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CONTACT ADDRESS: EMAIL: PHONE:
DATE
ANDREW DAVIES
Midsommarvägen 10, 126 34 Hägersten, Sverige daviesright@gmail.com +46 760409851
POR TFOLIO / RÉSUMÉ : JUNE 2015
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BIO ABOU T My name is Andrew Davies. I am a from Christchurch, New Zealand and am currently living in Stockholm, Sweden. I have recently completed a Masters Degree in Landscape Architecture (2012) at Lincoln University where I have also held a position as tutor/marker for courses in cultural landscape and design theory. My bachelors degree (hons) was completed at Lincoln and included a six month scholarship to Copenhagen University in 2009. Upon the completion of my degree, I was employed by Royal Associates Architects in Christchurch (July, 2012). I was taken on by Royal Associates to assist in the development of Christchurch’s post-earthquake city blueprint. It has been an immensely rewarding period, some of the highlights of which are outlined in this portfolio. My initial experience as a landscape architect has been focused on conceptual de velopment and graphic presentation. I have honed my abilit y in this area and have high expectations of myself. From late 2014 to mid 2015 I worked at W ingürdh Arkitektkontor (Stockholm, Sweden), where I was involved in a wide range of high level projects. My experience there has set a benchmark for design and detail quality. I seek to both apply the skills and knowledge gained at W ingürdhs and expand my capability in other a reas of the discipline. I am motivated by the creation of places the are responsive to their environment; those places t hat, however complex, maintain a sense of ease. The range of my interest is therefore broad, as I am certain this can be achieved at any scale. I hope to be involved in a team that prides themselves on original, sustainable solutions that respond to the particularity of place.
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CONTENTS POR TFOLIO IN TROD UC TION The portfolio to follow is a loosely chronological account of work completed over the past two years. It encompasses work from my masters degree at Lincoln University and from my first position in the design industry at Royal Associates Architects. My position at Royal Associates was a continuation of work on Maori urban design initiated at Lincoln. This can be seen in the first three projects. Beyond this, a series of projects have been included to demonstrate the range of my recent experience. Included here are residential, institutional, recreational and research projects. B I O / CONTENTS
P 4-5
PR OJECT 1
Otautahi Arts Centre
P 6-7
PR OJECT 2
Ngai Tahu Analysis
P 8-9
PR OJECT 3
Envisioning Otautahi
P 10-11
PR OJECT 4
Te Kaio Campsite
P 12-13
PR OJECT 5
M. Bush Residence I
P 14-15
PR OJECT 6
M. Bush Residence II
P 16-17
PR OJECT 7
Cholmondeley Home
P 18-19
PR OJECT 8
Writing / Research Sample
P 20-21
R ESUME
P 22-23
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A
PROJE CT CONTE XT
BRIE F
O utlined here is a samp le o f a p ro ject co mp leted as a p art o f Linco ln University’s Master o f Land scap e Architecture p ro g ramme. T he p ro ject w as und ertaken thro ug ho ut Ap ril/May 2 0 1 2 . Co llab o ratio n w ith tuto rs at Linco ln thro ug ho ut the d esig n p ro cess o p ened the d o o r fo r numero us sub seq uent p ro jects. Fo r that reaso n, this w o rk has b een selected to set the stag e in this p o rtfo lio .
T he b rief fo r th is p roject w as in resp o n s e to a series o f earth q u ak es in Christchurch , N ew Z ealand . Red e velop m en t o f the city is s een as a g o o d o p p o rtu n ity to estab lish better rep resentatio n of ind ig eno us p eop les thro ug h urb an d es ign . T he task here w as to id entify sites an d p o tential d evelop m en t that co uld o ffer effective rep resentatio n of M aor i values.
A
THE SITE
B Natural spring and ‘pou’ as seen from point A
B
Avon/Otakaro River as seen from point B
LOCATION
Ch ri s t c h u rc h CB D , Ne w Z e a l a n d
T he p ro ject seek s to estab lish a la n gu age and arts school on a site rich w ith M aor i histo ry. Calls for s u ch an institutio n h ave b een mad e b y city officials . T he scho o l, w h ich w ou ld ancho r o ne en d of th e river p ark d ev elop m en t currently und er w ay in Christchurch, s its w ell in terms o f the wid er Ur b an Develo p ment Str ategy. T he area is know n to b e o ne o f the or igin al settlement sites of M aor i p eo p le in Chr is tch u rch . A natural sp ri n g ( A) , w hich alread y s er ves to d emark lo cal h is tor y b y a series o f ‘pou ’ ( u p r igh t carve timb er p os ts ) , w ells up to the no rth of th e site. T he sp rin g m ay b e co nsid ered the fu lcr u m in this d esig n.
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L i ke a c on ve x l e n s, th e DI AG RAM ( 1 ) : I n dic a te s c e n tr a l a xis f orm of th e bu i l di n g be twe e n bu ildin g a n d a n d th e su rrou n di n g n a tu r a l spr in g. l a n dsc a pe f oc u se s on the n a tu ra l spri n g. A c e n tra l a xi s c on n e c ti ng th e bu i l di n g a n d th e spri n g e mph a si ze s th i s f oc u s wh i l e e n ga gi n g with th e ri ve r (se e di a gra m 1 ) . Th e f ootbri dge h a s be e n de ri ve d f rom tra di ti on a l DI AG RAM ( 2 ) : I n dic a te s pr im a r y e e l f i sh i n g we i rs to c irc u la tion n e twor k re f l e c t h i stori c u se of th e a re a a s a h u n ti n g a n d f i sh i n g grou n d. Th e c i rc u l a ti on pa tte r n s th rou gh ou t th e si te f ol l o w th e ri ve rs si n u ou s f orm a n d a re i n te n de d to off e r va ri e d e xpe ri e n c e s (se e di a gra m 2).
O UTC O ME Th e proj e c t wa s we l l re c e i ve d by u n i ve rsi ty l e c tu re rs. H a vi n g worke d th rou gh th e proj e c t a l on gsi de me , P e rry Roya l , a l e c tu re r a n d pra c ti c i n g a rc h i te c t, e mpl oye d me to a ssi st i n th e de ve l opme n t of C h ri stc h u rc h c i ty’s 100 da y ‘ bl u e pri n t’ doc u me nt. Th e ‘ bl u e pri n t’ proj e c t wa s e sse n ti a l l y th e ma ste r- pl a n n i n g of C h ri stc h u rc h ’s C BD pos te a rth qu a ke .
BA RBA D OES STREET
KEY FEATUR ES
C
My p articular ro le in the Bluep rint p ro cess w as to d evelo p g rap hic rep resentatio n o f Mao ri urb an d esig n p o tential. So me o f the w o rk co mp leted d uring this p erio d is o utlined in the fo llo w ing p ag es.
OT A UT A HI A RT S C E N T RE P e rspe c t i ve f rom C
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NGAI TAHU ANALYSIS A
Ot aut ahi/Chr ist c h u rc h : S ou t h Isl a n d Con t e xt
PROJE CT CO N T E X T One of the initial tasks to be completed for Christchurch city’s ‘100 day blueprint’ was to establish context. The focus for Royal Associates Architects was, and is, to offer an indigenous perspective on urban development. Maori people identify themselves with respect to particular features in the landscape, whether it be mountain, river, tree, harbour, lake etc. W ith this in mind, a series of diagrams have been developed to orient Otautahi (Christchurch) with regard to notable geographic features.
KE Y FE ATU R E S The diagrams initially served as introductions to a series of presentations made to various parties involved in the ‘blueprint’ project. The language used in the diagrammatic work has been restricted to Maori in order to encourage understanding and to reinforce the desire for Maori place names to be utilised more widely in urban development. Images featured here depict relationships at national, regional and local scales (left to right). The reliance of Maori people on natural systems for sustenance, orientation, and identity aligns closely with the desire to reform Christchurch in a manner more responsive to the natural environment. The diagrams offer an alter native context to the traditional colonial narrative.
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B
O tauta hi/Chr ist church : Ca n t e rbu ry Con t e xt
O U T CO ME Th rou gh ou t th e in itial p lan n in g p h as e of C h r is tch u rch ’s red evelop m en t, gr ap h ic w or k com p leted on b eh alf of R oyal As s ociates Arch itectu re ( s ee r igh t) s u p p or ted d ocu m en ts th at h ave given M aor i a s ign ifican t footh old in th e red evelop m en t p roces s . Th is w as a cr u cial p h as e th at h as afford ed real p oten tial for a m ar k ed in d igen ou s p res en ce in C h r is tch u rch ’s cen tr al city. Diagr am s A an d B h ave b een in cor p or ated in to th e ‘ B lu ep r in t’ p lan for th e C h r is tch u rch ’s in n er city. W ith th e m om en tu m gath ered , effor ts w ere s h ifted tow ard m ore illu s tr ative ex am p les of a ‘ p os t- colon ial’ vis ion for th e city. A s am p le of s om e in flu en tial d r aw in gs is featu red on th e follow in g p ages . . .
P RES ENTATION S A MP LES
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P RO J E CT CO N TEX T The aforementioned Chr istchurch Blueprint was focused on determining sites for 12 anchor projects throughout the city cen tre. One of the purposes for the ima ges appearing here was to promote the inclusion of a Maori cultural centre among these ‘anchor p rojects’. The cultural centre ‘Te Puna Ahurea’. has since been added to the official Christchurch recovery plan. Besides the bid for a cultural centre, these ima ges are being use d to demonstrate design qualities that are representative of multiple cultures while being grounded in a particular place.
A
V i su a l i sa t i on o f Av o n / O t a u t a h i r iv e r c o r r id o r
ENVISIONING OTAUTAHI
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KEY FEATUR ES
OUTCOM E
Th rou gh ou t th e C h ri stc h u rc h re bu i l d to da te , on e of th e ke y pri n c i pl e s ma i n ta i n e d by Roya l Assoc i a te s a s we l l a s myse l f h a s be e n th e a dvoc a c y f or a ‘ Pa c i f i c Ri m’ ve r n a c u l a r i n th e bu i l t e n vi ron me n t. Th i s type of a rc h i te c tu re / l a n dsc a pe a rc h i te c tu re c ou l d be re pre se n te d i n a n u mbe r of wa ys. H e re , th e f oc u s h a s be e n pl a c e d on th e u se of te n si l e , ti mbe r c on stru c ti on i n a ma n n e r th a t i s l i gh t, ope n a n d e n ga ge d wi th th e l a n dsc a pe .
I mag e ‘B’ w as used p rimarily in ad vo cating fo r a Mao ri cultural centre in mid 2 0 1 2 . T he visualisatio n w as inco rp o rated into the Christchurch Bluep rint d o cument, the Christchurch reco very Plan and includ ed as p art o f the med ia p ackag e fo r the Bluep rint release.
Th i s a pproa c h to de si gn i s a re spon se to both th e tra di ti on a l a e sth e ti c s of ‘ P a c i f i c ri m’ de si gn a s we l l a s th e n e e d f or i n n ova ti ve c on stru c ti on me th ods th a t re su l t i n f l e xi bl e , re si l i e n t stru c tu re s.
I mag e ‘A’, is mo re recent, tho ug h has fo und eq ually as much attentio n. I ts p urp o se is to enco mp ass a rang e o f Mao ri values in urb an d esig n in a manner inclusive o f o ther cultures. Tw ice, it has ap p eared in lo cal new sp ap ers and mo st recently, ( Feb 2 0 1 3 ) , it has b een req uested fo r a 6 x3 metre b illb o ard to p ro mo te the city’s red evelo p ment.
O U T CO ME
B
V is u a lis a t io n o f Te P una A hurea C ultur al C entre
The above clippings are taken from the Greater Christchurch Recovery Update; a local newspaper which is circulated throughout Christchurch. The top image is dated Feb, 2013 and the bottom, Nov, 2012. It is hoped that the exposure of these images contributes to the development of an innovative and inclusive design solution.
A
C
C o m m unal facilities
Ter r aced C am p s ites
TE KAIO CAMPSITE P ROJ E CT CO N TEX T
C
The campsite concept outlined here is located on Banks Peninsula just outside Christchurch, New Zealand.
E E
Wairewa Rununga, a sub-tribal group belonging to Ngai Tahu (regional A Maori tribe), has expressed interest in developing campsites linked by walkways around the souther n bays of Banks Peninsula. Though this is very much in the speculative stage, a series of images have been developed in the hope of generating inte rest and further funding. Some of the conceptual ideas for Te Kaio bay are illustrated here. 12
F
Wh a t a - E e l d r y ing r ack s .
To ilets / s ho wer s
B
To ilet / Showers
K EY FEA TUR E S
O U T CO ME S
Communal camp shelters (A) and toilets/showers (B) have been derived from the ‘Whata’ (see le ft). This A-frame structure is traditionally used to dry eels, an important food source for Maori. The images (left) are taken at Lake Wairewa, a short distance from Te Kaio bay.
Initial concepts have been well received by Wairewa Runanga. Representatives of Wairewa are further investigating ways in which to secure funding for the project.
For the campsite itself, a series of terraces following the existing terrain are suggested (C). Where the terraces meet the stream, a man-made beach has been included (D). As the site is 500m from the beach, a small beach and play area that is easily supervised would be a useful addition. The banks of the stream and surrounding areas have been included in a revegetation proposal outlined in a seperate document. V iew fro m C am p s ite
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PR O J ECT CO N TE XT
FEN C I N G D ES I GN : I N I TI A L TH OU GH TS
Whilst working with Royal Associates I was fortunate to be given the opportunity to take on freelance work involving the landscape design of a Christchurch residence. An ambitious architectural concept had been developed for a client who, tragically, suffers from motor neurone disease. The disease is likely to constrain the c lient to wheelchair which in many ways dictates design direction. The images displayed here are intended to offer a glimpse into the process I typically undertake when developing a concept. Ink and pencil sketches show the varied concepts leading to the final design overleaf.
WH EELC H A I R WA LK WAY A N D TA B LE D ES I GN : I N I TI A L TH OU GH TS
WATER FEATU R E D ES I GN : I N I TI A L TH OU GH TS
P ON D S , B R I D GES , C LI MB ER S : I N I TI A L TH OU GH TS .
M. BUSH RESIDENCE I
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P er s p ectiv e fro m lo ung e
KE Y FE A T U R E S Th e d es ign is s tron gly in flu en ced b y th e b u ild in gs for m . C or r id or s th rou gh th e h ou s e an d gard en are tak en as on e lon g p ath offer in g a var iety of p er s p ectives on th e s cu lp tu r al an d w ater featu res th rou gh ou t. A lon g d eck fold in g u p to for m a tab le an d a p on d s tretch in g th e w id th of th e h ou s e for m th e core of th e d es ign .
O U T CO ME S Un for tu n ately, d u e to a u n fores een is s u es on th e clien ts p ar t, an alter n ative b u ild in g con cep t h as b een s ou gh t. Satis fied w ith th e lan d s cap e com p on en t, m y s er vices as lan d s cap e arch itect w ere retain ed . A s econ d con cep t is ou tlin ed on th e n ex t p age.
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P R OJ E CT CO N TEX T
CO N CE P T P LA N
Outlined here are the concept and planting plans for the second set of drawings prepared for this client. (See pgs 12-13 for concept 1).
KE Y FE A T U R E S
P er s p ectiv e fro m d eck :
W ith tight time and monetary constraints, the client sought a simple and easily maintained solution. By request, the same planting palette was maintained from concept 1, with a few additions. The design features native plants, selected to reflect the planting design throughout the subdivision and attract native birds.
Rei nforci ng m es h cl i m bers fram e Kowhai trees pl anted am i d l ayers of nati ve gras s es . Rocks are i nters pers ed between each of the trees .
W ide use of native grasses ensures min imal maintenance whilst offering a sense of seasonality through see dheads and flowers.
Rei nforci ng m es h cl i m bers al s o feature wi thi n the fence. Thi s i s i ntended to l engthen the garden and enabl e pl anti ng to m ove through the fence.
M. BUSH RESIDENCE II
P er s p ectiv e fro m lawn:
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P LA N T IN G P L A N S P E CI E S
I.D
QTY
A diant um cunning hamii
A d. c
41
A splenium oblong ifo lium
A s. o
8
A st elia fragr ans
A s. f
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B lechnum d isco lor
Bl . d
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C lemat is p a niculat a
Cl . p
7
C oprosma k irkii ‘Black Clo ud’
Co. k ‘ bc ’
29
C ordyline aust r alis
Co. a
2
Dianella nig ra
Di. n
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Dick sonia squar rosa
Di. s
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G risilinea l i t t o ralis
G r. l
50
H ebe subalpina
He . s
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L i ber t ia p e regr inans
Li. p
171
L o belia angulat a
Lo .a
135
P ho rmium t enax ‘Emer ald Gem’
P h . t ‘ e g’
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P seudo panax cr assifo lius
P s. c
3
S o phor a microphy lla
S o. m
8
. 6
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O R I G I NA L B UI LD I NG Post earthquake, pre demolition. This image shows the former building (highlighted in red). It also highlights the scattered landscape features and the discord between landscape and building.
P ROJ E CT CO N TEXT C hol mon de l e y H om e i s a fa c i l i t y provid ing s ho rt t e rm a n d em e rg e n c y re spite ca re t o c h i l dre n aged b etw e e n 3 a n d 12. I t i s l oc a t e d i n G o ve r n o rs B a y, in the Ly tt e l t o n Ha rbo ur, a s ho rt di st a n c e f ro m Ch ri st c h u rch, N ew Ze a l a n d. C hol mon de l e y’s b ui l di n g s su ffe red s i g ni fi c a n t da mage i n th e Ca n t e rbu r y
ear thquakes oc c u rri n g throughout 2010 /2 0 1 1 . As a result, a la rg e por tion of the bu i l d i n g required d em oli ti o n (see above). Royal Associat e s Architects were com missioned to design new b u i l d i n g ( s ) to replace wha t h a s been dem olished and connect th a t which rem ains. M y involvement in th e
p ro j e c t s ta rte d s i mp l y a s s o me o c c a s i o n a l re n d e ri n g w o rk fo r re s o u rc e c o n s e n t d o c u me n ts . D e v e l o p e rs a n d c l i e n ts a t th e ti me d i d n ’t fe e l th e n e e d to e mp l o y l a n d s c a p e a rc h i te c ts . I n re s p o n s e to th i s , c o n c e p tu a l d ra wi n g s w e re d e v e l o p e d i n o rd e r to c o n v i n c e th o s e i n v o l v e d th a t th e landscape design is a c ri ti c a l c o mp o n e n t.
CHOLMONDELEY HOME
KE Y FE ATURE S
O U T CO ME
By ens ur i ng t he b ui l d in g act i v el y eng ag es w i t h t he l and s cap e, fur t her d es i g n has b een g i v en a fi r m fo und at i o n. C ent ra l t o t he b ui l d i ng d es i g n w ere t he o b j ect i v es , fi r s t l y, t o creat e a s t ro n g ax i s o r i ent ed t o w ard t h e head o f t he har b o ur, a n d s eco nd l y, t o creat e an i nt er nal co ur t y ard .
Cholmondeley Home is now in the final stages of design. Many of the landscape design considerations depicted here have been instrumental in the projects development.
T he cent r al ax i s (1 ) cu t s t hro ug h t he o r i g i nal ent r ance b ui l d i ng (A ), fl o at s acro s s t he p ro p o s ed l and s cap e d es i g n and cul mi nat es i n a g l as s cl ad p l ay ro o m o v er l o o k i ng t he har b o u r (C ). I t i s t hi s ax i s t hat has g i v en fo r m t o t he s ug g es t ed l and s cap e i nt er v ent i o n. To t he no r t h, t he d es i g n s t ep s d o w n fro m t he b ui l d i n g , s t i t chi ng t o g et her v ar i o us p l ay areas . T he i nt er nal co ur t y ard d es i g n has b een d er i ve d i n a s i mi l ar manner. T h e d es i g n unfur l s fro m t h e b ui l d i ng s ed g e s t ep p i n g d o w n t o a ‘ b each’ t ha t b o rd er s a s mal l s t ream s er v i ng b o t h as a p l ay area and a s t o r mw at e r manag ement s y s t em ( B ) .
P ers pect i v e s howi ng ent rance t o bui l di ng. N at i v e pl ant i ng act s as barri er bet ween bui l di ng and road.
P ers pect i v e s howi ng i nt er nal court y ard. S t eel bri dge connect s bui l di ngs acros s art i f i ci al gras s t erraces .
P ers pect i v e s howi ng eas t er n end of bui l di ng. P rot rus i ons f rom t he bui l di ng max i mi s e s eaward v i ews
P ers pect i v e s howi ng curv ed dormi t ory. B ui l di ng encl os es court y ard wi t h s mal l t erraced openi ng i nt o pl ay area
A comprehensive landscape design has yet to be completed, however, the clients have come to realise the importance of the landscape architecture in the project and will be consulting a professional.
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WRITING / RESEARCH SAMPLE P R OJ E CT CO NTEX T For the completion of the Master of Landscape Architecture degree at Lincoln University, I opted to undertake a series of courses in policy, planning, design theory and critique, as wel l as a dissertation. This course of study was completed throughout, 2011 and the first half of 2012. W ith Christchurch’s earthquakes occurring throughout this period, both the coursework and dissertation were tailored to respond to the disaster. Having already become interested in memorial design in previous study, I took the opportunity to explore the issues surrounding memorialisation in Christchurch. The research took advantage of existing data collected in Christchurch’s ‘Share an Idea’ initiative which gathered public opinion on the redevelopment of the city. Shown here is an introduction to the research and one of the core pieces of analysis. It is included here to demonstrate proficiency in critical writing and analysis as well as an ability to illustrate data effectively through graphic design.
R E S E A R CH IN T R O DU CT IO N ( DIS S E R T A T IO N ) ‘You have to begin to lose your memory if only in bits and pieces to realize that memory is what makes our lives [...] our memory is our coherence, our reason, our feeling, even our action. W ithout it, we are nothing. -Luis Bunuel’ (Edwards, 2005). Memory and identity are subjects to be hotly debated as Christchurch, New Zealand recovers from severe earthquake damage. The coherence, reason, feeling and actions of those attached to the city will undoubtedly give rise to conflict both inter nally and exter nally as recovery progresses. Christchurch’s memorial issue has arisen in the wake of four major earthquakes occurring from late 2010, throughout 2011, seemingly abating in 2012. Each of the quakes had distinct impacts and effects. Memorialising the events of each will prove to be a complicated and testing task. Provisions in time, space and money have been made for a significant memorial of the event and its effects. Such a proposal immediately begs questions of form, place, material, behaviour, representation and cost. Memory theory typically regards complexity and conflict as given in the processes surrounding commemoration, ‘Such tensions and conflicts are a key constituent of the public sphere in open societies and must ideally be subject to political recognition , democratic deliberation and negotiation.’ (Huyssen, 2011: 42). This research moves through the memorial literature focusing on common theoretical viewpoints in a loosely chronological sequence. Armed with such knowledge one may cast a critical ey e on popular memorial sentiment which will be drawn from Christchurch City Council’s ‘Share an Idea’ initiative. Initially the intentions of the research were to draw on both the literature and local sentiment to establish a number of broad conceptual schematics for memorial design. As will come to be shown, any attempt to do so would be counter-intuitive. The literature reviewed and the public sentiment identified come together to illustrate why this is so.
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CHRISTCHURCH’S MEMORIAL SENTIMENT
DA T A R E P R E S E N T A T IO N The diagram displayed (left) depicts the categorization and sub-categorisation of memorial ideas collected from Christchurch city council’s ‘Share an Idea’ initiative. Seven established categories are shown here along with their constituent sub-categories. The central categories are further defined by the intentions underpinning each, i.e. who, what and where to memorialise.
O U T CO ME The research was well received and has been recommended for further development and publication. The data depicted here was presented by Professor Jacky Bowring to a memorial design panel in Christchurch.
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RÉSUMÉ ANDREW DAVIES
PERSONA L INF ORM AT ION
QU AL IF ICAT IONS
See ‘BIO’, page 3 Bachelor of Landscape Architecture (Hons) 2010 Lincoln University, New Zealand Master of Landscape Architecture 2012 Lincoln University, New Zealand
SCHOL A RSHIP
New Zealand Undergraduate Study Abroad Award 2009 Lincoln University Foundation Exchange Award 2009 Inter national Student Travel Scholarship 2010
S OF T WARE
REF EREES
Photoshop | Illustrator | InDesign | Bridge | Sketchup | Autocad | Rhino Associate Professor Jacky Bowring | Head of School of Landscape Architecture, Lincoln University Perry Royal | Director, Royal Associates Architects, Christchurch, New Zealand. Petter Hauffman | Lead Landscape Architect, W ingårdhs, Stockholm, Sweden
CONTACT A D D RESS EM AIL : M OBIL E:
Midsommarvägen 10, 126 34 Hägersten, Sverige daviesright@gmail.com +46 760409851
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2003
2004
COMPLETI ON OF HI GH SCHOOL
C h r istc h u rc h Boys H igh S c h ool, N Z
B A K E RY M A N A GE R
2005
A b e s B a g e l s . Ch r i s t c h u rc h , NZ
2006
2007
2008
LI NCOLN UNI VERSI TY
B a c h e lor of L a n dsc a pe A rc h ite c tu re (H on s)
ATTE N D A N T (S OLE C H A R GE )
L A ND S CA P E IMP L EMENTATI ON
P i r a t e s I s l a n d Mi n i g o l f , Ch r i s t c h u rc h , NZ
Lifesty le Land scap e Solutions, C hr istc h u rc h , N Z
2009
COPENHAGEN UNI VER SI TY E xc h a n ge S c h ola r sh ip
2010
6 W EEK INTERNSHI P
Kam oM ar sh Land scap e Architects, C hr istc h u rc h , N Z
2011
2012
2013
LI NCOLN UNI VER SI TY
M a ste r of L a n dsc a pe A rc h ite c tu re
T U T OR/MARKER
Design Theor y and C ultur al Land sca pe c ou r se s. Lincoln Un ive r sity
L AND S CA P E ARCHI TECT GRAP HIC DESI GNER
Royal Associates Architects, C hr istc h u rc h , N Z
E D U C ATI ON
WOR K E XP E R I E N C E (GE N E R A L)
WOR K E XP E R I E N C E (LA N D S C A P E )
2014
2015
L AND S CA P E ARCHI TECT
W ing책rd hs, Stockh olm , S we de n
TACK!