Tetelestai

SE

Transposed Score

EU

Τετέλεσται MA

NC

A Symphony for Wind Ensemble

Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble

-N OT

FO

RP ER

FO R

In Loving Memory of Vincent R. DiNino

PE

RU S

AL

ANDREW BOSS 2014

Transposed Score

Instrumentation

EU

SE

Piccolo/Flute 4 Flutes (doubled Fl.1, 2) 2 Oboes 2 Bassoons Contrabassoon 6 Clarinets in Bb (doubled Cl.1, 2, 3) Bass Clarinet in Bb

NC

Contrabass Clarinet in Bb

MA

Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone

FO R

4 Trumpets in C 4 Horns 3 Trombones Bass Trombone Euphonium Tuba Contrabass

RP ER

Harp Piano/Celesta Organ (Finale only; optional but encouraged)*

FO

Timpani Percussion 1 – 2 bongos, 4 tom-toms, large suspended cymbal (share with 2), medium suspended cymbal I, crash cymbals Percussion 2 – bass drum I, large suspended cymbal (share with 1), Percussion 3 – snare drum II, congas, small tam-tam, glockenspiel, chimes, anvil Percussion 4 – triangle, large suspended cymbal, log drum**, tambourine, marimba, xylophone, vibraphone, bass drum II Percussion 5 – 4 temple blocks, snare drum I, tam-tam***, crotales (2 octaves), medium suspended cymbal II

-N OT

*An optional antiphonal brass choir (3 horns, 3 trumpets) is provided for performance in the case that an organ is unavailable. This brass choir is to be placed around the auditorium in order to maximize spatial effects. If the resources are available, both the organ and brass choir may be used in performance. This work may also be performed effectively without either option, though at least one of these options is encouraged. **If unavailable, the log drum may be substituted for an auxiliary un-pitched percussion instrument, such as a gourd drum. ***the tam-tam part does indicate the use of both a superball and a chain (not simultaneously) at various portions in the piece. Though encouraged, in the case that a superball is unavailable, it may be substituted with a tam-tam roll with normal mallets.

Program Notes

AL

Tetelestai – Greek for “It is finished” – is supposedly the last word that Yahashua, the man Christians praise as Jesus Christ, spoke among the people of Jerusalem before his death. The nature of this word – in the perfect indicative mood of its verbal form teleō –suggests having completed an action that is both irreversible and infinite. Within the context Yahashua used, it meant that he perfectly fulfilled the demands of the Mosaic Law on behalf of his people, and that he took the punishment his people deserved and placed it onto his own shoulders by his death. The biblical account of the resurrection adds a rich meaning to the word tetelestai, that which not even death can undo what has been completed.

RU S

Throughout this symphony, I attempted to capture images of how I interpret these series of biblical events. This is not a programmatic work because I am not retelling the story of this account. Rather, I am portraying images based on how this story makes me feel. The main body of the 1st movement portrays images of betrayal, despair, suffering, and death – which are how I interpret the crucifixion. This movement begins and ends with a linear theme in the horn representing a promise waiting to be fulfilled, which returns intimately later in the piece. The 2nd movement portrays images of conflict between two opposing forces, such as life vs. death or dark vs. light. This is how I interpret the war between heaven and sin since “in the beginning” up through Yahashua’s death. The 3rd movement is subdivided into two separate sections; it begins with a short Interlude, followed by the Finale. The Finale begins in a reflective mood and slowly intensifies toward a climactic conclusion that portrays images of victory and rebirth – which is how I interpret the resurrection.

PE

Because the music of this symphony portrays images rather than adhering to a strict narrative, it allows for a different interpretation of these images from each listener as he or she engages in a unique aural experience as the music unfolds. The listener brings forth their own life experiences and beliefs as to how they relate to the music that they are hearing, and how each listener relates to these images is based on those experiences or beliefs – whether it is suffering through the loss of a dear friend or loved one, which relates to the images associated in the 1st movement; personal obstacles or battles, relating to the 2nd movement; or a personal rebirth and reawakening, relating to the Finale. This work was written for Jerry Junkin to be performed by the University of Texas (UT) wind ensemble in November 23, 2014, and I have dedicated the piece to him and all the performers within this ensemble. It was written in loving memory of the recent death of the former beloved UT band director, Vincent R. DiNino, whose immense contributions will never be forgotten. A small en memoriam was also incorporated as a passing theme in the 3rd movement to my dear friend Dmitry Volkov, a brilliant young cellist who recently died at 26 of heart failure.

Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble for their Fall 2014 season In loving memory of Vincent R. DiNino

Τετέλεσται 1. Homage

p

  

stagger breathe, if necessary

 

Oboe 1 + 2

 

 

Bassoon 1 + 2

Contrabassoon

Clarinet in Bb 1

p



 





  





    

 

p

Clarinet in Bb 2

ppp

   

 

p

ppp











 

   









   



    



 





n





 





     















mp



 

     



 







 Baritone Saxophone   







  Trumpet in C 1 + 2  



 













Trombone 3 + Bass Trombone Euphonium Tuba

Contrabass

Piano

Harp



      

 

  



 

 

       f             

f

 

  Percussion 1  







mp

  





  

pp











    3











 











   3





4 muted tom-toms; with sticks



p



 



p









n













    









 

mp

















1. solo

3      





mp











 

 

      





 

      





     







mp

mp

 

mp

    

   











pp







 

 



   



























































 





























 





      f               f   

 





 













 











 large. sys. cym.   





















 

   















(scrape, very fast)







      f crotales   Percussion 5   

vibraphone - medium mallets























PE



 



f

ppp

       

 

Percussion 4





 

soft mallets

pp

























   





pizz.

p

n











 









ppp

   







    f



p

 

  

Percussion 3









RU S f

anvil















 







 











(scrape, very fast)













large suspended cymbal

Percussion 2





































  











 















n





 











       













 

   

     





 

mp





   

Timpani

3



 

1. solo

mp

FO

Trombone 1 + 2

   

 

mp

-N OT

Horn in F 3 + 4

 





AL

Horn in F 1 + 2

 

 





Trumpet in C 3 + 4

  

    











Tenor Saxophone

 

 





p

   

  

 

p



Contrabass Clarinet in Bb

sim.





n



p a2





 

 

sim.







Alto Saxophone



 

p a2





 

  



 









Bass Clarinet in Bb

  







 

Soprano Saxophone





 





    p





a2 stagger breathe, if necessary

Clarinet in Bb 3

n





SE

 



EU

    a2

Flute 2



p stagger breathe, if necessary

a2

Flute 1



MA



FO R

   

RP ER

Piccolo

NC

Adagio Pastorale q=60

ANDREW BOSS

      p3

 

f anvil

f

vibraphone

 crotales       f

f

Copyright © 7/24/2014 by Andrew Boss. All Rights Reserved



 



 

A  

Fl. 1

   

 

 



p

a2

Fl. 2

Ob. 1 + 2





   







  











    









     

  

      

  

   

 

p

Cl. 2

ppp

p

Cl. 3

ppp

p

B. Cl.

pp

  

mf

n

    

     

n

  Sop. Sax.     

 

mf













a2



a2



  



 

              



  



n









   







a2

p

p

  p



  

 

 

   





   Bari. Sax.   

 

   



        













   

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

















     mp







  







 











 



 



 





 





















 











 



f

3



p

  



3



large. sys. cym.

         anvil

f

       f crotales   Perc. 5     vibraphone

Perc. 4

11

f







 p

arco

 p

     

p





 

      





 



       



 

 

 

  















     

  

 

  



 

  



  

     

   

   

    



 

 















 























  









    







p



   





 

       

 

   



 







     

    





         

 







     

a2 (cup mute)

p



3





  





  



p

1.



   

p

     





  

   



p



  

  

p







3.







         



 

     

     

2.

p



    





     

  

 p



1. cup mute



















































































 



 



























































































(scrape, very fast)

PE

f

 





3. cup mute





    

 



       

pp

  Perc. 1  

  









    

p



 



RU S

   Timp.  

       



1. cup mute







p





pizz.

p

 

pp

 

        f  Pno.          Hp.    

Perc. 3

    

3



Cb.

Perc. 2

1. solo

n

AL

Hn. 1 + 2

mf









p



RP ER

 

C Tpt. 3 + 4

Tba.

pp





FO

  C Tpt. 1 + 2  

n





   

n



    

 

 



mf



p

a2



    

 

         p



pp

 p

       

   

T. Sax.

a2

   

p

p 2.

a2

n

mf



  





       

 

 

     

           

 

pp





    

A. Sax.

1.











flute



  

      



     p   p

   

n





pp

n

















      



p









n





    



  

A tempo, with feeling

n



     Cl. 1  

Cb. Cl.



poco rit.

 

Bsn. 1 + 2

Cbsn.



n

 

SE

     a2



EU

p



NC



MA

11

FO R

    Picc.  

-N OT

2

  









* slurs in contrabass always provided only for melodic shaping; never intended for bowing



B 





     

  







      

   

         

1.          

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.







   

       p

Sop. Sax.

 



T. Sax.

Bari. Sax.





 











Hn. 1 + 2



Tbn. 1 + 2

 



pp







Euph.





  



















         

p

  

   p

       p

 

  

 





p



     



   













p

a2































 

 

       

       B.D.

 

  

p

 

p









   



a2

 

 



   

mf

  





       





mf

mf



mf





   

mf

      marc.  mf

 marc.        mf

 







  

p









  



  



   p





        









 



 

 



mf

mf

mf















































 























































  

  

  

  

  

mf

















      f  

     f

 



med. sus. cym.

    

  n





mf

     chimes.



p

mf

    

vibraphone

mp







   f





marc.

mf

  

senza sord.



mf

     

 



   



a2

mf

senza sord.

p



marc.



marc.           



p



   

mf

p



marc.     

mf

     

              

mf

    



a2, senza sord.

a2





mf

a2, senza sord.

p

p



mf

              

 





mf

marc.         

p

a2

 

a2 marc.

marc.      



p



marc.

mf







       





 

mf

      p

marc.

marc.      



         

  

 

mf







  





p



marc.

p



t-tam

  





p









    

mf

 





  



marc.   

 

marc.

 

 







p



p



 

 



       

                

  



pp



p





 



    





    p



 



 

mf

3

mf

   

                 





            p

 













  a2  

p

a2







pp

  





 

  

p



RU S

PE 23



        



large sus. cym.







mf

 

        

p





 

p

a2

p

1.





   







     



Perc. 5



       



















Perc. 4



a2

p







 











 

Perc. 3













 Timp.   Perc. 1  







Perc. 2







Hp.







 









Pno.









1.

AL



p

 



Cb.

















         

  

3. cup mute







     

             p

 



     





 





 

       









pp











1.





 

  



Tba.



   p

Tbn. 3 + B. Tbn.















   p

          

Hn. 3 + 4

   



   

 



  



   







p

  

 C Tpt. 1 + 2  C Tpt. 3 + 4









A. Sax.









  





-N OT

Cb. Cl.



    

B. Cl.





  

  

   



Cl. 3



p

      Cl. 1  Cl. 2





RP ER

Fl. 2



FO

Fl. 1



marc.   



SE

      

   





EU

  



NC

 Fl.      

MA

poco rit. A tempo

FO R

23

mf

C

            

    

Fl. 2

f

3

mp

3

3              

  

Ob. 1 + 2

mp

3

f



                   f mp           Cbsn.    

Bsn. 1 + 2

f

mp

          

    Cl. 1   3

f

            

  

Cl. 2

mp

3 3

f



f

Cb. Cl.

Sop. Sax.

3

f

3



f

     C Tpt. 1 + 2   3

3

        a2

mf

3

mf

            f 3          3 f 3          

 



 Timp.   Perc. 1 

3

   3

ff



PE

Perc. 2

Perc. 3



 



 





 

 f

      

38

mf

 

 



 



ff

Perc. 5

ff



3

Perc. 4

3      

 



 

  



 

p







 

p







 

p





 p



 





    

1.

mp

   

3.

mp

 







n













 

n

mf







 



 



mf



p

























n

 n

 









 



 



 



 











 













mf

n



pp

n

mf

pp

n

mf



n

n 1. solo



3

   

     

mp







n





3

 



























n

      

p



 p

p



























 



     













  













  











 





 



 































 

 





 









      

  





pp



     pp 

 

  

 

















  











 





  f

  muted t-toms;sticks

 



p3





  f







 





 







 f

(scrape, very fast)



anvil

vibraphone



 

f

t-tam

crotales



f







  



large. sus. cym





 

     



 

   f



 











 

1.



n

   

 



  

mf

  



n



 

 

        

   

n



p



mf



1.         



 

n



 



mp





n



p

p



   



p





p





1.



 





        









mf









   











 



p



 



 

 









1.        



 

mp

  





   

   











mp

    

n

2.            3.           

 





 

 

   

n







 



 





n





 





 



 



 

 





 

 





 



 



n

   





large sus. cym.







  





     



mf

 

 





           

AL

Hp.

f

mf

RU S

Pno.



p



-N OT

f

Cb.



 





n

p

1.

3.           



 

mp

mf

f

Tba.

p









n

                 p mp              

         

 

Euph.

 

   mp

        

f

Tbn. 3 + B. Tbn.

 

p

       

3

3

  

Tbn. 1 + 2



           

         T. Sax.     f 3         Bari. Sax.  

Hn. 3 + 4





      





mp

f

Hn. 1 + 2

 

p



mp

    

f        

C Tpt. 3 + 4

 

 



     

  

 

  

f

     

f

p

 



       

mp

      

 

A. Sax.



    a2         

3

 

B. Cl.

   

mp

         

Cl. 3



  

p

p

mp

3

  



SE

3





EU

f

     a2       

 



NC

Fl. 1

  



MA

 



3

A tempo

FO R

f

 

3

poco rit.

RP ER

  

  

FO

Fl.

A tempo

poco rit.

  

38

4

   

 3



 









triangle





p



 

D

  Cl. 1    Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

 



Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

Tba.

Hp.



p

  





mp













 

mp



n













 





 









pp









pp



 p







mf

 mf























       5

   3



f

 





 









 







 









 









B. Tbn. pp



 





















 



 



  







 















RU S

 

     

f

p

 





 

 

 





 



     f crotales   

vibraphone

f







 



     

 

1.

3

       6

        



pp

5











 











 

3

      3. dolce

3





a2

n

p

 





 





















































   mp







 

3.



 





mp





  

celesta







3



 



mp

         

  n

3

 

soft yarn mallets





pp

n



mp

 gliss.

 



mp





3



  

3



     mp

mf

                



3

mp

f

































3 dampen on beat 3



mp



vibraphone- soft mallets

 

n

3



p

3

  



3











 

  





gliss.

mf



mp







dolce











 dolce



mf





1.



  

 

3



a2



dolce





anvil





6





 f

mp

1. 

3

3





mp

to celesta

       



3





f   



mp



      



pp







dolce









 







 









5

     



       

pp

p



p



 







PE





 

49





1. dolce



7               



 



1.



 











pp

   

mp

5 5

          



mf



  

3

1.

n



 

pp







5

SE





 Perc. 4    Perc. 5

 

1.





 

  Perc. 1  

Perc. 3

n

     



 

   Timp.  

Perc. 2



mp





AL

Pno.



  

pp

Cb.

1.   





pp

  3     C Tpt. 1 + 2   

Hn. 1 + 2







  



n

pp



 

 Bari. Sax.   

C Tpt. 3 + 4







   



mp

          1.

5

     













EU

     

  

 

      

  

  



 



NC





1.



MA

Cbsn.









Bsn. 1 + 2





RP ER

Ob. 1 + 2

 



1.



FO

Fl. 2

  



-N OT

Fl. 1



poco rit. Pushing forward q=69

FO R

49

  Fl.  



  





 

 

crotales- with bass bow





mp

 







pp

 

mp

 

3

       mp





 mp

 









 ff





f

Ob. 1 + 2



Bsn. 1 + 2



 





 





Cb. Cl.













 







 

  

Euph.



Tba.





3







3

  



  





 p

AL







3



    

p





3 



 

3









3   3





RU S

PE





 

Perc. 4

Perc. 5







  58

mf

n

3

3

    

 

3



mf





3







   





3

   

3

   



1.

       

 

        















































      





  

   

   

 

 

   

 

       

pp

pp

 

         3

















p







     3



 

 p

3

   











     3

 



mp































    

mp

    









   



























pp



   3

 p       p 









3

 





p

 





mf



p



3

   





  

1.

 



3

  





 3             

    

a2









 



6



3

  







           



 p 

p



      



3                                          6 5 7 f    Timp.     Perc. 1  large sus. cym.  

   

















3 



pp





 

   3



 

      

3



 





pp



-N OT

Tbn. 3 + B. Tbn.

 

3

pp

Tbn. 1 + 2











 







mp





Hn. 3 + 4



 

  

Hn. 1 + 2

Perc. 3

   p



3

p



   

3

1.

Perc. 2









         

  3    

2.

5

3

ff





 p  

3

dim.





C Tpt. 3 + 4

Hp.

 1.

 

5



3

   

p

RP ER



T. Sax.

Cel.

 

3

7

FO



6



  

  



MA

B. Cl.

A. Sax.

6

mp

p

   

    

p

 

3

1.



 

ff

3

 

p

 





5





                                          mp                                         

Cl. 3

Cb.





f

 

Cl. 2

C Tpt. 1 + 2





a2 dolce

 Cl. 1  



mp





3









3

ff

Bari. Sax.





6 7 6 5                                            mp         

Fl. 2

Sop. Sax.



ff

5

Cbsn.





SE

 

f a2 dolce



EU



Fl. 1





dolce

NC

  

58

  Fl. 

FO R

6







   p



 t-tam











p

E A tempo, sneaky 







 Cl. 1 



B. Cl.

Sop. Sax.



 

 



n

    









Euph.





Tba.



   3

p

 

PE Perc. 2 Perc. 3

Perc. 4

Perc.5

 

 

65



B.D.

p









 

 a2

  

pp

pp



 

pp

   

pp

 

n







    

  pp

 



 



  

 









    







          p

 



                

pp

sfp

mp

sfp

mp

 

     

sfp





p











mp





             

 



           

 



              

espress.

p

p espress.

p

      

 

    



sfp

mp

sfp

mp

sfp

mp

 









































pp



mp

p

















a2



















































































n

 

sfp









































































 







 

 



  p







 

pp

   

   

   

   

   B.D.



  

























p

 









mp



 



 

 





























 

B.D.

 

mp



 

vibraphone- medium mallets

 mp

crotales- with bass bow





sfp

  









mf



sfp



     pp



a2









sfp





















sfp

 

3

espress.

mp

     n



p

espress.

   

sfp

 

espress.







p

   



mp

sfp



3





 

espress.

mp

sfp

              espress.

 





espress.

 



   



 

   

  a2

 



n



RU S mp



      

    



 

 

sfp

3



   

Cb.      to piano             3 mp Cel.     3      Hp.          

 Timp.   Perc. 1 

p





 





            



AL

Tbn. 3 + B. Tbn.



  

    

  







n



mp







1. espress.

 



3



sfp

     









3     

Tbn. 1 + 2









3





n



  3        











p





 

p

a2

7



         



pp

 

















a2 espress.



  











 



 p



n

n

a2

Hn. 3 + 4



3

a2

Hn. 1 + 2

  

  







n



 

C Tpt. 3 + 4

 

n





    

3







n

3      



T. Sax.

C Tpt. 1 + 2



 

A. Sax.

Bari. Sax.

   

 



-N OT



Cl. 3

Cb. Cl.

 

   

Cl. 2



n

3

3      3 

 

 



EU

Cbsn.



With feeling

NC





MA

Bsn. 1 + 2



FO R



Ob. 1 + 2



RP ER



Fl. 2



FO



Fl. 1





n

3

   

 

SE

poco rit.

      Fl.  65









F 



        3

    



3

3



  

 

    

 



    

piccolo

Cbsn.

Cl. 3

B. Cl.

Cb. Cl.

T. Sax.

mp



3



     mp





    



 



mp







   







    

 

3

3

    







mf

mf

 



 

1.

     

 

3

mf

   

    

3

    3.

mp

 

mf

mp Tbn. 3 + B. Tbn.

mf

3

-N OT

Tbn. 1 + 2



      

3

      

mp

mf

    3

Cel.

Hp.

Timp.





     







    

Perc. 3



77





   

 



 

Perc. 5

mp

 

 

mf

p



 





   

 

     

 

3



   pp







 



ff



6



6

ff



  



mp

 

a2

f

 

  



f

 



  







 

f









  

 

 

 





mf

 

    

6



   6

6

   

 

7                   7

7

 









     mf      mp     















3



mf

 



3





 

 

 mf

3

     3



5

5





  

small t-tam

n





     

  







5

ff

 



5

5 5

 





ff

 







6

3





6

6



6









6

6



 

6

ff

                              





p



ff





 











 



6





 

6

6





  







6



  





6

6



   

    





                                

  

mf



 



 



   

3

   

3         

3

mp



Perc. 2

Perc. 4



  

PE

Perc. 1



 

AL

Cb.



RU S

Tba.

 

   

  

    









                             

   



5

5

ff

 





6









mf

Euph.

6



   









       



3

  



 



mp

Hn. 3 + 4

  

 





3





mf

 

    

   

mf

mf

3

 

       

3





5

5

ff



3





   



mf



  

3

mf



 



      



 

    3

  





3

3

  

 

mf   

3



3            3

3

   

6

6

mf





 

a2         

mf

3

  

   

   

3

 

   3

mf

  

 



mf



    

  C Tpt. 1 + 2 

Hn. 1 + 2



  

Bari. Sax.

C Tpt. 3 + 4

3

3                      3

 Sop. Sax.  A. Sax.

3

         3

     

  Cl. 1  Cl. 2

3



FO R

Bsn. 1 + 2



ff

 6                                         

RP ER

Ob. 1 + 2

   

a2

        

ff

FO

Fl. 2

   

3







a2

mf

    





  



SE





EU

Fl. 1

 

NC

Fl.

MA

77

8



      3

3





gliss.





 

      Bsn. 1 + 2               f      Cbsn.          f      Cl. 1       Cl. 2  Cl. 3





          

f

       Sop. Sax.      A. Sax.         T. Sax.   

  

      C Tpt. 1 + 2   f

mf

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.







    

 



   

 

 



f













                  





1.



     

mf

  

 

      



 



.

gliss

PE  

Perc. 4

  84



f

n

   



 







ff

ff 3

     

          



 

     



              







f



ff

 

f

t-tam

  ff

 







chimes

             



 

 

 





mf



  

   

       



          

      



     









               

                   







  



   







  



     



      





 











ff













                

              



 









  



  















   



   

   

 

 



  





 



   





1.

   





  





                           

         

 

   f            

3

  



f

       



 a2 3           f







   



   





   



    



      

   













vibraphone



      



   f

S.D.



 

     

pp

mp

   

 

 

pp



f





   





mf

    mf      pp







chimes

 

 

 

 med.. sus. cym



3

f





3



 

 

3



      





 

 



f





f

   



 



 



     





   







3

       





 

f



ff

 

a2



   



       f

   



      

   f                                          



  



t-toms- yarn mallets

 

      

 

 

        





 

 

f



9

 

        

  

  

  

    

         

    

3.



          



   

   

            







  

    

 



 

             

  

   

       

  

  





  







  

 



3

3  





3



              

                            3 f 3   1.           3 f ff 3   3.             ff 3 f  a2                  a2               3                      ff 3 f mf   3       3.              ff   f 3                 3 f

  



3



 

  3        ff  f    

.



f

gliss





 

mf

piano



s. glis



Perc. 3

Perc. 5



ff 3

    Timp.    mf large sus. cym     Perc. 1  Perc. 2



   3           ff         f 



s. glis



Hp.

ff

ff

RU S

Pno.

 



AL

mf



ff

 mf                             ff 3  f             

      f   Cb. 

Tba.





       

mf

        ff





          

3

 



      

   

a2               



ff









     



ff









 



         



    ff     ff 

 

      

  

-N OT

Hn. 1 + 2

  

.

C Tpt. 3 + 4

  



 

  

       

          



glis s

Bari. Sax.

       



       

     3  a2         3   ff 3             ff          

               f Cb. Cl.                   B. Cl.

          







SE

 







       

 

EU



    

  







MA

Ob. 1 + 2





  



       

FO R

Fl. 2



 









RP ER

Fl. 1





  

FO

 Picc. 

    

NC

poco rit. A tempo, unleashing

84

    mp

 

 





G





   

Bsn. 1 + 2





  Cl. 1   

 

  

  

Cl. 2

   

  3       B. Cl.       Cb. Cl.     

T. Sax.

  

Bari. Sax.

3



     

3

3

3

    3 3

           3

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

Tba.

Cb.

Pno.

     

    f  3 3     f 3  3      3

              

f

Perc. 4

Perc.5

         

  







 





RU S  

  

 

 

 

 

pp

pp

95



ff

ff

 

   

   

 

  



ff

ff



ff

p

    ff

   3

t-tam

 

pp



   

       

 

 

 



  ff

 

 

   

mf



  

    





  

       



                          

  

                   

            

            

  



 





 





  



  

    

   

   



 

     

     

     

    

     

    

       







     

  

 

 



   

    



   

 

   

     



      



 

 

           

  



 

   



    

  









 



 



 





fff





sfp



sfp



sfp

 

sfp

 sfp

 

sfp



sfp



sfp



sfp



sfp

 

sfp

  sfp



sfp

 

         



n



   

         

   



sfp

     

 

 

 





  

   



n

sfp

 sfp







sfp

             

   

sfp

 

    

        

 

 

   

 



 



  





 



 

 

 



 

 

 





 



  



















 

   

f



ff







  























mf

mp







 

S.D.

 

f



med. susp. cym



    f



 sfp

 sfp

 

sfp



sfp



sfp

 

sfp

   

  

ff

   

 

  



      



mf





 

 

     



mf





fff

 



  

  

 

fff

 

    

  

 

  

fff

f







 



    





  a2          









fff

ff

 

            

 



 

bells up            fff bells up   a2   







fff

 

 







fff

   

 

3

      

ff



 





          



 



ff

         







ff



large. sus. cym

PE Perc. 3





B.D.



a2



  Perc. 1   Perc. 2

3

    

   



  

       









 

ff

  





ff

      Timp.   Hp.

3

 non. cresc.      non. cresc.     3             3

 

 

 

             



AL

Hn. 1 + 2

          

3





f

C Tpt. 3 + 4



ff





f

  



    

3

  C Tpt. 1 + 2   



 1. no trill      ff

               

ff

ff

f           

f



        

3

A. Sax.



a2, trill

Cl. 3

Sop. Sax.





    ff 3               3   ff        ff    

 

  

ff



SE



  

Ob. 1 + 2

Cbsn.



 

EU

  

Fl. 2





NC

Fl. 1

  

MA

  



FO R

  Picc.   

A tempo, with strong affection



RP ER

rit.

FO

95

-N OT

10

 

B.D.



  sfp  

pp

 

pp

Cadenza

mp p      gradually slow down trills, a2          p mp  

fff



staggerbreathe if needed

Cbsn.





 Cl. 1  

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

fff staggerbreathe if needed  





A. Sax.



T. Sax.



fff

fff

 



fff

 



fff



fff



 



 

Hn. 3 + 4











fff

Euph.



 

Tba.







Perc. 2



Perc. 4

legato





 

 

     



 





 

dim.

g



. liss



ff

 

ff





 

 

ff

circular glisses









   

5

5

3 5



s. glis

 

 

dim.

 



  



 

3

 

6



anvil

ff

play more or less proportionally as notated within the bar. This passage is not intended to be strictly counted



 

 



3

ff



 









 



  

Perc. 5



102





ff

3

  

 









   p

  





p

n





 

 

   

pp

  

 

   

 

3

      

3

  



  p



p



    







 



 























 















 



 















 



 













 



 













 



 













 



mp



 

    

crotales- play around these notes; gradually slow down while descending



p

3

 



ff

 

     

 

 



 3

pp

 

 

 

1. molto espress.

 

 

 

 



 

 

play more or less proportionally as notated within the bar. This passage is not intended to be strictly counted

PE

Perc. 3

ff legato

RU S

Perc. 1



 

5

5



Timp.

 



p



play more or less proportionally as notated within the bar. This passage is not intended to be strictly counted

celesta





Hp.

fff

AL

Cel.

fff

 

 



 

fff



p

 

fff

 

  

 

fff

Tbn. 3 + B. Tbn.



 

fff

Tbn. 1 + 2



 

fff

fff

Cb.

 

fff

 



 

fff





           mp p   gradually slow down trills, a2

fff

 C Tpt. 1 + 2 

Hn. 1 + 2

mp

 

 

C Tpt. 3 + 4

          

gradually slow down trills, a2

fff

 

 



  

 

 staggerbreathe if needed 



 Sop. Sax. 

Bari. Sax.



 



solo, molto espress.

 

fff

 



fff

 

pp

NC



Bsn. 1 + 2

fff

  

1. molto espress.

RP ER



Ob. 1 + 2

 

FO



Fl. 2



SE

staggerbreathe if needed

11



EU

fff



MA



Fl. 1

      p   gradually slow down trills, a2         

FO R

 Picc. 

gradually slow down trill   

 staggerbreathe if needed

-N OT

102

     

 

    

B.D.

p

n

  

 



  

 





Chimes

p

 

pp

 

crotales - with bass bow



H poco rit.

 

mp

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

mp

 

  

 

1.

 

mf

  

mf

  

mp

 

 

mp



    



3

 



 





p



  Cl. 1        Cl. 2



 

  

 

1.

p





  

 





 



 

        3

 



p





 









 Cb. Cl.   









  









 









Sop. Sax.

A. Sax.

T. Sax.

 







 Bari. Sax.   







  







 







 





 





 





 



 



  



Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

Tba.

Cb.

Cel.

Hp.

Timp.

 



  



      

 

PE Perc. 3

 Perc. 4     Perc. 5

     105

mf



 



 



 



 

p





    



1.



1.



  



 

p

 

  



 











 











 













 













 





 

    

 

    

 

 

p

     p





  













 









 











 







  





 











 

 





        













    

mf

 

  

 

  

 

 

mf

  



p

  



p

  

  



 

3

3





med. sus. cym.

3

 







3

p









 











 



p

p





3     







 

p



p











 

    

     p

  







 



3







 



 

 





     

    



n

p





p



 





1.







  

Perc. 2



     

3



      p

 





n

 

 







3

 



  Perc. 1   

p

         mp



    

3



FO

Hn. 3 + 4



mp





-N OT

Hn. 1 + 2



        



AL

C Tpt. 3 + 4

RU S

C Tpt. 1 + 2



           

RP ER







 

 



   

 

 





 





B. Cl.

  mp

 

Cl. 3

mf

 

   



mp

3

    

 



EU

      



NC



FO R

Fl. 1



A tempo

 

MA

105

  Picc.  

SE

12

3

I

Fl. 2

p

 

  

solo, molto espress.

 

Ob. 1 + 2

1.

mp molto espress.

    



 



p







 

  

   

  

   

   

f

     

Bsn. 1 + 2



 





 



 



Cl. 2

Cl. 3







      

   Cb. Cl.    Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

 

3





mp



 





 











       

 



p

   

mp

     

        p  

mp

 



p



mp



p

 



mp

 



mp

 





 

 





3

B. Cl.

 mp

 Cl. 1  

 

      p 



 



   















 



 

pp



mp

  





  

Tbn. 1 + 2

Tbn. 3 + B. Tbn.



3.



pp







      

Cel.

Hp.

Timp.



















 

  

 

n

 

 

PE

Perc. 2

Perc. 3

Perc. 4

Perc. 5

mp



 



n

B.D.

 

n





 

   

p



p

 

 

 

 

  

 



p





 

 





 





 





p      

 

 



p

stagger breathe if necessary

    





  

   

1.

p

 



p

   1.

p



p

p

n

 

















p









 

n

  

ppp

n



 















 





 











n

n





















 





 













 















 







  







p

 4.  



p

 



  



 

 

 n

   n



p

 



  

  



p

n





  



 



 

n

1.solo

n







































piano

  



f



 















 p





muted t-toms; sticks

 

large. sys. cym.



 













 

 

















t-tam

mp



 



  







 

        

  



3

f



  p



n





 





   







   

p



pp





n



mp

p

ppp



  



  



mp

   

p

 

mp

p









   

     

n

  

 









 

 



 

a2 stagger breathe if necessary



2.











  

p

 

n















 

  





   







 

  



p

 

   

  





  

1.

pp

  

 







   

 

 





p

  



pp

a2 stagger breathe if necessary

no cresc.

  



a2

no cresc.

1.

 

  



113

 

       

mp

med. sus. cym.

Perc. 1



mp

 

 

AL

Cb.

  3    



RU S

Tba.

  

p



 3

Euph.

mp





1.

FO

Hn. 3 + 4

 

1.

-N OT

Hn. 1 + 2

 







n







  

 

p

   

   

no cresc.

  

  



   

1.

 

 C Tpt. 1 + 2  C Tpt. 3 + 4

p

p

mp Cbsn.

  

SE

 

  

 

13

EU

 





A tempo

NC



Fl. 1



FO R

 

rit.

RP ER

Picc.

q=54

MA

poco rit.

113

  (scrape, very fast)



 anvil  f



f



 











    



 











   



vibraphone

f

crotales

f



p3





Ob. 1 + 2

Bsn. 1 + 2













1.  

 







     





  

 

    



 

 

 





p



 













 

Fl. 2

Cbsn.











p





 



p

p











p



 





 



 



Cl. 2

















Cl. 3

 

 























 











 





3

 



  





Tbn. 1 + 2







Tbn. 3 + B. Tbn.



Euph.



Tba.



























  



  



chimes

Perc. 3

Perc. 4

Perc. 5

 





p

 

p

 

p



MA 









 









 



1.

p



  n



n





 







n

mf

    







 



 







 







 







 



 



pp







 



pp













 















 







 





















 









 

 



 

















      









 

    

pp 3













  

   

  

  

   





pp



mf





pp

mf

pp

mf

    





3.



pp



pp





mf



mf

  

       



 

   

   





   

     

  



mp

   



   



  





  

   



   

  



  

 large. sys. cym.



(scrape, very fast)

f



  



f



n

1.

   







f    

   



3













   

n





n

   

    









n





3

mf



 

  

     





 

  





  





mf

                

     



 







mf

pp



mf

n

anvil

f









 



 



vibraphone













crotales





123



 



mf

1.



 



n

n





 

 







PE

Perc. 2



RU S

Perc. 1







Timp.



-N OT





 













AL





3



Hn. 3 + 4

Hp.

FO R

 

Hn. 1 + 2

Pno.













C Tpt. 3 + 4

Cb.



p







T. Sax.

C Tpt. 1 + 2



1.



 

A. Sax.

Bari. Sax.







  

RP ER

Sop. Sax.



FO

Cb. Cl.





B. Cl.





  



p



   



 







1.



 









 

Cl. 1

Attaca subito

SE



Fl. 1



 

EU

123

 Picc. 

NC

14

f

f

15

II. Toccata Allegro Fugato q=150

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2 Tbn. 3 + B. Tbn. Euph.

Tba.

Cb.

Hp.

Timp.



































































 















































































  





























































  















  





































  













  











































































































































  





















 





























































































     

   

 

            





strum bass strings throughout entire note value; no fingernail

    

n



 

   

 

  

mp

   

 





RU S

      mp



        











 









PE  

 Perc. 5     





t-tam, with superball

n

    

mp

   

medium mallets

pp

  



        

bring out

large. sys. cym.

(scrape, rather slow)    mp

Perc. 4





4 t-toms

Perc. 3





large. sys. cym.

Perc. 2





harder yarn mallets 2 bongos

Perc. 1



SE



EU



  

 

Pno.









  



(scrape, rather slow)



congas (with hands)

pp















   





 

 

    



mp

                

  

mf

B.D. soft mallets

 

pp

mp



NC

Cl. 1



MA

Cbsn.



FO R

Bsn. 1 + 2

            



RP ER

Ob. 1 + 2

 



FO

Fl. 2

   



-N OT

Fl. 1

  

AL

Picc.

  



molto



         

    

 

mp



triangle





mp



 

 

  

temple blocks



mp



A

16

*percussion MUST NOT cover solo wind instruments (mm.11-27)

11

















Fl. 1



















Fl. 2



















Ob. 1 + 2





















               p 1.



                                                              p 













 















Cl. 2















Cl. 3















B. Cl.













Cb. Cl.













 









Alto Sax.











Ten. Sax.











Bari. Sax.









 







C Tpt. 3 + 4



