Bodhi Path 菩提道 by Hollywood Galleries 東寶齋 by Hollywood Galleries【東寶齋】

May 2017

菩提道

Bodhi Path

展覽地點

國際古玩展香港會議展覽中心展覽廳 5BC-D7

時間

2017年5月26-30日

聯絡

東寶齋香港荷李活道173號地下電話: +852 2559 8688/ 2541 6338 傳真: +852 2803 7273 電郵: hollywoodgalleries@gmail.com 網址: www.hollywood-galleries.com

venue

International Antique Fair Hong Kong Convention and Exhibtion Center Hall 5BC-D7

date

May 26-30th, 2017

contact

Hollywood Galleries 173 Hollywood Road, Sheung Wan, Hong Kong

T: +852 2559 8688/ 2541 6338 F: +852 2803 7273 E: hollywoodgalleries@gmail.com W: www.hollywood-galleries.com

Introduction We would first like to express our

Our exclusive art collections are mindfully

heartfelt gratitude and appreciation to

selected by us from various sources, some

friends, collectors and dealers, who have

of them came from our valued local and

been very generous in their long-term

global clientele who share the same passion

support to our passionate endeavors in our

in Buddhist art; some others came from

business.

professional collectors introduced to us by

Hollywood Galleries is proud to present our 2017 exhibition – Bodhi Path. Buddhist art is rich in beauty and complexity. We devoted an inordinate amount

dealers or friends. While many other art pieces were discovered during our traveling to Europe, North America and other countries throughout the years.

of time researching and planning for our

Although there are many existing

exhibitions. Every art exhibit is thoughtfully

archives about Himalayan Buddhist Art

curated to be engaging and insightful. For

in prints or from web sources. We advise

this exhibition, we are featuring a unique

collectors to seek guidance from educated

collection of Buddhist sculptures and paintings

professional or experienced specialist in the

from Tibet, Nepal, India, China, and Korea,

field of interest. Just like Tibetan devotees

ranging from as early as the 5th century to

believe that religious gurus are the “fountain

the early 20th century.

of wisdom” in the Tibetan religion. Experi-

enced professionals often provide deeper

â&#x20AC;&#x153;Do not speculate about an art piece without

insights and knowledge, able to guide you

knowledge. Instead of buying many mediocre

in understanding the art world from different

art pieces, go for the one with tangible value.

perspectives.

Learn about art, appreciate art emotionally

For more than 30 years of our first-hand

and intellectually.â&#x20AC;?

experience in high quality collections, it has

Collecting is not a lone pursuit, we hope

deepened our admiration and appreciation

to share with all of you our expertise in

in Buddhist Art. We dedicated to promoting

Buddhist art and the joy we have found in

cultural enrichment and visual understand-

these collections.

ing of Buddhist art to our community. We encourage young collectors, entrepreneurs and all art lovers to join us in this rewarding pursuit of Himalayan Buddhist Art. One of the famous global art collectors, Dr. W. Felton, had given a lecture in Brussels

We look forward to meeting you at the international Antique Fair in Hong Kong. And we would like to once again extend our sincere gratitude to our long-time supporters in our 32 years business in the field of Buddhist art.

about his life-long journey in collecting artworks. He advised all young collectors to truly discover the beauty in art. He said,

Hollywood Galleries

བློ་བཟང་བསྟན་པའི་སྒྲོན་མེ་

贊巴二世上師

2nd Bogdo Gegen Lama

(1724-1757)

蒙古贊巴，十八世紀

Mongol Zanabazar, 18th century

鎏金銅

Gilt bronze

7.2 公分高

7.2 cm high

底部的細節

Details at the bottom

Hollywood Galleries

ཛམ་བྷཱ་ལྷ། ནང་ལྷ།

黃財神

Yellow Jambhala

喜馬拉雅西部

Western Himalaya

十一晚至十二世紀

late 11th-12th century

銅

Bronze

9.5 公分高

9.5 cm high

參考

Reference

Linrothe, Robert, Christian Luc-

Linrothe, Robert, Christian Luczanits, and

zanits和Melissa R. Kerin《天堂

Melissa R. Kerin. Collecting Paradise:

的蒐集: 克什米尔佛教艺术及其

Buddhist Art of Kashmir and Its Legacies.

遗产》纽约(N.Y.): 鲁宾艺术博物

New York (N.Y.): Rubin Museum of Art,

馆, 2014年頁90-92。打印: 桑噶爾

2014. pp. 90-92. Print: Vajrapani wall

的金剛手壁画, 十一至十二世纪

painting, Zangskar, ca. late 11th-12th

末, 类似的莲花与这款青铜的背

century, similar lotus compares to the back

莲花相比。

lotus on this bronze.

Luczanits, Christian《佛教泥塑

Luczanits, Christian. Buddhist Sculpture

造像: 早期西部喜马拉雅艺术,

in Clay: Early Western Himalayan Art, Late

晚十至十三世纪早期》芝加哥:

10th to Early 13 Centuries. Chicago: Serindia

Serindia出版社, 2004, 頁37, 52. 打

Publications, 2004. 37, 52. Print: Bodhisattva

印: 来自西喜马拉雅的塔波寺的

from Tabo monastery from Western Himalaya,

菩萨, 在11世纪中葉, 肩上也有类

mid of 11th century, with similar descending

似的下垂卷曲的头发, 宽眉毛, 克

curled hair on the shoulders, wide eyebrows,

什米尔風格的眼睛, 長而下垂的

kashmir influenced eyes, long pointing

项链。

downward necklace.

Hollywood Galleries

背部銘文

Inscriptions at the back

“出生園林”

“The birth garden”

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석가모니

釋迦牟尼佛

Buddha Śhakyamuni

朝鮮三國時代，五至六世紀

Three Kingdoms of Korea, 5-6th century

鎏金銅

Gilt bronze

6.5 公分高

6.5 cm high

Hollywood Galleries

སངས་རྒྱས་རིན་ཆེན་འབྱུང་གནས།

南方寶生佛

Ratnasambhava Buddha

尼泊爾塔庫爾期，十一世紀

Nepal, Thakuri period, 11th century

鎏金銅

Gilt bronze

11.5 公分高

11.5 cm high

Hollywood Galleries

རྡོ་རྗེ་སེམས་དཔའ།

金剛薩埵

Vajrasattva

西藏，十二至十三世紀

Tibet, 12-13th century

銅

Bronze

10 公分高

10 cm high

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ཤཱཀྱ་ཐུབ་པ།

釋迦牟尼佛

Buddha Śhakyamuni

西藏，十五世紀

Tibet, 15th century

鎏金銀(身)鎏金銅(座)

Gilt silver (figure) gilt bronze (base)

11 公分高

11 cm high

參考

Reference

韋爾登·大衛和簡凱西·辛格《西

Weldon, David, and Jane Casey Singer.

藏的雕塑遺產: 菩薩道收藏的佛

The Sculptural Heritage of Tibet: Buddhist

教藝術》倫敦: 勞倫斯·金, 1999,

Art in the Nyingjei Lam Collection. London:

頁178-79。打印: 十五世紀米勒日

Laurence King, 1999, pp. 178-79. Print:

巴具有相似的鎏金銀身軀和鎏金

15th century Milarepa with similar gilt

銅蓮花座。

silver body and gilt bronze lotus base.

底部的細節

Details at the bottom

Hollywood Galleries

ཤཱཀྱ་ཐུབ་པ།

釋迦牟尼佛

Buddha Śhakyamuni

西藏，十三至十四世紀

Tibet, 13-14th century

銅

Bronze

12.5 公分高

12.5 cm high

Hollywood Galleries

རྡོ་རྗེ་རྣམ་པར་འཇོམས་པ་དཀར་པོ། ནང་ལྷ།

摧破金刚

Vajravidarana Krodha

西藏，十三世紀

Tibet, 13th century

灰石

Grey stone

8.8 公分高

8.8 cm high

參考

Reference

大成就者·维拉帕 (Grub chen

Mahasiddha Virupa (Grub chen Bir wa pa)

Bir wa pa)尼泊尔在西藏或中

Nepalese Work in Tibet or Yuan China,

國元代造像, 十三世纪

13th century

布达拉宫利马。藏品編號 1573

Potala Lima Lhakhang. Inv. no. 1573

攝影: 烏爾里希·馮·施羅德, 1994

Photograph by Ulrich von Schroeder, 1994

文学

Literature

烏爾里希·馮·施羅德《西藏佛

Ulrich von Schroeder. Buddhist Sculptures in

教雕塑, 第二冊: 西藏与中国》

Tibet, Vol. Two: Tibet and China; p. 908, pls.

頁908,圖 214B-C (法觀出版社,

214B-C (Visual Dharma Publications, 2001).

香港2001)。

Hollywood Galleries

སྤྱན་རས་གཟིགས།

觀音菩薩

Khasarpani Lokeśhvara

印度帕拉皇朝

India, Pala Kingdom

十一至十二世紀

11-12th century

銅

Bronze

12 公分高

12 cm high

參考

Reference

施羅德·海蒂·馮《成佛之路: 蘇黎

Schroeder-Imhof, Heidi Von. Schritte

世利特堡博物館, 貝蒂 ·阿什曼基

Zur Erkenntnis Neuzugange Der Tibet-

金會西藏藝術》蘇黎世: Rietberg

Sammlung Der Berti-Aschmann-Stiftung

博物館, 2006. 頁51. 打印: 釋迦牟

Im Museum Rietberg Zurich. Zurich:

尼佛, 印度帕拉十二世紀, 有類似

Museum Rietberg, 2006, p. 51. Print:

的窄形蓮花座。

Buddha Shakyamuni, India Pala 12th century, share similar narrow shape lotus base.

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སངས་རྒྱས་ཚེ་དཔག་མེད།

西方無量壽佛

Amitābha

尼泊爾-西藏，十三至十四世紀

Nepal-Tibet, 13-14th century

鎏金銅鑲銀

Gilt bronze with silver inlaid

12.5 公分高

12.5 cm high

側部的細節

Details on the side

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ཀུན་རིག་རྣམ་པར་སྣང་མཛད།

大日如來佛

Vairocana

西藏，十四至十五世紀

Tibet, 14-15th century

銅

Bronze

18.5 公分高

18.5 cm high

來源

Provenance

蘇富比紐約, 1998年9月16-17日,

Sotheby’s New York, 16 - 17 September

第443號。

1998, lot 443.

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釋迦説法龕

Buddha Sermon Stele

中原東魏武定5年，公元547年

China, Eastern Wei Dynasty, 547 A.D.

黑石

Black stone

15 x 11 x 8 公分

15 x 11 x 8 cm

來源

Provenance

香港奉文堂收藏

Susan Chen collection, Hong Kong

上部銘文

Inscriptions on top

武定五年六月三日佛弟子趙二

Respectfully carved by Buddha disciple

福敬造

Zhao Erfu on 3rd June, 5th year of Wuding.

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མ་ཕམ་པ

阿氏多尊者羅漢

Ajita Luohan

中原宋至元

China, Song-Yuan Dynasty

十一至十四世紀

11-14th century

木

Wood

55 公分高

55 cm high

來源

Provenance

紐約佳士得1997年拍賣

Christie’s New York, 1997

倫敦古董名商羅傑·加華 2015 年

Roger Keverne’s before 2015, London

前收藏

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དབང་ཕྱུག་རྡོ་རྗེ

第九世噶瑪巴喇嘛

The 9th Karmapa Lama

旺秋多傑（1556-1603）

Wangchuk Dorje (1556-1603)

西藏，公元1600年

Tibet, ca. 1600 AD

鎏金銅

Gilt bronze

17.5 x 18.2 x 13.5 公分

17.5 x 18.2 x 13.5 cm

參考

Reference

海勒·艾米,《西藏藝術: 探索

Heller, Amy.Tibetan Art: Tracing The

公元 600-2000 年西藏心靈理

Development of Spiritual Ideals and Art in

想與藝術發展》米蘭: 積卡書

Tibet 600-2000 A.D. Milano: Jaca Book,

社，1999.頁188. 印刷: 銀製第九

1999. p. 188. Print: Figure of silver Karma

世噶瑪巴喇嘛造像, 造於 1601

Rinchen made in 1601AD, 19.1 cm, private

年，19.1厘米高，私人收藏。

collection.

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ཛམ་བྷཱ་ལྷ། ནང་ལྷ།

黃財神

Yellow Jambhala

西藏，十八世紀

Tibet, 18th century

石

Stone

12.5 公分高

12.5 cm high

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ཤཱཀྱ་ཐུབ་པ།

釋迦牟尼佛

Buddha Śhakyamuni

中原或西藏，十四世紀

China or Tibet, 14th century

銅

Bronze

17.5 公分高

17.5 cm high

側部的細節

Details on the side

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སྤྱན་རས་གཟིགས།

四臂觀音

Sadāksarī Avalokiteśvara

西藏，十二世紀

Tibet, 12th century

銅

Bronze

21 公分高

21 cm high

參考

Reference

《神聖的西藏藝術: Alain Bordier

Beguin, Gilles, Art Sacre Du Tibet:

收藏》Findakly出版, 2013年, 頁

Collection Alain Bordier. Editions Findakly,

163-64。打印: 與十二世紀阿閦

2013, pp. 163-64. Print: 12th century

佛的耳環髮飾和耳旁飾帶相似。

Aksobhya with similar earrings, hair

斯塔達德, 希瑟和唐納丁·丁維

dress, and ribbons above the ears.

迪《上師造像: 西藏佛教青銅雕

Stoddard, Heather, and Donald Dinwiddie,

塑》芝加哥: Serindia 出版, 2003,

Portraits of the Masters: Bronze Sculptures

頁113 : 十一或十二世紀西藏大

of the Tibetan Buddhist Lineages. Chicago,

師有相似的蓮花座。

IL: Serindia Publications, 2003, p. 113. Print: 11/12th century Tibetan master with similar lotus base.

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ལམ་བསྟན

半托迦尊者

Panthaka Arhat

漢藏，十七世紀

Sino-Tibet, 17th century

鎏金銅

Gilt bronze

19 公分高

19 cm high

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སྤྱན་རས་གཟིགས་

觀音菩薩

Bodhisattva Avalokiteśvara

中原元代，十四世紀

China, Yuan Dynasty, 14th century

銅

Bronze

28 公分高

28 cm high

參考

Reference

Bigler, Robert R. 和 Bela Kele-

Bigler, Robert R., and Bela Kelenyi. Before

nyi《永樂之前: 中國十三世紀

Yongle: Chinese and Tibeto-Chinese Buddhist

的中國佛教雕塑》蘇黎世: Rob-

Sculpture of the 13th and 14th Centuries.

ert R. Bigler博士, 2015年第34-43

Zurich: Dr. Robert R. Bigler, 2015. pp. 34-43.

頁。編號 5-6打印: 晚元摩利支天

cat no. 5-6 Print: Late Yuan Marici and Yuan

和元十四世紀大日如來有相似的

14th century Vairocana share similar crown,

皇冠，珠寶圖案和蓮花座。

jewelery pattern and lotus base.

背部的細節

Details at the back

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་རྡོ་རྗེ་ཕག་མོ

金剛亥母

Vajravārāhī

西藏，十二世紀

Tibet, 12th century

銅

Bronze

41 公分高

41 cm high

來源

Provenance

美國加州山那都廊收藏

Xanadu Gallery collection, California

參考

Reference

《神聖的西藏藝術: Alain Bordier

Beguin, Gilles, Art Sacre Du Tibet: Collection

收藏》Findakly出版, 2013年, 頁

Alain Bordier. Editions Findakly, 2013,

163-64。打印: 與肩膀上的髮束和

pp. 163-64. Print: Similar hair on shoulders

臂鐲相似。

and shapes of armbands.

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ཀ་པ་ལ རྐང་གླིང།

嘎巴拉碗和脛骨號

Kapala & Kangling

西藏，十九晩至二十世紀早期

Tibet, late 19th-early 20th century

骨頭，金，銀，綠松石和珊瑚

Bone with gold, silver, turquoise, and coral

18.6 x 14.2 x 7.5 公分(碗)

18.6 x 14.2 x 7.5 cm (Kapala)

32.2 公分長(骨號)

32.2 cm long (Kangling)

來源

Provenance

第十三達賴喇嘛

Property of the Great 13th Dalai Lama

土登嘉措(1876 - 1933) 賜給

Thubten Gyatso (1876 - 1933)

查爾斯·阿爾弗雷德·貝爾爵士

Gifted to Sir Charles Alfred Bell

弗雷德賴特1944年後收藏

Present owner Fred Wright’s after 1944

參考

Reference

《祥雲托起珠穆朗瑪峰—藏傳佛

Propitious Clouds Holding up the Mount

教藝術精品展》西藏博物館，深

Qomolangma—Select Artworks of Tibetan

圳博物館。第十三達賴喇嘛的

Buddhism. 2017. Tibet Museum, Shenzhen

其他物件。

Museum. The 13th Dalai Lama’s sacred possessions.

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虎皮紋地毯

Tiger Rug

西藏，十九晩至二十世紀早期

Tibet, late 19th - early 20th century

羊毛

Wool

182 x 100 公分

182 x 100 cm

來源

Provenance

美國立頓收藏

Mimi Lipton’s Collection

出版

Publication

立頓·美美《西藏虎皮紋毯》,

Lipton, Mimi. The Tiger Rugs of Tibet,

1988年, 打印:頁83

1988. Print: p.83

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ཚོགས་བདག། ནང་ལྷ།

象鼻天財神

Ganesh

中印度ddd

India Madhya Pradesh

十世紀

10th century

砂岩

Sandstone

58 公分高

58 cm high

來源

Provenance

歐洲私人收藏在1981年購於倫

Private European collection acquired at

敦斯賓克父子有限公司

Spink and Son Ltd., London in 1981.

參考

Reference

Joseph M. Dye III《印度藝術》

Joseph M. Dye III, The Arts of India,

2001年弗吉尼亞, 編號 42，頁

Virginia 2001, cat no. 42, pp. 142-143.

142-143: 來自弗吉尼亞博物館

Eight-armed figure of Ganesha dancing

的跳舞八臂象鼻天財神。

from Virginia Museum.

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འདོད་རྒྱལ། ནང་ལྷ།

欲帝明王

Takkiraja

西藏，十八世紀

Tibet, 18th century

金和礦物彩綿布

Gold and mineral paint on cloth

38 x 24.5 公分

38 x 24.5 cm

(74 x 37 公分連布框)

(74 x 37 cm with borders)

Hollywood Galleries

ཁྲོ་བོ་གཙོ་མཆོག་མཁའ་འགྱིང་། བོན་གྱི་གསང་སྔགས་ནང་རྒྱུད་ཀྱི་ཡི་དམ་དྲག་པོ།

措秋卡央

Trowo Tsochog Khagying

西藏，十八世紀

Tibet, 18th century

金和礦物彩綿布

Gold and mineral paint on cloth

60 x 45 公分

60 x 45 cm

參考

Reference

Kværne, Per《西藏的苯教：生

Kværne, Per. The Bon Religion of Tibet:

活傳統的圖像》波士頓:香巴

The Iconography of a Living Tradition.

拉, 2001年, 第88頁。編號25, 打

Boston: Shambhala, 2001, p. 88. cat no.

印: 與措秋卡央青銅像相似。

25, Print: Smiliar Bon Trowo Tsochog Khagying bronze figure.

第一排, 從左到右：

Top row, from left to right:

瓦赛恩巴, 敦巴辛绕传记,

Welse Ngampa, Tonpa Shenrap, Lhago

Lhago Thogpa

Thogpa

第二排, 從左到右：

Second row, from left to right:

普巴珠赛庆巴本尊, 象雄美日

Drugse Chempa, Meri

第三排, 從左到右：

Third row, from left to right:

Yidam Magyu, Traktung Rolpa

從左到右的最後一行：

Last row from left to right:

Takla Mebar, Raksha Chidul,

Takla Mebar, Raksha Chidul, Piercing

苯教穿破血面

Bon red Blood-face

Hollywood Galleries

སངས་རྒྱས་ཚེ་དཔག་མེད།

阿彌陀佛仙境

Buddha Amitabha In Pure Land Paradise

西藏，十八世紀

Tibet, 18th century

礦物彩綿布

Mineral paint on cloth

63.5 x 44.5 公分

63.5 x 44.5 cm

來源

Provenance

紐約蘇富比1999年3月26日拍賣

Sotheby’s New York, March 26, 1999

Hollywood Galleries

Bibliography

Linrothe, Robert, Christian Luczanits, and Melissa R. Kerin. Collecting Paradise: Buddhist Art of Kashmir and Its Legacies. New York (N.Y.): Rubin Museum of Art, 2014. pp. 90-92. Print. Luczanits, Christian. Buddhist Sculpture in Clay: Early Western Himalayan Art, Late 10th to Early 13 Centuries. Chicago: Serindia Publications, 2004. 37, 52. Print. Weldon, David, and Jane Casey Singer. The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam Collection. London: Laurence King, 1999, pp. 178-79. Print. Ulrich von Schroeder. Buddhist Sculptures in Tibet, Vol. Two: Tibet and China; pp. 908, pls. 214B-C (Visual Dharma Publications, 2001). Schroeder-Imhof, Heidi Von. Schritte Zur Erkenntnis Neuzugange Der Tibet-Sammlung Der Berti-Aschmann-Stiftung Im Museum Rietberg Zurich. Zurich: Museum Rietberg, 2006, p. 51. Print. Heller, Amy. Tibetan Art: Tracing the Development of Spiritual Ideals and Art in Tibet 600-2000 A.D. Milano: Jaca Book, 1999. pp. 188. Print Beguin, Gilles, Art Sacre Du Tibet: Collection Alain Bordier. Editions Findakly, 2013, pp. 163-64. Print. Stoddard, Heather, and Donald Dinwiddie, Portraits of the Masters: Bronze Sculptures of the Tibetan Buddhist Lineages. Chicago, IL: Serindia Publications, 2003, p. 113. Print Bigler, Robert R., and Bela Kelenyi. Before Yongle: Chinese and Tibeto-Chinese Buddhist Sculpture of the 13th and 14th Centuries. Zurich: Dr. Robert R. Bigler, 2015. pp. 34-43. cat no. 5-6 Print. Lipton, Mimi. The Tiger Rugs of Tibet, 1988. Print Joseph M. Dye III, The Arts of India, Virginia 2001, cat no. 42, pp. 142-143. Eightarmed figure of Ganesha dancing from Virginia Museum. Propitious Clouds Holding up the Mount Qomolangmaâ&#x20AC;&#x201D;Select Artworks of Tibetan Buddhism. 2017. Tibet Museum, Shenzhen Museum.

Hollywood Galleries

Published by

Photography and design ISBN Printed

Andrew Lau 978-988-15327-0-1 in Hong Kong Front: Picture of Yellow Jambhala (cat-2, p.8-9) Page 1: Detail of Ajita Luohan (cat-13, p.3031) Back: Detail of Takkiraja (cat-24, p.52-53)

劉惠漢, 劉俊揚, 何杏根 Hon Lau, Andrew Lau, Ellen Ho

東寶齋由劉惠漢夫婦創立於1985年，近於香港荷李活道文武廟，專營古代佛教藝術包括塑像丶唐卡丶法器等。其中以喜馬拉雅山區地區的藏傳佛教鎏金銅像居多，除此之外也有尼泊爾丶中國丶印度丶東南亞藝術作品。他們在藝術世界的追求可以追溯到70年代已從事於藝術界生意的劉先生的父親，多年與中國及海外的私人收藏家和博物館合作，為他的下一代打好了基礎和靈感。從此家族生意的熱情不斷地延長。

Hollywood Galleries established by Hon Lau and his wife Ellen Ho in 1985, took its base in the ancient

sector of Hollywood road near the Hong Kong Man Mo temple where many of the reputable antique shops are centered. They specialized in Buddhist sculptures, paintings and religious works of art with origins from the Himalayas, India, China, and Southeast Asia spanning from 12th to 19th century. Their major expertise is on Tibetan gilt bronze sculptures working in collaboration with private collectors and museums in China and overseas. Their business pursuit in the art world goes back to the 70’s with Hon’s father’s initiation which set his foundation and inspirations for the next generation. The family business has since been passionately endeavored is continuously extended.

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Printed in Hong Kong