Book 2017 Andrew J Mack
NYPD Bomb Squad HQ
From the office of Rice + Lipka
RICE + LIPKA
FALL ‘16 - SUMMER ‘17
3
Winner of 2017 Award for Excellence in Design, the NYPD Bomb Squad Headquarters Building in the Bronx‘s Pelham Bay Park was commissioned after the existing facilities were damaged in Superstorm Sandy. The new 10,700 sf. building possesses storm surge resilient design. The main program (training, office, and “robot shop”) are elevated above the required Design Flood Elevation (DFE). The upper mass is wrapped in a corrugated aluminum rain screen protecting the blast proof programs. The space beneath the main program will become parking for a specialized truck fleet. This garage floor is enclosed by cast-in-place concrete walls punctured by flood vents to allow for full inundation without damaging the building or its systems. The project embraces NYC’s “80 x 50 roadmap” to reduce greenhouse gas emissions with a photovoltaic farm and other energy efficient systems including triple-glazing and high R-value wall composition. Project Architect: Lyn Rice
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2
3
1.
2.
3.
Program lifted above Design Flood Elevation to create garage
Upper volume split open to allow for daylight and direct view to garage
Upper volume stretched West to cover exterior stair and balance asymmetry of truck bays
NYPD BOMB SQUAD HQ
4
40 WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10013 T 212 285 1003 WWW.RICELIPKA.COM SILMAN ASSOCIATES STRUCTURAL ENGINEERS 32 OLD SLIP, 10TH FLOOR NEW YORK, NEW YORK 10005 PLUS GROUP MEP/FP/FA ENGINEERS 231 WEST 29TH STREET, 706 NEW YORK, NEW YORK 10001 LANGAN ENGINEERING GEOTECHNICAL ENGINEERS 21 PENN PLAZA, 360 WEST 31ST ST, 8TH FLOOR NEW YORK, NEW YORK 10001 PHILIP HABIB AND ASSOCIATES CIVIL ENGINEERS 102 MADISON AVENUE, 11TH FLOOR NEW YORK, NEW YORK 10016 LIZ FARRELL LANDSCAPE ARCHITECTURE PLLC LANDSCAPE CONSULTANT 523 SIXTH AVE BROOKLYN, NEW YORK 11215 SHAVER ARCHITECTURAL LIGHTING LIGHTING CONSULTANT 63 WEST 17TH STREET, SUITE 3B NEW YORK, NEW YORK 10011 SHEN MILSOM & WILKE TELECOM & SECURITY 417 FIFTH AVENUE NEW YORK, NEW YORK 10016
DOB STAMPS AND SIGNATURES
DOB BSCAN STICKER NUMBER:
DATE: 05.03.17
ISSUE/REVISION: 100% CONSTRUCTION DOCUMENTS
DIVISION OF STRUCTURES BUREAU OF ARCHITECTURE & ENGINEERING CAPITAL PROJECT NUMBER:
SANDBOMB
PROJECT:
Bomb Squad Building 100A RODMAN'S NECK PATH PELHAM BAY PARK BRONX, NY 10464 FOR:
NEW YORK CITY POLICE DEPARTMENT DRAWING TITLE:
1ST FLOOR PLAN WP 2
SEAL:
N
DATE:
05.03.2017
SCALE:
1/4" = 1'-0"
DRAWN:
TMA
CHECKED:
LR
DRAWING:
0 1
4
8
A101.00 SHEET:
1ST FLOOR
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172
RICE + LIPKA
FALL ‘16 - SUMMER ‘17
5
40 WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10013 T 212 285 1003 WWW.RICELIPKA.COM SILMAN ASSOCIATES STRUCTURAL ENGINEERS 32 OLD SLIP, 10TH FLOOR NEW YORK, NEW YORK 10005 PLUS GROUP MEP/FP/FA ENGINEERS 231 WEST 29TH STREET, 706 NEW YORK, NEW YORK 10001 LANGAN ENGINEERING GEOTECHNICAL ENGINEERS 21 PENN PLAZA, 360 WEST 31ST ST, 8TH FLOOR NEW YORK, NEW YORK 10001 PHILIP HABIB AND ASSOCIATES CIVIL ENGINEERS 102 MADISON AVENUE, 11TH FLOOR NEW YORK, NEW YORK 10016 LIZ FARRELL LANDSCAPE ARCHITECTURE PLLC LANDSCAPE CONSULTANT 523 SIXTH AVE BROOKLYN, NEW YORK 11215 SHAVER ARCHITECTURAL LIGHTING LIGHTING CONSULTANT 63 WEST 17TH STREET, SUITE 3B NEW YORK, NEW YORK 10011 SHEN MILSOM & WILKE TELECOM & SECURITY 417 FIFTH AVENUE NEW YORK, NEW YORK 10016
DOB STAMPS AND SIGNATURES
DOB BSCAN STICKER NUMBER:
DATE: 05.03.17
ISSUE/REVISION: 100% CONSTRUCTION DOCUMENTS
DIVISION OF STRUCTURES BUREAU OF ARCHITECTURE & ENGINEERING CAPITAL PROJECT NUMBER:
SANDBOMB
PROJECT:
Bomb Squad Building 100A RODMAN'S NECK PATH PELHAM BAY PARK BRONX, NY 10464 FOR:
NEW YORK CITY POLICE DEPARTMENT DRAWING TITLE:
2ND FLOOR PLAN
SEAL:
N
DATE:
05.03.2017
SCALE:
1/4" = 1'-0"
DRAWN:
TMA
CHECKED:
LR
DRAWING:
0 1
4
8
A102.00 SHEET:
2ND FLOOR
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NUYORICAN POETS CAFE
40 WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10013 T 212 285 1003 WWW.RICELIPKA.COM
SILMAN ASSOCIATES STRUCTURAL ENGINEERS 32 SLIP, 10TH FLOOR 40 OLD WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10005 10013 PLUS T 212 GROUP 285 1003 MEP/FP/FA ENGINEERS WWW.RICELIPKA.COM 231 WEST 29TH STREET, 706 SILMAN ASSOCIATES NEW YORK, NEW YORK 10001 STRUCTURAL ENGINEERS LANGAN ENGINEERING 32 OLD SLIP, 10TH FLOOR GEOTECHNICAL ENGINEERS NEW YORK, NEW 360 YORK 10005 21 PENN PLAZA, WEST 31ST ST, 8TH FLOOR PLUSYORK, GROUP NEW NEW YORK 10001 MEP/FP/FA ENGINEERS PHILIP HABIB AND ASSOCIATES 231 WEST 29TH STREET, 706 CIVIL ENGINEERS NEW YORK, NEW YORK 10001 102 MADISON AVENUE, 11TH FLOOR LANGAN ENGINEERING NEW YORK, NEW YORK 10016 GEOTECHNICAL ENGINEERS ARCHITECTURE PL LIZ FARRELL LANDSCAPE 21 PENN PLAZA, 360 WEST 31ST ST, 8TH FLOOR LANDSCAPE CONSULTANT NEW YORK,AVE NEW YORK 10001 523 SIXTH PHILIP HABIB AND ASSOCIATES BROOKLYN, NEW YORK 11215 CIVIL ENGINEERS SHAVER ARCHITECTURAL LIGHTING 102 MADISON AVENUE, LIGHTING CONSULTANT 11TH FLOOR NEW YORK, NEW YORK 10016 63 WEST 17TH STREET, SUITE 3B LIZ FARRELL LANDSCAPE ARCHITECTURE PL NEW YORK, NEW YORK 10011 LANDSCAPE CONSULTANT SHEN MILSOM & WILKE 523 SIXTH&AVE TELECOM SECURITY BROOKLYN, NEW YORK 11215 417 FIFTH AVENUE SHAVER ARCHITECTURAL LIGHTING NEW YORK, NEW YORK 10016 LIGHTING CONSULTANT 63 WEST 17TH STREET, SUITE 3B NEW YORK, NEW YORK 10011 SHEN MILSOM & WILKE TELECOM & SECURITY 417 FIFTH AVENUE NEW YORK, NEW YORK 10016
DOB STAMPS AND SIGNATURES
DOB BSCAN STICKER DOB STAMPS AND SIGNATURES NUMBER: ISSUE/REVISION: 100% CONSTRUCTION DOCUMENTS
DAT 05.0
DOB BSCAN STICKER NUMBER:
DAT 05.0
ISSUE/REVISION: 100% CONSTRUCTION DOCUMENTS
DIVISION OF STRUCTURES BUREAU OF ARCHITECTURE & ENGINEERING CAPITAL PROJECT NUMBER:
SANDBOMB
PROJECT:
Bomb Squad Building DIVISION OF STRUCTURES BUREAU OF ARCHITECTURE 100A RODMAN'S NECK PATH& ENGINEERING PELHAM BAY PARK CAPITAL PROJECT NUMBER: BRONX, NY 10464 SANDBOMB FOR:
PROJECT: NEW YORK CITY POLICE DEPARTMENT
Bomb Squad Building DRAWING TITLE:
100A RODMAN'S NECK PATH EXTERIOR DETAILS: PELHAM BAY PARK BRONX, NY 10464 ASSEMBLY
RAINSCREEN
FOR:
NEW YORK CITY POLICE DEPARTMENT DRAWING TITLE:
05.03 SEAL: EXTERIOR DETAILS:DATE: RAINSCREEN SCALE: AS NO ASSEMBLY DRAWN:
AK
CHECKED:
LR
DRAWING:
A556.0
DATE:
SEAL:
05.03
SCALE:
DRAWN: SHEET: CHECKED:
AS NO
56
AK OF LR
DRAWING:
A556.0 SHEET:
The upper mass is wrapped with a corrugated metal skin. The aluminum panels create a rainscreen to protect the continuous and efficient band of outboard insulation. The entire system is hung from the sheathing via a series of clips. Where windows exist, a larger square of perforation allow light in, and create an offset pattern when illuminated at night.
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40 WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10013 T 212 285 1003 WWW.RICELIPKA.COM
SILMAN ASSOCIATES STRUCTURAL ENGINEERS 32 OLD SLIP, 10TH FLOOR NEW YORK, NEW YORK 10005 PLUS GROUP MEP/FP/FA ENGINEERS 231 WEST 29TH STREET, 706 NEW YORK, NEW YORK 10001 LANGAN ENGINEERING GEOTECHNICAL ENGINEERS 21 PENN PLAZA, 360 WEST 31ST ST, 8T NEW YORK, NEW YORK 10001 PHILIP HABIB AND ASSOCIATES CIVIL ENGINEERS 102 MADISON AVENUE, 11TH FLOOR NEW YORK, NEW YORK 10016 LIZ FARRELL LANDSCAPE ARCHITEC LANDSCAPE CONSULTANT 523 SIXTH AVE BROOKLYN, NEW YORK 11215 SHAVER ARCHITECTURAL LIGHTING LIGHTING CONSULTANT 63 WEST 17TH STREET, SUITE 3B NEW YORK, NEW YORK 10011 SHEN MILSOM & WILKE TELECOM & SECURITY 417 FIFTH AVENUE NEW YORK, NEW YORK 10016
DOB STAMPS AND SIGNATURES
DOB BSCAN STICKER NUMBER:
ISSUE/REVISION: 100% CONSTRUCTION DOCUMENTS
DIVISION OF STRUCTURES BUREAU OF ARCHITECTURE & ENGINEE CAPITAL PROJECT NUMBER:
RICE + LIPKA
FALL ‘16 - SUMMER ‘17
7 40 WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10013 T 212 285 1003 WWW.RICELIPKA.COM SILMAN ASSOCIATES STRUCTURAL ENGINEERS 32 OLD SLIP, 10TH FLOOR NEW YORK, NEW YORK 10005 PLUS GROUP MEP/FP/FA ENGINEERS 231 WEST 29TH STREET, 706 NEW YORK, NEW YORK 10001 LANGAN ENGINEERING GEOTECHNICAL ENGINEERS 21 PENN PLAZA, 360 WEST 31ST ST, 8TH FLOOR NEW YORK, NEW YORK 10001 PHILIP HABIB AND ASSOCIATES CIVIL ENGINEERS 102 MADISON AVENUE, 11TH FLOOR NEW YORK, NEW YORK 10016 LIZ FARRELL LANDSCAPE ARCHITECTURE PLLC LANDSCAPE CONSULTANT 523 SIXTH AVE BROOKLYN, NEW YORK 11215 SHAVER ARCHITECTURAL LIGHTING LIGHTING CONSULTANT 63 WEST 17TH STREET, SUITE 3B NEW YORK, NEW YORK 10011 SHEN MILSOM & WILKE TELECOM & SECURITY 417 FIFTH AVENUE NEW YORK, NEW YORK 10016
DOB STAMPS AND SIGNATURES
DOB BSCAN STICKER NUMBER:
DATE: 05.03.17
ISSUE/REVISION: 100% CONSTRUCTION DOCUMENTS
DIVISION OF STRUCTURES BUREAU OF ARCHITECTURE & ENGINEERING CAPITAL PROJECT NUMBER:
SANDBOMB
PROJECT:
Bomb Squad Building 100A RODMAN'S NECK PATH PELHAM BAY PARK BRONX, NY 10464 FOR:
NEW YORK CITY POLICE DEPARTMENT DRAWING TITLE:
EXTERIOR DETAILS: RAINSCREEN PANEL ATTACHMENT
SEAL:
DATE:
05.03.2017
SCALE:
AS NOTED
DRAWN:
LH
CHECKED:
LR
DRAWING:
A551.00 SHEET:
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Nuyorican Poets Cafe
From the office of Rice + Lipka
Rice + Lipka
Fall ‘16 - Summer ‘17
9
Over the last 40 years, the Nuyorican Poets Cafe has served as a home for ground breaking works of poetry, music, theater and visual arts. The Cafe champions the use of poetry, jazz, theater, hip-hop and spoken word as means of social empowerment for minority and underprivileged artists.
40 WORTH STREET NEW YORK, NEW Y T 212 285 1003 WWW.RICELIPKA.C
SILMAN ASSO
STRUCTURAL ENGI 32 OLD SLIP, 10TH NEW YORK, NY 10 T 212 620 7970 F 212 620 8159
PLUS GROUP
MEP/FP/FA ENGIN 32 BROADWAY, RO NEW YORK, NEW Y T 212 233 2700 F 212 233 2727
IROS ELEVAT
ELEVATOR CONSUL 884 PATERSON AV EAST RUTHERFORD T 973 773 4404 F 973 773 4711
Founded in 1973, the Nuyorican Poets Cafe began as a living room salon in the East Village. By 1981, the overflow of audience and artists led the Cafe to purchase a former tenement building at 236 East 3rd Street to expand its activities and programs.
DOB STAMPS AND SIGNA
The 11 million dollar renovation is the next step in the story and mission of the Cafe. Old and new will come together in a reinvigorated multi-platform arts center. Widows will be instinctively “cut” into the ad hoc facade, yet another layer in the story of the Cafe. As the rear of the building is demolished and expanded to the as-of-right envelope, present will confront the past by the juxtaposition of new and old materials. Ultimately the now derelict upper levels will be transformed and the performance capacity will be more than doubled.
DOB BSCAN STICKER NUMBER:
DIVISION OF PUBLI
CAPITAL PROJECT NUMB
PV669-NPC PROJECT:
NUYORICAN P
236 East 3rd Stree New York, NY 1000 FOR:
NEW YORK CITY DE DRAWING TITLE:
EXTERIOR EL
SEAL:
proposed north elevation
0 1
Project Architect: Lyn Rice
PERFORMANCE 2
FOYER BAR
FOYER
STORAGE
W/C
FOYER
W/C
OFFICE
FLEX SPACE
MEZZ MEZZ STAGE 1 PERFORMANCE 1
ENTRY/BAR ENTRY
OFFICE
GREEN ROOM
BAR
STORAGE SERVICE STORAGE
existing
ISSUE/REVIS 100% SCHEM
W/C
proposed
SPRINKLER / ELEC
GREEN ROOM
4
8
DOB STAMPS AND SIGNAT
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NUYORICAN POETS CAFE DOB BSCAN STICKER NUMBER:
ISSUE/REVISI 100% SCHEM
DIVISION OF PUBLIC
CAPITAL PROJECT NUMBE
PV669-NPC PROJECT:
NUYORICAN PO
236 East 3rd Street New York, NY 1000 FOR:
NEW YORK CITY DE DRAWING TITLE:
CELLAR FLOO
SEAL:
N
0 1
4
8
40 WORTH STREET, NEW YORK, NEW YO T 212 285 1003 WWW.RICELIPKA.CO
SILMAN ASSO
STRUCTURAL ENGIN 32 OLD SLIP, 10TH NEW YORK, NY 100 T 212 620 7970 F 212 620 8159
PLUS GROUP
MEP/FP/FA ENGINE 32 BROADWAY, ROO NEW YORK, NEW YO T 212 233 2700 F 212 233 2727
IROS ELEVATO
ELEVATOR CONSUL 884 PATERSON AVE EAST RUTHERFORD T 973 773 4404 F 973 773 4711
0 1
4
DOB STAMPS AND SIGNAT
DOB BSCAN STICKER NUMBER:
ISSUE/REVISI 100% SCHEM
DIVISION OF PUBLIC
CAPITAL PROJECT NUMBE
PV669-NPC PROJECT:
NUYORICAN PO
236 East 3rd Street New York, NY 1000 FOR:
NEW YORK CITY DE DRAWING TITLE:
3RD FLOOR P
SEAL:
N
0 1
4
8
RICE + LIPKA
FALL ‘16 - SUMMER ‘17
11 40 WORTH STREET, SUITE 828 NEW YORK, NEW YORK 10013 T 212 285 1003 WWW.RICELIPKA.COM
SILMAN ASSOCIATES
STRUCTURAL ENGINEERS 32 OLD SLIP, 10TH FLOOR NEW YORK, NY 10005 T 212 620 7970 F 212 620 8159
PLUS GROUP
MEP/FP/FA ENGINEERS 32 BROADWAY, ROOM 1601 NEW YORK, NEW YORK 10004 T 212 233 2700 F 212 233 2727
IROS ELEVATOR
ELEVATOR CONSULTANT 884 PATERSON AVENUE EAST RUTHERFORD, NEW JERSEY 07073 T 973 773 4404 F 973 773 4711
DOB STAMPS AND SIGNATURES
DOB BSCAN STICKER NUMBER:
ISSUE/REVISION: 100% SCHEMATIC DESIGN DOCUMENTS
DATE: 06.22.17
DIVISION OF PUBLIC BUILDINGS CAPITAL PROJECT NUMBER:
PV669-NPC PROJECT:
NUYORICAN POETS CAFE RENOVATION 236 East 3rd Street New York, NY 10009 FOR:
NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS DRAWING TITLE:
N/S BUILDING SECTION 2
SEAL:
DATE:
06.22.2017
SCALE:
1/4" = 1'-0"
DRAWN:
AM
CHECKED:
BC
DRAWING:
0 1
4
8
A404.00 SHEET:
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Grajal de Campos
INDEPENDENT
SPRING ‘17
Entry into the Richard H. Dreihaus Architecture Competition for the pursuit of promoting and preserving the use of local building traditions in Spain. The town of Grajal de Campos is to once again become an energetic centre capable of attracting new inhabitants and visitors. At the Center of the project is Plaza Mayor. The plaza straddles old and new, between the historic Palacio to the north and the new Innovation Hub to the south. The project unites these area through a series of landscape and urban design manuevers. The introduction of materials, like painted tile, contrast to the singular palette of the town and produces a stronger genius loci in Plaza Mayor. Fountains and paving pattern correspond with the orientation of the palace, providing a nod to the town’s history. Independent Competition with: Michal Ojrzanowski
The Olive Grove
13
The Olive Grove
Palacio
Plaza Mayor
hostel
office
housing The Innovation Hub
GRAJAL DE CAMPOS
14
Large tiling is present in both the roof of the innovation hub and the stairs beside the Palacio. The brilliant colors of which are derived from Grajal’s coat of arms. The graphic presence of the tiling creates exciting way-points while utilizing the traditional material and craft of Spanish tile. The shade provided by the oversized eaves combined with the water features cools an otherwise arid atmosphere. Together, the material and conditioning of the spaces makes the Plaza more liveable. Ground Floor 1:200
The Innovation Hub
Plaza Mayor
The Olive Grove
5m
10m
20m
INDEPENDENT
SPRING ‘17
15
4840
2180
4600
Innovation Hub
4600
Steps to Olive Grove
4 Tall Tents Entry into the Architecture League of New York’s call for 4 portable structures at Socrates Sculpture Park in Queens, NY. These four tall tents provide an emblem for Socrates Sculpture park that is memorable, useful, and embraced by the community that frequents the park yearround. The mast-like design is both totem and tent. The iconic silhouette signals the park activities, and facilitates them as a mobile shelter. The erection of the tent unfolds through a kit of robust parts. The mast itself is a telescoping pole mounted on a dolly. The canvas of the tent is a highly resilient urethane coated nylon that attenuates the environment. Additional hooks and ropes provide an armature for additional use. Independent Competition with: Michal Ojrzanowski
INDEPENDENT
WINTER ‘16
17
1. roll the tent to the area of construction 2. extend the pole and pin each member 3. tether the pole to each guy line 4. dress the pole with the canopy 5. raise the tent 6. stake each line 7. party
Socrates Park can calibrate the intensity and atmosphere of events simply by the virtue of one tents proximity to another. The tents may be dispersed around the park’s perimeter as checkpoints, or closely for a festival.
Rendezvous
Rendezvous is a small pavilion designed for the forks in Winnipeg Canada. It is a charred timber stack that houses a fire to warm yourself after a day on the ice. Slowly, ash from the fire, and the structure itself, blackens the snow as people interact with it. This tiny point on the horizon grows with the mirth of the winter season. Independent competition with Michal Ojrzanowski
INDEPENDENT
SUMMER ‘15
Mitered lap joint
14 ft. - 0 in.
Countersunk 8 in. bolts at corners
21 ft. - 0 in.
Charred railroad tie 9 in. x 7 in. x 96 in. Typical
7 ft. - 0 in.
Artist designed architrave
1/2 in. fire pit ring Railtie benches Charred fire pit
A 7 ft. - 4 in.
AA
B B
3 ft. - 8 in.
B
A
14 ft. - 8 in.
A A
3 ft. - 8 in.
Cross laid timber foundation
19
How &What to Build
From the University of Michigan
U. MICH
SPRING ‘16
21
Thesis for a Master’s in Architecture from the University of Michigan. The premise is an alignment of tectonics and form through ubiquitous building systems.
B 2 Reorienta B 2
HOW & WHAT TO BUILD is designed like an old construction manual. Each chapter contains illustrations of construction details for a “model” tract house. Each element of the house is explored in an eccentric capacity so that its ultimate capability may be illustrated. At the limits of these details, the essential “house-ness” of the system is achieved. As the finished house is as ubiquitous as the one under construction, it is the goal if this thesis to enshrine the formal and tectonic applications that a low density single family environment offers.
Reorienta
Thesis Semester Prof. Keith Mitnick
abridged detail frame construction, for skewed surface 1/4th in. = 1 ft. abridged detail frame construction, for skewed surface 1/4th in. = 1 ft.
abridged detail frame construction, for skewed surface 1/4th in. = 1 ft.
HOW & WHAT TO BUILD
22
The suburban tract house is impervious to the rationalizations of urbanists everywhere. The stud frame is remarkable for its accommodation to any design and yet remains remarkable homogeneous. A series of formal maneuvers provide a shortcut to preserving the iconic form of a house while working on it. Meanwhile, a Semperian breakdown of a stud frame illustrates the moments at which the tectonics of frame construction may be operated on.
Punnett and Semper come together to form a matrix on which the different points of the model house are operated on. Combined, each formal maneuver operates on the other and spirals the construction typology to logical and illogical ends.
R - Reorientation S - Subtraction D - Dislocation I - Interruption
G-Fo - Ground to Foundation Fo-Fr - Foundation to Frame Fr-R - Frame to Roof R-S - Roof to Sky
U. MICH
SPRING ‘16
23
Directions for How & What to Build
Tortilla Terrace
U. MICH
SPRING ‘15
25
Tortilla Terrace is situated in the sleepy east side of Austin, Texas. This neighborhood is in the throes of redevelopment, spurred along by the establishment of a light-rail train that connects to the downtown. Such a connection should be a lifeline to the existing working class population of East Austin; instead, as these things go, higher rents are driving out the original residents. Rows of cheaply constructed housing stock is popping up in the wake of the neighborhood turnover to capitalize on this new market. The objective of Tortilla Terrace is to provide housing that supports alternative rent models to the newer high priced housing. This is accomplished through a mix of unit configurations that support shared rent, live/ work, and multi-generational arrangements. Each unit is crafted to meet the demands of public and private life and the seamless sharing of amenities. Through a marriage of masonry and timber construction Tortilla Terrace is a handsome fit to the sensibilities of the Austin climate. Passive systems of heating and cooling are essential to the ethos of providing a low cost environment and create the backbone of signature architectural chimneys of the project. Tortilla Terrace is a community development over nearly 5 acres. 10 rows of housing provide a total of 145 units for the young and old. 1 bedroom. (860 sf.) 2 bedroom. (120 sf.) 4 bedroom. (1720 sf.)
x x x
96 units 23 units 26 units
Multiple scales of access insure that the development is both well connected to the new transportation corridor and feels like home. Design Studio with Michal Ojrzanowski Prof. Mick Kennedy
C UNIT 2 bedroom. 1720 sf.
S UNIT 1 bedroom. 860 sf
Z UNIT 4 bedroom. 1720 sf.
S UNIT x 6 C UNIT x 3 Z UNIT x 2 S UNIT x 6 C UNIT x 2 Z UNIT x 3
TORTILLA TERRACE
26
S - UNIT PLAN
C - UNIT PLAN
The studio unit plan is built around a duel lifestyle arrangement for the single user. One side, the private, is built in masonry and consolidates all the essential functions of life; eating, sleeping, bathing. The other side, public, is frame built to accentuate its openness and provide space for small business or hosting.
The C-Unit plan provides 4 bedrooms in an over-under configuration that suits the growing family, or, like the S-Unit distinguishes between work and life. The most private bedroom on the ground floor provides total discretion in a sublet configuration or for extended family living.
U. MICH
SPRING ‘15
27
Chimney
Bath
Passive chimney Brick wrapped block interior Stucco wrapped exterior
Back Balcony
Wet wall cavity
Seating build out
Z - UNIT PLAN 2 independent living arrangements, with their own stair and bath form the Z shaped unit. Built for assisted living arrangements, both quarters are separate but share a kitchen. The tighter and more discrete quarters within the masonry shell provides the caretaker with their own space but adequate proximity to their charge.
28
TORTILLA TERRACE
Each masonry stack contains all mechanical and environmental systems. Chillers are located at the roof level and force air down to the associated units, sharing a respective meter. Hot water pump and furnace also located in the mechanical stack and ventilated directly to the exterior. Passive systems are in place to draw fresh air from ground level and up through a central chimney. Warmed air from the mechanical will augment the chimney effect to increase the passive cooling of the units. The added height of the chimney increases thermal mass and contributes to a low pressure plain over Tortilla Terrace, maximizing the effect for natural cooling.
U. MICH
SPRING ‘15
29
60’ - 0” 60’ - 0”
46’ - 3” 46’ - 3”
41’ - 3” 41’ - 3”
30’ - 8” 30’ - 8”
20’ - 8” 20’ - 8”
10’ - 8” 10’ - 8”
Stack Side Section
30
TORTILLA TERRACE
Ground Floor - Typical
U. MICH
SPRING ‘15
31
View from the Bar
Public Courtyard
Semi-Private Entrance
Live/Work Units
Public Stair
32
TORTILLA TERRACE
Second Floor - Typical
U. MICH
SPRING ‘15
33
Public Rooftop
Private Rooftop
Back Balcony
Front Door
Masonry Living
Stick Build Living
DePaul Stadium
OMA
L
Chicago is a sports town with many storied2. Synthesis venues. DePaul University basketball is being brought back into the thick of it. A 10,000 seat arena that keys into the McCormick Place Convention Center will be the new home to the Blue Demons. OPEN ARENA
PROGRAM
OPEN ARENA
PROGRAM
Re tail
Re tail
L
SUMMER ‘13 2. Synthesis
Co mm un ity
The stadium will serve as a convention hall and performance venue between games, and a community center year round. A 500 room hotel will serve McCormick Place and bring an iconic presence to the design. McCormick
L
L
Arena
Arena
PROPOSAL
+ +
Hotel
Hotel
+ +
McCormick Place West
McCormick Place West
=? =?
PROPOSAL
Convention Center
andard arena arrangements can’t
McCormick Place Event Center
McCormick Place West
Convention Center Rotating the arena opens-up the corners for hotel, retail and amenities strategically placed to respond to the neighborhood.
Seemingly in opposition, the site’s various uses— arena, hotel, convention center and retail— Community McCormick Place Event Center when strategically combined, allow for synergy between the building and the city.
McCormick Place West
Rotating the arena opens-up the corners for hotel, retail and amenities strategically placed to respond to the neighborhood.
Seemingly in opposition, the site’s various uses— arena, hotel, convention center and retail— when strategically combined, allow for synergy between the building and the city.
Professional Competition Project Architect Patrick Hobgood Contributions: concept design, model, and plans CIT Y
PROPOSAL: FULLY CONNECTED
CITY
C CoITY mm un ity
PROPOSAL: FULLY CONNECTED
Community
=! =!
Synergy between the different programs.
3. Adaptation 3. Adaptation
Co mm un ity
Retail Retail
RETAIL AND RETAIL AMMENITIES AND AMMENITIES
CITY
ng of support
Community
+ +
McCormick
andard arena arrangements can’t
ng of support
Community
Co mm un ity
35
Hotel CIT Y
Hotel
1.
2.
3.
1.
2.
3.
The proposed configuration allows for a permeable arena that adapts to its surroundings both programmatically and spatially. C
Blocks of retail, arena and hotel program are arranged in an arc arcoss the site, framing a plaza at the South West and a new multi-functional community space at the North East.
The proposed configuration allows for a permeable arena that adapts to its surroundings both programmatically and spatially.
Blocks of retail, arena and hotel program are arranged in an arc arcoss the site, framing a plaza at the South West and a new multi-functional community space at the North East.
ITY
Bridge to Convention Center
36
DePAUL STADIUM
Event Level
Entry Level
Box Level
Concessions Level
OMA
SUMMER ‘13
37
Entry Level
Stadium Section
MBCC
OMA
SPRING ‘13
The Miami Beach Convention Center is an island within an island. This concrete atoll has expanded twice since its initial construction in the 1950’s, crowding out future development. The goal of the MBCC master plan is to reurbanize the convention center district, provide new hotel and retail space, and enhance the history of South Beach. The existing convention center itself will be partially demolished and completely renovated. New ballrooms and an 800 room hotel will be perched on top of the MBCC. By moving upward, not outward, the MBCC achieves a new iconic status in South Beach. Professional Competition Project Architect Jason Long Contributions: convention center concept design and model
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MIAMI BEACH CONVENTION CENTER
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The original convention center will remain mostly intact, with a new hall added to the West. To the East the residential neighborhoods is extended.
1935 - Golf Course
1987 - Expansion II
To the south, new cultural and retail buildings activate the space and create a new civic band between the convention center and 17th Street.
1957 - Built
2013 - South Beach ACE
1968 - expansion I
South Beach Arts Culture Entertainment (ACE) is a team comprised of Tishman Development, OMA, and Michael Van Valkenburgh Associates.
OMA
SPRING ‘13
The hotel is perched atop the convention center. However each remains autonomous in terms of program; both posses their own ballrooms and service space.
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Solar Roof Hotel Terrace and Pools
800 Room Hotel
Ballroom 40,000 sqf. MBCC Ballroom 15,000 sqf. Hotel
Ballroom 60,000 sqf. MBCC
Ballroom 10,000 sqf. Hotel Parking Deck 220 parking spaces
Meeting Room 57,500 sqf. MBCC
Hall A 172,500 sqf. Hall B 179,700 sqf. Hall C 148,700 sqf.
MBCC Lobby Hotel Lobby Axon
Starting with its role as the original Miami Beach Mu NORTH PARK nicipal history MIAMI BEACH CONVENTION CENTER 42 Golf Course, the site has an important as an open space within Miami Beach. Our masterplan reestablishes the area around the Convention Center as a new public amenity for the city, with 28 acres of public open space. Planting: Paths: Total :
WEST PARK
Planting: Paths: Total :
88,710sf 28,800sf 117,510sf
215,500sf 141,000sf 356,500sf
CC DRIVE
Streetscape : 17,000sf
WASHINGTON
Streetscape: 16,122sf
PLAZA
68,450sf
18th Street (E) Planting: Paths: Total:
13,950sf 32,000sf 46,000sf
CITY HALL
The master plan reestablishes the area around the Convention Center as a new public amenity for the city, with 28 acres of public open space. To the West and South of the Convention Center, hard-scaped plaza areas provide new civic areas that can also be used as temporary exhibition and spill out or tented spaces for events like Art Basel and the Miami Boat Expo.
Planting: Paths: Total:
44,450sf 35,670sf 80,120sf
GLEASON
Planting: Paths: Total :
MEDIAN 17th Streetscape
Streetscape 11,250sf
Planting: Paths: Total:
67,650sf 42,900sf 110,550sf
21,280sf 14,906sf 35,615sf
Public 17.2 acres 748,550sf
Flexible Outdoor Space NORTH PARK
To the West and South of the Convention Center, hardscaped plaza areas provide new civic areas that can also be used as temporary exhibition and spill out or tented spaces for events like Art Basel and the Boat Show. Planting: Paths: Total :
215,500sf 141,000sf 356,500sf
PARK DRIVE Convention CenterWESTDrive hasCCbeen reconfigured as a shared surface road and the traffic strategy con WASHINGTON figured to allow it to be closed, creating 60,000 sf of space for events or public programing. In addition to 18th Street (E) PLAZA this hardscaped space, a 65,000 sf lawn area pro vides additional space for functions and events. Planting: Paths: Total :
88,710sf 28,800sf 117,510sf
Streetscape : 17,000sf
Streetscape: 16,122sf
68,450sf
Planting: Paths: Total:
13,950sf 32,000sf 46,000sf
CITY HALL
At the Convention Center entry to the south, the GLEASON MBCC plaza provides 70,000 sf of dedicated space free from obstructions that can house tentsMEDIAN for large exhibits or other smaller installations for community 17th Streetscape events. In addition, 45,000 sf in front of the Jackie Gleason Theater can also be used for events. Planting: Paths: Total:
44,450sf 35,670sf 80,120sf
Planting: Paths: Total :
Planting: Paths: Total:
Streetscape 11,250sf
Public 17.2 acres 748,550sf
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South Beach ACE
67,650sf 42,900sf 110,550sf
21,280sf 14,906sf 35,615sf
Public Space
Flex Space
OMA
SPRING ‘13
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=Convention center =Residential =Civic Amenities =Entertainment =Dining/shopping =Hotel
1 . Convention Center (existing) 2 . Convention Center (new build) 3 . Hotel with Office Space 4 . Residential 5 . City Hall (existing) 6 . Jackie Gleason (renovation) 7 . Gourmet Dining 8 . Museum of Modern Art 9 . Transit Terminal 10 . Parking and Shopping 11 . New World Symphony (existing)
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4 3 5
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Ground Level Master Plan 0
50’
100’
200’
400’
Colpatria Tower
OMA
FALL ‘12
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Colpatria Tower is designed as a super highend residence in Bogota, Columbia. The site is surrounded by two urban datums: 5 to 6 story buildings along tree-lined streets, and a sprinkling of taller towers that pierce through the tree line. The building’s mass takes advantage of these two conditions by splitting the building in two main masses. The top volume hovers above the trees’ foliage, taking advantage of unobstructed views towards the city and the mountains. At the bottom volume, the building’s footprint is sheared, creating two longitudinal gardens that flank its north and south. Professional Competition Project Architect Rami Abou-Khalil Contributions: concept design and model
Lower Volume
Concept
Upper Volume
Concept Models
COLPATRIA TOWER Upper Volume
Lower Volume 3BR
2BR
Upper Volume
4BR
Lower Volume
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Ground Floor Lobby
Unit Breakdown
OMA
FALL ‘12
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Each unit revolves around a shaft that brings fresh air into the building and facilitates service to each apartment. An amenity floor occupies the space between the split volumes and provides dinning and recreational space, amongst other programs.
Floor 3 Plan Lower Volume
Section
The Monuseum
UIUC
SPRING 2012
Going to school in the middle of the Middle West gives you time to think. Architecture is over the 3 point curve, Corbusier’s 5 rules, and the 9 square house. It is the age of architecture without architects, and it was invented here on the great plains. We gave the world silos, stockyards, and highways; now its time for a redux. In our age of digitization and mass-customization, everyone is shaping their world. In the most generic pursuit “the quest for individuality”, people are becoming more like themselves (unique like everyone else). In our ever crowded world, we can’t seem share anything. Community, likewise, is being customized. The chat room and fanzine moving people ever and ever into communities of their own design. Is it a bad thing to be ever more pigeonholed? Perhaps not, but when do the modifiers run out on “Caucasian Over-40 SCUBA Enthusiasts for the Continued Use of Print Publishing, LGBT”. This issue extends from man to his environment. Rem Koolhaas in his essay “Generic City” describes a case of this
modern schizoid tendency. Koolhaas’ cities have an identity crisis, competing with themselves to be both individual/cutting edge and regional/historic. But if his intent is to just let buildings be, better to let people alone too. GIVE UP! The collective cannot compete with itself in the pursuit for collectivity. In the pursuit of regionalism, the million dollar museum will never compete with the converted one-room-school-house. THINK BIG! As repository for emotions and memories the monument is the answer to unifying the populace. Via experience, rather than content, a monuseum can bring people together. The Monuseum: familiar and strange, wild and calculated, impressive and mundane, historic and non-contextual. Constructed in the heart of the Midwest, a land most schizoid in its typography. The Monuseum defines collectivity through experience. Design Studio with Caitlin Hubbs Prof. Stuart Hicks
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MONUSEUM
The Monuseum is understood by everyone. The dizzying repetition of forms challenges one’s perception but perhaps recalls a familiar place or one seen in National Geographic.
Above: Oblique Ink, charcoal, wash on cotton board
UIUC
SPRING 2012
This project is a result of a studio focusing on the legitimacy of museums today. Especially as they pertain to an increasingly diversified landscapes, here the Midwest.
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Clockwise from Top Left: Section Ink, charcoal, wash on cotton board Massing Model Plaster and acrylic Plan, Entirety of Monuseum Ink, charcoal, wash on cotton board Plan, Entry Level Ink. charcoal, wash on cotton board
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SUPPLEMENTS
Photo from the OMA Model Shop
OMA MBCC Final Model Resin
OMA ChAD Concept Model Rubber and Acrylic
OMA Colpatria Tower Final Model Acrylic with Wood
OMA MBCC Final Model Resin
OMA MBCC Final Model Acrylic with Natural Materials
SUPER MODELS
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OMA Project for Brasil Concept Model Resin
OMA DePaul Stadium Concept Model Resin
OMA DePaul Stadium Final Model Acrylic
OMA Facade Detail, 1/2 Scale Plaster
OMA Project for Brasil Concept Model Wood and Resin
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SUPPLEMENTS
OMA Depaul Stadium Concept Model Foam, Wood and Resin
University of Michigan Sunnyside City Final Model Cedar Wood and Acrylic
University of Michigan Love Child Concept Model Foam and Urethane Resin
University of Michigan Tortilla Terrace Final Model Foam
University of Michigan Thesis - How & What to Build Final Model Foam
SUPER MODELS
University of Illinois Monuseum Final Model Cork Wood and Gesso
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OMA Bay Grove Miami Final Model Acrylic
University of Michigan Model City, Tortilla Terrace
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PROFILE
Andrew received his Master’s degree in Architecture from the University of Michigan in 2016 and his Bachelor’s of Science in Architectural Studies from the University of Illinois at Urbana-Champaign in 2012. Andrew has worked at Rice + Lipka in New York City since 2016 where he worked on public projects including the award winning NYPD Bomb Squad HQ and the renovation of the Nuyorican Poets Cafe. Prior to attaining his Master’s degree Andrew spent 2 years at the Office of Metropolitan Architecture (OMA) in New York under Shohei Shigematsu. At OMA Andrew served as a Junior Architect and Model Shop Manager, contributing to the success of such projects as the winning entry for the new Miami Beach Convention Center, and the development of the Bay Grove condominiums. Andrew possesses a deep knowledge of physical modeling and architectural fabrication that brings a material sensibility to his work.
RESUME
EXPERIENCE Junior Architect, Rice + Lipka; New York City, NY — 2016 - 2017 Designer involved in mid-scale, public projects in NYC. Each job requires a familiarity with New York City municipal codes and a strong understanding of building construction. Projects include 100% CD’s for the NYPD Bomb Squad HQ and 100% schematic design for the Nuyorican Poet Cafe renovation and extension. Fabrication Technician, University of Michigan; Ann Arbor, MI — 2014 - 2016 Operator and programmer of CNC operated milling and water jet cutting. Additional obligations include fulfilling orders and working with clients, and a familiarity with a diverse array of materials. Junior Architect, Till Inc.; New York City, NY — Summer 2015 The completion of drawings and bidding for the build-out of Till Inc.’s home office in Chinatown, NYC. Junior Architect/Model Shop Manager, OMA; New York City, NY — 2013 - 2014 Designer across a range of scales from master plans to residences including: the schematic design phase for condominiums in Miami, Florida at the Bay Grove Development, the competition for a new city center in Bogota, Columbia (winning competition), a competition for the DePaul Stadium, The George Lucas Museum competition and more. Intern Architect, OMA; New York City, NY — 2012 - 2013 Model making and schematic design for numerous competition entries including the Miami Beach Convention Center master plan competition (winning competition). Intern Architect, Carbondale; Paris, France — Summer 2011 Draftsman of schematic drawings and construction documents for the BMW and Longchamp flagship stores in Paris. EDUCATION University of Michigan, Ann Arbor, MI — M. Arch 2016 University of Illinois, Champaign-Urbana, IL — B.S. in Architecture 2012 SKILLS Digital: Adobe suite (Photoshop, InDesign, Illustrator, AfterEffects), MS suite, autoCAD, Revit, Rhino, V-Ray, 3Ds Max, ArchGIS Fabrication: 3d printing, CNC Milling, Sculpting, Molding, Welding, Casting
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PROJECT