ff
ff
ff
P
med. sus cym, dampen
ff
Vln. Vln. Vla. Vc.
3
Bsn.
bongos
167
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Vln. Vln.
Vla.
Vc.
Cb. 167
47
V.S.
Suddenly held back (Tempo primo) q=130
48 169
Fl.
Ob.
Cl.
Bsn. Hn.
Pno.
Vln.
Vln.
Perc. 1
Perc. 2
p
Presto q=160
f
f
f
f
f
Vc.
Cb.
169
p
p
mf
mf
mf
mf f
ff
ff
ff
ff
ff
med. sus. cym.
f
f
f
Vla.
p
f
Tempo primo
regular mallets
ff
mf
p
ff
mf
p
ff
ff mf
p
mf p ff ff
174
Fl.
Ob.
Cl. Bsn. Hn. 2 2
Perc. 1
f
bongos Perc. 2
Pno.
Cb.
174
f
Vln. Vln. Vla. Vc.
49
f
ff
ff
V.S.
Q
50
179
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
mf
Vc.
Cb.
179
p
pp
Vln. sfz sfz sfz sfz Vln. Vla.
p
p
pp
mf
t-tam Perc. 2 mp Pno.
p
p
p
mf
f
p
p
p
p
mf
mf mf
182 Fl. f Ob.
51
f
Cl. f Bsn. f Hn. mf
Perc. 1
mp
mp
med. sus. cym.
Pno.
Vln. sfz sfz sfz Vln.
Vc.
Cb.
182
p
p
p
p
sfz
mf
Vla.
n
t-tam
Perc. 2
p
52
186
Fl.
Ob.
mp
mp
Cl.
Bsn.
mp
Perc. 1
sub p
mf
sub p
p
sub p
mf
t-toms
mf
p
pizz.
mp
p
ff
pizz.
mp
sub p
Cb.
pizz.
186
mp
sub p
arco
ff
arco
ff
ff
ff
arco
med. sus. cym.
arco
sub p
modo ord.ff sul tasto mp
f
mp
ff
mf
mp
mp
f
sub p
ff
pizz. Vln.
Vc.
ff
mp
mf
sub p
mp
Vla.
bongos marimba Perc. 2
Vln.
mp
mf
p
Pno.
ff sub p mp mf mp mp
Hn.
ff
ff
ff
ff
R
191
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Perc. 2
f
mf
191
Vln. Vln. Vla. Vc. Cb.
Pno.
53
54
197
Fl.
Ob.
Cl.
Bsn.
Hn.
p
p
Pno.
Vla.
Vc.
Cb. 197
p
mp
cresc.
mp
mp
mp
mp
mp
cresc.
mp
cresc.
mp cresc.
cresc.
cresc.
mp
mp
cresc.
p
Vln. Vln.
p
Perc. 2
mp
poco accel.
cresc.
cresc.
cresc.
cresc.
S 202
Fl.
Ob.
Cl.
Bsn.
Hn.
Presto
f
f f
Pno.
f
Vln.
Vla.
Vc.
Cb.
202
f
f
f
f f
f
55
bongos
mf
f
Vln.
f
Perc. 1
Perc. 2
t-toms
56 204
Fl.
Ob.
Cl.
Bsn.
Vln.
Vla.
Vc.
Cb. 204
sub p
sub p
ff
ff
ff
sub p
sub p
sub p sub p
ff
ff
ff
ff
f
sub p
sub p
ff
snare drum sub p
sub p
Vln.
sub p
sub p
Perc. 2
Pno.
ff
Hn.
Perc. 1
ff
ff
208
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Lento Maestoso q=40
ff
ff
ff
large sus. cym.
vibraphone Perc. 2
Pno.
Vln. Vln.
Vla.
Vc.
Cb.
208
dim.
mf
n
n
ff
ff
ff
p
mp
3
dim.
dim.
dim.
mp
ff
ff
3
dim.
3 3 3
dim.
3
n
dim.
dim.
3 3 3 f
f
mf
n
ff
f
57
dim.
dim.
58 212
Fl.
T
p
Prestissimo q.=120
bring out
bring out
Perc. 2 p
Ob.
Cl.
Bsn.
p
p
Vln. Vln.
p
bring out
Hn.
Pno.
p
p
Cb.
Vc.
212
p
p
p
mf
p
Vla.
p
bring out
mf
p
mf
p
pizz.
mf
p
218
Fl.
Ob.
Cl.
59
f
p
f
f
Hn.
Pno.
Vln. Vln.
Vla.
Vc.
f
f
p
p
fp
fp
p cresc.
p
mf
p cresc.
218
mf
Cb.
f
Bsn.
pizz.
f
cresc.
p
cresc.
60
224
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. 2
Pno.
Vln. Vln.
p
mp
p
marimba
mp
f
f f
f
f
U
f
snare drum
Vla. Vc. arco Cb. 224
f
f f
p
Perc. 1
f
pp
f
f
ff
t-toms
ff
ff
ff
ff
ff
ff
f
ff
230
Fl.
Ob.
ff
ff
Cl.
Bsn.
ff
Hn.
ff
61
mf
mf
Perc. 1 med. sus. cym.
Perc. 2
Pno.
Vln.
Vln.
Vla.
Vc.
Cb.
230
mf
mf
ff ff
sub p sub p
sub p
sub p
62 236
Fl.
Ob.
Cl.
p
p
p
Bsn.
p
Hn.
Pno.
cresc. cresc.
Vla.
Vc.
cresc.
236
p
cresc.
Vln.
p
Vln.
Cb.
cresc.
cresc.
cresc. cresc.
cresc.
cresc.
mp cresc.
63
Bsn.
Hn.
molto rit.
240
Fl.
Ob.
Cl.
Perc. 1
B.D.
pp
f
Vln.
Pno.
Vln.
Vla.
Vc.
Cb.
240
V.S.
64
Adagio Maestoso q=60 243
Fl.
Ob.
fff
fff
Cl.
Bsn.
fff
fff
Hn. fff
Perc. 1
f
t-toms
t-tam
Perc. 2
Pno.
Vln.
Vln.
fff
fff
fff
Vla.
Vc.
fff
fff
Cb.
243
fff
Prestissimo q.=120
f