Sound Asleep by Andrew Boss

CE BE U

SE D

FO R

For Vinny

PE R

Wind Ensemble

L-

NO T

ANDREW BOSS

PE RU

RM AN

A Lullaby for

Sound Asleep

2017

Written for Thomas Dougherty and the Jensen Beach High School Symphonic Band

Instrumentation

RM AN

Flute 1 ** Flute 2 ** Oboe 1+2 Bassoon 1+2 Clarinet in Bb 1 ** Clarinet in Bb 2 ** Clarinet in Bb 3 ** Bass Clarinet **

PE R

Alto Saxophone 1+2 Tenor Saxophone Baritone Saxophone Horn 1 * Horn 2 * Trumpet in Bb 1-3

Percussion 1 – timpani, marimba Percussion 2 – vibraphone Percussion 3 – crotales, suspended cymbal, bass drum Percussion 4 – antique cymbal, tam-tam

** denotes instruments that must be doubled

BE U

* denotes instruments that may be doubled if desired

SE D

FO R

Trombone 1-3 Euphonium [T&B] Tuba String Bass [o]

[T&B] – a part in treble (transposed) and bass clef is available. Score only displays bass clef.

…about the piece

NO T

[o] – denotes optional instruments

I was approached by Tom Dougherty to write a piece in memory of a good friend of his by the name of Vinny, a young charismatic man who had died in a coma in April 2014. Vinny, an emergency services manager and police officer, tirelessly committed his life to helping others. Upon hearing his remarkable story, I knew my writing a piece of music in his honor was inevitable, and that nothing was more appropriate than a soothing lullaby. Sound Asleep was the resulting work.

L-

This work reflects on the qualities of life in an optimistic perspective, using a fundamentally tonal palette in achieving a calm and comforting message. It reverberates the nostalgic, and at times bittersweet, memories with friends and loved ones of whom we hold and/or have held dearest to us. Finally, it serves as a loving remembrance to those who have energized, inspired, and transformed the community around them to live more fruitful and meaningful lives.

PE RU

Sound Asleep was written for Thomas Dougherty and the Jensen Beach High School Symphonic Band. It was written in loving memory of Vinny Bocchino, a man who lived to serve his community.

for Vinny

Sound Asleep A Lullaby for Wind Ensemble

Bass Clarinet in Bb

Alto Saxophone 1

Alto Saxophone 2

Tenor Saxophone

Baritone Saxophone

Horn in F 1

Horn in F 2



  



  





   



  



   

  

mp 3



  

     

  



Euphonium

Tuba

Double Bass

          

Crotales

Antique Cymbals

   

 

BE 

   

 









   

       

   



     



   







    

   



 

 



  3



   

           3

            3  p      



     

                 



   

               



  



 

  





   







   

 

                       

   



   



   



   



     

     

     

PE RU Vibraphone





  

 soft mallets 

Marimba





  

Trombone 3

 

        

L-

Trombone 2

   



freely, with expression

  



   

   



       

 





Trombone 1



Trumpet in Bb 3

   



ossia 

Trumpet in Bb 2





freely, with expression

Trumpet in Bb 1

  



Tpt. cue





freely, with expression





rit.



Clarinet in Bb 3

  







Clarinet in Bb 2



     1.       



   





Clarinet in Bb 1

   

  

Bassoon 1+2





Oboe 1+2

   

 

  

Flute 2



  Flute 1     

M AN



Freely Emerging q=50

ANDREW BOSS

   

    

medium mallets

      



p with tone







  



p antique cymbals

 



         3  

 

      p

 

   



 



 



  

bowed







 p



 



   



   



   



 Bsn. 1+2   



a2    Cl. 1  

B. Cl.

      



      



p a2



Hn. 1



 









     



1. p

      







         

  





        



      



       



   



      



      



   

  

Tpt. 1

       



   

Tpt. 3

  

Tbn. 1

    





















 







     

         



 































         

         



               







      

  

      

       







     



     





    





     



 



     









       



        

       







         







          

      





     





       







      



      





      





     

        





  





          

      

     

          





  













  

  





          

     

Hn. 2

Tpt. 2

 



  

Bari. Sax.



      



    p

T. Sax.





     

A. Sax. 2



  

(play)

A. Sax. 1







Cl. 3

  



          



Cl. 2



Ob. 1+2

       

      

         

          

M AN



Fl. 2



    

p a2

         

  

     

  

Fl. 1

A Gently q=46-56

   a2     9







     

 



    



     









     



   



































Tbn. 3

   



































Euph.

   



































Tba.

   























 

  

     























 

  

    



































   



































   







































































Mar.

Vib.

Crot.

A.Cym.



L-

    

PE RU

Db.

     

Tbn. 2

   

  

     

  



    

     



    

    

  

      

  







    



  



   

     

 

   

Cl. 3

  

    

B. Cl.  

A. Sax. 2

T. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

  





 p

 





   

    









    

 



  



        

     









 

  









 





















 





Tbn. 3

  



Euph.

  



Tba.

  



         



 

    

   







  



   







    









           



    

 



         

               

    



   

  



  



 

  

     

  

  



  

  







     

 



       

















    



















  

 

















 



       

 



  



          



    

  





  





 

    







L-



  





 



 

 

  

  



    

 

   pp





 



PE RU

   









    



  



 

 

 



A.Cym.

      

 



Crot.



       



Vib.

     

 

  

Mar.



   



Db.



 



Tbn. 2



       



Tbn. 1

  

 



Tpt. 3



     

        





   



  





     

  

A. Sax. 1



 



   

      

  





      

 

       

M AN

Cl. 2

  

  

   

      

 

  



  Cl. 1  





  



Bsn. 1+2



Ob. 1+2

  

Fl. 2

Fl. 1

     22



  

 

 





















  



 











   

 

   

    

     

A. Sax. 1

A. Sax. 2

T. Sax.

Bari. Sax.

Hn. 1

Hn. 2

         

    

         

 

    

 

  



  

  



 

  



 



    







 



Crot.

A.Cym.







 

  softmallets           





    

    







 





 





  

 



freely

 



freely























 



 







 











 

 



   



 



 



 



 









 



 











 







   

  

 

 















 







 



 



  



CE       3





 

    

 







 







 







 





 

   





3         mp  





   

 





 



   





   

ossia



 















  





  







 



freely



    



L-



PE RU Vib.



     



 



 



 





 



 switch between 1st and 2nd stand

Tpt. cue 



 





   





 switch between 1st and 2nd stand  pp  switch between 1st and 2nd stand pp



   

   





 



Tpt. 3

Timp.

 

  







      



 switch between 1st and 2nd stand 





 

Db.

 

     

 



    

    

          

 



Tba.

 

   

 

  

   

    



1.     



Tpt. 2

Euph.

 







  

   





Tbn. 3







Tbn. 2



 

   

    



 

Tpt. 1

Tbn. 1

 

 

    

    



  



   



          

    

    

 B. Cl.     





M AN

    

    



 



Cl. 3



    

    Cl. 1    Cl. 2



 





       

 

 Bsn. 1+2     

 

      

      

     

   

         

Ob. 1+2

   

     

    

Fl. 2

 

C Cadenza

    

   

   Fl. 1     33

      

  Cl. 1    

 Cl. 2      Cl. 3      B. Cl.      



A. Sax. 1

A. Sax. 2

T. Sax.

Bari. Sax.

Hn. 1

Hn. 2

   

 

 

play if cue is not needed

     

 

 

 not rushed             3

Tpt. 3

Tbn. 1

Tbn. 2

Tbn. 3

Euph.

  

 

Vib.

Crot.

A.Cym.

 

 

   

 

   

 

   

 

 

 

 

 

gliss.

  

    

 



 

 



 

 

 

  

 

 

    

 

 

    p t-tam  



cresc.

      















 

CE      f     



     f



  f



       mp   

    



 

 



 

 

      f

  

     f

















       f      f

cresc.



     f

harder mallets   

 

 

  

     



mp cresc.

cresc.

  



 





      



 





   

 p

    





  





    



  





  

 



 

  



cresc.



 

  

    



 

 

soft mallets

pp bowed



 

    

 

    





          

cresc.



    

       

      

 





     f    

      

    



 

cresc.



 

   

    

 



 

 

PE RU Timp.

     

  



    



      

cresc.





 



 



       p

  f

cresc.







 

         



                

cresc.



cresc.







 

 



       

  

     



       

 Tba.    Db.

 

Tpt. 2

  

 

 not rushed        3  

L-

Tpt.1

 

        

 



 

 



 

 

       

 

 

 

 

  

  

 

 

   

        

          not rushed

  

 







       

M AN

 

        



  5     



 

 Bsn. 1+2    

 



cresc.

 

 

    

1. A.Sax.1 cue

 

       

 

q=50-56

    

 

Ob. 1+2

    

   

Fl. 2

 

rit.

 

 

Fl. 1

     41





 

suspended cymbal



B. Cl.    A. Sax. 1

A. Sax. 2

T. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2













    

Euph.

Tba.

Timp.

Vib.

Cym.

T.-t.

 

   



  

 



   

4. (if available)

    





   



   

      

   

   



     

      

  



 

 



   

 



 

 

                    

      



  

 

 

 

 



 

 









 







































  p

 

            

  



 



 

  

 

   



 







    









t-tam   p





   

 



       

   

    

        

      





  

      

 



      

 

    

   







  



  



  

         

                

    

 

 

     



 



   



      



   

  

      



 

 

        

       











 



               





   

              



          



     





  



  



      

                    

  

        

q=50-56

       



 









 





  

  



        

                       ff           

   

             

          

  

              

       





 



        





         

a2 (if available)          

     

   



 

           



 

  



          

                               



       

  

   



           

 a2 (if available)                         

PE RU

Db.

 

 

Tbn. 3

     ff

             

 

Tbn. 1



 

     

 

 

   

 

    

3. (if available)

 





      

             



          



Tpt. 3

Tbn. 2



 

 



           

         

         

M AN

  





 

       rit.



  ff           ff                       





Cl. 3



          



 

 ff   

L-

Cl. 2





   ff

       

 Cl. 1  

        



  Bsn. 1+2  

 



  

 



              

 

 



       

 



D q=50-56

Ob. 1+2

  

 

 

Fl. 2

  



                    

rit.

  Fl. 1   





     f

 

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

        

   

    

        







PE RU Vib.

Cym.

T-t

    



  

              



      



     



   

               



       

  



















  

    

       

     

  

 

  

      

 

       

solo, desolate

 



 

 

 

 

   



 

 



  

 

 



 

  

 

 



 



 



   

     

   



 

 

M AN

 

 

       

                         

  

 

switch between 1st and 2nd stand

        

  

  

 

   

switch between 1st and 2nd stand

        

  

                



 

 

 

         

  

 

 

  

switch between 1st and 2nd stand

      

      

  

                               

Euph.

Timp.

 

         

            

    

Tbn. 3

Db.

   

   

   

Tba.

 

 

 

 



           between 1st and 2nd stand  switch          

   pp       

    

 



 



Bari. Sax.

   



       

 



T. Sax.

  

     

   

A. Sax. 2

            

                             

A. Sax. 1

    

     

  B. Cl.    

Cadenza                             

        

       

 

         

 

 

    

       



 



  

 

 



 

 



 



 

   



 

   





 

       

 



 



 

 



      

 



 

                  



 

 



 

  

 

 



 

         Cl. 1   

Cl. 3

 

              

Bsn. 1+2

Cl. 2

 

L-

Ob. 1+2

                

    Fl. 1        Fl. 2    60

      

   

      

 

      

 

 

 

                

      

         

      

 





 





  



 

 





 







 



 



 

 





 



 



 

 











           

 



 



 

 

 



 



 

 





 



 



 

 













B.D.- soft mallet            











 



 

2.  



 

 



 

 



a2     

   

p sing "oo", actual (concert) pitch only

Cl. 3

            

p sing "oo", actual (concert) pitch only

B. Cl.

             p

A. Sax. 1

    





solo Tpt. cue

p sing "oo", actual (concert) pitch only

A. Sax. 2

           p

            

sing "oo", actual (concert) pitch only

T. Sax.

           

sing "oo", actual (concert) pitch only

Bari. Sax.

Hn. 1

   



         

sing "oo", actual (concert) pitch only

Hn. 2

Tpt. 1

  

 

p sing "oo", actual (concert) pitch only

Tpt. 3

          

Tbn. 1

          

       

Tbn. 2

p sing "oo", actual (concert) pitch only

Tbn. 3

     

       

p sing "oo", actual (concert) pitch only

       

L-

Euph.

     

p sing "oo", actual (concert) pitch only

 Tba.             

       

Db.

PE RU

            

p sing "oo", actual (concert) pitch only

Perc.

             

p sing "oo", actual (concert) pitch only

Perc.

           

p sing "oo", actual (concert) pitch only

Perc.

            p

   

  

   

 

 

 



  

           



      sim.             

 

      sim.                 sim.                 sim.                 sim.                 sim.                 sim.                 sim.                 sim.                 sim.                sim.                sim.            sim.                

      sim.              sim.              sim.              sim.              sim.              sim.              sim.       

 

  



   

 

  



  

 

 



 

 

  







  

   







 

  





    



 

 

  



     



 p

 

      sim.       





 

 

  



(play)

     (1.)  

 



modo ord.

p modo ord. p modo ord.



  

sim.

  

      

 

(3. if needed)

 

  

            

p sing "oo", actual (concert) pitch only

Perc.



 

  

sim.

p sing "oo", actual (concert) pitch only

       

 

              

sing "oo", actual (concert) pitch only



            

       sim.         

p sing "oo", actual (concert) pitch only





              

     

          

 



      

sim.

solo, dolce



p sing "oo", actual (concert) pitch only

Tpt. 2

  

  

 

  

     

sim.

  

 

1.        

     

       sim.         

              



poco rit.

 



 

   

      sim.       

sing "oo", actual (concert) pitch only

p a2

Cl. 2

      sim.          

  

Cl. 1

      



 Bsn. 1+2   



       

 

Ob. 1+2

    

 

 



      

     

  

 

p a2

Fl. 2

  

   a2 Fl. 1     

M AN

E As before



modo ord.

  

















  

















  









  

















  

     





 pp

 







  







  









      sim.       

  









      sim.        

  

 



 



  









      sim.              sim.       

             sim.

  



modo ord.



modo ord.

 

  p

modo ord.

Players with diamond noteheads from Reh. "E" to the end of the piece are insructed to sing given passage(s) with "oo". Sound should be warm and soothing. In the last 3 measures, men sing lower voice and women sing upper voice. All instances of singing are provided on concert pitch. At no point should players sing an octave above or below given pitch/pitches. If a player is unable to sing a given phrase due to range, he/she may decide to not sing that given phrase and resume thereafter. Men may also add Eb on the last measure if desired to make full triad.



A. Sax. 2

T. Sax.

Bari. Sax.

Hn. 1

Hn. 2

 

     

Tbn. 3

Euph.

Tba.

Db.

   

 

A.Sax. cue

 

        

      

  

  

PE RU Perc.

Perc.

 

 

   









 

 



 



 

      



     

 

  





  













 





     

  





  

  

 

  

 

  

 

 



 



    

sing "oo", actual (concert) pitch only







sing "oo", actual (concert) pitch only



 

 

    

 

 

  

 

 

  

     



M AN



 



  

 



  

 

 



  

modo ord.

 



   

 



     



   



 



 

sing "oo", actual (concert) pitch only

 



  





  

     

sing "oo", actual (concert) pitch only

 

 3              

   

  p

 

  

 

freely, with expression

  

modo ord.

                mp 



 



  

     



 



 Perc.  Perc.

 

Tbn. 2

 

 



  

 

   

  



freely, with expression





  

  

 

Tpt. 1

Tbn. 1



 

Tpt. 3

 

                 

Tpt. cue

ossia

Tpt. 2

 

freely, with expression



A. Sax. 1

 

   

  

 

     



molto rit.

B. Cl.

 

   



  

Cl. 3

 



  

1. modo ord.

Cl. 2

 

 

  

 Cl. 1  

 

  

  

 

Bsn. 1+2

 

Ob. 1+2

  

 

L-

Fl. 2

  

 

  Fl. 1   

F Saying Farewell

  

 





    

p pp sing "oo", actual (concert) pitch only

 





  



    

   





 











 



 







 









 

p very soft mallets modo ord.



 



 

 















pp modo ord. pp

            

pp pp sing "oo", actual (concert) pitch only





    





    

p pp sing "oo", actual (concert) pitch only p

 

   

sing "oo", actual (concert) pitch only

  



 

  

    

sing "oo", actual (concert) pitch only

 



  

  

    







sing "oo", actual (concert) pitch only



 

  

sing "oo", actual (concert) pitch only



    

 



pp sing "oo", actual (concert) pitch only

      



   

   

modo ord. p modo ord.



modo ord.





  





 

  

 

  

 

 

  

 

 

  

 

 

  

